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ABOUT | WWW.JAREDMOBARAK.COM hello. my name is jared mobarak and i thank you for visiting . this site is an embodiment of who i am: my art, my interests, my love of the cinema. influenced by the world around me, my design work takes a minimalist approach to distilling a subject to its core, representing it in simple geometric forms or carefully cropped photography depicting its essence.REVIEW: LUCKY
It’s easy to get caught up in your own privilege to the point where you don’t even recognize it exists. I can’t recall how the conversation started, but I do remember the topic shifting to using a gas station in the middle of the night.REVIEW: MOFFIE
Not to say we won’t hear a couple—intentional or accidental once alcohol and psychological turmoil enter the mix. That the boys won’t see much actual action on the border (fighting against the Communist-backed forces of Angola) is thus the point since the army’s motivation is to send them home and maintain a way of life that bolsters their race’s control.REVIEW: DREAM HORSE
A film about a Welsh horse named Dream Alliance doesn’t get made unless the ending holds a cup, but a horse like Dream Alliance doesn’t get the chance to win if not for the loveable band of small-town eccentrics who decided to set ten quid aside each week. TIFF20 REVIEW: SEIZE PRINTEMPS [2020 So sixteen-year old Suzanne ( Suzanne Lindon) will continue longing for the serious stranger standing outside the theater on her way to school regardless. And thirty-five-year old Raphaël ( Arnaud Valois) will continue to smile whenever the innocent girl who stares at him from a distance turns up at the edge of his vision. REVIEW: EL AGENTE TOPO Once he personally exonerates the institution, Sergio begins to look elsewhere. He deciphers patterns of behavior and ultimately does find a thief in their midst, but he weighs the extenuating circumstances surrounding the crime and realizes the lack of malice or even cognizance on behalf of the thief. REVIEW: L'EAU FROIDE Originally envisioned as a 52-minute chapter of a television anthology series with strict thematic and contextual rules, Olivier Assayas‘ L’eau froide eventually found itself as the much sought-after 90-minute Cannes debut that cemented the auteur’s style, acclaim, and promise without ever reaching American shores due to lapsed music rights. REVIEW: A GIRL IN THE RIVER: THE PRICE OF FORGIVENESS Malala is an educated activist who was targeted by an ignorant stranger years after she began her crusade. Saba Qaiser—Obaid-Chinoy’s subject—on-the-other-hand is a nineteen-year old who was kidnapped and taken to a shallow river by her father and uncle as the would-be victim of an honor killing. Yes,an honor killing.
REVIEW: NEGATIVE SPACE REVIEW: Negative Space Rating: 7 out of 10. Rating: NR | Runtime: 5 minutes. Release Date: 2017 (France) Studio: Sève Films. Director (s): Ru Kuwahata & Max Porter / Ron Koertge (poem) Perfect. We all hold onto a specific memory of someone close upon his/her death—a moment or moments special to us despite being uneventful toeveryone
REVIEW: THE WOMAN IN THE WINDOW 1 day ago · No one seems to have been under any illusion that what they were making was in any way original. Director Joe Wright wouldn’t have his old movie lover lead character watching Alfred Hitchcock‘s Rear Window in the opening scene if he did. Much like Disturbia, however, comparing one work to another because of similar basic premises is usually just a way of proving your inability torealize
ABOUT | WWW.JAREDMOBARAK.COM hello. my name is jared mobarak and i thank you for visiting . this site is an embodiment of who i am: my art, my interests, my love of the cinema. influenced by the world around me, my design work takes a minimalist approach to distilling a subject to its core, representing it in simple geometric forms or carefully cropped photography depicting its essence.REVIEW: LUCKY
It’s easy to get caught up in your own privilege to the point where you don’t even recognize it exists. I can’t recall how the conversation started, but I do remember the topic shifting to using a gas station in the middle of the night.REVIEW: MOFFIE
Not to say we won’t hear a couple—intentional or accidental once alcohol and psychological turmoil enter the mix. That the boys won’t see much actual action on the border (fighting against the Communist-backed forces of Angola) is thus the point since the army’s motivation is to send them home and maintain a way of life that bolsters their race’s control.REVIEW: DREAM HORSE
