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Text
URIEL ORLOW
Publication released the occasion of the exhibition Conversing with Leaves by Uriel Orlow at Kunsthalle Mainz, November 30, 2019 – March15, 2020.
WORK – URIEL ORLOW Single-channel HD video with sound, 14'42", 2009. Oddly, one lived the war in one’s mind more intensively than at home in a country at war. 50 drawings, marker pen on tinted watercolour paper, 19cm x 28cm / 28cm x 38cm, newspapers, 2008-2009. The Noise is Too Loud. ABOUT – URIEL ORLOW Biography. Uriel Orlow lives and works between London and Lisbon. He studied at Central Saint Martins College of Art & Design London, the Slade School of Art, University College London and the University of Geneva, completing a PhD in Fine Art in 2002. In 2020 he received the C. F. Meyer Prize and in 2017 he was awarded the Sharjah Biennialprize.
ARCHIVE – URIEL ORLOW The Habits of Weeds is an event part of Gardening the Mind, a new season of online events focusing on mental health, conceived through the metaphor of the mind as a garden that we all need to collectively and continuously tend to. The Habits of Weeds features a newPUBLICATIONS
Re: the archive, the image, and the very dead sheep. Bookwork; What the billboard saw / La ville mode d’emploiTHEATRUM BOTANICUM
Theatrum Botanicum. Muthi, single-channel HD video with sound, 11'23", 2016. Theatrum Botanicum is a major new body of work and ongoing research, which looks to the botanical world as a stage for politics at large through film, photography, installation and sound. Working from the dual vantage points of South Africa and Europe, the project REMNANTS OF THE FUTURE Remnants of the Future takes as its starting point a ghost city in Northern Armenia near the Georgian and Turkish borders, a factory that once produced over 50% of the Soviet Union’s textiles and that was destroyed in the 1988 Spitak earthquake, as well as the nearby collection of Sergei Merkurov’s death masks of Soviet luminaries. OLD HAUNT – URIEL ORLOW Old Haunt. Shedhalle, Zürich, 2008. In English, the idiom ‘old haunt’ refers to a place frequently visited in the past. This expression, which resists literal translation, conjures the image of the ghost. Ghosts of the living and dead alike, of both individual andcollective spirits
ECOLOGIES AND POLITICS OF LIVING Tree Story brings together creative practices from around the world to create a ‘forest’ of ideas relating to critical environmental and sustainability issues. At its foundation—or roots—are Indigenous ways of knowing and a recognition of trees as our ancestors and family. An exhibition, publication and podcast series, Tree Story takes inspiration from the underground networksURIELORLOW.NET
urielorlow.net
URIEL ORLOW
Publication released the occasion of the exhibition Conversing with Leaves by Uriel Orlow at Kunsthalle Mainz, November 30, 2019 – March15, 2020.
WORK – URIEL ORLOW Single-channel HD video with sound, 14'42", 2009. Oddly, one lived the war in one’s mind more intensively than at home in a country at war. 50 drawings, marker pen on tinted watercolour paper, 19cm x 28cm / 28cm x 38cm, newspapers, 2008-2009. The Noise is Too Loud. ABOUT – URIEL ORLOW Biography. Uriel Orlow lives and works between London and Lisbon. He studied at Central Saint Martins College of Art & Design London, the Slade School of Art, University College London and the University of Geneva, completing a PhD in Fine Art in 2002. In 2020 he received the C. F. Meyer Prize and in 2017 he was awarded the Sharjah Biennialprize.
