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REALTOKYO | COLUMN | DIALOGUE GARDEN | VOL. 3: CORNELIUS Welcome to part three of the series of interviews with performers, artists, designers, producers and other creative individuals representing the current Tokyo culture scene. REALTOKYO | COLUMN | OUT OF TOKYO | 122: TAKAMINE TADASU’S On 9.11 I went to Ai Hall in Itami, to see "Motto Darwin", artist Takamine Tadasu’s first ever work for the stage. His experience with this genre so far include performances with Dumb Type, and recently collaborations with Batsheva Dance Company (Israel) and KanamoriJo’s Noism.
REALTOKYO | COLUMN | DIALOGUE GARDEN | VOL. 1: HITOTO YO Yes, definitely. Part of my newest album "Key" was in fact strongly inspired by the movie "Pan’s Labyrinth". The story of the film revolves around the Cthulhu Mythos, and I particularly liked about it the point that the aspects of yin and yang are treated not as some highly philosophical, esoteric matter, but as something that is directly involved in our daily lives. REALTOKYO | COLUMN | OUT OF TOKYO | 158: JOHANNESBURG As I mentioned on this page the time before last, I traveled to Johannesburg (below "JNB") at the end of February. The journey was fruitful not only in terms of the Documenta Magazine Project conference, the main reason for my trip, but also because I had the opportunity to visit Soweto (=South West Township), even though thatwas very short.
REALTOKYO | COLUMN | TOKYO INITIATOR'S DIARY: BANKART 1929 I was getting tired myself, and every step I took was painful. Before long, I fell asleep as I walked along. I saw one, two, ten, one hundred sheep crossing the national highway. REALTOKYO | COLUMN | TOKYO INITIATOR'S DIARY: BANKART 1929 I dreamed I went to Nogeyama Zoo.That’s because the lesser panda died. The zoo has been admission-free since its opening, and although it’s not exactly a "hip" kind of REALTOKYO | COLUMN | OUT OF TOKYO | 100: REDESIGNING TOKYO As a starting point for the discussion, I offered an allegation saying that it’s impulses from outside — foreign cultures, people and products — on the city of Tokyo and the Japanese society in general that urge along reforms. REALTOKYO | COLUMN | REALCITIES | 039: FROM TOKYO On May 1, about one month and a half after the Great East Japan Earthquake in March 2011, a satirical drawing suggesting the collapsed Fukushima 1 Nuclear Power Plant gained immediate attention, which appeared to the empty space of the lower right of the mural "Myth of Tomorrow" by Okamoto Taro, a painter representative of Japanese modern art, in a corridor of the Shibuya station, Tokyo. REALTOKYO | COLUMN | OUT OF TOKYO | 177: CONCEPTION OF THE The Lisbon Architecture Triennale was held this year from 5/31-7/31, on the central theme of "Urban Voids". Architecture historian Igarashi Taro curated the "Tokyo Revolution" themed Japanese section at the Triennale around the central idea of erecting a "large-scale museum gathering outstanding works of Japanese art" as proposed by artist Hikosaka Naoyoshi inside the Imperial Palace. REALTOKYO | COLUMN | DIALOGUE GARDEN | VOL. 2: IKEDA RYOJI The second artist featured in this series aiming to pin down trends in creative work in the city through interviews with performers, artists, designers, producers and other individuals, is a pioneer in computer-based, audio-visual expression, who keeps exploring unchartedterritory.
REALTOKYO | COLUMN | DIALOGUE GARDEN | VOL. 3: CORNELIUS Welcome to part three of the series of interviews with performers, artists, designers, producers and other creative individuals representing the current Tokyo culture scene. REALTOKYO | COLUMN | OUT OF TOKYO | 122: TAKAMINE TADASU’S On 9.11 I went to Ai Hall in Itami, to see "Motto Darwin", artist Takamine Tadasu’s first ever work for the stage. His experience with this genre so far include performances with Dumb Type, and recently collaborations with Batsheva Dance Company (Israel) and KanamoriJo’s Noism.
REALTOKYO | COLUMN | DIALOGUE GARDEN | VOL. 1: HITOTO YO Yes, definitely. Part of my newest album "Key" was in fact strongly inspired by the movie "Pan’s Labyrinth". The story of the film revolves around the Cthulhu Mythos, and I particularly liked about it the point that the aspects of yin and yang are treated not as some highly philosophical, esoteric matter, but as something that is directly involved in our daily lives. REALTOKYO | COLUMN | OUT OF TOKYO | 158: JOHANNESBURG As I mentioned on this page the time before last, I traveled to Johannesburg (below "JNB") at the end of February. The journey was fruitful not only in terms of the Documenta Magazine Project conference, the main reason for my trip, but also because I had the opportunity to visit Soweto (=South West Township), even though thatwas very short.
