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ABOUT – THE GEORGIA REVIEW About. The Georgia Review is the literary-cultural journal published out of the University of Georgia since 1947. While it began with a regional commitment, its scope has grown to include readers and writers throughout the U.S. and the world, who are brought togetherthrough
SUBMIT – THE GEORGIA REVIEW Online submissions require a $3 processing fee, with an exception for current subscribers to The Georgia Review, who may submit online at no cost. Subscribers: Please email garev@uga.edu to receive a link to submit for free, providing the genre of the work to be submitted and your full name and address (including zip code). JUNE 2021 – PAGE 3 – THE GEORGIA REVIEW Special Feature College (translated from the Hindi by Arvind Krishna Mehrotra and Sara Rai) AFTER GOD, FEAR WOMEN After God, Fear Women. By Eloghosa Osunde. From the Spring 2021 Issue. While Mr. Osagie slept, his wife, Maria, lay in chains at the foot of the bed, where he’d kept her for three days now. She’d tried to wrest herself free on the first night, the chains grating and scarring her wrists as he snored away. On the second night, as the moonLEE, AE HEE
Special Feature College (translated from the Hindi by Arvind Krishna Mehrotra and Sara Rai)CARLSON, DOUG
Doug Carlson joined the Review staff in January 2007 and works primarily in manuscript evaluation and nonfiction editing. Carlson’s essays on natural and cultural history have appeared frequently in magazines and journals as well as in several anthologies, including A Place Apart (W. W. Norton) and The Sacred Place (University of UtahPress).
SCOTT LACLAIRE
Special Feature College (translated from the Hindi by Arvind Krishna Mehrotra and Sara Rai)NYSTROM, DEBRA
Debra Nystrom. Debra Nystrom has published four books of poems, Night Sky Frequencies (Sheep Meadow Press, 2016); Bad River Road (2009) and Torn Sky (2003), both from Sarabande Books; and A Quarter Turn (Sheep Meadow Press, 1991). Her poetry, fiction, and nonfiction have appeared in The New Yorker, Ploughshares, The Kenyon Review, Slate, The IN MEMORIAM, BARRY LOPEZ In our correspondence, he wrote of the importance of rhythm, pace, and listening in giving a satisfying speaking performance. Barry was a great writer who could also speak his words without reading them. There is a musical quality in his prose with the resonance of beautifully bowed or plucked strings. THE GEORGIA REVIEWCURRENT ISSUEFEATURESARTREVIEWSCONVERSATIONSABOUT The Georgia Review’s Spring 2021 issue is now available, featuring new writing from T Cooper, Eloghosa Osunde, Kazim Ali, Heather Christle, Nikki Wallschlaeger, and many more, along with translations of work by Alain Mabanckou, Hiromi Itō, and Toshiko Hirata and a special section on Claudia Rankine’s Just Us: An AmericanConversation.
ABOUT – THE GEORGIA REVIEW About. The Georgia Review is the literary-cultural journal published out of the University of Georgia since 1947. While it began with a regional commitment, its scope has grown to include readers and writers throughout the U.S. and the world, who are brought togetherthrough
SUBMIT – THE GEORGIA REVIEW Online submissions require a $3 processing fee, with an exception for current subscribers to The Georgia Review, who may submit online at no cost. Subscribers: Please email garev@uga.edu to receive a link to submit for free, providing the genre of the work to be submitted and your full name and address (including zip code). JUNE 2021 – PAGE 3 – THE GEORGIA REVIEW Special Feature College (translated from the Hindi by Arvind Krishna Mehrotra and Sara Rai) AFTER GOD, FEAR WOMEN After God, Fear Women. By Eloghosa Osunde. From the Spring 2021 Issue. While Mr. Osagie slept, his wife, Maria, lay in chains at the foot of the bed, where he’d kept her for three days now. She’d tried to wrest herself free on the first night, the chains grating and scarring her wrists as he snored away. On the second night, as the moonLEE, AE HEE
Special Feature College (translated from the Hindi by Arvind Krishna Mehrotra and Sara Rai)CARLSON, DOUG
Doug Carlson joined the Review staff in January 2007 and works primarily in manuscript evaluation and nonfiction editing. Carlson’s essays on natural and cultural history have appeared frequently in magazines and journals as well as in several anthologies, including A Place Apart (W. W. Norton) and The Sacred Place (University of UtahPress).
