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NATHALIE
MACRO COLLECTION
MACRO COLLECTION. Although usually not made accessible to the public, the collection stored below the courtyard of the former Peroni Brewery is made available for the first time in digital form. Owned by the Capitoline Superintendence for Cultural Heritage, it consists of over 1200 works, acquired by the City of Rome between the 1950s and the BOY VEREECKEN BACK MATTER BOY VEREECKEN. Back Matter. With works by Stéphane Barbier Bouvet, Daniel Dewar & Grégory Gicquel, Jana Euler, Ezio Gribaudo, Jos de Gruyter & Harald Thys, Annette Kelm, Marlie Mul, Peter Wächtler. 3 February 2021 – 13 June 2021. #In-Design. MUSEUM FOR PREVENTIVE IMAGINATION SUMMER 2021 DISPATCH N° 13. MACRO presents the summer 2021 programme of Museum for Preventive Imagination. In June and July all the sections of the museum, like the columns of a magazine, will update their contents. Each section with its own rhythm and timing will host new exhibitions and projects, addressing a variety of themes, languages and newartists
BAR AND RESTAURANT
T +39 06 8548274. E macro138@nicolairicevimenti.it. BAR. The museum’s bar is a space for visitors to stop by for a refreshment and enjoy a break during their visit. MACROCafé welcomes everyone from Tuesday to Sunday and it is located on the first floor of the museum. Entrance is from Via Nizza 138. Temporarily closed. ANDREA CORTELLESSA, “ABOUT SIMONE CARELLA” Prior to enriching Io poetu tu, the exhibition on Simone Carella on view until 6 June 2021, with an interpretation of Carella’s work and life, Andrea Cortellessa, writer and professor at La Sapienza University, shares a reflection on who, or better what, Simone Carella was. “Who Simone Carella was, is known only by those who met him inreal
BUFFALO, II EDIZIONE DISPATCH N° 13. Teatro di Roma e MACRO presentano. BUFFALO. II edizione. 10 giugno – 13 giugno. #Supplemento. a cura di Michele Di Stefano. una co-realizzazione Teatro di Roma e Azienda Speciale Palaexpo. con il sostegno di Istituto Svizzero di Roma. MACRO — MUSEUM OF CONTEMPORARY ART OF ROME Dispatch is a podcast created exclusively for the museum’s website. An audio bulletin of knowledge which brings together excerpts from books, essays, aphorisms, poems, press releases, soundtracks, and stories in a diachronic dimension. MUSEO D'ARTE CONTEMPORANEA DI ROMATRANSLATE THIS PAGE With works by Stéphane Barbier Bouvet, Daniel Dewar & Grégory Gicquel, Jana Euler, Ezio Gribaudo, Jos de Gruyter & Harald Thys, Annette Kelm, Marlie Mul, Peter Wächtler. 3 February 2021 – 13 June 2021. #In-Design. SOSHIRO MATSUBARA. Caresses. PROGRAM | MACRO MUSEUM Dispatch is a podcast created exclusively for the museum’s website. An audio bulletin of knowledge which brings together excerpts from books, essays, aphorisms, poems, press releases, soundtracks, and stories in a diachronic dimension. EXTRA | MACRO MUSEUM EXTRA contains materials for gaining further insight on the exhibitions and the museum’s program — separated into four categories of communication media — with the objective of extending the museum experience beyond the visit itself. MEET THE ARTIST:NATHALIE
MACRO COLLECTION
MACRO COLLECTION. Although usually not made accessible to the public, the collection stored below the courtyard of the former Peroni Brewery is made available for the first time in digital form. Owned by the Capitoline Superintendence for Cultural Heritage, it consists of over 1200 works, acquired by the City of Rome between the 1950s and the BOY VEREECKEN BACK MATTER BOY VEREECKEN. Back Matter. With works by Stéphane Barbier Bouvet, Daniel Dewar & Grégory Gicquel, Jana Euler, Ezio Gribaudo, Jos de Gruyter & Harald Thys, Annette Kelm, Marlie Mul, Peter Wächtler. 3 February 2021 – 13 June 2021. #In-Design. MUSEUM FOR PREVENTIVE IMAGINATION SUMMER 2021 DISPATCH N° 13. MACRO presents the summer 2021 programme of Museum for Preventive Imagination. In June and July all the sections of the museum, like the columns of a magazine, will update their contents. Each section with its own rhythm and timing will host new exhibitions and projects, addressing a variety of themes, languages and newartists