REALTOKYO | COLUMN | TOKYO INITIATOR'S DIARY: BANKART 1929 I was getting tired myself, and every step I took was painful. Before long, I fell asleep as I walked along. I saw one, two, ten, one hundred sheep crossing the national highway. REALTOKYO | COLUMN | TOKYO INITIATOR'S DIARY: BANKART 1929 I dreamed I went to Nogeyama Zoo.That’s because the lesser panda died. The zoo has been admission-free since its opening, and although it’s not exactly a "hip" kind of REALTOKYO -CULTURE REVIEW SITE-TRANSLATE THIS PAGE François Chaignaud / Nino Laisné “Romances inciertos – un autre Orlando” 2020.12.19 Saitama Arts Theater REALTOKYO | COLUMN | OUT OF TOKYO | 177: CONCEPTION OF THE The Lisbon Architecture Triennale was held this year from 5/31-7/31, on the central theme of "Urban Voids". Architecture historian Igarashi Taro curated the "Tokyo Revolution" themed Japanese section at the Triennale around the central idea of erecting a "large-scale museum gathering outstanding works of Japanese art" as proposed by artist Hikosaka Naoyoshi inside the Imperial Palace. REALTOKYO | COLUMN | REALCITIES | 045: FROM TOKYO When looked down on from the high-rise apartment buildings, an embodiment of information capitalism, people appear with a multifunctional chair of "CHAIR MAN" (Cooking at the Frontline), expanding their demonstration in pop and humorous taste: pick up discarded daily commodities, take physical training, cook with plants on the street, and provide exciting symposiums. REALTOKYO | COLUMN | OUT OF TOKYO | 122: TAKAMINE TADASU’S On 9.11 I went to Ai Hall in Itami, to see "Motto Darwin", artist Takamine Tadasu’s first ever work for the stage. His experience with this genre so far include performances with Dumb Type, and recently collaborations with Batsheva Dance Company (Israel) and KanamoriJo’s Noism.
REALTOKYO | COLUMN | DIALOGUE GARDEN The fourth personality in our series of interviews with creative individuals representing the current Tokyo culture scene is the head of a group called "Crack Iron Albatrossket", whose pieces stick out from the Japanese performing arts landscape like flowers blooming outof season.
REALTOKYO | COLUMN | DIALOGUE GARDEN | VOL. 1: HITOTO YO Yes, definitely. Part of my newest album "Key" was in fact strongly inspired by the movie "Pan’s Labyrinth". The story of the film revolves around the Cthulhu Mythos, and I particularly liked about it the point that the aspects of yin and yang are treated not as some highly philosophical, esoteric matter, but as something that is directly involved in our daily lives. REALTOKYO | COLUMN | THE GROUP 1965'S TOKYO GUIDE I'm shedding tears of mortification as I'm writing "Tokyo" with blue watercolor. I haven't experienced such a feeling before. I'm in China’s third-largest city, Guangzhou, and around me the silence of an art museum at night. REALTOKYO | COLUMN | DIALOGUE GARDEN | VOL. 8: BARTABAS The next personality featured in our series of interviews is the leader of the "nomadic" equestrian performing arts company "Zingaro". We met Mr. Bartabas during his stay in Tokyo, where the company is currently showing their much talked-about piece "Battuta". REALTOKYO | COLUMN | TOKYO EDITOR'S DIARY: "SHINCHO" | VOL. 14 Toward the end of the year my batteries are running low, and I crash-land as soon as we're done with the February issue. It’s been a custom for several years now that I spend the New Year’s holidays in my house in Misaki doing just nothing. REALTOKYO | COLUMN | TOKYO INITIATOR'S DIARY: BANKART 1929 I dreamed I went to Nogeyama Zoo.That’s because the lesser panda died. The zoo has been admission-free since its opening, and although it’s not exactly a "hip" kind of REALTOKYO | COLUMN | OUT OF TOKYO | 100: REDESIGNING TOKYO As a starting point for the discussion, I offered an allegation saying that it’s impulses from outside — foreign cultures, people and products — on the city of Tokyo and the Japanese society in general that urge along reforms. REALTOKYO | COLUMN | REALCITIES | 039: FROM TOKYO On May 1, about one month and a half after the Great East Japan Earthquake in March 2011, a satirical drawing suggesting the collapsed Fukushima 1 Nuclear Power Plant gained immediate attention, which appeared to the empty space of the lower right of the mural "Myth of Tomorrow" by Okamoto Taro, a painter representative of Japanese modern art, in a corridor of the Shibuya station, Tokyo. REALTOKYO | COLUMN | OUT OF TOKYO | 177: CONCEPTION OF THE The Lisbon Architecture Triennale was held this year from 5/31-7/31, on the central theme of "Urban Voids". Architecture historian Igarashi Taro curated the "Tokyo Revolution" themed Japanese section at the Triennale around the central idea of erecting a "large-scale museum gathering outstanding works of Japanese art" as proposed by artist Hikosaka Naoyoshi inside the Imperial Palace. REALTOKYO | COLUMN | DIALOGUE GARDEN | VOL. 2: IKEDA RYOJI The second artist featured in this series aiming to pin down trends in creative work in the city through interviews with performers, artists, designers, producers and other individuals, is a pioneer in computer-based, audio-visual expression, who keeps exploring unchartedterritory.
