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women artists.
NMWA SHOP - NATIONAL MUSEUM OF WOMEN IN THE ARTS Inspired by the museum’s mission to champion women through the arts, the NMWA shop only carries merchandise by women-owned and -operated businesses. It also features products created specifically for the shop by local women artists and designers. VIRTUAL EDUCATOR SUMMER CAMP Independent, 90-minute sessions on a variety of topics are offered Mondays, Wednesdays, and Fridays, Monday, July 12, through Friday, July 30. Camp topics include: Step-by-step bookmaking Easy art making at home Conversations about art Introductions to women artists 2021 guest instructors include book artists Carol Barton, Julie Chen, Jamila Zahra Felton, and Priya Pereira, and SONYA CLARK: TATTER, BRISTLE, AND MEND Mar 03 to Jun 27, 2021. Textile and social practice artist Sonya Clark (b. 1967) is renowned for her mixed-media works that address race and visibility, explore Blackness, and redress history. This exhibition—the first survey of Clark’s 25-year career—includes the artist’s well-known sculptures made from black pocket combs,human hair
HARVARD PROJECT ZERO THINKING ROUTINES Harvard Project Zero Thinking Routines . Educators at the National Museum of Women in the Arts (NMWA) often employ Harvard Project Zero (HPZ) Thinking Routines during school toursSONYA CLARK
Lexie’s Curl. In Afro Abe II, Sonya Clark transformed a U.S. five-dollar bill to reveal connections between money, power, and pride. Clark made her first two Afro Abe artworks in 2007 when then-Senator Barack Obama began his presidential campaign. Over the next five years, she created 42 additional Afro Abe pieces to honorhis place as the
DELITA MARTIN: CALLING DOWN THE SPIRITS Delita Martin (b. 1972, Conroe, Texas) creates large-scale prints onto which she draws, sews, collages, and paints. Martin claims space for her subjects, particularly black women, creating a powerful presence that simultaneously highlights the historical absence of black bodies in Western art. Through her work, Martin aims to create a newCHAKAIA BOOKER
Booker received a B.A. in sociology from Rutgers University in 1976, and an M.F.A. from the City College of New York in 1993. She gained international acclaim at the 2000 Whitney Biennial with It’s So Hard to Be Green (2000), her 12.5 x 21 foot wall-hung tire sculpture. Booker received the Pollock-Krasner Grant in 2002 and a Guggenheim JUDY CHICAGO—THE END: A MEDITATION ON DEATH AND EXTINCTION Judy Chicago has built her career on pushing boundaries. Her latest body of work, a series titled The End: A Meditation on Death and Extinction, is no exception. In nearly 40 works of painted porcelain and glass, as well as two large bronze sculptures, Chicago tackles human mortality and species extinction. NMWA is the first venue to ELIZABETH ADELA ARMSTRONG FORBES Elizabeth Adela Armstrong Forbes. 1859–1912. As a young girl, Forbes studied drawing in her native Canada and in England. She later studied with William Merritt Chase at the Art Students League of New York. In 1882 she moved to Pont-Aven, Brittany, where she experimented with plein-air painting, a technique that impacted her future oeuvre. NATIONAL MUSEUM OF WOMEN IN THE ARTS Located in Washington, D.C., The National Museum of Women in the Arts the world's only major art museum solely dedicated to championingwomen artists.
NMWA SHOP - NATIONAL MUSEUM OF WOMEN IN THE ARTS Inspired by the museum’s mission to champion women through the arts, the NMWA shop only carries merchandise by women-owned and -operated businesses. It also features products created specifically for the shop by local women artists and designers. VIRTUAL EDUCATOR SUMMER CAMP Independent, 90-minute sessions on a variety of topics are offered Mondays, Wednesdays, and Fridays, Monday, July 12, through Friday, July 30. Camp topics include: Step-by-step bookmaking Easy art making at home Conversations about art Introductions to women artists 2021 guest instructors include book artists Carol Barton, Julie Chen, Jamila Zahra Felton, and Priya Pereira, and SONYA CLARK: TATTER, BRISTLE, AND MEND Mar 03 to Jun 27, 2021. Textile and social practice artist Sonya Clark (b. 1967) is renowned for her mixed-media works that address race and visibility, explore Blackness, and redress history. This exhibition—the first survey of Clark’s 25-year career—includes the artist’s well-known sculptures made from black pocket combs,human hair
HARVARD PROJECT ZERO THINKING ROUTINES Harvard Project Zero Thinking Routines . Educators at the National Museum of Women in the Arts (NMWA) often employ Harvard Project Zero (HPZ) Thinking Routines during school toursSONYA CLARK
Lexie’s Curl. In Afro Abe II, Sonya Clark transformed a U.S. five-dollar bill to reveal connections between money, power, and pride. Clark made her first two Afro Abe artworks in 2007 when then-Senator Barack Obama began his presidential campaign. Over the next five years, she created 42 additional Afro Abe pieces to honorhis place as the
DELITA MARTIN: CALLING DOWN THE SPIRITS Delita Martin (b. 1972, Conroe, Texas) creates large-scale prints onto which she draws, sews, collages, and paints. Martin claims space for her subjects, particularly black women, creating a powerful presence that simultaneously highlights the historical absence of black bodies in Western art. Through her work, Martin aims to create a newCHAKAIA BOOKER
Booker received a B.A. in sociology from Rutgers University in 1976, and an M.F.A. from the City College of New York in 1993. She gained international acclaim at the 2000 Whitney Biennial with It’s So Hard to Be Green (2000), her 12.5 x 21 foot wall-hung tire sculpture. Booker received the Pollock-Krasner Grant in 2002 and a Guggenheim JUDY CHICAGO—THE END: A MEDITATION ON DEATH AND EXTINCTION Judy Chicago has built her career on pushing boundaries. Her latest body of work, a series titled The End: A Meditation on Death and Extinction, is no exception. In nearly 40 works of painted porcelain and glass, as well as two large bronze sculptures, Chicago tackles human mortality and species extinction. NMWA is the first venue to ELIZABETH ADELA ARMSTRONG FORBES Elizabeth Adela Armstrong Forbes. 1859–1912. As a young girl, Forbes studied drawing in her native Canada and in England. She later studied with William Merritt Chase at the Art Students League of New York. In 1882 she moved to Pont-Aven, Brittany, where she experimented with plein-air painting, a technique that impacted her future oeuvre.ONLINE EXHIBITIONS
Online Exhibitions. Explore online exhibitions related to the collection, artists, and other special exhibitions. Wilhelmina Cole Holladay (1922–2021), founder of the National Museum of Women in the Arts, dedicated herself to addressing the underrepresentation of womenartists in
