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REPORTS
on June 7, 2021 at 1pm EDT, as part of the IASPM Research Seminar series, IASPM-US will be hosting a one hour virtual seminar entitled “Say it Loud: Black Voices in U.S. Popular Music Studies” moderated by Dr. De Angela L. Duff. The seminar will feature presentations by Drs. Brittnay L. Proctor, Matthew D. Morrison, Elliott H. Powell, Kimberly R. Mack, and Daphne A. Brooks about theirWELCOME TO IASPM
The International Association for the Study of Popular Music (IASPM) is an international organization established to promote inquiry, scholarship and analysis in the area of popular music. RESEARCH SEMINAR SERIES The International Association for the Study of Popular Music (IASPM) has a monthly Online Research Seminar Series. This will feature a curated selection of research presentations and discussions, which will be hosted by different IASPM Branches each month.MINUTES AND REPORTS
This archive stores minutes from all General Meetings, reports of the IASPM Executive Committee (EC), minutes of the meetings of the Executive Committee, reports of the IASPM Board of Representatives, and important EC letters to the members. JOURNAL OF POPULAR MUSIC STUDIES (NEW SPECIAL ISSUE) here’s the link to the (for now) open-access special issue: https://online.ucpress.edu/jpms/issue/32/2 Uncharted Country: New Voices and Perspectives in Country PROGECT NETWORK 2021: TOWARDS A CONTEMPORARY UNDERSTANDING Dear colleagues, We are pleased to announce the conference, “Progect Network 2021: Towards a Contemporary Understanding of Progressive Rockand Metal,” to
CFP: PROGRESSIVE ROCK AND METAL Deadline 15 September 2019 Progressive Rock and Metal: Towards a Contemporary Understanding The 4th Biennial International Conference of the Progect Network for the Study of Progressive Rock CFP: XXI BIENNIAL IASPM CONFERENCE IN DAEGU, SOUTH KOREA “Climates of Popular Music”, 21st Biennial Conference of the International Association for the Study of Popular Music!!! Update (see the separate message above): Please note the extended deadline 31August, 2020!!!
MUSIC AND ENVIRONMENT Call for papers Music and Environment Symposium University of Technology, Sydney Friday 26 April 2013. Music relates to different types of environmental transformations: social, economic, political, cultural or technological, while environmental changes can be heard in music and soundscapes.There has been an increase in academic discourse relating to the ecology of sound, or HEAVY METAL AND POPULAR CULTURE Call for papers Heavy Metal and Popular Culture 4-7 April 2013 Bowling Green State University Bowling Green, Ohio. The Department of Popular Culture at Bowling Green State University, in collaboration with Heavy Fundametalisms: Metal, Music and Politics and the International Society for Metal Music Studies (ISMMS), announce the International Conference on Heavy Metal and Popular IASPM | INTERNATIONAL ASSOCIATION FOR THE STUDY OF POPULARWELCOME TO IASPMHOW TO JOINIASPM MAILING LISTEXECUTIVE COMMITTEEMINUTES ANDREPORTS
on June 7, 2021 at 1pm EDT, as part of the IASPM Research Seminar series, IASPM-US will be hosting a one hour virtual seminar entitled “Say it Loud: Black Voices in U.S. Popular Music Studies” moderated by Dr. De Angela L. Duff. The seminar will feature presentations by Drs. Brittnay L. Proctor, Matthew D. Morrison, Elliott H. Powell, Kimberly R. Mack, and Daphne A. Brooks about theirWELCOME TO IASPM
The International Association for the Study of Popular Music (IASPM) is an international organization established to promote inquiry, scholarship and analysis in the area of popular music. RESEARCH SEMINAR SERIES The International Association for the Study of Popular Music (IASPM) has a monthly Online Research Seminar Series. This will feature a curated selection of research presentations and discussions, which will be hosted by different IASPM Branches each month.MINUTES AND REPORTS
This archive stores minutes from all General Meetings, reports of the IASPM Executive Committee (EC), minutes of the meetings of the Executive Committee, reports of the IASPM Board of Representatives, and important EC letters to the members. JOURNAL OF POPULAR MUSIC STUDIES (NEW SPECIAL ISSUE) here’s the link to the (for now) open-access special issue: https://online.ucpress.edu/jpms/issue/32/2 Uncharted Country: New Voices and Perspectives in Country PROGECT NETWORK 2021: TOWARDS A CONTEMPORARY UNDERSTANDING Dear colleagues, We are pleased to announce the conference, “Progect Network 2021: Towards a Contemporary Understanding of Progressive Rockand Metal,” to
CFP: PROGRESSIVE ROCK AND METAL Deadline 15 September 2019 Progressive Rock and Metal: Towards a Contemporary Understanding The 4th Biennial International Conference of the Progect Network for the Study of Progressive Rock CFP: XXI BIENNIAL IASPM CONFERENCE IN DAEGU, SOUTH KOREA “Climates of Popular Music”, 21st Biennial Conference of the International Association for the Study of Popular Music!!! Update (see the separate message above): Please note the extended deadline 31August, 2020!!!