REALTOKYO | COLUMN | DIALOGUE GARDEN | VOL. 3: CORNELIUS Welcome to part three of the series of interviews with performers, artists, designers, producers and other creative individuals representing the current Tokyo culture scene. REALTOKYO | COLUMN | OUT OF TOKYO | 122: TAKAMINE TADASU’S On 9.11 I went to Ai Hall in Itami, to see "Motto Darwin", artist Takamine Tadasu’s first ever work for the stage. His experience with this genre so far include performances with Dumb Type, and recently collaborations with Batsheva Dance Company (Israel) and KanamoriJo’s Noism.
REALTOKYO | COLUMN | DIALOGUE GARDEN | VOL. 1: HITOTO YO Yes, definitely. Part of my newest album "Key" was in fact strongly inspired by the movie "Pan’s Labyrinth". The story of the film revolves around the Cthulhu Mythos, and I particularly liked about it the point that the aspects of yin and yang are treated not as some highly philosophical, esoteric matter, but as something that is directly involved in our daily lives. REALTOKYO | COLUMN | OUT OF TOKYO | 158: JOHANNESBURG As I mentioned on this page the time before last, I traveled to Johannesburg (below "JNB") at the end of February. The journey was fruitful not only in terms of the Documenta Magazine Project conference, the main reason for my trip, but also because I had the opportunity to visit Soweto (=South West Township), even though thatwas very short.
REALTOKYO | COLUMN | TOKYO INITIATOR'S DIARY: BANKART 1929 I was getting tired myself, and every step I took was painful. Before long, I fell asleep as I walked along. I saw one, two, ten, one hundred sheep crossing the national highway. REALTOKYO | COLUMN | TOKYO INITIATOR'S DIARY: BANKART 1929 I dreamed I went to Nogeyama Zoo.That’s because the lesser panda died. The zoo has been admission-free since its opening, and although it’s not exactly a "hip" kind of REALTOKYO | COLUMN | OUT OF TOKYO | 100: REDESIGNING TOKYO As a starting point for the discussion, I offered an allegation saying that it’s impulses from outside — foreign cultures, people and products — on the city of Tokyo and the Japanese society in general that urge along reforms. REALTOKYO | COLUMN | REALCITIES | 039: FROM TOKYO On May 1, about one month and a half after the Great East Japan Earthquake in March 2011, a satirical drawing suggesting the collapsed Fukushima 1 Nuclear Power Plant gained immediate attention, which appeared to the empty space of the lower right of the mural "Myth of Tomorrow" by Okamoto Taro, a painter representative of Japanese modern art, in a corridor of the Shibuya station, Tokyo. REALTOKYO | COLUMN | OUT OF TOKYO | 177: CONCEPTION OF THE The Lisbon Architecture Triennale was held this year from 5/31-7/31, on the central theme of "Urban Voids". Architecture historian Igarashi Taro curated the "Tokyo Revolution" themed Japanese section at the Triennale around the central idea of erecting a "large-scale museum gathering outstanding works of Japanese art" as proposed by artist Hikosaka Naoyoshi inside the Imperial Palace. REALTOKYO | COLUMN | DIALOGUE GARDEN | VOL. 2: IKEDA RYOJI The second artist featured in this series aiming to pin down trends in creative work in the city through interviews with performers, artists, designers, producers and other individuals, is a pioneer in computer-based, audio-visual expression, who keeps exploring unchartedterritory.
