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POEMS BY NICK MONTFORT Computational Poems & Related Digital Projects Nick Montfort. poetry (po-'i_-tre-) A prehensile form of ostentation that erects turbulence, without remuneration, in the pursuit of yearning. Replete with symbols, it is an ewer of extreme ecstasy; to enter it is to turnWORLD CLOCK
WORLD CLOCK 3 It is now as it happens 05:12 in Yekaterinburg. In some ramshackle domicile an old man known as Jian, who is significantly smaller than others of the same age, reads aLITERARY GAMES
Literary game actually is far from meaningless — it means several things. One is the metaphorical game played by the author of a literary work with the reader, a figure that can help us understand why the author writes particular things, what the reader may think in response, and how the text has anticipated the "moves" or "play" ofthe reader.
TEN THOUSAND DREAMS INTERPRETED: W, WADING-WRITING Wading. If you wade in clear water while dreaming, you will partake of evanescent, but exquisite joys. If the water is muddy, you are in danger of illness, or some sorrowful experiences. To see children wading in clear water is a happy prognostication, as you will be favored in your enterprises. SIX SELECTIONS BY THE OULIPO 12. The Oulipo 147; 1961 73 81 12. Six Selections by the Oulipo One Hudred Thousand Billion Poemsand “Yours for the Telling” by Raymond Queneau GALATEA BY EMILY SHORT Galatea and this introductory text are copyright Emily Short, 2000-2004, and appear here courtesy of the author. This is Galatea version 3, available for download as Galatea.z8 at the IF Archive. Contact Emily at mindspring.com with any questions or comments; her username is emshort. The ZPlet interpreter used here is by MatthewRussotto.
GENERATING NARRATIVE VARIATION IN INTERACTIVE FICTION … Abstract GENERATING NARRATIVE VARIATION IN INTERACTIVE FICTION Nick Montfort Mitchell P. Marcus and Gerald Prince A general method for the generation of natural language narrative is described.THE BUG - NICK M
( (( ( ( (( click ) )) ) )) ) SHAPING STORIES AND BUILDING WORLDS ON INTERACTIVE FICTION 3.1 Bad Machine In Bad Machine, the player controls Mover #005, a robot in a vast hive-like factory/warehouse who has suddenly developed the ability to act independently. On the surface level, Bad Machine may seem to be little more than a pastiche of computer code and NICK MONTFORTREAMBIOGRAPHYDIALSEA AND SPAR BETWEENNICK MONTFORT'S MIT CLASSESTHE HELP FILE Recently published, Exploratory Programming for the Arts and Humanities, Second Edition, MIT Press, May 18, 2021 — OA digital format will be linked within a few days Recent browser demo / digital poem, The Bug, by Milton Läufer and Nick Montfort, also viewable/runnable in netnet.studio, also on GitHub, developed for BrowserFest 2021 where it won the prize “gLiTChiEsT” on April 10,2021
POEMS BY NICK MONTFORT Computational Poems & Related Digital Projects Nick Montfort. poetry (po-'i_-tre-) A prehensile form of ostentation that erects turbulence, without remuneration, in the pursuit of yearning. Replete with symbols, it is an ewer of extreme ecstasy; to enter it is to turnWORLD CLOCK
WORLD CLOCK 3 It is now as it happens 05:12 in Yekaterinburg. In some ramshackle domicile an old man known as Jian, who is significantly smaller than others of the same age, reads aLITERARY GAMES
Literary game actually is far from meaningless — it means several things. One is the metaphorical game played by the author of a literary work with the reader, a figure that can help us understand why the author writes particular things, what the reader may think in response, and how the text has anticipated the "moves" or "play" ofthe reader.
TEN THOUSAND DREAMS INTERPRETED: W, WADING-WRITING Wading. If you wade in clear water while dreaming, you will partake of evanescent, but exquisite joys. If the water is muddy, you are in danger of illness, or some sorrowful experiences. To see children wading in clear water is a happy prognostication, as you will be favored in your enterprises. SIX SELECTIONS BY THE OULIPO 12. The Oulipo 147; 1961 73 81 12. Six Selections by the Oulipo One Hudred Thousand Billion Poemsand “Yours for the Telling” by Raymond Queneau GALATEA BY EMILY SHORT Galatea and this introductory text are copyright Emily Short, 2000-2004, and appear here courtesy of the author. This is Galatea version 3, available for download as Galatea.z8 at the IF Archive. Contact Emily at mindspring.com with any questions or comments; her username is emshort. The ZPlet interpreter used here is by MatthewRussotto.
GENERATING NARRATIVE VARIATION IN INTERACTIVE FICTION … Abstract GENERATING NARRATIVE VARIATION IN INTERACTIVE FICTION Nick Montfort Mitchell P. Marcus and Gerald Prince A general method for the generation of natural language narrative is described.THE BUG - NICK M
( (( ( ( (( click ) )) ) )) ) SHAPING STORIES AND BUILDING WORLDS ON INTERACTIVE FICTION 3.1 Bad Machine In Bad Machine, the player controls Mover #005, a robot in a vast hive-like factory/warehouse who has suddenly developed the ability to act independently. On the surface level, Bad Machine may seem to be little more than a pastiche of computer code and TWISTY LITTLE PASSAGES Twisty Little Passages (the title refers to a maze in Adventure, the first interactive fiction) is the first book-length consideration of this form, examining it from gaming and literary perspectives. Nick Montfort, and interactive fiction author himself, offers both aficionados and first-time users a way to approach interactive fictionthat
THE TROPE TANK
The Trope Tank hosts postdoctoral, graduate, and undergraduate researchers, student visits from various classes, codefests, and other sorts of events and collaborations. The component of this lab and studio that is situated at MIT is a research group in Comparative Media Studies and Writing. The monthly meetings of the People'sRepublic of
THROUGH THE PARK
Through the Park. Text & Code: Nick Montfort. This page, using a very simple bit of JavaScript, generates different stories by omitting different sentences from a prepared list at random each time. Reload for a different story. This process was implemented first in Python: through_the_park.py. Español · GALATEA BY EMILY SHORT Galatea and this introductory text are copyright Emily Short, 2000-2004, and appear here courtesy of the author. This is Galatea version 3, available for download as Galatea.z8 at the IF Archive. Contact Emily at mindspring.com with any questions or comments; her username is emshort. The ZPlet interpreter used here is by MatthewRussotto.
