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SHADE OF GREY.
WORDS — MOBSTR
lessons in advertising vol. 5. lessons in advertising vol. 6. this way please. a tribute to the commuters. photograph by Tautvydas Stukas. photograph by Tautvydas Stukas. I like to think of modesty as one of my many good traits. The thing I like most about Banksy is how hypocritical he can make people look. Banksy re-envisioned.OTHER STUFF
a helping hand. hide and seek. time to get rid of this. good thing you came along. Before the rain washed it away taping the piss. This image was released with a geolocation and the message "BRING A SHOVEL". fucking with Tesco´s or their customers. closed circuit treevision.COME ON — MOBSTR
UPON THE SIGHTING OF NEW RENDERING. THE SCRIBBLE BOARD. COME ON. AVAILABLE ON CANVAS. A MASTERPIECE. THIS IS NOT GRAFFITI. THE SIGN. HELP THE LITTLE PEOPLE. THE RELATIONSHIP.THE SCRIBBLE BOARD
the scribble board. STEP 1. Find a billboard low to the ground and keep track of its rotations. This billboard in particular was chosen because it was under a bridge so rain wouldn't cause any problems. Also, it was next to a pub and the forethought was that pissed people would be more open toHUH? — MOBSTR
somewhere in France Sweet Toof HUH? reflective. The phrase HUH? placed with no meaning or context provokes its definition within the viewer.OFF. ON.
THE CURIOUS FRONTIER OF RED This is documentation of what transpired over the course of a year. FOREWORD: I cycled past this wall on the way to work for years. I noticed that graffiti painted within the red area was "buffed" with red paint. However, graffiti outside of the red area would be removed via pressure washing. This prompted the start of an experiment.THE CODE — MOBSTR
-----BEGIN PGP MESSAGE-----Version: GnuPG v2. hQEMA2XZuScGXNApAQf/Vd4gl6uurFua+iOSNz0B6TF9lgBwktvG0vYdC83e84kJBROWN SHAPES
BROWN SHAPES. GRAFFITI IN A FRAME. NO. OF DAYS. INSTAGRAM. UPON THE SIGHTING OF NEW RENDERING. THE SCRIBBLE BOARD. COME ON. AVAILABLE ONCANVAS.
MOBSTRTHE BEGINNINGNEW WORKWORDSPROGRESSIONSOTHER STUFFHUH MOBSTR. I am a tourist to reality. I am not an artist. I am simply a guy who thinks too much. I am an antagonist. I question everything. I disassemble what is around me. I try to twist it/ undermine it/ subvert it. There is no future in my existence. THE STORY — MOBSTR THE STORY — MOBSTR. THE BEGINNING. NEW WORK. WORDS. PROGRESSIONS. THE CURIOUS FRONTIER OF RED. THE STORY. THE QUESTION MARK. ACCEPTABLESHADE OF GREY.
WORDS — MOBSTR
lessons in advertising vol. 5. lessons in advertising vol. 6. this way please. a tribute to the commuters. photograph by Tautvydas Stukas. photograph by Tautvydas Stukas. I like to think of modesty as one of my many good traits. The thing I like most about Banksy is how hypocritical he can make people look. Banksy re-envisioned.OTHER STUFF
a helping hand. hide and seek. time to get rid of this. good thing you came along. Before the rain washed it away taping the piss. This image was released with a geolocation and the message "BRING A SHOVEL". fucking with Tesco´s or their customers. closed circuit treevision.COME ON — MOBSTR
UPON THE SIGHTING OF NEW RENDERING. THE SCRIBBLE BOARD. COME ON. AVAILABLE ON CANVAS. A MASTERPIECE. THIS IS NOT GRAFFITI. THE SIGN. HELP THE LITTLE PEOPLE. THE RELATIONSHIP.THE SCRIBBLE BOARD
the scribble board. STEP 1. Find a billboard low to the ground and keep track of its rotations. This billboard in particular was chosen because it was under a bridge so rain wouldn't cause any problems. Also, it was next to a pub and the forethought was that pissed people would be more open toHUH? — MOBSTR
somewhere in France Sweet Toof HUH? reflective. The phrase HUH? placed with no meaning or context provokes its definition within the viewer.OFF. ON.
THE CURIOUS FRONTIER OF RED This is documentation of what transpired over the course of a year. FOREWORD: I cycled past this wall on the way to work for years. I noticed that graffiti painted within the red area was "buffed" with red paint. However, graffiti outside of the red area would be removed via pressure washing. This prompted the start of an experiment.THE CODE — MOBSTR
-----BEGIN PGP MESSAGE-----Version: GnuPG v2. hQEMA2XZuScGXNApAQf/Vd4gl6uurFua+iOSNz0B6TF9lgBwktvG0vYdC83e84kJBROWN SHAPES
BROWN SHAPES. GRAFFITI IN A FRAME. NO. OF DAYS. INSTAGRAM. UPON THE SIGHTING OF NEW RENDERING. THE SCRIBBLE BOARD. COME ON. AVAILABLE ONCANVAS.
THE STORY — MOBSTR THE STORY — MOBSTR. THE BEGINNING. NEW WORK. WORDS. PROGRESSIONS. THE CURIOUS FRONTIER OF RED. THE STORY. THE QUESTION MARK. ACCEPTABLESHADE OF GREY.
STORE — MOBSTR
THAT'S YOU (screen printed mirror glass) 135.00. OVERUSED STENCIL. 650.00. sold out. HOW RUDE (etched mirror) 135.00. sold out. It does.(gold edition)
A MASTERPIECE
UPON THE SIGHTING OF NEW RENDERING. THE SCRIBBLE BOARD. COME ON. AVAILABLE ON CANVAS. A MASTERPIECE. THIS IS NOT GRAFFITI. THE SIGN. HELP THE LITTLE PEOPLE. THE RELATIONSHIP.NO. OF DAYS
NO. OF DAYS. INSTAGRAM. UPON THE SIGHTING OF NEW RENDERING. THE SCRIBBLE BOARD. COME ON. AVAILABLE ON CANVAS. A MASTERPIECE. THIS ISNOT GRAFFITI.
THE CODE — MOBSTR
-----BEGIN PGP MESSAGE-----Version: GnuPG v2. hQEMA2XZuScGXNApAQf/Vd4gl6uurFua+iOSNz0B6TF9lgBwktvG0vYdC83e84kJAND ON — MOBSTR
The latest collaboration by KARBORN + MOBSTR. Large single colour screen print on mirror glass. 110 x 170 cm Available in RED and BLACK. Signed and numbered edition of 8. Artwork framed by the artists. Frames available in either WHITE or BLACK. Please confirm which colouryou would like with
THE LONESOME JUMPER
THE LONESOME JUMPER — MOBSTR. THE BEGINNING. NEW WORK. WORDS. PROGRESSIONS. THE CURIOUS FRONTIER OF RED. THE STORY. THE QUESTION MARK. ACCEPTABLE SHADE OF GREY.SKY NEWS — MOBSTR
Sky News requested an interview. I agreed on the condition that I provide a distorted sound bite. Using a friend’s voice, I took the opportunity to get some ridiculous sounding audio onto Sky News.OF 50 — MOBSTR
one colour screen print each one uniquely hand finished 40 x 60 cm lambeth 370 gsm paper YEAH. THAT'S YOU (PINK) Etching acid and enamel screen print on mirror glass. 30 x 30 cmEdition of 60.
MOBSTRTHE BEGINNINGNEW WORKWORDSPROGRESSIONSOTHER STUFFHUH MOBSTR. I am a tourist to reality. I am not an artist. I am simply a guy who thinks too much. I am an antagonist. I question everything. I disassemble what is around me. I try to twist it/ undermine it/ subvert it. There is no future in my existence. THE STORY — MOBSTR THE STORY — MOBSTR. THE BEGINNING. NEW WORK. WORDS. PROGRESSIONS. THE CURIOUS FRONTIER OF RED. THE STORY. THE QUESTION MARK. ACCEPTABLESHADE OF GREY.
WORDS — MOBSTR
lessons in advertising vol. 5. lessons in advertising vol. 6. this way please. a tribute to the commuters. photograph by Tautvydas Stukas. photograph by Tautvydas Stukas. I like to think of modesty as one of my many good traits. The thing I like most about Banksy is how hypocritical he can make people look. Banksy re-envisioned.OTHER STUFF
a helping hand. hide and seek. time to get rid of this. good thing you came along. Before the rain washed it away taping the piss. This image was released with a geolocation and the message "BRING A SHOVEL". fucking with Tesco´s or their customers. closed circuit treevision.COME ON — MOBSTR
UPON THE SIGHTING OF NEW RENDERING. THE SCRIBBLE BOARD. COME ON. AVAILABLE ON CANVAS. A MASTERPIECE. THIS IS NOT GRAFFITI. THE SIGN. HELP THE LITTLE PEOPLE. THE RELATIONSHIP.THE SCRIBBLE BOARD
the scribble board. STEP 1. Find a billboard low to the ground and keep track of its rotations. This billboard in particular was chosen because it was under a bridge so rain wouldn't cause any problems. Also, it was next to a pub and the forethought was that pissed people would be more open toHUH? — MOBSTR
somewhere in France Sweet Toof HUH? reflective. The phrase HUH? placed with no meaning or context provokes its definition within the viewer.OFF. ON.