MUSIC AND ENVIRONMENT Call for papers Music and Environment Symposium University of Technology, Sydney Friday 26 April 2013. Music relates to different types of environmental transformations: social, economic, political, cultural or technological, while environmental changes can be heard in music and soundscapes.There has been an increase in academic discourse relating to the ecology of sound, or HEAVY METAL AND POPULAR CULTURE Call for papers Heavy Metal and Popular Culture 4-7 April 2013 Bowling Green State University Bowling Green, Ohio. The Department of Popular Culture at Bowling Green State University, in collaboration with Heavy Fundametalisms: Metal, Music and Politics and the International Society for Metal Music Studies (ISMMS), announce the International Conference on Heavy Metal and Popular IASPM | INTERNATIONAL ASSOCIATION FOR THE STUDY OF POPULAR Please note this symposium on The Impacts of Covid-19 on the Live Music Industries, organised by Prof. Paul Carr, with plans for subsequent publication of a special issue in the Journal of World Popular Music.. For info and link to register for the event, seeMINUTES AND REPORTS
This archive stores minutes from all General Meetings, reports of the IASPM Executive Committee (EC), minutes of the meetings of the Executive Committee, reports of the IASPM Board of Representatives, and important EC letters to the members.BOOK PRIZE | IASPM
The current call can be found from here: https://www.iaspm.net/2021-iaspm-book-prize/ Previous Winners of IASPM’s Book Prize. 2019 Award: Owen Coggins, Mysticism 2021 IASPM BOOK PRIZE Dear IASPM members. A public award will be given by IASPM for two outstanding first books by a single author on popular music, one in English, the other in any other language, at IASPM | INTERNATIONAL ASSOCIATION FOR THE STUDY OF POPULAR Symposium on the Music of Carnival. We invite abstracts for presentations at a Symposium on carnival music to be held virtually October 2, 2021, and hosted by the Instituto de Etnomusicologia at Universidade Nova de Lisboa (Portugal) and Ryerson University (Canada). 2021 may be exceptional as a year without the annual carnival in many parts of the world, and this absence can invite us to IASPM | INTERNATIONAL ASSOCIATION FOR THE STUDY OF POPULAR 2021 Popular Music Books in Process Series, Call for Presentations. Since June, in response to the Covid-19 crisis, Popular Music Books in Process has presented a weekly online event for music writers and scholars to showcase their new books or books in progress to an engaged and interactive audience. INTERNATIONAL CONFERENCE ON MUSICAL FORM The Formal Theory Study Group is pleased to announce that the rescheduled International Conference on Musical Form will take place virtually on 21st-23rd June, 13:00-19:00 (BST).IASPM STATUTES
Registration Document: English and Swedish 1. Name and Seat. The name of the Association is ‘The International Association for the Study of Popular Music’ (IASPM). IASPM | INTERNATIONAL ASSOCIATION FOR THE STUDY OF POPULAR Dear IASPM-ites, With apologies for cross-posting: Jonas Menze and I are pleased to be able to announce that our latest book, Gear Acquisition Syndrome – Consumption of Instruments and Technology in Popular Music, featuring a foreword by Steve Waksman, has been published today.Scholars interested in how musicians acquire, use, collect and regard musical equipment as part of their extended IASPM | INTERNATIONAL ASSOCIATION FOR THE STUDY OF POPULAR The Music and Sound Studies Network of the German Studies Association (GSA) invites proposals from scholars for panels at the 45 th Annual Conference in Indianapolis, IN, from September 30 – October 3, 2021. We welcome proposals that consider how ecologies of sound have manifested themselves in German-speaking communities or German spaces throughout the world, and the ways in which these IASPM | INTERNATIONAL ASSOCIATION FOR THE STUDY OF POPULARWELCOME TO IASPMHOW TO JOINIASPM MAILING LISTEXECUTIVE COMMITTEEMINUTES ANDREPORTS
on June 7, 2021 at 1pm EDT, as part of the IASPM Research Seminar series, IASPM-US will be hosting a one hour virtual seminar entitled “Say it Loud: Black Voices in U.S. Popular Music Studies” moderated by Dr. De Angela L. Duff. The seminar will feature presentations by Drs. Brittnay L. Proctor, Matthew D. Morrison, Elliott H. Powell, Kimberly R. Mack, and Daphne A. Brooks about theirWELCOME TO IASPM
The International Association for the Study of Popular Music (IASPM) is an international organization established to promote inquiry, scholarship and analysis in the area of popular music.MINUTES AND REPORTS
This archive stores minutes from all General Meetings, reports of the IASPM Executive Committee (EC), minutes of the meetings of the Executive Committee, reports of the IASPM Board of Representatives, and important EC letters to the members. 2021 IASPM BOOK PRIZE Dear IASPM members. A public award will be given by IASPM for two outstanding first books by a single author on popular music, one in English, the other in any other language, at IASPM 2021 (DAEGU, SOUTH KOREA, JULY 6-10, 2021) UPDATE Greetings! The Local Organizing Committee is pleased to invite you to the 21 st Biennial Conference of the International Association for the Study of Popular Music to be held in Daegu, South Korea, for 5 days from July 6 to 10, 2021. Here are some latest updates on the conference, including the keynote speakers. CFP: XXI BIENNIAL IASPM CONFERENCE IN DAEGU, SOUTH KOREA “Climates of Popular Music”, 21st Biennial Conference of the International Association for the Study of Popular Music!!! Update (see the separate message above): Please note the extended deadline 31August, 2020!!!