CURVESHIP: AUTOMATIC NARRATIVE VARIATION Curveship is a system for automatic narrative variation: It can relate the same underlying events in different ways, expressing the same content via different narrative discourses. Curveship can tell events out of order, as with flashback. It can designate different characters as the narrator or narratee (the one telling or the one to whom the TEN THOUSAND DREAMS INTERPRETED: N, NAILS-NYMPH Needle. To use a needle in your dream, is a warning of approaching affliction, in which you will suffer keenly the loss of sympathy, which is rightfully yours. To dream of threading a needle, denotes that you will be burdened with the care of others than your ownhousehold. To
TEN THOUSAND DREAMS INTERPRETED: R, RABBIT-RYE BREAD Rabbit. To dream of rabbits foretells favorable turns in conditions, and you will be more pleased with your gains than formerly. To see white rabbits denotes faithfulness in love to the married or single. To see rabbits frolicing about denotes that children will contribute to your joys. See Hare. DES IMAGISTES :: IN THE LITTLE OLD MARKET–PLACE With the rain dribbling down in the basin, And the maiden that sews in the casement. They are still and alone, Mutterseelens alone, And the rain dribbles down from his heels and his crown, From wet stone to wet stone. It's grey as at dawn, And the owls, grey and fawn, Call from the little town hall. TEN THOUSAND DREAMS INTERPRETED: C, CAB-CYMBAL Cabbage. It is bad to dream of cabbage. Disorders may run riot in all forms. To dream of seeing cabbage green, means unfaithfulness in love and infidelity in wedlock. To cut heads of cabbage, denotes that you are tightening the cords of calamity around you by lavish expenditure. TEN THOUSAND DREAMS INTERPRETED: N, NAILS-NYMPH This dream signifies many and varied love affairs to women. To eat eggs, denotes that unusual disturbances threaten you in your home. To see broken eggs and they are fresh, fortune is ready to shower upon you her richest gifts. A lofty spirit and high regard for NICK MONTFORTREAMBIOGRAPHYDIALSEA AND SPAR BETWEENNICK MONTFORT'S MIT CLASSESTHE HELP FILE Recently published, Exploratory Programming for the Arts and Humanities, Second Edition, MIT Press, May 18, 2021 — OA digital format will be linked within a few days Recent browser demo / digital poem, The Bug, by Milton Läufer and Nick Montfort, also viewable/runnable in netnet.studio, also on GitHub, developed for BrowserFest 2021 where it won the prize “gLiTChiEsT” on April 10,2021
POEMS BY NICK MONTFORT Computational Poems & Related Digital Projects Nick Montfort. poetry (po-'i_-tre-) A prehensile form of ostentation that erects turbulence, without remuneration, in the pursuit of yearning. Replete with symbols, it is an ewer of extreme ecstasy; to enter it is to turnWORLD CLOCK
WORLD CLOCK 3 It is now as it happens 05:12 in Yekaterinburg. In some ramshackle domicile an old man known as Jian, who is significantly smaller than others of the same age, reads aLITERARY GAMES
Literary game actually is far from meaningless — it means several things. One is the metaphorical game played by the author of a literary work with the reader, a figure that can help us understand why the author writes particular things, what the reader may think in response, and how the text has anticipated the "moves" or "play" ofthe reader.
TEN THOUSAND DREAMS INTERPRETED: W, WADING-WRITING Wading. If you wade in clear water while dreaming, you will partake of evanescent, but exquisite joys. If the water is muddy, you are in danger of illness, or some sorrowful experiences. To see children wading in clear water is a happy prognostication, as you will be favored in your enterprises. SIX SELECTIONS BY THE OULIPO 12. The Oulipo 147; 1961 73 81 12. Six Selections by the Oulipo One Hudred Thousand Billion Poemsand “Yours for the Telling” by Raymond Queneau GALATEA BY EMILY SHORT Galatea and this introductory text are copyright Emily Short, 2000-2004, and appear here courtesy of the author. This is Galatea version 3, available for download as Galatea.z8 at the IF Archive. Contact Emily at mindspring.com with any questions or comments; her username is emshort. The ZPlet interpreter used here is by MatthewRussotto.
GENERATING NARRATIVE VARIATION IN INTERACTIVE FICTION … Abstract GENERATING NARRATIVE VARIATION IN INTERACTIVE FICTION Nick Montfort Mitchell P. Marcus and Gerald Prince A general method for the generation of natural language narrative is described.THE BUG - NICK M
( (( ( ( (( click ) )) ) )) ) SHAPING STORIES AND BUILDING WORLDS ON INTERACTIVE FICTION 3.1 Bad Machine In Bad Machine, the player controls Mover #005, a robot in a vast hive-like factory/warehouse who has suddenly developed the ability to act independently. On the surface level, Bad Machine may seem to be little more than a pastiche of computer code and NICK MONTFORTREAMBIOGRAPHYDIALSEA AND SPAR BETWEENNICK MONTFORT'S MIT CLASSESTHE HELP FILE Recently published, Exploratory Programming for the Arts and Humanities, Second Edition, MIT Press, May 18, 2021 — OA digital format will be linked within a few days Recent browser demo / digital poem, The Bug, by Milton Läufer and Nick Montfort, also viewable/runnable in netnet.studio, also on GitHub, developed for BrowserFest 2021 where it won the prize “gLiTChiEsT” on April 10,2021
POEMS BY NICK MONTFORT Computational Poems & Related Digital Projects Nick Montfort. poetry (po-'i_-tre-) A prehensile form of ostentation that erects turbulence, without remuneration, in the pursuit of yearning. Replete with symbols, it is an ewer of extreme ecstasy; to enter it is to turnWORLD CLOCK
WORLD CLOCK 3 It is now as it happens 05:12 in Yekaterinburg. In some ramshackle domicile an old man known as Jian, who is significantly smaller than others of the same age, reads aLITERARY GAMES
Literary game actually is far from meaningless — it means several things. One is the metaphorical game played by the author of a literary work with the reader, a figure that can help us understand why the author writes particular things, what the reader may think in response, and how the text has anticipated the "moves" or "play" ofthe reader.
TEN THOUSAND DREAMS INTERPRETED: W, WADING-WRITING Wading. If you wade in clear water while dreaming, you will partake of evanescent, but exquisite joys. If the water is muddy, you are in danger of illness, or some sorrowful experiences. To see children wading in clear water is a happy prognostication, as you will be favored in your enterprises. SIX SELECTIONS BY THE OULIPO 12. The Oulipo 147; 1961 73 81 12. Six Selections by the Oulipo One Hudred Thousand Billion Poemsand “Yours for the Telling” by Raymond Queneau GALATEA BY EMILY SHORT Galatea and this introductory text are copyright Emily Short, 2000-2004, and appear here courtesy of the author. This is Galatea version 3, available for download as Galatea.z8 at the IF Archive. Contact Emily at mindspring.com with any questions or comments; her username is emshort. The ZPlet interpreter used here is by MatthewRussotto.
GENERATING NARRATIVE VARIATION IN INTERACTIVE FICTION … Abstract GENERATING NARRATIVE VARIATION IN INTERACTIVE FICTION Nick Montfort Mitchell P. Marcus and Gerald Prince A general method for the generation of natural language narrative is described.THE BUG - NICK M
( (( ( ( (( click ) )) ) )) ) SHAPING STORIES AND BUILDING WORLDS ON INTERACTIVE FICTION 3.1 Bad Machine In Bad Machine, the player controls Mover #005, a robot in a vast hive-like factory/warehouse who has suddenly developed the ability to act independently. On the surface level, Bad Machine may seem to be little more than a pastiche of computer code and TWISTY LITTLE PASSAGES Twisty Little Passages (the title refers to a maze in Adventure, the first interactive fiction) is the first book-length consideration of this form, examining it from gaming and literary perspectives. Nick Montfort, and interactive fiction author himself, offers both aficionados and first-time users a way to approach interactive fictionthat
THE TROPE TANK
The Trope Tank hosts postdoctoral, graduate, and undergraduate researchers, student visits from various classes, codefests, and other sorts of events and collaborations. The component of this lab and studio that is situated at MIT is a research group in Comparative Media Studies and Writing. The monthly meetings of the People'sRepublic of
THROUGH THE PARK
Through the Park. Text & Code: Nick Montfort. This page, using a very simple bit of JavaScript, generates different stories by omitting different sentences from a prepared list at random each time. Reload for a different story. This process was implemented first in Python: through_the_park.py. Español · GALATEA BY EMILY SHORT Galatea and this introductory text are copyright Emily Short, 2000-2004, and appear here courtesy of the author. This is Galatea version 3, available for download as Galatea.z8 at the IF Archive. Contact Emily at mindspring.com with any questions or comments; her username is emshort. The ZPlet interpreter used here is by MatthewRussotto.
