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CHARDIN’S PASTELS
Figure 10. Jean-Siméon Chardin, Portrait of an Old Woman, 1776. Pastel, 46 x 38 cm. Musée des Beaux-arts et d’Archéologie, Besançon. In the hagiography of Chardin, even in his lifetime, there is an almost compulsive recitation of the artist’s necessarydependence
THE SURPRISING GEOGRAPHY OF POLICE KILLINGS: BACK-OF-THE The key number, however, is this: Only 7 percent of Massachusetts’s residents are black, yet they constituted 35 percent of people killed by cops. African Americans therefore appear in Massachusetts police homicide stats at five times the rate, or with 400 percent greater frequency, than do they appear in the state’s total population count. Now we are beginning to see where the national ON THE END(S) OF BLACK POLITICS A politics whose point of departure requires harmonizing the interests of the black poor and working class with those of the black professional-managerial class indicates the conceptual and political confusion that underwrites the very idea of a Black Freedom Movement. The prevalence of such confusion is lamentable; that it go unchecked and without criticism is unacceptable. The essays that DU BOIS AND THE “WAGES OF WHITENESS”: WHAT HE MEANT, WHAT Since the emergence of what has been known as “whiteness studies” in the early 1990s, proponents of the view that the white working class in the United States rejects a class-based politics in favor of commitment to white supremacy have cited W.E.B. Du Bois’s reference in Black Reconstruction In America to a “psychological wage” that whiteness offers as supporting that view and, by WHEN EXCLUSION REPLACES EXPLOITATION: THE CONDITION OF THE The central problem with which we are confronted today, in other words, may be less the conflict between labor and capital, and more, as Margaret Thatcher put it, the antagonism between a privileged “underclass” with its “dependency culture” and an “active” proletariat whose taxes pay for a system of “entitlements” and“handouts.”
TWO PROBLEMS WITH A NEUROAESTHETIC THEORY OF In a 1926 essay, “Science and Poetry,” I.A. Richards, better known for his later book Practical Criticism and its influence on what would become the New Criticism, offers up a vivid analogy for what our bodies do in the presence of a powerful work of art:. Suppose thatwe carry an arrangement of many magnetic needles, large and small, swung so that they influence one another. THE ROLE OF RACE IN CONTEMPORARY U. S. POLITICS: V.O. KEY The Role of Race in Contemporary U. S. Politics: V.O. Key’s Enduring Insight. As comrades and political scientists, we engaged for more than thirty years in a basically tribalist debate over whether the post-segregation era black political class in Louisiana or that in South Carolina is the most politically bankrupt, craven, and crudelyclass
GUSTAVE CAILLEBOTTE’S INTERIORS: WORKING BETWEEN LEISURE Born into immense wealth, Gustave Caillebotte nevertheless “compelled himself to labor at painting.” 1 In so doing he routinely represented the labor of others, both on the job—as in Les Raboteurs de parquet (fig. 1)—and “working at leisure,” playing cards (La Partie de bésigue, fig. 2) or the piano (Jeune homme au piano, fig. 3), knitting (Portrait de Madame Martial Caillebotte CINEMATIC IRONY: THE STRANGE CASE OF NICHOLAS RAY’S JOHNNY A dominant “knowing irony” can suggest the kind of uncertainty, or reluctance to take any side in some important dispute, which is inconsistent with the high seriousness and mythic ambition of great Westerns. In the crisis situations portrayed in Westerns, indulge such an irony and you begin to sound like a Lee Marvin character, a cynic. The great problem in great Westerns is the NONSITE.ORGABOUTPAST ISSUESCURRENT ISSUEBROWSETHE TANKAUTHORS New to nonsite Issue #35 The Tank Responses to Rita Felski’s Hooked: Art and Attachment BY Anna Kornbluh, Robert S. Lehman, Michael Gallope & Jess Keiser Complexity enchants ANT, new materialism, posthumanism, media studies, affect theory, and the literary undertakings of postcritique, new descriptivism, and “weak theory.” Its prophets claim as virtue that reality is immanent to itselfCHARDIN’S PASTELS
Figure 10. Jean-Siméon Chardin, Portrait of an Old Woman, 1776. Pastel, 46 x 38 cm. Musée des Beaux-arts et d’Archéologie, Besançon. In the hagiography of Chardin, even in his lifetime, there is an almost compulsive recitation of the artist’s necessarydependence
THE SURPRISING GEOGRAPHY OF POLICE KILLINGS: BACK-OF-THE The key number, however, is this: Only 7 percent of Massachusetts’s residents are black, yet they constituted 35 percent of people killed by cops. African Americans therefore appear in Massachusetts police homicide stats at five times the rate, or with 400 percent greater frequency, than do they appear in the state’s total population count. Now we are beginning to see where the national ON THE END(S) OF BLACK POLITICS A politics whose point of departure requires harmonizing the interests of the black poor and working class with those of the black professional-managerial class indicates the conceptual and political confusion that underwrites the very idea of a Black Freedom Movement. The prevalence of such confusion is lamentable; that it go unchecked and without criticism is unacceptable. The essays that DU BOIS AND THE “WAGES OF WHITENESS”: WHAT HE MEANT, WHAT Since the emergence of what has been known as “whiteness studies” in the early 1990s, proponents of the view that the white working class in the United States rejects a class-based politics in favor of commitment to white supremacy have cited W.E.B. Du Bois’s reference in Black Reconstruction In America to a “psychological wage” that whiteness offers as supporting that view and, by WHEN EXCLUSION REPLACES EXPLOITATION: THE CONDITION OF THE The central problem with which we are confronted today, in other words, may be less the conflict between labor and capital, and more, as Margaret Thatcher put it, the antagonism between a privileged “underclass” with its “dependency culture” and an “active” proletariat whose taxes pay for a system of “entitlements” and“handouts.”