ABOUT | NATIONAL MUSEUM OF WOMEN IN THE ARTS The National Museum of Women in the Arts (NMWA) is the only major museum in the world solely dedicated to championing women through the arts. With its collections, exhibitions, programs, and online content, the museum seeks to inspire dynamic exchanges about art and ideas. ART FIX FRIDAY: JUNE 11, 2021 Curator Legacy Russell has been named the executive director and chief curator of the New York arts center the Kitchen.She is the first Black person to lead the revered cultural nonprofit. Legacy Russell; Photo by Mina Alyeshmerni. Russell explained that she hopes to advance the Kitchen’s avant-garde momentum. “I think deeply about intersections—across Blackness, queerness, feminist VIRTUAL HAPPY HOUR: MARY VAUX WALCOTT CELEBRATION Mary Vaux Walcott, Plate 24 - Southern Magnolia (flower) (from North American Wild Flowers, Vol.1), 1925; Colored lithograph, 14 1/8 x 11 1/8 in.; National Museum of Women in ON GUARD | ARTWORK | NMWA On Guard is part of a series of photographs Neshat created in the 1990s that depict parts of women’s bodies. To make these images, she or her models put on a chador, a large black cloth worn by some Iranian women to cover their head and body while in a public space. She photographed the parts of the body that the chador left uncovered:eyes
PICTURING MARY: WOMAN, MOTHER, IDEA Picturing Mary: Woman, Mother, Idea explores the concept of womanhood represented by the Virgin Mary as well as the social and sacred functions her image has served through time.This landmark exhibition organized by the National Museum of Women in the Arts brings together more than 60 Renaissance- and Baroque-era masterworks from the Vatican Museums, Uffizi Gallery, and other NOW ON VIEW: HER FLAG To commemorate the 100th anniversary of the passage of the 19th Amendment, NMWA has partnered with Her Flag, a nationwide art and travel project led by artist Marilyn Artus. LA LLAMADA (THE CALL) La llamada (The Call) Remedios Varo. Like many figures in Remedios Varo’s paintings, the subject of The Call (1961) projects a sense of solemn preoccupation, as though in the midst of a momentous adventure. Wearing flowing robes and carrying alchemical tools, including a mortar and pestle at her collar, she traverses a sort of courtyard. JULIE CHEN: TRUE TO LIFE The internationally recognized artist and teacher Julie Chen creates elaborate books that call for readers to do more than simply turn pages to uncover her poetic reflections. Readers may be called upon to peer through a tunnel created by accordioned pages or flip the slats of a Venetian blind-like structure in order to read the text. J ulie Chen: True to Life will exhibit more than a dozenHANNAH HÖCH
Hannah Höch. Höch was born in Gotha, Germany and moved to Berlin in 1912 to study calligraphy, embroidery, wallpaper design, and graphic arts. With Raoul Hausmann, George Grosz, and others, Höch founded Berlin Dada. This international avant-garde movement was reacting to the horrors of World War I and brazenly rejected traditional artforms.
NATIONAL MUSEUM OF WOMEN IN THE ARTS Located in Washington, D.C., The National Museum of Women in the Arts the world's only major art museum solely dedicated to championingwomen artists.
NMWA SHOP - NATIONAL MUSEUM OF WOMEN IN THE ARTS Inspired by the museum’s mission to champion women through the arts, the NMWA shop only carries merchandise by women-owned and -operated businesses. It also features products created specifically for the shop by local women artists and designers. VIRTUAL EDUCATOR SUMMER CAMP Independent, 90-minute sessions on a variety of topics are offered Mondays, Wednesdays, and Fridays, Monday, July 12, through Friday, July 30. Camp topics include: Step-by-step bookmaking Easy art making at home Conversations about art Introductions to women artists 2021 guest instructors include book artists Carol Barton, Julie Chen, Jamila Zahra Felton, and Priya Pereira, and SONYA CLARK: TATTER, BRISTLE, AND MEND Mar 03 to Jun 27, 2021. Textile and social practice artist Sonya Clark (b. 1967) is renowned for her mixed-media works that address race and visibility, explore Blackness, and redress history. This exhibition—the first survey of Clark’s 25-year career—includes the artist’s well-known sculptures made from black pocket combs,human hair
SONYA CLARK
Lexie’s Curl. In Afro Abe II, Sonya Clark transformed a U.S. five-dollar bill to reveal connections between money, power, and pride. Clark made her first two Afro Abe artworks in 2007 when then-Senator Barack Obama began his presidential campaign. Over the next five years, she created 42 additional Afro Abe pieces to honorhis place as the
DELITA MARTIN: CALLING DOWN THE SPIRITS Delita Martin (b. 1972, Conroe, Texas) creates large-scale prints onto which she draws, sews, collages, and paints. Martin claims space for her subjects, particularly black women, creating a powerful presence that simultaneously highlights the historical absence of black bodies in Western art. Through her work, Martin aims to create a newCHAKAIA BOOKER
Booker received a B.A. in sociology from Rutgers University in 1976, and an M.F.A. from the City College of New York in 1993. She gained international acclaim at the 2000 Whitney Biennial with It’s So Hard to Be Green (2000), her 12.5 x 21 foot wall-hung tire sculpture. Booker received the Pollock-Krasner Grant in 2002 and a Guggenheim ON GUARD | ARTWORK | NMWA On Guard is part of a series of photographs Neshat created in the 1990s that depict parts of women’s bodies. To make these images, she or her models put on a chador, a large black cloth worn by some Iranian women to cover their head and body while in a public space. She photographed the parts of the body that the chador left uncovered:eyes
T.B. HARLEM
T.B. Harlem. Like many of Alice Neel’s portraits of her Spanish Harlem neighbors, T.B. Harlem calls attention to poverty as a social issue without sacrificing the subject’s individuality. In this painting, Neel portrayed Carlos Negrón, the brother of the artist’s then-lover, José Santiago. Negrón, 24 years old here, had moved toNew
ELIZABETH ADELA ARMSTRONG FORBES Elizabeth Adela Armstrong Forbes. 1859–1912. As a young girl, Forbes studied drawing in her native Canada and in England. She later studied with William Merritt Chase at the Art Students League of New York. In 1882 she moved to Pont-Aven, Brittany, where she experimented with plein-air painting, a technique that impacted her future oeuvre. NATIONAL MUSEUM OF WOMEN IN THE ARTS Located in Washington, D.C., The National Museum of Women in the Arts the world's only major art museum solely dedicated to championingwomen artists.