ARCHIVE – URIEL ORLOW The Habits of Weeds is an event part of Gardening the Mind, a new season of online events focusing on mental health, conceived through the metaphor of the mind as a garden that we all need to collectively and continuously tend to. The Habits of Weeds features a newPUBLICATIONS
Re: the archive, the image, and the very dead sheep. Bookwork; What the billboard saw / La ville mode d’emploiTHEATRUM BOTANICUM
Theatrum Botanicum. Muthi, single-channel HD video with sound, 11'23", 2016. Theatrum Botanicum is a major new body of work and ongoing research, which looks to the botanical world as a stage for politics at large through film, photography, installation and sound. Working from the dual vantage points of South Africa and Europe, the project REMNANTS OF THE FUTURE Remnants of the Future takes as its starting point a ghost city in Northern Armenia near the Georgian and Turkish borders, a factory that once produced over 50% of the Soviet Union’s textiles and that was destroyed in the 1988 Spitak earthquake, as well as the nearby collection of Sergei Merkurov’s death masks of Soviet luminaries. OLD HAUNT – URIEL ORLOW Old Haunt. Shedhalle, Zürich, 2008. In English, the idiom ‘old haunt’ refers to a place frequently visited in the past. This expression, which resists literal translation, conjures the image of the ghost. Ghosts of the living and dead alike, of both individual andcollective spirits
ECOLOGIES AND POLITICS OF LIVING Tree Story brings together creative practices from around the world to create a ‘forest’ of ideas relating to critical environmental and sustainability issues. At its foundation—or roots—are Indigenous ways of knowing and a recognition of trees as our ancestors and family. An exhibition, publication and podcast series, Tree Story takes inspiration from the underground networksURIELORLOW.NET
urielorlow.net
EXHIBITIONS
RIBOCA2: and suddenly it all blossoms grew out of the urge to change our way of inhabiting the world through reaching out to other voices, sensibilities, and ways of making relationships. As an alternative to the deluge of hopeless narratives, the notion of re-enchantment became a frame for building desirable presents and futures, where the end of “a” world does not mean “the end of the THE SHORT AND THE LONG OF IT The starting point of The Short and the Long of It is. an extra-ordinary episode which has all but disappeared from official histories; namely, the failed passage of fourteen international cargo ships through the Suez Canal on 5 June 1967.. Caught in the outbreak of the Six-Day War between Israel and Egypt, Jordan and Syria, the ships were only able to leave the canal in 1975 when it re-opened.UNMADE FILM
Unmade Film. Unmade Film is an impossible film, fragmented into its constituent parts; an expansive collection of audio-visual works that point to the structure of a film but never fully become one. Unmade Film takes as its starting point the mental hospital Kfar Shau’l in Jerusalem. Initially specialising in the treatment of Holocaust REMNANTS OF THE FUTURE Remnants of the Future takes as its starting point a ghost city in Northern Armenia near the Georgian and Turkish borders, a factory that once produced over 50% of the Soviet Union’s textiles and that was destroyed in the 1988 Spitak earthquake, as well as the nearby collection of Sergei Merkurov’s death masks of Soviet luminaries. VEILLEURS D’IMAGES Veilleurs d’Images is a film that explores the creation and documentation of a collection of stereoscopic images dating from 1904 to 1939. The photographs that make up collection 2001.16 were taken by a certain Monsieur Kostioukovsky, a Cossack in the Tsarist Army who left Russia for Paris in 1915 before the Revolution. Upon his arrival in Paris he set up a successful business and travelledCOMFORT BALL
In May 2021, foodculture days presents Chapter 2: “From the ashes of the forests”, with a hybrid program – digital and face-to-face in Vevey – from May 27 to 30, REMNANTS OF THE FUTURE Remnants of the Future. Cinemascope video with stereo sound, 17'18", 2010-12. Remnants of the Future combines elements of documentary, sci-fi and electro-acoustics. It portrays the precarious existence in a post-Soviet ghost-town, an inverted ruin of the modern that is still waiting to fulfil its utopian ambition of communal living. MELANIE WEHRLI & AYUMI SAITO In May 2021, foodculture days presents Chapter 2: “From the ashes of the forests”, with a hybrid program – digital and face-to-face in Vevey – from May 27 to 30,DON ABEL RODRÍGUEZ
This show looks into plants as sources and carriers of knowledge, and explores more precisely how the unique knowledge flora is transmitted for centuries. Curated by Clelia Coussonnet and TerezaURIELORLOW.NET
urielorlow.net
URIEL ORLOW
Publication released the occasion of the exhibition Conversing with Leaves by Uriel Orlow at Kunsthalle Mainz, November 30, 2019 – March15, 2020.
WORK – URIEL ORLOW Single-channel HD video with sound, 14'42", 2009. Oddly, one lived the war in one’s mind more intensively than at home in a country at war. 50 drawings, marker pen on tinted watercolour paper, 19cm x 28cm / 28cm x 38cm, newspapers, 2008-2009. The Noise is Too Loud. ABOUT – URIEL ORLOW Biography. Uriel Orlow lives and works between London and Lisbon. He studied at Central Saint Martins College of Art & Design London, the Slade School of Art, University College London and the University of Geneva, completing a PhD in Fine Art in 2002. In 2020 he received the C. F. Meyer Prize and in 2017 he was awarded the Sharjah Biennialprize.
