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IN MOTION - PUSHING PIXELS Frank Barrera. Cinematographer • Together Together. Andy Strahorn. Cinematographer • 9-1-1: Lone Star. Neil Patel. Production designer • Dickinson. Oren Soffer. Cinematographer • A FIXING THE “FAILED TO CREATE THE JAVA VIRTUAL MACHINE If you’re seeing this popup when you launch Eclipse itself, or the Eclipse installer on your macOS, this post is for you. First, there’s a bit more details on the Eclipse and JDK bug trackers. To fix this, you will need to uninstall the problematic JDK version andinstall the
TRIDENT · PUSHING PIXELS Radiance comes with a number of sample / demo apps that showcase the flexibility and power of its APIs. One of those demos is Lumen.Its main goal is to highlight the feature set of the Trident animation library.Lumen uses MusicBrainz JSON web service to search for all albums of the specific artist, and for the list of tracks on individual albums. . Sending requests and parsing responses is THE COLORS OF “TRON: LEGACY” · PUSHING PIXELS The leather-bound books span purples, greens, blues and browns to highlight the diversity of human-made products. Saturated dark greens make their only appearance in the computer world on the plates of both human characters, along with bright yellow fruit and flowers. ABOUT THOSE VECTOR ICONS · PUSHING PIXELS To maintain a usable touch interface, an interface that can be easily scanned with a human eye, you will want to maintain the current physical scale of the icons – making them much larger on the pixel scale. The smallest icon on such a device with the current UI PRODUCTION DESIGN OF “HANNIBAL” In this interview he talks about various aspects of building sets on stage and on location, working with VFX department on augmenting physical sets, the pace of production schedule in episodic television, physical safety of sets and people’s reaction to “Hannibal”. In addition, Matthew dives deeper into the particular set details of the PRODUCTION DESIGN OF “ELIZABETH HARVEST” Continuing the ongoing series of interviews with creative artists working on various aspects of movie and TV productions, it is my pleasure to welcome Diana Trujillo.In this interview she talks about the art and craft of production design, finding stories that resonate, building lasting relationships in the industry, and creating worlds that feel authentic for the camera and the viewers. PRODUCTION DESIGN OF “THE HUNGER GAMES” Production design of “The Hunger Games” – interview with Philip Messina. In the last 15 years his career has left an indelible mark on the silver screens. Through his collaborations with Steven Soderbergh, M. Night Shyamalan, Gary Ross and Francis Lawrence, production designer Philip Messina has worked, among the rest, on “Erin PUSHING PIXELSPUSHING PIXELS RSSIN MOTIONREAD ALL FROM GENERAL Pushing Pixels. My name is Kirill Grouchnikov and I am a software engineer. I work at Google on the Android team. I have zero patents to my name, and I intend to keep it that way. Read more here. HINDSIGHT 2021 · PUSHING PIXELS Uber Technologies Inc. sold its self-driving-car unit to a Silicon Valley competitor, Aurora Innovation Inc., in the latest business exit by the ride-hailing company as it aims to deliver on a promise to shareholders to become profitable. April 2021, right around the projected mark of 2021 being the year where “a fully autonomousfleets of
IN MOTION - PUSHING PIXELS Frank Barrera. Cinematographer • Together Together. Andy Strahorn. Cinematographer • 9-1-1: Lone Star. Neil Patel. Production designer • Dickinson. Oren Soffer. Cinematographer • A FIXING THE “FAILED TO CREATE THE JAVA VIRTUAL MACHINE If you’re seeing this popup when you launch Eclipse itself, or the Eclipse installer on your macOS, this post is for you. First, there’s a bit more details on the Eclipse and JDK bug trackers. To fix this, you will need to uninstall the problematic JDK version andinstall the
