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TESTSGROUP BUYS
If this is your first visit, be sure to check out the FAQ by clicking the link above. You may have to register before you can post: click the register link above to proceed. To start viewing messages, select the forum that you want to visit from the selection below. CONTAX ZEISS SURVIVAL GUIDE It’s awesome Western Zeiss glass. Wake the fuck up. As photography slowly shifted from rangefinder to SLR, Contax was reborn as Zeiss’s flagship 35mm SLR system. They were a massive hit when they launched in ‘75, and were fabricated until 2005 (when they were promptly tweaked and re-badged as ZF/ZE’s in 2006). MARKETPLACE: RED STUFF Buy, Sell and Trade official RED products. If this is your first visit, be sure to check out the FAQ by clicking the link above. You may have to register before you can post: click the register link above to proceed. To start viewing messages, select the forum that you want to visit from the selection below. REDUSER.NET :: THE ONLINE COMMUNITY FOR DIGITAL FILMMAKINGhtml>/"); --> html>
4K HD AND 4K 16:9 DIFFERENCE 4K: 4096x2160 (a.k.a. 2160p) Aspect Ratio: 1.9:1 Used in cinema. 4K HD: 3840x2160 (a.k.a. Quad HD) Aspect Ratio: 16/9 (1.78:1) Used when the delivery format will be 1080p. 4K HD (QHD) is exactly four times larger than 1080p, so it resizes proportionally down to 1920x1080. ZEISS OTUS VS MASTER PRIME 09-29-2014, 12:07 PM. I did side by sides of the MPs and Otus 55 and Sigma Art 35/50, and previously shot and did tests with the Summilux-c. As a result, I bought a set of Master Primes. Summilux-c have much less CA, but corner sharpness goes to the MPs in my tests. PROGRAM WINDOW HAS 1/8 GRAYED OUT... Unfortunately I'm on vacation and have to edit while here. I only have a 13" Macbook Pro and I'm finding it difficult to work with (obviously). I'm just curious, however, if it's possible to toggle the Program Window to 1/8. Right now I'm stuck at 1/4 and can't make the change (1/8 and 1/16 are grayed out). In the Preview window I can select 1/8 and it runs very smooth. PROPER WAY TO RAMP FOOTAGE FROM 120FPS TO 24FPS? Hey everyone, I recently shot my friend wakeboarding at 120fps in 4k. The final project will be a mix of red footage, go pros and dlsr's. All the other cameras were recorded in 24fps. I'm wondering is there a "proper" way to play my 120fps footage at normal real-life speed then slow it back down to its original 120 fps slowmotion on the same clip? USB-C TO HDMI/SDI HOW? I can't find on Apple or Blackmagic's website a cable or box that I can plug into my USB-C connection on my iMac 2017 so as to output HDMI or SDI to a broadcast monitor. Can someone suggest a device that will do this job? Blackmagic used to make a thunderbolt to SDI min box I used on my previous machine but can't find the equivalent for USB-C.BEACHTEK DXA-RED
If this is your first visit, be sure to check out the FAQ by clicking the link above. You may have to register before you can post: click the register link above to proceed. To start viewing messages, select the forum that you want to visit from the selection below. REDUSER.NETOFF TOPICRAVENREDUSER USER GROUPSRED DIGITAL CINEMALENSTESTSGROUP BUYS
If this is your first visit, be sure to check out the FAQ by clicking the link above. You may have to register before you can post: click the register link above to proceed. To start viewing messages, select the forum that you want to visit from the selection below. CONTAX ZEISS SURVIVAL GUIDE It’s awesome Western Zeiss glass. Wake the fuck up. As photography slowly shifted from rangefinder to SLR, Contax was reborn as Zeiss’s flagship 35mm SLR system. They were a massive hit when they launched in ‘75, and were fabricated until 2005 (when they were promptly tweaked and re-badged as ZF/ZE’s in 2006). MARKETPLACE: RED STUFF Buy, Sell and Trade official RED products. If this is your first visit, be sure to check out the FAQ by clicking the link above. You may have to register before you can post: click the register link above to proceed. To start viewing messages, select the forum that you want to visit from the selection below. REDUSER.NET :: THE ONLINE COMMUNITY FOR DIGITAL FILMMAKINGhtml>/"); --> html>
4K HD AND 4K 16:9 DIFFERENCE 4K: 4096x2160 (a.k.a. 2160p) Aspect Ratio: 1.9:1 Used in cinema. 4K HD: 3840x2160 (a.k.a. Quad HD) Aspect Ratio: 16/9 (1.78:1) Used when the delivery format will be 1080p. 4K HD (QHD) is exactly four times larger than 1080p, so it resizes proportionally down to 1920x1080. ZEISS OTUS VS MASTER PRIME 09-29-2014, 12:07 PM. I did side by sides of the MPs and Otus 55 and Sigma Art 35/50, and previously shot and did tests with the Summilux-c. As a result, I bought a set of Master Primes. Summilux-c have much less CA, but corner sharpness goes to the MPs in my tests. PROGRAM WINDOW HAS 1/8 GRAYED OUT... Unfortunately I'm on vacation and have to edit while here. I only have a 13" Macbook Pro and I'm finding it difficult to work with (obviously). I'm just curious, however, if it's possible to toggle the Program Window to 1/8. Right now I'm stuck at 1/4 and can't make the change (1/8 and 1/16 are grayed out). In the Preview window I can select 1/8 and it runs very smooth. PROPER WAY TO RAMP FOOTAGE FROM 120FPS TO 24FPS? Hey everyone, I recently shot my friend wakeboarding at 120fps in 4k. The final project will be a mix of red footage, go pros and dlsr's. All the other cameras were recorded in 24fps. I'm wondering is there a "proper" way to play my 120fps footage at normal real-life speed then slow it back down to its original 120 fps slowmotion on the same clip? USB-C TO HDMI/SDI HOW? I can't find on Apple or Blackmagic's website a cable or box that I can plug into my USB-C connection on my iMac 2017 so as to output HDMI or SDI to a broadcast monitor. Can someone suggest a device that will do this job? Blackmagic used to make a thunderbolt to SDI min box I used on my previous machine but can't find the equivalent for USB-C.BEACHTEK DXA-RED