A film about a Welsh horse named Dream Alliance doesn’t get made unless the ending holds a cup, but a horse like Dream Alliance doesn’t get the chance to win if not for the loveable band of small-town eccentrics who decided to set ten quid aside each week. TIFF20 REVIEW: SEIZE PRINTEMPS [2020 So sixteen-year old Suzanne ( Suzanne Lindon) will continue longing for the serious stranger standing outside the theater on her way to school regardless. And thirty-five-year old Raphaël ( Arnaud Valois) will continue to smile whenever the innocent girl who stares at him from a distance turns up at the edge of his vision. REVIEW: EL AGENTE TOPO Once he personally exonerates the institution, Sergio begins to look elsewhere. He deciphers patterns of behavior and ultimately does find a thief in their midst, but he weighs the extenuating circumstances surrounding the crime and realizes the lack of malice or even cognizance on behalf of the thief. REVIEW: L'EAU FROIDE Originally envisioned as a 52-minute chapter of a television anthology series with strict thematic and contextual rules, Olivier Assayas‘ L’eau froide eventually found itself as the much sought-after 90-minute Cannes debut that cemented the auteur’s style, acclaim, and promise without ever reaching American shores due to lapsed music rights. REVIEW: A GIRL IN THE RIVER: THE PRICE OF FORGIVENESS Malala is an educated activist who was targeted by an ignorant stranger years after she began her crusade. Saba Qaiser—Obaid-Chinoy’s subject—on-the-other-hand is a nineteen-year old who was kidnapped and taken to a shallow river by her father and uncle as the would-be victim of an honor killing. Yes,an honor killing.
REVIEW: NEGATIVE SPACE REVIEW: Negative Space Rating: 7 out of 10. Rating: NR | Runtime: 5 minutes. Release Date: 2017 (France) Studio: Sève Films. Director (s): Ru Kuwahata & Max Porter / Ron Koertge (poem) Perfect. We all hold onto a specific memory of someone close upon his/her death—a moment or moments special to us despite being uneventful toeveryone
ABOUT | WWW.JAREDMOBARAK.COM hello. my name is jared mobarak and i thank you for visiting . this site is an embodiment of who i am: my art, my interests, my love of the cinema. influenced by the world around me, my design work takes a minimalist approach to distilling a subject to its core, representing it in simple geometric forms or carefully cropped photography depicting its essence. REVIEW: WOMAN IN MOTION It’s inspiring to hear Nichelle Nichols speak about the moment she realized things weren’t as they were supposed to be because she realized it within a moment of awe. Comprehending how something too crucially important to be missing from the magic of what she was shown isn’t an easy feat because we too often get caught up in excitement to think through the next steps or look beyond theREVIEW: PROFILE
It was only a matter of time before Timur Bekmambetov took the plunge and directed his own entry within the cinematic style he coined (and anecdotally created) as “Screenlife.” Even if we forget how Brian De Palma played with YouTube-style vignettes in Redacted circa 2007, the short film Noah debuted at TIFF a year before Unfriended at Fantasia, and Nacho Vigalondo‘s Open Windows hit REVIEW: PORT AUTHORITY When Paul (Fionn Whitehead) left Pittsburgh for New York City, he believed he had family ready to welcome him with open arms.His half-sister Sara (Louisa Krause) wasn’t at the station when he arrived, though, and Aunt Mary didn’t give him a phone number or address with which to contact her.So he went on a train to sleep the night only to get accosted by two men and saved by another.REVIEW: MOFFIE
Not to say we won’t hear a couple—intentional or accidental once alcohol and psychological turmoil enter the mix. That the boys won’t see much actual action on the border (fighting against the Communist-backed forces of Angola) is thus the point since the army’s motivation is to send them home and maintain a way of life that bolsters their race’s control.REVIEW: DREAM HORSE
A film about a Welsh horse named Dream Alliance doesn’t get made unless the ending holds a cup, but a horse like Dream Alliance doesn’t get the chance to win if not for the loveable band of small-town eccentrics who decided to set ten quid aside each week.REVIEW: THE DJINN