TRIDENT · PUSHING PIXELS Radiance comes with a number of sample / demo apps that showcase the flexibility and power of its APIs. One of those demos is Lumen.Its main goal is to highlight the feature set of the Trident animation library.Lumen uses MusicBrainz JSON web service to search for all albums of the specific artist, and for the list of tracks on individual albums. . Sending requests and parsing responses is THE COLORS OF “TRON: LEGACY” · PUSHING PIXELS The leather-bound books span purples, greens, blues and browns to highlight the diversity of human-made products. Saturated dark greens make their only appearance in the computer world on the plates of both human characters, along with bright yellow fruit and flowers. ABOUT THOSE VECTOR ICONS · PUSHING PIXELS To maintain a usable touch interface, an interface that can be easily scanned with a human eye, you will want to maintain the current physical scale of the icons – making them much larger on the pixel scale. The smallest icon on such a device with the current UI PRODUCTION DESIGN OF “HANNIBAL” In this interview he talks about various aspects of building sets on stage and on location, working with VFX department on augmenting physical sets, the pace of production schedule in episodic television, physical safety of sets and people’s reaction to “Hannibal”. In addition, Matthew dives deeper into the particular set details of the PRODUCTION DESIGN OF “ELIZABETH HARVEST” Continuing the ongoing series of interviews with creative artists working on various aspects of movie and TV productions, it is my pleasure to welcome Diana Trujillo.In this interview she talks about the art and craft of production design, finding stories that resonate, building lasting relationships in the industry, and creating worlds that feel authentic for the camera and the viewers. PRODUCTION DESIGN OF “THE HUNGER GAMES” Production design of “The Hunger Games” – interview with Philip Messina. In the last 15 years his career has left an indelible mark on the silver screens. Through his collaborations with Steven Soderbergh, M. Night Shyamalan, Gary Ross and Francis Lawrence, production designer Philip Messina has worked, among the rest, on “Erin HINDSIGHT 2021 · PUSHING PIXELS Uber Technologies Inc. sold its self-driving-car unit to a Silicon Valley competitor, Aurora Innovation Inc., in the latest business exit by the ride-hailing company as it aims to deliver on a promise to shareholders to become profitable. April 2021, right around the projected mark of 2021 being the year where “a fully autonomousfleets of
IN MOTION - PUSHING PIXELS Frank Barrera. Cinematographer • Together Together. Andy Strahorn. Cinematographer • 9-1-1: Lone Star. Neil Patel. Production designer • Dickinson. Oren Soffer. Cinematographer • A SUBSTANCE · PUSHING PIXELS Substance comes with built-in support for animating state transitions for the core Swing components, as well as for all the Flamingo components.. Let’s take a look at this screenshot from the component states documentation:. Here we see how one of the Substance skins (Office Silver 2007) provides different visuals for different component states – light yellow for rollover, light orange for THE FUTURE IS NOT QUITE HERE YET · PUSHING PIXELS The future is not quite here yet. Photo by Denys Nevozhai on Unsplash. Adding a couple more to the “ just five years out horizon ” list of wonderfully unrealistic promises in mass transportation sector, courtesy of this tweet. First off, back in 2016 the breathless “ Airbus Expects Flying Taxis by 2021 “: Airbus have announced the BROKEN · PUSHING PIXELS Broken · Pushing Pixels. Photo by Hans Eiskonen on Unsplash. A few years ago I was visiting the Computer History Museum in Mountain View, and it was fascinating to see physical manifestations of technology almost disappearing before my eyes. Starting with huge chunks of metal, glass and plastic, pieces that probably needed a few peoplejust to
FANTASY UIS