REALTOKYO | COLUMN | DIALOGUE GARDEN | VOL. 3: CORNELIUS Welcome to part three of the series of interviews with performers, artists, designers, producers and other creative individuals representing the current Tokyo culture scene. REALTOKYO | COLUMN | OUT OF TOKYO | 122: TAKAMINE TADASU’S On 9.11 I went to Ai Hall in Itami, to see "Motto Darwin", artist Takamine Tadasu’s first ever work for the stage. His experience with this genre so far include performances with Dumb Type, and recently collaborations with Batsheva Dance Company (Israel) and KanamoriJo’s Noism.
REALTOKYO | COLUMN | DIALOGUE GARDEN | VOL. 1: HITOTO YO Yes, definitely. Part of my newest album "Key" was in fact strongly inspired by the movie "Pan’s Labyrinth". The story of the film revolves around the Cthulhu Mythos, and I particularly liked about it the point that the aspects of yin and yang are treated not as some highly philosophical, esoteric matter, but as something that is directly involved in our daily lives. REALTOKYO | COLUMN | OUT OF TOKYO | 158: JOHANNESBURG As I mentioned on this page the time before last, I traveled to Johannesburg (below "JNB") at the end of February. The journey was fruitful not only in terms of the Documenta Magazine Project conference, the main reason for my trip, but also because I had the opportunity to visit Soweto (=South West Township), even though thatwas very short.
REALTOKYO | COLUMN | TOKYO INITIATOR'S DIARY: BANKART 1929 I was getting tired myself, and every step I took was painful. Before long, I fell asleep as I walked along. I saw one, two, ten, one hundred sheep crossing the national highway. REALTOKYO | COLUMN | TOKYO INITIATOR'S DIARY: BANKART 1929 I dreamed I went to Nogeyama Zoo.That’s because the lesser panda died. The zoo has been admission-free since its opening, and although it’s not exactly a "hip" kind of REALTOKYO -CULTURE REVIEW SITE-TRANSLATE THIS PAGE François Chaignaud / Nino Laisné “Romances inciertos – un autre Orlando” 2020.12.19 Saitama Arts Theater REALTOKYO | COLUMN | OUT OF TOKYO | 177: CONCEPTION OF THE The Lisbon Architecture Triennale was held this year from 5/31-7/31, on the central theme of "Urban Voids". Architecture historian Igarashi Taro curated the "Tokyo Revolution" themed Japanese section at the Triennale around the central idea of erecting a "large-scale museum gathering outstanding works of Japanese art" as proposed by artist Hikosaka Naoyoshi inside the Imperial Palace. REALTOKYO | COLUMN | REALCITIES | 045: FROM TOKYO When looked down on from the high-rise apartment buildings, an embodiment of information capitalism, people appear with a multifunctional chair of "CHAIR MAN" (Cooking at the Frontline), expanding their demonstration in pop and humorous taste: pick up discarded daily commodities, take physical training, cook with plants on the street, and provide exciting symposiums. REALTOKYO | COLUMN | OUT OF TOKYO | 122: TAKAMINE TADASU’S On 9.11 I went to Ai Hall in Itami, to see "Motto Darwin", artist Takamine Tadasu’s first ever work for the stage. His experience with this genre so far include performances with Dumb Type, and recently collaborations with Batsheva Dance Company (Israel) and KanamoriJo’s Noism.
REALTOKYO | COLUMN | DIALOGUE GARDEN The fourth personality in our series of interviews with creative individuals representing the current Tokyo culture scene is the head of a group called "Crack Iron Albatrossket", whose pieces stick out from the Japanese performing arts landscape like flowers blooming outof season.