ARCHIVE – URIEL ORLOW The Habits of Weeds is an event part of Gardening the Mind, a new season of online events focusing on mental health, conceived through the metaphor of the mind as a garden that we all need to collectively and continuously tend to. The Habits of Weeds features a new INDEX – URIEL ORLOW Centre d'art contemporain / Kunsthalle Fribourg. Centre d'Art Contemporain Geneva. Centre d'art contemporain Walter Benjamin - Perpignan. Centre d'art et photographie de Lectoure. Centre de la Photographie. Centre for Contemporary Art Plovidv. Centre Photographique d’Ile de France (CPIF) - Pontault-Combault.UNMADE FILM
Unmade Film. Unmade Film is an impossible film, fragmented into its constituent parts; an expansive collection of audio-visual works that point to the structure of a film but never fully become one. Unmade Film takes as its starting point the mental hospital Kfar Shau’l in Jerusalem. Initially specialising in the treatment of HolocaustTHEATRUM BOTANICUM
Theatrum Botanicum. Muthi, single-channel HD video with sound, 11'23", 2016. Theatrum Botanicum is a major new body of work and ongoing research, which looks to the botanical world as a stage for politics at large through film, photography, installation and sound. Working from the dual vantage points of South Africa and Europe, the project LEARNING FROM ARTEMISIA Learning from Artemisia is an installation that consists of a three-channel video composed by a letter from the artist, a slide show of the process of production and processing by the cooperative, and a video of the song. The installation also consists of a series of small paintings commissioned by Musasa, visual research and Artemisia afratea.
VEILLEURS D’IMAGES Veilleurs d’Images is a film that explores the creation and documentation of a collection of stereoscopic images dating from 1904 to 1939. The photographs that make up collection 2001.16 were taken by a certain Monsieur Kostioukovsky, a Cossack in the Tsarist Army who left Russia for Paris in 1915 before the Revolution. Upon his arrival in Paris he set up a successful business and travelledTHE MEMORY OF TREES
The Memory of Trees. Black and white photograph, 120cm x 150cm, 2016. This series of large-scale black and white photographs shows trees as witnesses of history. They hold an embodied memory of events and, like ghosts, remind us of how the past lives on in the present. Wild AlmondTree, Cape Town.
URIEL ORLOW
Publication released the occasion of the exhibition Conversing with Leaves by Uriel Orlow at Kunsthalle Mainz, November 30, 2019 – March15, 2020.
WORK – URIEL ORLOW Single-channel HD video with sound, 14'42", 2009. Oddly, one lived the war in one’s mind more intensively than at home in a country at war. 50 drawings, marker pen on tinted watercolour paper, 19cm x 28cm / 28cm x 38cm, newspapers, 2008-2009. The Noise is Too Loud. ABOUT – URIEL ORLOW Biography. Uriel Orlow lives and works between London and Lisbon. He studied at Central Saint Martins College of Art & Design London, the Slade School of Art, University College London and the University of Geneva, completing a PhD in Fine Art in 2002. In 2020 he received the C. F. Meyer Prize and in 2017 he was awarded the Sharjah Biennialprize.
ARCHIVE – URIEL ORLOW The Habits of Weeds is an event part of Gardening the Mind, a new season of online events focusing on mental health, conceived through the metaphor of the mind as a garden that we all need to collectively and continuously tend to. The Habits of Weeds features a new INDEX – URIEL ORLOW Centre d'art contemporain / Kunsthalle Fribourg. Centre d'Art Contemporain Geneva. Centre d'art contemporain Walter Benjamin - Perpignan. Centre d'art et photographie de Lectoure. Centre de la Photographie. Centre for Contemporary Art Plovidv. Centre Photographique d’Ile de France (CPIF) - Pontault-Combault.UNMADE FILM
Unmade Film. Unmade Film is an impossible film, fragmented into its constituent parts; an expansive collection of audio-visual works that point to the structure of a film but never fully become one. Unmade Film takes as its starting point the mental hospital Kfar Shau’l in Jerusalem. Initially specialising in the treatment of HolocaustTHEATRUM BOTANICUM
Theatrum Botanicum. Muthi, single-channel HD video with sound, 11'23", 2016. Theatrum Botanicum is a major new body of work and ongoing research, which looks to the botanical world as a stage for politics at large through film, photography, installation and sound. Working from the dual vantage points of South Africa and Europe, the project LEARNING FROM ARTEMISIA Learning from Artemisia is an installation that consists of a three-channel video composed by a letter from the artist, a slide show of the process of production and processing by the cooperative, and a video of the song. The installation also consists of a series of small paintings commissioned by Musasa, visual research and Artemisia afratea.
VEILLEURS D’IMAGES Veilleurs d’Images is a film that explores the creation and documentation of a collection of stereoscopic images dating from 1904 to 1939. The photographs that make up collection 2001.16 were taken by a certain Monsieur Kostioukovsky, a Cossack in the Tsarist Army who left Russia for Paris in 1915 before the Revolution. Upon his arrival in Paris he set up a successful business and travelledTHE MEMORY OF TREES
The Memory of Trees. Black and white photograph, 120cm x 150cm, 2016. This series of large-scale black and white photographs shows trees as witnesses of history. They hold an embodied memory of events and, like ghosts, remind us of how the past lives on in the present. Wild AlmondTree, Cape Town.