It’s too bad because the production value is fantastic. Early scenes of the Djinn in its true form are memorable in large part because everything is kept to the corner of our eyes. Once things demand that the Djinn have physical form, however, things devolve into random humans trying to kill Dylan while he stays out of arm’s reach. REVIEW: WRATH OF MAN Fans of Guy Ritchie that wore out Lock Stock and Snatch during the early Aughts will find themselves hard-pressed to take the opening act of Wrath of Man seriously. It’s as though he and co-writers Ivan Atkinson and Marn Davies are trying to re-capture the quick-paced slang that made the dialogue in those films so uniquely fun and of the moment despite being two decades removed in ageREVIEW: FIRST COW
Reichardt portrays their budding partnership with a loving lens as full of humor as it is with possibility. Cookie is the silent one foraging and fishing while the loquacious King waxes on about the economic climate and schemes ways to capitalize on it. REVIEW: CLIFF WALKERS Yimou Zhang and co-writer Yongxian Quan ‘s Cliff Walkers wastes no time in delivering the first of its spy genre twists to ensure we’re always questioning the actions on-screen thanks to the kind of traitor you can’t avoid: those who simply wish to live. Call Xie Zirong ( Lei Jiayin) a coward if you’d like, but that’s the choice he REVIEW: THE WOMAN IN THE WINDOW 19 hours ago · No one seems to have been under any illusion that what they were making was in any way original. Director Joe Wright wouldn’t have his old movie lover lead character watching Alfred Hitchcock‘s Rear Window in the opening scene if he did. Much like Disturbia, however, comparing one work to another because of similar basic premises is usually just a way of proving your inability torealize
ABOUT | WWW.JAREDMOBARAK.COM hello. my name is jared mobarak and i thank you for visiting . this site is an embodiment of who i am: my art, my interests, my love of the cinema. influenced by the world around me, my design work takes a minimalist approach to distilling a subject to its core, representing it in simple geometric forms or carefully cropped photography depicting its essence.REVIEW: LUCKY
It’s easy to get caught up in your own privilege to the point where you don’t even recognize it exists. I can’t recall how the conversation started, but I do remember the topic shifting to using a gas station in the middle of the night.REVIEW: MOFFIE
Not to say we won’t hear a couple—intentional or accidental once alcohol and psychological turmoil enter the mix. That the boys won’t see much actual action on the border (fighting against the Communist-backed forces of Angola) is thus the point since the army’s motivation is to send them home and maintain a way of life that bolsters their race’s control.REVIEW: DREAM HORSE
A film about a Welsh horse named Dream Alliance doesn’t get made unless the ending holds a cup, but a horse like Dream Alliance doesn’t get the chance to win if not for the loveable band of small-town eccentrics who decided to set ten quid aside each week. TIFF20 REVIEW: SEIZE PRINTEMPS [2020 So sixteen-year old Suzanne ( Suzanne Lindon) will continue longing for the serious stranger standing outside the theater on her way to school regardless. And thirty-five-year old Raphaël ( Arnaud Valois) will continue to smile whenever the innocent girl who stares at him from a distance turns up at the edge of his vision. REVIEW: EL AGENTE TOPO Once he personally exonerates the institution, Sergio begins to look elsewhere. He deciphers patterns of behavior and ultimately does find a thief in their midst, but he weighs the extenuating circumstances surrounding the crime and realizes the lack of malice or even cognizance on behalf of the thief. REVIEW: L'EAU FROIDE Originally envisioned as a 52-minute chapter of a television anthology series with strict thematic and contextual rules, Olivier Assayas‘ L’eau froide eventually found itself as the much sought-after 90-minute Cannes debut that cemented the auteur’s style, acclaim, and promise without ever reaching American shores due to lapsed music rights. REVIEW: A GIRL IN THE RIVER: THE PRICE OF FORGIVENESS Malala is an educated activist who was targeted by an ignorant stranger years after she began her crusade. Saba Qaiser—Obaid-Chinoy’s subject—on-the-other-hand is a nineteen-year old who was kidnapped and taken to a shallow river by her father and uncle as the would-be victim of an honor killing. Yes,an honor killing.