SCOTT LACLAIRE
Special Feature College (translated from the Hindi by Arvind Krishna Mehrotra and Sara Rai)NYSTROM, DEBRA
Debra Nystrom. Debra Nystrom has published four books of poems, Night Sky Frequencies (Sheep Meadow Press, 2016); Bad River Road (2009) and Torn Sky (2003), both from Sarabande Books; and A Quarter Turn (Sheep Meadow Press, 1991). Her poetry, fiction, and nonfiction have appeared in The New Yorker, Ploughshares, The Kenyon Review, Slate, The IN MEMORIAM, BARRY LOPEZ In our correspondence, he wrote of the importance of rhythm, pace, and listening in giving a satisfying speaking performance. Barry was a great writer who could also speak his words without reading them. There is a musical quality in his prose with the resonance of beautifully bowed or plucked strings. ABOUT – THE GEORGIA REVIEW About. The Georgia Review is the literary-cultural journal published out of the University of Georgia since 1947. While it began with a regional commitment, its scope has grown to include readers and writers throughout the U.S. and the world, who are brought togetherthrough
JUNE 2021 – THE GEORGIA REVIEW Special Feature College (translated from the Hindi by Arvind Krishna Mehrotra and Sara Rai) JUNE 2021 – PAGE 3 – THE GEORGIA REVIEW Special Feature College (translated from the Hindi by Arvind Krishna Mehrotra and Sara Rai) SILK – THE GEORGIA REVIEW Special Feature College (translated from the Hindi by Arvind Krishna Mehrotra and Sara Rai)LEE, AE HEE
Special Feature College (translated from the Hindi by Arvind Krishna Mehrotra and Sara Rai)WILSON, KEITH S.
Special Feature College (translated from the Hindi by Arvind Krishna Mehrotra and Sara Rai) KORVIN-PIOTROVSKY, VLADIMIR Special Feature College (translated from the Hindi by Arvind Krishna Mehrotra and Sara Rai)DRALYUK, BORIS
Special Feature College (translated from the Hindi by Arvind Krishna Mehrotra and Sara Rai) THE AXIS OF DISPOSSESSION, FIG 2. Special Feature College (translated from the Hindi by Arvind Krishna Mehrotra and Sara Rai) VILLARREAL, VANESSA ANGÉLICA Special Feature College (translated from the Hindi by Arvind Krishna Mehrotra and Sara Rai) THE GEORGIA REVIEWCURRENT ISSUEFEATURESARTREVIEWSCONVERSATIONSABOUT The Georgia Review’s Spring 2021 issue is now available, featuring new writing from T Cooper, Eloghosa Osunde, Kazim Ali, Heather Christle, Nikki Wallschlaeger, and many more, along with translations of work by Alain Mabanckou, Hiromi Itō, and Toshiko Hirata and a special section on Claudia Rankine’s Just Us: An AmericanConversation.
SUBMIT – THE GEORGIA REVIEWOPPORTUNITIESSHOPEVENTS Online submissions require a $3 processing fee, with an exception for current subscribers to The Georgia Review, who may submit online at no cost. Subscribers: Please email garev@uga.edu to receive a link to submit for free, providing the genre of the work to be submitted and your full name and address (including zip code).NYSTROM, DEBRA
Debra Nystrom. Debra Nystrom has published four books of poems, Night Sky Frequencies (Sheep Meadow Press, 2016); Bad River Road (2009) and Torn Sky (2003), both from Sarabande Books; and A Quarter Turn (Sheep Meadow Press, 1991). Her poetry, fiction, and nonfiction have appeared in The New Yorker, Ploughshares, The Kenyon Review, Slate, TheFINALE, FRANK
Inquiry and Imperative (on Johanna Skibsrud’s The Poetic Imperative: A Speculative Aesthetics and AliceBAYNHAM, JACOB
Jacob Baynham is a freelance journalist and essayist who lives in Montana. He has written about criminal justice for The Christian Science Monitor, about parenting for Outside magazine, and has reported internationally for Newsweek, the San Francisco Chronicle, Slate, and other publications.He lives in Missoula with his wife, Hilly McGahan, and their two boys. IN MEMORIAM, BARRY LOPEZ In our correspondence, he wrote of the importance of rhythm, pace, and listening in giving a satisfying speaking performance. Barry was a great writer who could also speak his words without reading them. There is a musical quality in his prose with the resonance of beautifully bowed or plucked strings. “A STARTING POINT” (WITH AN INTRODUCTION BY KATIE GEHA 9. INTRODUCTION. Toyin Ojih Odutola is a visual artist consumed by the literary. Her drawings of figures are often cloaked in narrative allusions, and the build-up of IS ALL WRITING ENVIRONMENTAL WRITING? Is All Writing Environmental Writing? By Camille T. Dungy. From the Fall 2018 / Winter 2018 Issue. We are in the midst of the planet’s sixth great extinction, in a time where we are seeing the direct effects of radical global climate change via more frequent and ferocious storms, hotter drier years accompanied by more devastatingwildfires