CURVESHIP: AUTOMATIC NARRATIVE VARIATION Curveship is a system for automatic narrative variation: It can relate the same underlying events in different ways, expressing the same content via different narrative discourses. Curveship can tell events out of order, as with flashback. It can designate different characters as the narrator or narratee (the one telling or the one to whom the TEN THOUSAND DREAMS INTERPRETED: N, NAILS-NYMPH Needle. To use a needle in your dream, is a warning of approaching affliction, in which you will suffer keenly the loss of sympathy, which is rightfully yours. To dream of threading a needle, denotes that you will be burdened with the care of others than your ownhousehold. To
TEN THOUSAND DREAMS INTERPRETED: R, RABBIT-RYE BREAD Rabbit. To dream of rabbits foretells favorable turns in conditions, and you will be more pleased with your gains than formerly. To see white rabbits denotes faithfulness in love to the married or single. To see rabbits frolicing about denotes that children will contribute to your joys. See Hare. DES IMAGISTES :: IN THE LITTLE OLD MARKET–PLACE With the rain dribbling down in the basin, And the maiden that sews in the casement. They are still and alone, Mutterseelens alone, And the rain dribbles down from his heels and his crown, From wet stone to wet stone. It's grey as at dawn, And the owls, grey and fawn, Call from the little town hall. TEN THOUSAND DREAMS INTERPRETED: C, CAB-CYMBAL Cabbage. It is bad to dream of cabbage. Disorders may run riot in all forms. To dream of seeing cabbage green, means unfaithfulness in love and infidelity in wedlock. To cut heads of cabbage, denotes that you are tightening the cords of calamity around you by lavish expenditure. TEN THOUSAND DREAMS INTERPRETED: N, NAILS-NYMPH This dream signifies many and varied love affairs to women. To eat eggs, denotes that unusual disturbances threaten you in your home. To see broken eggs and they are fresh, fortune is ready to shower upon you her richest gifts. A lofty spirit and high regard for NICK MONTFORTREAMBIOGRAPHYDIALSEA AND SPAR BETWEENNICK MONTFORT'S MIT CLASSESTHE HELP FILE Recently published, Exploratory Programming for the Arts and Humanities, Second Edition, MIT Press, May 18, 2021 — OA digital format will be linked within a few days Recent browser demo / digital poem, The Bug, by Milton Läufer and Nick Montfort, also viewable/runnable in netnet.studio, also on GitHub, developed for BrowserFest 2021 where it won the prize “gLiTChiEsT” on April 10,2021
NICK MONTFORT
Nick Montfort develops computational poetry and art, often collaboratively, and studies creative computing of all sorts. He is professor of digital media at MIT. He lives in New York with his spouse, Flourish Klink. Self-portrait, April 2021, CC BY-SA. Montfort earned a Ph.D. in computer and information science from the Universityof
WORLD CLOCK
WORLD CLOCK 3 It is now as it happens 05:12 in Yekaterinburg. In some ramshackle domicile an old man known as Jian, who is significantly smaller than others of the same age, reads a SIX SELECTIONS BY THE OULIPO 12. The Oulipo 147; 1961 73 81 12. Six Selections by the Oulipo One Hudred Thousand Billion Poemsand “Yours for the Telling” by Raymond QueneauTAROKO GORGE
Taroko Gorge · 2009-01-08. Nick Montfort Scott Rettberg J.R. Carpenter J.R. Carpenter J.R. Carpenter Talan Memmott Eric Snodgrass Mark Sample Maria Engberg Flourish Klink Andrew Plotkin Brendan Howell Adam Sylvain Leonardo Flores Alireza Mahzoon Sonny Rae Tempest Kathi Inman Berens Helen Burgess Judy Malloy Bob Bonsall Chuck Rybak Zach Whalen Leonardo Flores John Pat McNamaraPERMUTATION POEMS
Permutation Poems Brion Gysin Ian Sommerville 1965 Honeywell Series 200 Model 120 Reimplemented by Nick Montfort for Memory Slam Also: a Python 2/3 version This program is deterministic, and presents all permutations of whatever words are listed at the top. 10,000 DREAMS INTERPRETED BY GUSTAVUS HINDMAN MILLER 10,000 Dreams Interpreted Preface Gustavus Hindman Miller · 1901 (To the Main Page.. What's in a Dream? A Scientific and Practical Interpretation of Dreams. In a dream, in a vision of the night, when deep sleep falleth upon men, in slumberings upon the bed; then he openeth the ears of men and sealeth their instruction that he may withdraw man from his purpose, and hide pride from man. GENERATING NARRATIVE VARIATION IN INTERACTIVE FICTION … Abstract GENERATING NARRATIVE VARIATION IN INTERACTIVE FICTION Nick Montfort Mitchell P. Marcus and Gerald Prince A general method for the generation of natural language narrative is described. SHAPING STORIES AND BUILDING WORLDS ON INTERACTIVE FICTION 3.1 Bad Machine In Bad Machine, the player controls Mover #005, a robot in a vast hive-like factory/warehouse who has suddenly developed the ability to act independently. On the surface level, Bad Machine may seem to be little more than a pastiche of computer code andTHE BUG - NICK M
( (( ( ( (( click ) )) ) )) ) NICK MONTFORTREAMBIOGRAPHYDIALSEA AND SPAR BETWEENNICK MONTFORT'S MIT CLASSESTHE HELP FILE Recently published, Exploratory Programming for the Arts and Humanities, Second Edition, MIT Press, May 18, 2021 — OA digital format will be linked within a few days Recent browser demo / digital poem, The Bug, by Milton Läufer and Nick Montfort, also viewable/runnable in netnet.studio, also on GitHub, developed for BrowserFest 2021 where it won the prize “gLiTChiEsT” on April 10,2021
NICK MONTFORT
Nick Montfort develops computational poetry and art, often collaboratively, and studies creative computing of all sorts. He is professor of digital media at MIT. He lives in New York with his spouse, Flourish Klink. Self-portrait, April 2021, CC BY-SA. Montfort earned a Ph.D. in computer and information science from the Universityof
WORLD CLOCK
WORLD CLOCK 3 It is now as it happens 05:12 in Yekaterinburg. In some ramshackle domicile an old man known as Jian, who is significantly smaller than others of the same age, reads a SIX SELECTIONS BY THE OULIPO 12. The Oulipo 147; 1961 73 81 12. Six Selections by the Oulipo One Hudred Thousand Billion Poemsand “Yours for the Telling” by Raymond QueneauTAROKO GORGE
Taroko Gorge · 2009-01-08. Nick Montfort Scott Rettberg J.R. Carpenter J.R. Carpenter J.R. Carpenter Talan Memmott Eric Snodgrass Mark Sample Maria Engberg Flourish Klink Andrew Plotkin Brendan Howell Adam Sylvain Leonardo Flores Alireza Mahzoon Sonny Rae Tempest Kathi Inman Berens Helen Burgess Judy Malloy Bob Bonsall Chuck Rybak Zach Whalen Leonardo Flores John Pat McNamaraPERMUTATION POEMS