BAR AND RESTAURANT
T +39 06 8548274. E macro138@nicolairicevimenti.it. BAR. The museum’s bar is a space for visitors to stop by for a refreshment and enjoy a break during their visit. MACROCafé welcomes everyone from Tuesday to Sunday and it is located on the first floor of the museum. Entrance is from Via Nizza 138. Temporarily closed. ANDREA CORTELLESSA, “ABOUT SIMONE CARELLA” Prior to enriching Io poetu tu, the exhibition on Simone Carella on view until 6 June 2021, with an interpretation of Carella’s work and life, Andrea Cortellessa, writer and professor at La Sapienza University, shares a reflection on who, or better what, Simone Carella was. “Who Simone Carella was, is known only by those who met him inreal
BUFFALO, II EDIZIONE DISPATCH N° 13. Teatro di Roma e MACRO presentano. BUFFALO. II edizione. 10 giugno – 13 giugno. #Supplemento. a cura di Michele Di Stefano. una co-realizzazione Teatro di Roma e Azienda Speciale Palaexpo. con il sostegno di Istituto Svizzero di Roma. MUSEUM FOR PREVENTIVE IMAGINATION SUMMER 2021 DISPATCH N° 13. MACRO presents the summer 2021 programme of Museum for Preventive Imagination. In June and July all the sections of the museum, like the columns of a magazine, will update their contents. Each section with its own rhythm and timing will host new exhibitions and projects, addressing a variety of themes, languages and newartists
GUIDED TOURS
Dispatch is a podcast created exclusively for the museum’s website. An audio bulletin of knowledge which brings together excerpts from books, essays, aphorisms, poems, press releases, soundtracks, and stories in a diachronic dimension. MUSEUM FOR PREVENTIVE IMAGINATION MUSEUM FOR PREVENTIVE IMAGINATION . Museum for Preventive Imagination is the title of the three-year program envisioned by the new Artistic Director of MACRO — Museum of Contemporary Art of Rome, Luca Lo Pinto: a single exhibition project that will evolve organically until the end of 2022.. The title is inspired by the project “Bureau for Preventive Imagination” (Ufficio per lORGANISATION
DISPATCH N° 12. Azienda Speciale Palaexpo is an entity operating under the municipality of Rome. Palaexpo manages a cultural programme, which currently consists of the numerous multidisciplinary activities conducted by the structures run under the entity’s aegis: Palazzodelle
TEAM | MACRO MUSEUM
Dispatch is a podcast created exclusively for the museum’s website. An audio bulletin of knowledge which brings together excerpts from books, essays, aphorisms, poems, press releases, soundtracks, and stories in a diachronic dimension. BUFFALO, 2ND EDITION How vast is the distance between the theatre and the museum? Boundless.. The Palazzo delle Esposizioni hosted BUFFALO, a window on contemporary performance and dance curated by Michele Di Stefano for the Teatro di Roma, in 2019: an opening giving onto the boundless space that becomes the venue of an encounter between artistic visions, languages and sensibilities, between the performance VALERIO MATTIOLI, “IO POETO TU” Valerio Mattioli is the author of Remoria. La città invertita (minimum fax, 2019) and Superonda.Storia segreta della musica italiana (Baldini & Castoldi, 2016). For the Not di NERO series, of which he is editor and curator, he translated Capitalist Realism by Mark Fisher. His next book, dedicated to the relationship between electronic music, algorithmic dystopia and the extinction of mankind ANDREA CORTELLESSA, “IO POETO TU” Reservation is compulsory and can be made via booking@museomacro.it. Andrea Cortellessa was born in Rome in 1968. He