REVIEW: NEGATIVE SPACE REVIEW: Negative Space Rating: 7 out of 10. Rating: NR | Runtime: 5 minutes. Release Date: 2017 (France) Studio: Sève Films. Director (s): Ru Kuwahata & Max Porter / Ron Koertge (poem) Perfect. We all hold onto a specific memory of someone close upon his/her death—a moment or moments special to us despite being uneventful toeveryone
REVIEW: THE WOMAN IN THE WINDOW 19 hours ago · No one seems to have been under any illusion that what they were making was in any way original. Director Joe Wright wouldn’t have his old movie lover lead character watching Alfred Hitchcock‘s Rear Window in the opening scene if he did. Much like Disturbia, however, comparing one work to another because of similar basic premises is usually just a way of proving your inability torealize
ABOUT | WWW.JAREDMOBARAK.COM hello. my name is jared mobarak and i thank you for visiting . this site is an embodiment of who i am: my art, my interests, my love of the cinema. influenced by the world around me, my design work takes a minimalist approach to distilling a subject to its core, representing it in simple geometric forms or carefully cropped photography depicting its essence.REVIEW: LUCKY
It’s easy to get caught up in your own privilege to the point where you don’t even recognize it exists. I can’t recall how the conversation started, but I do remember the topic shifting to using a gas station in the middle of the night.REVIEW: MOFFIE
Not to say we won’t hear a couple—intentional or accidental once alcohol and psychological turmoil enter the mix. That the boys won’t see much actual action on the border (fighting against the Communist-backed forces of Angola) is thus the point since the army’s motivation is to send them home and maintain a way of life that bolsters their race’s control.REVIEW: DREAM HORSE
A film about a Welsh horse named Dream Alliance doesn’t get made unless the ending holds a cup, but a horse like Dream Alliance doesn’t get the chance to win if not for the loveable band of small-town eccentrics who decided to set ten quid aside each week. TIFF20 REVIEW: SEIZE PRINTEMPS [2020 So sixteen-year old Suzanne ( Suzanne Lindon) will continue longing for the serious stranger standing outside the theater on her way to school regardless. And thirty-five-year old Raphaël ( Arnaud Valois) will continue to smile whenever the innocent girl who stares at him from a distance turns up at the edge of his vision. REVIEW: EL AGENTE TOPO Once he personally exonerates the institution, Sergio begins to look elsewhere. He deciphers patterns of behavior and ultimately does find a thief in their midst, but he weighs the extenuating circumstances surrounding the crime and realizes the lack of malice or even cognizance on behalf of the thief. REVIEW: L'EAU FROIDE Originally envisioned as a 52-minute chapter of a television anthology series with strict thematic and contextual rules, Olivier Assayas‘ L’eau froide eventually found itself as the much sought-after 90-minute Cannes debut that cemented the auteur’s style, acclaim, and promise without ever reaching American shores due to lapsed music rights. REVIEW: A GIRL IN THE RIVER: THE PRICE OF FORGIVENESS Malala is an educated activist who was targeted by an ignorant stranger years after she began her crusade. Saba Qaiser—Obaid-Chinoy’s subject—on-the-other-hand is a nineteen-year old who was kidnapped and taken to a shallow river by her father and uncle as the would-be victim of an honor killing. Yes,an honor killing.
