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microphone.
MICROPHONES
Microphones. Royer’s R-series ribbon mics are known around the world for their warm, natural sound, exceptional midrange response and extreme toughness. Used on everything from electric guitars and trumpets to cellos and woodwinds, Royer R-series ribbon microphones are lifetime warranted and can handle SPL’s like ribbon mics nevercould before.
R-10 - ROYER LABS
R-10 Studio/Live Ribbon Microphone. The Royer R-10 is a passive mono ribbon microphone designed for use in the studio and on live stages. Hand-built in our Burbank California factory, the R-10’s sound, and performance are all-Royer and it handles SPLs of up to 160 dB @ 1 kHz. The R-10’s compact size and mounting system allow for flexibleR-121 - ROYER LABS
R-121 Studio Ribbon Microphone Released in 1998, the award-winning R-121 is our flagship microphone; the world’s first radically reengineered ribbon microphone and the model that reintroduced ribbon mics to engineers around the world. We did away with the large, heavy, fragile “classic” Read MoreSF-24V - ROYER LABS
SF-24V Vacuum Tube Stereo Ribbon Microphone The SF-24V vacuum tube stereo ribbon microphone is the pinnacle of our SF-series stereo microphones. The sound pickup is lush, smooth and natural, with outstanding stereo imaging and superb transient response. The tube electronics Read MoreR-122V - ROYER LABS
R-122V Vacuum Tube Ribbon Microphone The R-122V is the pinnacle of our R-Series line, a world-class tube ribbon microphone exhibiting unparalleled richness, depth, and detail, particularly in the midrange frequencies. With a lushness that has to be heard to be Read MoreSF-24 - ROYER LABS
SF-24 Stereo Active Ribbon Microphone The SF-24 stereo ribbon microphone is a phantom-powered version of our popular SF-12 stereo ribbon microphone. It combines the SF-12’s high-quality audio performance, outstanding stereo separation, and imaging with ourSF-12 - ROYER LABS
The SF-12 is an excellent choice for drum overheads, where its stereo imaging and realism help to create powerful, dynamic drum tracks. In a jazz setting, recording the kit flat provides extremely natural sounding cymbals, tom-toms and snares. In rock and pop recordings where you’d like to capture the meat of the kit but with more air onthe
R-10 USERS MANUAL
Introduction Congratulations on your purchase of a Royer Labs Model R-10 ribbon microphone. The R-10 is a handcrafted precision instrument capable of delivering superior sound quality and exceptional R-121 CD-R MANUAL 2019 Introduction Congratulations on your purchase of a Royer Labs model R-121 ribbon microphone. The R-121 is a handcrafted precision instrument capable of delivering superior sound quality and HOME - ROYER LABSPRODUCTSHOW TOAUDIO/VIDEOBUYPRESSTECH TALK Royer Labs is dedicated to the art of the ribbon microphone. In 1998 we introduced the R-121, the modern ribbon mic that reintroduced ribbon microphones to engineers worldwide and put ribbons on the map. Shortly after the R-121 we released the SF-12 stereo ribbon mic, followed by the R-122, the world's first phantom powered ribbonmicrophone.
MICROPHONES
Microphones. Royer’s R-series ribbon mics are known around the world for their warm, natural sound, exceptional midrange response and extreme toughness. Used on everything from electric guitars and trumpets to cellos and woodwinds, Royer R-series ribbon microphones are lifetime warranted and can handle SPL’s like ribbon mics nevercould before.
R-10 - ROYER LABS
R-10 Studio/Live Ribbon Microphone. The Royer R-10 is a passive mono ribbon microphone designed for use in the studio and on live stages. Hand-built in our Burbank California factory, the R-10’s sound, and performance are all-Royer and it handles SPLs of up to 160 dB @ 1 kHz. The R-10’s compact size and mounting system allow for flexibleR-121 - ROYER LABS
R-121 Studio Ribbon Microphone Released in 1998, the award-winning R-121 is our flagship microphone; the world’s first radically reengineered ribbon microphone and the model that reintroduced ribbon mics to engineers around the world. We did away with the large, heavy, fragile “classic” Read MoreSF-24V - ROYER LABS
SF-24V Vacuum Tube Stereo Ribbon Microphone The SF-24V vacuum tube stereo ribbon microphone is the pinnacle of our SF-series stereo microphones. The sound pickup is lush, smooth and natural, with outstanding stereo imaging and superb transient response. The tube electronics Read MoreR-122V - ROYER LABS
R-122V Vacuum Tube Ribbon Microphone The R-122V is the pinnacle of our R-Series line, a world-class tube ribbon microphone exhibiting unparalleled richness, depth, and detail, particularly in the midrange frequencies. With a lushness that has to be heard to be Read MoreSF-24 - ROYER LABS
SF-24 Stereo Active Ribbon Microphone The SF-24 stereo ribbon microphone is a phantom-powered version of our popular SF-12 stereo ribbon microphone. It combines the SF-12’s high-quality audio performance, outstanding stereo separation, and imaging with ourSF-12 - ROYER LABS
The SF-12 is an excellent choice for drum overheads, where its stereo imaging and realism help to create powerful, dynamic drum tracks. In a jazz setting, recording the kit flat provides extremely natural sounding cymbals, tom-toms and snares. In rock and pop recordings where you’d like to capture the meat of the kit but with more air onthe
R-10 USERS MANUAL
Introduction Congratulations on your purchase of a Royer Labs Model R-10 ribbon microphone. The R-10 is a handcrafted precision instrument capable of delivering superior sound quality and exceptional R-121 CD-R MANUAL 2019 Introduction Congratulations on your purchase of a Royer Labs model R-121 ribbon microphone. The R-121 is a handcrafted precision instrument capable of delivering superior sound quality andMICROPHONES
Microphones. Royer’s R-series ribbon mics are known around the world for their warm, natural sound, exceptional midrange response and extreme toughness. Used on everything from electric guitars and trumpets to cellos and woodwinds, Royer R-series ribbon microphones are lifetime warranted and can handle SPL’s like ribbon mics nevercould before.