teaches Contemporary Italian Literature at the University of Roma Tre; in 2018 he held the “De Sanctis Chair” at the Zurich Polytechnic. He has published essays and anthologies, edited texts by Italian authors of the MARIA LUISA FRISA, “PLAYMEN: AN ALBUM” With Female Body.Politics of desire Maria Luisa Frisa interprets the portfolio “Le modelle segrete” by Gian Paolo Barbieri, published in Playmen in February 1971.Fashion and image, female body and desire, femininity and feminism: Playmen contributes to the introduction of the dimension of desire which is an integral part of the discursive and planning practices of fashion design in shared ANDY ABBOTT, NEW IMAGINATIONS Dispatch is a podcast created exclusively for the museum’s website. An audio bulletin of knowledge which brings together excerpts from books, essays, aphorisms, poems, press releases, soundtracks, and stories in a diachronic dimension. MACRO — MUSEUM OF CONTEMPORARY ART OF ROME Dispatch is a podcast created exclusively for the museum’s website. An audio bulletin of knowledge which brings together excerpts from books, essays, aphorisms, poems, press releases, soundtracks, and stories in a diachronic dimension. BOOKING | MACRO MUSEUM Reservations are required for visits and can also be made at the museum. Entry is permitted for 50 visitors every 60 minutes. → Book now. To ensure your safety and that of the museum staff, MACRO has organized a new plan of entry for visitors, outlined herein, in line with the directives of the government and the region on measures for the prevention of COVID-19. MUSEO D'ARTE CONTEMPORANEA DI ROMATRANSLATE THIS PAGE With works by Stéphane Barbier Bouvet, Daniel Dewar & Grégory Gicquel, Jana Euler, Ezio Gribaudo, Jos de Gruyter & Harald Thys, Annette Kelm, Marlie Mul, Peter Wächtler. 3 February 2021 – 13 June 2021. #In-Design. SOSHIRO MATSUBARA. Caresses. PROGRAM | MACRO MUSEUM Dispatch is a podcast created exclusively for the museum’s website. An audio bulletin of knowledge which brings together excerpts from books, essays, aphorisms, poems, press releases, soundtracks, and stories in a diachronic dimension. EXTRA | MACRO MUSEUM EXTRA contains materials for gaining further insight on the exhibitions and the museum’s program — separated into four categories of communication media — with the objective of extending the museum experience beyond the visit itself. MEET THE ARTIST:NATHALIE
MACRO COLLECTION
MACRO COLLECTION. Although usually not made accessible to the public, the collection stored below the courtyard of the former Peroni Brewery is made available for the first time in digital form. Owned by the Capitoline Superintendence for Cultural Heritage, it consists of over 1200 works, acquired by the City of Rome between the 1950s and the BOY VEREECKEN BACK MATTER BOY VEREECKEN. Back Matter. With works by Stéphane Barbier Bouvet, Daniel Dewar & Grégory Gicquel, Jana Euler, Ezio Gribaudo, Jos de Gruyter & Harald Thys, Annette Kelm, Marlie Mul, Peter Wächtler. 3 February 2021 – 13 June 2021. #In-Design. ANDREA CORTELLESSA, “ABOUT SIMONE CARELLA” Prior to enriching Io poetu tu, the exhibition on Simone Carella on view until 6 June 2021, with an interpretation of Carella’s work and life, Andrea Cortellessa, writer and professor at La Sapienza University, shares a reflection on who, or better what, Simone Carella was. “Who Simone Carella was, is known only by those who met him inreal
BUFFALO, II EDIZIONE DISPATCH N° 13. Teatro di Roma e MACRO presentano. BUFFALO. II edizione. 10 giugno – 13 giugno. #Supplemento. a cura di Michele Di Stefano. una co-realizzazione Teatro di Roma e Azienda Speciale Palaexpo. con il sostegno di Istituto Svizzero di Roma. FRANCA SACCHI, “ALTO E CHIARO” FRANCA SACCHI. Alto e chiaro. 1971. #Audio #Chamber Music. The eclectic Franca Sacchi (Milan, 1940) is a musician, artist, singing and yoga teacher who lives in Milan. At a very young age she studied piano and composition at the Conservatorio Giuseppe Verdi in Milan, which she left to devote herself to electroacoustics, first at theStudio di