THE CURIOUS FRONTIER OF RED This is documentation of what transpired over the course of a year. FOREWORD: I cycled past this wall on the way to work for years. I noticed that graffiti painted within the red area was "buffed" with red paint. However, graffiti outside of the red area would be removed via pressure washing. This prompted the start of an experiment.THE CODE — MOBSTR
-----BEGIN PGP MESSAGE-----Version: GnuPG v2. hQEMA2XZuScGXNApAQf/Vd4gl6uurFua+iOSNz0B6TF9lgBwktvG0vYdC83e84kJBROWN SHAPES
BROWN SHAPES. GRAFFITI IN A FRAME. NO. OF DAYS. INSTAGRAM. UPON THE SIGHTING OF NEW RENDERING. THE SCRIBBLE BOARD. COME ON. AVAILABLE ONCANVAS.
MOBSTRTHE BEGINNINGNEW WORKWORDSPROGRESSIONSOTHER STUFFHUH MOBSTR. I am a tourist to reality. I am not an artist. I am simply a guy who thinks too much. I am an antagonist. I question everything. I disassemble what is around me. I try to twist it/ undermine it/ subvert it. There is no future in my existence. THE STORY — MOBSTR THE STORY — MOBSTR. THE BEGINNING. NEW WORK. WORDS. PROGRESSIONS. THE CURIOUS FRONTIER OF RED. THE STORY. THE QUESTION MARK. ACCEPTABLESHADE OF GREY.
WORDS — MOBSTR
lessons in advertising vol. 5. lessons in advertising vol. 6. this way please. a tribute to the commuters. photograph by Tautvydas Stukas. photograph by Tautvydas Stukas. I like to think of modesty as one of my many good traits. The thing I like most about Banksy is how hypocritical he can make people look. Banksy re-envisioned.OTHER STUFF
a helping hand. hide and seek. time to get rid of this. good thing you came along. Before the rain washed it away taping the piss. This image was released with a geolocation and the message "BRING A SHOVEL". fucking with Tesco´s or their customers. closed circuit treevision.COME ON — MOBSTR
UPON THE SIGHTING OF NEW RENDERING. THE SCRIBBLE BOARD. COME ON. AVAILABLE ON CANVAS. A MASTERPIECE. THIS IS NOT GRAFFITI. THE SIGN. HELP THE LITTLE PEOPLE. THE RELATIONSHIP.THE SCRIBBLE BOARD
the scribble board. STEP 1. Find a billboard low to the ground and keep track of its rotations. This billboard in particular was chosen because it was under a bridge so rain wouldn't cause any problems. Also, it was next to a pub and the forethought was that pissed people would be more open toHUH? — MOBSTR
somewhere in France Sweet Toof HUH? reflective. The phrase HUH? placed with no meaning or context provokes its definition within the viewer.OFF. ON.
THE CURIOUS FRONTIER OF RED This is documentation of what transpired over the course of a year. FOREWORD: I cycled past this wall on the way to work for years. I noticed that graffiti painted within the red area was "buffed" with red paint. However, graffiti outside of the red area would be removed via pressure washing. This prompted the start of an experiment.THE CODE — MOBSTR
-----BEGIN PGP MESSAGE-----Version: GnuPG v2. hQEMA2XZuScGXNApAQf/Vd4gl6uurFua+iOSNz0B6TF9lgBwktvG0vYdC83e84kJBROWN SHAPES
BROWN SHAPES. GRAFFITI IN A FRAME. NO. OF DAYS. INSTAGRAM. UPON THE SIGHTING OF NEW RENDERING. THE SCRIBBLE BOARD. COME ON. AVAILABLE ONCANVAS.
THE STORY — MOBSTR THE STORY — MOBSTR. THE BEGINNING. NEW WORK. WORDS. PROGRESSIONS. THE CURIOUS FRONTIER OF RED. THE STORY. THE QUESTION MARK. ACCEPTABLESHADE OF GREY.
STORE — MOBSTR
THAT'S YOU (screen printed mirror glass) 135.00. OVERUSED STENCIL. 650.00. sold out. HOW RUDE (etched mirror) 135.00. sold out. It does.(gold edition)
A MASTERPIECE
UPON THE SIGHTING OF NEW RENDERING. THE SCRIBBLE BOARD. COME ON. AVAILABLE ON CANVAS. A MASTERPIECE. THIS IS NOT GRAFFITI. THE SIGN. HELP THE LITTLE PEOPLE. THE RELATIONSHIP.NO. OF DAYS
NO. OF DAYS. INSTAGRAM. UPON THE SIGHTING OF NEW RENDERING. THE SCRIBBLE BOARD. COME ON. AVAILABLE ON CANVAS. A MASTERPIECE. THIS ISNOT GRAFFITI.
THE CODE — MOBSTR
-----BEGIN PGP MESSAGE-----Version: GnuPG v2. hQEMA2XZuScGXNApAQf/Vd4gl6uurFua+iOSNz0B6TF9lgBwktvG0vYdC83e84kJAND ON — MOBSTR
The latest collaboration by KARBORN + MOBSTR. Large single colour screen print on mirror glass. 110 x 170 cm Available in RED and BLACK. Signed and numbered edition of 8. Artwork framed by the artists. Frames available in either WHITE or BLACK. Please confirm which colouryou would like with
THE LONESOME JUMPER
THE LONESOME JUMPER — MOBSTR. THE BEGINNING. NEW WORK. WORDS. PROGRESSIONS. THE CURIOUS FRONTIER OF RED. THE STORY. THE QUESTION MARK. ACCEPTABLE SHADE OF GREY.SKY NEWS — MOBSTR
Sky News requested an interview. I agreed on the condition that I provide a distorted sound bite. Using a friend’s voice, I took the opportunity to get some ridiculous sounding audio onto Sky News.OF 50 — MOBSTR
one colour screen print each one uniquely hand finished 40 x 60 cm lambeth 370 gsm paper YEAH. THAT'S YOU (PINK) Etching acid and enamel screen print on mirror glass. 30 x 30 cmEdition of 60.
MOBSTRTHE BEGINNINGNEW WORKWORDSPROGRESSIONSOTHER STUFFHUH MOBSTR. I am a tourist to reality. I am not an artist. I am simply a guy who thinks too much. I am an antagonist. I question everything. I disassemble what is around me. I try to twist it/ undermine it/ subvert it. There is no future in my existence. THE STORY — MOBSTR THE STORY — MOBSTR. THE BEGINNING. NEW WORK. WORDS. PROGRESSIONS. THE CURIOUS FRONTIER OF RED. THE STORY. THE QUESTION MARK. ACCEPTABLESHADE OF GREY.
NEW WORK — MOBSTR
UPON THE SIGHTING OF NEW RENDERING. THE SCRIBBLE BOARD. COME ON. AVAILABLE ON CANVAS. A MASTERPIECE. THIS IS NOT GRAFFITI. THE SIGN. HELP THE LITTLE PEOPLE. THE RELATIONSHIP.WORDS — MOBSTR
lessons in advertising vol. 5. lessons in advertising vol. 6. this way please. a tribute to the commuters. photograph by Tautvydas Stukas. photograph by Tautvydas Stukas. I like to think of modesty as one of my many good traits. The thing I like most about Banksy is how hypocritical he can make people look. Banksy re-envisioned.COME ON — MOBSTR
UPON THE SIGHTING OF NEW RENDERING. THE SCRIBBLE BOARD. COME ON. AVAILABLE ON CANVAS. A MASTERPIECE. THIS IS NOT GRAFFITI. THE SIGN. HELP THE LITTLE PEOPLE. THE RELATIONSHIP.A MASTERPIECE
UPON THE SIGHTING OF NEW RENDERING. THE SCRIBBLE BOARD. COME ON. AVAILABLE ON CANVAS. A MASTERPIECE. THIS IS NOT GRAFFITI. THE SIGN. HELP THE LITTLE PEOPLE. THE RELATIONSHIP.OTHER STUFF
a helping hand. hide and seek. time to get rid of this. good thing you came along. Before the rain washed it away taping the piss. This image was released with a geolocation and the message "BRING A SHOVEL". fucking with Tesco´s or their customers. closed circuit treevision.HUH? — MOBSTR
somewhere in France Sweet Toof HUH? reflective. The phrase HUH? placed with no meaning or context provokes its definition within the viewer.OFF. ON.