RECORDING ELECTRIC GUITAR Dial-in your desired tone by blending the two mics to taste. Other mics can be blended too. A nice-sounding blend is an R-122/SM57/421, and blending a condenser mic with an R-121 is common practice as well. R-121/SM57 blend. R-121/SM57/421 Blend on Coal Chamber cabinet. R-121/SM57/Mojave MA 301 blended on John Petrucci’s guitar cabinet.HOME RECORDING
Acoustic Guitar – R-121 Baritone Acoustic Guitar – SF-24 Vocals – R-121 Electric Guitar – R-121 Percussion – R-121. Multi-Instrumental Musician/Engineer/Producer Andy Georges worked at Royer Labs for years and remains a good friend of the company. He created many recordings at home and in Los Angeles studios and you’ll find much of his work in this Library.RECORDING ORCHESTRA
Developed in the early 1950s by a team of engineers at Decca Records, this method involves using a spaced stereo pair of mics with an added center fill, usually placed over the conductor. Scoring engineer Alan Meyerson often uses three R-122V’s on the Decca tree, with a RECORDING ACOUSTIC GUITAR, VIOLIN, UKULELE, CELLO & OTHER Royer ribbon microphones record acoustic instruments beautifully. They translate the body, warmth, and tonality of the instrument with no shrill highs ever.From acoustic guitar, ukulele and mandolin to violin, cello, harp and virtually any stringed instruments, Royer ribbons capture the tone and feel like no other microphones can.R-101 - ROYER LABS
The R-101 is a new breed of modern ribbon microphone, designed for studio work and demanding live applications (particularly live electric guitar and brass). It incorporates many features pioneered by Royer Labs, including an advanced multi-layered wind screen for superior protection from air blasts and plosives, our patentedoffset-ribbon
MODEL R-122 MKII
Introduction Congratulations on your purchase of a Royer model R-122 MKII Active Ribbon Microphone. The R-122 MKII is a handcrafted precision instrument capable of delivering superior sound R-121 CD-R MANUAL 2019 Introduction Congratulations on your purchase of a Royer Labs model R-121 ribbon microphone. The R-121 is a handcrafted precision instrument capable of delivering superior sound quality andPS-101 POP FILTER
PS-101 Pop Filter Finally, a pop filter that doesn’t filter your sound along with the pops. Look through a Royer PS-101 pop filter and you will see the mic clearly. The secret is the special louvered metal that deflects wind Read More R-122V CUTSHEET 2019 COPY ROYER R-122V Vacuum Tube Ribbon-Velocity Studio Microphone The R-122V is a vacuum tube, studio ribbon microphone utilizing the same patented, large-ribbon transducer assembly found in Royer HOME - ROYER LABSPRODUCTSHOW TOAUDIO/VIDEOBUYPRESSTECH TALK Royer Labs is dedicated to the art of the ribbon microphone. In 1998 we introduced the R-121, the modern ribbon mic that reintroduced ribbon microphones to engineers worldwide and put ribbons on the map. Shortly after the R-121 we released the SF-12 stereo ribbon mic, followed by the R-122, the world's first phantom powered ribbonmicrophone.
R-10 - ROYER LABS
R-10 Studio/Live Ribbon Microphone. The Royer R-10 is a passive mono ribbon microphone designed for use in the studio and on live stages. Hand-built in our Burbank California factory, the R-10’s sound, and performance are all-Royer and it handles SPLs of up to 160 dB @ 1 kHz. The R-10’s compact size and mounting system allow for flexibleMICROPHONES
Microphones. Royer’s R-series ribbon mics are known around the world for their warm, natural sound, exceptional midrange response and extreme toughness. Used on everything from electric guitars and trumpets to cellos and woodwinds, Royer R-series ribbon microphones are lifetime warranted and can handle SPL’s like ribbon mics nevercould before.
R-121 - ROYER LABS
R-121 Studio Ribbon Microphone Released in 1998, the award-winning R-121 is our flagship microphone; the world’s first radically reengineered ribbon microphone and the model that reintroduced ribbon mics to engineers around the world. We did away with the large, heavy, fragile “classic” Read MoreSF-24V - ROYER LABS
SF-24V Vacuum Tube Stereo Ribbon Microphone The SF-24V vacuum tube stereo ribbon microphone is the pinnacle of our SF-series stereo microphones. The sound pickup is lush, smooth and natural, with outstanding stereo imaging and superb transient response. The tube electronics Read MoreR-122V - ROYER LABS
R-122V Vacuum Tube Ribbon Microphone The R-122V is the pinnacle of our R-Series line, a world-class tube ribbon microphone exhibiting unparalleled richness, depth, and detail, particularly in the midrange frequencies. With a lushness that has to be heard to be Read MoreSF-24 - ROYER LABS
SF-24 Stereo Active Ribbon Microphone The SF-24 stereo ribbon microphone is a phantom-powered version of our popular SF-12 stereo ribbon microphone. It combines the SF-12’s high-quality audio performance, outstanding stereo separation, and imaging with ourSF-12 - ROYER LABS
The SF-12 is an excellent choice for drum overheads, where its stereo imaging and realism help to create powerful, dynamic drum tracks. In a jazz setting, recording the kit flat provides extremely natural sounding cymbals, tom-toms and snares. In rock and pop recordings where you’d like to capture the meat of the kit but with more air onthe
R-10 USERS MANUAL
Introduction Congratulations on your purchase of a Royer Labs Model R-10 ribbon microphone. The R-10 is a handcrafted precision instrument capable of delivering superior sound quality and exceptional R-121 CD-R MANUAL 2019 Introduction Congratulations on your purchase of a Royer Labs model R-121 ribbon microphone. The R-121 is a handcrafted precision instrument capable of delivering superior sound quality and HOME - ROYER LABSPRODUCTSHOW TOAUDIO/VIDEOBUYPRESSTECH TALK Royer Labs is dedicated to the art of the ribbon microphone. In 1998 we introduced the R-121, the modern ribbon mic that reintroduced ribbon microphones to engineers worldwide and put ribbons on the map. Shortly after the R-121 we released the SF-12 stereo ribbon mic, followed by the R-122, the world's first phantom powered ribbonmicrophone.