REVIEW: NEGATIVE SPACE REVIEW: Negative Space Rating: 7 out of 10. Rating: NR | Runtime: 5 minutes. Release Date: 2017 (France) Studio: Sève Films. Director (s): Ru Kuwahata & Max Porter / Ron Koertge (poem) Perfect. We all hold onto a specific memory of someone close upon his/her death—a moment or moments special to us despite being uneventful toeveryone
ABOUT | WWW.JAREDMOBARAK.COM hello. my name is jared mobarak and i thank you for visiting . this site is an embodiment of who i am: my art, my interests, my love of the cinema. influenced by the world around me, my design work takes a minimalist approach to distilling a subject to its core, representing it in simple geometric forms or carefully cropped photography depicting its essence. REVIEW: WOMAN IN MOTION It’s inspiring to hear Nichelle Nichols speak about the moment she realized things weren’t as they were supposed to be because she realized it within a moment of awe. Comprehending how something too crucially important to be missing from the magic of what she was shown isn’t an easy feat because we too often get caught up in excitement to think through the next steps or look beyond theREVIEW: PROFILE
It was only a matter of time before Timur Bekmambetov took the plunge and directed his own entry within the cinematic style he coined (and anecdotally created) as “Screenlife.” Even if we forget how Brian De Palma played with YouTube-style vignettes in Redacted circa 2007, the short film Noah debuted at TIFF a year before Unfriended at Fantasia, and Nacho Vigalondo‘s Open Windows hit REVIEW: PORT AUTHORITY When Paul (Fionn Whitehead) left Pittsburgh for New York City, he believed he had family ready to welcome him with open arms.His half-sister Sara (Louisa Krause) wasn’t at the station when he arrived, though, and Aunt Mary didn’t give him a phone number or address with which to contact her.So he went on a train to sleep the night only to get accosted by two men and saved by another.REVIEW: MOFFIE
Not to say we won’t hear a couple—intentional or accidental once alcohol and psychological turmoil enter the mix. That the boys won’t see much actual action on the border (fighting against the Communist-backed forces of Angola) is thus the point since the army’s motivation is to send them home and maintain a way of life that bolsters their race’s control.REVIEW: DREAM HORSE
A film about a Welsh horse named Dream Alliance doesn’t get made unless the ending holds a cup, but a horse like Dream Alliance doesn’t get the chance to win if not for the loveable band of small-town eccentrics who decided to set ten quid aside each week.REVIEW: THE DJINN
It’s too bad because the production value is fantastic. Early scenes of the Djinn in its true form are memorable in large part because everything is kept to the corner of our eyes. Once things demand that the Djinn have physical form, however, things devolve into random humans trying to kill Dylan while he stays out of arm’s reach. REVIEW: WRATH OF MAN Fans of Guy Ritchie that wore out Lock Stock and Snatch during the early Aughts will find themselves hard-pressed to take the opening act of Wrath of Man seriously. It’s as though he and co-writers Ivan Atkinson and Marn Davies are trying to re-capture the quick-paced slang that made the dialogue in those films so uniquely fun and of the moment despite being two decades removed in ageREVIEW: FIRST COW
Reichardt portrays their budding partnership with a loving lens as full of humor as it is with possibility. Cookie is the silent one foraging and fishing while the loquacious King waxes on about the economic climate and schemes ways to capitalize on it. REVIEW: CLIFF WALKERS Yimou Zhang and co-writer Yongxian Quan ‘s Cliff Walkers wastes no time in delivering the first of its spy genre twists to ensure we’re always questioning the actions on-screen thanks to the kind of traitor you can’t avoid: those who simply wish to live. Call Xie Zirong ( Lei Jiayin) a coward if you’d like, but that’s the choice he REVIEW: THE WOMAN IN THE WINDOW 16 hours ago · No one seems to have been under any illusion that what they were making was in any way original. Director Joe Wright wouldn’t have his old movie lover lead character watching Alfred Hitchcock‘s Rear Window in the opening scene if he did. Much like Disturbia, however, comparing one work to another because of similar basic premises is usually just a way of proving your inability torealize
ABOUT | WWW.JAREDMOBARAK.COM hello. my name is jared mobarak and i thank you for visiting . this site is an embodiment of who i am: my art, my interests, my love of the cinema. influenced by the world around me, my design work takes a minimalist approach to distilling a subject to its core, representing it in simple geometric forms or carefully cropped photography depicting its essence.REVIEW: LUCKY
It’s easy to get caught up in your own privilege to the point where you don’t even recognize it exists. I can’t recall how the conversation started, but I do remember the topic shifting to using a gas station in the middle of the night.REVIEW: MOFFIE
Not to say we won’t hear a couple—intentional or accidental once alcohol and psychological turmoil enter the mix. That the boys won’t see much actual action on the border (fighting against the Communist-backed forces of Angola) is thus the point since the army’s motivation is to send them home and maintain a way of life that bolsters their race’s control.REVIEW: DREAM HORSE
