Are you over 18 and want to see adult content?
More Annotations
A complete backup of english.jagran.com/lifestyle/mahashivratri-2020-live-updates-ujjain-mahakaleshwar-mandir-live-streaming-of-
Are you over 18 and want to see adult content?
A complete backup of www.telugucinema.com/news/actress-anupama-turns-24
Are you over 18 and want to see adult content?
A complete backup of ftw.usatoday.com/2020/02/how-to-watch-club-brugge-vs-manchester-united-europa-league-live-stream-schedule-t
Are you over 18 and want to see adult content?
A complete backup of www.india.com/hindi-news/career-hindi/ssc-cgl-admit-card-2019-20-ssc-will-soon-release-cgl-tier-1-admit-car
Are you over 18 and want to see adult content?
Favourite Annotations
A complete backup of www.indiantelevision.com/television/tv-channels/news-broadcasting/abp-news-wins-best-news-channel-award-at-
Are you over 18 and want to see adult content?
A complete backup of news.tvbs.com.tw/life/1274330
Are you over 18 and want to see adult content?
A complete backup of news.ebc.net.tw/news/society/196818
Are you over 18 and want to see adult content?
A complete backup of laopinion.com/2020/02/10/escotazos-de-la-hija-y-novia-de-antonio-banderas-causaron-revuelo-en-la-alfombra-r
Are you over 18 and want to see adult content?
A complete backup of www.4gamer.net/games/315/G031596/20200210020/
Are you over 18 and want to see adult content?
Text
Chorus: SATB
ORION « KAIJA SAARIAHO Orion, the mysterious and adventurous hunter of Greek mythology, was the mortal son of Neptune (Poseidon), the god of seas. After his death, Orion was placed by Zeus in the sky as a radiant constellation. He is, thus, at once an active (even hyper-active) human being and an immobile heavenly object, and Saariaho has fully exploited that AILE DU SONGE « KAIJA SAARIAHO Ils sont l’espace traversé d’une seule pensée”. The concerto is composed of two main parts: Aérienne and Terrestre. These two titles are also to be found in one of Perse’s poems quoted below. The three sections of Aérienne describe three different concerted situations: In Prélude the flute gradually pervades space andgenerates the
NYMPHÉA « KAIJA SAARIAHO Programme Note Nymphéa (1987) In Nymphea (water lily) for a string quartet and electronics, I continue the approach towards string instruments that I used in my earlier works Lichtbogen and Io and also develop musical processes through the use of the computer and my specific computer programs (the subtitle of the piece Jardin secret III describes this, connecting it to a series of similarly MIRRORS « KAIJA SAARIAHO Mirrors (1997) Mirrors is a piece written originally for the CD-Rom Prisma dedicated to my music. In the context of the CD-Rom, the user can build and play his own versions of Mirrors, by combining pre-defined fragments. Because written for this purpose, the piece is built in such a manner that it can be reconstructed in multipleversions.