R-10 - ROYER LABS
R-10 Studio/Live Ribbon Microphone. The Royer R-10 is a passive mono ribbon microphone designed for use in the studio and on live stages. Hand-built in our Burbank California factory, the R-10’s sound, and performance are all-Royer and it handles SPLs of up to 160 dB @ 1 kHz. The R-10’s compact size and mounting system allow for flexibleMICROPHONES
Microphones. Royer’s R-series ribbon mics are known around the world for their warm, natural sound, exceptional midrange response and extreme toughness. Used on everything from electric guitars and trumpets to cellos and woodwinds, Royer R-series ribbon microphones are lifetime warranted and can handle SPL’s like ribbon mics nevercould before.
R-121 - ROYER LABS
R-121 Studio Ribbon Microphone Released in 1998, the award-winning R-121 is our flagship microphone; the world’s first radically reengineered ribbon microphone and the model that reintroduced ribbon mics to engineers around the world. We did away with the large, heavy, fragile “classic” Read MoreSF-24V - ROYER LABS
SF-24V Vacuum Tube Stereo Ribbon Microphone The SF-24V vacuum tube stereo ribbon microphone is the pinnacle of our SF-series stereo microphones. The sound pickup is lush, smooth and natural, with outstanding stereo imaging and superb transient response. The tube electronics Read MoreR-122V - ROYER LABS
R-122V Vacuum Tube Ribbon Microphone The R-122V is the pinnacle of our R-Series line, a world-class tube ribbon microphone exhibiting unparalleled richness, depth, and detail, particularly in the midrange frequencies. With a lushness that has to be heard to be Read MoreSF-24 - ROYER LABS
SF-24 Stereo Active Ribbon Microphone The SF-24 stereo ribbon microphone is a phantom-powered version of our popular SF-12 stereo ribbon microphone. It combines the SF-12’s high-quality audio performance, outstanding stereo separation, and imaging with ourSF-12 - ROYER LABS
The SF-12 is an excellent choice for drum overheads, where its stereo imaging and realism help to create powerful, dynamic drum tracks. In a jazz setting, recording the kit flat provides extremely natural sounding cymbals, tom-toms and snares. In rock and pop recordings where you’d like to capture the meat of the kit but with more air onthe
R-10 USERS MANUAL
Introduction Congratulations on your purchase of a Royer Labs Model R-10 ribbon microphone. The R-10 is a handcrafted precision instrument capable of delivering superior sound quality and exceptional R-121 CD-R MANUAL 2019 Introduction Congratulations on your purchase of a Royer Labs model R-121 ribbon microphone. The R-121 is a handcrafted precision instrument capable of delivering superior sound quality andMICROPHONES
Microphones. Royer’s R-series ribbon mics are known around the world for their warm, natural sound, exceptional midrange response and extreme toughness. Used on everything from electric guitars and trumpets to cellos and woodwinds, Royer R-series ribbon microphones are lifetime warranted and can handle SPL’s like ribbon mics nevercould before.
NEW OWNER - ROYER LABS Congratulations on owning your new Royer product and welcome to the family of Royer owners and users! To receive our full, industry-best warranty coverage, please take a moment now to register your microphone(s). Along with protecting the microphone, registering now extends your first-re-ribbon-free within the first year of ownership to a first re-ribbon free with the first FIVE years of RECORDING ELECTRIC GUITAR Dial-in your desired tone by blending the two mics to taste. Other mics can be blended too. A nice-sounding blend is an R-122/SM57/421, and blending a condenser mic with an R-121 is common practice as well. R-121/SM57 blend. R-121/SM57/421 Blend on Coal Chamber cabinet. R-121/SM57/Mojave MA 301 blended on John Petrucci’s guitar cabinet.R-101 - ROYER LABS
The R-101 is a new breed of modern ribbon microphone, designed for studio work and demanding live applications (particularly live electric guitar and brass). It incorporates many features pioneered by Royer Labs, including an advanced multi-layered wind screen for superior protection from air blasts and plosives, our patentedoffset-ribbon
R-122 MKII - ROYER LABS R-122 MKll Active Ribbon Microphone. In 2002 we introduced the R-122, the world’s first phantom powered, active ribbon™ microphone. It was a revolutionary development in ribbon mics, combining impedance matching circuitry with condenser-like output levels that allowed the R-122 to be used on even the quietest sound sources. RECORDING ACOUSTIC GUITAR, VIOLIN, UKULELE, CELLO & OTHER Royer ribbon microphones record acoustic instruments beautifully. They translate the body, warmth, and tonality of the instrument with no shrill highs ever.From acoustic guitar, ukulele and mandolin to violin, cello, harp and virtually any stringed instruments, Royer ribbons capture the tone and feel like no other microphones can.MODEL R-122 MKII
Introduction Congratulations on your purchase of a Royer model R-122 MKII Active Ribbon Microphone. The R-122 MKII is a handcrafted precision instrument capable of delivering superior sound R-121 CD-R MANUAL 2019 Introduction Congratulations on your purchase of a Royer Labs model R-121 ribbon microphone. The R-121 is a handcrafted precision instrument capable of delivering superior sound quality andPS-101 POP FILTER
PS-101 Pop Filter Finally, a pop filter that doesn’t filter your sound along with the pops. Look through a Royer PS-101 pop filter and you will see the mic clearly. The secret is the special louvered metal that deflects wind Read More R-122V CUTSHEET 2019 COPY ROYER R-122V Vacuum Tube Ribbon-Velocity Studio Microphone The R-122V is a vacuum tube, studio ribbon microphone utilizing the same patented, large-ribbon transducer assembly found in Royer HOME - ROYER LABSPRODUCTSHOW TOAUDIO/VIDEOBUYPRESSTECH TALK Royer Labs is dedicated to the art of the ribbon microphone. In 1998 we introduced the R-121, the modern ribbon mic that reintroduced ribbon microphones to engineers worldwide and put ribbons on the map. Shortly after the R-121 we released the SF-12 stereo ribbon mic, followed by the R-122, the world's first phantom powered ribbonmicrophone.