THE SCRIBBLE BOARD
the scribble board. STEP 1. Find a billboard low to the ground and keep track of its rotations. This billboard in particular was chosen because it was under a bridge so rain wouldn't cause any problems. Also, it was next to a pub and the forethought was that pissed people would be more open to THE CURIOUS FRONTIER OF RED This is documentation of what transpired over the course of a year. FOREWORD: I cycled past this wall on the way to work for years. I noticed that graffiti painted within the red area was "buffed" with red paint. However, graffiti outside of the red area would be removed via pressure washing. This prompted the start of an experiment. MOBSTRTHE BEGINNINGNEW WORKWORDSPROGRESSIONSOTHER STUFFHUH MOBSTR. I am a tourist to reality. I am not an artist. I am simply a guy who thinks too much. I am an antagonist. I question everything. I disassemble what is around me. I try to twist it/ undermine it/ subvert it. There is no future in my existence. THE STORY — MOBSTR THE STORY — MOBSTR. THE BEGINNING. NEW WORK. WORDS. PROGRESSIONS. THE CURIOUS FRONTIER OF RED. THE STORY. THE QUESTION MARK. ACCEPTABLESHADE OF GREY.
NEW WORK — MOBSTR
UPON THE SIGHTING OF NEW RENDERING. THE SCRIBBLE BOARD. COME ON. AVAILABLE ON CANVAS. A MASTERPIECE. THIS IS NOT GRAFFITI. THE SIGN. HELP THE LITTLE PEOPLE. THE RELATIONSHIP.WORDS — MOBSTR
lessons in advertising vol. 5. lessons in advertising vol. 6. this way please. a tribute to the commuters. photograph by Tautvydas Stukas. photograph by Tautvydas Stukas. I like to think of modesty as one of my many good traits. The thing I like most about Banksy is how hypocritical he can make people look. Banksy re-envisioned.COME ON — MOBSTR
UPON THE SIGHTING OF NEW RENDERING. THE SCRIBBLE BOARD. COME ON. AVAILABLE ON CANVAS. A MASTERPIECE. THIS IS NOT GRAFFITI. THE SIGN. HELP THE LITTLE PEOPLE. THE RELATIONSHIP.A MASTERPIECE
UPON THE SIGHTING OF NEW RENDERING. THE SCRIBBLE BOARD. COME ON. AVAILABLE ON CANVAS. A MASTERPIECE. THIS IS NOT GRAFFITI. THE SIGN. HELP THE LITTLE PEOPLE. THE RELATIONSHIP.OTHER STUFF
a helping hand. hide and seek. time to get rid of this. good thing you came along. Before the rain washed it away taping the piss. This image was released with a geolocation and the message "BRING A SHOVEL". fucking with Tesco´s or their customers. closed circuit treevision.HUH? — MOBSTR
somewhere in France Sweet Toof HUH? reflective. The phrase HUH? placed with no meaning or context provokes its definition within the viewer.OFF. ON.
THE SCRIBBLE BOARD
the scribble board. STEP 1. Find a billboard low to the ground and keep track of its rotations. This billboard in particular was chosen because it was under a bridge so rain wouldn't cause any problems. Also, it was next to a pub and the forethought was that pissed people would be more open to THE CURIOUS FRONTIER OF RED This is documentation of what transpired over the course of a year. FOREWORD: I cycled past this wall on the way to work for years. I noticed that graffiti painted within the red area was "buffed" with red paint. However, graffiti outside of the red area would be removed via pressure washing. This prompted the start of an experiment.OTHER STUFF
a helping hand. hide and seek. time to get rid of this. good thing you came along. Before the rain washed it away taping the piss. This image was released with a geolocation and the message "BRING A SHOVEL". fucking with Tesco´s or their customers. closed circuit treevision. THE CURIOUS FRONTIER OF RED This is documentation of what transpired over the course of a year. FOREWORD: I cycled past this wall on the way to work for years. I noticed that graffiti painted within the red area was "buffed" with red paint. However, graffiti outside of the red area would be removed via pressure washing. This prompted the start of an experiment.NO. OF DAYS
NO. OF DAYS. INSTAGRAM. UPON THE SIGHTING OF NEW RENDERING. THE SCRIBBLE BOARD. COME ON. AVAILABLE ON CANVAS. A MASTERPIECE. THIS ISNOT GRAFFITI.
THE CODE — MOBSTR
-----BEGIN PGP MESSAGE-----Version: GnuPG v2. hQEMA2XZuScGXNApAQf/Vd4gl6uurFua+iOSNz0B6TF9lgBwktvG0vYdC83e84kJTHE LONESOME JUMPER
THE LONESOME JUMPER — MOBSTR. THE BEGINNING. NEW WORK. WORDS. PROGRESSIONS. THE CURIOUS FRONTIER OF RED. THE STORY. THE QUESTION MARK. ACCEPTABLE SHADE OF GREY.SKY NEWS — MOBSTR
Sky News requested an interview. I agreed on the condition that I provide a distorted sound bite. Using a friend’s voice, I took the opportunity to get some ridiculous sounding audio onto Sky News.AND ON — MOBSTR
Hand made infinity boxes Wood, acrylic, glass. 37 x 28 cmWATCH YOURSELF
WOODCUT RELIEF PRINT LIMITED EDITON OF 25 HAND-PRINTED BY THE ARTIST SIGNED AND NUMBERED BY THE ARTIST 30 x 64 cm FABRIANO ROSAPINA 285 GSM PAPER Please note: The artwork was hand-printed by the artist using a baren and therefore there is a GAME OVER — MOBSTR two colour phosphorescent (glow in the dark) screen print limited edition of 55 signed, numbered and blind stamped by the artist 34 x 64cm
FUCK IT — MOBSTR
HAND-PAINTED EDITION WITH SPRAY PAINT AND INDIAN INK EDITION OF 50 The edition is hand painted and therefore each one is unique. 35 x 23 cmUNFRAMED
MOBSTRTHE BEGINNINGNEW WORKWORDSPROGRESSIONSOTHER STUFFHUH MOBSTR. I am a tourist to reality. I am not an artist. I am simply a guy who thinks too much. I am an antagonist. I question everything. I disassemble what is around me. I try to twist it/ undermine it/ subvert it. There is no future in my existence. THE STORY — MOBSTR THE STORY — MOBSTR. THE BEGINNING. NEW WORK. WORDS. PROGRESSIONS. THE CURIOUS FRONTIER OF RED. THE STORY. THE QUESTION MARK. ACCEPTABLESHADE OF GREY.
NEW WORK — MOBSTR
UPON THE SIGHTING OF NEW RENDERING. THE SCRIBBLE BOARD. COME ON. AVAILABLE ON CANVAS. A MASTERPIECE. THIS IS NOT GRAFFITI. THE SIGN. HELP THE LITTLE PEOPLE. THE RELATIONSHIP.WORDS — MOBSTR
lessons in advertising vol. 5. lessons in advertising vol. 6. this way please. a tribute to the commuters. photograph by Tautvydas Stukas. photograph by Tautvydas Stukas. I like to think of modesty as one of my many good traits. The thing I like most about Banksy is how hypocritical he can make people look. Banksy re-envisioned.COME ON — MOBSTR
UPON THE SIGHTING OF NEW RENDERING. THE SCRIBBLE BOARD. COME ON. AVAILABLE ON CANVAS. A MASTERPIECE. THIS IS NOT GRAFFITI. THE SIGN. HELP THE LITTLE PEOPLE. THE RELATIONSHIP.A MASTERPIECE
UPON THE SIGHTING OF NEW RENDERING. THE SCRIBBLE BOARD. COME ON. AVAILABLE ON CANVAS. A MASTERPIECE. THIS IS NOT GRAFFITI. THE SIGN. HELP THE LITTLE PEOPLE. THE RELATIONSHIP.OTHER STUFF
a helping hand. hide and seek. time to get rid of this. good thing you came along. Before the rain washed it away taping the piss. This image was released with a geolocation and the message "BRING A SHOVEL". fucking with Tesco´s or their customers. closed circuit treevision.HUH? — MOBSTR
somewhere in France Sweet Toof HUH? reflective. The phrase HUH? placed with no meaning or context provokes its definition within the viewer.OFF. ON.