Ghost in the Shell, Ready Player One. Jamie McCallen. Altered Carbon, The Cloverfield Paradox THE COLORS OF “TWILIGHT” · PUSHING PIXELS The first installment in the “Twilight” saga is a well orchestrated and beautifully executed visual journey by the director Catherine Hardwicke.I have to admit that it was actually quite hard to narrow down the selection of stills for this entry; the color coordination and narration is very consistent throughout the entire movie, never lapsing or cutting corners, and never creating an ABOUT THOSE VECTOR ICONS · PUSHING PIXELS To maintain a usable touch interface, an interface that can be easily scanned with a human eye, you will want to maintain the current physical scale of the icons – making them much larger on the pixel scale. The smallest icon on such a device with the current UI DESIGNING FOR THE MOBILE FORM FACTOR Landscape mode • Don’t blindly reuse portrait layout • Action bar / footer - precious vertical space • More actionable content above the fold • Don’t leave gigantic unused ILLUSTRATORS AT WORK Riccardo Guasco is an illustrator and a painter working with a variety of styles and mediums – ink, watercolor, acrylic, Chinese brush – in addition to creating digital illustrations for clients such as Eni, Diesel, Rizzoli, Moleskine, Thames & Hudson and TBWA. In this interview Riccardo talks about what influenced his taste, not wanting to be tied to a single technique, and conveying PUSHING PIXELSPUSHING PIXELS RSSIN MOTIONREAD ALL FROM GENERAL Pushing Pixels. My name is Kirill Grouchnikov and I am a software engineer. I work at Google on the Android team. I have zero patents to my name, and I intend to keep it that way. Read more here. HINDSIGHT 2021 · PUSHING PIXELS Uber Technologies Inc. sold its self-driving-car unit to a Silicon Valley competitor, Aurora Innovation Inc., in the latest business exit by the ride-hailing company as it aims to deliver on a promise to shareholders to become profitable. April 2021, right around the projected mark of 2021 being the year where “a fully autonomousfleets of
TRIDENT · PUSHING PIXELS Radiance comes with a number of sample / demo apps that showcase the flexibility and power of its APIs. One of those demos is Lumen.Its main goal is to highlight the feature set of the Trident animation library.Lumen uses MusicBrainz JSON web service to search for all albums of the specific artist, and for the list of tracks on individual albums. . Sending requests and parsing responses is FIXING THE “FAILED TO CREATE THE JAVA VIRTUAL MACHINE If you’re seeing this popup when you launch Eclipse itself, or the Eclipse installer on your macOS, this post is for you. First, there’s a bit more details on the Eclipse and JDK bug trackers. To fix this, you will need to uninstall the problematic JDK version andinstall the
FANTASY UIS
Ghost in the Shell, Ready Player One. Jamie McCallen. Altered Carbon, The Cloverfield Paradox THE COLORS OF “TRON: LEGACY” · PUSHING PIXELS The leather-bound books span purples, greens, blues and browns to highlight the diversity of human-made products. Saturated dark greens make their only appearance in the computer world on the plates of both human characters, along with bright yellow fruit and flowers. ABOUT THOSE VECTOR ICONS · PUSHING PIXELS To maintain a usable touch interface, an interface that can be easily scanned with a human eye, you will want to maintain the current physical scale of the icons – making them much larger on the pixel scale. The smallest icon on such a device with the current UI DESIGNING FOR THE MOBILE FORM FACTOR User friendliness • Simple flows that assist in completing tasks • Task-oriented instead of feature-oriented • Guide the user instead of fight the user • Build on user’s knowledge of the domain PRODUCTION DESIGN OF “THE HUNGER GAMES” Production design of “The Hunger Games” – interview with Philip Messina. In the last 15 years his career has left an indelible mark on the silver screens. Through his collaborations with Steven Soderbergh, M. Night Shyamalan, Gary Ross and Francis Lawrence, production designer Philip Messina has worked, among the rest, on “Erin ILLUSTRATORS AT WORK Riccardo Guasco is an illustrator and a painter working with a variety of styles and mediums – ink, watercolor, acrylic, Chinese brush – in addition to creating digital illustrations for clients such as Eni, Diesel, Rizzoli, Moleskine, Thames & Hudson and TBWA. In this interview Riccardo talks about what influenced his taste, not wanting to be tied to a single technique, and conveying PUSHING PIXELSPUSHING PIXELS RSSIN MOTIONREAD ALL FROM GENERAL Pushing Pixels. My name is Kirill Grouchnikov and I am a software engineer. I work at Google on the Android team. I have zero patents to my name, and I intend to keep it that way. Read more here. HINDSIGHT 2021 · PUSHING PIXELS Uber Technologies Inc. sold its self-driving-car unit to a Silicon Valley competitor, Aurora Innovation Inc., in the latest business exit by the ride-hailing company as it aims to deliver on a promise to shareholders to become profitable. April 2021, right around the projected mark of 2021 being the year where “a fully autonomousfleets of