R-10 - ROYER LABS
R-10 Studio/Live Ribbon Microphone. The Royer R-10 is a passive mono ribbon microphone designed for use in the studio and on live stages. Hand-built in our Burbank California factory, the R-10’s sound, and performance are all-Royer and it handles SPLs of up to 160 dB @ 1 kHz. The R-10’s compact size and mounting system allow for flexibleMICROPHONES
Microphones. Royer’s R-series ribbon mics are known around the world for their warm, natural sound, exceptional midrange response and extreme toughness. Used on everything from electric guitars and trumpets to cellos and woodwinds, Royer R-series ribbon microphones are lifetime warranted and can handle SPL’s like ribbon mics nevercould before.
R-121 - ROYER LABS
R-121 Studio Ribbon Microphone Released in 1998, the award-winning R-121 is our flagship microphone; the world’s first radically reengineered ribbon microphone and the model that reintroduced ribbon mics to engineers around the world. We did away with the large, heavy, fragile “classic” Read MoreSF-24V - ROYER LABS
SF-24V Vacuum Tube Stereo Ribbon Microphone The SF-24V vacuum tube stereo ribbon microphone is the pinnacle of our SF-series stereo microphones. The sound pickup is lush, smooth and natural, with outstanding stereo imaging and superb transient response. The tube electronics Read MoreR-122V - ROYER LABS
R-122V Vacuum Tube Ribbon Microphone The R-122V is the pinnacle of our R-Series line, a world-class tube ribbon microphone exhibiting unparalleled richness, depth, and detail, particularly in the midrange frequencies. With a lushness that has to be heard to be Read MoreSF-24 - ROYER LABS
SF-24 Stereo Active Ribbon Microphone The SF-24 stereo ribbon microphone is a phantom-powered version of our popular SF-12 stereo ribbon microphone. It combines the SF-12’s high-quality audio performance, outstanding stereo separation, and imaging with our RIBBON MICS AND PHANTOM POWER For this reason, it is commonly recommended that phantom power be turned off when using ribbon microphones. Leaving phantom power on can result in a stretched or completely blown ribbon. In some cases, the microphone may still operate, but at a greatly diminished capacity. Royer ribbon microphones are not usually affected by the presence ofSF-12 - ROYER LABS
The SF-12 is an excellent choice for drum overheads, where its stereo imaging and realism help to create powerful, dynamic drum tracks. In a jazz setting, recording the kit flat provides extremely natural sounding cymbals, tom-toms and snares. In rock and pop recordings where you’d like to capture the meat of the kit but with more air onthe
R-10 USERS MANUAL
Introduction Congratulations on your purchase of a Royer Labs Model R-10 ribbon microphone. The R-10 is a handcrafted precision instrument capable of delivering superior sound quality and exceptional HOME - ROYER LABSPRODUCTSHOW TOAUDIO/VIDEOBUYPRESSTECH TALK Royer Labs is dedicated to the art of the ribbon microphone. In 1998 we introduced the R-121, the modern ribbon mic that reintroduced ribbon microphones to engineers worldwide and put ribbons on the map. Shortly after the R-121 we released the SF-12 stereo ribbon mic, followed by the R-122, the world's first phantom powered ribbonmicrophone.
R-10 - ROYER LABS
R-10 Studio/Live Ribbon Microphone. The Royer R-10 is a passive mono ribbon microphone designed for use in the studio and on live stages. Hand-built in our Burbank California factory, the R-10’s sound, and performance are all-Royer and it handles SPLs of up to 160 dB @ 1 kHz. The R-10’s compact size and mounting system allow for flexibleMICROPHONES
Microphones. Royer’s R-series ribbon mics are known around the world for their warm, natural sound, exceptional midrange response and extreme toughness. Used on everything from electric guitars and trumpets to cellos and woodwinds, Royer R-series ribbon microphones are lifetime warranted and can handle SPL’s like ribbon mics nevercould before.
R-121 - ROYER LABS
R-121 Studio Ribbon Microphone Released in 1998, the award-winning R-121 is our flagship microphone; the world’s first radically reengineered ribbon microphone and the model that reintroduced ribbon mics to engineers around the world. We did away with the large, heavy, fragile “classic” Read MoreSF-24V - ROYER LABS
SF-24V Vacuum Tube Stereo Ribbon Microphone The SF-24V vacuum tube stereo ribbon microphone is the pinnacle of our SF-series stereo microphones. The sound pickup is lush, smooth and natural, with outstanding stereo imaging and superb transient response. The tube electronics Read MoreR-122V - ROYER LABS
R-122V Vacuum Tube Ribbon Microphone The R-122V is the pinnacle of our R-Series line, a world-class tube ribbon microphone exhibiting unparalleled richness, depth, and detail, particularly in the midrange frequencies. With a lushness that has to be heard to be Read MoreSF-24 - ROYER LABS
SF-24 Stereo Active Ribbon Microphone The SF-24 stereo ribbon microphone is a phantom-powered version of our popular SF-12 stereo ribbon microphone. It combines the SF-12’s high-quality audio performance, outstanding stereo separation, and imaging with our RIBBON MICS AND PHANTOM POWER For this reason, it is commonly recommended that phantom power be turned off when using ribbon microphones. Leaving phantom power on can result in a stretched or completely blown ribbon. In some cases, the microphone may still operate, but at a greatly diminished capacity. Royer ribbon microphones are not usually affected by the presence ofSF-12 - ROYER LABS
The SF-12 is an excellent choice for drum overheads, where its stereo imaging and realism help to create powerful, dynamic drum tracks. In a jazz setting, recording the kit flat provides extremely natural sounding cymbals, tom-toms and snares. In rock and pop recordings where you’d like to capture the meat of the kit but with more air onthe
R-10 USERS MANUAL
Introduction Congratulations on your purchase of a Royer Labs Model R-10 ribbon microphone. The R-10 is a handcrafted precision instrument capable of delivering superior sound quality and exceptionalMICROPHONES
Microphones. Royer’s R-series ribbon mics are known around the world for their warm, natural sound, exceptional midrange response and extreme toughness. Used on everything from electric guitars and trumpets to cellos and woodwinds, Royer R-series ribbon microphones are lifetime warranted and can handle SPL’s like ribbon mics nevercould before.