MACRO — MUSEUM OF CONTEMPORARY ART OF ROME Dispatch is a podcast created exclusively for the museum’s website. An audio bulletin of knowledge which brings together excerpts from books, essays, aphorisms, poems, press releases, soundtracks, and stories in a diachronic dimension. BOOKING | MACRO MUSEUM Reservations are required for visits and can also be made at the museum. Entry is permitted for 50 visitors every 60 minutes. → Book now. To ensure your safety and that of the museum staff, MACRO has organized a new plan of entry for visitors, outlined herein, in line with the directives of the government and the region on measures for the prevention of COVID-19. MUSEO D'ARTE CONTEMPORANEA DI ROMATRANSLATE THIS PAGE With works by Stéphane Barbier Bouvet, Daniel Dewar & Grégory Gicquel, Jana Euler, Ezio Gribaudo, Jos de Gruyter & Harald Thys, Annette Kelm, Marlie Mul, Peter Wächtler. 3 February 2021 – 13 June 2021. #In-Design. SOSHIRO MATSUBARA. Caresses. PROGRAM | MACRO MUSEUM Dispatch is a podcast created exclusively for the museum’s website. An audio bulletin of knowledge which brings together excerpts from books, essays, aphorisms, poems, press releases, soundtracks, and stories in a diachronic dimension. EXTRA | MACRO MUSEUM EXTRA contains materials for gaining further insight on the exhibitions and the museum’s program — separated into four categories of communication media — with the objective of extending the museum experience beyond the visit itself. MEET THE ARTIST:NATHALIE
MACRO COLLECTION
MACRO COLLECTION. Although usually not made accessible to the public, the collection stored below the courtyard of the former Peroni Brewery is made available for the first time in digital form. Owned by the Capitoline Superintendence for Cultural Heritage, it consists of over 1200 works, acquired by the City of Rome between the 1950s and the BOY VEREECKEN BACK MATTER BOY VEREECKEN. Back Matter. With works by Stéphane Barbier Bouvet, Daniel Dewar & Grégory Gicquel, Jana Euler, Ezio Gribaudo, Jos de Gruyter & Harald Thys, Annette Kelm, Marlie Mul, Peter Wächtler. 3 February 2021 – 13 June 2021. #In-Design. ANDREA CORTELLESSA, “ABOUT SIMONE CARELLA” Prior to enriching Io poetu tu, the exhibition on Simone Carella on view until 6 June 2021, with an interpretation of Carella’s work and life, Andrea Cortellessa, writer and professor at La Sapienza University, shares a reflection on who, or better what, Simone Carella was. “Who Simone Carella was, is known only by those who met him inreal
BUFFALO, II EDIZIONE DISPATCH N° 13. Teatro di Roma e MACRO presentano. BUFFALO. II edizione. 10 giugno – 13 giugno. #Supplemento. a cura di Michele Di Stefano. una co-realizzazione Teatro di Roma e Azienda Speciale Palaexpo. con il sostegno di Istituto Svizzero di Roma. FRANCA SACCHI, “ALTO E CHIARO” FRANCA SACCHI. Alto e chiaro. 1971. #Audio #Chamber Music. The eclectic Franca Sacchi (Milan, 1940) is a musician, artist, singing and yoga teacher who lives in Milan. At a very young age she studied piano and composition at the Conservatorio Giuseppe Verdi in Milan, which she left to devote herself to electroacoustics, first at theStudio di
MUSEO D'ARTE CONTEMPORANEA DI ROMATRANSLATE THIS PAGE With works by Stéphane Barbier Bouvet, Daniel Dewar & Grégory Gicquel, Jana Euler, Ezio Gribaudo, Jos de Gruyter & Harald Thys, Annette Kelm, Marlie Mul, Peter Wächtler. 3 February 2021 – 13 June 2021. #In-Design. SOSHIRO MATSUBARA. Caresses.PRENOTAZIONE