REALTOKYO | COLUMN | DIALOGUE GARDEN | VOL. 1: HITOTO YO Yes, definitely. Part of my newest album "Key" was in fact strongly inspired by the movie "Pan’s Labyrinth". The story of the film revolves around the Cthulhu Mythos, and I particularly liked about it the point that the aspects of yin and yang are treated not as some highly philosophical, esoteric matter, but as something that is directly involved in our daily lives. REALTOKYO | COLUMN | THE GROUP 1965'S TOKYO GUIDE I'm shedding tears of mortification as I'm writing "Tokyo" with blue watercolor. I haven't experienced such a feeling before. I'm in China’s third-largest city, Guangzhou, and around me the silence of an art museum at night. REALTOKYO | COLUMN | DIALOGUE GARDEN | VOL. 8: BARTABAS The next personality featured in our series of interviews is the leader of the "nomadic" equestrian performing arts company "Zingaro". We met Mr. Bartabas during his stay in Tokyo, where the company is currently showing their much talked-about piece "Battuta". REALTOKYO | COLUMN | TOKYO EDITOR'S DIARY: "SHINCHO" | VOL. 14 Toward the end of the year my batteries are running low, and I crash-land as soon as we're done with the February issue. It’s been a custom for several years now that I spend the New Year’s holidays in my house in Misaki doing just nothing. REALTOKYO | COLUMN | TOKYO INITIATOR'S DIARY: BANKART 1929 I dreamed I went to Nogeyama Zoo.That’s because the lesser panda died. The zoo has been admission-free since its opening, and although it’s not exactly a "hip" kind of REALTOKYO | COLUMN | REALCITIES | 049: FROM YOKOHAMA Solar: A Meltdown was one of the five works featured in Singapore Focus, a program by Tang Fu Kuen at TPAM this February in Yokohama. The lecture performance employed two screens—one large and one small—showing photography and video edited by Ho Rui An while the REALTOKYO | COLUMN | OUT OF TOKYO | 100: REDESIGNING TOKYO As a starting point for the discussion, I offered an allegation saying that it’s impulses from outside — foreign cultures, people and products — on the city of Tokyo and the Japanese society in general that urge along reforms. REALTOKYO | COLUMN | OUT OF TOKYO | 189: INSIDERS AND I had some business to do in Yamaguchi earlier in June, and when Ushioda Atsuko, a friend of mine, heard that I was going to travel there, she sent me an email telling me about a Yamaguchi resident painter whose work she'd been "totally in love with since four years", and asking me to meet that "absolutely unknown genius painter who made but never exhibited in public about 30,000 works in 30 REALTOKYO | HOW TO USE REALTOKYO The first feature to mention is the search function that helps you get to the desired information on RT in a few seconds. You can also browsethrough columns and
REALTOKYO | COLUMN | OUT OF TOKYO | 167:SUMMER JOURNEY The Kinokos are always fretting about how to involve their audiences in the extraordinary world of dance in a natural way. This attitude becomes most obvious in the dancers' costumes that aren't much different from their daywear, and the music that is usually interspersed with familiar pop songs. REALTOKYO | COLUMN | DIALOGUE GARDEN | VOL. 2: IKEDA RYOJI The second artist featured in this series aiming to pin down trends in creative work in the city through interviews with performers, artists, designers, producers and other individuals, is a pioneer in computer-based, audio-visual expression, who keeps exploring unchartedterritory.
REALTOKYO | COLUMN | OUT OF TOKYO | 001: UPON THE LAUNCH Indeed, compared to earlier eras, cinema, music, theatre and art were more abundant and of better quality. In cinema, for instance, it was a time when there was a diversity of selections offered, not only major Hollywood productions, but also minor works from the different European countries and action films from Asian countries. REALTOKYO | COLUMN | OUT OF TOKYO | 186: THOUGHTS FROM On the day the Olympic torch relay was underway in Nagano, in Aomori the Towada Art Center opened its doors. I attended both the press preview and the opening ceremony on the following day, and later had a look at the exhibited works by a total of 21 artists plus the "Yoko Ono Entrance" exhibition (4/25-26). REALTOKYO | COLUMN | OUT OF TOKYO | 159: LIFE I went to Yamaguchi Center for Arts and Media (YCAM) to see Sakamoto Ryuichi + Takatani Shiro’s new installation LIFE - fluid, invisible, inaudible (on 3/10 + 11). On the first day both artists gave a laptop concert, and on day two they appeared in a talk session hosted byAsada Akira.