RECORDING ELECTRIC GUITAR Dial-in your desired tone by blending the two mics to taste. Other mics can be blended too. A nice-sounding blend is an R-122/SM57/421, and blending a condenser mic with an R-121 is common practice as well. R-121/SM57 blend. R-121/SM57/421 Blend on Coal Chamber cabinet. R-121/SM57/Mojave MA 301 blended on John Petrucci’s guitar cabinet.HOME RECORDING
Acoustic Guitar – R-121 Baritone Acoustic Guitar – SF-24 Vocals – R-121 Electric Guitar – R-121 Percussion – R-121. Multi-Instrumental Musician/Engineer/Producer Andy Georges worked at Royer Labs for years and remains a good friend of the company. He created many recordings at home and in Los Angeles studios and you’ll find much of his work in this Library.RECORDING ORCHESTRA
Developed in the early 1950s by a team of engineers at Decca Records, this method involves using a spaced stereo pair of mics with an added center fill, usually placed over the conductor. Scoring engineer Alan Meyerson often uses three R-122V’s on the Decca tree, with a RECORDING ACOUSTIC GUITAR, VIOLIN, UKULELE, CELLO & OTHER Royer ribbon microphones record acoustic instruments beautifully. They translate the body, warmth, and tonality of the instrument with no shrill highs ever.From acoustic guitar, ukulele and mandolin to violin, cello, harp and virtually any stringed instruments, Royer ribbons capture the tone and feel like no other microphones can.R-101 - ROYER LABS
The R-101 is a new breed of modern ribbon microphone, designed for studio work and demanding live applications (particularly live electric guitar and brass). It incorporates many features pioneered by Royer Labs, including an advanced multi-layered wind screen for superior protection from air blasts and plosives, our patentedoffset-ribbon
PS-101 POP FILTER
PS-101 Pop Filter Finally, a pop filter that doesn’t filter your sound along with the pops. Look through a Royer PS-101 pop filter and you will see the mic clearly. The secret is the special louvered metal that deflects wind Read MoreMODEL R-122 MKII
Introduction Congratulations on your purchase of a Royer model R-122 MKII Active Ribbon Microphone. The R-122 MKII is a handcrafted precision instrument capable of delivering superior sound R-121 CD-R MANUAL 2019 Introduction Congratulations on your purchase of a Royer Labs model R-121 ribbon microphone. The R-121 is a handcrafted precision instrument capable of delivering superior sound quality and R-122V CUTSHEET 2019 COPY ROYER R-122V Vacuum Tube Ribbon-Velocity Studio Microphone The R-122V is a vacuum tube, studio ribbon microphone utilizing the same patented, large-ribbon transducer assembly found in Royer HOME - ROYER LABSPRODUCTSHOW TOAUDIO/VIDEOBUYPRESSTECH TALK Royer Labs is dedicated to the art of the ribbon microphone. In 1998 we introduced the R-121, the modern ribbon mic that reintroduced ribbon microphones to engineers worldwide and put ribbons on the map. Shortly after the R-121 we released the SF-12 stereo ribbon mic, followed by the R-122, the world's first phantom powered ribbonmicrophone.
R-10 - ROYER LABS
R-10 Studio/Live Ribbon Microphone. The Royer R-10 is a passive mono ribbon microphone designed for use in the studio and on live stages. Hand-built in our Burbank California factory, the R-10’s sound, and performance are all-Royer and it handles SPLs of up to 160 dB @ 1 kHz. The R-10’s compact size and mounting system allow for flexibleMICROPHONES
Microphones. Royer’s R-series ribbon mics are known around the world for their warm, natural sound, exceptional midrange response and extreme toughness. Used on everything from electric guitars and trumpets to cellos and woodwinds, Royer R-series ribbon microphones are lifetime warranted and can handle SPL’s like ribbon mics nevercould before.
R-121 - ROYER LABS
R-121 Studio Ribbon Microphone Released in 1998, the award-winning R-121 is our flagship microphone; the world’s first radically reengineered ribbon microphone and the model that reintroduced ribbon mics to engineers around the world. We did away with the large, heavy, fragile “classic” Read MoreSF-24V - ROYER LABS
SF-24V Vacuum Tube Stereo Ribbon Microphone The SF-24V vacuum tube stereo ribbon microphone is the pinnacle of our SF-series stereo microphones. The sound pickup is lush, smooth and natural, with outstanding stereo imaging and superb transient response. The tube electronics Read MoreR-122V - ROYER LABS
R-122V Vacuum Tube Ribbon Microphone The R-122V is the pinnacle of our R-Series line, a world-class tube ribbon microphone exhibiting unparalleled richness, depth, and detail, particularly in the midrange frequencies. With a lushness that has to be heard to be Read MoreSF-24 - ROYER LABS
SF-24 Stereo Active Ribbon Microphone The SF-24 stereo ribbon microphone is a phantom-powered version of our popular SF-12 stereo ribbon microphone. It combines the SF-12’s high-quality audio performance, outstanding stereo separation, and imaging with ourSF-12 - ROYER LABS
The SF-12 is an excellent choice for drum overheads, where its stereo imaging and realism help to create powerful, dynamic drum tracks. In a jazz setting, recording the kit flat provides extremely natural sounding cymbals, tom-toms and snares. In rock and pop recordings where you’d like to capture the meat of the kit but with more air onthe
R-10 USERS MANUAL
Introduction Congratulations on your purchase of a Royer Labs Model R-10 ribbon microphone. The R-10 is a handcrafted precision instrument capable of delivering superior sound quality and exceptional HOME - ROYER LABSPRODUCTSHOW TOAUDIO/VIDEOBUYPRESSTECH TALK Royer Labs is dedicated to the art of the ribbon microphone. In 1998 we introduced the R-121, the modern ribbon mic that reintroduced ribbon microphones to engineers worldwide and put ribbons on the map. Shortly after the R-121 we released the SF-12 stereo ribbon mic, followed by the R-122, the world's first phantom powered ribbonmicrophone.