Permutation Poems Brion Gysin Ian Sommerville 1965 Honeywell Series 200 Model 120 Reimplemented by Nick Montfort for Memory Slam Also: a Python 2/3 version This program is deterministic, and presents all permutations of whatever words are listed at the top. 10,000 DREAMS INTERPRETED BY GUSTAVUS HINDMAN MILLER 10,000 Dreams Interpreted Preface Gustavus Hindman Miller · 1901 (To the Main Page.. What's in a Dream? A Scientific and Practical Interpretation of Dreams. In a dream, in a vision of the night, when deep sleep falleth upon men, in slumberings upon the bed; then he openeth the ears of men and sealeth their instruction that he may withdraw man from his purpose, and hide pride from man. GENERATING NARRATIVE VARIATION IN INTERACTIVE FICTION … Abstract GENERATING NARRATIVE VARIATION IN INTERACTIVE FICTION Nick Montfort Mitchell P. Marcus and Gerald Prince A general method for the generation of natural language narrative is described. SHAPING STORIES AND BUILDING WORLDS ON INTERACTIVE FICTION 3.1 Bad Machine In Bad Machine, the player controls Mover #005, a robot in a vast hive-like factory/warehouse who has suddenly developed the ability to act independently. On the surface level, Bad Machine may seem to be little more than a pastiche of computer code andTHE BUG - NICK M
( (( ( ( (( click ) )) ) )) )NICK MONTFORT
Nick Montfort develops computational poetry and art, often collaboratively, and studies creative computing of all sorts. He is professor of digital media at MIT. He lives in New York with his spouse, Flourish Klink. Self-portrait, April 2021, CC BY-SA. Montfort earned a Ph.D. in computer and information science from the Universityof
POEMS BY NICK MONTFORT Computational Poems & Related Digital Projects Nick Montfort. poetry (po-'i_-tre-) A prehensile form of ostentation that erects turbulence, without remuneration, in the pursuit of yearning. Replete with symbols, it is an ewer of extreme ecstasy; to enter it is to turnINTERACTIVE FICTION
The first book-length history of interactive fiction of the text adventure sort, with literary and game-based criticism of important works and proposals for how to understand the form. MIT Press, 2003. "Small-Scale Systems and Computational Creativity" by Nick Montfort and Natalia Fedorova, International Conference on ComputationalCreativity
TWISTY LITTLE PASSAGES Twisty Little Passages (the title refers to a maze in Adventure, the first interactive fiction) is the first book-length consideration of this form, examining it from gaming and literary perspectives. Nick Montfort, and interactive fiction author himself, offers both aficionados and first-time users a way to approach interactive fictionthat
THE TROPE TANK
The Trope Tank hosts postdoctoral, graduate, and undergraduate researchers, student visits from various classes, codefests, and other sorts of events and collaborations. The component of this lab and studio that is situated at MIT is a research group in Comparative Media Studies and Writing. The monthly meetings of the People'sRepublic of
CURVESHIP: AUTOMATIC NARRATIVE VARIATION Curveship is a system for automatic narrative variation: It can relate the same underlying events in different ways, expressing the same content via different narrative discourses. Curveship can tell events out of order, as with flashback. It can designate different characters as the narrator or narratee (the one telling or the one to whom theA HOUSE OF DUST
A House of Dust. A HOUSE OF SAND. IN JAPAN. USING NATURAL LIGHT. INHABITED BY LITTLE BOYS. A HOUSE OF STRAW. IN DENSE WOODS. USINGCANDLES.
DES IMAGISTES :: IN THE LITTLE OLD MARKET–PLACE With the rain dribbling down in the basin, And the maiden that sews in the casement. They are still and alone, Mutterseelens alone, And the rain dribbles down from his heels and his crown, From wet stone to wet stone. It's grey as at dawn, And the owls, grey and fawn, Call from the little town hall. GALATEA BY EMILY SHORT Galatea and this introductory text are copyright Emily Short, 2000-2004, and appear here courtesy of the author. This is Galatea version 3, available for download as Galatea.z8 at the IF Archive. Contact Emily at mindspring.com with any questions or comments; her username is emshort. The ZPlet interpreter used here is by MatthewRussotto.
TEN THOUSAND DREAMS INTERPRETED: C, CAB-CYMBAL What's in a Dream? by Gustavus Hindman Miller, 1901 C. And the Angel of God spake unto me in a dream, saying, "Jacob;" and I said, "here am I." —Gen. xxx., II. Cab. To ride in a cab in dreams, is significant of pleasant avocations, and average prosperity you will enjoy. NICK MONTFORTREAMBIOGRAPHYDIALSEA AND SPAR BETWEENNICK MONTFORT'S MIT CLASSESTHE HELP FILE Recently published, Exploratory Programming for the Arts and Humanities, Second Edition, MIT Press, May 18, 2021 — OA digital format will be linked within a few days Recent browser demo / digital poem, The Bug, by Milton Läufer and Nick Montfort, also viewable/runnable in netnet.studio, also on GitHub, developed for BrowserFest 2021 where it won the prize “gLiTChiEsT” on April 10,2021
NICK MONTFORT
Nick Montfort develops computational poetry and art, often collaboratively, and studies creative computing of all sorts. He is professor of digital media at MIT. He lives in New York with his spouse, Flourish Klink. Self-portrait, April 2021, CC BY-SA. Montfort earned a Ph.D. in computer and information science from the Universityof
WORLD CLOCK
WORLD CLOCK 3 It is now as it happens 05:12 in Yekaterinburg. In some ramshackle domicile an old man known as Jian, who is significantly smaller than others of the same age, reads a SIX SELECTIONS BY THE OULIPO 12. The Oulipo 147; 1961 73 81 12. Six Selections by the Oulipo One Hudred Thousand Billion Poemsand “Yours for the Telling” by Raymond QueneauTAROKO GORGE
Taroko Gorge · 2009-01-08. Nick Montfort Scott Rettberg J.R. Carpenter J.R. Carpenter J.R. Carpenter Talan Memmott Eric Snodgrass Mark Sample Maria Engberg Flourish Klink Andrew Plotkin Brendan Howell Adam Sylvain Leonardo Flores Alireza Mahzoon Sonny Rae Tempest Kathi Inman Berens Helen Burgess Judy Malloy Bob Bonsall Chuck Rybak Zach Whalen Leonardo Flores John Pat McNamaraPERMUTATION POEMS
Permutation Poems Brion Gysin Ian Sommerville 1965 Honeywell Series 200 Model 120 Reimplemented by Nick Montfort for Memory Slam Also: a Python 2/3 version This program is deterministic, and presents all permutations of whatever words are listed at the top. 10,000 DREAMS INTERPRETED BY GUSTAVUS HINDMAN MILLER 10,000 Dreams Interpreted Preface Gustavus Hindman Miller · 1901 (To the Main Page.. What's in a Dream? A Scientific and Practical Interpretation of Dreams. In a dream, in a vision of the night, when deep sleep falleth upon men, in slumberings upon the bed; then he openeth the ears of men and sealeth their instruction that he may withdraw man from his purpose, and hide pride from man. GENERATING NARRATIVE VARIATION IN INTERACTIVE FICTION … Abstract GENERATING NARRATIVE VARIATION IN INTERACTIVE FICTION Nick Montfort Mitchell P. Marcus and Gerald Prince A general method for the generation of natural language narrative is described. SHAPING STORIES AND BUILDING WORLDS ON INTERACTIVE FICTION 3.1 Bad Machine In Bad Machine, the player controls Mover #005, a robot in a vast hive-like factory/warehouse who has suddenly developed the ability to act independently. On the surface level, Bad Machine may seem to be little more than a pastiche of computer code andTHE BUG - NICK M
( (( ( ( (( click ) )) ) )) ) NICK MONTFORTREAMBIOGRAPHYDIALSEA AND SPAR BETWEENNICK MONTFORT'S MIT CLASSESTHE HELP FILE Recently published, Exploratory Programming for the Arts and Humanities, Second Edition, MIT Press, May 18, 2021 — OA digital format will be linked within a few days Recent browser demo / digital poem, The Bug, by Milton Läufer and Nick Montfort, also viewable/runnable in netnet.studio, also on GitHub, developed for BrowserFest 2021 where it won the prize “gLiTChiEsT” on April 10,2021