INDEX – URIEL ORLOW Centre d'art contemporain / Kunsthalle Fribourg. Centre d'Art Contemporain Geneva. Centre d'art contemporain Walter Benjamin - Perpignan. Centre d'art et photographie de Lectoure. Centre de la Photographie. Centre for Contemporary Art Plovidv. Centre Photographique d’Ile de France (CPIF) - Pontault-Combault.PUBLICATIONS
Re: the archive, the image, and the very dead sheep. Bookwork; What the billboard saw / La ville mode d’emploi VEILLEURS D’IMAGES Veilleurs d’Images is a film that explores the creation and documentation of a collection of stereoscopic images dating from 1904 to 1939. The photographs that make up collection 2001.16 were taken by a certain Monsieur Kostioukovsky, a Cossack in the Tsarist Army who left Russia for Paris in 1915 before the Revolution. Upon his arrival in Paris he set up a successful business and travelled THE SHORT AND THE LONG OF IT The starting point of The Short and the Long of It is. an extra-ordinary episode which has all but disappeared from official histories; namely, the failed passage of fourteen international cargo ships through the Suez Canal on 5 June 1967.. Caught in the outbreak of the Six-Day War between Israel and Egypt, Jordan and Syria, the ships were only able to leave the canal in 1975 when it re-opened.SOIL AFFINITIES
Soil Affinities traces these lines and networks of terrestrial connections between plants and people, across different geographies and temporalities, through video, photography, and other documents gathered in France and Senegal over the past year. The installation is conceived as a display of these materials, in a horizontal, non-linearmanner
MUTHI – URIEL ORLOW Muthi is the term for traditional medicine in Southern Africa. Before the establishment of cosmopolitan medicine, traditional medicine was the dominant medical system for millions. of people in Southern Africa. Europeans’ arrival was a turning for this ancient tradition. Muthi and African healers were perceived as unscientific andineffective
WISHING TREES
Wishing Trees was commissioned and premiered by Manifesta 12 in Palermo. The multi-part work brings together three Sicilian trees that hold memories of significant events and people, connecting human histories and nature and listening to their reverberations in the present. According to legend, a 440 year old, tall cypress tree on theoutskirts
COMFORT BALL
In May 2021, foodculture days presents Chapter 2: “From the ashes of the forests”, with a hybrid program – digital and face-to-face in Vevey – from May 27 to 30, MELANIE WEHRLI & AYUMI SAITO In May 2021, foodculture days presents Chapter 2: “From the ashes of the forests”, with a hybrid program – digital and face-to-face in Vevey – from May 27 to 30,DON ABEL RODRÍGUEZ
This show looks into plants as sources and carriers of knowledge, and explores more precisely how the unique knowledge flora is transmitted for centuries. Curated by Clelia Coussonnet and TerezaURIEL ORLOW
Publication released the occasion of the exhibition Conversing with Leaves by Uriel Orlow at Kunsthalle Mainz, November 30, 2019 – March15, 2020.
WORK – URIEL ORLOW Single-channel HD video with sound, 14'42", 2009. Oddly, one lived the war in one’s mind more intensively than at home in a country at war. 50 drawings, marker pen on tinted watercolour paper, 19cm x 28cm / 28cm x 38cm, newspapers, 2008-2009. The Noise is Too Loud. ABOUT – URIEL ORLOW Biography. Uriel Orlow lives and works between London and Lisbon. He studied at Central Saint Martins College of Art & Design London, the Slade School of Art, University College London and the University of Geneva, completing a PhD in Fine Art in 2002. In 2020 he received the C. F. Meyer Prize and in 2017 he was awarded the Sharjah Biennialprize.
ARCHIVE – URIEL ORLOW The Habits of Weeds is an event part of Gardening the Mind, a new season of online events focusing on mental health, conceived through the metaphor of the mind as a garden that we all need to collectively and continuously tend to. The Habits of Weeds features a new LEARNING FROM ARTEMISIA Learning from Artemisia is an installation that consists of a three-channel video composed by a letter from the artist, a slide show of the process of production and processing by the cooperative, and a video of the song. The installation also consists of a series of small paintings commissioned by Musasa, visual research and Artemisia afratea.