R-10 - ROYER LABS
R-10 Studio/Live Ribbon Microphone. The Royer R-10 is a passive mono ribbon microphone designed for use in the studio and on live stages. Hand-built in our Burbank California factory, the R-10’s sound, and performance are all-Royer and it handles SPLs of up to 160 dB @ 1 kHz. The R-10’s compact size and mounting system allow for flexibleMICROPHONES
Microphones. Royer’s R-series ribbon mics are known around the world for their warm, natural sound, exceptional midrange response and extreme toughness. Used on everything from electric guitars and trumpets to cellos and woodwinds, Royer R-series ribbon microphones are lifetime warranted and can handle SPL’s like ribbon mics nevercould before.
R-121 - ROYER LABS
R-121 Studio Ribbon Microphone Released in 1998, the award-winning R-121 is our flagship microphone; the world’s first radically reengineered ribbon microphone and the model that reintroduced ribbon mics to engineers around the world. We did away with the large, heavy, fragile “classic” Read MoreSF-24V - ROYER LABS
SF-24V Vacuum Tube Stereo Ribbon Microphone The SF-24V vacuum tube stereo ribbon microphone is the pinnacle of our SF-series stereo microphones. The sound pickup is lush, smooth and natural, with outstanding stereo imaging and superb transient response. The tube electronics Read MoreR-122V - ROYER LABS
R-122V Vacuum Tube Ribbon Microphone The R-122V is the pinnacle of our R-Series line, a world-class tube ribbon microphone exhibiting unparalleled richness, depth, and detail, particularly in the midrange frequencies. With a lushness that has to be heard to be Read MoreSF-24 - ROYER LABS
SF-24 Stereo Active Ribbon Microphone The SF-24 stereo ribbon microphone is a phantom-powered version of our popular SF-12 stereo ribbon microphone. It combines the SF-12’s high-quality audio performance, outstanding stereo separation, and imaging with ourSF-12 - ROYER LABS
The SF-12 is an excellent choice for drum overheads, where its stereo imaging and realism help to create powerful, dynamic drum tracks. In a jazz setting, recording the kit flat provides extremely natural sounding cymbals, tom-toms and snares. In rock and pop recordings where you’d like to capture the meat of the kit but with more air onthe
R-10 USERS MANUAL
Introduction Congratulations on your purchase of a Royer Labs Model R-10 ribbon microphone. The R-10 is a handcrafted precision instrument capable of delivering superior sound quality and exceptionalMICROPHONES
Microphones. Royer’s R-series ribbon mics are known around the world for their warm, natural sound, exceptional midrange response and extreme toughness. Used on everything from electric guitars and trumpets to cellos and woodwinds, Royer R-series ribbon microphones are lifetime warranted and can handle SPL’s like ribbon mics nevercould before.
NEW OWNER - ROYER LABS Congratulations on owning your new Royer product and welcome to the family of Royer owners and users! To receive our full, industry-best warranty coverage, please take a moment now to register your microphone(s). Along with protecting the microphone, registering now extends your first-re-ribbon-free within the first year of ownership to a first re-ribbon free with the first FIVE years of RECORDING ELECTRIC GUITAR Dial-in your desired tone by blending the two mics to taste. Other mics can be blended too. A nice-sounding blend is an R-122/SM57/421, and blending a condenser mic with an R-121 is common practice as well. R-121/SM57 blend. R-121/SM57/421 Blend on Coal Chamber cabinet. R-121/SM57/Mojave MA 301 blended on John Petrucci’s guitar cabinet.R-101 - ROYER LABS
The R-101 is a new breed of modern ribbon microphone, designed for studio work and demanding live applications (particularly live electric guitar and brass). It incorporates many features pioneered by Royer Labs, including an advanced multi-layered wind screen for superior protection from air blasts and plosives, our patentedoffset-ribbon
R-122 MKII - ROYER LABS R-122 MKll Active Ribbon Microphone. In 2002 we introduced the R-122, the world’s first phantom powered, active ribbon™ microphone. It was a revolutionary development in ribbon mics, combining impedance matching circuitry with condenser-like output levels that allowed the R-122 to be used on even the quietest sound sources. RECORDING ACOUSTIC GUITAR, VIOLIN, UKULELE, CELLO & OTHER Royer ribbon microphones record acoustic instruments beautifully. They translate the body, warmth, and tonality of the instrument with no shrill highs ever.From acoustic guitar, ukulele and mandolin to violin, cello, harp and virtually any stringed instruments, Royer ribbons capture the tone and feel like no other microphones can.MODEL R-122 MKII
Introduction Congratulations on your purchase of a Royer model R-122 MKII Active Ribbon Microphone. The R-122 MKII is a handcrafted precision instrument capable of delivering superior sound R-121 CD-R MANUAL 2019 Introduction Congratulations on your purchase of a Royer Labs model R-121 ribbon microphone. The R-121 is a handcrafted precision instrument capable of delivering superior sound quality andPS-101 POP FILTER
PS-101 Pop Filter Finally, a pop filter that doesn’t filter your sound along with the pops. Look through a Royer PS-101 pop filter and you will see the mic clearly. The secret is the special louvered metal that deflects wind Read More R-122V CUTSHEET 2019 COPY ROYER R-122V Vacuum Tube Ribbon-Velocity Studio Microphone The R-122V is a vacuum tube, studio ribbon microphone utilizing the same patented, large-ribbon transducer assembly found in Royer HOME - ROYER LABSPRODUCTSHOW TOAUDIO/VIDEOBUYPRESSTECH TALK Royer Labs is dedicated to the art of the ribbon microphone. In 1998 we introduced the R-121, the modern ribbon mic that reintroduced ribbon microphones to engineers worldwide and put ribbons on the map. Shortly after the R-121 we released the SF-12 stereo ribbon mic, followed by the R-122, the world's first phantom powered ribbonmicrophone.