PROGECT NETWORK 2021: TOWARDS A CONTEMPORARY UNDERSTANDING Dear colleagues, We are pleased to announce the conference, “Progect Network 2021: Towards a Contemporary Understanding of Progressive Rockand Metal,” to
CFP: PROGRESSIVE ROCK AND METAL Deadline 15 September 2019 Progressive Rock and Metal: Towards a Contemporary Understanding The 4th Biennial International Conference of the Progect Network for the Study of Progressive Rock MUSIC AND ENVIRONMENT Call for papers Music and Environment Symposium University of Technology, Sydney Friday 26 April 2013. Music relates to different types of environmental transformations: social, economic, political, cultural or technological, while environmental changes can be heard in music and soundscapes.There has been an increase in academic discourse relating to the ecology of sound, or HEAVY METAL AND POPULAR CULTURE Call for papers Heavy Metal and Popular Culture 4-7 April 2013 Bowling Green State University Bowling Green, Ohio. The Department of Popular Culture at Bowling Green State University, in collaboration with Heavy Fundametalisms: Metal, Music and Politics and the International Society for Metal Music Studies (ISMMS), announce the International Conference on Heavy Metal and Popular IASPM | INTERNATIONAL ASSOCIATION FOR THE STUDY OF POPULARWELCOME TO IASPMHOW TO JOINIASPM MAILING LISTEXECUTIVE COMMITTEEMINUTES ANDREPORTS
on June 7, 2021 at 1pm EDT, as part of the IASPM Research Seminar series, IASPM-US will be hosting a one hour virtual seminar entitled “Say it Loud: Black Voices in U.S. Popular Music Studies” moderated by Dr. De Angela L. Duff. The seminar will feature presentations by Drs. Brittnay L. Proctor, Matthew D. Morrison, Elliott H. Powell, Kimberly R. Mack, and Daphne A. Brooks about theirWELCOME TO IASPM
The International Association for the Study of Popular Music (IASPM) is an international organization established to promote inquiry, scholarship and analysis in the area of popular music.MINUTES AND REPORTS
This archive stores minutes from all General Meetings, reports of the IASPM Executive Committee (EC), minutes of the meetings of the Executive Committee, reports of the IASPM Board of Representatives, and important EC letters to the members. 2021 IASPM BOOK PRIZE Dear IASPM members. A public award will be given by IASPM for two outstanding first books by a single author on popular music, one in English, the other in any other language, at IASPM 2021 (DAEGU, SOUTH KOREA, JULY 6-10, 2021) UPDATE Greetings! The Local Organizing Committee is pleased to invite you to the 21 st Biennial Conference of the International Association for the Study of Popular Music to be held in Daegu, South Korea, for 5 days from July 6 to 10, 2021. Here are some latest updates on the conference, including the keynote speakers. CFP: XXI BIENNIAL IASPM CONFERENCE IN DAEGU, SOUTH KOREA “Climates of Popular Music”, 21st Biennial Conference of the International Association for the Study of Popular Music!!! Update (see the separate message above): Please note the extended deadline 31August, 2020!!!
PROGECT NETWORK 2021: TOWARDS A CONTEMPORARY UNDERSTANDING Dear colleagues, We are pleased to announce the conference, “Progect Network 2021: Towards a Contemporary Understanding of Progressive Rockand Metal,” to
CFP: PROGRESSIVE ROCK AND METAL Deadline 15 September 2019 Progressive Rock and Metal: Towards a Contemporary Understanding The 4th Biennial International Conference of the Progect Network for the Study of Progressive Rock MUSIC AND ENVIRONMENT Call for papers Music and Environment Symposium University of Technology, Sydney Friday 26 April 2013. Music relates to different types of environmental transformations: social, economic, political, cultural or technological, while environmental changes can be heard in music and soundscapes.There has been an increase in academic discourse relating to the ecology of sound, or 2021 IASPM BOOK PRIZE Dear IASPM members. A public award will be given by IASPM for two outstanding first books by a single author on popular music, one in English, the other in any other language, at IASPM | INTERNATIONAL ASSOCIATION FOR THE STUDY OF POPULAR Symposium on the Music of Carnival. We invite abstracts for presentations at a Symposium on carnival music to be held virtually October 2, 2021, and hosted by the Instituto de Etnomusicologia at Universidade Nova de Lisboa (Portugal) and Ryerson University (Canada). 2021 may be exceptional as a year without the annual carnival in many parts of the world, and this absence can invite us toBOOK PRIZE | IASPM
The current call can be found from here: https://www.iaspm.net/2021-iaspm-book-prize/ Previous Winners of IASPM’s Book Prize. 2019 Award: Owen Coggins, Mysticism IASPM | INTERNATIONAL ASSOCIATION FOR THE STUDY OF POPULAR Heavy Metal Music and Dis/Ability seeks authors to join this edited volume of essays.. While many metal scholars have discussed people with disabilities and their lives in/with heavy metal music informally, or as part of panel discussions, little is in publication about music and people with disabilities, let alone metalheads anddisability.
IASPM STATUTES
Registration Document: English and Swedish 1. Name and Seat. The name of the Association is ‘The International Association for the Study of Popular Music’ (IASPM). IASPM | INTERNATIONAL ASSOCIATION FOR THE STUDY OF POPULAR 2021 Popular Music Books in Process Series, Call for Presentations. Since June, in response to the Covid-19 crisis, Popular Music Books in Process has presented a weekly online event for music writers and scholars to showcase their new books or books in progress to an engaged and interactive audience. IASPM | INTERNATIONAL ASSOCIATION FOR THE STUDY OF POPULAR The Music and Sound Studies Network of the German Studies Association (GSA) invites proposals from scholars for panels at the 45 th Annual Conference in Indianapolis, IN, from September 30 – October 3, 2021. We welcome proposals that consider how ecologies of sound have manifested themselves in German-speaking communities or German spaces throughout the world, and the ways in which these IASPM | INTERNATIONAL ASSOCIATION FOR THE STUDY OF POPULAR Call for Papers – Song, Stage and Screen XV. We are delighted to be able to announce the Call for Papers for Song, Stage and Screen XV: “Mobilities – Stage and Film Musical in Motion”, to be held at Salzburg University (Austria) from June 30 – July 3, 2021.. We invite papers that scrutinize the stage and film musical through thenotion of mobility.