TWO PROBLEMS WITH A NEUROAESTHETIC THEORY OF In a 1926 essay, “Science and Poetry,” I.A. Richards, better known for his later book Practical Criticism and its influence on what would become the New Criticism, offers up a vivid analogy for what our bodies do in the presence of a powerful work of art:. Suppose thatwe carry an arrangement of many magnetic needles, large and small, swung so that they influence one another. THE ROLE OF RACE IN CONTEMPORARY U. S. POLITICS: V.O. KEY The Role of Race in Contemporary U. S. Politics: V.O. Key’s Enduring Insight. As comrades and political scientists, we engaged for more than thirty years in a basically tribalist debate over whether the post-segregation era black political class in Louisiana or that in South Carolina is the most politically bankrupt, craven, and crudelyclass
GUSTAVE CAILLEBOTTE’S INTERIORS: WORKING BETWEEN LEISURE Born into immense wealth, Gustave Caillebotte nevertheless “compelled himself to labor at painting.” 1 In so doing he routinely represented the labor of others, both on the job—as in Les Raboteurs de parquet (fig. 1)—and “working at leisure,” playing cards (La Partie de bésigue, fig. 2) or the piano (Jeune homme au piano, fig. 3), knitting (Portrait de Madame Martial Caillebotte CINEMATIC IRONY: THE STRANGE CASE OF NICHOLAS RAY’S JOHNNY A dominant “knowing irony” can suggest the kind of uncertainty, or reluctance to take any side in some important dispute, which is inconsistent with the high seriousness and mythic ambition of great Westerns. In the crisis situations portrayed in Westerns, indulge such an irony and you begin to sound like a Lee Marvin character, a cynic. The great problem in great Westerns is the CHECKING YOUR PRIVILEGE? PERSPECTIVES ON THE POLITICS OF Undoubtedly, economic inequality is an enormous problem in a democratic society where citizens claim to value egalitarian norms. But this puzzling juxtaposition misses some fundamental points. The first is that racial identity is not merely a “celebration of difference,” nor is it a distraction from efforts to achieve economic inequality. Suggesting that attending to identity politics is IS RACISM A DISEASE? The pathological perspective ignores the historical character of racism and race and fixes individuals (perpetrator and victim) in place and, notably, outside of time. In lieu of understanding the conditions that shape the vast inequities that exist within society, explanations that naturalize racism lead us to believe that it is a universal and unchanging force. This way of seeing reinforces THOMAS STRUTH’S TECHNOLOGY PHOTOGRAPHS Thomas Struth’s Technology Photographs. 1. Between 2008 and 2015 the contemporary photographer Thomas Struth made a number of large color photographs of technological and scientific subjects, twenty-five of which (or more, depending on how one counts) were included in the exhibition titled Nature and Politics that for two years (2016-18 THE LIGHT IN ARCHITECTURE: ERIC MENDELSOHN’S PHOTOGRAPHIC 2. Much of what follows has been informed by Claire Zimmerman’s research and publications, most notably Photographic Architecture in the Twentieth Century (Minneapolis: University of Minnesota Press, 2014), although while Zimmerman sees a disconnect between the image and the experience of a building, this essay will demonstrate the ways in which photography can offer a more REPARATIONS AND OTHER RIGHT-WING FANTASIES A few years ago, Adolph Reed and Merlin Chowkwanyun published an essay called Race, Class, Crisis: The Discourse of Racial Disparity and Its Analytical Discontents. They began the piece with two quotes, one from The Onion:. A Harvard University study of more than 2,500 middle-income African American families found that, when compared to other ethnic groups in the same income bracket, NEOLIBERAL ART HISTORY Todd Cronan is Associate Professor of art history at Emory University. He is the author of Against Affective Formalism: Matisse, Bergson, Modernism (Univ. of Minnesota Press, 2014). His currently working on three books: Red Aesthetics considers what a Left artistic practice might look like (and not look like), focused on the interwar work of Rodchenko, Brecht and Sergei Eisenstein. ART AND OBJECTHOOD: FRIED AGAINST FRIED Art and Objecthood: Fried against Fried. Michael Fried’s “Art and Objecthood,” published 50 years ago this year, is an inaugural text. It has a status very few writings on art have, being virtually continuously cited, discussed and disputed since its original date of publication. But in what exactly does its “inaugural” status lie MUSICOPHOBIA, OR SOUND ART AND THE DEMANDS OF ART THEORY Musicophobia, or Sound Art and the Demands of Art Theory. When Suzan Philipsz won the 2010 Turner Prize, it was the first time in the award’s history that it went to a sound artist. The mere fact of Philipz’s victory often overshadowed critical assessment of Lowlands, her winning piece. It was as if her victory were not simplyher own, but
CHANGE AGENT: GENE SHARP’S NEOLIBERAL NONVIOLENCE (PART Gene Sharp, the Cold War defense intellectual-cum-"Nonviolent Warrior," is famed for developing a theory of nonviolent action that has undergirded regime change operations around the world. But Sharp also had an impact closer to home: the U.S. protest left. Thanks to a little-known organization from the 1970s called the Movement for a New Society, Sharp's ideas are ubiquitous on CINEMATIC IRONY: THE STRANGE CASE OF NICHOLAS RAY’S JOHNNY A dominant “knowing irony” can suggest the kind of uncertainty, or reluctance to take any side in some important dispute, which is inconsistent with the high seriousness and mythic ambition of great Westerns. In the crisis situations portrayed in Westerns, indulge such an irony and you begin to sound like a Lee Marvin character, a cynic. The great problem in great Westerns is the NONSITE.ORGABOUTPAST ISSUESCURRENT ISSUEBROWSETHE TANKAUTHORS New to nonsite Issue #35 The Tank Responses to Rita Felski’s Hooked: Art and Attachment BY Anna Kornbluh, Robert S. Lehman, Michael Gallope & Jess Keiser Complexity enchants ANT, new materialism, posthumanism, media studies, affect theory, and the literary undertakings of postcritique, new descriptivism, and “weak theory.” Its prophets claim as virtue that reality is immanent to itself CHECKING YOUR PRIVILEGE? PERSPECTIVES ON THE POLITICS OF Undoubtedly, economic inequality is an enormous problem in a democratic society where citizens claim to value egalitarian norms. But this puzzling juxtaposition