THE SHORT AND THE LONG OF IT The starting point of The Short and the Long of It is. an extra-ordinary episode which has all but disappeared from official histories; namely, the failed passage of fourteen international cargo ships through the Suez Canal on 5 June 1967.. Caught in the outbreak of the Six-Day War between Israel and Egypt, Jordan and Syria, the ships were only able to leave the canal in 1975 when it re-opened. VEILLEURS D’IMAGES Veilleurs d’Images is a film that explores the creation and documentation of a collection of stereoscopic images dating from 1904 to 1939. The photographs that make up collection 2001.16 were taken by a certain Monsieur Kostioukovsky, a Cossack in the Tsarist Army who left Russia for Paris in 1915 before the Revolution. Upon his arrival in Paris he set up a successful business and travelled MUTHI – URIEL ORLOW Muthi is the term for traditional medicine in Southern Africa. Before the establishment of cosmopolitan medicine, traditional medicine was the dominant medical system for millions. of people in Southern Africa. Europeans’ arrival was a turning for this ancient tradition. Muthi and African healers were perceived as unscientific andineffective
OLD HAUNT – URIEL ORLOW Old Haunt. Shedhalle, Zürich, 2008. In English, the idiom ‘old haunt’ refers to a place frequently visited in the past. This expression, which resists literal translation, conjures the image of the ghost. Ghosts of the living and dead alike, of both individual andcollective spirits
THE MEMORY OF TREES
The Memory of Trees. Black and white photograph, 120cm x 150cm, 2016. This series of large-scale black and white photographs shows trees as witnesses of history. They hold an embodied memory of events and, like ghosts, remind us of how the past lives on in the present. Wild AlmondTree, Cape Town.
URIEL ORLOW
Publication released the occasion of the exhibition Conversing with Leaves by Uriel Orlow at Kunsthalle Mainz, November 30, 2019 – March15, 2020.
WORK – URIEL ORLOW Single-channel HD video with sound, 14'42", 2009. Oddly, one lived the war in one’s mind more intensively than at home in a country at war. 50 drawings, marker pen on tinted watercolour paper, 19cm x 28cm / 28cm x 38cm, newspapers, 2008-2009. The Noise is Too Loud. ABOUT – URIEL ORLOW Biography. Uriel Orlow lives and works between London and Lisbon. He studied at Central Saint Martins College of Art & Design London, the Slade School of Art, University College London and the University of Geneva, completing a PhD in Fine Art in 2002. In 2020 he received the C. F. Meyer Prize and in 2017 he was awarded the Sharjah Biennialprize.
ARCHIVE – URIEL ORLOW The Habits of Weeds is an event part of Gardening the Mind, a new season of online events focusing on mental health, conceived through the metaphor of the mind as a garden that we all need to collectively and continuously tend to. The Habits of Weeds features a new LEARNING FROM ARTEMISIA Learning from Artemisia is an installation that consists of a three-channel video composed by a letter from the artist, a slide show of the process of production and processing by the cooperative, and a video of the song. The installation also consists of a series of small paintings commissioned by Musasa, visual research and Artemisia afratea.
THE SHORT AND THE LONG OF IT The starting point of The Short and the Long of It is. an extra-ordinary episode which has all but disappeared from official histories; namely, the failed passage of fourteen international cargo ships through the Suez Canal on 5 June 1967.. Caught in the outbreak of the Six-Day War between Israel and Egypt, Jordan and Syria, the ships were only able to leave the canal in 1975 when it re-opened. VEILLEURS D’IMAGES Veilleurs d’Images is a film that explores the creation and documentation of a collection of stereoscopic images dating from 1904 to 1939. The photographs that make up collection 2001.16 were taken by a certain Monsieur Kostioukovsky, a Cossack in the Tsarist Army who left Russia for Paris in 1915 before the Revolution. Upon his arrival in Paris he set up a successful business and travelled MUTHI – URIEL ORLOW Muthi is the term for traditional medicine in Southern Africa. Before the establishment of cosmopolitan medicine, traditional medicine was the dominant medical system for millions. of people in Southern Africa. Europeans’ arrival was a turning for this ancient tradition. Muthi and African healers were perceived as unscientific andineffective
OLD HAUNT – URIEL ORLOW Old Haunt. Shedhalle, Zürich, 2008. In English, the idiom ‘old haunt’ refers to a place frequently visited in the past. This expression, which resists literal translation, conjures the image of the ghost. Ghosts of the living and dead alike, of both individual andcollective spirits
THE MEMORY OF TREES
The Memory of Trees. Black and white photograph, 120cm x 150cm, 2016. This series of large-scale black and white photographs shows trees as witnesses of history. They hold an embodied memory of events and, like ghosts, remind us of how the past lives on in the present. Wild AlmondTree, Cape Town.