THE SCRIBBLE BOARD
the scribble board. STEP 1. Find a billboard low to the ground and keep track of its rotations. This billboard in particular was chosen because it was under a bridge so rain wouldn't cause any problems. Also, it was next to a pub and the forethought was that pissed people would be more open to THE CURIOUS FRONTIER OF RED This is documentation of what transpired over the course of a year. FOREWORD: I cycled past this wall on the way to work for years. I noticed that graffiti painted within the red area was "buffed" with red paint. However, graffiti outside of the red area would be removed via pressure washing. This prompted the start of an experiment. MOBSTRTHE BEGINNINGNEW WORKWORDSPROGRESSIONSOTHER STUFFHUH MOBSTR. I am a tourist to reality. I am not an artist. I am simply a guy who thinks too much. I am an antagonist. I question everything. I disassemble what is around me. I try to twist it/ undermine it/ subvert it. There is no future in my existence. THE STORY — MOBSTR THE STORY — MOBSTR. THE BEGINNING. NEW WORK. WORDS. PROGRESSIONS. THE CURIOUS FRONTIER OF RED. THE STORY. THE QUESTION MARK. ACCEPTABLESHADE OF GREY.
NEW WORK — MOBSTR
UPON THE SIGHTING OF NEW RENDERING. THE SCRIBBLE BOARD. COME ON. AVAILABLE ON CANVAS. A MASTERPIECE. THIS IS NOT GRAFFITI. THE SIGN. HELP THE LITTLE PEOPLE. THE RELATIONSHIP.WORDS — MOBSTR
lessons in advertising vol. 5. lessons in advertising vol. 6. this way please. a tribute to the commuters. photograph by Tautvydas Stukas. photograph by Tautvydas Stukas. I like to think of modesty as one of my many good traits. The thing I like most about Banksy is how hypocritical he can make people look. Banksy re-envisioned.COME ON — MOBSTR
UPON THE SIGHTING OF NEW RENDERING. THE SCRIBBLE BOARD. COME ON. AVAILABLE ON CANVAS. A MASTERPIECE. THIS IS NOT GRAFFITI. THE SIGN. HELP THE LITTLE PEOPLE. THE RELATIONSHIP.A MASTERPIECE
UPON THE SIGHTING OF NEW RENDERING. THE SCRIBBLE BOARD. COME ON. AVAILABLE ON CANVAS. A MASTERPIECE. THIS IS NOT GRAFFITI. THE SIGN. HELP THE LITTLE PEOPLE. THE RELATIONSHIP.OTHER STUFF
a helping hand. hide and seek. time to get rid of this. good thing you came along. Before the rain washed it away taping the piss. This image was released with a geolocation and the message "BRING A SHOVEL". fucking with Tesco´s or their customers. closed circuit treevision.HUH? — MOBSTR
somewhere in France Sweet Toof HUH? reflective. The phrase HUH? placed with no meaning or context provokes its definition within the viewer.OFF. ON.
THE SCRIBBLE BOARD
the scribble board. STEP 1. Find a billboard low to the ground and keep track of its rotations. This billboard in particular was chosen because it was under a bridge so rain wouldn't cause any problems. Also, it was next to a pub and the forethought was that pissed people would be more open to THE CURIOUS FRONTIER OF RED This is documentation of what transpired over the course of a year. FOREWORD: I cycled past this wall on the way to work for years. I noticed that graffiti painted within the red area was "buffed" with red paint. However, graffiti outside of the red area would be removed via pressure washing. This prompted the start of an experiment.OTHER STUFF
a helping hand. hide and seek. time to get rid of this. good thing you came along. Before the rain washed it away taping the piss. This image was released with a geolocation and the message "BRING A SHOVEL". fucking with Tesco´s or their customers. closed circuit treevision. THE CURIOUS FRONTIER OF RED This is documentation of what transpired over the course of a year. FOREWORD: I cycled past this wall on the way to work for years. I noticed that graffiti painted within the red area was "buffed" with red paint. However, graffiti outside of the red area would be removed via pressure washing. This prompted the start of an experiment.NO. OF DAYS
NO. OF DAYS. INSTAGRAM. UPON THE SIGHTING OF NEW RENDERING. THE SCRIBBLE BOARD. COME ON. AVAILABLE ON CANVAS. A MASTERPIECE. THIS ISNOT GRAFFITI.
THE CODE — MOBSTR
-----BEGIN PGP MESSAGE-----Version: GnuPG v2. hQEMA2XZuScGXNApAQf/Vd4gl6uurFua+iOSNz0B6TF9lgBwktvG0vYdC83e84kJTHE LONESOME JUMPER
THE LONESOME JUMPER — MOBSTR. THE BEGINNING. NEW WORK. WORDS. PROGRESSIONS. THE CURIOUS FRONTIER OF RED. THE STORY. THE QUESTION MARK. ACCEPTABLE SHADE OF GREY.SKY NEWS — MOBSTR
Sky News requested an interview. I agreed on the condition that I provide a distorted sound bite. Using a friend’s voice, I took the opportunity to get some ridiculous sounding audio onto Sky News.AND ON — MOBSTR
Hand made infinity boxes Wood, acrylic, glass. 37 x 28 cmWATCH YOURSELF
WOODCUT RELIEF PRINT LIMITED EDITON OF 25 HAND-PRINTED BY THE ARTIST SIGNED AND NUMBERED BY THE ARTIST 30 x 64 cm FABRIANO ROSAPINA 285 GSM PAPER Please note: The artwork was hand-printed by the artist using a baren and therefore there is a GAME OVER — MOBSTR two colour phosphorescent (glow in the dark) screen print limited edition of 55 signed, numbered and blind stamped by the artist 34 x 64cm
FUCK IT — MOBSTR
HAND-PAINTED EDITION WITH SPRAY PAINT AND INDIAN INK EDITION OF 50 The edition is hand painted and therefore each one is unique. 35 x 23 cmUNFRAMED
MOBSTRTHE BEGINNINGNEW WORKWORDSPROGRESSIONSOTHER STUFFHUH MOBSTR. I am a tourist to reality. I am not an artist. I am simply a guy who thinks too much. I am an antagonist. I question everything. I disassemble what is around me. I try to twist it/ undermine it/ subvert it. There is no future in my existence. THE STORY — MOBSTR THE STORY — MOBSTR. THE BEGINNING. NEW WORK. WORDS. PROGRESSIONS. THE CURIOUS FRONTIER OF RED. THE STORY. THE QUESTION MARK. ACCEPTABLESHADE OF GREY.
NEW WORK — MOBSTR
UPON THE SIGHTING OF NEW RENDERING. THE SCRIBBLE BOARD. COME ON. AVAILABLE ON CANVAS. A MASTERPIECE. THIS IS NOT GRAFFITI. THE SIGN. HELP THE LITTLE PEOPLE. THE RELATIONSHIP.WORDS — MOBSTR
lessons in advertising vol. 5. lessons in advertising vol. 6. this way please. a tribute to the commuters. photograph by Tautvydas Stukas. photograph by Tautvydas Stukas. I like to think of modesty as one of my many good traits. The thing I like most about Banksy is how hypocritical he can make people look. Banksy re-envisioned.COME ON — MOBSTR
UPON THE SIGHTING OF NEW RENDERING. THE SCRIBBLE BOARD. COME ON. AVAILABLE ON CANVAS. A MASTERPIECE. THIS IS NOT GRAFFITI. THE SIGN. HELP THE LITTLE PEOPLE. THE RELATIONSHIP.A MASTERPIECE
UPON THE SIGHTING OF NEW RENDERING. THE SCRIBBLE BOARD. COME ON. AVAILABLE ON CANVAS. A MASTERPIECE. THIS IS NOT GRAFFITI. THE SIGN. HELP THE LITTLE PEOPLE. THE RELATIONSHIP.OTHER STUFF
a helping hand. hide and seek. time to get rid of this. good thing you came along. Before the rain washed it away taping the piss. This image was released with a geolocation and the message "BRING A SHOVEL". fucking with Tesco´s or their customers. closed circuit treevision.HUH? — MOBSTR
somewhere in France Sweet Toof HUH? reflective. The phrase HUH? placed with no meaning or context provokes its definition within the viewer.OFF. ON.
THE SCRIBBLE BOARD
the scribble board. STEP 1. Find a billboard low to the ground and keep track of its rotations. This billboard in particular was chosen because it was under a bridge so rain wouldn't cause any problems. Also, it was next to a pub and the forethought was that pissed people would be more open to THE CURIOUS FRONTIER OF RED This is documentation of what transpired over the course of a year. FOREWORD: I cycled past this wall on the way to work for years. I noticed that graffiti painted within the red area was "buffed" with red paint. However, graffiti outside of the red area would be removed via pressure washing. This prompted the start of an experiment. MOBSTRTHE BEGINNINGNEW WORKWORDSPROGRESSIONSOTHER STUFFHUH MOBSTR. I am a tourist to reality. I am not an artist. I am simply a guy who thinks too much. I am an antagonist. I question everything. I disassemble what is around me. I try to twist it/ undermine it/ subvert it. There is no future in my existence. THE STORY — MOBSTR THE STORY — MOBSTR. THE BEGINNING. NEW WORK. WORDS. PROGRESSIONS. THE CURIOUS FRONTIER OF RED. THE STORY. THE QUESTION MARK. ACCEPTABLESHADE OF GREY.