If this is your first visit, be sure to check out the FAQ by clicking the link above. You may have to register before you can post: click the register link above to proceed. To start viewing messages, select the forum that you want to visit from the selection below. CINEMASCOPE VS. SQUARE VS. CORRECT PIXEL ASPECT RATIO FOR Hello Everyone, I am new to the forum but I am currently working on grading my first Indie Film in Davinci Resolve. I am setting up my timeline for 2k 2048x1156 (pixel aspect ratio Cinemascope). Is this the correct aspect for a film shot mostly in the 5120x2160. This was not shot with anamorphic lenses. What would be the proper workflow. The client didn't really have a target output so I went REDUSER.NET :: THE ONLINE COMMUNITY FOR DIGITAL FILMMAKINGhtml>/"); --> html>
PROPER WAY TO RAMP FOOTAGE FROM 120FPS TO 24FPS? Hey everyone, I recently shot my friend wakeboarding at 120fps in 4k. The final project will be a mix of red footage, go pros and dlsr's. All the other cameras were recorded in 24fps. I'm wondering is there a "proper" way to play my 120fps footage at normal real-life speed then slow it back down to its original 120 fps slowmotion on the same clip? ZEISS OTUS VS MASTER PRIME 09-29-2014, 12:07 PM. I did side by sides of the MPs and Otus 55 and Sigma Art 35/50, and previously shot and did tests with the Summilux-c. As a result, I bought a set of Master Primes. Summilux-c have much less CA, but corner sharpness goes to the MPs in my tests. KOMODO REDCODE RAW EXPLAINED Hello there humans and occasion spam bots, Lots of chatter surrounding Komodo and how REDCODE RAW works, wanted to make a dedicated thread rapping about it. Today I'll put on my RED Whisperer hat and drop some light nerdy stuff in here, but will keep it wrangled to simple concepts, and I'll spice things up with my personal perspective. 4K HD AND 4K 16:9 DIFFERENCE 4K: 4096x2160 (a.k.a. 2160p) Aspect Ratio: 1.9:1 Used in cinema. 4K HD: 3840x2160 (a.k.a. Quad HD) Aspect Ratio: 16/9 (1.78:1) Used when the delivery format will be 1080p. 4K HD (QHD) is exactly four times larger than 1080p, so it resizes proportionally down to 1920x1080. USB-C TO HDMI/SDI HOW? I can't find on Apple or Blackmagic's website a cable or box that I can plug into my USB-C connection on my iMac 2017 so as to output HDMI or SDI to a broadcast monitor. Can someone suggest a device that will do this job? Blackmagic used to make a thunderbolt to SDI min box I used on my previous machine but can't find the equivalent for USB-C. SCHNEIDER XENON FF VS XENAR-CINE III. FOR EPIC-W If this is your first visit, be sure to check out the FAQ by clicking the link above. You may have to register before you can post: click the register link above to proceed. To start viewing messages, select the forum that you want to visit from the selection below. DAVINCI RESOLVE DONGLE NIGHTMARE.... So i took my Macbook pro on set, nothing new there. However this time i decided to take Resolve with me. You might ask - What do you mean take resolve with you? and it would be a good question. It is of coarse impossible to use Resolve 8 without the Dongle plugged into the laptop. Something that has always made me feel insecure about buying certain software, is the fact of a RED MAG NOT MOUNTING TO COMPUTER I have a 128gb card that I can't get to mount to the computer. My camera sees it fine and can record and playback clips in camera. But the redmag station does not recognize it at all. I am using the redmag mini usb 3.0 version. I also have a 64gb card that works just fine with the red station. But the red light won't even turn on when inserting the 128gb card. REDUSER.NETRED DIGITAL CINEMADEFAULT CALENDARMARKETPLACERED WORKFLOWPOST-PRODUCTION HARDWARE If this is your first visit, be sure to check out the FAQ by clicking the link above. You may have to register before you can post: click the register link above to proceed. To start viewing messages, select the forum that you want to visit from the selection below. REDUSER.NET :: THE ONLINE COMMUNITY FOR DIGITAL FILMMAKINGhtml>/"); --> html>
GEMINI IS BASICALLY FULL FRAME! A COMPARISON WITH THE NEW There is a UHD Prores LT file downloadable from Vimeo if you want to scrutinize or try other LUTs on the LOG portions. I like doing comparisons in moving cars because they offer a wide range of lighting, contrast and color changes as well as gives you a good sense of the motion rendering. 4K HD AND 4K 16:9 DIFFERENCE 4K: 4096x2160 (a.k.a. 2160p) Aspect Ratio: 1.9:1 Used in cinema. 4K HD: 3840x2160 (a.k.a. Quad HD) Aspect Ratio: 16/9 (1.78:1) Used when the delivery format will be 1080p. 4K HD (QHD) is exactly four times larger than 1080p, so it resizes proportionally down to 1920x1080. ZEISS OTUS VS MASTER PRIME Hi guys, This is an interesting topic to discuss, and I'll bet only very few of you had the chance to evaluate the MP and Otus side-by-side. But I figured, if anyone has done this, it would probably be professionals here on RedUser (I'm looking at you, Phil). So, without factoring-in the different housing, as MPs were designed for Cinema work, which is better? USB-C TO HDMI/SDI HOW? I can't find on Apple or Blackmagic's website a cable or box that I can plug into my USB-C connection on my iMac 2017 so as to output HDMI or SDI to a broadcast monitor. Can someone suggest a device that will do this job? Blackmagic used to make a thunderbolt to SDI min box I used on my previous machine but can't find the equivalent for USB-C. PROGRAM WINDOW HAS 1/8 GRAYED OUT... Unfortunately I'm on vacation and have to edit while here. I only have a 13" Macbook Pro and I'm finding it difficult to work with (obviously). I'm just curious, however, if it's possible to toggle the Program Window to 1/8. Right now I'm stuck at 1/4 and can't make the change (1/8 and 1/16 are grayed out). In the Preview window I can select 1/8 and it runs very smooth. KOMODO REDCODE RAW EXPLAINED Hello there humans and occasion spam bots, Lots of chatter surrounding Komodo and how REDCODE RAW works, wanted to make a dedicated thread rapping about it. Today I'll put on my RED Whisperer hat and drop some light nerdy stuff in here, but will keep it wrangled to simple concepts, and I'll spice things up with my personal perspective. ACTUAL DESQUEEZE RESOLUTION IN ANAMORPHIC For example if I shoot 4K ana, do the horizontal pixels get doubled to add up to 4K or does the sensor squeeze true 4K into 4:3 and then desqueeze to actual 4K SCHNEIDER BLACK FROST VS. TIFFEN BLACK PROMIST (DIFFERENCES) Hi! I know these filters are supposed to be pretty similar. I plan to test them side by side in the near future. Any differences between them, subtle or less subtle? Would a Schneider Black Frost 1/8 be almost a dead match with a Tiffen Black ProMist 1/8? (all else being equal) Thank you! George REDUSER.NETRED DIGITAL CINEMADEFAULT CALENDARMARKETPLACERED WORKFLOWPOST-PRODUCTION HARDWARE If this is your first visit, be sure to check out the FAQ by clicking the link above. You may have to register before you can post: click the register link above to proceed. To start viewing messages, select the forum that you want to visit from the selection below. REDUSER.NET :: THE ONLINE COMMUNITY FOR DIGITAL FILMMAKINGhtml>/"); --> html>