misses some fundamental points. The first is that racial identity is not merely a “celebration of difference,” nor is it a distraction from efforts to achieve economic inequality. Suggesting that attending to identity politics is THE SURPRISING GEOGRAPHY OF POLICE KILLINGS: BACK-OF-THE The key number, however, is this: Only 7 percent of Massachusetts’s residents are black, yet they constituted 35 percent of people killed by cops. African Americans therefore appear in Massachusetts police homicide stats at five times the rate, or with 400 percent greater frequency, than do they appear in the state’s total population count. Now we are beginning to see where the national IS RACISM A DISEASE? The pathological perspective ignores the historical character of racism and race and fixes individuals (perpetrator and victim) in place and, notably, outside of time. In lieu of understanding the conditions that shape the vast inequities that exist within society, explanations that naturalize racism lead us to believe that it is a universal and unchanging force. This way of seeing reinforces DU BOIS AND THE “WAGES OF WHITENESS”: WHAT HE MEANT, WHAT Since the emergence of what has been known as “whiteness studies” in the early 1990s, proponents of the view that the white working class in the United States rejects a class-based politics in favor of commitment to white supremacy have cited W.E.B. Du Bois’s reference in Black Reconstruction In America to a “psychological wage” that whiteness offers as supporting that view and, by POVERTY AND POLITICS: BOLSONARO, NEOLIBERALISM’S As the struggle against the authoritarian neoliberal regime continues to unfold, the actions of the organized labor-left in general, and the PT in particular, will be pivotal for constructing an opposition capable of defeating right-wing neoliberal authoritarianism. The heightened quality of the political conflict ahead will also challenge the way in which left and progressive forces perceive THE MOMENT OF IMPRESSIONISM The Moment of Impressionism. 1. Théodore Duret, one of Impressionism’s most impassioned champions, wrote in his famous brochure of 1878, Les Peintres impressionnistes: The impressionists didn’t come into being by themselves, they didn’t shoot up like mushrooms. They are the product of a regular evolution of the modernFrench school.
THOMAS STRUTH’S TECHNOLOGY PHOTOGRAPHS Thomas Struth’s Technology Photographs. 1. Between 2008 and 2015 the contemporary photographer Thomas Struth made a number of large color photographs of technological and scientific subjects, twenty-five of which (or more, depending on how one counts) were included in the exhibition titled Nature and Politics that for two years (2016-18 GUSTAVE CAILLEBOTTE’S INTERIORS: WORKING BETWEEN LEISURE Gustave Caillebotte’s Interiors: Working Between Leisure and Labor. Born into immense wealth, Gustave Caillebotte nevertheless “compelled himself to labor at painting.” 1 In so doing he routinely represented the labor of others, both on the job—as in Les Raboteurs de parquet (fig. 1)—and “working at leisure,” playingcards ( La
TWO PROBLEMS WITH A NEUROAESTHETIC THEORY OF In a 1926 essay, “Science and Poetry,” I.A. Richards, better known for his later book Practical Criticism and its influence on what would become the New Criticism, offers up a vivid analogy for what our bodies do in the presence of a powerful work of art:. Suppose thatwe carry an arrangement of many magnetic needles, large and small, swung so that they influence one another. NONSITE.ORGABOUTPAST ISSUESCURRENT ISSUEBROWSETHE TANKAUTHORS New to nonsite Issue #35 The Tank Responses to Rita Felski’s Hooked: Art and Attachment BY Anna Kornbluh, Robert S. Lehman, Michael Gallope & Jess Keiser Complexity enchants ANT, new materialism, posthumanism, media studies, affect theory, and the literary undertakings of postcritique, new descriptivism, and “weak theory.” Its prophets claim as virtue that reality is immanent to itself CHECKING YOUR PRIVILEGE? PERSPECTIVES ON THE POLITICS OF Undoubtedly, economic inequality is an enormous problem in a democratic society where citizens claim to value egalitarian norms. But this puzzling juxtaposition misses some fundamental points. The first is that racial identity is not merely a “celebration of difference,” nor is it a distraction from efforts to achieve economic inequality. Suggesting that attending to identity politics is THE SURPRISING GEOGRAPHY OF POLICE KILLINGS: BACK-OF-THE The key number, however, is this: Only 7 percent of Massachusetts’s residents are black, yet they constituted 35 percent of people killed by cops. African Americans therefore appear in Massachusetts police homicide stats at five times the rate, or with 400 percent greater frequency, than do they appear in the state’s total population count. Now we are beginning to see where the national IS RACISM A DISEASE? The pathological perspective ignores the historical character of racism and race and fixes individuals (perpetrator and victim) in place and, notably, outside of time. In lieu of understanding the conditions that shape the vast inequities that exist within society, explanations that naturalize racism lead us to believe that it is a universal and unchanging force. This way of seeing reinforces DU BOIS AND THE “WAGES OF WHITENESS”: WHAT HE MEANT, WHAT Since the emergence of what has been known as “whiteness studies” in the early 1990s, proponents of the view that the white working class in the United States rejects a class-based politics in favor of commitment to white supremacy have cited W.E.B. Du Bois’s reference in Black Reconstruction In America to a “psychological wage” that whiteness offers as supporting that view and, by POVERTY AND POLITICS: BOLSONARO, NEOLIBERALISM’S As the struggle against the authoritarian neoliberal regime continues to unfold, the actions of the organized labor-left in general, and the PT in particular, will be pivotal for constructing an opposition capable of defeating right-wing neoliberal authoritarianism. The heightened quality of the political conflict ahead will also challenge the way in which left and progressive forces perceive THE MOMENT OF IMPRESSIONISM The Moment of Impressionism. 1. Théodore Duret, one of Impressionism’s most impassioned champions, wrote in his famous brochure of 1878, Les Peintres impressionnistes: The impressionists didn’t come into being by themselves, they didn’t shoot up like mushrooms. They are the product of a regular evolution of the modernFrench school.
