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FRAC CENTRE
Au Frac. Quand la forme parle Le Frac Centre-Val de Loire accueille les Nouveaux courants architecturaux au Japon (1995-2020) 16/10/202019/09/2021
BERLIN CITY EDGE
Berlin City Edge, 1987-1988. Designed in 1987, before the fall of the Berlin Wall, Berlin City Edge comprises two models on the scale of 1/100 and four computer-generated images. The project, designed within the framework of the renewal of the Tiergarten district in West Berlin – a derelict area which had suffered severe damage during the war LIVING POD | GREENE | COLLECTION FRAC CENTRE Living Pod, 1965-1967. When David Greene designed the Living Pod in 1966, mankind had not yet walked on the moon, but the “pod” was already a broadly present theme in architectural research. The possibility of designing an object that could serve as both vehicle and habitat, capable of resisting harsh or unknown environments bysimulating
QUAND LA FORME PARLE Du 16 octobre 2020 au 19 septembre 2021, le Frac Centre-Val de Loire accueille l'exposition Quand la forme parle.Nouveaux courants architecturaux au Japon (1995-2020), en collaboration avec The Architectural Design Association of Nippon (ADAN) et produite par l’architecte Shuhei Endo. L'exposition Quand la forme parle ne se focalise pas sur Tokyo, comme cela est habituellement le cas. LE PROJET ARCHITECTURAL Ouverte sur le boulevard, la cour est traitée comme une piazza, un espace public, qui renforce la dynamique visuelle des Turbulences. Le projet de Jakob + MacFarlane entend conférer au Frac Centre l’image d’un lieu en évolution permanente à travers une architecture vivante et interactive. en savoir plus sur Jakob + MacFarlane.A SIMPLE HEART
A Simple Heart, 2002-2009. Through its project A Simple Heart, inspired by and named after Flaubert’s famous novel, Un cœur simple, DOGMA takes a stand against the city of entertainment and artifice by placing the “workers” at the heart of urban organization. For this project, DOGMA sought to insert a wall around an existing part of the ALGER | EXPOSITIONS | FRAC CENTRETRANSLATE THIS PAGE L’exposition Alger, archipel des libertés jette un pont entre plusieurs périodes révolutionnaires qu’a connu et connait jusqu’alors le continent africain.. Elle réunira une quinzaine d’artistes dont les réflexions puisent dans les mémoires des luttes africaines, de même qu’elle raconte des trajectoires révolutionnaires iconiques et méconnues, fabrique des récitsintimes et
GLASS PAVILION, TOLEDO MUSEUM OF ART Glass Pavilion, Toledo Museum of Art, 2006. La ville de Toledo, dans l’Ohio, était connue dans le passé comme centre majeur dans l'art du verre. Dédié à cette spécificité perdue, le pavillon de SANAA exprime l'identité industrielle, emblématique de la ville.ANDRAULT & PARAT
Contre l’aridité formelle engendrée par l’architecture fonctionnaliste de l’après-guerre, Michel Andrault et Pierre Parat revendiquent dès la fin des années 1950 une approche plasticienne de l’espace et envisagent la forme comme un véhicule de l’émotion. L’expressionnisme et SITE | COLLECTION FRAC CENTRETRANSLATE THIS PAGE Proche de l’architecture radicale et du Land Art, James Wines développe dès les années 1960 une recherche sur l'architecture dans son rapport à l’espace environnant, ouvrant la voie à une interaction entre art, technologie et nature. À l’instar de Frederick Law Olmsted, Franck Lloyd Wright et surtout Frederick Kiesler, il envisage l'architecture et le paysage comme participant dFRAC CENTRE
Au Frac. Quand la forme parle Le Frac Centre-Val de Loire accueille les Nouveaux courants architecturaux au Japon (1995-2020) 16/10/202019/09/2021
BERLIN CITY EDGE
Berlin City Edge, 1987-1988. Designed in 1987, before the fall of the Berlin Wall, Berlin City Edge comprises two models on the scale of 1/100 and four computer-generated images. The project, designed within the framework of the renewal of the Tiergarten district in West Berlin – a derelict area which had suffered severe damage during the war LIVING POD | GREENE | COLLECTION FRAC CENTRE Living Pod, 1965-1967. When David Greene designed the Living Pod in 1966, mankind had not yet walked on the moon, but the “pod” was already a broadly present theme in architectural research. The possibility of designing an object that could serve as both vehicle and habitat, capable of resisting harsh or unknown environments bysimulating