NMWA SHOP - NATIONAL MUSEUM OF WOMEN IN THE ARTS Inspired by the museum’s mission to champion women through the arts, the NMWA shop only carries merchandise by women-owned and -operated businesses. It also features products created specifically for the shop by local women artists and designers. VIRTUAL EDUCATOR SUMMER CAMP Independent, 90-minute sessions on a variety of topics are offered Mondays, Wednesdays, and Fridays, Monday, July 12, through Friday, July 30. Camp topics include: Step-by-step bookmaking Easy art making at home Conversations about art Introductions to women artists 2021 guest instructors include book artists Carol Barton, Julie Chen, Jamila Zahra Felton, and Priya Pereira, and SONYA CLARK: TATTER, BRISTLE, AND MEND Mar 03 to Jun 27, 2021. Textile and social practice artist Sonya Clark (b. 1967) is renowned for her mixed-media works that address race and visibility, explore Blackness, and redress history. This exhibition—the first survey of Clark’s 25-year career—includes the artist’s well-known sculptures made from black pocket combs,human hair
SONYA CLARK
Lexie’s Curl. In Afro Abe II, Sonya Clark transformed a U.S. five-dollar bill to reveal connections between money, power, and pride. Clark made her first two Afro Abe artworks in 2007 when then-Senator Barack Obama began his presidential campaign. Over the next five years, she created 42 additional Afro Abe pieces to honorhis place as the
DELITA MARTIN: CALLING DOWN THE SPIRITS Delita Martin (b. 1972, Conroe, Texas) creates large-scale prints onto which she draws, sews, collages, and paints. Martin claims space for her subjects, particularly black women, creating a powerful presence that simultaneously highlights the historical absence of black bodies in Western art. Through her work, Martin aims to create a newCHAKAIA BOOKER
Booker received a B.A. in sociology from Rutgers University in 1976, and an M.F.A. from the City College of New York in 1993. She gained international acclaim at the 2000 Whitney Biennial with It’s So Hard to Be Green (2000), her 12.5 x 21 foot wall-hung tire sculpture. Booker received the Pollock-Krasner Grant in 2002 and a Guggenheim ON GUARD | ARTWORK | NMWA On Guard is part of a series of photographs Neshat created in the 1990s that depict parts of women’s bodies. To make these images, she or her models put on a chador, a large black cloth worn by some Iranian women to cover their head and body while in a public space. She photographed the parts of the body that the chador left uncovered:eyes
T.B. HARLEM
T.B. Harlem. Like many of Alice Neel’s portraits of her Spanish Harlem neighbors, T.B. Harlem calls attention to poverty as a social issue without sacrificing the subject’s individuality. In this painting, Neel portrayed Carlos Negrón, the brother of the artist’s then-lover, José Santiago. Negrón, 24 years old here, had moved toNew
ELIZABETH ADELA ARMSTRONG FORBES Elizabeth Adela Armstrong Forbes. 1859–1912. As a young girl, Forbes studied drawing in her native Canada and in England. She later studied with William Merritt Chase at the Art Students League of New York. In 1882 she moved to Pont-Aven, Brittany, where she experimented with plein-air painting, a technique that impacted her future oeuvre. VIRTUAL EDUCATOR SUMMER CAMP Independent, 90-minute sessions on a variety of topics are offered Mondays, Wednesdays, and Fridays, Monday, July 12, through Friday, July 30. Camp topics include: Step-by-step bookmaking Easy art making at home Conversations about art Introductions to women artists 2021 guest instructors include book artists Carol Barton, Julie Chen, Jamila Zahra Felton, and Priya Pereira, and VIRTUAL HAPPY HOUR: MARY VAUX WALCOTT CELEBRATION Mary Vaux Walcott, Plate 24 - Southern Magnolia (flower) (from North American Wild Flowers, Vol.1), 1925; Colored lithograph, 14 1/8 x 11 1/8 in.; National Museum of Women in MODERN MAKERS: BIANCA NEGRON Bianca’s Design Shop features rad pins, creative goods, and other cute accessories made with love by queer Latinx artist Bianca Negron. We spoke with Negron about the shop’s genesis, her inspirations, and her hopes for a more inclusive future. Check out JUDY CHICAGO—THE END: A MEDITATION ON DEATH AND EXTINCTION Judy Chicago has built her career on pushing boundaries. Her latest body of work, a series titled The End: A Meditation on Death and Extinction, is no exception. In nearly 40 works of painted porcelain and glass, as well as two large bronze sculptures, Chicago tackles human mortality and species extinction. NMWA is the first venue to NOW ON VIEW: HER FLAG To commemorate the 100th anniversary of the passage of the 19th Amendment, NMWA has partnered with Her Flag, a nationwide art and travel project led by artist Marilyn Artus. SONYA CLARK AUDIO GUIDE Sonya Clark, Mom’s Wisdom or Cotton Candy.This piece is an homage to my most recent ancestor, my mother, Lilleth Ruby (McHardy) Clark, who passed away in 2018. She routinely saved her hair for me, and I would separate the dark strands from the white to preserve her wisdom.BOOKS (ALL)
Inspired by the museum’s mission to champion women through the arts, the NMWA shop only carries merchandise by women-owned and -operated businesses. It also features products created specifically for the shop by local women artists and designers. HOME (ALL) – NMWA SHOP Inspired by the museum’s mission to champion women through the arts, the NMWA shop only carries merchandise by women-owned and -operated businesses. It also features products created specifically for the shop by local women artists and designers.CROOKHEY HALL
The Artist, Leonora Carrington Through her paintings and sculptures, Leonora Carrington often explored notions of femininity in the whimsical, dreamlike style of Surrealism.HANNAH HÖCH
Hannah Höch. Höch was born in Gotha, Germany and moved to Berlin in 1912 to study calligraphy, embroidery, wallpaper design, and graphic arts. With Raoul Hausmann, George Grosz, and others, Höch founded Berlin Dada. This international avant-garde movement was reacting to the horrors of World War I and brazenly rejected traditional artforms.