THOMAS STRUTH’S TECHNOLOGY PHOTOGRAPHS Thomas Struth’s Technology Photographs. 1. Between 2008 and 2015 the contemporary photographer Thomas Struth made a number of large color photographs of technological and scientific subjects, twenty-five of which (or more, depending on how one counts) were included in the exhibition titled Nature and Politics that for two years (2016-18 GUSTAVE CAILLEBOTTE’S INTERIORS: WORKING BETWEEN LEISURE Gustave Caillebotte’s Interiors: Working Between Leisure and Labor. Born into immense wealth, Gustave Caillebotte nevertheless “compelled himself to labor at painting.” 1 In so doing he routinely represented the labor of others, both on the job—as in Les Raboteurs de parquet (fig. 1)—and “working at leisure,” playingcards ( La
TWO PROBLEMS WITH A NEUROAESTHETIC THEORY OF In a 1926 essay, “Science and Poetry,” I.A. Richards, better known for his later book Practical Criticism and its influence on what would become the New Criticism, offers up a vivid analogy for what our bodies do in the presence of a powerful work of art:. Suppose thatwe carry an arrangement of many magnetic needles, large and small, swung so that they influence one another. CHECKING YOUR PRIVILEGE? PERSPECTIVES ON THE POLITICS OF Undoubtedly, economic inequality is an enormous problem in a democratic society where citizens claim to value egalitarian norms. But this puzzling juxtaposition misses some fundamental points. The first is that racial identity is not merely a “celebration of difference,” nor is it a distraction from efforts to achieve economic inequality. Suggesting that attending to identity politics is ON THE END(S) OF BLACK POLITICS The only thing that hasn’t changed about black politics since 1965 is how we think about it. —Willie Legette. In its commitment to making visible and less pervasive the various forms of theoretical neoliberalism that define the present moment, nonsite.org has illustrated on multiple occasions that the broad acceptance of antiracism and identity politics, in whatever guise, as aCHARDIN’S PASTELS
Figure 10. Jean-Siméon Chardin, Portrait of an Old Woman, 1776. Pastel, 46 x 38 cm. Musée des Beaux-arts et d’Archéologie, Besançon. In the hagiography of Chardin, even in his lifetime, there is an almost compulsive recitation of the artist’s necessarydependence
POVERTY AND POLITICS: BOLSONARO, NEOLIBERALISM’S As the struggle against the authoritarian neoliberal regime continues to unfold, the actions of the organized labor-left in general, and the PT in particular, will be pivotal for constructing an opposition capable of defeating right-wing neoliberal authoritarianism. The heightened quality of the political conflict ahead will also challenge the way in which left and progressive forces perceive RESPONSES TO RITA FELSKI’S HOOKED: ART AND ATTACHMENT Responses to Rita Felski’s. Hooked: Art and Attachment. Complexity enchants ANT, new materialism, posthumanism, media studies, affect theory, and the literary undertakings of postcritique, new descriptivism, and “weak theory.”. Its prophets claim as virtue that reality is immanent to itself, that no individual element of acomplex web can
INTENTIONALITY AND ART HISTORICAL METHODOLOGY: A CASE It is, typically, an aesthetic intuition. Aesthetic intuitions are first of all intuitions, in the everyday sense of hunch, in the psychological sense of an act of perception, and in the philosophical sense of an act of the imagination. What characterizes them not just as intuitions but as aesthetic is that they share with aesthetic experience their subjective, affective, non-conceptual nature THE POLITICAL ECONOMY OF ANTI-RACISM The Political Economy of Anti-Racism. This essay originated as a kind of stump speech, an effort to spell out and update an argument about the uses of anti-racism and anti-discrimination that I’ve been making for some time to audiences that might or might not be familiar with it. The idea of publishing some version of it in conjunction with ON PROBLEMATIZATION: ELABORATIONS ON A THEME IN “LATE Interpretations of the idea of problematization cut to the heart of different ways of engaging with Foucault’s ideas. It seems at first sight to provide a refined model of critical practice. On closer inspection, it turns out to be better interpreted as a contribution to a more descriptive understanding of the tasks of social inquiry. DUBOIS’S “GENERAL STRIKE” “The General Strike” is the title of chapter four of W. E. B. DuBois’s classic account of Black Reconstruction. Like every other chapter in the book, this one opens with a short epigraph neatly summarizing the point DuBois intended to make. It reads: How the Civil War meant emancipation and how the black worker won the war by a general strike which transferred his labor from the THE ORNAMENTED EIFFEL TOWER: AWARENESS AND The distinctive 300-meter iron structure still looms over western Paris from the Champ de Mars close to the Seine, but it is now admired, even adored. 1 The history of the Tower thus contains a two-fold surprise: it was the odd World’s Fair edifice to survive, and, though once reviled, it is now loved. NONSITE.ORGABOUTPAST ISSUESCURRENT ISSUEBROWSETHE TANKAUTHORS New to nonsite Issue #35 The Tank Responses to Rita Felski’s Hooked: Art and Attachment BY Anna Kornbluh, Robert S. Lehman, Michael Gallope & Jess Keiser Complexity enchants ANT, new materialism, posthumanism, media studies, affect theory, and the literary undertakings of postcritique, new descriptivism, and “weak theory.” Its prophets claim as virtue that reality is immanent to itself THE SURPRISING GEOGRAPHY OF POLICE KILLINGS: BACK-OF-THE The key number, however, is this: Only 7 percent of Massachusetts’s residents are black, yet they constituted 35 percent of people killed by cops. African Americans therefore appear in Massachusetts police homicide stats at five times the rate, or with 400 percent greater frequency, than do they appear in the state’s total population count. Now we are beginning to see where the national ON THE END(S) OF BLACK POLITICS A politics whose point of departure requires harmonizing the interests of the black poor and working class with those of the black professional-managerial class indicates the conceptual and political confusion that underwrites the very idea of a Black Freedom Movement. The prevalence of such confusion is lamentable; that it go unchecked and without criticism is unacceptable. The essays that DU BOIS AND THE “WAGES OF WHITENESS”: WHAT HE MEANT, WHAT Since the emergence of what has been known as “whiteness studies” in the early 1990s, proponents of the view that the white working class in the United States rejects a class-based politics in favor of commitment to white supremacy have cited W.E.B. Du Bois’s reference in Black Reconstruction In America to a “psychological wage” that whiteness offers as supporting that view and, by WHEN EXCLUSION REPLACES EXPLOITATION: THE CONDITION OF THE The central problem with which we are confronted today, in other words, may be less the conflict between labor and capital, and more, as Margaret Thatcher put it, the antagonism between a privileged “underclass” with its “dependency culture” and an “active” proletariat whose taxes pay for a system of “entitlements” and“handouts.”