NEW WORK — MOBSTR
UPON THE SIGHTING OF NEW RENDERING. THE SCRIBBLE BOARD. COME ON. AVAILABLE ON CANVAS. A MASTERPIECE. THIS IS NOT GRAFFITI. THE SIGN. HELP THE LITTLE PEOPLE. THE RELATIONSHIP.WORDS — MOBSTR
lessons in advertising vol. 5. lessons in advertising vol. 6. this way please. a tribute to the commuters. photograph by Tautvydas Stukas. photograph by Tautvydas Stukas. I like to think of modesty as one of my many good traits. The thing I like most about Banksy is how hypocritical he can make people look. Banksy re-envisioned.COME ON — MOBSTR
UPON THE SIGHTING OF NEW RENDERING. THE SCRIBBLE BOARD. COME ON. AVAILABLE ON CANVAS. A MASTERPIECE. THIS IS NOT GRAFFITI. THE SIGN. HELP THE LITTLE PEOPLE. THE RELATIONSHIP.A MASTERPIECE
UPON THE SIGHTING OF NEW RENDERING. THE SCRIBBLE BOARD. COME ON. AVAILABLE ON CANVAS. A MASTERPIECE. THIS IS NOT GRAFFITI. THE SIGN. HELP THE LITTLE PEOPLE. THE RELATIONSHIP.OTHER STUFF
a helping hand. hide and seek. time to get rid of this. good thing you came along. Before the rain washed it away taping the piss. This image was released with a geolocation and the message "BRING A SHOVEL". fucking with Tesco´s or their customers. closed circuit treevision.HUH? — MOBSTR
somewhere in France Sweet Toof HUH? reflective. The phrase HUH? placed with no meaning or context provokes its definition within the viewer.OFF. ON.
THE SCRIBBLE BOARD
the scribble board. STEP 1. Find a billboard low to the ground and keep track of its rotations. This billboard in particular was chosen because it was under a bridge so rain wouldn't cause any problems. Also, it was next to a pub and the forethought was that pissed people would be more open to THE CURIOUS FRONTIER OF RED This is documentation of what transpired over the course of a year. FOREWORD: I cycled past this wall on the way to work for years. I noticed that graffiti painted within the red area was "buffed" with red paint. However, graffiti outside of the red area would be removed via pressure washing. This prompted the start of an experiment.OTHER STUFF
a helping hand. hide and seek. time to get rid of this. good thing you came along. Before the rain washed it away taping the piss. This image was released with a geolocation and the message "BRING A SHOVEL". fucking with Tesco´s or their customers. closed circuit treevision. THE CURIOUS FRONTIER OF RED This is documentation of what transpired over the course of a year. FOREWORD: I cycled past this wall on the way to work for years. I noticed that graffiti painted within the red area was "buffed" with red paint. However, graffiti outside of the red area would be removed via pressure washing. This prompted the start of an experiment.NO. OF DAYS
NO. OF DAYS. INSTAGRAM. UPON THE SIGHTING OF NEW RENDERING. THE SCRIBBLE BOARD. COME ON. AVAILABLE ON CANVAS. A MASTERPIECE. THIS ISNOT GRAFFITI.
THE CODE — MOBSTR
-----BEGIN PGP MESSAGE-----Version: GnuPG v2. hQEMA2XZuScGXNApAQf/Vd4gl6uurFua+iOSNz0B6TF9lgBwktvG0vYdC83e84kJTHE LONESOME JUMPER
THE LONESOME JUMPER — MOBSTR. THE BEGINNING. NEW WORK. WORDS. PROGRESSIONS. THE CURIOUS FRONTIER OF RED. THE STORY. THE QUESTION MARK. ACCEPTABLE SHADE OF GREY.SKY NEWS — MOBSTR
Sky News requested an interview. I agreed on the condition that I provide a distorted sound bite. Using a friend’s voice, I took the opportunity to get some ridiculous sounding audio onto Sky News.AND ON — MOBSTR
Hand made infinity boxes Wood, acrylic, glass. 37 x 28 cmWATCH YOURSELF
WOODCUT RELIEF PRINT LIMITED EDITON OF 25 HAND-PRINTED BY THE ARTIST SIGNED AND NUMBERED BY THE ARTIST 30 x 64 cm FABRIANO ROSAPINA 285 GSM PAPER Please note: The artwork was hand-printed by the artist using a baren and therefore there is a GAME OVER — MOBSTR two colour phosphorescent (glow in the dark) screen print limited edition of 55 signed, numbered and blind stamped by the artist 34 x 64cm
FUCK IT — MOBSTR
HAND-PAINTED EDITION WITH SPRAY PAINT AND INDIAN INK EDITION OF 50 The edition is hand painted and therefore each one is unique. 35 x 23 cmUNFRAMED
MOBSTRTHE BEGINNINGNEW WORKWORDSPROGRESSIONSOTHER STUFFHUH MOBSTR. I am a tourist to reality. I am not an artist. I am simply a guy who thinks too much. I am an antagonist. I question everything. I disassemble what is around me. I try to twist it/ undermine it/ subvert it. There is no future in my existence. THE STORY — MOBSTR THE STORY — MOBSTR. THE BEGINNING. NEW WORK. WORDS. PROGRESSIONS. THE CURIOUS FRONTIER OF RED. THE STORY. THE QUESTION MARK. ACCEPTABLESHADE OF GREY.
NEW WORK — MOBSTR
UPON THE SIGHTING OF NEW RENDERING. THE SCRIBBLE BOARD. COME ON. AVAILABLE ON CANVAS. A MASTERPIECE. THIS IS NOT GRAFFITI. THE SIGN. HELP THE LITTLE PEOPLE. THE RELATIONSHIP.WORDS — MOBSTR
lessons in advertising vol. 5. lessons in advertising vol. 6. this way please. a tribute to the commuters. photograph by Tautvydas Stukas. photograph by Tautvydas Stukas. I like to think of modesty as one of my many good traits. The thing I like most about Banksy is how hypocritical he can make people look. Banksy re-envisioned.COME ON — MOBSTR
UPON THE SIGHTING OF NEW RENDERING. THE SCRIBBLE BOARD. COME ON. AVAILABLE ON CANVAS. A MASTERPIECE. THIS IS NOT GRAFFITI. THE SIGN. HELP THE LITTLE PEOPLE. THE RELATIONSHIP.A MASTERPIECE
UPON THE SIGHTING OF NEW RENDERING. THE SCRIBBLE BOARD. COME ON. AVAILABLE ON CANVAS. A MASTERPIECE. THIS IS NOT GRAFFITI. THE SIGN. HELP THE LITTLE PEOPLE. THE RELATIONSHIP.OTHER STUFF
a helping hand. hide and seek. time to get rid of this. good thing you came along. Before the rain washed it away taping the piss. This image was released with a geolocation and the message "BRING A SHOVEL". fucking with Tesco´s or their customers. closed circuit treevision.HUH? — MOBSTR
somewhere in France Sweet Toof HUH? reflective. The phrase HUH? placed with no meaning or context provokes its definition within the viewer.OFF. ON.
THE SCRIBBLE BOARD
the scribble board. STEP 1. Find a billboard low to the ground and keep track of its rotations. This billboard in particular was chosen because it was under a bridge so rain wouldn't cause any problems. Also, it was next to a pub and the forethought was that pissed people would be more open to THE CURIOUS FRONTIER OF RED This is documentation of what transpired over the course of a year. FOREWORD: I cycled past this wall on the way to work for years. I noticed that graffiti painted within the red area was "buffed" with red paint. However, graffiti outside of the red area would be removed via pressure washing. This prompted the start of an experiment. MOBSTRTHE BEGINNINGNEW WORKWORDSPROGRESSIONSOTHER STUFFHUH MOBSTR. I am a tourist to reality. I am not an artist. I am simply a guy who thinks too much. I am an antagonist. I question everything. I disassemble what is around me. I try to twist it/ undermine it/ subvert it. There is no future in my existence. THE STORY — MOBSTR THE STORY — MOBSTR. THE BEGINNING. NEW WORK. WORDS. PROGRESSIONS. THE CURIOUS FRONTIER OF RED. THE STORY. THE QUESTION MARK. ACCEPTABLESHADE OF GREY.