REALTOKYO | COLUMN | OUT OF TOKYO | 191: KANAMORI JO’S NEW I went to see Kanamori Jo’s company Noism08 perform their new piece "Physical Theater: Nameless Hands" (7/5 at Theatre Tram). With its dramatic construction, choreography based around puppet-like dancers assisted by kurogo (onstage assistants in kabuki), and music ranging from Arvo Part’s and Bach’s compositions to chanteuse Nakajima Miyuki’s "Jidai (Time)", the piece must have taken REALTOKYO | COLUMN | REALCITIES | 049: FROM YOKOHAMA Solar: A Meltdown was one of the five works featured in Singapore Focus, a program by Tang Fu Kuen at TPAM this February in Yokohama. The lecture performance employed two screens—one large and one small—showing photography and video edited by Ho Rui An while the REALTOKYO | COLUMN | OUT OF TOKYO | 100: REDESIGNING TOKYO As a starting point for the discussion, I offered an allegation saying that it’s impulses from outside — foreign cultures, people and products — on the city of Tokyo and the Japanese society in general that urge along reforms. REALTOKYO | COLUMN | OUT OF TOKYO | 189: INSIDERS AND I had some business to do in Yamaguchi earlier in June, and when Ushioda Atsuko, a friend of mine, heard that I was going to travel there, she sent me an email telling me about a Yamaguchi resident painter whose work she'd been "totally in love with since four years", and asking me to meet that "absolutely unknown genius painter who made but never exhibited in public about 30,000 works in 30 REALTOKYO | HOW TO USE REALTOKYO The first feature to mention is the search function that helps you get to the desired information on RT in a few seconds. You can also browsethrough columns and
REALTOKYO | COLUMN | OUT OF TOKYO | 167:SUMMER JOURNEY The Kinokos are always fretting about how to involve their audiences in the extraordinary world of dance in a natural way. This attitude becomes most obvious in the dancers' costumes that aren't much different from their daywear, and the music that is usually interspersed with familiar pop songs. REALTOKYO | COLUMN | DIALOGUE GARDEN | VOL. 2: IKEDA RYOJI The second artist featured in this series aiming to pin down trends in creative work in the city through interviews with performers, artists, designers, producers and other individuals, is a pioneer in computer-based, audio-visual expression, who keeps exploring unchartedterritory.
REALTOKYO | COLUMN | OUT OF TOKYO | 001: UPON THE LAUNCH Indeed, compared to earlier eras, cinema, music, theatre and art were more abundant and of better quality. In cinema, for instance, it was a time when there was a diversity of selections offered, not only major Hollywood productions, but also minor works from the different European countries and action films from Asian countries. REALTOKYO | COLUMN | OUT OF TOKYO | 186: THOUGHTS FROM On the day the Olympic torch relay was underway in Nagano, in Aomori the Towada Art Center opened its doors. I attended both the press preview and the opening ceremony on the following day, and later had a look at the exhibited works by a total of 21 artists plus the "Yoko Ono Entrance" exhibition (4/25-26). REALTOKYO | COLUMN | OUT OF TOKYO | 159: LIFE I went to Yamaguchi Center for Arts and Media (YCAM) to see Sakamoto Ryuichi + Takatani Shiro’s new installation LIFE - fluid, invisible, inaudible (on 3/10 + 11). On the first day both artists gave a laptop concert, and on day two they appeared in a talk session hosted byAsada Akira.
REALTOKYO | COLUMN | OUT OF TOKYO | 191: KANAMORI JO’S NEW I went to see Kanamori Jo’s company Noism08 perform their new piece "Physical Theater: Nameless Hands" (7/5 at Theatre Tram). With its dramatic construction, choreography based around puppet-like dancers assisted by kurogo (onstage assistants in kabuki), and music ranging from Arvo Part’s and Bach’s compositions to chanteuse Nakajima Miyuki’s "Jidai (Time)", the piece must have taken FRANÇOIS CHAIGNAUD / NINO LAISNÉ "ROMANCES …TRANSLATE THIS PAGE Photo: Hiroyasu Daido Toward the end of the corona year 2020, François Chaignaud visited Japan for a rare performance. "Romances inciertos – un autre Orlando" (Uncertain Romances – Another Orlando), a spectacle mixing live music, song and dance, marked a further step forward in Chaignaud's explorations beyond the boundaries of genders and dance styles. REALTOKYO -CULTURE REVIEW SITE-TRANSLATE THIS PAGE François Chaignaud / Nino Laisné “Romances inciertos – un autre Orlando” 2020.12.19 Saitama Arts Theater REALTOKYO | COLUMN | OUT OF TOKYO Cultural anthropologist Claude Levi-Strauss passed away at the end of October. While the man himself died a peaceful death at the age of100, he
REALTOKYO | COLUMN | OUT OF TOKYO | 159: LIFE I went to Yamaguchi Center for Arts and Media (YCAM) to see Sakamoto Ryuichi + Takatani Shiro’s new installation LIFE - fluid, invisible, inaudible (on 3/10 + 11). On the first day both artists gave a laptop concert, and on day two they appeared in a talk session hosted byAsada Akira.