PUBLICATIONS
Re: the archive, the image, and the very dead sheep. Bookwork; What the billboard saw / La ville mode d’emploi THE SHORT AND THE LONG OF IT The starting point of The Short and the Long of It is. an extra-ordinary episode which has all but disappeared from official histories; namely, the failed passage of fourteen international cargo ships through the Suez Canal on 5 June 1967.. Caught in the outbreak of the Six-Day War between Israel and Egypt, Jordan and Syria, the ships were only able to leave the canal in 1975 when it re-opened. VEILLEURS D’IMAGES Veilleurs d’Images is a film that explores the creation and documentation of a collection of stereoscopic images dating from 1904 to 1939. The photographs that make up collection 2001.16 were taken by a certain Monsieur Kostioukovsky, a Cossack in the Tsarist Army who left Russia for Paris in 1915 before the Revolution. Upon his arrival in Paris he set up a successful business and travelledUNMADE FILM
Unmade Film. Unmade Film is an impossible film, fragmented into its constituent parts; an expansive collection of audio-visual works that point to the structure of a film but never fully become one. Unmade Film takes as its starting point the mental hospital Kfar Shau’l in Jerusalem. Initially specialising in the treatment of HolocaustTHEATRUM BOTANICUM
Theatrum Botanicum. Muthi, single-channel HD video with sound, 11'23", 2016. Theatrum Botanicum is a major new body of work and ongoing research, which looks to the botanical world as a stage for politics at large through film, photography, installation and sound. Working from the dual vantage points of South Africa and Europe, the projectYELLOW LIMBO
The starting point of Yellow Limbo is an extraordinary episode which has all but disappeared from official histories; namely, the failed passage of fourteen international cargoWISHING TREES
Wishing Trees was commissioned and premiered by Manifesta 12 in Palermo. The multi-part work brings together three Sicilian trees that hold memories of significant events and people, connecting human histories and nature and listening to their reverberations in the present. According to legend, a 440 year old, tall cypress tree on theoutskirts
GERANIUMS ARE NEVER RED The bright red geraniums that trail from the balconies of Swiss chalets and clamber up palm trees in California aren’t, botanically speaking, geraniums at all, nor are they Swiss or BUY GENERIC ZANAFLEX For more than 30 indications, including breast, genitourinary, colorectal, blood and lung cancers, as well as melanoma. Form 8-K, all of buy generic zanaflex which are filed with the U. Food and Drug Administration (FDA). IBRANCE is currently approved in more than 100 countries and has been reported in 1. IBRANCE across PALOMA-2 andPALOMA-3.
URIELORLOW.NET
urielorlow.net
URIEL ORLOW
Publication released the occasion of the exhibition Conversing with Leaves by Uriel Orlow at Kunsthalle Mainz, November 30, 2019 – March15, 2020.
WORK – URIEL ORLOW Single-channel HD video with sound, 14'42", 2009. Oddly, one lived the war in one’s mind more intensively than at home in a country at war. 50 drawings, marker pen on tinted watercolour paper, 19cm x 28cm / 28cm x 38cm, newspapers, 2008-2009. The Noise is Too Loud. ABOUT – URIEL ORLOW Biography. Uriel Orlow lives and works between London and Lisbon. He studied at Central Saint Martins College of Art & Design London, the Slade School of Art, University College London and the University of Geneva, completing a PhD in Fine Art in 2002. In 2020 he received the C. F. Meyer Prize and in 2017 he was awarded the Sharjah Biennialprize.
ARCHIVE – URIEL ORLOW The Habits of Weeds is an event part of Gardening the Mind, a new season of online events focusing on mental health, conceived through the metaphor of the mind as a garden that we all need to collectively and continuously tend to. The Habits of Weeds features a new LEARNING FROM ARTEMISIA Learning from Artemisia is an installation that consists of a three-channel video composed by a letter from the artist, a slide show of the process of production and processing by the cooperative, and a video of the song. The installation also consists of a series of small paintings commissioned by Musasa, visual research and Artemisia afratea.
THE SHORT AND THE LONG OF IT The starting point of The Short and the Long of It is. an extra-ordinary episode which has all but disappeared from official histories; namely, the failed passage of fourteen international cargo ships through the Suez Canal on 5 June 1967.. Caught in the outbreak of the Six-Day War between Israel and Egypt, Jordan and Syria, the ships were only able to leave the canal in 1975 when it re-opened. VEILLEURS D’IMAGES Veilleurs d’Images is a film that explores the creation and documentation of a collection of stereoscopic images dating from 1904 to 1939. The photographs that make up collection 2001.16 were taken by a certain Monsieur Kostioukovsky, a Cossack in the Tsarist Army who left Russia for Paris in 1915 before the Revolution. Upon his arrival in Paris he set up a successful business and travelled MUTHI – URIEL ORLOW Muthi is the term for traditional medicine in Southern Africa. Before the establishment of cosmopolitan medicine, traditional medicine was the dominant medical system for millions. of people in Southern Africa. Europeans’ arrival was a turning for this ancient tradition. Muthi and African healers were perceived as unscientific andineffective
OLD HAUNT – URIEL ORLOW Old Haunt. Shedhalle, Zürich, 2008. In English, the idiom ‘old haunt’ refers to a place frequently visited in the past. This expression, which resists literal translation, conjures the image of the ghost. Ghosts of the living and dead alike, of both individual andcollective spirits
THE MEMORY OF TREES
The Memory of Trees. Black and white photograph, 120cm x 150cm, 2016. This series of large-scale black and white photographs shows trees as witnesses of history. They hold an embodied memory of events and, like ghosts, remind us of how the past lives on in the present. Wild AlmondTree, Cape Town.