NATIONAL MUSEUM OF WOMEN IN THE ARTS Located in Washington, D.C., The National Museum of Women in the Arts the world's only major art museum solely dedicated to championingwomen artists.
NMWA SHOP - NATIONAL MUSEUM OF WOMEN IN THE ARTS Inspired by the museum’s mission to champion women through the arts, the NMWA shop only carries merchandise by women-owned and -operated businesses. It also features products created specifically for the shop by local women artists and designers. VIRTUAL EDUCATOR SUMMER CAMP Independent, 90-minute sessions on a variety of topics are offered Mondays, Wednesdays, and Fridays, Monday, July 12, through Friday, July 30. Camp topics include: Step-by-step bookmaking Easy art making at home Conversations about art Introductions to women artists 2021 guest instructors include book artists Carol Barton, Julie Chen, Jamila Zahra Felton, and Priya Pereira, and SONYA CLARK: TATTER, BRISTLE, AND MEND Mar 03 to Jun 27, 2021. Textile and social practice artist Sonya Clark (b. 1967) is renowned for her mixed-media works that address race and visibility, explore Blackness, and redress history. This exhibition—the first survey of Clark’s 25-year career—includes the artist’s well-known sculptures made from black pocket combs,human hair
DELITA MARTIN: CALLING DOWN THE SPIRITS Delita Martin (b. 1972, Conroe, Texas) creates large-scale prints onto which she draws, sews, collages, and paints. Martin claims space for her subjects, particularly black women, creating a powerful presence that simultaneously highlights the historical absence of black bodies in Western art. Through her work, Martin aims to create a newSONYA CLARK
Lexie’s Curl. In Afro Abe II, Sonya Clark transformed a U.S. five-dollar bill to reveal connections between money, power, and pride. Clark made her first two Afro Abe artworks in 2007 when then-Senator Barack Obama began his presidential campaign. Over the next five years, she created 42 additional Afro Abe pieces to honorhis place as the
CHAKAIA BOOKER
Booker received a B.A. in sociology from Rutgers University in 1976, and an M.F.A. from the City College of New York in 1993. She gained international acclaim at the 2000 Whitney Biennial with It’s So Hard to Be Green (2000), her 12.5 x 21 foot wall-hung tire sculpture. Booker received the Pollock-Krasner Grant in 2002 and a Guggenheim ON GUARD | ARTWORK | NMWA On Guard is part of a series of photographs Neshat created in the 1990s that depict parts of women’s bodies. To make these images, she or her models put on a chador, a large black cloth worn by some Iranian women to cover their head and body while in a public space. She photographed the parts of the body that the chador left uncovered:eyes
JUDY CHICAGO—THE END: A MEDITATION ON DEATH AND EXTINCTION Judy Chicago has built her career on pushing boundaries. Her latest body of work, a series titled The End: A Meditation on Death and Extinction, is no exception. In nearly 40 works of painted porcelain and glass, as well as two large bronze sculptures, Chicago tackles human mortality and species extinction. NMWA is the first venue toT.B. HARLEM
T.B. Harlem. Like many of Alice Neel’s portraits of her Spanish Harlem neighbors, T.B. Harlem calls attention to poverty as a social issue without sacrificing the subject’s individuality. In this painting, Neel portrayed Carlos Negrón, the brother of the artist’s then-lover, José Santiago. Negrón, 24 years old here, had moved toNew
NATIONAL MUSEUM OF WOMEN IN THE ARTS Located in Washington, D.C., The National Museum of Women in the Arts the world's only major art museum solely dedicated to championingwomen artists.
NMWA SHOP - NATIONAL MUSEUM OF WOMEN IN THE ARTS Inspired by the museum’s mission to champion women through the arts, the NMWA shop only carries merchandise by women-owned and -operated businesses. It also features products created specifically for the shop by local women artists and designers. VIRTUAL EDUCATOR SUMMER CAMP Independent, 90-minute sessions on a variety of topics are offered Mondays, Wednesdays, and Fridays, Monday, July 12, through Friday, July 30. Camp topics include: Step-by-step bookmaking Easy art making at home Conversations about art Introductions to women artists 2021 guest instructors include book artists Carol Barton, Julie Chen, Jamila Zahra Felton, and Priya Pereira, and SONYA CLARK: TATTER, BRISTLE, AND MEND Mar 03 to Jun 27, 2021. Textile and social practice artist Sonya Clark (b. 1967) is renowned for her mixed-media works that address race and visibility, explore Blackness, and redress history. This exhibition—the first survey of Clark’s 25-year career—includes the artist’s well-known sculptures made from black pocket combs,human hair
DELITA MARTIN: CALLING DOWN THE SPIRITS Delita Martin (b. 1972, Conroe, Texas) creates large-scale prints onto which she draws, sews, collages, and paints. Martin claims space for her subjects, particularly black women, creating a powerful presence that simultaneously highlights the historical absence of black bodies in Western art. Through her work, Martin aims to create a newSONYA CLARK
Lexie’s Curl. In Afro Abe II, Sonya Clark transformed a U.S. five-dollar bill to reveal connections between money, power, and pride. Clark made her first two Afro Abe artworks in 2007 when then-Senator Barack Obama began his presidential campaign. Over the next five years, she created 42 additional Afro Abe pieces to honorhis place as the
CHAKAIA BOOKER
Booker received a B.A. in sociology from Rutgers University in 1976, and an M.F.A. from the City College of New York in 1993. She gained international acclaim at the 2000 Whitney Biennial with It’s So Hard to Be Green (2000), her 12.5 x 21 foot wall-hung tire sculpture. Booker received the Pollock-Krasner Grant in 2002 and a Guggenheim ON GUARD | ARTWORK | NMWA On Guard is part of a series of photographs Neshat created in the 1990s that depict parts of women’s bodies. To make these images, she or her models put on a chador, a large black cloth worn by some Iranian women to cover their head and body while in a public space. She photographed the parts of the body that the chador left uncovered:eyes
JUDY CHICAGO—THE END: A MEDITATION ON DEATH AND EXTINCTION Judy Chicago has built her career on pushing boundaries. Her latest body of work, a series titled The End: A Meditation on Death and Extinction, is no exception. In nearly 40 works of painted porcelain and glass, as well as two large bronze sculptures, Chicago tackles human mortality and species extinction. NMWA is the first venue toT.B. HARLEM