NICK MONTFORT
Nick Montfort develops computational poetry and art, often collaboratively, and studies creative computing of all sorts. He is professor of digital media at MIT. He lives in New York with his spouse, Flourish Klink. Self-portrait, April 2021, CC BY-SA. Montfort earned a Ph.D. in computer and information science from the Universityof
WORLD CLOCK
WORLD CLOCK 3 It is now as it happens 05:12 in Yekaterinburg. In some ramshackle domicile an old man known as Jian, who is significantly smaller than others of the same age, reads a SIX SELECTIONS BY THE OULIPO 12. The Oulipo 147; 1961 73 81 12. Six Selections by the Oulipo One Hudred Thousand Billion Poemsand “Yours for the Telling” by Raymond QueneauTAROKO GORGE
Taroko Gorge · 2009-01-08. Nick Montfort Scott Rettberg J.R. Carpenter J.R. Carpenter J.R. Carpenter Talan Memmott Eric Snodgrass Mark Sample Maria Engberg Flourish Klink Andrew Plotkin Brendan Howell Adam Sylvain Leonardo Flores Alireza Mahzoon Sonny Rae Tempest Kathi Inman Berens Helen Burgess Judy Malloy Bob Bonsall Chuck Rybak Zach Whalen Leonardo Flores John Pat McNamaraPERMUTATION POEMS
Permutation Poems Brion Gysin Ian Sommerville 1965 Honeywell Series 200 Model 120 Reimplemented by Nick Montfort for Memory Slam Also: a Python 2/3 version This program is deterministic, and presents all permutations of whatever words are listed at the top. 10,000 DREAMS INTERPRETED BY GUSTAVUS HINDMAN MILLER 10,000 Dreams Interpreted Preface Gustavus Hindman Miller · 1901 (To the Main Page.. What's in a Dream? A Scientific and Practical Interpretation of Dreams. In a dream, in a vision of the night, when deep sleep falleth upon men, in slumberings upon the bed; then he openeth the ears of men and sealeth their instruction that he may withdraw man from his purpose, and hide pride from man. GENERATING NARRATIVE VARIATION IN INTERACTIVE FICTION … Abstract GENERATING NARRATIVE VARIATION IN INTERACTIVE FICTION Nick Montfort Mitchell P. Marcus and Gerald Prince A general method for the generation of natural language narrative is described. SHAPING STORIES AND BUILDING WORLDS ON INTERACTIVE FICTION 3.1 Bad Machine In Bad Machine, the player controls Mover #005, a robot in a vast hive-like factory/warehouse who has suddenly developed the ability to act independently. On the surface level, Bad Machine may seem to be little more than a pastiche of computer code andTHE BUG - NICK M
( (( ( ( (( click ) )) ) )) )NICK MONTFORT
Nick Montfort develops computational poetry and art, often collaboratively, and studies creative computing of all sorts. He is professor of digital media at MIT. He lives in New York with his spouse, Flourish Klink. Self-portrait, April 2021, CC BY-SA. Montfort earned a Ph.D. in computer and information science from the Universityof
POEMS BY NICK MONTFORT Computational Poems & Related Digital Projects Nick Montfort. poetry (po-'i_-tre-) A prehensile form of ostentation that erects turbulence, without remuneration, in the pursuit of yearning. Replete with symbols, it is an ewer of extreme ecstasy; to enter it is to turnINTERACTIVE FICTION
The first book-length history of interactive fiction of the text adventure sort, with literary and game-based criticism of important works and proposals for how to understand the form. MIT Press, 2003. "Small-Scale Systems and Computational Creativity" by Nick Montfort and Natalia Fedorova, International Conference on ComputationalCreativity
TWISTY LITTLE PASSAGES Twisty Little Passages (the title refers to a maze in Adventure, the first interactive fiction) is the first book-length consideration of this form, examining it from gaming and literary perspectives. Nick Montfort, and interactive fiction author himself, offers both aficionados and first-time users a way to approach interactive fictionthat
THE TROPE TANK
The Trope Tank hosts postdoctoral, graduate, and undergraduate researchers, student visits from various classes, codefests, and other sorts of events and collaborations. The component of this lab and studio that is situated at MIT is a research group in Comparative Media Studies and Writing. The monthly meetings of the People'sRepublic of
CURVESHIP: AUTOMATIC NARRATIVE VARIATION Curveship is a system for automatic narrative variation: It can relate the same underlying events in different ways, expressing the same content via different narrative discourses. Curveship can tell events out of order, as with flashback. It can designate different characters as the narrator or narratee (the one telling or the one to whom theA HOUSE OF DUST
A House of Dust. A HOUSE OF SAND. IN JAPAN. USING NATURAL LIGHT. INHABITED BY LITTLE BOYS. A HOUSE OF STRAW. IN DENSE WOODS. USINGCANDLES.
DES IMAGISTES :: IN THE LITTLE OLD MARKET–PLACE With the rain dribbling down in the basin, And the maiden that sews in the casement. They are still and alone, Mutterseelens alone, And the rain dribbles down from his heels and his crown, From wet stone to wet stone. It's grey as at dawn, And the owls, grey and fawn, Call from the little town hall. GALATEA BY EMILY SHORT Galatea and this introductory text are copyright Emily Short, 2000-2004, and appear here courtesy of the author. This is Galatea version 3, available for download as Galatea.z8 at the IF Archive. Contact Emily at mindspring.com with any questions or comments; her username is emshort. The ZPlet interpreter used here is by MatthewRussotto.
TEN THOUSAND DREAMS INTERPRETED: C, CAB-CYMBAL What's in a Dream? by Gustavus Hindman Miller, 1901 C. And the Angel of God spake unto me in a dream, saying, "Jacob;" and I said, "here am I." —Gen. xxx., II. Cab. To ride in a cab in dreams, is significant of pleasant avocations, and average prosperity you will enjoy.NICK MONTFORT
Recently published, Exploratory Programming for the Arts and Humanities, Second Edition, MIT Press, May 18, 2021 — OA digital format will be linked within a few days Recent browser demo / digital poem, The Bug, by Milton Läufer and Nick Montfort, also viewable/runnable in netnet.studio, also on GitHub, developed for BrowserFest 2021 where it won the prize “gLiTChiEsT” on April 10,2021
POEMS BY NICK MONTFORT Computational Poems & Related Digital Projects Nick Montfort. poetry (po-'i_-tre-) A prehensile form of ostentation that erects turbulence, without remuneration, in the pursuit of yearning. Replete with symbols, it is an ewer of extreme ecstasy; to enter it is to turn TWISTY LITTLE PASSAGES Twisty Little Passages (the title refers to a maze in Adventure, the first interactive fiction) is the first book-length consideration of this form, examining it from gaming and literary perspectives. Nick Montfort, and interactive fiction author himself, offers both aficionados and first-time users a way to approach interactive fictionthat
A HOUSE OF DUST
A House of Dust. A HOUSE OF SAND. IN JAPAN. USING NATURAL LIGHT. INHABITED BY LITTLE BOYS. A HOUSE OF STRAW. IN DENSE WOODS. USINGCANDLES.