GEMINI IS BASICALLY FULL FRAME! A COMPARISON WITH THE NEW There is a UHD Prores LT file downloadable from Vimeo if you want to scrutinize or try other LUTs on the LOG portions. I like doing comparisons in moving cars because they offer a wide range of lighting, contrast and color changes as well as gives you a good sense of the motion rendering. 4K HD AND 4K 16:9 DIFFERENCE 4K: 4096x2160 (a.k.a. 2160p) Aspect Ratio: 1.9:1 Used in cinema. 4K HD: 3840x2160 (a.k.a. Quad HD) Aspect Ratio: 16/9 (1.78:1) Used when the delivery format will be 1080p. 4K HD (QHD) is exactly four times larger than 1080p, so it resizes proportionally down to 1920x1080. ZEISS OTUS VS MASTER PRIME Hi guys, This is an interesting topic to discuss, and I'll bet only very few of you had the chance to evaluate the MP and Otus side-by-side. But I figured, if anyone has done this, it would probably be professionals here on RedUser (I'm looking at you, Phil). So, without factoring-in the different housing, as MPs were designed for Cinema work, which is better? USB-C TO HDMI/SDI HOW? I can't find on Apple or Blackmagic's website a cable or box that I can plug into my USB-C connection on my iMac 2017 so as to output HDMI or SDI to a broadcast monitor. Can someone suggest a device that will do this job? Blackmagic used to make a thunderbolt to SDI min box I used on my previous machine but can't find the equivalent for USB-C. PROGRAM WINDOW HAS 1/8 GRAYED OUT... Unfortunately I'm on vacation and have to edit while here. I only have a 13" Macbook Pro and I'm finding it difficult to work with (obviously). I'm just curious, however, if it's possible to toggle the Program Window to 1/8. Right now I'm stuck at 1/4 and can't make the change (1/8 and 1/16 are grayed out). In the Preview window I can select 1/8 and it runs very smooth. KOMODO REDCODE RAW EXPLAINED Hello there humans and occasion spam bots, Lots of chatter surrounding Komodo and how REDCODE RAW works, wanted to make a dedicated thread rapping about it. Today I'll put on my RED Whisperer hat and drop some light nerdy stuff in here, but will keep it wrangled to simple concepts, and I'll spice things up with my personal perspective. ACTUAL DESQUEEZE RESOLUTION IN ANAMORPHIC For example if I shoot 4K ana, do the horizontal pixels get doubled to add up to 4K or does the sensor squeeze true 4K into 4:3 and then desqueeze to actual 4K SCHNEIDER BLACK FROST VS. TIFFEN BLACK PROMIST (DIFFERENCES) Hi! I know these filters are supposed to be pretty similar. I plan to test them side by side in the near future. Any differences between them, subtle or less subtle? Would a Schneider Black Frost 1/8 be almost a dead match with a Tiffen Black ProMist 1/8? (all else being equal) Thank you! GeorgeREDUSER.NET
If this is your first visit, be sure to check out the FAQ by clicking the link above. You may have to register before you can post: click the register link above to proceed. To start viewing messages, select the forum that you want to visit from the selection below. CONTAX ZEISS SURVIVAL GUIDE As many of you knowI have been a strong proponent of Contax Glass on REDUSER for a while now. I get asked lots of questions. So I figured I would write up a little CONTAX SURVIVAL GUIDE that tries to answer them all at once Hope this helps Note - I've been writing and editing this for over 3 months. So please be kind. If you disagree with something, be classy, and I'll try and update MARKETPLACE: RED STUFF Buy, Sell and Trade official RED products. If this is your first visit, be sure to check out the FAQ by clicking the link above. You may have to register before you can post: click the register link above to proceed. To start viewing messages, select the forum that you want to visit from the selection below. CINEMASCOPE VS. SQUARE VS. CORRECT PIXEL ASPECT RATIO FOR Hello Everyone, I am new to the forum but I am currently working on grading my first Indie Film in Davinci Resolve. I am setting up my timeline for 2k 2048x1156 (pixel aspect ratio Cinemascope). Is this the correct aspect for a film shot mostly in the 5120x2160. This was not shot with anamorphic lenses. What would be the proper workflow. The client didn't really have a target output so I went ZEISS OTUS VS MASTER PRIME Hi guys, This is an interesting topic to discuss, and I'll bet only very few of you had the chance to evaluate the MP and Otus side-by-side. But I figured, if anyone has done this, it would probably be professionals here on RedUser (I'm looking at you, Phil). So, without factoring-in the different housing, as MPs were designed for Cinema work, which is better? 4K HD AND 4K 16:9 DIFFERENCE 4K: 4096x2160 (a.k.a. 2160p) Aspect Ratio: 1.9:1 Used in cinema. 4K HD: 3840x2160 (a.k.a. Quad HD) Aspect Ratio: 16/9 (1.78:1) Used when the delivery format will be 1080p. 4K HD (QHD) is exactly four times larger than 1080p, so it resizes proportionally down to 1920x1080. SCHNEIDER XENON FF VS XENAR-CINE III. FOR EPIC-W If this is your first visit, be sure to check out the FAQ by clicking the link above. You may have to register before you can post: click the register link above to proceed. To start viewing messages, select the forum that you want to visit from the selection below. KOMODO REDCODE RAW EXPLAINED Hello there humans and occasion spam bots, Lots of chatter surrounding Komodo and how REDCODE RAW works, wanted to make a dedicated thread rapping about it. Today I'll put on my RED Whisperer hat and drop some light nerdy stuff in here, but will keep it wrangled to simple concepts, and I'll spice things up with my personal perspective. ACTUAL DESQUEEZE RESOLUTION IN ANAMORPHIC I think the question was if it records a 4:3 image and then stretches out those pixels to a proper wide image. So if you say that the 4K ANA mode is 3840 x 2880, what is the final resolution of the proper 2.35:1image?