Entry is permitted for 50 visitors every 60 minutes. → Book now. To ensure your safety and that of the museum staff, MACRO has organized a new plan of entry for visitors, outlined herein, in line with the directives of the government and the region on measures for the prevention of COVID-19. EXTRA | MACRO MUSEUM EXTRA contains materials for gaining further insight on the exhibitions and the museum’s program — separated into four categories of communication media — with the objective of extending the museum experience beyond the visit itself. MEET THE ARTIST:NATHALIE
MACRO COLLECTION
MACRO COLLECTION. Although usually not made accessible to the public, the collection stored below the courtyard of the former Peroni Brewery is made available for the first time in digital form. Owned by the Capitoline Superintendence for Cultural Heritage, it consists of over 1200 works, acquired by the City of Rome between the 1950s and the MUSEUM FOR PREVENTIVE IMAGINATION SUMMER 2021 DISPATCH N° 13. MACRO presents the summer 2021 programme of Museum for Preventive Imagination. In June and July all the sections of the museum, like the columns of a magazine, will update their contents. Each section with its own rhythm and timing will host new exhibitions and projects, addressing a variety of themes, languages and newartists
BAR AND RESTAURANT
T +39 06 8548274. E macro138@nicolairicevimenti.it. BAR. The museum’s bar is a space for visitors to stop by for a refreshment and enjoy a break during their visit. MACROCafé welcomes everyone from Tuesday to Sunday and it is located on the first floor of the museum. Entrance is from Via Nizza 138. Temporarily closed.ORGANISATION
DISPATCH N° 12. Azienda Speciale Palaexpo is an entity operating under the municipality of Rome. Palaexpo manages a cultural programme, which currently consists of the numerous multidisciplinary activities conducted by the structures run under the entity’s aegis: Palazzodelle
OPENING HOURS
The MACRO building and its spaces are accessible to all. During opening hours, the entrance is guarded by our staff who are present to welcome visitors, assist them, and facilitate entering the museum and its exhibition spaces. An underground parking is available and open every day, 24 hours a day, accessible via a ramp in Via Cagliari 31. VALERIO MATTIOLI, “IO POETO TU” Valerio Mattioli is the author of Remoria. La città invertita (minimum fax, 2019) and Superonda.Storia segreta della musica italiana (Baldini & Castoldi, 2016). For the Not di NERO series, of which he is editor and curator, he translated Capitalist Realism by Mark Fisher. His next book, dedicated to the relationship between electronic music, algorithmic dystopia and the extinction of mankind MARIA LUISA FRISA, “PLAYMEN: AN ALBUM” With Female Body.Politics of desire Maria Luisa Frisa interprets the portfolio “Le modelle segrete” by Gian Paolo Barbieri, published in Playmen in February 1971.Fashion and image, female body and desire, femininity and feminism: Playmen contributes to the introduction of the dimension of desire which is an integral part of the discursive and planning practices of fashion design in sharedClose
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DISPATCH N° 13
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NATHALIE DU PASQUIER_Campo di Marte_
3 February 2021 – 20 June 2021#Solo/Multi
_Wolfgang Stoerchle (1944–1976)_ Organized with Alice Dusapin 3 February 2021 – 27 June 2021#Arrhythmics
DARREN BADER
_Bootlicker Suite_
12 April 2021 – 31 July 2021#Supplement
SIMONE CARELLA
_Io poeto tu
_With works by Rä di Martino, Anna Franceschini, Emiliano Maggi, the participation of Vega, Francesca Corona and Alessandra Vanzi, Andrea Cortellessa, Silvia Fanti and Giorgio Barberio Corsetti, ValerioMattioli.
With contributions by Ulisse Benedetti, Pippo Di Marca, Paolo Grassini, Rossella Or, Mario Romano, Fabio Sargentini, Marco Solari. 3 February 2021 – 6 June 2021#Polyphony
_(Editions) Mego 1995–2020_ 3 February 2021 – 6 June 2021#Chamber Music
_PLAYMEN: UN ALBUM_
With the participation of Vega, Carlo Antonelli, Maria Luisa Frisa,Michele Masneri.