URIEL ORLOW
Publication released the occasion of the exhibition Conversing with Leaves by Uriel Orlow at Kunsthalle Mainz, November 30, 2019 – March15, 2020.
WORK – URIEL ORLOW Single-channel HD video with sound, 14'42", 2009. Oddly, one lived the war in one’s mind more intensively than at home in a country at war. 50 drawings, marker pen on tinted watercolour paper, 19cm x 28cm / 28cm x 38cm, newspapers, 2008-2009. The Noise is Too Loud. ABOUT – URIEL ORLOW Biography. Uriel Orlow lives and works between London and Lisbon. He studied at Central Saint Martins College of Art & Design London, the Slade School of Art, University College London and the University of Geneva, completing a PhD in Fine Art in 2002. In 2020 he received the C. F. Meyer Prize and in 2017 he was awarded the Sharjah Biennialprize.
ARCHIVE – URIEL ORLOW The Habits of Weeds is an event part of Gardening the Mind, a new season of online events focusing on mental health, conceived through the metaphor of the mind as a garden that we all need to collectively and continuously tend to. The Habits of Weeds features a new LEARNING FROM ARTEMISIA Learning from Artemisia is an installation that consists of a three-channel video composed by a letter from the artist, a slide show of the process of production and processing by the cooperative, and a video of the song. The installation also consists of a series of small paintings commissioned by Musasa, visual research and Artemisia afratea.
THE SHORT AND THE LONG OF IT The starting point of The Short and the Long of It is. an extra-ordinary episode which has all but disappeared from official histories; namely, the failed passage of fourteen international cargo ships through the Suez Canal on 5 June 1967.. Caught in the outbreak of the Six-Day War between Israel and Egypt, Jordan and Syria, the ships were only able to leave the canal in 1975 when it re-opened. VEILLEURS D’IMAGES Veilleurs d’Images is a film that explores the creation and documentation of a collection of stereoscopic images dating from 1904 to 1939. The photographs that make up collection 2001.16 were taken by a certain Monsieur Kostioukovsky, a Cossack in the Tsarist Army who left Russia for Paris in 1915 before the Revolution. Upon his arrival in Paris he set up a successful business and travelled MUTHI – URIEL ORLOW Muthi is the term for traditional medicine in Southern Africa. Before the establishment of cosmopolitan medicine, traditional medicine was the dominant medical system for millions. of people in Southern Africa. Europeans’ arrival was a turning for this ancient tradition. Muthi and African healers were perceived as unscientific andineffective
OLD HAUNT – URIEL ORLOW Old Haunt. Shedhalle, Zürich, 2008. In English, the idiom ‘old haunt’ refers to a place frequently visited in the past. This expression, which resists literal translation, conjures the image of the ghost. Ghosts of the living and dead alike, of both individual andcollective spirits
THE MEMORY OF TREES
The Memory of Trees. Black and white photograph, 120cm x 150cm, 2016. This series of large-scale black and white photographs shows trees as witnesses of history. They hold an embodied memory of events and, like ghosts, remind us of how the past lives on in the present. Wild AlmondTree, Cape Town.