LICHTBOGEN « KAIJA SAARIAHO Lichtbogen (1986) The name LICHTBOGEN stems from Northern Lights which I saw in the Arctic sky when starting to work with this piece. When looking at the movements of these immense, silent lights which run over the black sky, first ideas concerning the form and VENT NOCTURNE « KAIJA SAARIAHO Vent nocturne (2006) The idea for Vent nocturne (‘Night Wind’) first occurred to me while I was reading a bilingual edition on the poems of Georg Trakl. This synchronicity of the two languages – German and French – led me to muse on the relationship between the viola and electronics. The work is in two parts: Sombres mirroirs(‘Dark
GRAMMAIRE DES RÊVES « KAIJA SAARIAHO Grammaire des Rêves (Grammar of Dreams, 1988-89) was born from my curiosity about the relationship between human voice and instruments, a subject which I had put aside for many years. As the title of the piece indicates, another source of interest was the structural life of dreams. Different ideas concerning the research of dreams (for example ADRIANA MATER « KAIJA SAARIAHO Adriana Mater (2005) BRIEF SYNOPSIS. The setting is a country at war in the present day. Adriana is raped by Tsargo, a man from her local community, and falls pregnant. She has a son – Yonas – and brings him up, tormented by whether his behaviour will be determined by the blood of his rapist father, or by herself – his innocent mother. KAIJA SAARIAHONEWSBIOGRAPHYWORKSCONCERTSINSIGHTSRECORDINGS All rights reserved 2015 Kaija Saariaho. All Rights Reserved. error: WORKS « KAIJA SAARIAHO Horloge, Tais-Tois! (2007) – 3 Minutes 30 Seconds Chorus: SA chorus Orchestration: 1011/0000//str; Oltra mar (1999) – 22 MinutesChorus: SATB
ORION « KAIJA SAARIAHO Orion, the mysterious and adventurous hunter of Greek mythology, was the mortal son of Neptune (Poseidon), the god of seas. After his death, Orion was placed by Zeus in the sky as a radiant constellation. He is, thus, at once an active (even hyper-active) human being and an immobile heavenly object, and Saariaho has fully exploited that AILE DU SONGE « KAIJA SAARIAHO Ils sont l’espace traversé d’une seule pensée”. The concerto is composed of two main parts: Aérienne and Terrestre. These two titles are also to be found in one of Perse’s poems quoted below. The three sections of Aérienne describe three different concerted situations: In Prélude the flute gradually pervades space andgenerates the
NYMPHÉA « KAIJA SAARIAHO Programme Note Nymphéa (1987) In Nymphea (water lily) for a string quartet and electronics, I continue the approach towards string instruments that I used in my earlier works Lichtbogen and Io and also develop musical processes through the use of the computer and my specific computer programs (the subtitle of the piece Jardin secret III describes this, connecting it to a series of similarly MIRRORS « KAIJA SAARIAHO Mirrors (1997) Mirrors is a piece written originally for the CD-Rom Prisma dedicated to my music. In the context of the CD-Rom, the user can build and play his own versions of Mirrors, by combining pre-defined fragments. Because written for this purpose, the piece is built in such a manner that it can be reconstructed in multipleversions.
LICHTBOGEN « KAIJA SAARIAHO Lichtbogen (1986) The name LICHTBOGEN stems from Northern Lights which I saw in the Arctic sky when starting to work with this piece. When looking at the movements of these immense, silent lights which run over the black sky, first ideas concerning the form and VENT NOCTURNE « KAIJA SAARIAHO Vent nocturne (2006) The idea for Vent nocturne (‘Night Wind’) first occurred to me while I was reading a bilingual edition on the poems of Georg Trakl. This synchronicity of the two languages – German and French – led me to muse on the relationship between the viola and electronics. The work is in two parts: Sombres mirroirs(‘Dark
GRAMMAIRE DES RÊVES « KAIJA SAARIAHO Grammaire des Rêves (Grammar of Dreams, 1988-89) was born from my curiosity about the relationship between human voice and instruments, a subject which I had put aside for many years. As the title of the piece indicates, another source of interest was the structural life of dreams. Different ideas concerning the research of dreams (for example ADRIANA MATER « KAIJA SAARIAHO Adriana Mater (2005) BRIEF SYNOPSIS. The setting is a country at war in the present day. Adriana is raped by Tsargo, a man from her local community, and falls pregnant. She has a son – Yonas – and brings him up, tormented by whether his behaviour will be determined by the blood of his rapist father, or by herself – his innocent mother. BIOGRAPHY « KAIJA SAARIAHO Kaija Saariaho is a prominent member of a group of Finnish composers and performers who are now, in mid-career, making a worldwide impact. Born in Helsinki in 1952, she studied at the Sibelius Academy there with the pioneering modernist Paavo Heininen and, with Magnus Lindberg and others, she founded the progressive ‘Ears Open’ group. VIDEO « KAIJA SAARIAHO Video. True Fire – excerpt (Paris, 2017) L’Amour de Loin – trailer (New York, 2016) Emilie – trailer (Helsinki, 2015) Asteroid 4179 – excerpt (Paris, 2013) Lonh (Visual Concert) NoaNoa (Visual Concert) La Passion de Simone (Bratislava, 2013) Sombre (Houston,2013)
ONLY THE SOUND REMAINS « KAIJA SAARIAHO Programme Note Kaija Saariaho Only the Sound Remains (2015) BRIEF SYNOPSIS. Only the Sound Remains combines two short operas inspired by Nôh dramas: Always strong (original title Tsunemasa) and Feather mantle (Hagoromo), based on translations by Ezra Pound and ErnestFenollosa.