ON IN THE LATENESS OF THE WORLD BY CAROLYN FORCHÉ Forché’s poem is ultimately a testament to human suffering in times of political upheaval: In hollow pits the dead repose, bones whitening. in utter dark, where not even bats sing, and until. seen from the air by pilots during the Great War, the domes slept, round and risen in the fields. A POSTMORTEM GUIDE & A POSTMORTEM GUIDE (2) Stephen Dunn is the author of numerous books of poetry and prose. His Degrees of Fidelity: Essays on Poetry and the Latitudes of the Personal, is due out from Tiger Bark Press in October 2018, and a new collection of poems, Pagan Virtues, is scheduled to be published by W. W. Norton in 2019.He has been the recipient of many awards, including the 2001 Pulitzer Prize in Poetry for Different THE GEORGIA REVIEWCURRENT ISSUEFEATURESARTREVIEWSCONVERSATIONSABOUT The Georgia Review’s Spring 2021 issue is now available, featuring new writing from T Cooper, Eloghosa Osunde, Kazim Ali, Heather Christle, Nikki Wallschlaeger, and many more, along with translations of work by Alain Mabanckou, Hiromi Itō, and Toshiko Hirata and a special section on Claudia Rankine’s Just Us: An AmericanConversation.
SUBMIT – THE GEORGIA REVIEWOPPORTUNITIESSHOPEVENTS Online submissions require a $3 processing fee, with an exception for current subscribers to The Georgia Review, who may submit online at no cost. Subscribers: Please email garev@uga.edu to receive a link to submit for free, providing the genre of the work to be submitted and your full name and address (including zip code).NYSTROM, DEBRA
Debra Nystrom. Debra Nystrom has published four books of poems, Night Sky Frequencies (Sheep Meadow Press, 2016); Bad River Road (2009) and Torn Sky (2003), both from Sarabande Books; and A Quarter Turn (Sheep Meadow Press, 1991). Her poetry, fiction, and nonfiction have appeared in The New Yorker, Ploughshares, The Kenyon Review, Slate, TheFINALE, FRANK
Inquiry and Imperative (on Johanna Skibsrud’s The Poetic Imperative: A Speculative Aesthetics and AliceBAYNHAM, JACOB
Jacob Baynham is a freelance journalist and essayist who lives in Montana. He has written about criminal justice for The Christian Science Monitor, about parenting for Outside magazine, and has reported internationally for Newsweek, the San Francisco Chronicle, Slate, and other publications.He lives in Missoula with his wife, Hilly McGahan, and their two boys. IN MEMORIAM, BARRY LOPEZ In our correspondence, he wrote of the importance of rhythm, pace, and listening in giving a satisfying speaking performance. Barry was a great writer who could also speak his words without reading them. There is a musical quality in his prose with the resonance of beautifully bowed or plucked strings. “A STARTING POINT” (WITH AN INTRODUCTION BY KATIE GEHA 9. INTRODUCTION. Toyin Ojih Odutola is a visual artist consumed by the literary. Her drawings of figures are often cloaked in narrative allusions, and the build-up of IS ALL WRITING ENVIRONMENTAL WRITING? Is All Writing Environmental Writing? By Camille T. Dungy. From the Fall 2018 / Winter 2018 Issue. We are in the midst of the planet’s sixth great extinction, in a time where we are seeing the direct effects of radical global climate change via more frequent and ferocious storms, hotter drier years accompanied by more devastatingwildfires
ON IN THE LATENESS OF THE WORLD BY CAROLYN FORCHÉ Forché’s poem is ultimately a testament to human suffering in times of political upheaval: In hollow pits the dead repose, bones whitening. in utter dark, where not even bats sing, and until. seen from the air by pilots during the Great War, the domes slept, round and risen in the fields. A POSTMORTEM GUIDE & A POSTMORTEM GUIDE (2) Stephen Dunn is the author of numerous books of poetry and prose. His Degrees of Fidelity: Essays on Poetry and the Latitudes of the Personal, is due out from Tiger Bark Press in October 2018, and a new collection of poems, Pagan Virtues, is scheduled to be published by W. W. Norton in 2019.He has been the recipient of many awards, including the 2001 Pulitzer Prize in Poetry for Different PRODUCTS – THE GEORGIA REVIEW Kaleidoscopic Consciousness. By Doron Langberg. “Be Unpredictable, Be Real, Be Interesting, Tell a Good Story!” (with an interview By Eddie Arroyo. A Lower Deep. By Michi Meko. View All Art. Reviews. on The Journey by Miguel Collazo, translated by David Frye, with anintroduction by