QUAND LA FORME PARLE Du 16 octobre 2020 au 19 septembre 2021, le Frac Centre-Val de Loire accueille l'exposition Quand la forme parle.Nouveaux courants architecturaux au Japon (1995-2020), en collaboration avec The Architectural Design Association of Nippon (ADAN) et produite par l’architecte Shuhei Endo. L'exposition Quand la forme parle ne se focalise pas sur Tokyo, comme cela est habituellement le cas. LE PROJET ARCHITECTURAL Ouverte sur le boulevard, la cour est traitée comme une piazza, un espace public, qui renforce la dynamique visuelle des Turbulences. Le projet de Jakob + MacFarlane entend conférer au Frac Centre l’image d’un lieu en évolution permanente à travers une architecture vivante et interactive. en savoir plus sur Jakob + MacFarlane.A SIMPLE HEART
A Simple Heart, 2002-2009. Through its project A Simple Heart, inspired by and named after Flaubert’s famous novel, Un cœur simple, DOGMA takes a stand against the city of entertainment and artifice by placing the “workers” at the heart of urban organization. For this project, DOGMA sought to insert a wall around an existing part of the ALGER | EXPOSITIONS | FRAC CENTRETRANSLATE THIS PAGE L’exposition Alger, archipel des libertés jette un pont entre plusieurs périodes révolutionnaires qu’a connu et connait jusqu’alors le continent africain.. Elle réunira une quinzaine d’artistes dont les réflexions puisent dans les mémoires des luttes africaines, de même qu’elle raconte des trajectoires révolutionnaires iconiques et méconnues, fabrique des récitsintimes et
GLASS PAVILION, TOLEDO MUSEUM OF ART Glass Pavilion, Toledo Museum of Art, 2006. La ville de Toledo, dans l’Ohio, était connue dans le passé comme centre majeur dans l'art du verre. Dédié à cette spécificité perdue, le pavillon de SANAA exprime l'identité industrielle, emblématique de la ville.ANDRAULT & PARAT
Contre l’aridité formelle engendrée par l’architecture fonctionnaliste de l’après-guerre, Michel Andrault et Pierre Parat revendiquent dès la fin des années 1950 une approche plasticienne de l’espace et envisagent la forme comme un véhicule de l’émotion. L’expressionnisme et SITE | COLLECTION FRAC CENTRETRANSLATE THIS PAGE Proche de l’architecture radicale et du Land Art, James Wines développe dès les années 1960 une recherche sur l'architecture dans son rapport à l’espace environnant, ouvrant la voie à une interaction entre art, technologie et nature. À l’instar de Frederick Law Olmsted, Franck Lloyd Wright et surtout Frederick Kiesler, il envisage l'architecture et le paysage comme participant dFRAC CENTRE
At the Frac. When Form Speaks Post-Bubble Japanese Architects (1995-2020) 16/10/2020 19/09/2021BERNARD TSCHUMI
This exhibition is a partnership between the Frac and the City of Vierzon. Inaugurated in 2020, the Micro-Folie hosts an exhibition dedicated to the Parc de la Villette by Bernard Tschumi. | COLLECTION FRAC CENTRE The author, photographer and video-maker Didier Morin (born in 1956 in Tours) uses various media ranging from imagery to sound. He has published Les Semelles d’or/ Golden Soles, contributes regularly to the magazine Night, in New York, founded the magazine Mettray, in 2001 and made the film Le voyage d’Yves Klein.In his large format photographic work, Morin manages to “turn himself into FUJII | COLLECTION FRAC CENTRE A graduate of Waseda University in Japan in 1958 and a student of the architect Motoo Take, Hiromi Fujii (b. 1935) settled in Milan in 1964 where he collaborated with the Italian architect Angelo Mangiarotti and observed with interest the emergence of radical currents in architecture. He then traveled around Europe, settling in London in1966
ZEVACO | COLLECTION FRAC CENTRE An accomplished assimilator of forms, Jean-François Zevaco, was a French architect who practiced in Morocco. He opened his office in Casablanca in 1947, in the context of the reconstruction of post-war France, the rise of a new generation of architects in Morocco and the presence of Michel Ecochard as head of the Morocco Department ofUrbanism.