MIRRORS « KAIJA SAARIAHO Mirrors (1997) Mirrors is a piece written originally for the CD-Rom Prisma dedicated to my music. In the context of the CD-Rom, the user can build and play his own versions of Mirrors, by combining pre-defined fragments. Because written for this purpose, the piece is built in such a manner that it can be reconstructed in multipleversions.
SPINS AND SPELLS « KAIJA SAARIAHO Spins and Spells (1997) The title evokes the two gestures which are at the origin of the work: on the one hand the pattern which I call “spinning tops” turning around on the one spot or undergoing changes, and on the other, timeless moments, centred on the sound colour and texture. The entire piece unfolds either around or betweenthese two
TERRA MEMORIA « KAIJA SAARIAHO Terra Memoria (2006) Terra Memoria is my second piece for string quartet, the first being Nymphea which was written in 1987. Twenty years have passed since Nymphea and my musical thinking has evolved much in that time, but my initial interest in string instruments has remained as vivid as ever. I love the richness and sensitivity of thestring
LICHTBOGEN « KAIJA SAARIAHO Lichtbogen (1986) The name LICHTBOGEN stems from Northern Lights which I saw in the Arctic sky when starting to work with this piece. When looking at the movements of these immense, silent lights which run over the black sky, first ideas concerning the form and LA PASSION DE SIMONE « KAIJA SAARIAHO La Passion consists of 15 stations. The idea for the form of the text and the entire work came from the Passion play tradition. This outer form is, however, the only similarity to the traditional oratorio, at least in my opinion. The 15 movements are different in character and structure, and they shed light on different moments in Simone Weil OLTRA MAR « KAIJA SAARIAHO Oltra mar (1999) Oltra Mar, which means “across the sea” in the ancient French language, is written for large orchestra and mixed choir. The work differs from my other large orchestral pieces (such as Du cristal, my violin concerto Graal Théâtre, or my orchestral song cycle Chateau de l’ Âme) in its sectional structure, being ADRIANA MATER « KAIJA SAARIAHO Adriana Mater (2005) BRIEF SYNOPSIS. The setting is a country at war in the present day. Adriana is raped by Tsargo, a man from her local community, and falls pregnant. She has a son – Yonas – and brings him up, tormented by whether his behaviour will be determined by the blood of his rapist father, or by herself – his innocent mother. KAIJA SAARIAHONEWSBIOGRAPHYWORKSCONCERTSINSIGHTSRECORDINGS All rights reserved 2015 Kaija Saariaho. All Rights Reserved. error: WORKS « KAIJA SAARIAHO Horloge, Tais-Tois! (2007) – 3 Minutes 30 Seconds Chorus: SA chorus Orchestration: 1011/0000//str; Oltra mar (1999) – 22 MinutesChorus: SATB
BIOGRAPHY « KAIJA SAARIAHO Kaija Saariaho is a prominent member of a group of Finnish composers and performers who are now, in mid-career, making a worldwide impact. Born in Helsinki in 1952, she studied at the Sibelius Academy there with the pioneering modernist Paavo Heininen and, with Magnus Lindberg and others, she founded the progressive ‘Ears Open’ group. ONLY THE SOUND REMAINS « KAIJA SAARIAHO Kaija Saariaho Only the Sound Remains (2015) BRIEF SYNOPSIS. Only the Sound Remains combines two short operas inspired by Nôh dramas: Always strong (original title Tsunemasa) and Feather mantle (Hagoromo), based on translations by Ezra Pound and Ernest Fenollosa. In Always Strong, a young lute player named Tsunemasa returns as aspirit to the