A film about a Welsh horse named Dream Alliance doesn’t get made unless the ending holds a cup, but a horse like Dream Alliance doesn’t get the chance to win if not for the loveable band of small-town eccentrics who decided to set ten quid aside each week. TIFF20 REVIEW: SEIZE PRINTEMPS [2020 So sixteen-year old Suzanne ( Suzanne Lindon) will continue longing for the serious stranger standing outside the theater on her way to school regardless. And thirty-five-year old Raphaël ( Arnaud Valois) will continue to smile whenever the innocent girl who stares at him from a distance turns up at the edge of his vision. REVIEW: EL AGENTE TOPO Once he personally exonerates the institution, Sergio begins to look elsewhere. He deciphers patterns of behavior and ultimately does find a thief in their midst, but he weighs the extenuating circumstances surrounding the crime and realizes the lack of malice or even cognizance on behalf of the thief. REVIEW: L'EAU FROIDE Originally envisioned as a 52-minute chapter of a television anthology series with strict thematic and contextual rules, Olivier Assayas‘ L’eau froide eventually found itself as the much sought-after 90-minute Cannes debut that cemented the auteur’s style, acclaim, and promise without ever reaching American shores due to lapsed music rights. REVIEW: A GIRL IN THE RIVER: THE PRICE OF FORGIVENESS Malala is an educated activist who was targeted by an ignorant stranger years after she began her crusade. Saba Qaiser—Obaid-Chinoy’s subject—on-the-other-hand is a nineteen-year old who was kidnapped and taken to a shallow river by her father and uncle as the would-be victim of an honor killing. Yes,an honor killing.
REVIEW: NEGATIVE SPACE REVIEW: Negative Space Rating: 7 out of 10. Rating: NR | Runtime: 5 minutes. Release Date: 2017 (France) Studio: Sève Films. Director (s): Ru Kuwahata & Max Porter / Ron Koertge (poem) Perfect. We all hold onto a specific memory of someone close upon his/her death—a moment or moments special to us despite being uneventful toeveryone
REVIEW: THE WOMAN IN THE WINDOW 16 hours ago · No one seems to have been under any illusion that what they were making was in any way original. Director Joe Wright wouldn’t have his old movie lover lead character watching Alfred Hitchcock‘s Rear Window in the opening scene if he did. Much like Disturbia, however, comparing one work to another because of similar basic premises is usually just a way of proving your inability torealize
ABOUT | WWW.JAREDMOBARAK.COM hello. my name is jared mobarak and i thank you for visiting . this site is an embodiment of who i am: my art, my interests, my love of the cinema. influenced by the world around me, my design work takes a minimalist approach to distilling a subject to its core, representing it in simple geometric forms or carefully cropped photography depicting its essence.REVIEW: LUCKY
It’s easy to get caught up in your own privilege to the point where you don’t even recognize it exists. I can’t recall how the conversation started, but I do remember the topic shifting to using a gas station in the middle of the night.REVIEW: MOFFIE
Not to say we won’t hear a couple—intentional or accidental once alcohol and psychological turmoil enter the mix. That the boys won’t see much actual action on the border (fighting against the Communist-backed forces of Angola) is thus the point since the army’s motivation is to send them home and maintain a way of life that bolsters their race’s control.REVIEW: DREAM HORSE
A film about a Welsh horse named Dream Alliance doesn’t get made unless the ending holds a cup, but a horse like Dream Alliance doesn’t get the chance to win if not for the loveable band of small-town eccentrics who decided to set ten quid aside each week. TIFF20 REVIEW: SEIZE PRINTEMPS [2020 So sixteen-year old Suzanne ( Suzanne Lindon) will continue longing for the serious stranger standing outside the theater on her way to school regardless. And thirty-five-year old Raphaël ( Arnaud Valois) will continue to smile whenever the innocent girl who stares at him from a distance turns up at the edge of his vision. REVIEW: EL AGENTE TOPO Once he personally exonerates the institution, Sergio begins to look elsewhere. He deciphers patterns of behavior and ultimately does find a thief in their midst, but he weighs the extenuating circumstances surrounding the crime and realizes the lack of malice or even cognizance on behalf of the thief. REVIEW: L'EAU FROIDE Originally envisioned as a 52-minute chapter of a television anthology series with strict thematic and contextual rules, Olivier Assayas‘ L’eau froide eventually found itself as the much sought-after 90-minute Cannes debut that cemented the auteur’s style, acclaim, and promise without ever reaching American shores due to lapsed music rights. REVIEW: A GIRL IN THE RIVER: THE PRICE OF FORGIVENESS Malala is an educated activist who was targeted by an ignorant stranger years after she began her crusade. Saba Qaiser—Obaid-Chinoy’s subject—on-the-other-hand is a nineteen-year old who was kidnapped and taken to a shallow river by her father and uncle as the would-be victim of an honor killing. Yes,an honor killing.