NEW WORK — MOBSTR
UPON THE SIGHTING OF NEW RENDERING. THE SCRIBBLE BOARD. COME ON. AVAILABLE ON CANVAS. A MASTERPIECE. THIS IS NOT GRAFFITI. THE SIGN. HELP THE LITTLE PEOPLE. THE RELATIONSHIP.WORDS — MOBSTR
lessons in advertising vol. 5. lessons in advertising vol. 6. this way please. a tribute to the commuters. photograph by Tautvydas Stukas. photograph by Tautvydas Stukas. I like to think of modesty as one of my many good traits. The thing I like most about Banksy is how hypocritical he can make people look. Banksy re-envisioned.COME ON — MOBSTR
UPON THE SIGHTING OF NEW RENDERING. THE SCRIBBLE BOARD. COME ON. AVAILABLE ON CANVAS. A MASTERPIECE. THIS IS NOT GRAFFITI. THE SIGN. HELP THE LITTLE PEOPLE. THE RELATIONSHIP.A MASTERPIECE
UPON THE SIGHTING OF NEW RENDERING. THE SCRIBBLE BOARD. COME ON. AVAILABLE ON CANVAS. A MASTERPIECE. THIS IS NOT GRAFFITI. THE SIGN. HELP THE LITTLE PEOPLE. THE RELATIONSHIP.OTHER STUFF
a helping hand. hide and seek. time to get rid of this. good thing you came along. Before the rain washed it away taping the piss. This image was released with a geolocation and the message "BRING A SHOVEL". fucking with Tesco´s or their customers. closed circuit treevision.HUH? — MOBSTR
somewhere in France Sweet Toof HUH? reflective. The phrase HUH? placed with no meaning or context provokes its definition within the viewer.OFF. ON.
THE SCRIBBLE BOARD
the scribble board. STEP 1. Find a billboard low to the ground and keep track of its rotations. This billboard in particular was chosen because it was under a bridge so rain wouldn't cause any problems. Also, it was next to a pub and the forethought was that pissed people would be more open to THE CURIOUS FRONTIER OF RED This is documentation of what transpired over the course of a year. FOREWORD: I cycled past this wall on the way to work for years. I noticed that graffiti painted within the red area was "buffed" with red paint. However, graffiti outside of the red area would be removed via pressure washing. This prompted the start of an experiment.OTHER STUFF
a helping hand. hide and seek. time to get rid of this. good thing you came along. Before the rain washed it away taping the piss. This image was released with a geolocation and the message "BRING A SHOVEL". fucking with Tesco´s or their customers. closed circuit treevision. THE CURIOUS FRONTIER OF RED This is documentation of what transpired over the course of a year. FOREWORD: I cycled past this wall on the way to work for years. I noticed that graffiti painted within the red area was "buffed" with red paint. However, graffiti outside of the red area would be removed via pressure washing. This prompted the start of an experiment.NO. OF DAYS
NO. OF DAYS. INSTAGRAM. UPON THE SIGHTING OF NEW RENDERING. THE SCRIBBLE BOARD. COME ON. AVAILABLE ON CANVAS. A MASTERPIECE. THIS ISNOT GRAFFITI.
THE CODE — MOBSTR
-----BEGIN PGP MESSAGE-----Version: GnuPG v2. hQEMA2XZuScGXNApAQf/Vd4gl6uurFua+iOSNz0B6TF9lgBwktvG0vYdC83e84kJTHE LONESOME JUMPER
THE LONESOME JUMPER — MOBSTR. THE BEGINNING. NEW WORK. WORDS. PROGRESSIONS. THE CURIOUS FRONTIER OF RED. THE STORY. THE QUESTION MARK. ACCEPTABLE SHADE OF GREY.SKY NEWS — MOBSTR
Sky News requested an interview. I agreed on the condition that I provide a distorted sound bite. Using a friend’s voice, I took the opportunity to get some ridiculous sounding audio onto Sky News.AND ON — MOBSTR
Hand made infinity boxes Wood, acrylic, glass. 37 x 28 cmWATCH YOURSELF
WOODCUT RELIEF PRINT LIMITED EDITON OF 25 HAND-PRINTED BY THE ARTIST SIGNED AND NUMBERED BY THE ARTIST 30 x 64 cm FABRIANO ROSAPINA 285 GSM PAPER Please note: The artwork was hand-printed by the artist using a baren and therefore there is a GAME OVER — MOBSTR two colour phosphorescent (glow in the dark) screen print limited edition of 55 signed, numbered and blind stamped by the artist 34 x 64cm
FUCK IT — MOBSTR
HAND-PAINTED EDITION WITH SPRAY PAINT AND INDIAN INK EDITION OF 50 The edition is hand painted and therefore each one is unique. 35 x 23 cmUNFRAMED
MOBSTRTHE BEGINNINGNEW WORKWORDSPROGRESSIONSOTHER STUFFHUH MOBSTR. I am a tourist to reality. I am not an artist. I am simply a guy who thinks too much. I am an antagonist. I question everything. I disassemble what is around me. I try to twist it/ undermine it/ subvert it. There is no future in my existence. THE STORY — MOBSTR THE STORY — MOBSTR. THE BEGINNING. NEW WORK. WORDS. PROGRESSIONS. THE CURIOUS FRONTIER OF RED. THE STORY. THE QUESTION MARK. ACCEPTABLESHADE OF GREY.
NEW WORK — MOBSTR
UPON THE SIGHTING OF NEW RENDERING. THE SCRIBBLE BOARD. COME ON. AVAILABLE ON CANVAS. A MASTERPIECE. THIS IS NOT GRAFFITI. THE SIGN. HELP THE LITTLE PEOPLE. THE RELATIONSHIP.COME ON — MOBSTR
UPON THE SIGHTING OF NEW RENDERING. THE SCRIBBLE BOARD. COME ON. AVAILABLE ON CANVAS. A MASTERPIECE. THIS IS NOT GRAFFITI. THE SIGN. HELP THE LITTLE PEOPLE. THE RELATIONSHIP.WORDS — MOBSTR
lessons in advertising vol. 5. lessons in advertising vol. 6. this way please. a tribute to the commuters. photograph by Tautvydas Stukas. photograph by Tautvydas Stukas. I like to think of modesty as one of my many good traits. The thing I like most about Banksy is how hypocritical he can make people look. Banksy re-envisioned.A MASTERPIECE
UPON THE SIGHTING OF NEW RENDERING. THE SCRIBBLE BOARD. COME ON. AVAILABLE ON CANVAS. A MASTERPIECE. THIS IS NOT GRAFFITI. THE SIGN. HELP THE LITTLE PEOPLE. THE RELATIONSHIP.OTHER STUFF
a helping hand. hide and seek. time to get rid of this. good thing you came along. Before the rain washed it away taping the piss. This image was released with a geolocation and the message "BRING A SHOVEL". fucking with Tesco´s or their customers. closed circuit treevision.HUH? — MOBSTR
somewhere in France Sweet Toof HUH? reflective. The phrase HUH? placed with no meaning or context provokes its definition within the viewer.OFF. ON.
THE LONESOME JUMPER
THE LONESOME JUMPER — MOBSTR. THE BEGINNING. NEW WORK. WORDS. PROGRESSIONS. THE CURIOUS FRONTIER OF RED. THE STORY. THE QUESTION MARK. ACCEPTABLE SHADE OF GREY.THE SCRIBBLE BOARD
the scribble board. STEP 1. Find a billboard low to the ground and keep track of its rotations. This billboard in particular was chosen because it was under a bridge so rain wouldn't cause any problems. Also, it was next to a pub and the forethought was that pissed people would be more open to MOBSTRTHE BEGINNINGNEW WORKWORDSPROGRESSIONSOTHER STUFFHUH MOBSTR. I am a tourist to reality. I am not an artist. I am simply a guy who thinks too much. I am an antagonist. I question everything. I disassemble what is around me. I try to twist it/ undermine it/ subvert it. There is no future in my existence. THE STORY — MOBSTR THE STORY — MOBSTR. THE BEGINNING. NEW WORK. WORDS. PROGRESSIONS. THE CURIOUS FRONTIER OF RED. THE STORY. THE QUESTION MARK. ACCEPTABLESHADE OF GREY.
NEW WORK — MOBSTR
UPON THE SIGHTING OF NEW RENDERING. THE SCRIBBLE BOARD. COME ON. AVAILABLE ON CANVAS. A MASTERPIECE. THIS IS NOT GRAFFITI. THE SIGN. HELP THE LITTLE PEOPLE. THE RELATIONSHIP.COME ON — MOBSTR
UPON THE SIGHTING OF NEW RENDERING. THE SCRIBBLE BOARD. COME ON. AVAILABLE ON CANVAS. A MASTERPIECE. THIS IS NOT GRAFFITI. THE SIGN. HELP THE LITTLE PEOPLE. THE RELATIONSHIP.WORDS — MOBSTR
lessons in advertising vol. 5. lessons in advertising vol. 6. this way please. a tribute to the commuters. photograph by Tautvydas Stukas. photograph by Tautvydas Stukas. I like to think of modesty as one of my many good traits. The thing I like most about Banksy is how hypocritical he can make people look. Banksy re-envisioned.A MASTERPIECE
UPON THE SIGHTING OF NEW RENDERING. THE SCRIBBLE BOARD. COME ON. AVAILABLE ON CANVAS. A MASTERPIECE. THIS IS NOT GRAFFITI. THE SIGN. HELP THE LITTLE PEOPLE. THE RELATIONSHIP.OTHER STUFF
a helping hand. hide and seek. time to get rid of this. good thing you came along. Before the rain washed it away taping the piss. This image was released with a geolocation and the message "BRING A SHOVEL". fucking with Tesco´s or their customers. closed circuit treevision.HUH? — MOBSTR
somewhere in France Sweet Toof HUH? reflective. The phrase HUH? placed with no meaning or context provokes its definition within the viewer.OFF. ON.