GENLOCK - WHAT WORLDCLOCK SETTTINGS? Hello, I'm having a problem finding the way of genlocking the camera with the Lockit box. I'm shooting 5k 2:1 25p (in 25fps) and don't get the Lockit box to lock the Epic. I get SYNCH in RED and sometimes SYNCH and GEN are RED. I set in the Epic menu Synch/Genlock/Brain and use the lemo to 3 BNC cable. Any input? Thanks REDUSER.NETRED DIGITAL CINEMADEFAULT CALENDARMARKETPLACERED WORKFLOWPOST-PRODUCTION HARDWARE If this is your first visit, be sure to check out the FAQ by clicking the link above. You may have to register before you can post: click the register link above to proceed. To start viewing messages, select the forum that you want to visit from the selection below. MARKETPLACE: RED STUFF Buy, Sell and Trade official RED products. If this is your first visit, be sure to check out the FAQ by clicking the link above. You may have to register before you can post: click the register link above to proceed. To start viewing messages, select the forum that you want to visit from the selection below. GEMINI IS BASICALLY FULL FRAME! A COMPARISON WITH THE NEW Yes the FX9 is a full frame 36mm wide sensor. But it's only 18.9mm tall. Gemini is almost 31mm wide, and 18mm tall. That slight variance in height means when they shoot HD aspect ratio, they end up being quite similar when Gemini shoots "open gate/full sensor". GEMINI OPEN GATE cropped to HD: 30.7mm x 17.2mm. REDUSER.NET :: THE ONLINE COMMUNITY FOR DIGITAL FILMMAKINGhtml>/"); --> html>
USB-C TO HDMI/SDI HOW? I can't find on Apple or Blackmagic's website a cable or box that I can plug into my USB-C connection on my iMac 2017 so as to output HDMI or SDI to a broadcast monitor. Can someone suggest a device that will do this job? Blackmagic used to make a thunderbolt to SDI min box I used on my previous machine but can't find the equivalent for USB-C. PROGRAM WINDOW HAS 1/8 GRAYED OUT... Unfortunately I'm on vacation and have to edit while here. I only have a 13" Macbook Pro and I'm finding it difficult to work with (obviously). I'm just curious, however, if it's possible to toggle the Program Window to 1/8. Right now I'm stuck at 1/4 and can't make the change (1/8 and 1/16 are grayed out). In the Preview window I can select 1/8 and it runs very smooth. ZEISS OTUS VS MASTER PRIME 09-29-2014, 12:07 PM. I did side by sides of the MPs and Otus 55 and Sigma Art 35/50, and previously shot and did tests with the Summilux-c. As a result, I bought a set of Master Primes. Summilux-c have much less CA, but corner sharpness goes to the MPs in my tests.BEACHTEK DXA-RED
If this is your first visit, be sure to check out the FAQ by clicking the link above. You may have to register before you can post: click the register link above to proceed. To start viewing messages, select the forum that you want to visit from the selection below. SCHNEIDER XENON FF VS XENAR-CINE III. FOR EPIC-W If this is your first visit, be sure to check out the FAQ by clicking the link above. You may have to register before you can post: click the register link above to proceed. To start viewing messages, select the forum that you want to visit from the selection below. RED MAG NOT MOUNTING TO COMPUTER I have a 128gb card that I can't get to mount to the computer. My camera sees it fine and can record and playback clips in camera. But the redmag station does not recognize it at all. I am using the redmag mini usb 3.0 version. I also have a 64gb card that works just fine with the red station. But the red light won't even turn on when inserting the 128gb card. REDUSER.NETRED DIGITAL CINEMADEFAULT CALENDARMARKETPLACERED WORKFLOWPOST-PRODUCTION HARDWARE If this is your first visit, be sure to check out the FAQ by clicking the link above. You may have to register before you can post: click the register link above to proceed. To start viewing messages, select the forum that you want to visit from the selection below. MARKETPLACE: RED STUFF Buy, Sell and Trade official RED products. If this is your first visit, be sure to check out the FAQ by clicking the link above. You may have to register before you can post: click the register link above to proceed. To start viewing messages, select the forum that you want to visit from the selection below. GEMINI IS BASICALLY FULL FRAME! A COMPARISON WITH THE NEW Yes the FX9 is a full frame 36mm wide sensor. But it's only 18.9mm tall. Gemini is almost 31mm wide, and 18mm tall. That slight variance in height means when they shoot HD aspect ratio, they end up being quite similar when Gemini shoots "open gate/full sensor". GEMINI OPEN GATE cropped to HD: 30.7mm x 17.2mm. REDUSER.NET :: THE ONLINE COMMUNITY FOR DIGITAL FILMMAKINGhtml>/"); --> html>
USB-C TO HDMI/SDI HOW? I can't find on Apple or Blackmagic's website a cable or box that I can plug into my USB-C connection on my iMac 2017 so as to output HDMI or SDI to a broadcast monitor. Can someone suggest a device that will do this job? Blackmagic used to make a thunderbolt to SDI min box I used on my previous machine but can't find the equivalent for USB-C. PROGRAM WINDOW HAS 1/8 GRAYED OUT... Unfortunately I'm on vacation and have to edit while here. I only have a 13" Macbook Pro and I'm finding it difficult to work with (obviously). I'm just curious, however, if it's possible to toggle the Program Window to 1/8. Right now I'm stuck at 1/4 and can't make the change (1/8 and 1/16 are grayed out). In the Preview window I can select 1/8 and it runs very smooth. ZEISS OTUS VS MASTER PRIME 09-29-2014, 12:07 PM. I did side by sides of the MPs and Otus 55 and Sigma Art 35/50, and previously shot and did tests with the Summilux-c. As a result, I bought a set of Master Primes. Summilux-c have much less CA, but corner sharpness goes to the MPs in my tests.BEACHTEK DXA-RED