TRIDENT · PUSHING PIXELS Radiance comes with a number of sample / demo apps that showcase the flexibility and power of its APIs. One of those demos is Lumen.Its main goal is to highlight the feature set of the Trident animation library.Lumen uses MusicBrainz JSON web service to search for all albums of the specific artist, and for the list of tracks on individual albums. . Sending requests and parsing responses is FIXING THE “FAILED TO CREATE THE JAVA VIRTUAL MACHINE If you’re seeing this popup when you launch Eclipse itself, or the Eclipse installer on your macOS, this post is for you. First, there’s a bit more details on the Eclipse and JDK bug trackers. To fix this, you will need to uninstall the problematic JDK version andinstall the
FANTASY UIS
Ghost in the Shell, Ready Player One. Jamie McCallen. Altered Carbon, The Cloverfield Paradox THE COLORS OF “TRON: LEGACY” · PUSHING PIXELS The leather-bound books span purples, greens, blues and browns to highlight the diversity of human-made products. Saturated dark greens make their only appearance in the computer world on the plates of both human characters, along with bright yellow fruit and flowers. ABOUT THOSE VECTOR ICONS · PUSHING PIXELS To maintain a usable touch interface, an interface that can be easily scanned with a human eye, you will want to maintain the current physical scale of the icons – making them much larger on the pixel scale. The smallest icon on such a device with the current UI DESIGNING FOR THE MOBILE FORM FACTOR User friendliness • Simple flows that assist in completing tasks • Task-oriented instead of feature-oriented • Guide the user instead of fight the user • Build on user’s knowledge of the domain PRODUCTION DESIGN OF “THE HUNGER GAMES” Production design of “The Hunger Games” – interview with Philip Messina. In the last 15 years his career has left an indelible mark on the silver screens. Through his collaborations with Steven Soderbergh, M. Night Shyamalan, Gary Ross and Francis Lawrence, production designer Philip Messina has worked, among the rest, on “Erin ILLUSTRATORS AT WORK Riccardo Guasco is an illustrator and a painter working with a variety of styles and mediums – ink, watercolor, acrylic, Chinese brush – in addition to creating digital illustrations for clients such as Eni, Diesel, Rizzoli, Moleskine, Thames & Hudson and TBWA. In this interview Riccardo talks about what influenced his taste, not wanting to be tied to a single technique, and conveying HINDSIGHT 2021 · PUSHING PIXELS Uber Technologies Inc. sold its self-driving-car unit to a Silicon Valley competitor, Aurora Innovation Inc., in the latest business exit by the ride-hailing company as it aims to deliver on a promise to shareholders to become profitable. April 2021, right around the projected mark of 2021 being the year where “a fully autonomousfleets of
IN MOTION - PUSHING PIXELS Frank Barrera. Cinematographer • Together Together. Andy Strahorn. Cinematographer • 9-1-1: Lone Star. Neil Patel. Production designer • Dickinson. Oren Soffer. Cinematographer • AFANTASY UIS
Pacific Rim: Uprising, Blade Runner: 2049. James Brocklebank. Ghost in the Shell, Pacific Rim: Uprising SUBSTANCE · PUSHING PIXELS Substance comes with built-in support for animating state transitions for the core Swing components, as well as for all the Flamingo components.. Let’s take a look at this screenshot from the component states documentation:. Here we see how one of the Substance skins (Office Silver 2007) provides different visuals for different component states – light yellow for rollover, light orange for BROKEN · PUSHING PIXELS Broken · Pushing Pixels. Photo by Hans Eiskonen on Unsplash. A few years ago I was visiting the Computer History Museum in Mountain View, and it was fascinating to see physical manifestations of technology almost disappearing before my eyes. Starting with huge chunks of metal, glass and plastic, pieces that probably needed a few peoplejust to