GUSTAVE CAILLEBOTTE’S INTERIORS: WORKING BETWEEN LEISURE Gustave Caillebotte’s Interiors: Working Between Leisure and Labor. Born into immense wealth, Gustave Caillebotte nevertheless “compelled himself to labor at painting.” 1 In so doing he routinely represented the labor of others, both on the job—as in Les Raboteurs de parquet (fig. 1)—and “working at leisure,” playingcards ( La
REPARATIONS AND OTHER RIGHT-WING FANTASIES A few years ago, Adolph Reed and Merlin Chowkwanyun published an essay called Race, Class, Crisis: The Discourse of Racial Disparity and Its Analytical Discontents. They began the piece with two quotes, one from The Onion:. A Harvard University study of more than 2,500 middle-income African American families found that, when compared to other ethnic groups in the same income bracket, TWO PROBLEMS WITH A NEUROAESTHETIC THEORY OF In a 1926 essay, “Science and Poetry,” I.A. Richards, better known for his later book Practical Criticism and its influence on what would become the New Criticism, offers up a vivid analogy for what our bodies do in the presence of a powerful work of art:. Suppose thatwe carry an arrangement of many magnetic needles, large and small, swung so that they influence one another. THE ROLE OF RACE IN CONTEMPORARY U. S. POLITICS: V.O. KEY The Role of Race in Contemporary U. S. Politics: V.O. Key’s Enduring Insight. As comrades and political scientists, we engaged for more than thirty years in a basically tribalist debate over whether the post-segregation era black political class in Louisiana or that in South Carolina is the most politically bankrupt, craven, and crudelyclass
CINEMATIC IRONY: THE STRANGE CASE OF NICHOLAS RAY’S JOHNNY A dominant “knowing irony” can suggest the kind of uncertainty, or reluctance to take any side in some important dispute, which is inconsistent with the high seriousness and mythic ambition of great Westerns. In the crisis situations portrayed in Westerns, indulge such an irony and you begin to sound like a Lee Marvin character, a cynic. The great problem in great Westerns is the NONSITE.ORGABOUTPAST ISSUESCURRENT ISSUEBROWSETHE TANKAUTHORS New to nonsite Issue #35 The Tank Responses to Rita Felski’s Hooked: Art and Attachment BY Anna Kornbluh, Robert S. Lehman, Michael Gallope & Jess Keiser Complexity enchants ANT, new materialism, posthumanism, media studies, affect theory, and the literary undertakings of postcritique, new descriptivism, and “weak theory.” Its prophets claim as virtue that reality is immanent to itself THE SURPRISING GEOGRAPHY OF POLICE KILLINGS: BACK-OF-THE The key number, however, is this: Only 7 percent of Massachusetts’s residents are black, yet they constituted 35 percent of people killed by cops. African Americans therefore appear in Massachusetts police homicide stats at five times the rate, or with 400 percent greater frequency, than do they appear in the state’s total population count. Now we are beginning to see where the national ON THE END(S) OF BLACK POLITICS A politics whose point of departure requires harmonizing the interests of the black poor and working class with those of the black professional-managerial class indicates the conceptual and political confusion that underwrites the very idea of a Black Freedom Movement. The prevalence of such confusion is lamentable; that it go unchecked and without criticism is unacceptable. The essays that DU BOIS AND THE “WAGES OF WHITENESS”: WHAT HE MEANT, WHAT Since the emergence of what has been known as “whiteness studies” in the early 1990s, proponents of the view that the white working class in the United States rejects a class-based politics in favor of commitment to white supremacy have cited W.E.B. Du Bois’s reference in Black Reconstruction In America to a “psychological wage” that whiteness offers as supporting that view and, by WHEN EXCLUSION REPLACES EXPLOITATION: THE CONDITION OF THE The central problem with which we are confronted today, in other words, may be less the conflict between labor and capital, and more, as Margaret Thatcher put it, the antagonism between a privileged “underclass” with its “dependency culture” and an “active” proletariat whose taxes pay for a system of “entitlements” and“handouts.”