If this is your first visit, be sure to check out the FAQ by clicking the link above. You may have to register before you can post: click the register link above to proceed. To start viewing messages, select the forum that you want to visit from the selection below. SCHNEIDER XENON FF VS XENAR-CINE III. FOR EPIC-W If this is your first visit, be sure to check out the FAQ by clicking the link above. You may have to register before you can post: click the register link above to proceed. To start viewing messages, select the forum that you want to visit from the selection below. RED MAG NOT MOUNTING TO COMPUTER I have a 128gb card that I can't get to mount to the computer. My camera sees it fine and can record and playback clips in camera. But the redmag station does not recognize it at all. I am using the redmag mini usb 3.0 version. I also have a 64gb card that works just fine with the red station. But the red light won't even turn on when inserting the 128gb card.REDUSER.NET
If this is your first visit, be sure to check out the FAQ by clicking the link above. You may have to register before you can post: click the register link above to proceed. To start viewing messages, select the forum that you want to visit from the selection below. MARKETPLACE: 3RD PARTY GEAR All non-RED Branded gear listings go here. If this is your first visit, be sure to check out the FAQ by clicking the link above. You may have to register before you can post: click the register link above to proceed. To start viewing messages, select the forum that you want to visit from the selection below. CONTAX ZEISS SURVIVAL GUIDE It’s awesome Western Zeiss glass. Wake the fuck up. As photography slowly shifted from rangefinder to SLR, Contax was reborn as Zeiss’s flagship 35mm SLR system. They were a massive hit when they launched in ‘75, and were fabricated until 2005 (when they were promptly tweaked and re-badged as ZF/ZE’s in 2006). H4V SBS CONVERSION PLUGIN Join Date. May 2017. Location. New York, NY USA. Posts. 40. 02-11-2020, 02:15 PM. Hey there! I know the RED Hydrogen site and company is now no more, but there are a lot of references in the forum to a beta Premiere/After Effects Plugin that allows you to KOMODO REDCODE RAW EXPLAINED Hello there humans and occasion spam bots, Lots of chatter surrounding Komodo and how REDCODE RAW works, wanted to make a dedicated thread rapping about it. Today I'll put on my RED Whisperer hat and drop some light nerdy stuff in here, but will keep it wrangled to simple concepts, and I'll spice things up with my personal perspective. 4K HD AND 4K 16:9 DIFFERENCE 4K: 4096x2160 (a.k.a. 2160p) Aspect Ratio: 1.9:1 Used in cinema. 4K HD: 3840x2160 (a.k.a. Quad HD) Aspect Ratio: 16/9 (1.78:1) Used when the delivery format will be 1080p. 4K HD (QHD) is exactly four times larger than 1080p, so it resizes proportionally down to 1920x1080. ZEISS OTUS VS MASTER PRIME 09-29-2014, 12:07 PM. I did side by sides of the MPs and Otus 55 and Sigma Art 35/50, and previously shot and did tests with the Summilux-c. As a result, I bought a set of Master Primes. Summilux-c have much less CA, but corner sharpness goes to the MPs in my tests. PROPER WAY TO RAMP FOOTAGE FROM 120FPS TO 24FPS? Hey everyone, I recently shot my friend wakeboarding at 120fps in 4k. The final project will be a mix of red footage, go pros and dlsr's. All the other cameras were recorded in 24fps. I'm wondering is there a "proper" way to play my 120fps footage at normal real-life speed then slow it back down to its original 120 fps slowmotion on the same clip? CAN YOU SHOOT @ 15FPS, THEN IN POST INCREASE TO 30FPS, TO Yes. In Premiere you reinterpret the footage to the desired frame rate. Assuming that your project frame rate is 29.97 and you shot at 15fps varispeed 15fps, then right-click (control-click on mac) on the file in the Premiere bin and choose "modify / interpret footage" from the menu that pops up. click the "Assume this frame rate:" radio button and set the frame rate to 15 fps. ACTUAL DESQUEEZE RESOLUTION IN ANAMORPHIC Then trim out your 2.40:1 aspect ratio image from that, which ends up as 6912x2880 that can then be scaled down to your 4K DCI or 4K UHD container. Just to stir the pot a bit more, I often prefer to shoot 6K 6:5 for anamorphic which is 3792x3160. However, 6:5 actually unsqueezes to 2.40:1 from the get go using 2X anamorphic glass. REDUSER.NETRED DIGITAL CINEMADEFAULT CALENDARMARKETPLACERED WORKFLOWPOST-PRODUCTION HARDWARE If this is your first visit, be sure to check out the FAQ by clicking the link above. You may have to register before you can post: click the register link above to proceed. To start viewing messages, select the forum that you want to visit from the selection below. GEMINI IS BASICALLY FULL FRAME! A COMPARISON WITH THE NEW There is a UHD Prores LT file downloadable from Vimeo if you want to scrutinize or try other LUTs on the LOG portions. I like doing comparisons in moving cars because they offer a wide range of lighting, contrast and color changes as well as gives you a good sense of the motion rendering. REDUSER.NET :: THE ONLINE COMMUNITY FOR DIGITAL FILMMAKINGhtml>/"); --> html>
KOMODO REDCODE RAW EXPLAINED Hello there humans and occasion spam bots, Lots of chatter surrounding Komodo and how REDCODE RAW works, wanted to make a dedicated thread rapping about it. Today I'll put on my RED Whisperer hat and drop some light nerdy stuff in here, but will keep it wrangled to simple concepts, and I'll spice things up with my personal perspective. ZEISS OTUS VS MASTER PRIME 09-29-2014, 12:07 PM. I did side by sides of the MPs and Otus 55 and Sigma Art 35/50, and previously shot and did tests with the Summilux-c. As a result, I bought a set of Master Primes. Summilux-c have much less CA, but corner sharpness goes to the MPs in my tests. USB-C TO HDMI/SDI HOW? I can't find on Apple or Blackmagic's website a cable or box that I can plug into my USB-C connection on my iMac 2017 so as to output HDMI or SDI to a broadcast monitor. Can someone suggest a device that will do this job? Blackmagic used to make a thunderbolt to SDI min box I used on my previous machine but can't find the equivalent for USB-C. PROGRAM WINDOW HAS 1/8 GRAYED OUT... Unfortunately I'm on vacation and have to edit while here. I only have a 13" Macbook Pro and I'm finding it difficult