NOTES ON LIGHT « KAIJA SAARIAHO Programme Note Notes on Light (2006) Writing about a new work before its first performance is always scary even if there is no composer whose music is closer to me than Kaija. SPINS AND SPELLS « KAIJA SAARIAHO Spins and Spells (1997) The title evokes the two gestures which are at the origin of the work: on the one hand the pattern which I call “spinning tops” turning around on the one spot or undergoing changes, and on the other, timeless moments, centred on the sound colour and texture. The entire piece unfolds either around or betweenthese two
ORION « KAIJA SAARIAHO Orion, the mysterious and adventurous hunter of Greek mythology, was the mortal son of Neptune (Poseidon), the god of seas. After his death, Orion was placed by Zeus in the sky as a radiant constellation. He is, thus, at once an active (even hyper-active) human being and an immobile heavenly object, and Saariaho has fully exploited that NYMPHÉA « KAIJA SAARIAHO Programme Note Nymphéa (1987) In Nymphea (water lily) for a string quartet and electronics, I continue the approach towards string instruments that I used in my earlier works Lichtbogen and Io and also develop musical processes through the use of the computer and my specific computer programs (the subtitle of the piece Jardin secret III describes this, connecting it to a series of similarly LICHTBOGEN « KAIJA SAARIAHO Lichtbogen (1986) The name LICHTBOGEN stems from Northern Lights which I saw in the Arctic sky when starting to work with this piece. When looking at the movements of these immense, silent lights which run over the black sky, first ideas concerning the form and GRAMMAIRE DES RÊVES « KAIJA SAARIAHO Grammaire des Rêves (Grammar of Dreams, 1988-89) was born from my curiosity about the relationship between human voice and instruments, a subject which I had put aside for many years. As the title of the piece indicates, another source of interest was the structural life of dreams. Different ideas concerning the research of dreams (for example KAIJA SAARIAHONEWSBIOGRAPHYWORKSCONCERTSINSIGHTSRECORDINGS All rights reserved 2015 Kaija Saariaho. All Rights Reserved. error: WORKS « KAIJA SAARIAHO Horloge, Tais-Tois! (2007) – 3 Minutes 30 Seconds Chorus: SA chorus Orchestration: 1011/0000//str; Oltra mar (1999) – 22 MinutesChorus: SATB
BIOGRAPHY « KAIJA SAARIAHO Kaija Saariaho is a prominent member of a group of Finnish composers and performers who are now, in mid-career, making a worldwide impact. Born in Helsinki in 1952, she studied at the Sibelius Academy there with the pioneering modernist Paavo Heininen and, with Magnus Lindberg and others, she founded the progressive ‘Ears Open’ group. ONLY THE SOUND REMAINS « KAIJA SAARIAHO Kaija Saariaho Only the Sound Remains (2015) BRIEF SYNOPSIS. Only the Sound Remains combines two short operas inspired by Nôh dramas: Always strong (original title Tsunemasa) and Feather mantle (Hagoromo), based on translations by Ezra Pound and Ernest Fenollosa. In Always Strong, a young lute player named Tsunemasa returns as aspirit to the
NOTES ON LIGHT « KAIJA SAARIAHO Programme Note Notes on Light (2006) Writing about a new work before its first performance is always scary even if there is no composer whose music is closer to me than Kaija. SPINS AND SPELLS « KAIJA SAARIAHO Spins and Spells (1997) The title evokes the two gestures which are at the origin of the work: on the one hand the pattern which I call “spinning tops” turning around on the one spot or undergoing changes, and on the other, timeless moments, centred on the sound colour and texture. The entire piece unfolds either around or betweenthese two