T.B. Harlem. Like many of Alice Neel’s portraits of her Spanish Harlem neighbors, T.B. Harlem calls attention to poverty as a social issue without sacrificing the subject’s individuality. In this painting, Neel portrayed Carlos Negrón, the brother of the artist’s then-lover, José Santiago. Negrón, 24 years old here, had moved toNew
VIRTUAL EDUCATOR SUMMER CAMP Independent, 90-minute sessions on a variety of topics are offered Mondays, Wednesdays, and Fridays, Monday, July 12, through Friday, July 30. Camp topics include: Step-by-step bookmaking Easy art making at home Conversations about art Introductions to women artists 2021 guest instructors include book artists Carol Barton, Julie Chen, Jamila Zahra Felton, and Priya Pereira, and VIRTUAL HAPPY HOUR: MARY VAUX WALCOTT CELEBRATION Mary Vaux Walcott, Plate 24 - Southern Magnolia (flower) (from North American Wild Flowers, Vol.1), 1925; Colored lithograph, 14 1/8 x 11 1/8 in.; National Museum of Women in NOW ON VIEW: HER FLAG To commemorate the 100th anniversary of the passage of the 19th Amendment, NMWA has partnered with Her Flag, a nationwide art and travel project led by artist Marilyn Artus. JAR | ARTWORK | NMWA Jar. Maria Martinez made this jar by mixing clay with volcanic ash found on her pueblo and building up the basic form with coils of clay that she scraped and smoothed with a gourd tool. Once the jar had dried and hardened, she polished its surface with a small stone. Her husband Julian then painted on the design with liquid clay, producinga
BOOKS (ALL)
Inspired by the museum’s mission to champion women through the arts, the NMWA shop only carries merchandise by women-owned and -operated businesses. It also features products created specifically for the shop by local women artists and designers. LA LLAMADA (THE CALL) La llamada (The Call) Remedios Varo. Like many figures in Remedios Varo’s paintings, the subject of The Call (1961) projects a sense of solemn preoccupation, as though in the midst of a momentous adventure. Wearing flowing robes and carrying alchemical tools, including a mortar and pestle at her collar, she traverses a sort of courtyard.LIFESTYLE (ALL)
Inspired by the museum’s mission to champion women through the arts, the NMWA shop only carries merchandise by women-owned and -operated businesses. It also features products created specifically for the shop by local women artists and designers. HOME (ALL) – NMWA SHOP Inspired by the museum’s mission to champion women through the arts, the NMWA shop only carries merchandise by women-owned and -operated businesses. It also features products created specifically for the shop by local women artists and designers.SHIRIN NESHAT
Neshat left Iran to study art in Los Angeles in 1974, just prior to the Iran Islamic Revolution; she did not return until 1990. At that time, Neshat began to photograph herself wearing the chador, or veil. In 1983, Islamic law dictated the wearing of chador for women.Much of Neshat’s work examines the physical, emotional, and cultural implications of veiled women in Iran.HANNAH HÖCH
Hannah Höch. Höch was born in Gotha, Germany and moved to Berlin in 1912 to study calligraphy, embroidery, wallpaper design, and graphic arts. With Raoul Hausmann, George Grosz, and others, Höch founded Berlin Dada. This international avant-garde movement was reacting to the horrors of World War I and brazenly rejected traditional artforms.
NATIONAL MUSEUM OF WOMEN IN THE ARTS Located in Washington, D.C., The National Museum of Women in the Arts the world's only major art museum solely dedicated to championingwomen artists.
NMWA SHOP - NATIONAL MUSEUM OF WOMEN IN THE ARTS Inspired by the museum’s mission to champion women through the arts, the NMWA shop only carries merchandise by women-owned and -operated businesses. It also features products created specifically for the shop by local women artists and designers. SONYA CLARK: TATTER, BRISTLE, AND MEND Mar 03 to Jun 27, 2021. Textile and social practice artist Sonya Clark (b. 1967) is renowned for her mixed-media works that address race and visibility, explore Blackness, and redress history. This exhibition—the first survey of Clark’s 25-year career—includes the artist’s well-known sculptures made from black pocket combs,human hair
SELF-PORTRAIT
Self-Portrait. Aside from the figure’s three-quarter-turn pose, this painting presents an avant-garde version of the traditional artist’s self-portrait. Through her training and travels, Alice Bailly became attuned to many vital European art movements of the early 20th century. Her apartment in Geneva was a popular meeting place forartists
ON GUARD | ARTWORK | NMWA On Guard is part of a series of photographs Neshat created in the 1990s that depict parts of women’s bodies. To make these images, she or her models put on a chador, a large black cloth worn by some Iranian women to cover their head and body while in a public space. She photographed the parts of the body that the chador left uncovered:eyes
SONYA CLARK
Lexie’s Curl. In Afro Abe II, Sonya Clark transformed a U.S. five-dollar bill to reveal connections between money, power, and pride. Clark made her first two Afro Abe artworks in 2007 when then-Senator Barack Obama began his presidential campaign. Over the next five years, she created 42 additional Afro Abe pieces to honorhis place as the
DELITA MARTIN: CALLING DOWN THE SPIRITS Delita Martin (b. 1972, Conroe, Texas) creates large-scale prints onto which she draws, sews, collages, and paints. Martin claims space for her subjects, particularly black women, creating a powerful presence that simultaneously highlights the historical absence of black bodies in Western art. Through her work, Martin aims to create a new JUDY CHICAGO—THE END: A MEDITATION ON DEATH AND EXTINCTION Judy Chicago has built her career on pushing boundaries. Her latest body of work, a series titled The End: A Meditation on Death and Extinction, is no exception. In nearly 40 works of painted porcelain and glass, as well as two large bronze sculptures, Chicago tackles human mortality and species extinction. NMWA is the first venue toALICE BAILLY
Alice Bailly. 1872–1938. While she was exhibiting her early wood engravings in Paris, Fauvism came to the fore. Bailly was inspired by the style’s bold use of intense colors, dark outlines, and emphatically unrealistic anatomy and space. In 1908, her new paintings hung at the Salon d’Automne alongside the art of the principal Fauvepainters.