SEEKING REFUGE
When the body of three-year-old Alan Kurdi washed up onto the shore of Bodrum, Turkey, in September 2015, the photograph of him went viral, sending a shockwave through a part of the world that, until then, had largely ignored the civil war the United Nations High Commissioner for Refugees (UNHCR) António Guterres has called “the LANDS OF LOST BORDERS Kate Harris is the 2012 winner of the Ellen Meloy Desert Writers Award and has been nominated for the Pushcart Prize and cited as a “Notables” selection in Best American Essays.Born and raised in southwestern Ontario, she currently lives near the borders of Alaska, British Columbia, and the Yukon, in an off-grid log cabin roughly proportioned like a haiku (5’ x 7’ x 7’), from whichELLIOTT, JULIA
Julia Elliott’s writing has appeared in Tin House, The Georgia Review, Conjunctions, the New York Times, and other publications.She has won a Rona Jaffe Writer’s Award, and her stories have been anthologized in Pushcart Prize: Best of the Small Presses and Best American Short Stories.Her debut story collection, The Wilds( Tin House Books, 2014), was chosen by Kirkus, BuzzFeed, Book RiotMABANCKOU, ALAIN
Alain Mabanckou. Alain Mabanckou is considered one of Francophone Africa’s most prolific contemporary writers. A novelist, essayist, and poet, Mabanckou was born in what is now called Congo-Brazzaville, and his work has garnered a multitude of awards, including the prestigious Grand Prix de Littérature from the Académie Française. THE LORAINE WILLIAMS POETRY PRIZE The Loraine Williams Poetry Prize is an award for a single poem, to be published in The Georgia Review. The winner will receive an honorarium of $1,500 and an expenses-paid trip to Athens, Georgia, to give a public reading with the judge. Annual time frame: Submissions to be considered for the Loraine Williams Poetry Prize must be sent either RIDDLE – THE GEORGIA REVIEW His first book, Please (New Issues, 2008), won the American Book Award, and his second, The New Testament (Copper Canyon Press, 2014), won the Anisfield-Wolf Book Award and the Thom Gunn Award, and was named one of the best books of the year by Library THE WOMAN WITH FIVE HEARTS The Woman with Five Hearts. By Stephen Dunn. From the Summer 1993 Issue. Stephen Dunn is the author of numerous books of poetry and prose. His Degrees of Fidelity: Essays on Poetry and the Latitudes of the Personal, is due out from Tiger Bark Press in October 2018, and a new collection of poems, Pagan Virtues, is scheduled to be publishedby W
ON WHEREAS BY LAYLI LONG SOLDIER WHEREAS. By Layli Long Soldier. Minneapolis, MN: Graywolf Press, 2017. 120 pp. $16.00, paper. Katie Kane is a writer, activist, and professor of cultural studies, English literature, and globalization and colonial studies at the University of Montana. DR. GERALD MAA NAMED NEXT EDITOR-IN-CHIEF OF THE GEORGIA The Georgia Review is pleased to announce the appointment of Dr. Gerald Maa as its next editor. He will succeed longtime editor Dr. Stephen Corey, who will retire in the summer of 2019 after thirty-six years at the Review. Dr. Maa will begin his tenure at the journal August 1. Maa is currently an editor-in-chiefSkip to the content
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PSITTACIFORMES FORMS, SELF-EATING FORMS By Yaron Michael Hakim PHENOMENAL LISTENING: THE ART OF JASON MORANBy Radiclani Clytus
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PSITTACIFORMES FORMS, SELF-EATING FORMS By Yaron Michael Hakim PHENOMENAL LISTENING: THE ART OF JASON MORANBy Radiclani Clytus
AFTER GOD, FEAR WOMENBy Eloghosa Osunde
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_The Georgia Review_’s Spring 2021 issue is now available, featuring new writing from T Cooper, Eloghosa Osunde, Kazim Ali, Heather Christle, Nikki Wallschlaeger, and many more, along with translations of work by Alain Mabanckou, Hiromi Itō, and Toshiko Hirata and a special section on Claudia Rankine’s _Just Us: An American Conversation_. This issue’s art portfolio presents Yaron Michael Hakim’s innovative anti-colonial artworks, as seen in twodistinctive series.