IASPM | INTERNATIONAL ASSOCIATION FOR THE STUDY OF POPULAR Fantasy and music have always been closely linked through the association of music and creative powers. Thus in Tolkien’s Ainulindalë, music gives birth to the world, and evil is first manifested as a discordant theme in the symphony the Ainur compose.In addition, The Lord of the Rings is intertwined with songs and poems, a feature that also appears in the works of post-Tolkienian writers HEAVY METAL AND POPULAR CULTURE Call for papers Heavy Metal and Popular Culture 4-7 April 2013 Bowling Green State University Bowling Green, Ohio. The Department of Popular Culture at Bowling Green State University, in collaboration with Heavy Fundametalisms: Metal, Music and Politics and the International Society for Metal Music Studies (ISMMS), announce the International Conference on Heavy Metal and Popular IASPM | INTERNATIONAL ASSOCIATION FOR THE STUDY OF POPULARWELCOME TO IASPMHOW TO JOINIASPM MAILING LISTEXECUTIVE COMMITTEEMINUTES ANDREPORTS
The Journal of Popular Music Studies (JPMS) is accepting applications for two co-editors to begin three-year terms on July 1, 2021. JPMS , published on behalf of the United States branch of the International Association for the Study of Popular Music (IASPM-US), is a peer-reviewed journal dedicated to research on popular musicthroughout the
WELCOME TO IASPM
Welcome to IASPM. The International Association for the Study of Popular Music (IASPM) is an international organization established to promote inquiry, scholarship and analysis in the area of popular music. Founded in 1981, IASPM has grown into an international network. RESEARCH SEMINAR SERIES The International Association for the Study of Popular Music (IASPM) has a monthly Online Research Seminar Series. This will feature a curated selection of research presentations and discussions, which will be hosted by different IASPM Branches each month. There are a few things to announce about the IASPM Monthly Online Research Seminars. IASPM 2021 (DAEGU, SOUTH KOREA, JULY 6-10, 2021) UPDATE The Local Organizing Committee is pleased to invite you to the 21 st Biennial Conference of the International Association for the Study of Popular Music to be held in Daegu, South Korea, for 5 days from July 6 to 10, 2021. Here are some latest updates on the conference, including the keynote speakers. 1) Thanks to popular demands, we decided to CFP: XXI BIENNIAL IASPM CONFERENCE IN DAEGU, SOUTH KOREA To address these issues, as well as any other questions and topics related to the past, present and future climates of popular music, the International Association for the Study of Popular Music invites proposals for the twenty-first IASPM biennial conference, to be held at Kyungpook National University in Daegu, South Korea, July 6-10,2021.
CFP: PROGRESSIVE ROCK AND METAL Deadline 15 September 2019 Progressive Rock and Metal: Towards a Contemporary Understanding The 4th Biennial International Conference of the Progect Network for the Study of Progressive Rock PROGECT NETWORK 2021: TOWARDS A CONTEMPORARY UNDERSTANDING Dear colleagues, We are pleased to announce the conference, “Progect Network 2021: Towards a Contemporary Understanding of Progressive Rockand Metal,” to
SOUNDS OF THEN, SOUNDS OF NOW: POPULAR MUSIC IN AUSTRALIA Sounds of then, sounds of now Popular music in Australia Edited by Shane Homan and Tony Mitchell Hobart: ACYS Publishing, June 2008. In Sounds of then, sounds of now: Popular music in Australia some of the country’s most respected popular music researchers, musicians and music journalists document a range of past and present Australiansounds and scenes.
MUSIC AND ENVIRONMENT Music and Environment Symposium. University of Technology, Sydney. Friday 26 April 2013. Music relates to different types of environmental transformations: social, economic, political, cultural or technological, while environmental changes can be heard in music and soundscapes. There has been an increase in academic discourserelating to the
IASPM - JOSEPH G. SCHLOSS (2004) MAKING BEATS: THE ART OF Joseph G. Schloss Making Beats: The Art of Sample-Based Hip Hop (Middletown, CT: Wesleyan University Press, 2004) Review by Karen Collins : With so much of the literature (both academic and otherwise) on hip-hop focussing on the lyrics and emcees, it is refreshing to read Joseph Schloss’ take on the musical side of hip-hop--sampling. IASPM | INTERNATIONAL ASSOCIATION FOR THE STUDY OF POPULARWELCOME TO IASPMHOW TO JOINIASPM MAILING LISTEXECUTIVE COMMITTEEMINUTES ANDREPORTS
The Journal of Popular Music Studies (JPMS) is accepting applications for two co-editors to begin three-year terms on July 1, 2021. JPMS , published on behalf of the United States branch of the International Association for the Study of Popular Music (IASPM-US), is a peer-reviewed journal dedicated to research on popular musicthroughout the
WELCOME TO IASPM
Welcome to IASPM. The International Association for the Study of Popular Music (IASPM) is an international organization established to promote inquiry, scholarship and analysis in the area of popular music. Founded in 1981, IASPM has grown into an international network. RESEARCH SEMINAR SERIES The International Association for the Study of Popular Music (IASPM) has a monthly Online Research Seminar Series. This will feature a curated selection of research presentations and discussions, which will be hosted by different IASPM Branches each month. There are a few things to announce about the IASPM Monthly Online Research Seminars. IASPM 2021 (DAEGU, SOUTH KOREA, JULY 6-10, 2021) UPDATE The Local Organizing Committee is pleased to invite you to the 21 st Biennial Conference of the International Association for the Study of Popular Music to be held in Daegu, South Korea, for 5 days from July 6 to 10, 2021. Here are some latest updates on the conference, including the keynote speakers. 1) Thanks to popular demands, we decided to CFP: XXI BIENNIAL IASPM CONFERENCE IN DAEGU, SOUTH KOREA To address these issues, as well as any other questions and topics related to the past, present and future climates of popular music, the International Association for the Study of Popular Music invites proposals for the twenty-first IASPM biennial conference, to be held at Kyungpook National University in Daegu, South Korea, July 6-10,2021.