REALTOKYO | COLUMN | OUT OF TOKYO | 160: TOKYO MIDTOWN "Tokyo Midtown" opened on March 30. All the world in recently enthusing about how "Roppongi is changing" and "an area for adults is emerging", which can probably be interpreted as a welcome sign of another bubble of the Japanese economy. REALTOKYO | COLUMN | OUT OF TOKYO | 110: ART AND SOCIAL A few more notes about my thoughts in Spain (and Germany). Through the courtesy of the Spanish Tourist Office, after ARCO I was able totravel to Gasteiz
REALTOKYO | COLUMN | OUT OF TOKYO | 187: THOUGHTS FROM The '50s were an era when the civil-rights movement started, and following the establishment of the civil rights legislation in '64 and later the black liberation movement, it was rather surprising to see (chopped-up!) corpses of colored persons in a public museum in the1990s.
REALTOKYO | COLUMN | OUT OF TOKYO | 224: AUTUMN, STAGE 2 Next is ARICA with "house=woman" (11/3, A to Z). The venue, "A to Z" is located in the basement of a 50-year-old building of a type that one wouldn't expect to find in REALTOKYO | COLUMN | OUT OF TOKYO | 212: COUNTERCHARGE OF "Studio Voice", monthly culture magazine with a history of more than 30 years, will suspend publication after the current September issue(out since 8/6).
REALTOKYO | COLUMN | DIALOGUE GARDEN | VOL. 6: STEVE REICH Guest number six in our series of special interviews is quite a celebrity from the realm of minimal music. Steve Reich keeps operating on the forefront of truly "contemporary" music without sticking to* WHAT WE DO
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PERFORMANCE
François Chaignaud / Nino Laisné “Romances inciertos – un autre Orlando”2020.12.19
Saitama Arts Theater Written by Mana Katsura |2021.6.4OUT AND ABOUT
Art & Media DialogueArts Council Tokyo
2021.3.6 – 7
Written by Shuichi Fukazawa |2021.6.4PERFORMANCE
Dai Fujikura’s “A Dream of Armageddon” New National Theatre, Tokyo 2020.11.15 – 11.23 Written by Ayako Takahashi |2021.6.4PERFORMANCE
Drive In Ambient
2020.6.6, the Karamatsu Kannon Parking Lot in Namekawa Written by Kunihiro Miki |2021.6.4PERFORMANCE
François Chaignaud / Nino Laisné “Romances inciertos – un autre Orlando”2020.12.19
Saitama Arts Theater Written by Mana Katsura|2021.6.4Dance
OUT AND ABOUT
Art & Media DialogueArts Council Tokyo
2021.3.6 – 7
Written by Shuichi Fukazawa|2021.4.22Art
PERFORMANCE
Dai Fujikura’s “A Dream of Armageddon” New National Theatre, Tokyo 2020.11.15 – 11.23 Written by Ayako Takahashi|2021.4.8Music Theater
PERFORMANCE
Drive In Ambient
2020.6.6, the Karamatsu Kannon Parking Lot in Namekawa Written by Kunihiro Miki|2021.4.7Music
PERFORMANCE
Open Water Trial Event Fuyuki Yamakawa | DOMBRATokyo Bay
2020. 11. 29
Written by Chihiro Minato|2021.3.19Music
EXHIBITION
Tsuyoshi Ozawa All Return: “Come back in a hundred years’ time. After a hundred years you’ll understand.” Hirosaki Museum of Contemporary Art 2020.10.10 – 2021.3.21 Written by Tomoko Kuroiwa|2021.3.12Art
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Taka Kawachi
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Norikoshi Takao
Shuichi Fukazawa
Shingo Ota
Christine Greiner
Natsume Date
Tabaimo
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Masato Matsumura
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Emily Wakeling
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vivienne sato
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Taka Kawachi
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Christine Greiner
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Tabaimo
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Midori Mitamura
Hiromichi Hosoma
Masato Matsumura
Junya Yamamine
Yutaro Iijima
Fumiko Nakamura
Fumi Itose
Yoshinao Yamada
Makoto Ando
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