THE COLORS OF “TWILIGHT” · PUSHING PIXELS The first installment in the “Twilight” saga is a well orchestrated and beautifully executed visual journey by the director Catherine Hardwicke.I have to admit that it was actually quite hard to narrow down the selection of stills for this entry; the color coordination and narration is very consistent throughout the entire movie, never lapsing or cutting corners, and never creating an ABOUT THOSE VECTOR ICONS · PUSHING PIXELS To maintain a usable touch interface, an interface that can be easily scanned with a human eye, you will want to maintain the current physical scale of the icons – making them much larger on the pixel scale. The smallest icon on such a device with the current UI WORKING WITH RETROFIT AND MOSHI IN KOTLIN · PUSHING PIXELS Radiance comes with a number of sample / demo apps that showcase the flexibility and power of its APIs. One of those demos is Lumen.Its main goal is to highlight the feature set of the Trident animation library.Lumen uses MusicBrainz JSON web service to search for all albums of the specific artist, and for the list of tracks on individual albums. . Sending requests and parsing responses is PRODUCTION DESIGN OF “HANNIBAL” In this interview he talks about various aspects of building sets on stage and on location, working with VFX department on augmenting physical sets, the pace of production schedule in episodic television, physical safety of sets and people’s reaction to “Hannibal”. In addition, Matthew dives deeper into the particular set details of the PRODUCTION DESIGN OF “THE HUNGER GAMES” Production design of “The Hunger Games” – interview with Philip Messina. In the last 15 years his career has left an indelible mark on the silver screens. Through his collaborations with Steven Soderbergh, M. Night Shyamalan, Gary Ross and Francis Lawrence, production designer Philip Messina has worked, among the rest, on “Erin PUSHING PIXELSPUSHING PIXELS RSSIN MOTIONREAD ALL FROM GENERAL Pushing Pixels. My name is Kirill Grouchnikov and I am a software engineer. I work at Google on the Android team. I have zero patents to my name, and I intend to keep it that way. Read more here. HINDSIGHT 2021 · PUSHING PIXELS Uber Technologies Inc. sold its self-driving-car unit to a Silicon Valley competitor, Aurora Innovation Inc., in the latest business exit by the ride-hailing company as it aims to deliver on a promise to shareholders to become profitable. April 2021, right around the projected mark of 2021 being the year where “a fully autonomousfleets of
TRIDENT · PUSHING PIXELS Radiance comes with a number of sample / demo apps that showcase the flexibility and power of its APIs. One of those demos is Lumen.Its main goal is to highlight the feature set of the Trident animation library.Lumen uses MusicBrainz JSON web service to search for all albums of the specific artist, and for the list of tracks on individual albums. . Sending requests and parsing responses is FIXING THE “FAILED TO CREATE THE JAVA VIRTUAL MACHINE If you’re seeing this popup when you launch Eclipse itself, or the Eclipse installer on your macOS, this post is for you. First, there’s a bit more details on the Eclipse and JDK bug trackers. To fix this, you will need to uninstall the problematic JDK version andinstall the
FANTASY UIS
Ghost in the Shell, Ready Player One. Jamie McCallen. Altered Carbon, The Cloverfield Paradox ABOUT THOSE VECTOR ICONS · PUSHING PIXELS To maintain a usable touch interface, an interface that can be easily scanned with a human eye, you will want to maintain the current physical scale of the icons – making them much larger on the pixel scale. The smallest icon on such a device with the current UI THE COLORS OF “TRON: LEGACY” · PUSHING PIXELS The leather-bound books span purples, greens, blues and browns to highlight the diversity of human-made products. Saturated dark greens make their only appearance in the computer world on the plates of both human characters, along with bright yellow fruit and flowers. DESIGNING FOR THE MOBILE FORM FACTOR User friendliness • Simple flows that assist in completing