CLAIRE VAN VLIET
An exceptionally gifted child, she graduated from high school at 15 before continuing her university education. In 1955, she moved to Philadelphia to work as an apprentice at Pickering Press. That same year, Van Vliet’s first artist book of wood engravings, The Oxford Odyssey, was published. Van Vliet started Janus Press, presentlylocated in
NATIONAL MUSEUM OF WOMEN IN THE ARTS Located in Washington, D.C., The National Museum of Women in the Arts the world's only major art museum solely dedicated to championingwomen artists.
NMWA SHOP - NATIONAL MUSEUM OF WOMEN IN THE ARTS Inspired by the museum’s mission to champion women through the arts, the NMWA shop only carries merchandise by women-owned and -operated businesses. It also features products created specifically for the shop by local women artists and designers. SONYA CLARK: TATTER, BRISTLE, AND MEND Mar 03 to Jun 27, 2021. Textile and social practice artist Sonya Clark (b. 1967) is renowned for her mixed-media works that address race and visibility, explore Blackness, and redress history. This exhibition—the first survey of Clark’s 25-year career—includes the artist’s well-known sculptures made from black pocket combs,human hair
SELF-PORTRAIT
Self-Portrait. Aside from the figure’s three-quarter-turn pose, this painting presents an avant-garde version of the traditional artist’s self-portrait. Through her training and travels, Alice Bailly became attuned to many vital European art movements of the early 20th century. Her apartment in Geneva was a popular meeting place forartists
ON GUARD | ARTWORK | NMWA On Guard is part of a series of photographs Neshat created in the 1990s that depict parts of women’s bodies. To make these images, she or her models put on a chador, a large black cloth worn by some Iranian women to cover their head and body while in a public space. She photographed the parts of the body that the chador left uncovered:eyes
SONYA CLARK
Lexie’s Curl. In Afro Abe II, Sonya Clark transformed a U.S. five-dollar bill to reveal connections between money, power, and pride. Clark made her first two Afro Abe artworks in 2007 when then-Senator Barack Obama began his presidential campaign. Over the next five years, she created 42 additional Afro Abe pieces to honorhis place as the
DELITA MARTIN: CALLING DOWN THE SPIRITS Delita Martin (b. 1972, Conroe, Texas) creates large-scale prints onto which she draws, sews, collages, and paints. Martin claims space for her subjects, particularly black women, creating a powerful presence that simultaneously highlights the historical absence of black bodies in Western art. Through her work, Martin aims to create a new JUDY CHICAGO—THE END: A MEDITATION ON DEATH AND EXTINCTION Judy Chicago has built her career on pushing boundaries. Her latest body of work, a series titled The End: A Meditation on Death and Extinction, is no exception. In nearly 40 works of painted porcelain and glass, as well as two large bronze sculptures, Chicago tackles human mortality and species extinction. NMWA is the first venue toALICE BAILLY
Alice Bailly. 1872–1938. While she was exhibiting her early wood engravings in Paris, Fauvism came to the fore. Bailly was inspired by the style’s bold use of intense colors, dark outlines, and emphatically unrealistic anatomy and space. In 1908, her new paintings hung at the Salon d’Automne alongside the art of the principal Fauvepainters.
CLAIRE VAN VLIET
An exceptionally gifted child, she graduated from high school at 15 before continuing her university education. In 1955, she moved to Philadelphia to work as an apprentice at Pickering Press. That same year, Van Vliet’s first artist book of wood engravings, The Oxford Odyssey, was published. Van Vliet started Janus Press, presentlylocated in
PLAN YOUR VISIT
Use the goDCgo interactive map to plan your trip via bus, metro, bicycle rental, and more. The closest Metro stations to the museum are Metro Center (Red, Blue, Orange, and Silver lines) or Gallery Place-Chinatown (Red, Green, and Yellow lines). Visit the WMATA website for detailed maps and schedules. 25 X 25: ARTISTS’ BOOKS FROM THE NMWA COLLECTION This rare volume of poetry and etchings—one of 69 copies—was the first artist’s book acquired for the collection. The collection now comprises more than 1,000 unique books and limited editions in a variety of formats, from scrolls and accordions to codices and sculptures. Over NMWA’s 25-year history, the museum has been uniquein
ALICE BAILLY
Alice Bailly. 1872–1938. While she was exhibiting her early wood engravings in Paris, Fauvism came to the fore. Bailly was inspired by the style’s bold use of intense colors, dark outlines, and emphatically unrealistic anatomy and space. In 1908, her new paintings hung at the Salon d’Automne alongside the art of the principal Fauvepainters.
SUPERWOMAN | ARTWORK | NMWA Superwoman. Kiki Kogelnik. Kiki Kogelnik’s paintings from the 1970s, including Superwoman, engaged with feminist perspectives on the representation of women’s bodies. In particular, she addressed the body’s ubiquity in advertising. With characteristic deadpan humor, Kogelnik drew her figures in an imposing, larger-than-life scale. URSULA VON RYDINGSVARD Ursula Von Rydingsvard was born in Germany to Polish and Ukrainian parents, peasant farmers who worked in forced labor under the Nazis during World War II. The family moved among nine displacement camps for Polish refugees in Germany following the war. They immigrated to Plainville, Connecticut, in 1950. Although von Rydingsvard’ssculptures
JULIE CHEN: TRUE TO LIFE The internationally recognized artist and teacher Julie Chen creates elaborate books that call for readers to do more than simply turn pages to uncover her poetic reflections. Readers may be called upon to peer through a tunnel created by accordioned pages or flip the slats of a Venetian blind-like structure in order to read the text. J ulie Chen: True to Life will exhibit more than a dozen JAR | ARTWORK | NMWA Jar. Maria Martinez made this jar by mixing clay with volcanic ash found on her pueblo and building up the basic form with coils of clay that she scraped and smoothed with a gourd tool. Once the jar had dried and hardened, she polished its surface with a small stone. Her husband Julian then painted on the design with liquid clay, producinga
MARGUERITE GÉRARD
Marguerite Gérard. 1761–1837. Gérard, who never married and apparently never demonstrated any interest in joining the Academy, had a tremendously successful career. She won three medals for her work, which she exhibited regularly once the Salons were opened to women in the 1790s. Her pictures were acquired by luminaries such as Napoleonand
HANNAH HÖCH
Hannah Höch. Höch was born in Gotha, Germany and moved to Berlin in 1912 to study calligraphy, embroidery, wallpaper design, and graphic arts. With Raoul Hausmann, George Grosz, and others, Höch founded Berlin Dada. This international avant-garde movement was reacting to the horrors of World War I and brazenly rejected traditional artforms.