GUSTAVE CAILLEBOTTE’S INTERIORS: WORKING BETWEEN LEISURE Gustave Caillebotte’s Interiors: Working Between Leisure and Labor. Born into immense wealth, Gustave Caillebotte nevertheless “compelled himself to labor at painting.” 1 In so doing he routinely represented the labor of others, both on the job—as in Les Raboteurs de parquet (fig. 1)—and “working at leisure,” playingcards ( La
REPARATIONS AND OTHER RIGHT-WING FANTASIES A few years ago, Adolph Reed and Merlin Chowkwanyun published an essay called Race, Class, Crisis: The Discourse of Racial Disparity and Its Analytical Discontents. They began the piece with two quotes, one from The Onion:. A Harvard University study of more than 2,500 middle-income African American families found that, when compared to other ethnic groups in the same income bracket, TWO PROBLEMS WITH A NEUROAESTHETIC THEORY OF In a 1926 essay, “Science and Poetry,” I.A. Richards, better known for his later book Practical Criticism and its influence on what would become the New Criticism, offers up a vivid analogy for what our bodies do in the presence of a powerful work of art:. Suppose thatwe carry an arrangement of many magnetic needles, large and small, swung so that they influence one another. THE ROLE OF RACE IN CONTEMPORARY U. S. POLITICS: V.O. KEY The Role of Race in Contemporary U. S. Politics: V.O. Key’s Enduring Insight. As comrades and political scientists, we engaged for more than thirty years in a basically tribalist debate over whether the post-segregation era black political class in Louisiana or that in South Carolina is the most politically bankrupt, craven, and crudelyclass
CINEMATIC IRONY: THE STRANGE CASE OF NICHOLAS RAY’S JOHNNY A dominant “knowing irony” can suggest the kind of uncertainty, or reluctance to take any side in some important dispute, which is inconsistent with the high seriousness and mythic ambition of great Westerns. In the crisis situations portrayed in Westerns, indulge such an irony and you begin to sound like a Lee Marvin character, a cynic. The great problem in great Westerns is the CHECKING YOUR PRIVILEGE? PERSPECTIVES ON THE POLITICS OF Undoubtedly, economic inequality is an enormous problem in a democratic society where citizens claim to value egalitarian norms. But this puzzling juxtaposition misses some fundamental points. The first is that racial identity is not merely a “celebration of difference,” nor is it a distraction from efforts to achieve economic inequality. Suggesting that attending to identity politics is IS RACISM A DISEASE? The pathological perspective ignores the historical character of racism and race and fixes individuals (perpetrator and victim) in place and, notably, outside of time. In lieu of understanding the conditions that shape the vast inequities that exist within society, explanations that naturalize racism lead us to believe that it is a universal and unchanging force. This way of seeing reinforces THE TROUBLE WITH DISPARITY The Trouble with Disparity. If the COVID-19 pandemic and the killing of George Floyd are supposed to have made visible inequalities that no one had seen, the death rates both from the virus and at the hands of the police have been met with analyses that repeat what everyone has always said—first, in the diagnosis of what’s produced those THE LIGHT IN ARCHITECTURE: ERIC MENDELSOHN’S PHOTOGRAPHIC The Light in Architecture: Eric Mendelsohn’s Photographic Expressionism. The Weimar Years in Germany, fraught with political and economic tensions, were a stimulating period for architecture and the arts, with new ideas stirring and producing modernisms both multifaceted and in constant flux. Photography emerged as the mostimportant means
ON PROBLEMATIZATION: ELABORATIONS ON A THEME IN “LATE Interpretations of the idea of problematization cut to the heart of different ways of engaging with Foucault’s ideas. It seems at first sight to provide a refined model of critical practice. On closer inspection, it turns out to be better interpreted as a contribution to a more descriptive understanding of the tasks of social inquiry. INTENTIONALITY AND ART HISTORICAL METHODOLOGY: A CASE It is, typically, an aesthetic intuition. Aesthetic intuitions are first of all intuitions, in the everyday sense of hunch, in the psychological sense of an act of perception, and in the philosophical sense of an act of the imagination. What characterizes them not just as intuitions but as aesthetic is that they share with aesthetic experience their subjective, affective, non-conceptual nature THE POLITICAL ECONOMY OF ANTI-RACISM The Political Economy of Anti-Racism. This essay originated as a kind of stump speech, an effort to spell out and update an argument about the uses of anti-racism and anti-discrimination that I’ve been making for some time to audiences that might or might not be familiar with it. The idea of publishing some version of it in conjunction with ART AND OBJECTHOOD: FRIED AGAINST FRIED Art and Objecthood: Fried against Fried. Michael Fried’s “Art and Objecthood,” published 50 years ago this year, is an inaugural text. It has a status very few writings on art have, being virtually continuously cited, discussed and disputed since its original date of publication. But in what exactly does its “inaugural” status lie NEOLIBERAL ART HISTORY Todd Cronan is Associate Professor of art history at Emory University. He is the author of Against Affective Formalism: Matisse, Bergson, Modernism (Univ. of Minnesota Press, 2014). His currently working on three books: Red Aesthetics considers what a Left artistic practice might look like (and not look like), focused on the interwar work of Rodchenko, Brecht and Sergei Eisenstein. THE POLITICAL ONTOLOGY OF UNEMPLOYMENT: WHY NO ONE NEED The Political Ontology of Unemployment: Why No One Need Apply – Reply to Zamora. The revolutionary vision of emancipation continued to live on only in the slanders of the counter-revolutionaries. The idea that “unions are nothing more than an object-lesson demonstrating in a practical way the uselessness of any action other than Skip to content Skip to footer* About
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Issue #35 The Tank
RESPONSES TO RITA FELSKI’S _HOOKED: ART AND ATTACHMENT_ BY Anna Kornbluh , Robert S. Lehman , Michael Gallope& Jess Keiser
Complexity enchants ANT, new materialism, posthumanism, media studies, affect theory, and the literary undertakings of postcritique, new descriptivism, and “weak theory.” Its prophets claim as virtue that reality is immanent to itself, that no individual element of a complex web can be said to activate “a more fundamental reality” than any other. There is therefore a propulsive purpose accorded to critics: count up the everything, trace out the complexities, caress nuance, feel the vibe, what is connected to what. When everything is complicated and criticism calls itself to the tasks of phenomenological witnessing and empiricist tabulating, the vocation of criticism to make a cut in the swath of experience, to shift registers to a different order of knowing, is abandoned.Read more