R-10 - ROYER LABS
R-10 Studio/Live Ribbon Microphone. The Royer R-10 is a passive mono ribbon microphone designed for use in the studio and on live stages. Hand-built in our Burbank California factory, the R-10’s sound, and performance are all-Royer and it handles SPLs of up to 160 dB @ 1 kHz. The R-10’s compact size and mounting system allow for flexibleR-121 - ROYER LABS
R-121 Studio Ribbon Microphone Released in 1998, the award-winning R-121 is our flagship microphone; the world’s first radically reengineered ribbon microphone and the model that reintroduced ribbon mics to engineers around the world. We did away with the large, heavy, fragile “classic” Read MoreSF-24V - ROYER LABS
SF-24V Vacuum Tube Stereo Ribbon Microphone The SF-24V vacuum tube stereo ribbon microphone is the pinnacle of our SF-series stereo microphones. The sound pickup is lush, smooth and natural, with outstanding stereo imaging and superb transient response. The tube electronics Read MoreR-122V - ROYER LABS
R-122V Vacuum Tube Ribbon Microphone The R-122V is the pinnacle of our R-Series line, a world-class tube ribbon microphone exhibiting unparalleled richness, depth, and detail, particularly in the midrange frequencies. With a lushness that has to be heard to be Read More RECORDING ELECTRIC GUITAR Dial-in your desired tone by blending the two mics to taste. Other mics can be blended too. A nice-sounding blend is an R-122/SM57/421, and blending a condenser mic with an R-121 is common practice as well. R-121/SM57 blend. R-121/SM57/421 Blend on Coal Chamber cabinet. R-121/SM57/Mojave MA 301 blended on John Petrucci’s guitar cabinet. RIBBON MICS AND PHANTOM POWER For this reason, it is commonly recommended that phantom power be turned off when using ribbon microphones. Leaving phantom power on can result in a stretched or completely blown ribbon. In some cases, the microphone may still operate, but at a greatly diminished capacity. Royer ribbon microphones are not usually affected by the presence ofR-10 USERS MANUAL
Introduction Congratulations on your purchase of a Royer Labs Model R-10 ribbon microphone. The R-10 is a handcrafted precision instrument capable of delivering superior sound quality and exceptional ROYER LABS R-121 RIBBON MICROPHONE A MIC FOR ALL SEASONS Royer Labs R-121 Ribbon MicrophoneA Mic for All SeasonsBy David Darlington. Ribbon microphone technology has been around since the 1930s, and is responsible for many of the great sounding jazz records of the ’50s and rock records of the ’60s. Ribbons fell slightly out of favor when the newer and “hotter” condenser mics came onthe scene
PS-101 POP FILTER
PS-101 Pop Filter Finally, a pop filter that doesn’t filter your sound along with the pops. Look through a Royer PS-101 pop filter and you will see the mic clearly. The secret is the special louvered metal that deflects wind Read More HOME - ROYER LABSPRODUCTSHOW TOAUDIO/VIDEOBUYPRESSTECH TALK Royer Labs is dedicated to the art of the ribbon microphone. In 1998 we introduced the R-121, the modern ribbon mic that reintroduced ribbon microphones to engineers worldwide and put ribbons on the map. Shortly after the R-121 we released the SF-12 stereo ribbon mic, followed by the R-122, the world's first phantom powered ribbonmicrophone.
R-10 - ROYER LABS
R-10 Studio/Live Ribbon Microphone. The Royer R-10 is a passive mono ribbon microphone designed for use in the studio and on live stages. Hand-built in our Burbank California factory, the R-10’s sound, and performance are all-Royer and it handles SPLs of up to 160 dB @ 1 kHz. The R-10’s compact size and mounting system allow for flexibleR-121 - ROYER LABS
R-121 Studio Ribbon Microphone Released in 1998, the award-winning R-121 is our flagship microphone; the world’s first radically reengineered ribbon microphone and the model that reintroduced ribbon mics to engineers around the world. We did away with the large, heavy, fragile “classic” Read MoreSF-24V - ROYER LABS
SF-24V Vacuum Tube Stereo Ribbon Microphone The SF-24V vacuum tube stereo ribbon microphone is the pinnacle of our SF-series stereo microphones. The sound pickup is lush, smooth and natural, with outstanding stereo imaging and superb transient response. The tube electronics Read MoreR-122V - ROYER LABS
R-122V Vacuum Tube Ribbon Microphone The R-122V is the pinnacle of our R-Series line, a world-class tube ribbon microphone exhibiting unparalleled richness, depth, and detail, particularly in the midrange frequencies. With a lushness that has to be heard to be Read More RECORDING ELECTRIC GUITAR Dial-in your desired tone by blending the two mics to taste. Other mics can be blended too. A nice-sounding blend is an R-122/SM57/421, and blending a condenser mic with an R-121 is common practice as well. R-121/SM57 blend. R-121/SM57/421 Blend on Coal Chamber cabinet. R-121/SM57/Mojave MA 301 blended on John Petrucci’s guitar cabinet. RIBBON MICS AND PHANTOM POWER For this reason, it is commonly recommended that phantom power be turned off when using ribbon microphones. Leaving phantom power on can result in a stretched or completely blown ribbon. In some cases, the microphone may still operate, but at a greatly diminished capacity. Royer ribbon microphones are not usually affected by the presence ofR-10 USERS MANUAL
Introduction Congratulations on your purchase of a Royer Labs Model R-10 ribbon microphone. The R-10 is a handcrafted precision instrument capable of delivering superior sound quality and exceptional ROYER LABS R-121 RIBBON MICROPHONE A MIC FOR ALL SEASONS Royer Labs R-121 Ribbon MicrophoneA Mic for All SeasonsBy David Darlington. Ribbon microphone technology has been around since the 1930s, and is responsible for many of the great sounding jazz records of the ’50s and rock records of the ’60s. Ribbons fell slightly out of favor when the newer and “hotter” condenser mics came onthe scene
PS-101 POP FILTER
PS-101 Pop Filter Finally, a pop filter that doesn’t filter your sound along with the pops. Look through a Royer PS-101 pop filter and you will see the mic clearly. The secret is the special louvered metal that deflects wind Read MoreMICROPHONES
Microphones. Royer’s R-series ribbon mics are known around the world for their warm, natural sound, exceptional midrange response and extreme toughness. Used on everything from electric guitars and trumpets to cellos and woodwinds, Royer R-series ribbon microphones are lifetime warranted and can handle SPL’s like ribbon mics nevercould before.