CFP: PROGRESSIVE ROCK AND METAL Deadline 15 September 2019 Progressive Rock and Metal: Towards a Contemporary Understanding The 4th Biennial International Conference of the Progect Network for the Study of Progressive Rock PROGECT NETWORK 2021: TOWARDS A CONTEMPORARY UNDERSTANDING Dear colleagues, We are pleased to announce the conference, “Progect Network 2021: Towards a Contemporary Understanding of Progressive Rockand Metal,” to
SOUNDS OF THEN, SOUNDS OF NOW: POPULAR MUSIC IN AUSTRALIA Sounds of then, sounds of now Popular music in Australia Edited by Shane Homan and Tony Mitchell Hobart: ACYS Publishing, June 2008. In Sounds of then, sounds of now: Popular music in Australia some of the country’s most respected popular music researchers, musicians and music journalists document a range of past and present Australiansounds and scenes.
MUSIC AND ENVIRONMENT Music and Environment Symposium. University of Technology, Sydney. Friday 26 April 2013. Music relates to different types of environmental transformations: social, economic, political, cultural or technological, while environmental changes can be heard in music and soundscapes. There has been an increase in academic discourserelating to the
IASPM - JOSEPH G. SCHLOSS (2004) MAKING BEATS: THE ART OF Joseph G. Schloss Making Beats: The Art of Sample-Based Hip Hop (Middletown, CT: Wesleyan University Press, 2004) Review by Karen Collins : With so much of the literature (both academic and otherwise) on hip-hop focussing on the lyrics and emcees, it is refreshing to read Joseph Schloss’ take on the musical side of hip-hop--sampling. IASPM | INTERNATIONAL ASSOCIATION FOR THE STUDY OF POPULAR You are warmly invited to attend a free, half-day online symposium – the Popular Music Studies Research Day – with renowned speakers Laina Dawes (US), Prof Steve Waksman (US) and Dr Paula Wolfe (UK) to discuss: what it means to be a black artist, the advent of arena rap, and the poetry of the recording studio.. Continue reading →BOOK PRIZE | IASPM
The current call can be found from here: https://www.iaspm.net/2021-iaspm-book-prize/ Previous Winners of IASPM’s Book Prize. 2019 Award: Owen Coggins, Mysticism IASPM | INTERNATIONAL ASSOCIATION FOR THE STUDY OF POPULAR DEADLINE EXTENDED! The Journal of Popular Music Studies (JPMS) is accepting applications for two co-editors to begin three-year terms on July 1, 2021.JPMS, published on behalf of the United States branch of the International Association for the Study of Popular Music (IASPM-US), is a peer-reviewed journal dedicated to research on popular music throughout the world, approached from a variety of IASPM | INTERNATIONAL ASSOCIATION FOR THE STUDY OF POPULAR Heavy Metal Music and Dis/Ability seeks authors to join this edited volume of essays.. While many metal scholars have discussed people with disabilities and their lives in/with heavy metal music informally, or as part of panel discussions, little is in publication about music and people with disabilities, let alone metalheads anddisability.
IASPM RULES OF PROCEDURE IASPM Rules of Procedure. 1. Membership 1.1. The term of membership covered by payment to the Association is one calendar year period (see paragraph 1.5 ). 1.2. Branches shall transmit the total of annual dues collected from their membership by April 1st. The total fee from national branches is based upon membership figures from the previousyear.
MINUTES AND REPORTS
Minutes and Reports. This archive stores minutes from all General Meetings, reports of the IASPM Executive Committee (EC), minutes of the meetings of the Executive Committee, reports of the IASPM Board of Representatives, and important EC letters to the members. Warning: as most of these documents were reconstructed by OCR (Optical Character IASPM | INTERNATIONAL ASSOCIATION FOR THE STUDY OF POPULAR We are pleased to host the seventh Inter-Asia Popular Music Studies Group (IAPMS or Inter-Asia Pop) Online Workshop. On Thursday, April 15, Dr. Jian Xiao will give a talk on punk in China and Indonesia. IASPM | INTERNATIONAL ASSOCIATION FOR THE STUDY OF POPULAR Call for Papers – Song, Stage and Screen XV. We are delighted to be able to announce the Call for Papers for Song, Stage and Screen XV: “Mobilities – Stage and Film Musical in Motion”, to be held at Salzburg University (Austria) from June 30 – July 3, 2021.. We invite papers that scrutinize the stage and film musical through thenotion of mobility.
IASPM | INTERNATIONAL ASSOCIATION FOR THE STUDY OF POPULAR Symposium on the Music of Carnival. We invite abstracts for presentations at a Symposium on carnival music to be held virtually October 2, 2021, and hosted by the Instituto de Etnomusicologia at Universidade Nova de Lisboa (Portugal) and Ryerson University (Canada). 2021 may be exceptional as a year without the annual carnival in many parts of the world, and this absence can invite us to IASPM | INTERNATIONAL ASSOCIATION FOR THE STUDY OF POPULAR Fantasy and music have always been closely linked through the association of music and creative powers. Thus in Tolkien’s Ainulindalë, music gives birth to the world, and evil is first manifested as a discordant theme in the symphony the Ainur compose.In addition, The Lord of the Rings is intertwined with songs and poems, a feature that also appears in the works of post-Tolkienian writersIASPM
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APPLICATIONS FOR IASPM 2021FEATURED
Posted on May 22, 2019by IASPM
webmaster
According to IASPM Statutes, IASPM EC has to make the proposals for next biennial IASPM conference public for the members one month before the GM. This was done accordingly. The IASPM EC received two proposals for the location of the XXI biennial IASPM conference. The proposals have now been taken down, by the request of Daegu (South Korea) officials, who were voted to be the hosts for IASPM 2021. Congrats to them, and big thanks for Oslo, fortheir bid.