Issue #35, The Tank" data-title="Responses to Rita Felski’s _Hooked: Art and Attachment_" data-date="April 2, 2021" style="background-image: url("https://nonsite.org/wp-content/uploads/2021/04/Felski-Hooked-e1620672971855.jpg"); width: 232px;" data-slide-number="9" data-swiper-slide-index="9">Issue #35 The Tank
RESPONSES TO RITA FELSKI’S HOOKED: ART AND ATTACHMENT by Anna Kornbluh, Robert S. Lehman, Michael Gallope & Jess KeiserApril2, 2021
Articles, Issue #35" data-title="Lukács/Fried" data-date="May 10, 2021" style="background-image: url("https://nonsite.org/wp-content/uploads/2021/05/thumbnail_Mahler-9Adagiom1-10.jpg"); width: 232px;" data-slide-number="0" data-swiper-slide-index="0">Articles Issue #35
LUKÁCS/FRIED
by Nicholas BrownMay 10, 2021 Articles, Issue #35" data-title="John Berger, Michael Fried and Contemporary Art" data-date="May 10, 2021" style="background-image: url("https://nonsite.org/wp-content/uploads/2021/05/Stimson-cover.png"); width: 232px;" data-slide-number="1" data-swiper-slide-index="1">Articles Issue #35
JOHN BERGER, MICHAEL FRIED AND CONTEMPORARY ART by Blake StimsonMay 10, 2021 Articles, Issue #35" data-title="Some Comments on the Claims Made For and Against Painting" data-date="May 10, 2021" style="background-image: url("https://nonsite.org/wp-content/uploads/2021/05/jeff-wall-the-destroyed-room_0.jpg"); width: 232px;" data-slide-number="2" data-swiper-slide-index="2">Articles Issue #35
SOME COMMENTS ON THE CLAIMS MADE FOR AND AGAINST PAINTING by Jeff WallMay 10, 2021 Articles, Issue #35" data-title="Marxism and Criticism" data-date="May 10, 2021" style="background-image: url("https://nonsite.org/wp-content/uploads/2021/05/Arts-magazine-Fried.jpg"); width: 232px;" data-slide-number="3" data-swiper-slide-index="3">Articles Issue #35
MARXISM AND CRITICISM by Michael FriedMay 10, 2021 Articles, Issue #35" data-title="Art as Seeing Through Neoliberal De-reification" data-date="May 9, 2021" style="background-image: url("https://nonsite.org/wp-content/uploads/2021/05/Figure-2.png"); width: 232px;" data-slide-number="4" data-swiper-slide-index="4">Articles Issue #35
ART AS SEEING THROUGH NEOLIBERAL DE-REIFICATION by Irmgard EmmelhainzMay 9, 2021 Articles, Issue #35" data-title="Daguerre, Christian Prometheus" data-date="May 9, 2021" style="background-image: url("https://nonsite.org/wp-content/uploads/2021/05/Michaud-Fig1.png"); width: 232px;" data-slide-number="5" data-swiper-slide-index="5">Articles Issue #35
DAGUERRE, CHRISTIAN PROMETHEUS by Éric MichaudMay 9, 2021 Articles, Issue #35" data-title="Ruskin’s Broken Middle" data-date="May 9, 2021" style="background-image: url("https://nonsite.org/wp-content/uploads/2021/05/Fig.-2-scaled.jpeg"); width: 232px;" data-slide-number="6" data-swiper-slide-index="6">Articles Issue #35
RUSKIN’S BROKEN MIDDLE by Jeremy MeliusMay 9, 2021 Articles, Issue #35" data-title="William Morris: The Poetics of Indigo Discharge Printing" data-date="May 9, 2021" style="background-image: url("https://nonsite.org/wp-content/uploads/2021/05/Fig-1-2006BC6840_2500.jpg"); width: 232px;" data-slide-number="7" data-swiper-slide-index="7">Articles Issue #35
WILLIAM MORRIS: THE POETICS OF INDIGO DISCHARGE PRINTING by Caroline ArscottMay 9, 2021 Articles, Issue #35" data-title="Chardin’s Pastels" data-date="May 9, 2021" style="background-image: url("https://nonsite.org/wp-content/uploads/2021/05/Fig-3_Chardin-D-F-49.jpg"); width: 232px;" data-slide-number="8" data-swiper-slide-index="8">Articles Issue #35
CHARDIN’S PASTELS
by Eik KahngMay 9, 2021 Issue #35, The Tank" data-title="Responses to Rita Felski’s _Hooked: Art and Attachment_" data-date="April 2, 2021" style="background-image: url("https://nonsite.org/wp-content/uploads/2021/04/Felski-Hooked-e1620672971855.jpg"); width: 232px;" data-slide-number="9" data-swiper-slide-index="9">Issue #35 The Tank
RESPONSES TO RITA FELSKI’S HOOKED: ART AND ATTACHMENT by Anna Kornbluh, Robert S. Lehman, Michael Gallope & Jess KeiserApril2, 2021
Articles, Issue #35" data-title="Lukács/Fried" data-date="May 10, 2021" style="background-image: url("https://nonsite.org/wp-content/uploads/2021/05/thumbnail_Mahler-9Adagiom1-10.jpg"); width: 232px;" data-slide-number="0" data-swiper-slide-index="0">Articles Issue #35
LUKÁCS/FRIED
by Nicholas BrownMay 10, 2021 __ READ THE CURRENT ISSUESymposium
THE SURPRISING GEOGRAPHY OF POLICE KILLINGS: BACK-OF-THE-NAPKIN CALCULATIONS ON RACE, REGION, AND VIOLENCE BY Christian Parenti The key number, however, is this: Only 7 percent of Massachusetts’s residents are black, yet they constituted 35 percent of people killed by cops. African Americans therefore appear in Massachusetts police homicide stats at five times the rate, or with 400 percent greater frequency, than do they appear in the state’s total population count. Now we are beginning to see where the national average comesfrom.
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Articles Issue #35
DAGUERRE, CHRISTIAN PROMETHEUSBY Éric Michaud
Who was Daguerre? The person who precipitated the fall of man into foul narcissism? Or the person who, by giving men mastery of divine light, offered them a path toward ultimate redemption? For his part, Daguerre seemed to be quite conscious of renewing Prometheus’s ancient feat, drawing upon it with evident pride.Read more
Articles Issue #35
WILLIAM MORRIS: THE POETICS OF INDIGO DISCHARGE PRINTINGBY Caroline Arscott
Morris was thinking of the chemical events in indigo discharge printing as analogous to the actions of human history. The material processes of getting the dye into the fabric are correlated by him to the politics of the world’s struggles and the prospects for a future society.Read more
Articles Issue #35
CHARDIN’S PASTELS
BY Eik Kahng
In this essay I want to recover not only the academic controversy surrounding the balance between real and ideal, the beau idéal and the beau réel, but also the significance of an empiricist recasting of the role of perception in cognition and its justifiability as the necessary grounds for invention.Read more
Editorials Issue #34 BETTING ON “THE GREEK”: HOW THE NFL IS BANKING ON BIOLOGICALRACISM
BY Roberto R. Aspholm & CedricJohnson
With the Super Bowl set to kick off on Sunday and media-fueled football fanfare ramping up accordingly, it is worth revisiting the NFL’s preseason scandal that wasn’t—its apparent use of biological racism in denying the compensatory claims of black former players for traumatic brain injuries sustained while playing in the league. Here we interrogate this case, the impotence of disparitarian antiracism to confront it, and its implications for egalitarianpolitics.