CURVESHIP: AUTOMATIC NARRATIVE VARIATION Curveship is a system for automatic narrative variation: It can relate the same underlying events in different ways, expressing the same content via different narrative discourses. Curveship can tell events out of order, as with flashback. It can designate different characters as the narrator or narratee (the one telling or the one to whom the CURVESHIP-JS REFERENCE Curveship- jsReference:Major Terms & Ideas. A bit of familiarity with narrative theory is very helpful for understanding the way Curveship-js works. On the other hand, poking around with Curveship-js for a short amount of time may help one understand narrative theory—that is part of the idea. Below, I have defined some of themajor terms and
PERMUTATION POEMS
Permutation Poems Brion Gysin Ian Sommerville 1965 Honeywell Series 200 Model 120 Reimplemented by Nick Montfort for Memory Slam Also: a Python 2/3 version This program is deterministic, and presents all permutations of whatever words are listed at the top. GALATEA BY EMILY SHORT Galatea and this introductory text are copyright Emily Short, 2000-2004, and appear here courtesy of the author. This is Galatea version 3, available for download as Galatea.z8 at the IF Archive. Contact Emily at mindspring.com with any questions or comments; her username is emshort. The ZPlet interpreter used here is by MatthewRussotto.
THE BUG - NICK M
( (( ( ( (( click ) )) ) )) ) SEA AND SPAR BETWEEN Sea and Spar Between. by Nick Montfort and Stephanie Strickland. requires an HTML 5 canvas-enabled browser, such as a recent version of Mozilla Firefox, Google ChromeNICK MONTFORT
Recently published, Exploratory Programming for the Arts and Humanities, Second Edition, MIT Press, May 18, 2021 — OA digital format will be linked within a few days Recent browser demo / digital poem, The Bug, by Milton Läufer and Nick Montfort, also viewable/runnable in netnet.studio, also on GitHub, developed for BrowserFest 2021 where it won the prize “gLiTChiEsT” on April 10,2021
POEMS BY NICK MONTFORT Computational Poems & Related Digital Projects Nick Montfort. poetry (po-'i_-tre-) A prehensile form of ostentation that erects turbulence, without remuneration, in the pursuit of yearning. Replete with symbols, it is an ewer of extreme ecstasy; to enter it is to turn TWISTY LITTLE PASSAGES Twisty Little Passages (the title refers to a maze in Adventure, the first interactive fiction) is the first book-length consideration of this form, examining it from gaming and literary perspectives. Nick Montfort, and interactive fiction author himself, offers both aficionados and first-time users a way to approach interactive fictionthat
A HOUSE OF DUST
A House of Dust. A HOUSE OF SAND. IN JAPAN. USING NATURAL LIGHT. INHABITED BY LITTLE BOYS. A HOUSE OF STRAW. IN DENSE WOODS. USINGCANDLES.
CURVESHIP: AUTOMATIC NARRATIVE VARIATION Curveship is a system for automatic narrative variation: It can relate the same underlying events in different ways, expressing the same content via different narrative discourses. Curveship can tell events out of order, as with flashback. It can designate different characters as the narrator or narratee (the one telling or the one to whom the CURVESHIP-JS REFERENCE Curveship- jsReference:Major Terms & Ideas. A bit of familiarity with narrative theory is very helpful for understanding the way Curveship-js works. On the other hand, poking around with Curveship-js for a short amount of time may help one understand narrative theory—that is part of the idea. Below, I have defined some of themajor terms and
PERMUTATION POEMS
Permutation Poems Brion Gysin Ian Sommerville 1965 Honeywell Series 200 Model 120 Reimplemented by Nick Montfort for Memory Slam Also: a Python 2/3 version This program is deterministic, and presents all permutations of whatever words are listed at the top. GALATEA BY EMILY SHORT Galatea and this introductory text are copyright Emily Short, 2000-2004, and appear here courtesy of the author. This is Galatea version 3, available for download as Galatea.z8 at the IF Archive. Contact Emily at mindspring.com with any questions or comments; her username is emshort. The ZPlet interpreter used here is by MatthewRussotto.
THE BUG - NICK M
( (( ( ( (( click ) )) ) )) ) SEA AND SPAR BETWEEN Sea and Spar Between. by Nick Montfort and Stephanie Strickland. requires an HTML 5 canvas-enabled browser, such as a recent version of Mozilla Firefox, Google ChromeNICK MONTFORT
Recently published, Exploratory Programming for the Arts and Humanities, Second Edition, MIT Press, May 18, 2021 — OA digital format will be linked within a few days Recent browser demo / digital poem, The Bug, by Milton Läufer and Nick Montfort, also viewable/runnable in netnet.studio, also on GitHub, developed for BrowserFest 2021 where it won the prize “gLiTChiEsT” on April 10,2021
TWISTY LITTLE PASSAGES Twisty Little Passages (the title refers to a maze in Adventure, the first interactive fiction) is the first book-length consideration of this form, examining it from gaming and literary perspectives. Nick Montfort, and interactive fiction author himself, offers both aficionados and first-time users a way to approach interactive fictionthat
THE TROPE TANK
The Trope Tank hosts postdoctoral, graduate, and undergraduate researchers, student visits from various classes, codefests, and other sorts of events and collaborations. The component of this lab and studio that is situated at MIT is a research group in Comparative Media Studies and Writing. The monthly meetings of the People'sRepublic of
TAROKO GORGE
Taroko Gorge · 2009-01-08. Nick Montfort Scott Rettberg J.R. Carpenter J.R. Carpenter J.R. Carpenter Talan Memmott Eric Snodgrass Mark Sample Maria Engberg Flourish Klink Andrew Plotkin Brendan Howell Adam Sylvain Leonardo Flores Alireza Mahzoon Sonny Rae Tempest Kathi Inman Berens Helen Burgess Judy Malloy Bob Bonsall Chuck Rybak Zach Whalen Leonardo Flores John Pat McNamara EXPLORATORY PROGRAMMING FOR THE ARTS AND HUMANITIES CMS 844 . Exploratory Programming for the Arts and Humanities. Draft/tentative syllabus for the MIT course offering in Spring 2021 — Updated 2021-03-19 (Pace reduced!) Instructor: Nick Montfort. Class meeting time: Tuesdays, 9am–11am (Eastern Time) Lab/co-working time: Tuesdays, 11am-12noon; Wednesdays, 1pm-2pm (Eastern Time) Othersmall
10,000 DREAMS INTERPRETED BY GUSTAVUS HINDMAN MILLER 10,000 Dreams Interpreted Preface Gustavus Hindman Miller · 1901 (To the Main Page.. What's in a Dream? A Scientific and Practical Interpretation of Dreams. In a dream, in a vision of the night, when deep sleep falleth upon men, in slumberings upon the bed; then he openeth the ears of men and sealeth their instruction that he may withdraw man from his purpose, and hide pride from man. PARCHMENT - NICKM.COM Book and Volumeby Nick Montfort. an release >I Introduction to interactive fiction >A Author's note and acknowledgments >L License information >R Restore aWORLD CLOCK