Posted in News
CFP: TRANSFORMATIONAL POP. 4TH IASPM D-A-CH CONFERENCE, 22-24 OCTOBER,PADERBORN
Posted on February 26, 2020by IASPM webmaster
CALL FOR PAPERS
TRANSFORMATIONAL POP TRANSITIONS, BREAKS, AND CRISES IN POPULAR MUSIC (STUDIES) 4TH BIENNIAL IASPM D-A-CH CONFERENCE, 22–24 OCTOBER 2020 Paderborn University/Germany, Faculty of Humanities and Arts, Department of Music – Popular Music and Media _Organizational Committee_: IASPM D-A-CH Executive Committee and Advisory Board + Jun.-Prof. Dr. Beate Flath, Prof. Dr. Christoph Jacke, Manuel Troike (Local hosts) Pop music cultures, in their entire breadth, are seismographs of social, political, economic, ecological, media, artistic, and technological transformations. In and through them, fields of tensions, disruptions, and lines of conflict become not only visible, audible and perceptible, but also communicable and thus, negotiable. Economic and ecological crises, social structural changes, political shifts, communicative-media discourses, atmospheric moods, and disturbances of the most diverse kind cannot be appreciated in isolation from specific sounds, performances, lyrics, images, stars, genres, etc. Therefore, these are always changing in the process: pop music cultures transform and are themselves transformed. “Pop is transformational, always. It is a dynamic movement in which cultural materials and its social environments mutually reshape each other, crossing previously fixed boundaries: class boundaries, ethnic boundaries or cultural boundaries .“ (Diedrich Diederichsen, Pop – deskriptiv, normativ, emphatisch (1996). In: Charis Goer, Stefan Greif, Christoph Jacke (Eds.): Texte zur Theoriedes Pop, 2013: 188)
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FULL MUSIC PHD SCHOLARSHIP DUBLIN CITY UNIVERSITY Posted on February 26, 2020by IASPM webmaster
PhD Music Scholarship at Dublin City University. The Scholarship comprises a stipend of €16,000 per annum and full fees for 4 years Proposals that address topics in popular music, music ethnography or music and the moving image would be welcome in addition to other areas of musicology, applied musicology and composition. The closing date is Friday 3 April 2020. Further information and details on the application process can be viewed here.
The scholarship is open to EU, UK and international applications.Posted in Jobs , News , Studying popular music REGISTRATION MEDIA INDUSTRIES 2020: GLOBAL CURRENTS AND CONTRADICTIONS, 16-18 APRIL 2020 KING’S COLLEGE LONDON Posted on February 26, 2020
by IASPM webmaster
_Media Industries 2020: Global Currents and Contradictions_16-18 April 2020
King’s College London Registration is now open to NON-SPEAKERS. Visit https://media-industries.org/ for details of the conference, delegate fees, venue, travel, accommodation and accessibility. Important: Tickets are limited and will be available until all are sold or until 18.00hrs GMT on Friday 13 March, whichever is soonest.DELEGATE RATES
For full registration details, visit https://media-industries.org/registration Rates are divided between FULL (academics, waged) and REDUCED (students, unwaged), and graduated according to the three tiers of the World Bank’s classification of countries by per capita incomelevels
.
As a delegate, you pay the rate according to the country you live in and not the country from which you originate. Delegates who are residents of countries in tier B pay 75% of the tier A price, and residents of tier C countries pay 50% of the tier A price. Posted in News , Studyingpopular music
, Upcoming
conferences
CFP: OPEN CALL FOR PAPERS Posted on February 26, 2020by
IASPM webmaster
CALL FOR PAPERS
IASPM Journal is the Open-Access journal of the International Association for the Study of Popular Music (IASPM ), an organization established to promote inquiry, scholarship and analysis in the area of popular music. We publish articles and book reviews that consider popular music of any genre, historical period or geographic location. In addition to Special Issue CFPs, the journal maintains a space for ongoing scholarly work. WE ARE NOW ACCEPTING ARTICLE SUBMISSIONS, WITH THE DEADLINE BY APRIL 1ST, 2020. As part of an international network, the journal aims to disseminate IASPM members’ research that is local, transnational, global and/or international. English is the official language, but articles may also be submitted in the official language of any of its branches (adding an English abstract). Studies may use a range of research methodologies and critical approaches, including practice as research. Our Open-Access readership is diverse and interdisciplinary and so we ask contributors to present ideas in forms accessible to sociologists, musicologists, music critics and practitioners. In order to submit to IASPM Journal you must be an IASPM memberand registered
as
an author on the site. See the journal site for further information regarding Submissions.