THE LONESOME JUMPER
THE LONESOME JUMPER — MOBSTR. THE BEGINNING. NEW WORK. WORDS. PROGRESSIONS. THE CURIOUS FRONTIER OF RED. THE STORY. THE QUESTION MARK. ACCEPTABLE SHADE OF GREY.THE SCRIBBLE BOARD
the scribble board. STEP 1. Find a billboard low to the ground and keep track of its rotations. This billboard in particular was chosen because it was under a bridge so rain wouldn't cause any problems. Also, it was next to a pub and the forethought was that pissed people would be more open toSTORE — MOBSTR
THAT'S YOU (screen printed mirror glass) 135.00. OVERUSED STENCIL. 650.00. sold out. HOW RUDE (etched mirror) 135.00. sold out. It does.(gold edition)
THE LONESOME JUMPER
THE LONESOME JUMPER — MOBSTR. THE BEGINNING. NEW WORK. WORDS. PROGRESSIONS. THE CURIOUS FRONTIER OF RED. THE STORY. THE QUESTION MARK. ACCEPTABLE SHADE OF GREY.NO. OF DAYS
NO. OF DAYS. INSTAGRAM. UPON THE SIGHTING OF NEW RENDERING. THE SCRIBBLE BOARD. COME ON. AVAILABLE ON CANVAS. A MASTERPIECE. THIS ISNOT GRAFFITI.
THE CODE — MOBSTR
-----BEGIN PGP MESSAGE-----Version: GnuPG v2. hQEMA2XZuScGXNApAQf/Vd4gl6uurFua+iOSNz0B6TF9lgBwktvG0vYdC83e84kJ THE CURIOUS FRONTIER OF RED This is documentation of what transpired over the course of a year. FOREWORD: I cycled past this wall on the way to work for years. I noticed that graffiti painted within the red area was "buffed" with red paint. However, graffiti outside of the red area would be removed via pressure washing. This prompted the start of an experiment. A DISUSED BILLBOARD FRAME ACCEPTABLE SHADE OF GREY. BROWN SHAPES. GRAFFITI IN A FRAME. NO. OF DAYS. INSTAGRAM. UPON THE SIGHTING OF NEW RENDERING. THE SCRIBBLEBOARD. COME ON.
AND ON — MOBSTR
Hand made infinity boxes Wood, acrylic, glass. 37 x 28 cm MAY CONTAIN TRACES OF CLASS A'S Every stencil MOBSTR has cut in the last decade as been done so with these blades. Scalpels, Stanley Knife Blades, Single Edge Razors and enamel on glass. 78 x 63 cm NOTHING LASTS FOREVER NOTHING LASTS FOREVER. THE NUMBER: PART 1. THE NUMBER: PART 2. EXPERIENCED SOMETHING BEFORE? MADE YOU. HUH. EVER HEARD THAT JOKE? YEAH. THAT'S YOU (PINK) Etching acid and enamel screen print on mirror glass. 30 x 30 cmEdition of 60.
MOBSTRTHE BEGINNINGNEW WORKWORDSPROGRESSIONSOTHER STUFFHUH MOBSTR. I am a tourist to reality. I am not an artist. I am simply a guy who thinks too much. I am an antagonist. I question everything. I disassemble what is around me. I try to twist it/ undermine it/ subvert it. There is no future in my existence. THE STORY — MOBSTR THE STORY — MOBSTR. THE BEGINNING. NEW WORK. WORDS. PROGRESSIONS. THE CURIOUS FRONTIER OF RED. THE STORY. THE QUESTION MARK. ACCEPTABLESHADE OF GREY.
NEW WORK — MOBSTR
UPON THE SIGHTING OF NEW RENDERING. THE SCRIBBLE BOARD. COME ON. AVAILABLE ON CANVAS. A MASTERPIECE. THIS IS NOT GRAFFITI. THE SIGN. HELP THE LITTLE PEOPLE. THE RELATIONSHIP.COME ON — MOBSTR
UPON THE SIGHTING OF NEW RENDERING. THE SCRIBBLE BOARD. COME ON. AVAILABLE ON CANVAS. A MASTERPIECE. THIS IS NOT GRAFFITI. THE SIGN. HELP THE LITTLE PEOPLE. THE RELATIONSHIP.WORDS — MOBSTR
lessons in advertising vol. 5. lessons in advertising vol. 6. this way please. a tribute to the commuters. photograph by Tautvydas Stukas. photograph by Tautvydas Stukas. I like to think of modesty as one of my many good traits. The thing I like most about Banksy is how hypocritical he can make people look. Banksy re-envisioned.A MASTERPIECE
UPON THE SIGHTING OF NEW RENDERING. THE SCRIBBLE BOARD. COME ON. AVAILABLE ON CANVAS. A MASTERPIECE. THIS IS NOT GRAFFITI. THE SIGN. HELP THE LITTLE PEOPLE. THE RELATIONSHIP.OTHER STUFF
a helping hand. hide and seek. time to get rid of this. good thing you came along. Before the rain washed it away taping the piss. This image was released with a geolocation and the message "BRING A SHOVEL". fucking with Tesco´s or their customers. closed circuit treevision.HUH? — MOBSTR
somewhere in France Sweet Toof HUH? reflective. The phrase HUH? placed with no meaning or context provokes its definition within the viewer.OFF. ON.
THE LONESOME JUMPER
THE LONESOME JUMPER — MOBSTR. THE BEGINNING. NEW WORK. WORDS. PROGRESSIONS. THE CURIOUS FRONTIER OF RED. THE STORY. THE QUESTION MARK. ACCEPTABLE SHADE OF GREY.THE SCRIBBLE BOARD
the scribble board. STEP 1. Find a billboard low to the ground and keep track of its rotations. This billboard in particular was chosen because it was under a bridge so rain wouldn't cause any problems. Also, it was next to a pub and the forethought was that pissed people would be more open to MOBSTRTHE BEGINNINGNEW WORKWORDSPROGRESSIONSOTHER STUFFHUH MOBSTR. I am a tourist to reality. I am not an artist. I am simply a guy who thinks too much. I am an antagonist. I question everything. I disassemble what is around me. I try to twist it/ undermine it/ subvert it. There is no future in my existence. THE STORY — MOBSTR THE STORY — MOBSTR. THE BEGINNING. NEW WORK. WORDS. PROGRESSIONS. THE CURIOUS FRONTIER OF RED. THE STORY. THE QUESTION MARK. ACCEPTABLESHADE OF GREY.
NEW WORK — MOBSTR
UPON THE SIGHTING OF NEW RENDERING. THE SCRIBBLE BOARD. COME ON. AVAILABLE ON CANVAS. A MASTERPIECE. THIS IS NOT GRAFFITI. THE SIGN. HELP THE LITTLE PEOPLE. THE RELATIONSHIP.COME ON — MOBSTR
UPON THE SIGHTING OF NEW RENDERING. THE SCRIBBLE BOARD. COME ON. AVAILABLE ON CANVAS. A MASTERPIECE. THIS IS NOT GRAFFITI. THE SIGN. HELP THE LITTLE PEOPLE. THE RELATIONSHIP.WORDS — MOBSTR
lessons in advertising vol. 5. lessons in advertising vol. 6. this way please. a tribute to the commuters. photograph by Tautvydas Stukas. photograph by Tautvydas Stukas. I like to think of modesty as one of my many good traits. The thing I like most about Banksy is how hypocritical he can make people look. Banksy re-envisioned.A MASTERPIECE
UPON THE SIGHTING OF NEW RENDERING. THE SCRIBBLE BOARD. COME ON. AVAILABLE ON CANVAS. A MASTERPIECE. THIS IS NOT GRAFFITI. THE SIGN. HELP THE LITTLE PEOPLE. THE RELATIONSHIP.OTHER STUFF
a helping hand. hide and seek. time to get rid of this. good thing you came along. Before the rain washed it away taping the piss. This image was released with a geolocation and the message "BRING A SHOVEL". fucking with Tesco´s or their customers. closed circuit treevision.HUH? — MOBSTR
somewhere in France Sweet Toof HUH? reflective. The phrase HUH? placed with no meaning or context provokes its definition within the viewer.OFF. ON.