tasks • Task-oriented instead of feature-oriented • Guide the user instead of fight the user • Build on user’s knowledge of the domain THE ART AND CRAFT OF SET DECORATION Continuing the ongoing series of interviews with creative artists working on various aspects of movie and TV productions, today I’m pleased to welcome Leslie Morales.In this interview Leslie talks about the art and craft of set decoration, why Oscars are awarded to the team of production designer and set decorator, the differences between working on TV series and movie productions, and her ILLUSTRATORS AT WORK Riccardo Guasco is an illustrator and a painter working with a variety of styles and mediums – ink, watercolor, acrylic, Chinese brush – in addition to creating digital illustrations for clients such as Eni, Diesel, Rizzoli, Moleskine, Thames & Hudson and TBWA. In this interview Riccardo talks about what influenced his taste, not wanting to be tied to a single technique, and conveying PUSHING PIXELSPUSHING PIXELS RSSIN MOTIONREAD ALL FROM GENERAL Pushing Pixels. My name is Kirill Grouchnikov and I am a software engineer. I work at Google on the Android team. I have zero patents to my name, and I intend to keep it that way. Read more here. HINDSIGHT 2021 · PUSHING PIXELS Uber Technologies Inc. sold its self-driving-car unit to a Silicon Valley competitor, Aurora Innovation Inc., in the latest business exit by the ride-hailing company as it aims to deliver on a promise to shareholders to become profitable. April 2021, right around the projected mark of 2021 being the year where “a fully autonomousfleets of
TRIDENT · PUSHING PIXELS Radiance comes with a number of sample / demo apps that showcase the flexibility and power of its APIs. One of those demos is Lumen.Its main goal is to highlight the feature set of the Trident animation library.Lumen uses MusicBrainz JSON web service to search for all albums of the specific artist, and for the list of tracks on individual albums. . Sending requests and parsing responses is FIXING THE “FAILED TO CREATE THE JAVA VIRTUAL MACHINE If you’re seeing this popup when you launch Eclipse itself, or the Eclipse installer on your macOS, this post is for you. First, there’s a bit more details on the Eclipse and JDK bug trackers. To fix this, you will need to uninstall the problematic JDK version andinstall the
FANTASY UIS
Ghost in the Shell, Ready Player One. Jamie McCallen. Altered Carbon, The Cloverfield Paradox ABOUT THOSE VECTOR ICONS · PUSHING PIXELS To maintain a usable touch interface, an interface that can be easily scanned with a human eye, you will want to maintain the current physical scale of the icons – making them much larger on the pixel scale. The smallest icon on such a device with the current UI THE COLORS OF “TRON: LEGACY” · PUSHING PIXELS The leather-bound books span purples, greens, blues and browns to highlight the diversity of human-made products. Saturated dark greens make their only appearance in the computer world on the plates of both human characters, along with bright yellow fruit and flowers. DESIGNING FOR THE MOBILE FORM FACTOR User friendliness • Simple flows that assist in completing tasks • Task-oriented instead of feature-oriented • Guide the user instead of fight the user • Build on user’s knowledge of the domain THE ART AND CRAFT OF SET DECORATION Continuing the ongoing series of interviews with creative artists working on various aspects of movie and TV productions, today I’m pleased to welcome Leslie Morales.In this interview Leslie talks about the art and craft of set decoration, why Oscars are awarded to the team of production designer and set decorator, the differences between working on TV series and movie productions, and her ILLUSTRATORS AT WORK Riccardo Guasco is an illustrator and a painter working with a variety of styles and mediums – ink, watercolor, acrylic, Chinese brush – in addition to creating digital illustrations for clients such as Eni, Diesel, Rizzoli, Moleskine, Thames & Hudson and TBWA. In this interview Riccardo talks about what influenced his taste, not wanting to be tied to a single technique, and conveying HINDSIGHT 2021 · PUSHING PIXELS Uber Technologies Inc. sold its self-driving-car unit to a Silicon Valley competitor, Aurora Innovation Inc., in the latest business exit by the ride-hailing company as it aims to deliver on a promise to shareholders to become profitable. April 2021, right around the projected mark of 2021 being the year where “a fully autonomousfleets of