Contributions by Fulvio Jacometti, Mauro Piccini, Pier Francesco Pingitore, Bruna Reali, Roberto Rocchi. 3 February 2021 – 30 May 2021 #Bibliographic OfficeBOY VEREECKEN
_Back Matter
_With works by Stéphane Barbier Bouvet, Daniel Dewar & Grégory Gicquel, Jana Euler, Ezio Gribaudo, Jos de Gruyter & Harald Thys, Annette Kelm, Marlie Mul, Peter Wächtler. 3 February 2021 – 13 June 2021#In-Design
SOSHIRO MATSUBARA
_Caresses _
3 February 2021 – 13 June 2021#Rehearsal
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Podcast Octupus
DISPATCH N° 13
For this new episode of Dispatch, I invited Giulia Crispiani, one of the artists on show in my RETROFUTURE section, to curate a special episode. Drawing inspiration from the city of Rome, its sounds and an imagined rain that features as a sort of MacGuffin in her writing. Here, she reads _Monsone perpetuo_, which could be called a prelude to _Il Futuro è finito ieri_, the work which you can find in my physicalspace.
In this episode:
Giulia Crispiani reads _Monsone Perpetuo_,
2018
Sound by Federico AntoniniDISPATCH N° 12
In this episode:
1. Roger Callois, _The Writing of Stones_ 2. Fairy Pitta, Lake Miike, Miyazaki, Japan 3. Lucy Lippard, _The Pink Glass Swan_ 4. Steve Reich, _Come Out_ (Nicolas Jaar Remix) 5. Alfredo Jaar, _The Eyes of Gutete Emerita_DISPATCH N° 11
In this episode:
1. Marguerite Duras, an excerpt from da _Scrivere_ 2. _Common Sandpiper_, Luspebryggan, Sweden 3. Wyslawa Szymborska, _Possibilities_ 4. Laurie Anderson, _Language is a virus, _1986 5. Press Release _Irrigitation Veins: Ana Mendieta and CaroleeSchneemann_
DISPATCH N° 10
This new episode of Dispatch comes out on the occasion of the #Giornatadelcontemporaneo organized by AMACI — Association of Italian Contemporary Art Museums. I invited Nicola Pecoraro, artist and creator of my avatar, to curate this special episode. Drawing intuitively from the landscapes that surround him, he proposed for my podcast a remix of heterogeneous contents, such as the sound elements taken from everyday life and the fragments of songs that trace his research or his collaborations and make up a collage of voices.In this episode:
1. Intro
2. Nicola Pecoraro, _Respire L’infinir_, 2020 (excerpt)3. Interlude 1
4. Edited posts from the electronic music forum on www.gearslutz.com5. Interlude 2
6. Introduction chapter from _The Last Man_, by Mary W. Shelley, 1826(part 1)
7. Interlude 3
8. Introduction chapter from _The Last Man_, by Mary W. Shelley, 1826(part 2)
DISPATCH N° 9
In this episode:
1. Randy Kennedy, _Language as Sculpture, Words as Clay_ on_ New YorkTimes_
2. Leonard Cohen, _First of all_, from _The Book of Longing_ 3. Brown Thornbill, Ambleside, Devonport, Tasmania, Australia 4. Etel Adnan, taken from _The cost for love we are not willing topay_
5. John Cage, _In love with another sound_ 6. Press Release_ Lo Savio_, la Galleria D’arte Selecta, Rome, 1960DISPATCH n° 8
This podcast was made during Pauline Julier’s residency at the Swiss Institute of Rome, in occasion of the evening _Event Horizon — L où commence le ciel_conceived
with Filipa Ramos (September 2002). Sources are, by order of appearance: 1. Anne Carson, _Lecture on the History of Skywritings_, © The Louisiana Channel, Louisiana Museum of Modern Art, 2019 2. Forensic Architecture, _Cloud Studies_, 2020 3. Quinn Latimer, _Dear Drone_, Letter in response to Pauline’svideo, 2020
4. Vinciane Despret in conversation with Filipa Ramos, 2020 5. Michelangelo Antonioni, _Au-delà des nuages_ in _Rien que desmensonges_, 1991
6. Helmut Völter, _The Movement of Clouds Around Mount Fuji_, Photographed and Filmed byMasanao Abe, 2016
Produced by the Swiss Institute of Rome, in collaboration with MACRO,Rome.