ORION « KAIJA SAARIAHO Orion, the mysterious and adventurous hunter of Greek mythology, was the mortal son of Neptune (Poseidon), the god of seas. After his death, Orion was placed by Zeus in the sky as a radiant constellation. He is, thus, at once an active (even hyper-active) human being and an immobile heavenly object, and Saariaho has fully exploited that NYMPHÉA « KAIJA SAARIAHO Programme Note Nymphéa (1987) In Nymphea (water lily) for a string quartet and electronics, I continue the approach towards string instruments that I used in my earlier works Lichtbogen and Io and also develop musical processes through the use of the computer and my specific computer programs (the subtitle of the piece Jardin secret III describes this, connecting it to a series of similarly LICHTBOGEN « KAIJA SAARIAHO Lichtbogen (1986) The name LICHTBOGEN stems from Northern Lights which I saw in the Arctic sky when starting to work with this piece. When looking at the movements of these immense, silent lights which run over the black sky, first ideas concerning the form and GRAMMAIRE DES RÊVES « KAIJA SAARIAHO Grammaire des Rêves (Grammar of Dreams, 1988-89) was born from my curiosity about the relationship between human voice and instruments, a subject which I had put aside for many years. As the title of the piece indicates, another source of interest was the structural life of dreams. Different ideas concerning the research of dreams (for example NEWS « KAIJA SAARIAHO Blick, Helsinki. From May 11, Helsinki will asee the opening of Blick at Amos Rex. Blick is an exhibition by visual artist Raija Malka and composer Kaija Saariaho that will fill the museum’s large exhibition hall with a multisensory total work of art. ONLY THE SOUND REMAINS « KAIJA SAARIAHO Programme Note Kaija Saariaho Only the Sound Remains (2015) BRIEF SYNOPSIS. Only the Sound Remains combines two short operas inspired by Nôh dramas: Always strong (original title Tsunemasa) and Feather mantle (Hagoromo), based on translations by Ezra Pound and ErnestFenollosa.
LICHTBOGEN « KAIJA SAARIAHO Lichtbogen (1986) The name LICHTBOGEN stems from Northern Lights which I saw in the Arctic sky when starting to work with this piece. When looking at the movements of these immense, silent lights which run over the black sky, first ideas concerning the form and TRUE FIRE « KAIJA SAARIAHO True Fire. Kaija Saariaho’s True Fire for baritone and orchestra was commissioned by the Los Angeles Philharmonic Orchestra, NDR Sinfonieorchester, BBC Symphony Orchestra and Orchestre national de France. The world premiere took place on 14 May 2015 at the Walt Disney Concert Hall, Los Angeles, performed by Gerald Finley (baritone), with the TERRA MEMORIA « KAIJA SAARIAHO Terra Memoria (2006) Terra Memoria is my second piece for string quartet, the first being Nymphea which was written in 1987. Twenty years have passed since Nymphea and my musical thinking has evolved much in that time, but my initial interest in string instruments has remained as vivid as ever. I love the richness and sensitivity of thestring
SIX JAPANESE GARDENS « KAIJA SAARIAHO Six Japanese Gardens (1994) Six Japanese Gardens is a collection of impressions of the gardens I saw in Kyoto during my stay in Japan in the summer of 1993 and my reflection on rhythm at that time. As the title indicates, the piece is divided into six parts. All these parts give specific look at a rhythmic material, starting from thesimplistic
MIRRORS « KAIJA SAARIAHO Mirrors (1997) Mirrors is a piece written originally for the CD-Rom Prisma dedicated to my music. In the context of the CD-Rom, the user can build and play his own versions of Mirrors, by combining pre-defined fragments. Because written for this purpose, the piece is built in such a manner that it can be reconstructed in multipleversions.