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Special Feature
ITŌ GROWS ILL, A BIRD TRANSFORMS INTO A BLOSSOM, AND THE GIANT TREESSTAY UN...
By Hiromi Itō
Essays
MY MOTHER’S GOWNS
By Debra Nystrom
Poetry
; ; ;
[AND SO...
By Alain Mabanckou
Poetry
THE BLACK UGLY DUCKLING & LOVE LETTER TO MY FIRST CAR By Nikki WallschlaegerEssays
IN PARADISE
By Susanne AntonettaFiction
AFTER GOD, FEAR WOMENBy Eloghosa Osunde
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FIRST AID
By T Cooper
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LOVE POEM WITH PARENTHETICAL; SHIFT; & WHAT IT MEANS TO FORGETBy Dana Alsamsam
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Poetry
THE BLACK UGLY DUCKLING & LOVE LETTER TO MY FIRST CAR By Nikki WallschlaegerEssays
IN PARADISE
By Susanne AntonettaFiction
AFTER GOD, FEAR WOMENBy Eloghosa Osunde
Fiction
FIRST AID
By T Cooper
Poetry
LOVE POEM WITH PARENTHETICAL; SHIFT; & WHAT IT MEANS TO FORGETBy Dana Alsamsam
Special Feature
ITŌ GROWS ILL, A BIRD TRANSFORMS INTO A BLOSSOM, AND THE GIANT TREESSTAY UN...
By Hiromi Itō
Essays
MY MOTHER’S GOWNS
By Debra Nystrom
Poetry
; ; ;
[AND SO...
By Alain Mabanckou
Poetry
THE BLACK UGLY DUCKLING & LOVE LETTER TO MY FIRST CAR By Nikki WallschlaegerEssays
IN PARADISE
By Susanne AntonettaFiction
AFTER GOD, FEAR WOMENBy Eloghosa Osunde
Fiction
FIRST AID
By T Cooper
Poetry
LOVE POEM WITH PARENTHETICAL; SHIFT; & WHAT IT MEANS TO FORGETBy Dana Alsamsam
Special Feature
ITŌ GROWS ILL, A BIRD TRANSFORMS INTO A BLOSSOM, AND THE GIANT TREESSTAY UN...
By Hiromi Itō
Essays
MY MOTHER’S GOWNS
By Debra Nystrom
Poetry
; ; ;
[AND SO...
By Alain Mabanckou
Poetry
THE BLACK UGLY DUCKLING & LOVE LETTER TO MY FIRST CAR By Nikki WallschlaegerEssays
IN PARADISE
By Susanne AntonettaFiction
AFTER GOD, FEAR WOMENBy Eloghosa Osunde
Fiction
FIRST AID
By T Cooper
Poetry
LOVE POEM WITH PARENTHETICAL; SHIFT; & WHAT IT MEANS TO FORGET By Dana Alsamsam NextART
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“WHAT I FIND FUNNY IS TOO DARK TO SAY OUT LOUD” (WITH AN INTERVIEWBY C. J. BARTUNEK)
By Dhruvi Acharya
“A STARTING POINT” (WITH AN INTRODUCTION BY KATIE GEHA) By Toyin Ojih Odutola “AS COMPLICATED AND ELUSIVE AS REALITY”: MARÍA BERRIO’S MANY-LAYERED COLLAGES (WITH AN INTERVIEW BY C. J. BARTUNEK)By María Berrio
PSITTACIFORMES FORMS, SELF-EATING FORMS By Yaron Michael Hakim COLLABORATIONS, WATER AND LIGHT (WITH AN INTERVIEW BY DOUGLAS CARLSON) By Meghann Riepenhoff PICTURE THE DREAM: THE STORY OF THE CIVIL RIGHTS MOVEMENT THROUGH CHILDREN’S BOOKS, 15 AUGUST–8 NOVEMBER 2020, THE HIGH MUSEUM OF ART, ATLANTA (FEATURING AN INTERVIEW WITH ANDREA DAVIS PINKNEY)By C. J. Bartunek
KALEIDOSCOPIC CONSCIOUSNESSBy Doron Langberg
“BE UNPREDICTABLE, BE REAL, BE INTERESTING, TELL A GOOD STORY!” (WITH AN INTERVIEW BY C.J. BARTUNEK)By Eddie Arroyo
A LOWER DEEP
By Michi Meko
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