PUBLICATIONS
Re: the archive, the image, and the very dead sheep. Bookwork; What the billboard saw / La ville mode d’emploi THE SHORT AND THE LONG OF IT The starting point of The Short and the Long of It is. an extra-ordinary episode which has all but disappeared from official histories; namely, the failed passage of fourteen international cargo ships through the Suez Canal on 5 June 1967.. Caught in the outbreak of the Six-Day War between Israel and Egypt, Jordan and Syria, the ships were only able to leave the canal in 1975 when it re-opened. VEILLEURS D’IMAGES Veilleurs d’Images is a film that explores the creation and documentation of a collection of stereoscopic images dating from 1904 to 1939. The photographs that make up collection 2001.16 were taken by a certain Monsieur Kostioukovsky, a Cossack in the Tsarist Army who left Russia for Paris in 1915 before the Revolution. Upon his arrival in Paris he set up a successful business and travelledUNMADE FILM
Unmade Film. Unmade Film is an impossible film, fragmented into its constituent parts; an expansive collection of audio-visual works that point to the structure of a film but never fully become one. Unmade Film takes as its starting point the mental hospital Kfar Shau’l in Jerusalem. Initially specialising in the treatment of HolocaustTHEATRUM BOTANICUM
Theatrum Botanicum. Muthi, single-channel HD video with sound, 11'23", 2016. Theatrum Botanicum is a major new body of work and ongoing research, which looks to the botanical world as a stage for politics at large through film, photography, installation and sound. Working from the dual vantage points of South Africa and Europe, the projectYELLOW LIMBO
The starting point of Yellow Limbo is an extraordinary episode which has all but disappeared from official histories; namely, the failed passage of fourteen international cargoWISHING TREES
Wishing Trees was commissioned and premiered by Manifesta 12 in Palermo. The multi-part work brings together three Sicilian trees that hold memories of significant events and people, connecting human histories and nature and listening to their reverberations in the present. According to legend, a 440 year old, tall cypress tree on theoutskirts
GERANIUMS ARE NEVER RED The bright red geraniums that trail from the balconies of Swiss chalets and clamber up palm trees in California aren’t, botanically speaking, geraniums at all, nor are they Swiss or BUY GENERIC ZANAFLEX For more than 30 indications, including breast, genitourinary, colorectal, blood and lung cancers, as well as melanoma. Form 8-K, all of buy generic zanaflex which are filed with the U. Food and Drug Administration (FDA). IBRANCE is currently approved in more than 100 countries and has been reported in 1. IBRANCE across PALOMA-2 andPALOMA-3.
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LOST. IN BETWEEN. TOGETHER | GUATEMALA BIENNIAL 6 MAY ’21 – 27 JUN ’21 The 22 Bienal de Arte Paiz aims to dig into the past and think and imagine together possible futures. Curated by Alexia Tala and Gabriel Rodríguez Pellecer. -------------------------Exhibition
ECOLOGIES AND POLITICS OF LIVING | VIENNA BIENNALE 28 MAY ’21 – 3 OCT ’21 The exhibition “Ecologies and Politics of the Living” explores the relationship between animate and inanimate environments, against the backdrop of a politically and economically interwoven world. Curated by Ibrahim Mahama, Baerbel -------------------------Monograph
CONVERSING WITH LEAVES Publication released the occasion of the exhibition Conversing with Leaves by Uriel Orlow at Kunsthalle Mainz, November 30, 2019 – March 15, 2020. “The title derives from the book of -------------------------VIEW ALL →
Exhibition
PLANTED IN THE BODY | MEET FACTORY, PRAGUE 29 JUN ’21 – 22 AUG ’21 This show looks into plants as sources and carriers of knowledge, and explores more precisely how the unique knowledge flora is transmitted for centuries. Curated by Clelia… -------------------------Exhibition
FUTURE ECOLOGIES – CONFLICTS | EUGSTER BELGRADE 3 APR ’21 – 1 MAY ’21 Conflicts is a multi-platform project responding to the broader context of FUTURE ECOLOGIES, a programme from WE ARE HERE: Artists’ Moving Image. Curated by Natalija… -------------------------Exhibition
MOMENTUM 11 | HOUSE OF COMMONS 12 JUN ’21 – 12 OCT ’21 The title refers to “commons,” “commonality,” and “commoning,” notions and processes that were elaborated and discussed by thinkers such… -------------------------Exhibition
FROM THE FORESTS’ ASHES | FOODCULTURE DAYS 27 MAY ’21 – 30 MAY ’21 In May 2021, foodculture days presents Chapter 2: “From the ashes of the forests”, with a hybrid program – digital and face-to-face in Vevey – from May 27… -------------------------Exhibition
FRANKFURT ‚GARDENLUST’ I HISTORISCHES MUSEUM FRANKFURT 25 MAR ’21 – 10 OCT ’21 On the occasion of the Frankfurt’s botanical garden anniversary, the Historical Museum Frankfurt is dedicating an exhibition to Frankfurt’s parks and public gardens, highlighting how the city hasdealt with its
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GREY, GREEN, GOLD (AND RED) | FRAC MARSEILLE12 MAR ’21
A lecture-performance Grey, Green, Gold (and Red) that develops the themes and concerns of the project Theatrum Botanicum (2015-2018), considering plants and gardens as active agents of… -------------------------Exhibition
TREE STORY | MUMA, MELBOURNE 6 FEB ’21 – 10 APR ’21 Tree Story brings together creative practices from around the world to create a ‘forest’ of ideas relating to critical environmental and sustainability issues. At its foundation—or roots—are Indigenousways of
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CRITICAL ZONES | ZKM, KARLSRUHE 23 MAY ’20 – 8 AUG ’21 For a long time the reactions of Earth to our human actions remained unnoticed, but in recent times with the protest movement Fridays for Future climate crisis has moved into ------------------------- All images are copyright Uriel Orlow. Texts copyright Uriel Orlow and the respective authors.Details
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