WORLD CLOCK 3 It is now as it happens 05:12 in Yekaterinburg. In some ramshackle domicile an old man known as Jian, who is significantly smaller than others of the same age, reads a CURVESHIP’S AUTOMATIC NARRATIVE STYLE Curveship’s Automatic Narrative Style Nick Montfort Massachusetts Institute of Technology 77 Massachusetts Ave, 14N-233 Cambridge, MA 02139 1.617.324.1429 GENERATOR OF FIVE-WORD LINES, V1.0 Generator of Five-Word Lines, v1.0 A speculative reimplementation, based on one page of output from an untitled project by J. M. Coetzee c. 1964–1965 Atlas Autocode POEMS BY NICK MONTFORT Computational Poems & Related Digital Projects Nick Montfort. poetry (po-'i_-tre-) A prehensile form of ostentation that erects turbulence, without remuneration, in the pursuit of yearning. Replete with symbols, it is an ewer of extreme ecstasy; to enter it is to turn TWISTY LITTLE PASSAGES The MIT Press. 328 pp. Cloth: 2003. ISBN: 0262134365. $29.95/£19.95 Paper: 2005. ISBN: 0262633183. $15.95/£10.95 Publisher info/order/request examination copy: cloth, paper Compare online bookstore prices: cloth, paper For those who have a visual impairment, learning disability or mobility impairment, the book is available in an electronic edition on Bookshare CURVESHIP: AUTOMATIC NARRATIVE VARIATION Curveship is a system for automatic narrative variation: It can relate the same underlying events in different ways, expressing the same content via different narrative discourses. GENERATING NARRATIVE VARIATION IN INTERACTIVE FICTION … Abstract GENERATING NARRATIVE VARIATION IN INTERACTIVE FICTION Nick Montfort Mitchell P. Marcus and Gerald Prince A general method for the generation of natural language narrative is described.PERMUTATION POEMS
Permutation Poems Brion Gysin Ian Sommerville 1965 Honeywell Series 200 Model 120 Reimplemented by Nick Montfort for Memory Slam Also: a Python 2/3 version This program is deterministic, and presents all permutations of whatever words are listed at the top. GALATEA BY EMILY SHORT After Galatea has loaded, click in the rectangle above and press the space bar. At the > prompt, type a command. Much traditional interactive fiction offers exploration and interaction with an imagined environment. Galatea offers a conversation. The title character has moods, background, and memory; how she treats you will depend on how you choose to treat her. CURVESHIP-JS REFERENCE Curveship-jsReference: Major Terms & Ideas. A bit of familiarity with narrative theory is very helpful for understanding the wayCurveship-js works.
THE BUG - NICK M
( (( ( ( (( click ) )) ) )) ) SEA AND SPAR BETWEEN Sea and Spar Between. by Nick Montfort and Stephanie Strickland. requires an HTML 5 canvas-enabled browser, such as a recent version of Mozilla Firefox, Google ChromeA HOUSE OF DUST
a house of tin in a place with both heavy rain and bright sun using all available lighting inhabited by people from many walks of life POEMS BY NICK MONTFORT Computational Poems & Related Digital Projects Nick Montfort. poetry (po-'i_-tre-) A prehensile form of ostentation that erects turbulence, without remuneration, in the pursuit of yearning. Replete with symbols, it is an ewer of extreme ecstasy; to enter it is to turn TWISTY LITTLE PASSAGES The MIT Press. 328 pp. Cloth: 2003. ISBN: 0262134365. $29.95/£19.95 Paper: 2005. ISBN: 0262633183. $15.95/£10.95 Publisher info/order/request examination copy: cloth, paper Compare online bookstore prices: cloth, paper For those who have a visual impairment, learning disability or mobility impairment, the book is available in an electronic edition on Bookshare CURVESHIP: AUTOMATIC NARRATIVE VARIATION Curveship is a system for automatic narrative variation: It can relate the same underlying events in different ways, expressing the same content via different narrative discourses. GENERATING NARRATIVE VARIATION IN INTERACTIVE FICTION … Abstract GENERATING NARRATIVE VARIATION IN INTERACTIVE FICTION Nick Montfort Mitchell P. Marcus and Gerald Prince A general method for the generation of natural language narrative is described.PERMUTATION POEMS
Permutation Poems Brion Gysin Ian Sommerville 1965 Honeywell Series 200 Model 120 Reimplemented by Nick Montfort for Memory Slam Also: a Python 2/3 version This program is deterministic, and presents all permutations of whatever words are listed at the top. GALATEA BY EMILY SHORT After Galatea has loaded, click in the rectangle above and press the space bar. At the > prompt, type a command. Much traditional interactive fiction offers exploration and interaction with an imagined environment. Galatea offers a conversation. The title character has moods, background, and memory; how she treats you will depend on how you choose to treat her. CURVESHIP-JS REFERENCE Curveship-jsReference: Major Terms & Ideas. A bit of familiarity with narrative theory is very helpful for understanding the wayCurveship-js works.
THE BUG - NICK M
( (( ( ( (( click ) )) ) )) ) SEA AND SPAR BETWEEN Sea and Spar Between. by Nick Montfort and Stephanie Strickland. requires an HTML 5 canvas-enabled browser, such as a recent version of Mozilla Firefox, Google ChromeA HOUSE OF DUST
a house of tin in a place with both heavy rain and bright sun using all available lighting inhabited by people from many walks of lifeNICK MONTFORT
Recently published, Exploratory Programming for the Arts and Humanities, Second Edition, MIT Press, May 18, 2021 — OA digital format will be linked within a few days Recent browser demo / digital poem, The Bug, by Milton Läufer and Nick Montfort, also viewable/runnable in netnet.studio, also on GitHub, developed for BrowserFest 2021 where it won the prize “gLiTChiEsT” on April 10,2021
TWISTY LITTLE PASSAGES The MIT Press. 328 pp. Cloth: 2003. ISBN: 0262134365. $29.95/£19.95 Paper: 2005. ISBN: 0262633183. $15.95/£10.95 Publisher info/order/request examination copy: cloth, paper Compare online bookstore prices: cloth, paper For those who have a visual impairment, learning disability or mobility impairment, the book is available in an electronic edition on BookshareTHE TROPE TANK
Researchers interested in computer and video games, electronic literature (including interactive fiction, hypertext fiction, and digital poetry), home computing and hobbyist programming, or related topics are welcome to contact Nick for access to the collection of materials, computers, and video game systems that is housed in theTrope Tank.