BREADING SPACE, BIENNALE D'ART CONTEMPORAIN DE …TRANSLATE THIS PAGE Breading Space, 2019; Maquette; Kombucha (culture symbiotique de bactéries et de levures), impression 3D, leds, bois, tissus, alimentation électrique LIBESKIND | COLLECTION FRAC CENTRE The internationally renowned architect Daniel Libeskind is not only a theoretician, scenographer and musician hooked on mathematics, but he is also director of two agencies, one in Berlin and one in New York as well as being a professor responsible for prestigious schools ofarchitecture.
INFLATOCOOKBOOK
Inflatocookbook, 1975. Over the course of the 1960s-70s, numerous inflatable architecture projects saw the light of day. The properties of pneumatic structures (lightness, transparency, elasticity, flexibility, etc.) offered an answer to western societies’ dream, i.e. their quest for a nomadic lifestyle and greater freedom. LikeArthur
THE NAKED CITY
The Naked City was initially meant to be exhibited alongside four other psychogeographical maps of Paris in the Taptoe Gallery in Brussels in 1957. In evoking the first ‘metagraphs’ (métagraphies) produced by Debord a few years earlier, this map is the result of appropriation, a seminal “propaganda method” used by the Lettrists and then the Situationnists” based on fragments cutout
STOP CITY | DOGMA | COLLECTION FRAC CENTRE The Stop City project (2007) can be viewed as a theoretical proposal for an urban project expressed through “abstract” architectural language. Forty years after Archizoom’s No-Stop-City project, in which they proposed a city without end, DOGMA proposes to invert their terms by inscribing the very definition of the city in its own limits. Imagined for 500,000 inhabitants, Stop CityBERLIN CITY EDGE
Berlin City Edge, 1987-1988. Designed in 1987, before the fall of the Berlin Wall, Berlin City Edge comprises two models on the scale of 1/100 and four computer-generated images. The project, designed within the framework of the renewal of the Tiergarten district in West Berlin – a derelict area which had suffered severe damage during the war FUJII | COLLECTION FRAC CENTRE A graduate of Waseda University in Japan in 1958 and a student of the architect Motoo Take, Hiromi Fujii (b. 1935) settled in Milan in 1964 where he collaborated with the Italian architect Angelo Mangiarotti and observed with interest the emergence of radical currents in architecture. He then traveled around Europe, settling in London in1966
LIVING POD | GREENE | COLLECTION FRAC CENTRE Living Pod, 1965-1967. When David Greene designed the Living Pod in 1966, mankind had not yet walked on the moon, but the “pod” was already a broadly present theme in architectural research. The possibility of designing an object that could serve as both vehicle and habitat, capable of resisting harsh or unknown environments bysimulating
A SIMPLE HEART
A Simple Heart, 2002-2009. Through its project A Simple Heart, inspired by and named after Flaubert’s famous novel, Un cœur simple, DOGMA takes a stand against the city of entertainment and artifice by placing the “workers” at the heart of urban organization. For this project, DOGMA sought to insert a wall around an existing part of the ARCHITECTURE PRINCIPE Inclining the floor to form a sloped surface and the fluidity of movement that this creates, is supposed to allow deeper human relationships. By having to make an effort on the ramps, human beings actively participate in the architecture. The principle was implemented in religious buildings ( Sainte-Bernadette du Banlay,Nevers, 1963-66
DALLEGRET | COLLECTION FRAC CENTRE He is currently working on light and public spaces, designing major urban installations. François Dallegret (1937) studied architecture at the Ecole Nationale Supérieure des Beaux-Arts de Paris. His work was recognized through a major retrospective exhibition at the Musée du Québec entitled Réminiscences fluorescentes, in 1999. ZEVACO | COLLECTION FRAC CENTRE An accomplished assimilator of forms, Jean-François Zevaco, was a French architect who practiced in Morocco. He opened his office in Casablanca in 1947, in the context of the reconstruction of post-war France, the rise of a new generation of architects in Morocco and the presence of Michel Ecochard as head of the Morocco Department ofUrbanism.