Click here
for
a copy of the Open CFP (in several languages) and Style Guide. All articles undergo a double-blind peer review. We look forward to receiving your submissions.Kind regards,
—
Xavier Villanueva
Universitat Autònoma de Barcelona Assistant Editor IASPM Journal Posted in Calls for articles , News , Studying popular music 1ST QUEER FORUM OF THE LGBTQ+ MUSIC STUDY GROUP Posted on February 26, 2020by IASPM webmaster
https://www.lgbtqmusicstudygroup.com/ FRIDAY 3RD APRIL 2020, UNIVERSITY OF YORK INVITATION TO PARTICIPATE The LGBTQ+ Music Study Group hereby launches a new biennial initiative: “Queer Forum”. This day-long event aims to catalyse new ways of thinking, being and doing music scholarship in and beyond the academy. As José Esteban Muñoz writes, “e may never touch queerness, but we can feel it as the warm illumination of a horizon imbued with potentiality” (2009, 1). Inspired by queer and feminist theorists – especially bell hooks and Sara Ahmed – who are dissatisfied with the present, who wrestle with existing institutional structures, and who propose new modes of scholarship and education, we entice you to join us in radical academic experimentation in search for new horizons and potentialities. The 2020 forum urges participants to recover queer pasts and imagine new queer futures. How do we create opportunity, time and space in the academy beyond the logics of capitalism to allow us to muse about music? What are the possibilities for forging strong/vulnerable subjectivities and caring solidarities within and beyond existing academic hierarchies? What freedoms can we gift ourselves to allow for experimentation in our musical writing, teaching and performing? How do we nurture and share intersectional wisdoms in ways that centre the health, well-being and vitality of ourselves and others? The day will include no formal presentations; rather, it will be structured around a range of different creative, intellectual and social activities – workshops, reading groups, group work, interventions – that tempt us to try out new conceptualisations and embodiments of queer music scholarship. The day will begin at 9am and end at 5pm. Participants are welcome to join us for a dinner the evening before (Thursday 2nd April, 7pm). We welcome musicians and scholars within music studies (including ethnomusicology, historical musicology, performance studies, popular music studies, theory and analysis, etc.) and beyond. The event is free to attend and we will offer refreshments during the day. Dinner and accommodation will be at participants’ own expenses. Information about accommodation will be sent out following event registration. Please register your participation on Eventbrite by 1ST MARCH 2020: https://www.eventbrite.co.uk/e/1st-queer-forum-of-the-lgbtq-music-study-group-tickets-92339677461 The event is organised by Marie Bennett, Rachel Cowgill, Thomas Hilder and Danielle Sofer. We are grateful to the University of York and the RMA for supporting this event. For any queries, please email: lgbtqmusicsg@gmail.com Posted in News , Studyingpopular music
, Upcoming
conferences
CFP: TRANSCULTURAL HIP-HOP Posted on February 26, 2020by IASPM webmaster
CALL FOR PAPERS
Transcultural Hip-Hop: Constructing and Contesting Identity, Space, and Place in the Americas and beyond University of Bern, Switzerland, October 30 – 31, 2020 Almost fifty years after its birth, hip-hop is considered a truly global phenomenon that combines elements of uniformity with local symbols and expressions regarding musical forms, lyrics, performances, and social content. It can be said that within the US context, hip-hop emerged during the 1970s as an African American subculture. However, from its very beginning hip-hop has been a highly transcultural and hybrid phenomenon that integrates various musical elements and forms of cultural expression. In addition to African American popular culture, for example, Caribbean and Latin American music styles, language and dance played a vital role in the formation and development of hip-hop on both coasts of the US. The entanglement of diverse cultures and diasporas on the evolution of hip-hop as a music and as a movement, in the urban settings of New York and Los Angeles, for example, encourages us to think of these different musical, cultural, and social traits in more fluid or hybrid terms. Furthermore, diasporic identity in the multicultural neighborhoods where hip-hop first emerged is also fluid concerning the interaction between diasporic “peripheries” and their centers of origin. This conference aims to focus on the transcultural, inter-ethnic and diasporic exchanges that created hip-hop and helped to spread it within the US and beyond. The conference asks how identity markers bound by ethnic, cultural, and spatial categories are being negotiated in hip-hop. While concentrating on the Americas, the conference will also include papers that focus on other world regions and on transregional entanglements. Within the framework of transculturality, the organizers wish to focus on three principal areas of enquiry: A. Identity Politics in Hip-Hop In the context of US hip-hop, many scholars argue that hip-hop should be understood with regard to its African American “centrality” (Ogbar 2007; Perry 2004). While this is not disputed by the conference organizers per se, we ask how can we better understand the hybridity of hip-hop music and culture, both at its point of origin, and as a global phenomenon? Furthermore, how do other minority groups and diasporas draw upon ´African American´ cultural markers to legitimate their contributions to the genre? How do local and global hip-hop movements reproduce and adapt such identity markers to different social and political contexts and agendas? In doing so, notions of identity and authenticity are contested and broadened overtime.
B. Movement, Reproduction and Hybridity of Cultural Signifiers inHip-Hop
Following on from these themes and borrowing from Appadurai’s (1996) understanding of cultural flows or ‘scapes’ in an era of globalization, one way of understanding the myriad creations of hybrid identity constructions in hip-hop is to identify and unpack the reproduction and merging of cultural signifiers, be they musical, visual, linguistic or otherwise. Which cultural symbols are (re-)produced in a particular context, and how do local or national cultural forms interact with transnational and global cultural flows? How does cultural politics shape the negotiation of cultural signifiers? Finally, for minority groups establishing themselves in different diasporic contexts, what is their relationship with their home or national culture from afar, and how do they shape the transcultural dynamics of centers of hip-hop production? C. Space & Place in Hip-Hop Like no other musical genre, hip-hop reflects a unique importance of space and identity(Rose 1994; Forman 2002). From its very inception in New York City, representing one’s neighborhood at battles was a central part of hip-hop culture. When Los Angeles became the center of gangster rap in the late 1980s, African American and Latino rap artists highlighted the intermingling of hip-hop with gang culture on the West Coast. The East Coast/West Coast feud in the mid-1990s, culminating in the deaths of Tupac Shakur and Biggie Smalls, pointed to the collision of geographical and musical spaces when negotiating spatial identities and affiliations. Thus, in its myriad forms and expressions in the US and around the globe, hip-hop’s “powerful ties to place” (Forman 2002) are omnipresent and reflected by artist names, languages and local slang as well as references to specific geographical markers and signature musical styles of a particular locality. How are common issues of marginalization and contested localities being negotiated in hiphop? What can these place-identities tell us about the political, socio-geographic and cultural context hip-hop culture is produced in? The conference will be held in English and prospective participants should please send a title and abstract of up to 300 words to keith.cann@hist.unibe.ch by March 15, 2020. Travel and accommodation costs will be covered thanks to funding from the Swiss National Science Foundation. Posted in Calls for papers , News , Studying popular music, Upcoming
conferences
VOLUME 22 OF ETHNOMUSICOLOGY REVIEW Posted on February 26, 2020by IASPM
webmaster
Volume 22 of _Ethnomusicology Review_: https://ethnomusicologyreview.ucla.edu/journal/volume/22-0Introduction
_by the editors Samuel Lamontagne and Tyler Yamin_INVITED ARTICLE:
-The Anthropocene and Music Studies_by Jim Sykes_
PEER-REVIEWED ARTICLES: -The (Musical) Performance at Stake: An Ethnomusicological Review _by Anthony Gregoire_ -The Role of Tone-colour in Japanese Shakuhachi Music _by Nick Bellando and Bruno Deschenes_ -The Forging of Musical Festivity in Baloch Muscat: From Arabian Sea Empire to Gulf Transurbanism to the Pan-Tropical Imaginary_by George Murer_
We’d also like to remind you that the deadline for our Volume 23 isMarch 23.