CURVESHIP: AUTOMATIC NARRATIVE VARIATION Curveship is a system for automatic narrative variation: It can relate the same underlying events in different ways, expressing the same content via different narrative discourses.TAROKO GORGE
Taroko Gorge · 2009-01-08. Nick Montfort Scott Rettberg J.R. Carpenter J.R. Carpenter J.R. Carpenter Talan Memmott Eric Snodgrass Mark Sample Maria Engberg Flourish Klink Andrew Plotkin Brendan Howell Adam Sylvain Leonardo Flores Alireza Mahzoon Sonny Rae Tempest Kathi Inman Berens Helen Burgess Judy Malloy Bob Bonsall Chuck Rybak Zach Whalen Leonardo Flores John Pat McNamara 10,000 DREAMS INTERPRETED BY GUSTAVUS HINDMAN MILLER 10,000 Dreams Interpreted Preface Gustavus Hindman Miller · 1901 (To the Main Page.. What's in a Dream? A Scientific and Practical Interpretation of Dreams. In a dream, in a vision of the night, when deep sleep falleth upon men, in slumberings upon the bed; then he openeth the ears of men and sealeth their instruction that he may withdraw man from his purpose, and hide pride from man. PARCHMENT - NICKM.COM Book and Volume by Nick Montfort . an release >I Introduction to interactive fiction >A Author's note and acknowledgments >L License information >R Restore a previous session >B Begin a new session Introduction to interactive fiction >A Author'snote and
WORLD CLOCK
The originality of One Human Minute lies in its being not a statistical compilation of information about what has taken place, like an ordinary almanac, but rather synchronous with the human world, like a computer of the type that we say works in GENERATOR OF FIVE-WORD LINES, V1.0 Generator of Five-Word Lines, v1.0 A speculative reimplementation, based on one page of output from an untitled project by J. M. Coetzee c. 1964–1965 Atlas Autocode CURVESHIP’S AUTOMATIC NARRATIVE STYLE Curveship’s Automatic Narrative Style Nick Montfort Massachusetts Institute of Technology 77 Massachusetts Ave, 14N-233 Cambridge, MA 02139 1.617.324.1429NICK MONTFORT
POET & PROFESSOR OF DIGITAL MEDIA, MASSACHUSETTS INSTITUTE OFTECHNOLOGY
DIRECTOR, THE TROPE TANK ◊ CV ◊ BIOGRAPHY ◊ EMAIL: NICC.MKCIN@MKOM ◊ TWITTER: @NICKMOFO ◊ ALL CLASSES ◊ CMS.844 DIGITAL POEMS ◊ INTERACTIVE FICTION ◊ MISC ◊ POST POSITION (BLOG) ◊ NOMNYM (NAMING COMPANY) ◊ SYNCHRONY (DEMOPARTY)* Recently published, _Exploratory Programming for the Arts and Humanities,_ Second Edition, MIT Press, May 18, 2021 — OA digital format will be linked within a
few days
* Recent browser demo / digital poem, _The Bug,_by Milton
Läufer and Nick Montfort, also viewable/runnable in netnet.studio,also on GitHub,
developed for BrowserFest 2021 where it won the prize “gLiTChiEsT” on April 10, 2021 * Recent exhibit, Generative Unfoldings, an online exhibit of generative art, running live in the browser and consisting entirely of free/libre/open-source software, part of the Unfolding Intelligence symposium, online as of March 25 and with an opening 5pm–7pm EDT April 1, 2021; to join the opening, register for the symposium (at no cost) and then visit the symposium site during the time of the opening GENERATIVE UNFOLDINGS, ONLINE SHOW OF GENERATIVE ART, 2021 AMAZING QUEST, INTERACTIVE FICTION, 2020 POST HOC, ONLINE ART SHOW OF DIGITAL IMAGES, 2020 MEMORY SLAM, REIMPLEMENTED BATCH-ERA DIGITAL LITERATURE, 2014–AUTOPIA, 2016
THE TWO + 2×6, A COLLABORATION, 2016 SYNCHRONY, A DEMOPARTY, 2016– RENDERINGS, A COLLABORATION, 2014–2018 PROGRAMS AT AN EXHIBITION, W/ PÄLL THAYER, 2014 NANOWATT, W/ PATSY BAUDOIN + MICHAEL C. MARTIN, 2013 THREE RAILS LIVE, W/ RODERICK COOVER + SCOTT RETTBERG, 2013ROUND, 2013
THE DELETIONIST, W/ AMARANTH BORSUK + JESPER JUUL, 2013CONCRETE PERL, 2011
SEA AND SPAR BETWEEN, W/ STEPHANIE STRICKLAND, 2011TAROKO GORGE, 2009
THROUGH THE PARK, 2008 REAM/RAME, W/ ANICK BERGERON, 2007 PPG256 SERIES, 2007–2012 DIGITAL REAM + WORK BY ANICK BERGERON + JIM CARPENTER, 2006 MYSTERY HOUSE TAKEN OVER, W/ DAN SHIOVITZ + EMILY SHORT, 2005 BOOK AND VOLUME, 2005 GRAND TEXT AUTO, W/ COLLABORATORS, 2003-2009AD VERBUM, 2000
WINCHESTER'S NIGHTMARE, 1999THE HELP FILE, 1999
NICK MONTFORT, _EXPLORATORY PROGRAMMING FOR THE ARTS AND HUMANITIES,_ SECOND EDITION, MIT PRESS, 2021 OA DIGITAL FORMAT WILL BE LINKED WITHIN A FEW DAYS NICK MONTFORT, _GOLEM,_ DEAD ALIVE / NEW SIGHT, 2021 FREE (CREATIVE COMMONS) PLAIN TEXT VERSION NICK MONTFORT, _HARD WEST TURN,_ BAD QUARTO, 2018 THE PROGRAM THAT GENERATED _HARD WEST TURN_ NICK MONTFORT, _THE TRUELIST,_ COUNTERPATH, 2017 THE PROGRAM THAT GENERATED _THE TRUELIST_ COMPLETE STUDIO RECORDING OF _THE TRUELIST_ NICK MONTFORT, _THE FUTURE,_ ESSENTIAL KNOWLEDGE SERIES, MIT PRESS,2017
NICK MONTFORT, _SLIDERS,_ BAD QUARTO, 2017 NICK MONTFORT, _AUTOPIA,_ TROLL THREAD, 2016 NICK MONTFORT, SERGE BOUCHARDON, CARLOS LEÓN, NATALIA FEDOROVA, ANDREW CAMPANA, ALEKSANDRA MALECKA, AND PIOTR MARECKI, _2X6,_ LESFIGUES, 2016
NICK MONTFORT, _EXPLORATORY PROGRAMMING FOR THE ARTS AND HUMANITIES,_MIT PRESS, 2016
A SECOND EDITION OF THIS BOOK WAS PUBLISHED IN MAY 2021 ERRATA SHEET FOR THE FIRST PRINTING NICK MONTFORT, _MEGAWATT,_ BAD QUARTO, 2014 NICK MONTFORT, _#!,_ COUNTERPATH, 2014 NICK MONTFORT, _WORLD CLOCK,_ BAD QUARTO, 2013 NICK MONTFORT, PATSY BAUDOIN, JOHN BELL, IAN BOGOST, JEREMY DOUGLASS, MARK C. MARINO, MICHAEL MATEAS, CASEY REAS, MARK SAMPLE, AND NOAH VAWTER, _10 PRINT CHR$(205.5+RND(1)); : GOTO 10,_ MIT PRESS, 2012 NICK MONTFORT AND SCOTT RETTBERG, _IMPLEMENTATION,_ 2004 (PROJECT) /2012 (BOOK)
NICK MONTFORT, _RIDDLE & BIND,_ SPINELESS BOOKS, 2010 NICK MONTFORT AND IAN BOGOST, _RACING THE BEAM: THE ATARI VIDEO COMPUTER SYSTEM,_ MIT PRESS, 2009 N. KATHERINE HAYLES, NICK MONTFORT, SCOTT RETTBERG AND STEPHANIE STRICKLAND, EDS., _THE ELECTRONIC LITERATURE COLLECTION,_ VOLUME 1,ELO, 2006
NICK MONTFORT, _TWISTY LITTLE PASSAGES: AN APPROACH TO INTERACTIVE FICTION,_ MIT PRESS, 2003 NOAH WARDRIP-FRUIN AND NICK MONTFORT, EDS., _THE NEW MEDIA READER,_MIT PRESS, 2003
NICK MONTFORT AND WILLIAM GILLESPIE, _2002: A PALINDROME STORY,_ SPINELESS BOOKS, 2002Details
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