AILE DU SONGE « KAIJA SAARIAHO Ils sont l’espace traversé d’une seule pensée”. The concerto is composed of two main parts: Aérienne and Terrestre. These two titles are also to be found in one of Perse’s poems quoted below. The three sections of Aérienne describe three different concerted situations: In Prélude the flute gradually pervades space andgenerates the
VENT NOCTURNE « KAIJA SAARIAHO Vent nocturne (2006) The idea for Vent nocturne (‘Night Wind’) first occurred to me while I was reading a bilingual edition on the poems of Georg Trakl. This synchronicity of the two languages – German and French – led me to muse on the relationship between the viola and electronics. The work is in two parts: Sombres mirroirs(‘Dark
ADRIANA MATER « KAIJA SAARIAHO Adriana Mater (2005) BRIEF SYNOPSIS. The setting is a country at war in the present day. Adriana is raped by Tsargo, a man from her local community, and falls pregnant. She has a son – Yonas – and brings him up, tormented by whether his behaviour will be determined by the blood of his rapist father, or by herself – his innocent mother. KAIJA SAARIAHONEWSBIOGRAPHYWORKSCONCERTSINSIGHTSRECORDINGS All rights reserved 2015 Kaija Saariaho. All Rights Reserved. error: WORKS « KAIJA SAARIAHO Horloge, Tais-Tois! (2007) – 3 Minutes 30 Seconds Chorus: SA chorus Orchestration: 1011/0000//str; Oltra mar (1999) – 22 MinutesChorus: SATB
BIOGRAPHY « KAIJA SAARIAHO Kaija Saariaho is a prominent member of a group of Finnish composers and performers who are now, in mid-career, making a worldwide impact. Born in Helsinki in 1952, she studied at the Sibelius Academy there with the pioneering modernist Paavo Heininen and, with Magnus Lindberg and others, she founded the progressive ‘Ears Open’ group. ONLY THE SOUND REMAINS « KAIJA SAARIAHO Kaija Saariaho Only the Sound Remains (2015) BRIEF SYNOPSIS. Only the Sound Remains combines two short operas inspired by Nôh dramas: Always strong (original title Tsunemasa) and Feather mantle (Hagoromo), based on translations by Ezra Pound and Ernest Fenollosa. In Always Strong, a young lute player named Tsunemasa returns as aspirit to the
NOTES ON LIGHT « KAIJA SAARIAHO Programme Note Notes on Light (2006) Writing about a new work before its first performance is always scary even if there is no composer whose music is closer to me than Kaija. SPINS AND SPELLS « KAIJA SAARIAHO Spins and Spells (1997) The title evokes the two gestures which are at the origin of the work: on the one hand the pattern which I call “spinning tops” turning around on the one spot or undergoing changes, and on the other, timeless moments, centred on the sound colour and texture. The entire piece unfolds either around or betweenthese two
ORION « KAIJA SAARIAHO Orion, the mysterious and adventurous hunter of Greek mythology, was the mortal son of Neptune (Poseidon), the god of seas. After his death, Orion was placed by Zeus in the sky as a radiant constellation. He is, thus, at once an active (even hyper-active) human being and an immobile heavenly object, and Saariaho has fully exploited that NYMPHÉA « KAIJA SAARIAHO Programme Note Nymphéa (1987) In Nymphea (water lily) for a string quartet and electronics, I continue the approach towards string instruments that I used in my earlier works Lichtbogen and Io and also develop musical processes through the use of the computer and my specific computer programs (the subtitle of the piece Jardin secret III describes this, connecting it to a series of similarly LICHTBOGEN « KAIJA SAARIAHO Lichtbogen (1986) The name LICHTBOGEN stems from Northern Lights which I saw in the Arctic sky when starting to work with this piece. When looking at the movements of these immense, silent lights which run over the black sky, first ideas concerning the form and GRAMMAIRE DES RÊVES « KAIJA SAARIAHO Grammaire des Rêves (Grammar of Dreams, 1988-89) was born from my curiosity about the relationship between human voice and instruments, a subject which I had put aside for many years. As the title of the piece indicates, another source of interest was the structural life of dreams. Different ideas concerning the research of dreams (for example KAIJA SAARIAHONEWSBIOGRAPHYWORKSCONCERTSINSIGHTSRECORDINGS All rights reserved 2015 Kaija Saariaho. All Rights Reserved. error: WORKS « KAIJA SAARIAHO Horloge, Tais-Tois! (2007) – 3 Minutes 30 Seconds Chorus: SA chorus Orchestration: 1011/0000//str; Oltra mar (1999) – 22 MinutesChorus: SATB