THE LONESOME JUMPER
THE LONESOME JUMPER — MOBSTR. THE BEGINNING. NEW WORK. WORDS. PROGRESSIONS. THE CURIOUS FRONTIER OF RED. THE STORY. THE QUESTION MARK. ACCEPTABLE SHADE OF GREY.THE SCRIBBLE BOARD
the scribble board. STEP 1. Find a billboard low to the ground and keep track of its rotations. This billboard in particular was chosen because it was under a bridge so rain wouldn't cause any problems. Also, it was next to a pub and the forethought was that pissed people would be more open toSTORE — MOBSTR
THAT'S YOU (screen printed mirror glass) 135.00. OVERUSED STENCIL. 650.00. sold out. HOW RUDE (etched mirror) 135.00. sold out. It does.(gold edition)
THE LONESOME JUMPER
THE LONESOME JUMPER — MOBSTR. THE BEGINNING. NEW WORK. WORDS. PROGRESSIONS. THE CURIOUS FRONTIER OF RED. THE STORY. THE QUESTION MARK. ACCEPTABLE SHADE OF GREY.NO. OF DAYS
NO. OF DAYS. INSTAGRAM. UPON THE SIGHTING OF NEW RENDERING. THE SCRIBBLE BOARD. COME ON. AVAILABLE ON CANVAS. A MASTERPIECE. THIS ISNOT GRAFFITI.
THE CODE — MOBSTR
-----BEGIN PGP MESSAGE-----Version: GnuPG v2. hQEMA2XZuScGXNApAQf/Vd4gl6uurFua+iOSNz0B6TF9lgBwktvG0vYdC83e84kJ THE CURIOUS FRONTIER OF RED This is documentation of what transpired over the course of a year. FOREWORD: I cycled past this wall on the way to work for years. I noticed that graffiti painted within the red area was "buffed" with red paint. However, graffiti outside of the red area would be removed via pressure washing. This prompted the start of an experiment. A DISUSED BILLBOARD FRAME ACCEPTABLE SHADE OF GREY. BROWN SHAPES. GRAFFITI IN A FRAME. NO. OF DAYS. INSTAGRAM. UPON THE SIGHTING OF NEW RENDERING. THE SCRIBBLEBOARD. COME ON.
AND ON — MOBSTR
Hand made infinity boxes Wood, acrylic, glass. 37 x 28 cm MAY CONTAIN TRACES OF CLASS A'S Every stencil MOBSTR has cut in the last decade as been done so with these blades. Scalpels, Stanley Knife Blades, Single Edge Razors and enamel on glass. 78 x 63 cm NOTHING LASTS FOREVER NOTHING LASTS FOREVER. THE NUMBER: PART 1. THE NUMBER: PART 2. EXPERIENCED SOMETHING BEFORE? MADE YOU. HUH. EVER HEARD THAT JOKE? YEAH. THAT'S YOU (PINK) Etching acid and enamel screen print on mirror glass. 30 x 30 cmEdition of 60.
MOBSTRTHE BEGINNINGNEW WORKWORDSPROGRESSIONSOTHER STUFFHUH I am a tourist to reality. I am not an artist. I am simply a guy who thinks too much. I am an antagonist. I question everything. I disassemble what is around me. THE STORY — MOBSTR THE STORY — MOBSTR show thumbnailsNEW WORK — MOBSTR
A collaboration with Parker Heyl on his awesome installation. https://www.parkerheyl.com/COME ON — MOBSTR
COME ON — MOBSTR show thumbnailsA MASTERPIECE
A MASTERPIECE — MOBSTR show thumbnailsWORDS — MOBSTR
The thing I like most about Banksy is how hypocritical he can makepeople look.
OTHER STUFF
This image was released with a geolocation and the message "BRING ASHOVEL"
HUH? — MOBSTR
The phrase HUH? placed with no meaning or context provokes its definition within the viewer.THE SCRIBBLE BOARD
Find a billboard low to the ground and keep track of its rotations. This billboard in particular was chosen because it was under a bridge so rain wouldn't cause any problems.THE LONESOME JUMPER
THE LONESOME JUMPER — MOBSTR show thumbnails MOBSTRTHE BEGINNINGNEW WORKWORDSPROGRESSIONSOTHER STUFFHUH I am a tourist to reality. I am not an artist. I am simply a guy who thinks too much. I am an antagonist. I question everything. I disassemble what is around me. THE STORY — MOBSTR THE STORY — MOBSTR show thumbnailsNEW WORK — MOBSTR
A collaboration with Parker Heyl on his awesome installation. https://www.parkerheyl.com/COME ON — MOBSTR
COME ON — MOBSTR show thumbnailsA MASTERPIECE
A MASTERPIECE — MOBSTR show thumbnailsWORDS — MOBSTR
The thing I like most about Banksy is how hypocritical he can makepeople look.
OTHER STUFF
This image was released with a geolocation and the message "BRING ASHOVEL"
HUH? — MOBSTR
The phrase HUH? placed with no meaning or context provokes its definition within the viewer.THE SCRIBBLE BOARD
Find a billboard low to the ground and keep track of its rotations. This billboard in particular was chosen because it was under a bridge so rain wouldn't cause any problems.THE LONESOME JUMPER
THE LONESOME JUMPER — MOBSTR show thumbnailsSTORE — MOBSTR
YEAH. THAT'S YOU (screen printed mirror glass) 135.00. OVERUSEDSTENCIL
OTHER STUFF
This image was released with a geolocation and the message "BRING ASHOVEL"
NO. OF DAYS
NO. OF DAYS — MOBSTR show thumbnailsTHE CODE — MOBSTR
-----BEGIN PGP MESSAGE-----Version: GnuPG v2. hQEMA2XZuScGXNApAQf/Vd4gl6uurFua+iOSNz0B6TF9lgBwktvG0vYdC83e84kJ THE CURIOUS FRONTIER OF RED I cycled past this wall on the way to work for years. I noticed that graffiti painted within the red area was "buffed" with red paint. However, graffiti outside of the red area would be removed viapressure washing.
AND ON — MOBSTR
Hand made infinity boxes Wood, acrylic, glass. 37 x 28 cm MAY CONTAIN TRACES OF CLASS A'S Every stencil MOBSTR has cut in the last decade as been done so with these blades. Scalpels, Stanley Knife Blades, Single Edge Razors and enamel on glass. 78 x 63 cm A DISUSED BILLBOARD FRAME A disused billboard frame. A disused billboard frame. prev / next NOTHING LASTS FOREVER nothing lasts forever. nothing lasts forever. prev / next YEAH. THAT'S YOU (PINK) Etching acid and enamel screen print on mirror glass. 30 x 30 cmEdition of 60.
* THE BEGINNING
* NEW WORK
* WORDS
* PROGRESSIONS
* THE CURIOUS FRONTIER OF RED* THE STORY
* THE QUESTION MARK
* ACCEPTABLE SHADE OF GREY* BROWN SHAPES
* GRAFFITI IN A FRAME* NO. OF DAYS
* COME ON
* AVAILABLE ON CANVAS* A MASTERPIECE
* THIS IS NOT GRAFFITI* THE SIGN
* HELP THE LITTLE PEOPLE* THE RELATIONSHIP
* THE LONESOME JUMPER* OTHER STUFF
* HUH?
* VIDEO
* OUCH
* A DISUSED BILLBOARD FRAME* SKY NEWS
* NOTHING LASTS FOREVER * THE NUMBER: PART 1 * THE NUMBER: PART 2 * EXPERIENCED SOMETHING BEFORE?* MADE YOU....
* HUH
* EVER HEARD THAT JOKE?* ENDLESS
* TINY LEDGE
* AND ON
* WALKED ALL OVER
* THE CODE
* STORE
* NELLY DUFF GALLERY* CONTACT
* MAILING LIST
* Menu
* THE BEGINNING
* NEW WORK
* WORDS
* PROGRESSIONS
* THE CURIOUS FRONTIER OF RED* THE STORY
* THE QUESTION MARK
* ACCEPTABLE SHADE OF GREY* BROWN SHAPES
* GRAFFITI IN A FRAME* NO. OF DAYS
* COME ON
* AVAILABLE ON CANVAS* A MASTERPIECE
* THIS IS NOT GRAFFITI* THE SIGN
* HELP THE LITTLE PEOPLE* THE RELATIONSHIP
* THE LONESOME JUMPER* OTHER STUFF
* HUH?
* VIDEO
* OUCH
* A DISUSED BILLBOARD FRAME* SKY NEWS
* NOTHING LASTS FOREVER * THE NUMBER: PART 1 * THE NUMBER: PART 2 * EXPERIENCED SOMETHING BEFORE?* MADE YOU....
* HUH
* EVER HEARD THAT JOKE?* ENDLESS
* TINY LEDGE
* AND ON
* WALKED ALL OVER
* THE CODE
* STORE
* NELLY DUFF GALLERY* CONTACT
* MAILING LIST
Details
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