THE SHEPHERD DAVID
The Shepherd David is based on the biblical story (I Samuel 17:34) in which David proves his worthiness to fight Goliath by recounting that he fought wild beasts threatening his flock.Elizabeth Jane Gardner Bouguereau depicts a young David kneeling victoriously on a NATIONAL MUSEUM OF WOMEN IN THE ARTS Located in Washington, D.C., The National Museum of Women in the Arts the world's only major art museum solely dedicated to championingwomen artists.
NMWA SHOP - NATIONAL MUSEUM OF WOMEN IN THE ARTS Inspired by the museum’s mission to champion women through the arts, the NMWA shop only carries merchandise by women-owned and -operated businesses. It also features products created specifically for the shop by local women artists and designers. SONYA CLARK: TATTER, BRISTLE, AND MEND Mar 03 to Jun 27, 2021. Textile and social practice artist Sonya Clark (b. 1967) is renowned for her mixed-media works that address race and visibility, explore Blackness, and redress history. This exhibition—the first survey of Clark’s 25-year career—includes the artist’s well-known sculptures made from black pocket combs,human hair
SELF-PORTRAIT
Self-Portrait. Aside from the figure’s three-quarter-turn pose, this painting presents an avant-garde version of the traditional artist’s self-portrait. Through her training and travels, Alice Bailly became attuned to many vital European art movements of the early 20th century. Her apartment in Geneva was a popular meeting place forartists
ON GUARD | ARTWORK | NMWA On Guard is part of a series of photographs Neshat created in the 1990s that depict parts of women’s bodies. To make these images, she or her models put on a chador, a large black cloth worn by some Iranian women to cover their head and body while in a public space. She photographed the parts of the body that the chador left uncovered:eyes
SONYA CLARK
Lexie’s Curl. In Afro Abe II, Sonya Clark transformed a U.S. five-dollar bill to reveal connections between money, power, and pride. Clark made her first two Afro Abe artworks in 2007 when then-Senator Barack Obama began his presidential campaign. Over the next five years, she created 42 additional Afro Abe pieces to honorhis place as the
DELITA MARTIN: CALLING DOWN THE SPIRITS Delita Martin (b. 1972, Conroe, Texas) creates large-scale prints onto which she draws, sews, collages, and paints. Martin claims space for her subjects, particularly black women, creating a powerful presence that simultaneously highlights the historical absence of black bodies in Western art. Through her work, Martin aims to create a new JUDY CHICAGO—THE END: A MEDITATION ON DEATH AND EXTINCTION Judy Chicago has built her career on pushing boundaries. Her latest body of work, a series titled The End: A Meditation on Death and Extinction, is no exception. In nearly 40 works of painted porcelain and glass, as well as two large bronze sculptures, Chicago tackles human mortality and species extinction. NMWA is the first venue toALICE BAILLY
Alice Bailly. 1872–1938. While she was exhibiting her early wood engravings in Paris, Fauvism came to the fore. Bailly was inspired by the style’s bold use of intense colors, dark outlines, and emphatically unrealistic anatomy and space. In 1908, her new paintings hung at the Salon d’Automne alongside the art of the principal Fauvepainters.
CLAIRE VAN VLIET
An exceptionally gifted child, she graduated from high school at 15 before continuing her university education. In 1955, she moved to Philadelphia to work as an apprentice at Pickering Press. That same year, Van Vliet’s first artist book of wood engravings, The Oxford Odyssey, was published. Van Vliet started Janus Press, presentlylocated in
NATIONAL MUSEUM OF WOMEN IN THE ARTS Located in Washington, D.C., The National Museum of Women in the Arts the world's only major art museum solely dedicated to championingwomen artists.
NMWA SHOP - NATIONAL MUSEUM OF WOMEN IN THE ARTS Inspired by the museum’s mission to champion women through the arts, the NMWA shop only carries merchandise by women-owned and -operated businesses. It also features products created specifically for the shop by local women artists and designers. SONYA CLARK: TATTER, BRISTLE, AND MEND Mar 03 to Jun 27, 2021. Textile and social practice artist Sonya Clark (b. 1967) is renowned for her mixed-media works that address race and visibility, explore Blackness, and redress history. This exhibition—the first survey of Clark’s 25-year career—includes the artist’s well-known sculptures made from black pocket combs,human hair
SELF-PORTRAIT
Self-Portrait. Aside from the figure’s three-quarter-turn pose, this painting presents an avant-garde version of the traditional artist’s self-portrait. Through her training and travels, Alice Bailly became attuned to many vital European art movements of the early 20th century. Her apartment in Geneva was a popular meeting place forartists
ON GUARD | ARTWORK | NMWA On Guard is part of a series of photographs Neshat created in the 1990s that depict parts of women’s bodies. To make these images, she or her models put on a chador, a large black cloth worn by some Iranian women to cover their head and body while in a public space. She photographed the parts of the body that the chador left uncovered:eyes
SONYA CLARK
Lexie’s Curl. In Afro Abe II, Sonya Clark transformed a U.S. five-dollar bill to reveal connections between money, power, and pride. Clark made her first two Afro Abe artworks in 2007 when then-Senator Barack Obama began his presidential campaign. Over the next five years, she created 42 additional Afro Abe pieces to honorhis place as the
DELITA MARTIN: CALLING DOWN THE SPIRITS Delita Martin (b. 1972, Conroe, Texas) creates large-scale prints onto which she draws, sews, collages, and paints. Martin claims space for her subjects, particularly black women, creating a powerful presence that simultaneously highlights the historical absence of black bodies in Western art. Through her work, Martin aims to create a new JUDY CHICAGO—THE END: A MEDITATION ON DEATH AND EXTINCTION Judy Chicago has built her career on pushing boundaries. Her latest body of work, a series titled The End: A Meditation on Death and Extinction, is no exception. In nearly 40 works of painted porcelain and glass, as well as two large bronze sculptures, Chicago tackles human mortality and species extinction. NMWA is the first venue toALICE BAILLY
Alice Bailly. 1872–1938. While she was exhibiting her early wood engravings in Paris, Fauvism came to the fore. Bailly was inspired by the style’s bold use of intense colors, dark outlines, and emphatically unrealistic anatomy and space. In 1908, her new paintings hung at the Salon d’Automne alongside the art of the principal Fauvepainters.