For
more information: https://ethnomusicologyreview.ucla.edu/content/call-papers-ethnomusicology-review-volume-23 Posted in New publications, News
, Studying popular music TRANSMEDIA DIRECTORS Posted on February 7, 2020by IASPM webmaster
Carol Vernallis, Holly Rogers and Lisa Perrott are happy to announce the second book in their Bloomsbury book series, NEW APPROACHES TO MUSIC, SOUND AND MEDIA (https://www.bloomsbury.com/uk/series/new-approaches-to-sound-music-and-media/)
_Transmedia Directors: Artistry, Industry and New Audiovisual Aesthetics_, edited by Carol, Holly and Lisa, focuses on artist-practitioners who work across media, platforms and disciplines, including film, television, music video, commercials and the internet. Working in the age of media convergence, today’s em/impresarios project a distinctive style that points toward a new contemporary aesthetics. The media they engage with enrich their practices – through film and television (with its potential for world-building and sense of the past and future), music video (with its audiovisual aesthetics and rhythm), commercials (with their ability to project a message quickly) and the internet (with its refreshed concepts of audience and participation), to larger forms like restaurants and amusement parks (with their materiality alongside today’s digital aesthetics). These directors encourage us to reassess concepts of authorship, assemblage, transmedia, audiovisual aesthetics andworld-building.
Providing a vital resource for scholars and practitioners, this collection weaves together insights about artist-practitioners’ collaborative processes as well as strategies for composition, representation, subversion and resistance. Directors and practitioners discussed include David Lynch, Barry Jenkins, Wes Anderson, Sofia Coppola, Michael Bay, David Fincher, Bong Joon-ho and Lars von Trier; musicians and music-video/film directors David Bowie, Floria Sigismondi, Jess Cope, Dave Meyers, Emil Nava and Sigur Rós; and Instagram and new media personality Jay Versace. OTHER TITLES IN THE SERIES: Áine Mangaoang, _Dangerous Mediations: Pop Music in a PhilippinePrison Video_
FORTHCOMING TITLES INCLUDE: Nicola Dibben, _Biophilia_ Cat Hope and Ryan Ross Smith, _Animated Music Notation_ Alex Jeffrey, _Popular Music and Narrativity _ Lutz Koepnick, _Resonant Matter_ Lisa Perrott, _David Bowie in Music Video_ Nick Prior, _Assembling Virtual Idols_ Carol Vernallis, Selmin Kara and Holly Rogers, _CyberMedia_ Nabeel Zuberi, _Popular Music, Race and Media since 9/11_ If you would like to submit a proposal to the series, please email us: Cvernall@stanford.eduh.rogers@gold.ac.uk
lisa.perrott@waikato.ac.nz Posted in New publications, News
, Studying popular music POPULAR MUSIC HISTORY NEWS Posted on February 7, 2020by IASPM webmaster
We’re pleased to announce two new issues of Popular Music History:11(3) GENERAL ISSUE
This issue has two articles on Rush, particularly apt given the recent death of Neil Peart. Just as importantly, tribute is paid to Dave Laing, and we thank Adam Behr and Martin Cloonan for their permission to reprint earlier takes on Dave’s career, and his qualities as a valued research comrade. Continue reading →Posted
in New publications
, News
, Studying popular music CFP: KISMIF CONFERENCE IN PORTO 2020 + SUMMER SCHOOL 2020 Posted on February 7, 2020by IASPM webmaster
We are organizing the fifth KISMIF CONFERENCE , happening in Porto, 8-11 JULY 2020. The conference will take place in THE FACULTY OF ARTS AND HUMANITIES OF THE UNIVERSITY OF PORTO, CASA DA MÚSICA AND RIVOLI MUNICIPAL THEATRE OF PORTO, among others, for four days of multidisciplinary presentations and discussions about “DIY CULTURES AND GLOBAL CHALLENGES”. On JULY 7TH RIVOLI MUNICIPAL THEATRE OF PORTO will also host theSUMMER SCHOOL
_‘NOT JUST
HOLIDAYS IN THE SUN’__ _which will
offer an opportunity for all interested persons, including those participating in the Conference, to attend workshops directed by specialists in their fields. Please take some time to read and share the call for papers. You can also read them online and share the links. CONFERENCE CALL FOR PAPERS: https://www.kismifconference.com/call-conference/ SUMMER SCHOOL CALL FOR PAPERS: https://www.kismifconference.com/call-summer-school/ All the information here: HTTPS://WWW.KISMIFCONFERENCE.COM/ Posted in Calls for papers , News , Studying popular music, Upcoming
conferences
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