REVIEW: NEGATIVE SPACE REVIEW: Negative Space Rating: 7 out of 10. Rating: NR | Runtime: 5 minutes. Release Date: 2017 (France) Studio: Sève Films. Director (s): Ru Kuwahata & Max Porter / Ron Koertge (poem) Perfect. We all hold onto a specific memory of someone close upon his/her death—a moment or moments special to us despite being uneventful toeveryone
ABOUT | WWW.JAREDMOBARAK.COM hello. my name is jared mobarak and i thank you for visiting . this site is an embodiment of who i am: my art, my interests, my love of the cinema. influenced by the world around me, my design work takes a minimalist approach to distilling a subject to its core, representing it in simple geometric forms or carefully cropped photography depicting its essence. REVIEW: WOMAN IN MOTION It’s inspiring to hear Nichelle Nichols speak about the moment she realized things weren’t as they were supposed to be because she realized it within a moment of awe. Comprehending how something too crucially important to be missing from the magic of what she was shown isn’t an easy feat because we too often get caught up in excitement to think through the next steps or look beyond theREVIEW: PROFILE
It was only a matter of time before Timur Bekmambetov took the plunge and directed his own entry within the cinematic style he coined (and anecdotally created) as “Screenlife.” Even if we forget how Brian De Palma played with YouTube-style vignettes in Redacted circa 2007, the short film Noah debuted at TIFF a year before Unfriended at Fantasia, and Nacho Vigalondo‘s Open Windows hit REVIEW: PORT AUTHORITY When Paul (Fionn Whitehead) left Pittsburgh for New York City, he believed he had family ready to welcome him with open arms.His half-sister Sara (Louisa Krause) wasn’t at the station when he arrived, though, and Aunt Mary didn’t give him a phone number or address with which to contact her.So he went on a train to sleep the night only to get accosted by two men and saved by another.REVIEW: MOFFIE
Not to say we won’t hear a couple—intentional or accidental once alcohol and psychological turmoil enter the mix. That the boys won’t see much actual action on the border (fighting against the Communist-backed forces of Angola) is thus the point since the army’s motivation is to send them home and maintain a way of life that bolsters their race’s control.REVIEW: DREAM HORSE
A film about a Welsh horse named Dream Alliance doesn’t get made unless the ending holds a cup, but a horse like Dream Alliance doesn’t get the chance to win if not for the loveable band of small-town eccentrics who decided to set ten quid aside each week.REVIEW: THE DJINN
It’s too bad because the production value is fantastic. Early scenes of the Djinn in its true form are memorable in large part because everything is kept to the corner of our eyes. Once things demand that the Djinn have physical form, however, things devolve into random humans trying to kill Dylan while he stays out of arm’s reach. REVIEW: WRATH OF MAN Fans of Guy Ritchie that wore out Lock Stock and Snatch during the early Aughts will find themselves hard-pressed to take the opening act of Wrath of Man seriously. It’s as though he and co-writers Ivan Atkinson and Marn Davies are trying to re-capture the quick-paced slang that made the dialogue in those films so uniquely fun and of the moment despite being two decades removed in ageREVIEW: FIRST COW
Reichardt portrays their budding partnership with a loving lens as full of humor as it is with possibility. Cookie is the silent one foraging and fishing while the loquacious King waxes on about the economic climate and schemes ways to capitalize on it. REVIEW: CLIFF WALKERS Yimou Zhang and co-writer Yongxian Quan ‘s Cliff Walkers wastes no time in delivering the first of its spy genre twists to ensure we’re always questioning the actions on-screen thanks to the kind of traitor you can’t avoid: those who simply wish to live. Call Xie Zirong ( Lei Jiayin) a coward if you’d like, but that’s the choice heSkip to content