CLAIRE VAN VLIET
An exceptionally gifted child, she graduated from high school at 15 before continuing her university education. In 1955, she moved to Philadelphia to work as an apprentice at Pickering Press. That same year, Van Vliet’s first artist book of wood engravings, The Oxford Odyssey, was published. Van Vliet started Janus Press, presentlylocated in
PLAN YOUR VISIT
Use the goDCgo interactive map to plan your trip via bus, metro, bicycle rental, and more. The closest Metro stations to the museum are Metro Center (Red, Blue, Orange, and Silver lines) or Gallery Place-Chinatown (Red, Green, and Yellow lines). Visit the WMATA website for detailed maps and schedules. 25 X 25: ARTISTS’ BOOKS FROM THE NMWA COLLECTION This rare volume of poetry and etchings—one of 69 copies—was the first artist’s book acquired for the collection. The collection now comprises more than 1,000 unique books and limited editions in a variety of formats, from scrolls and accordions to codices and sculptures. Over NMWA’s 25-year history, the museum has been uniquein
ALICE BAILLY
Alice Bailly. 1872–1938. While she was exhibiting her early wood engravings in Paris, Fauvism came to the fore. Bailly was inspired by the style’s bold use of intense colors, dark outlines, and emphatically unrealistic anatomy and space. In 1908, her new paintings hung at the Salon d’Automne alongside the art of the principal Fauvepainters.
SUPERWOMAN | ARTWORK | NMWA Superwoman. Kiki Kogelnik. Kiki Kogelnik’s paintings from the 1970s, including Superwoman, engaged with feminist perspectives on the representation of women’s bodies. In particular, she addressed the body’s ubiquity in advertising. With characteristic deadpan humor, Kogelnik drew her figures in an imposing, larger-than-life scale. URSULA VON RYDINGSVARD Ursula Von Rydingsvard was born in Germany to Polish and Ukrainian parents, peasant farmers who worked in forced labor under the Nazis during World War II. The family moved among nine displacement camps for Polish refugees in Germany following the war. They immigrated to Plainville, Connecticut, in 1950. Although von Rydingsvard’ssculptures
JULIE CHEN: TRUE TO LIFE The internationally recognized artist and teacher Julie Chen creates elaborate books that call for readers to do more than simply turn pages to uncover her poetic reflections. Readers may be called upon to peer through a tunnel created by accordioned pages or flip the slats of a Venetian blind-like structure in order to read the text. J ulie Chen: True to Life will exhibit more than a dozen JAR | ARTWORK | NMWA Jar. Maria Martinez made this jar by mixing clay with volcanic ash found on her pueblo and building up the basic form with coils of clay that she scraped and smoothed with a gourd tool. Once the jar had dried and hardened, she polished its surface with a small stone. Her husband Julian then painted on the design with liquid clay, producinga
MARGUERITE GÉRARD
Marguerite Gérard. 1761–1837. Gérard, who never married and apparently never demonstrated any interest in joining the Academy, had a tremendously successful career. She won three medals for her work, which she exhibited regularly once the Salons were opened to women in the 1790s. Her pictures were acquired by luminaries such as Napoleonand
HANNAH HÖCH
Hannah Höch. Höch was born in Gotha, Germany and moved to Berlin in 1912 to study calligraphy, embroidery, wallpaper design, and graphic arts. With Raoul Hausmann, George Grosz, and others, Höch founded Berlin Dada. This international avant-garde movement was reacting to the horrors of World War I and brazenly rejected traditional artforms.
THE SHEPHERD DAVID
The Shepherd David is based on the biblical story (I Samuel 17:34) in which David proves his worthiness to fight Goliath by recounting that he fought wild beasts threatening his flock.Elizabeth Jane Gardner Bouguereau depicts a young David kneeling victoriously on aSkip to content
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CHAMPION WOMEN THROUGH THE ARTSPhoto Credit: Kevin
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Explore the first midcareer survey of the renowned textile artist, Sonya Clark. The exhibition, _Sonya Clark: Tatter, Bristle, and Mend_, features 100 mixed-media works that address race and visibility, explore Blackness, and redress history. View Current ExhibitionsVISIT US
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Help us restore, revitalize, and reimagine our iconic home in Washington, D.C. Support our ambitious $66 million campaign. Learn More About the Building ProjectRELATED QUOTE
> Great art should be viewed, valued, and supported especially work by> women.”
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SUPPORT WOMEN IN THE ARTS NMWA Members help us lead the way for women in the arts. Join as a member today and save with limited-time discounts. Become a Member , opens in new tabPhoto
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Photo credit: Kevin AllenRELATED QUOTE
> People in the art world want to think we are achieving parity more > quickly than we are.” Susan Fisher Sterling, The Alice West DirectorADVOCATE FOR WOMEN
Women artists have been marginalized for centuries. Gender bias is less overt today, but contemporary women artists still face many obstacles and disparities, as well as persistent underrepresentation in museum collections and exhibitions worldwide. Their historical precursors still deserve to have their stories told. Take Action Faith Ringgold, _American Collection #4: Jo Baker’s Bananas_ (detail), 1997; Photo credit: Emily Haight, NMWA Faith Ringgold, _American Collection #4: Jo Baker’s Bananas_ (detail), 1997; Photo credit: Emily Haight, NMWA EXPLORE THINGS TO DO @ NMWA*
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ART FIX FRIDAY: JUNE 4, 2021 Journalist Annette Lin examines the practices of four Salvadoran women artists; An expansive interview with Sonya Clark in _BmoreArt_; and more. Louise Dahl-Wolfe, _Margaret Bourke-White_, ca. 1940; Gelatin silver print, 10 x 10 1/2 in.; NMWA, Gift of Helen Cumming Ziegler; Photograph by Louise Dahl-Wolfe © 1989 Center for Creative Photography, Arizona Board of Regents Louise Dahl-Wolfe, _Margaret Bourke-White_, ca. 1940; Gelatin silver print, 10 x 10 1/2 in.; NMWA, Gift of Helen Cumming Ziegler; Photograph by Louise Dahl-Wolfe © 1989 Center for Creative Photography, Arizona Board of Regents@WomenInTheArts
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