HAREITER | COLLECTION FRAC CENTRE The Austrian architect Angela Hareiter is one of the few women to have been part of the radical scene in the 1960s and 1970s in Austria. A little prior to Coop Himmelb(l)au, Haus-Rucker-Co and Superarchitettura in Italy, she was involved in research based on the moveable dwelling, from which she singled out the substance of Anglo-Saxon pop and Archigram. RAUMSTADT | SCHULZE-FIELITZ | COLLECTION FRAC CENTRE Raumstadt, 1959. In 1959, Eckhard Shulze-Fielitz tried his structural approach out on urban reality. One year after Yona Friedman’s Ville spatiale, he, in his turn, presented a flexible urban structure, adaptable to all locations, based on a modular system made up of bars, main structures and standardized units. A HOME IS NOT A HOUSE A Home Is Not a House, 1965. It was for Reyner Banham’s article, entitled “A Home Is Not a House,” that François Dallegret produced six “architectural” drawings”, using India ink on translucent film, accompanied by texts. In this article published in April 1965 in the magazine, Art in America, Reyner Banham, thearchitecture critic
BERLIN CITY EDGE
Berlin City Edge, 1987-1988. Designed in 1987, before the fall of the Berlin Wall, Berlin City Edge comprises two models on the scale of 1/100 and four computer-generated images. The project, designed within the framework of the renewal of the Tiergarten district in West Berlin – a derelict area which had suffered severe damage during the war FUJII | COLLECTION FRAC CENTRE A graduate of Waseda University in Japan in 1958 and a student of the architect Motoo Take, Hiromi Fujii (b. 1935) settled in Milan in 1964 where he collaborated with the Italian architect Angelo Mangiarotti and observed with interest the emergence of radical currents in architecture. He then traveled around Europe, settling in London in1966
LIVING POD | GREENE | COLLECTION FRAC CENTRE Living Pod, 1965-1967. When David Greene designed the Living Pod in 1966, mankind had not yet walked on the moon, but the “pod” was already a broadly present theme in architectural research. The possibility of designing an object that could serve as both vehicle and habitat, capable of resisting harsh or unknown environments bysimulating
A SIMPLE HEART
A Simple Heart, 2002-2009. Through its project A Simple Heart, inspired by and named after Flaubert’s famous novel, Un cœur simple, DOGMA takes a stand against the city of entertainment and artifice by placing the “workers” at the heart of urban organization. For this project, DOGMA sought to insert a wall around an existing part of the ARCHITECTURE PRINCIPE Inclining the floor to form a sloped surface and the fluidity of movement that this creates, is supposed to allow deeper human relationships. By having to make an effort on the ramps, human beings actively participate in the architecture. The principle was implemented in religious buildings ( Sainte-Bernadette du Banlay,Nevers, 1963-66
DALLEGRET | COLLECTION FRAC CENTRE He is currently working on light and public spaces, designing major urban installations. François Dallegret (1937) studied architecture at the Ecole Nationale Supérieure des Beaux-Arts de Paris. His work was recognized through a major retrospective exhibition at the Musée du Québec entitled Réminiscences fluorescentes, in 1999. ZEVACO | COLLECTION FRAC CENTRE An accomplished assimilator of forms, Jean-François Zevaco, was a French architect who practiced in Morocco. He opened his office in Casablanca in 1947, in the context of the reconstruction of post-war France, the rise of a new generation of architects in Morocco and the presence of Michel Ecochard as head of the Morocco Department ofUrbanism.