DISPATCH n° 7
In this episode:
1. Celso Amorim,_ A Post-Pandemic World Order_, on _ProgressiveInternational_
2. Fernando Pessoa, _Autopsicografia_, from _Una sola moltitudine_ 3. Spotless Starling, Toledo, Castilla-La Mancha, Spain 4. Emanuele Coccia, extract from_ Astrologia del Futuro_, _Flash Art_ 5. 99chants, chant#1: _DAVID AUGUST — DCXXXIX A.C._ 6. Press release of the exhibition _Under the Sun_, by Lawrence Weiner, in 2009 at Espai d’Art Contemporani CastellóDISPATCH N° 6
In this episode:
1. Jörg Heiser, _Artists in Quarantine, public intellectuals, and the trouble with empty heroics_ 2. Eurasian Wren, Hakone, Kanagawa Prefecture, Japan 3. Giorgio Caproni, _Sassate_ 4. Press release of the exhibition _Soul of a nation: art in the ageof black power_
,
2017, Tate
5. Amiri Baraka, _Who Will Survive America?_DISPATCH N° 5
In this episode:
1. Slavoj Žižek, _What I like about coronavirus_, on _Spectator Usa_ 2. Yellow-Fronted Parrot, Wondo Genet Forestry College, SouthernNations, Ethiopia
3. Patrizia Vicinelli, febbraio 1962 4. Wolfgang Tillmans, _On My Own_, 2018 5. Press release of the exhibition _Visual and Non-Visual ArtExpression_
in 1940 at The Museum of Modern Art 6. Arundhati Roy, _Il nostro compito è fermare il motore_, from
Comune Info.
DISPATCH N° 4
In this episode:
1. Bruno Latour, _Immaginare gesti-barriera contro il ritorno alla produzione pre-crisi_, from _Antinomie Scritture e Immagini_ 2. Laughing Falcon, Sendero Ojo de Agua, Guanacaste, Costa Rica 3. James Lee Byars, _Text of The Hundred One Page Stone Books_ 4. Arvo Part, _Salve Regina_, 2006 5. Press release announcing the Robert Morris exhibition at the TateGallery
,
scheduled 28 April — 6 June 1971DISPATCH N° 3
In this episode:
1. Filipa Ramos, _What the virus wants_,
from _The Contemporary Journal_ 2. Northen Cardinal, Merritt Island, Florida, USA 3. Bernadette Mayer, _Fish & Chips_,
from Poetry Foundation 4. Giacinto Scelsi, _Chukrum_ 5. Press Release of the exhibition _The Clock_,
Christian Marclay
DISPATCH N° 2
In this episode:
1. Giorgio Agamben, _Distanziamento sociale_,
from _Una Voce_ on Quodlibet.it 2. Chipping Sparrow, Washington, Maryland, USA 3. _Open Letter II_, by Storm de Hirsch, from _Mythology for the Soul: The Collected Poems of Storm de Hirsch_ 4. Sabbie Vergini, _Albergo Intergallatico Spaziale_ 5. Press Release of the seminal exhibition _Information_, which took place at the MoMA in 1970DISPATCH N° 1
In this episode:
1. Timothy Morton, _Thank Virus for Symbiosis_ , from _The Corona Essays_ 2. Melodius Blackbird, San Josè, Costa Rica 3. Patrizia Cavalli, from _Le mie poesie non cambieranno il mondo_ 4. Aphex Twin, Tha2 (world scam mix) 5. Paul Preciado, _The loser conspiracy_,
from _Artforum_
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