FANTASY UIS
Pacific Rim: Uprising, Blade Runner: 2049. James Brocklebank. Ghost in the Shell, Pacific Rim: Uprising IN MOTION - PUSHING PIXELS Frank Barrera. Cinematographer • Together Together. Andy Strahorn. Cinematographer • 9-1-1: Lone Star. Neil Patel. Production designer • Dickinson. Oren Soffer. Cinematographer • A ABOUT ME · PUSHING PIXELS Pushing Pixels. My name is Kirill Grouchnikov and I am a software engineer. I work at Google on the Android team. I have zero patents to my name, and I intend to keep it that way. I have been doing client side development professionally since 1999 in a variety of UI toolkits and libraries that so far have spanned Motif, MFC, Visual Basic, Ada SUBSTANCE · PUSHING PIXELS Substance comes with built-in support for animating state transitions for the core Swing components, as well as for all the Flamingo components.. Let’s take a look at this screenshot from the component states documentation:. Here we see how one of the Substance skins (Office Silver 2007) provides different visuals for different component states – light yellow for rollover, light orange for THE FUTURE IS NOT QUITE HERE YET · PUSHING PIXELS The future is not quite here yet. Photo by Denys Nevozhai on Unsplash. Adding a couple more to the “ just five years out horizon ” list of wonderfully unrealistic promises in mass transportation sector, courtesy of this tweet. First off, back in 2016 the breathless “ Airbus Expects Flying Taxis by 2021 “: Airbus have announced the BROKEN · PUSHING PIXELS Broken · Pushing Pixels. Photo by Hans Eiskonen on Unsplash. A few years ago I was visiting the Computer History Museum in Mountain View, and it was fascinating to see physical manifestations of technology almost disappearing before my eyes. Starting with huge chunks of metal, glass and plastic, pieces that probably needed a few peoplejust to
THE FUTILITY OF WRITING DESIGN DOCUMENTS · PUSHING PIXELS The futility of writing design documents. Two quotes that I keep on coming back to. The first is a tweet from Nicoll Hunt from 2014: The first step of any project is to grossly underestimate its complexity and difficulty. The second is from a German field marshal by the name of Helmuth von Moltke (formulated in the 19th century): THE COLORS OF “TRON: LEGACY” · PUSHING PIXELS The leather-bound books span purples, greens, blues and browns to highlight the diversity of human-made products. Saturated dark greens make their only appearance in the computer world on the plates of both human characters, along with bright yellow fruit and flowers. INTERVIEW WITH MUSIC VIDEO DIRECTOR DAVID Interview with music video director David McClister. December 6th, 2011. The Band Perry’s “If I Die Young”, LeAnn Rimes’ “Probably Wouldn’t Be This Way” and The Secret Sisters’ “Tennessee Me” are some of my favorite music videos in the last few months, and imagine my delight to find that they were all directedby the same
PUSHING PIXELS
My name is KIRILL GROUCHNIKOV and I am a software engineer. I work at Google on the Android team. I have zero patents to my name, and I intend to keep it that way.
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INTERVIEWS ON THE ART AND CRAFT OF VISUAL STORYTELLING Cinematography of “Together Together” – interview with FrankBarrera
Cinematography of “9-1-1: Lone Star” – interview with AndyStrahorn
Production design of “Dickinson” – interview with Neil Patel Cinematography of “A Nightmare Wakes” – interview with OrenSoffer
Cinematography of “The Craft: Legacy” – interview withHillary Spera
Browse all interviews » INTERVIEWS ON SCREEN GRAPHICS IN FILM AND TV The art and craft of screen graphics – interview with StevenBussey
The screens of “Black Mirror” – interview with ClaytonMcDermott
Catching waves – interview with John Koltai The art and craft of screen graphics – interview with Stylow The art and craft of screen graphics – interview with JamieMcCallen
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