to work with (obviously). I'm just curious, however, if it's possible to toggle the Program Window to 1/8. Right now I'm stuck at 1/4 and can't make the change (1/8 and 1/16 are grayed out). In the Preview window I can select 1/8 and it runs very smooth. SCHNEIDER XENON FF VS XENAR-CINE III. FOR EPIC-W If this is your first visit, be sure to check out the FAQ by clicking the link above. You may have to register before you can post: click the register link above to proceed. To start viewing messages, select the forum that you want to visit from the selection below. RED MAG NOT MOUNTING TO COMPUTER I have a 128gb card that I can't get to mount to the computer. My camera sees it fine and can record and playback clips in camera. But the redmag station does not recognize it at all. I am using the redmag mini usb 3.0 version. I also have a 64gb card that works just fine with the red station. But the red light won't even turn on when inserting the 128gb card. MIRAIZON DNXHD/PRORES CODEC FOR WINDOWS 12-10-2014, 07:50 AM. Woke up to Miraizon V2 being released. There's a 20% off code NEWCODECS20 (came out to about $24 for the upgrade) and: New support for ProRes 4444 XQ profile encoding and decoding. New support for DNxHD 444 profile encoding and decoding. New encoding rate control system with improved image quality. REDUSER.NETRED DIGITAL CINEMADEFAULT CALENDARMARKETPLACERED WORKFLOWPOST-PRODUCTION HARDWARE If this is your first visit, be sure to check out the FAQ by clicking the link above. You may have to register before you can post: click the register link above to proceed. To start viewing messages, select the forum that you want to visit from the selection below. GEMINI IS BASICALLY FULL FRAME! A COMPARISON WITH THE NEW There is a UHD Prores LT file downloadable from Vimeo if you want to scrutinize or try other LUTs on the LOG portions. I like doing comparisons in moving cars because they offer a wide range of lighting, contrast and color changes as well as gives you a good sense of the motion rendering. REDUSER.NET :: THE ONLINE COMMUNITY FOR DIGITAL FILMMAKINGhtml>/"); --> html>
KOMODO REDCODE RAW EXPLAINED Hello there humans and occasion spam bots, Lots of chatter surrounding Komodo and how REDCODE RAW works, wanted to make a dedicated thread rapping about it. Today I'll put on my RED Whisperer hat and drop some light nerdy stuff in here, but will keep it wrangled to simple concepts, and I'll spice things up with my personal perspective. ZEISS OTUS VS MASTER PRIME 09-29-2014, 12:07 PM. I did side by sides of the MPs and Otus 55 and Sigma Art 35/50, and previously shot and did tests with the Summilux-c. As a result, I bought a set of Master Primes. Summilux-c have much less CA, but corner sharpness goes to the MPs in my tests. USB-C TO HDMI/SDI HOW? I can't find on Apple or Blackmagic's website a cable or box that I can plug into my USB-C connection on my iMac 2017 so as to output HDMI or SDI to a broadcast monitor. Can someone suggest a device that will do this job? Blackmagic used to make a thunderbolt to SDI min box I used on my previous machine but can't find the equivalent for USB-C. PROGRAM WINDOW HAS 1/8 GRAYED OUT... Unfortunately I'm on vacation and have to edit while here. I only have a 13" Macbook Pro and I'm finding it difficult to work with (obviously). I'm just curious, however, if it's possible to toggle the Program Window to 1/8. Right now I'm stuck at 1/4 and can't make the change (1/8 and 1/16 are grayed out). In the Preview window I can select 1/8 and it runs very smooth. SCHNEIDER XENON FF VS XENAR-CINE III. FOR EPIC-W If this is your first visit, be sure to check out the FAQ by clicking the link above. You may have to register before you can post: click the register link above to proceed. To start viewing messages, select the forum that you want to visit from the selection below. RED MAG NOT MOUNTING TO COMPUTER I have a 128gb card that I can't get to mount to the computer. My camera sees it fine and can record and playback clips in camera. But the redmag station does not recognize it at all. I am using the redmag mini usb 3.0 version. I also have a 64gb card that works just fine with the red station. But the red light won't even turn on when inserting the 128gb card. MIRAIZON DNXHD/PRORES CODEC FOR WINDOWS 12-10-2014, 07:50 AM. Woke up to Miraizon V2 being released. There's a 20% off code NEWCODECS20 (came out to about $24 for the upgrade) and: New support for ProRes 4444 XQ profile encoding and decoding. New support for DNxHD 444 profile encoding and decoding. New encoding rate control system with improved image quality.REDUSER.NET
If this is your first visit, be sure to check out the FAQ by clicking the link above. You may have to register before you can post: click the register link above to proceed. To start viewing messages, select the forum that you want to visit from the selection below. MARKETPLACE: 3RD PARTY GEAR All non-RED Branded gear listings go here. If this is your first visit, be sure to check out the FAQ by clicking the link above. You may have to register before you can post: click the register link above to proceed. To start viewing messages, select the forum that you want to visit from the selection below. CONTAX ZEISS SURVIVAL GUIDE It’s awesome Western Zeiss glass. Wake the fuck up. As photography slowly shifted from rangefinder to SLR, Contax was reborn as Zeiss’s flagship 35mm SLR system. They were a massive hit when they launched in ‘75, and were fabricated until 2005 (when they were promptly tweaked and re-badged as ZF/ZE’s in 2006). H4V SBS CONVERSION PLUGIN Join Date. May 2017. Location. New York, NY USA. Posts. 40. 