MERCH STORE
Merch Store. Royer mic socks protect your ribbon microphone’s finish when the mic is not in use. Our mic socks also protect against wind, doubling as an effective wind filter with minimal attenuation of high frequency response. Royer mic socks comes in 3 sizes. Royer MS-1 Mic Sock For R-10, R-121, R-121 Live, SF-2, SF-24, SF-24V Royer MS-2 DOWNLOADS - ROYER LABS 3.3MB. Sling-Shock Microphone Shock Mount. 307 KB. R-101 Shock Mount Band Replacement. 228 KB. Axemount Dual Microphone Holder. 1.6 MB. R-101 (discontinued) 841 KB. NEW OWNER - ROYER LABS Congratulations on owning your new Royer product and welcome to the family of Royer owners and users! To receive our full, industry-best warranty coverage, please take a moment now to register your microphone(s). Along with protecting the microphone, registering now extends your first-re-ribbon-free within the first year of ownership to a first re-ribbon free with the first FIVE years of R-122 MKII - ROYER LABS R-122 MKll Active Ribbon Microphone. In 2002 we introduced the R-122, the world’s first phantom powered, active ribbon™ microphone. It was a revolutionary development in ribbon mics, combining impedance matching circuitry with condenser-like output levels that allowed the R-122 to be used on even the quietest sound sources.R-101 - ROYER LABS
The R-101 is a new breed of modern ribbon microphone, designed for studio work and demanding live applications (particularly live electric guitar and brass). It incorporates many features pioneered by Royer Labs, including an advanced multi-layered wind screen for superior protection from air blasts and plosives, our patentedoffset-ribbon
RECORDING ACOUSTIC GUITAR, VIOLIN, UKULELE, CELLO & OTHER Royer ribbon microphones record acoustic instruments beautifully. They translate the body, warmth, and tonality of the instrument with no shrill highs ever.From acoustic guitar, ukulele and mandolin to violin, cello, harp and virtually any stringed instruments, Royer ribbons capture the tone and feel like no other microphones can. PREAMP CONSIDERATIONS The Bottom Line. The main points to consider when choosing a microphone preamplifier for use with a ribbon microphone are; A suitable preamplifier should have lots of clean gain. Choose a preamp that has enough gain to suit your recording needs. For example, loud rock recording requires less gain capability than classical recording.SF-24 - ROYER LABS
SF-24 Stereo Active Ribbon Microphone The SF-24 stereo ribbon microphone is a phantom-powered version of our popular SF-12 stereo ribbon microphone. It combines the SF-12’s high-quality audio performance, outstanding stereo separation, and imaging with our SECRETS OF THE MIX ENGINEERS: ROSS HOGARTH Expectations were high for the first Van Halen album in 14 years — and with eight mics on the bass alone, engineer Ross Hogarth wastaking no chances!
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AWARD WINNING RIBBON MICROPHONES Royer Labs is dedicated to the art of the ribbon microphone. In 1998 we introduced the R-121, the modern ribbon mic that reintroduced ribbon microphones to engineers worldwide and put ribbons on the map. Shortly after the R-121 we released the SF-12 stereo ribbon mic, followed by the R-122, the world's first phantom powered ribbon microphone. Then came the TEC Award winning R-122V tube ribbon microphone and the TEC Award winning Live Series ribbon mics for live use. In 2013, Royer received the coveted Technical Grammy Award for bringing ribbon microphones into mainstream recording around theworld.
The microphone is the original ear in the recording process, the first and most influential part of the recording chain. Royer ribbon mics simply help you capture the most natural sounding recordings possible. Every Royer is hand-made in the USA by craftsmen who are fanatical about building the best ribbon microphones in the world. Come inside and see what ribbon microphones can do for you. ROYER NOTIFICATION REGARDING COVID-19 Many of us creatives are living under stay-at-home orders or limiting travel and social events while we, and the rest of the world, work our way through the COVID-19 crisis. It’s an important time to remember the togetherness of humanity and do everything we can to support each other and protect the most vulnerable among us by not exposing them to the virus. It’s also a time for digging into our creative selves by writing, recording, mixing and keeping the artistic juices flowing. People need music now more than ever. California has implemented a ‘Stay at Home’ order for the entire state, which includes our home city of Burbank. In order to comply with the order, stay safe, and also continue to supply microphones to our musical community, a number of us are temporarily working from home offices, producing & shipping microphones and handling most aspects of Royer’s business offsite. All of us at Royer Labs wish our large community of artists, producers, recording engineers, FOH engineers and all others in the music community the best of luck and health while this crisis works itself out. We are a resilient bunch and we will prevail, so let’s remember to have each other’s backs while this is going on.Royer Labs
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