HAREITER | COLLECTION FRAC CENTRE The Austrian architect Angela Hareiter is one of the few women to have been part of the radical scene in the 1960s and 1970s in Austria. A little prior to Coop Himmelb(l)au, Haus-Rucker-Co and Superarchitettura in Italy, she was involved in research based on the moveable dwelling, from which she singled out the substance of Anglo-Saxon pop and Archigram. RAUMSTADT | SCHULZE-FIELITZ | COLLECTION FRAC CENTRE Raumstadt, 1959. In 1959, Eckhard Shulze-Fielitz tried his structural approach out on urban reality. One year after Yona Friedman’s Ville spatiale, he, in his turn, presented a flexible urban structure, adaptable to all locations, based on a modular system made up of bars, main structures and standardized units. A HOME IS NOT A HOUSE A Home Is Not a House, 1965. It was for Reyner Banham’s article, entitled “A Home Is Not a House,” that François Dallegret produced six “architectural” drawings”, using India ink on translucent film, accompanied by texts. In this article published in April 1965 in the magazine, Art in America, Reyner Banham, thearchitecture critic
FRAC CENTRE
At the Frac. When Form Speaks Post-Bubble Japanese Architects (1995-2020) 16/10/2020 19/09/2021SUPERSTUDIO
Superstudio. Life after Architecture is the first major exhibition in France dedicated to the work of this Italian group. The exhibition will present the most significant artworks over the entire floor area of the Frac Centre-Val de Loire (1 000 square metres). FUJII | COLLECTION FRAC CENTRE A graduate of Waseda University in Japan in 1958 and a student of the architect Motoo Take, Hiromi Fujii (b. 1935) settled in Milan in 1964 where he collaborated with the Italian architect Angelo Mangiarotti and observed with interest the emergence of radical currents in architecture. He then traveled around Europe, settling in London in1966
CHANÉAC | COLLECTION FRAC CENTRE Chanéac was a major figure of the experimental architecture of the 1960s and 1970s. From 1958 onward he advocated the “free and open placement of individual, adaptable and mobile pods,” exploring the visual richness of organic forms and working towards a habitat designed for the greatest number.ARCHITECTURAL BEAST
Architectural Beast, 2019. In every process of evolution, there is a period of extreme contamination that lends the possibility for the trajectories of species to begin mutating. In the last thirty years, design has experienced multiple paradigm shifts generated by an eruption of new methodologies. These were derived mainly from new DALLEGRET | COLLECTION FRAC CENTRE He is currently working on light and public spaces, designing major urban installations. François Dallegret (1937) studied architecture at the Ecole Nationale Supérieure des Beaux-Arts de Paris. His work was recognized through a major retrospective exhibition at the Musée du Québec entitled Réminiscences fluorescentes, in 1999. BREADING SPACE, BIENNALE D'ART CONTEMPORAIN DE …TRANSLATE THIS PAGE Breading Space, 2019; Maquette; Kombucha (culture symbiotique de bactéries et de levures), impression 3D, leds, bois, tissus, alimentation électrique LIBESKIND | COLLECTION FRAC CENTRE The internationally renowned architect Daniel Libeskind is not only a theoretician, scenographer and musician hooked on mathematics, but he is also director of two agencies, one in Berlin and one in New York as well as being a professor responsible for prestigious schools ofarchitecture.
MADRID, OCTOBER 68
12/10/201824/02/2019. In autumn of 2018, the Frac Centre-Val de Loire will inaugurate the first exhibition in France dedicated to the Spanish experimental scene of the 1960’s and 1980’s. The retrospective portrays the incredible adventure of the University of Madrid’s Computing Center, which brought together artists, architects, engineers TOURS RASPAIL ET LENINE, IVRY-SUR-SEINE Tours Raspail et Lenine, Ivry-sur-Seine, 1963-1968. Gailhoustet’s Raspail and Lénine towers, built in 1968 and 1970, were the first markers of the ambitious urban renewal program for the town center of Ivry-sur-Seine led by the Office Public HLM (Public Housing Authority). The insertion of towers into the fabric of a towncomprised mainly of
FRAC CENTRE
Au Frac. Quand la forme parle Le Frac Centre-Val de Loire accueille les Nouveaux courants architecturaux au Japon (1995-2020) 16/10/202019/09/2021
BERLIN CITY EDGE
Berlin City Edge, 1987-1988. Designed in 1987, before the fall of the Berlin Wall, Berlin City Edge comprises two models on the scale of 1/100 and four computer-generated images. The project, designed within the framework of the renewal of the Tiergarten district in West Berlin – a derelict area which had suffered severe damage during the war QUAND LA FORME PARLE Du 16 octobre 2020 au 19 septembre 2021, le Frac Centre-Val de Loire accueille l'exposition Quand la forme parle.Nouveaux courants architecturaux au Japon (1995-2020), en collaboration avec The Architectural Design Association of Nippon (ADAN) et produite par l’architecte Shuhei Endo. L'exposition Quand la forme parle ne se focalise pas sur Tokyo, comme cela est habituellement le cas. SCHEIN | COLLECTION FRAC CENTRE Architect (1927 - 2004) Ionel Schein is one of the leading figures in the field of experimental architecture in France. A student of Le Corbusier and friend of Claude Parent, in 1955 he invented the first “all-plastic house.”. Schein was a major influence in the field ofarchitectural