02-11-2020, 02:15 PM. Hey there! I know the RED Hydrogen site and company is now no more, but there are a lot of references in the forum to a beta Premiere/After Effects Plugin that allows you to KOMODO REDCODE RAW EXPLAINED Hello there humans and occasion spam bots, Lots of chatter surrounding Komodo and how REDCODE RAW works, wanted to make a dedicated thread rapping about it. Today I'll put on my RED Whisperer hat and drop some light nerdy stuff in here, but will keep it wrangled to simple concepts, and I'll spice things up with my personal perspective. USB-C TO HDMI/SDI HOW? I can't find on Apple or Blackmagic's website a cable or box that I can plug into my USB-C connection on my iMac 2017 so as to output HDMI or SDI to a broadcast monitor. Can someone suggest a device that will do this job? Blackmagic used to make a thunderbolt to SDI min box I used on my previous machine but can't find the equivalent for USB-C. 4K HD AND 4K 16:9 DIFFERENCE 4K: 4096x2160 (a.k.a. 2160p) Aspect Ratio: 1.9:1 Used in cinema. 4K HD: 3840x2160 (a.k.a. Quad HD) Aspect Ratio: 16/9 (1.78:1) Used when the delivery format will be 1080p. 4K HD (QHD) is exactly four times larger than 1080p, so it resizes proportionally down to 1920x1080. PROPER WAY TO RAMP FOOTAGE FROM 120FPS TO 24FPS? Hey everyone, I recently shot my friend wakeboarding at 120fps in 4k. The final project will be a mix of red footage, go pros and dlsr's. All the other cameras were recorded in 24fps. I'm wondering is there a "proper" way to play my 120fps footage at normal real-life speed then slow it back down to its original 120 fps slowmotion on the same clip? ACTUAL DESQUEEZE RESOLUTION IN ANAMORPHIC Then trim out your 2.40:1 aspect ratio image from that, which ends up as 6912x2880 that can then be scaled down to your 4K DCI or 4K UHD container. Just to stir the pot a bit more, I often prefer to shoot 6K 6:5 for anamorphic which is 3792x3160. However, 6:5 actually unsqueezes to 2.40:1 from the get go using 2X anamorphic glass. CAN YOU SHOOT @ 15FPS, THEN IN POST INCREASE TO 30FPS, TO Yes. In Premiere you reinterpret the footage to the desired frame rate. Assuming that your project frame rate is 29.97 and you shot at 15fps varispeed 15fps, then right-click (control-click on mac) on the file in the Premiere bin and choose "modify / interpret footage" from the menu that pops up. click the "Assume this frame rate:" radio button and set the frame rate to 15 fps. REDUSER.NETRED DIGITAL CINEMADEFAULT CALENDARMARKETPLACERED WORKFLOWPOST-PRODUCTION HARDWARE If this is your first visit, be sure to check out the FAQ by clicking the link above. You may have to register before you can post: click the register link above to proceed. To start viewing messages, select the forum that you want to visit from the selection below.SHOW GROUPS
If this is your first visit, be sure to check out the FAQ by clicking the link above. You may have to register before you can post: click the register link above to proceed. To start viewing messages, select the forum that you want to visit from the selection below. MARKETPLACE: RED STUFF Buy, Sell and Trade official RED products. If this is your first visit, be sure to check out the FAQ by clicking the link above. You may have to register before you can post: click the register link above to proceed. To start viewing messages, select the forum that you want to visit from the selection below. REDUSER.NET :: THE ONLINE COMMUNITY FOR DIGITAL FILMMAKINGhtml>/"); --> html>
CONTAX ZEISS SURVIVAL GUIDE It’s awesome Western Zeiss glass. Wake the fuck up. As photography slowly shifted from rangefinder to SLR, Contax was reborn as Zeiss’s flagship 35mm SLR system. They were a massive hit when they launched in ‘75, and were fabricated until 2005 (when they were promptly tweaked and re-badged as ZF/ZE’s in 2006). GEMINI IS BASICALLY FULL FRAME! A COMPARISON WITH THE NEW There is a UHD Prores LT file downloadable from Vimeo if you want to scrutinize or try other LUTs on the LOG portions. I like doing comparisons in moving cars because they offer a wide range of lighting, contrast and color changes as well as gives you a good sense of the motion rendering. USB-C TO HDMI/SDI HOW? I can't find on Apple or Blackmagic's website a cable or box that I can plug into my USB-C connection on my iMac 2017 so as to output HDMI or SDI to a broadcast monitor. Can someone suggest a device that will do this job? Blackmagic used to make a thunderbolt to SDI min box I used on my previous machine but can't find the equivalent for USB-C. PROGRAM WINDOW HAS 1/8 GRAYED OUT... Unfortunately I'm on vacation and have to edit while here. I only have a 13" Macbook Pro and I'm finding it difficult to work with (obviously). I'm just curious, however, if it's possible to toggle the Program Window to 1/8. Right now I'm stuck at 1/4 and can't make the change (1/8 and 1/16 are grayed out). In the Preview window I can select 1/8 and it runs very smooth. SCHNEIDER XENON FF VS XENAR-CINE III. FOR EPIC-W If this is your first visit, be sure to check out the FAQ by clicking the link above. You may have to register before you can post: click the register link above to proceed. To start viewing messages, select the forum that you want to visit from the selection below. RED MAG NOT MOUNTING TO COMPUTER I have a 128gb card that I can't get to mount to the computer. My camera sees it fine and can record and playback clips in camera. But the redmag station does not recognize it at all. I am using the redmag mini usb 3.0 version. I also have a 64gb card that works just fine with the red station. But the red light won't even turn on when inserting the 128gb card. REDUSER.NETRED DIGITAL CINEMADEFAULT CALENDARMARKETPLACERED WORKFLOWPOST-PRODUCTION HARDWARE If this is your first visit, be sure to check out the FAQ by clicking the link above. You may have to register before you can post: click the register link above to proceed. To start viewing messages, select the forum that you want to visit from the selection below.SHOW GROUPS
If this is your first visit, be sure to check out the FAQ by clicking the link above. You may have to register before you can post: click the register link above to proceed. To start viewing messages, select the forum that you want to visit from the selection below. MARKETPLACE: RED STUFF Buy, Sell and Trade official RED products. If this is your first visit, be sure to check out the FAQ by clicking the link above. You may have to register before you can post: click the register link above to proceed. To start viewing messages, select the forum that you want to visit from the selection below. REDUSER.NET :: THE ONLINE COMMUNITY FOR DIGITAL FILMMAKINGhtml>/"); --> html>