BIOGRAPHY « KAIJA SAARIAHO Kaija Saariaho is a prominent member of a group of Finnish composers and performers who are now, in mid-career, making a worldwide impact. Born in Helsinki in 1952, she studied at the Sibelius Academy there with the pioneering modernist Paavo Heininen and, with Magnus Lindberg and others, she founded the progressive ‘Ears Open’ group. ONLY THE SOUND REMAINS « KAIJA SAARIAHO Kaija Saariaho Only the Sound Remains (2015) BRIEF SYNOPSIS. Only the Sound Remains combines two short operas inspired by Nôh dramas: Always strong (original title Tsunemasa) and Feather mantle (Hagoromo), based on translations by Ezra Pound and Ernest Fenollosa. In Always Strong, a young lute player named Tsunemasa returns as aspirit to the
NOTES ON LIGHT « KAIJA SAARIAHO Programme Note Notes on Light (2006) Writing about a new work before its first performance is always scary even if there is no composer whose music is closer to me than Kaija. SPINS AND SPELLS « KAIJA SAARIAHO Spins and Spells (1997) The title evokes the two gestures which are at the origin of the work: on the one hand the pattern which I call “spinning tops” turning around on the one spot or undergoing changes, and on the other, timeless moments, centred on the sound colour and texture. The entire piece unfolds either around or betweenthese two
ORION « KAIJA SAARIAHO Orion, the mysterious and adventurous hunter of Greek mythology, was the mortal son of Neptune (Poseidon), the god of seas. After his death, Orion was placed by Zeus in the sky as a radiant constellation. He is, thus, at once an active (even hyper-active) human being and an immobile heavenly object, and Saariaho has fully exploited that NYMPHÉA « KAIJA SAARIAHO Programme Note Nymphéa (1987) In Nymphea (water lily) for a string quartet and electronics, I continue the approach towards string instruments that I used in my earlier works Lichtbogen and Io and also develop musical processes through the use of the computer and my specific computer programs (the subtitle of the piece Jardin secret III describes this, connecting it to a series of similarly LICHTBOGEN « KAIJA SAARIAHO Lichtbogen (1986) The name LICHTBOGEN stems from Northern Lights which I saw in the Arctic sky when starting to work with this piece. When looking at the movements of these immense, silent lights which run over the black sky, first ideas concerning the form and GRAMMAIRE DES RÊVES « KAIJA SAARIAHO Grammaire des Rêves (Grammar of Dreams, 1988-89) was born from my curiosity about the relationship between human voice and instruments, a subject which I had put aside for many years. As the title of the piece indicates, another source of interest was the structural life of dreams. Different ideas concerning the research of dreams (for example NEWS « KAIJA SAARIAHO Blick, Helsinki. From May 11, Helsinki will asee the opening of Blick at Amos Rex. Blick is an exhibition by visual artist Raija Malka and composer Kaija Saariaho that will fill the museum’s large exhibition hall with a multisensory total work of art. ONLY THE SOUND REMAINS « KAIJA SAARIAHO Programme Note Kaija Saariaho Only the Sound Remains (2015) BRIEF SYNOPSIS. Only the Sound Remains combines two short operas inspired by Nôh dramas: Always strong (original title Tsunemasa) and Feather mantle (Hagoromo), based on translations by Ezra Pound and ErnestFenollosa.