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Articles Issue #34
BEN LERNER’S THEATER OF DISSENT BY Davis Smith-Brecheisen Ben Lerner’s second Adam Gordon novel, The Topeka School, offers both a genealogy of right-wing political speech and, presumably, an alternative. But insofar as the novel’s politics culminate in political theater, that alternative is reduced to the politics of the status quo. The Topeka School, and those critics for whom its success rises or falls on its ability to provoke aesthetic experience, conflate political experience and political action. While no work of art is likely to do the work of dismantling structures of inequality for us, the work of art that asserts its irreducibility to the “inflexible laws” of the political status quo, and our experiences of it, might provide a new way of seeing or imagining it together—something that the attention to aesthetic and political experience alone cannot do.Read more
Articles Issue #32
THE TROUBLE WITH DISPARITY BY Walter Benn Michaels & AdolphReed, Jr.
Every time racial disparity is invoked as the lens through which to see American inequality, the overwhelming role played by the increased inequality in the American class system is made invisible. And this is, of course, true on the right as well as the left—think of all the conservative commentators defending the police by invoking the spectre of black-on-black murder. And then think of the widespread agreement among criminologists that the Gini coefficient “predicts murder rates better than any other variable.” Conservatives who try to blame black crime on race and liberals who try to blame it on racism are both missing the point. If you want to distinguish between the left and the right, the relevant question is not what they think about race; it’s what they think when race is taken out of theequation.
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Articles Issue #35
SOME COMMENTS ON THE CLAIMS MADE FOR AND AGAINST PAINTINGBY Jeff Wall
Experiences of world-disclosure are accomplished by achievements in certain long-tested forms of art—what we can call the canonical forms. These forms, like easel painting or lyric poetry, have proven over long periods of time to be the appropriate sites for this activity; but, more than that, they were practices through which the value of world-disclosure had been invented and developed through history. It was on this basis that they constituted a canon not just of exemplary works in each art, but a canon of the forms of art themselves. As such, they embodied criteria that could be effective in deciding if an activity was or was not “art.” Although the existence of the canon gave no conceptual guarantee or definition of art, it was accepted as one, de facto, based on its own history, orhistories.
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Articles Issue #35
MARXISM AND CRITICISMBY Michael Fried
What all this comes down to, then, is that Berger accepts a priori a militant and often staggeringly vulgarized brand of Marxism from which all his judgments about art derive, in language anyway. … My fundamental objection is not that Berger begins from a position of accepting Marxist theory. In the world we live in more and more critics of art may be expected to start from similar political premises. But what is imperative is that the critic define his terms; that he show with sensitivity and logical rigor the usefulness and, if possible, the necessity of employing Marxist concepts and terminology. Unless he can do this his judgments will reveal nothing more than the strength of his bias and the slovenliness of his mind: they can say nothing about the works of art in question.Read more
Articles Issue #35
RUSKIN’S BROKEN MIDDLEBY Jeremy Melius
Whenever Ruskin’s language steers toward the performative, it stages its own inability to perform. Instead emerges the quieter power of Ruskin’s constative mode—its gentle, unpossessive efficacy. Out of this come new possibilities for descriptive relation. Neither quite active or passive, the attention Ruskin’s descriptions perform might achieve a voice in some radical sense “middle,” inhabiting, however provisionally, some self-reflexive space between.Read more
Articles Issue #34
POVERTY AND POLITICS: BOLSONARO, NEOLIBERALISM’S AUTHORITARIAN ALTERNATIVE, AND THE ONGOING ASSAULT ON DEMOCRACY IN BRAZILBY William J. Mello
As the struggle against the authoritarian neoliberal regime continues to unfold, the actions of the organized labor-left in general, and the PT in particular, will be pivotal for constructing an opposition capable of defeating right-wing neoliberal authoritarianism. The heightened quality of the political conflict ahead will also challenge the way in which left and progressive forces perceive and develop political action, demanding a left capable of organizing and mobilizing resistance in multiple (institutional and non-institutional) spheres of politics simultaneously.Read more
Editorials Feature
Issue #34
DENEOCOLONIZE YOUR SYLLABUSBY Blake Stimson
It hardly needs saying that the term “decolonize” once meant something wholly different than it does now. To put it not a little too bluntly, in the heyday of the anticolonial movement it was the colonies and the colonized that needed decolonizing, not the colonizers, but now even that need, as we like to say, has been “colonized.” Of course we understand that the “decolonize” in the slogan “decolonize your syllabus” is metaphorical, that it means diversify or “decenter” (as we also like to say), but that does little to allay the fact that, formally, rhetorically, it collapses the distinction between colonizer and colonized. Sometimes, decentering oneself and one’s syllabi means little more than absolving oneself of accountability for the colonial past. Just to give it a name, we might call this phenomenon “colonialnarcissism.”
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ISSUE #26: THE NINETEENTH CENTURY (PART ONE) by nonsiteNovember 10, 2018 ISSUE #25: AUTHORSHIP/ANTI-AUTHORSHIP: LEGAL AND AESTHETIC by nonsiteOctober 5, 2018 ISSUE #24: THE NEOLIBERAL COUP by nonsiteJuly 10, 2018 ISSUE #35: THE NINETEENTH CENTURY (PART THREE) by nonsiteMay 10, 2021 Issue #34" data-title="Issue #34: Deneocolonizing?" data-date="May 9, 2021" style="background-image: url("https://nonsite.org/wp-content/uploads/2021/05/decolonising-the-curriculum.jpg"); width: 291.333px;" data-slide-number="1" data-swiper-slide-index="1">Issue #34
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ISSUE #34: DENEOCOLONIZING? by nonsiteMay 9, 2021 ISSUE #33: SENSATION AND PERCEPTION: MODERNITY AS SELF-CONSTITUTION by nonsiteDecember 3, 2020 nonsite.org is an online, open access, peer-reviewed quarterly journal of scholarship in the arts and humanities. nonsite.org is affiliated with Emory College of Arts and Sciences. 2020 all rights reserved. ISSN 2164-1668 Creative Commons License nonsite.org is licensed under a Creative Commons Attribution-NoDerivatives 4.0 International License.* __ Login
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