CONTAX ZEISS SURVIVAL GUIDE It’s awesome Western Zeiss glass. Wake the fuck up. As photography slowly shifted from rangefinder to SLR, Contax was reborn as Zeiss’s flagship 35mm SLR system. They were a massive hit when they launched in ‘75, and were fabricated until 2005 (when they were promptly tweaked and re-badged as ZF/ZE’s in 2006). GEMINI IS BASICALLY FULL FRAME! A COMPARISON WITH THE NEW There is a UHD Prores LT file downloadable from Vimeo if you want to scrutinize or try other LUTs on the LOG portions. I like doing comparisons in moving cars because they offer a wide range of lighting, contrast and color changes as well as gives you a good sense of the motion rendering. USB-C TO HDMI/SDI HOW? I can't find on Apple or Blackmagic's website a cable or box that I can plug into my USB-C connection on my iMac 2017 so as to output HDMI or SDI to a broadcast monitor. Can someone suggest a device that will do this job? Blackmagic used to make a thunderbolt to SDI min box I used on my previous machine but can't find the equivalent for USB-C. PROGRAM WINDOW HAS 1/8 GRAYED OUT... Unfortunately I'm on vacation and have to edit while here. I only have a 13" Macbook Pro and I'm finding it difficult to work with (obviously). I'm just curious, however, if it's possible to toggle the Program Window to 1/8. Right now I'm stuck at 1/4 and can't make the change (1/8 and 1/16 are grayed out). In the Preview window I can select 1/8 and it runs very smooth. SCHNEIDER XENON FF VS XENAR-CINE III. FOR EPIC-W If this is your first visit, be sure to check out the FAQ by clicking the link above. You may have to register before you can post: click the register link above to proceed. To start viewing messages, select the forum that you want to visit from the selection below. RED MAG NOT MOUNTING TO COMPUTER I have a 128gb card that I can't get to mount to the computer. My camera sees it fine and can record and playback clips in camera. But the redmag station does not recognize it at all. I am using the redmag mini usb 3.0 version. I also have a 64gb card that works just fine with the red station. But the red light won't even turn on when inserting the 128gb card. CONTAX ZEISS SURVIVAL GUIDE As many of you knowI have been a strong proponent of Contax Glass on REDUSER for a while now. I get asked lots of questions. So I figured I would write up a little CONTAX SURVIVAL GUIDE that tries to answer them all at once Hope this helps Note - I've been writing and editing this for over 3 months. So please be kind. If you disagree with something, be classy, and I'll try and update 4K HD AND 4K 16:9 DIFFERENCE 4K: 4096x2160 (a.k.a. 2160p) Aspect Ratio: 1.9:1 Used in cinema. 4K HD: 3840x2160 (a.k.a. Quad HD) Aspect Ratio: 16/9 (1.78:1) Used when the delivery format will be 1080p. 4K HD (QHD) is exactly four times larger than 1080p, so it resizes proportionally down to 1920x1080. OFF TOPIC - REDUSER.NET Off Topic. If this is your first visit, be sure to check out the FAQ by clicking the link above. You may have to register before you can post: click the register link above to proceed. To start viewing messages, select the forum that you want to visit from the selectionbelow.
USB-C TO HDMI/SDI HOW? I can't find on Apple or Blackmagic's website a cable or box that I can plug into my USB-C connection on my iMac 2017 so as to output HDMI or SDI to a broadcast monitor. Can someone suggest a device that will do this job? Blackmagic used to make a thunderbolt to SDI min box I used on my previous machine but can't find the equivalent for USB-C. KOMODO REDCODE RAW EXPLAINED Hello there humans and occasion spam bots, Lots of chatter surrounding Komodo and how REDCODE RAW works, wanted to make a dedicated thread rapping about it. Today I'll put on my RED Whisperer hat and drop some light nerdy stuff in here, but will keep it wrangled to simple concepts, and I'll spice things up with my personal perspective. BLACKMAGIC POCKET CINEMA CAMERA 4K (CROP FACTOR) The crop factor is a mystery. It seems like the sensor is going to be just a smidge larger than the previous camera so the websites say "a reduced crop factor for a wider field of view." The original BMPCC is considered "slightly wide" meaning most zooms are 35 to 49mm wide which isn't great for indoor use. Anyone know the exact crop factor of the new 4k pocket camera? ACTUAL DESQUEEZE RESOLUTION IN ANAMORPHIC Then trim out your 2.40:1 aspect ratio image from that, which ends up as 6912x2880 that can then be scaled down to your 4K DCI or 4K UHD container. Just to stir the pot a bit more, I often prefer to shoot 6K 6:5 for anamorphic which is 3792x3160. However, 6:5 actually unsqueezes to 2.40:1 from the get go using 2X anamorphic glass. ZEISS OTUS VS MASTER PRIME 09-29-2014, 12:07 PM. I did side by sides of the MPs and Otus 55 and Sigma Art 35/50, and previously shot and did tests with the Summilux-c. As a result, I bought a set of Master Primes. Summilux-c have much less CA, but corner sharpness goes to the MPs in my tests. RED MAG NOT MOUNTING TO COMPUTER I have a 128gb card that I can't get to mount to the computer. My camera sees it fine and can record and playback clips in camera. But the redmag station does not recognize it at all. I am using the redmag mini usb 3.0 version. I also have a 64gb card that works just fine with the red station. But the red light won't even turn on when inserting the 128gb card. SCHNEIDER BLACK FROST VS. TIFFEN BLACK PROMIST (DIFFERENCES) Hi! I know these filters are supposed to be pretty similar. I plan to test them side by side in the near future. Any differences between them, subtle or less subtle? Would a Schneider Black Frost 1/8 be almost a dead match with a Tiffen Black ProMist 1/8? (all else being equal) Thank you! George* Register
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