LICHTBOGEN « KAIJA SAARIAHO Lichtbogen (1986) The name LICHTBOGEN stems from Northern Lights which I saw in the Arctic sky when starting to work with this piece. When looking at the movements of these immense, silent lights which run over the black sky, first ideas concerning the form and TRUE FIRE « KAIJA SAARIAHO True Fire. Kaija Saariaho’s True Fire for baritone and orchestra was commissioned by the Los Angeles Philharmonic Orchestra, NDR Sinfonieorchester, BBC Symphony Orchestra and Orchestre national de France. The world premiere took place on 14 May 2015 at the Walt Disney Concert Hall, Los Angeles, performed by Gerald Finley (baritone), with the TERRA MEMORIA « KAIJA SAARIAHO Terra Memoria (2006) Terra Memoria is my second piece for string quartet, the first being Nymphea which was written in 1987. Twenty years have passed since Nymphea and my musical thinking has evolved much in that time, but my initial interest in string instruments has remained as vivid as ever. I love the richness and sensitivity of thestring
SIX JAPANESE GARDENS « KAIJA SAARIAHO Six Japanese Gardens (1994) Six Japanese Gardens is a collection of impressions of the gardens I saw in Kyoto during my stay in Japan in the summer of 1993 and my reflection on rhythm at that time. As the title indicates, the piece is divided into six parts. All these parts give specific look at a rhythmic material, starting from thesimplistic
MIRRORS « KAIJA SAARIAHO Mirrors (1997) Mirrors is a piece written originally for the CD-Rom Prisma dedicated to my music. In the context of the CD-Rom, the user can build and play his own versions of Mirrors, by combining pre-defined fragments. Because written for this purpose, the piece is built in such a manner that it can be reconstructed in multipleversions.
AILE DU SONGE « KAIJA SAARIAHO Ils sont l’espace traversé d’une seule pensée”. The concerto is composed of two main parts: Aérienne and Terrestre. These two titles are also to be found in one of Perse’s poems quoted below. The three sections of Aérienne describe three different concerted situations: In Prélude the flute gradually pervades space andgenerates the
VENT NOCTURNE « KAIJA SAARIAHO Vent nocturne (2006) The idea for Vent nocturne (‘Night Wind’) first occurred to me while I was reading a bilingual edition on the poems of Georg Trakl. This synchronicity of the two languages – German and French – led me to muse on the relationship between the viola and electronics. The work is in two parts: Sombres mirroirs(‘Dark
ADRIANA MATER « KAIJA SAARIAHO Adriana Mater (2005) BRIEF SYNOPSIS. The setting is a country at war in the present day. Adriana is raped by Tsargo, a man from her local community, and falls pregnant. She has a son – Yonas – and brings him up, tormented by whether his behaviour will be determined by the blood of his rapist father, or by herself – his innocent mother.* News
* Biography
* Works
* Concerts
* Upcoming Concerts
* Previous Concerts
* Insights
* Reviews/Interviews* Writings
* Video
* Recordings
* Monographies
* Other
* Multimedia
* Gallery
* Portraits
* Performances
* Behind the scenes
* Electronics
NEWS
* Vista World and German Premieres online* Blick, Helsinki
* Kaija Saariaho awarded The Golden LionCONCERTS
* Jun 6 - Only the Sound Remains, Tokyo * Jul 1 - Portrait Concert, Aix en Provence * Jul 3 - Innocence, World Premiere, Aix en Provence * Jul 6 - Innocence, Aix en Provence * Jul 10 - Innocence, Aix en ProvenceCONTACT
Click here for all the contact details. Cookie and Tracking Policy All rights reserved 2015 Kaija Saariaho. All Rights Reserved.error:
Details
Copyright © 2024 ArchiveBay.com. All rights reserved. Terms of Use | Privacy Policy | DMCA | 2021 | Feedback | Advertising | RSS 2.0