Saturday, June 5, 2021RECENT POSTS -
* REVIEW: All Light, Everywhere * REVIEW: Woman in Motion * REVIEW: Port Authority* REVIEW: Plan B
* REVIEW: Cruella
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__ 2021/01/25 __ Jared Mobarak__ 0
Online Film Critics Society Ballot 2020 Below is my January 20th ballot for the 24th annual Online Film... Top 10 Films by YearTop
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REVIEW: ALL LIGHT, EVERYWHERE The act of observation obscures the observation. The concept at the back of Theo Anthony‘s documentary All Light, Everywhere shouldn’t be lost on anyone who understands the concept of art itself and the notion that its impact on the viewer is inherently subjective regardless of the artist’s intent....Documentary
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REVIEW: WOMAN IN MOTION She changed the space program forever. It’s inspiring to hear Nichelle Nichols speak about the moment...Biography
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REVIEW: PLAN B
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INTERVIEW: CATHERINE EATON, WRITER/DIRECTOR/STAR OF THE SOUNDING Writer/director/star Catherine Eaton‘s feature directorial debut The Sounding is finally available nationwide on VOD and Digital HD after a planned theatrical run was unfortunately scrapped due to the COVID-19 pandemic. It’s been a long time coming considering we reviewed it in 2017 out of the Buffalo International Film...Film Features
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ONLINE FILM CRITICS SOCIETY BALLOT 2020 Below is my January 20th ballot for the 24th annual Online Film Critics Society Awards honoring movies released domestically in the United States during the 2020 calendar year. Each category is ordered according to my preferential rankings. Group winners were announced on January 25th, 2021 and are labeled... Top 10 Films by YearTop
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POSTERIZED PROPAGANDA JANUARY 2021: THE TOP 10 MOVIE POSTERS OF 2020 “Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact...Film Features
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TOP 100 ALBUMS OF 2019 Honorable Mention Tinlicker – This is Not Our Universe; Cold War Kids – New Age Norms... Top 10 Albums by YearTop 10
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BERLINALE21 REVIEW: TABIJA Something always comes up. The line between fairy tale and horror proves a thin one in Igor Drljaca‘s Tabija thanks to the differing perspectives of young love in Sarajevo. Whether Faruk (Pavle Cemerikic) and Mona (Sumeja Dardagan) believe a life together may yet be possible for them despite...Berlinale
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BERLINALE21 REVIEW: LA MIF We’re a fam now. The big draw to Fred Baillif‘s fictional look inside a residential care...Berlinale
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SLAM21 REVIEW: NULLE TRACE What would I gain? Not knowing is the point. At least that’s what writer/director Simon Lavoie...Drama Film
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SUNDANCE21 REVIEW: IN THE EARTH You worried she’s going to get you? There’s a shared ambition during times like worldwide pandemics... Film Features FilmFestival
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DESIGN: 2020 IN MUSIC Tracklisting:Disc 11. “Pink Lightning” • Purity Ring • 04:15 • Womb, 4AD Ltd2. “Drop A Tear (ft. Lil Baby)” • Bankrol Hayden • 03:02 • Pain is Temporary, Atlantic Recording Corporation3. “Numb” • Elderbrook • 03:50 • Why Do We Shake In the Cold?, Parlophone Records Limited4. “Too...CD Jackets
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