MAISON DRUSCH, VERSAILLES The Drusch House marks a decisive step in Claude Parent’s approach in that it brought the dynamism of the volumes into reality by introducing the diagonal. Built for industrialist Gaston Drusch on a narrow plot of land of approximately 1 200 m² on the edge of the Forest of Versailles, the house is composed of two major parts, one designed for the living area, the other, more classic oneA SIMPLE HEART
A Simple Heart, 2002-2009. Through its project A Simple Heart, inspired by and named after Flaubert’s famous novel, Un cœur simple, DOGMA takes a stand against the city of entertainment and artifice by placing the “workers” at the heart of urban organization. For this project, DOGMA sought to insert a wall around an existing part of the LIVING POD | GREENE | COLLECTION FRAC CENTRE Living Pod, 1965-1967. When David Greene designed the Living Pod in 1966, mankind had not yet walked on the moon, but the “pod” was already a broadly present theme in architectural research. The possibility of designing an object that could serve as both vehicle and habitat, capable of resisting harsh or unknown environments bysimulating
ARCHITECTURE RADICALE Architecture radicale. Entre 1966 et 1974 se développe en Europe un courant contestataire, qui ouvre l’architecture à des pratiques conceptuelles et artistiques, affranchies de toute finalité constructive. Si le critique d’art italien Germano Celant est lepremier en 1972
ARCHITECTURAL BEAST
Architectural Beast, 2019. In every process of evolution, there is a period of extreme contamination that lends the possibility for the trajectories of species to begin mutating. In the last thirty years, design has experienced multiple paradigm shifts generated by an eruption of new methodologies. These were derived mainly from newNO-STOP CITY
No-Stop City, 1969. Projet d'Andrea Branzi. Modèle d’urbanisation globale, No-Stop City est un projet théorique publié pour la première fois dans la revue Casabella en 1970 sous le titre : « Ville chaîne de montage du social, idéologie et théorie de la métropole ». Il met en œuvre «FRAC CENTRE
Au Frac. Quand la forme parle Le Frac Centre-Val de Loire accueille les Nouveaux courants architecturaux au Japon (1995-2020) 16/10/202019/09/2021
BERLIN CITY EDGE
Berlin City Edge, 1987-1988. Designed in 1987, before the fall of the Berlin Wall, Berlin City Edge comprises two models on the scale of 1/100 and four computer-generated images. The project, designed within the framework of the renewal of the Tiergarten district in West Berlin – a derelict area which had suffered severe damage during the war QUAND LA FORME PARLE Du 16 octobre 2020 au 19 septembre 2021, le Frac Centre-Val de Loire accueille l'exposition Quand la forme parle.Nouveaux courants architecturaux au Japon (1995-2020), en collaboration avec The Architectural Design Association of Nippon (ADAN) et produite par l’architecte Shuhei Endo. L'exposition Quand la forme parle ne se focalise pas sur Tokyo, comme cela est habituellement le cas. SCHEIN | COLLECTION FRAC CENTRE Architect (1927 - 2004) Ionel Schein is one of the leading figures in the field of experimental architecture in France. A student of Le Corbusier and friend of Claude Parent, in 1955 he invented the first “all-plastic house.”. Schein was a major influence in the field ofarchitectural
MAISON DRUSCH, VERSAILLES The Drusch House marks a decisive step in Claude Parent’s approach in that it brought the dynamism of the volumes into reality by introducing the diagonal. Built for industrialist Gaston Drusch on a narrow plot of land of approximately 1 200 m² on the edge of the Forest of Versailles, the house is composed of two major parts, one designed for the living area, the other, more classic oneA SIMPLE HEART
A Simple Heart, 2002-2009. Through its project A Simple Heart, inspired by and named after Flaubert’s famous novel, Un cœur simple, DOGMA takes a stand against the city of entertainment and artifice by placing the “workers” at the heart of urban organization. For this project, DOGMA sought to insert a wall around an existing part of the LIVING POD | GREENE | COLLECTION FRAC CENTRE Living Pod, 1965-1967. When David Greene designed the Living Pod in 1966, mankind had not yet walked on the moon, but the “pod” was already a broadly present theme in architectural research. The possibility of designing an object that could serve as both vehicle and habitat, capable of resisting harsh or unknown environments bysimulating
ARCHITECTURE RADICALE Architecture radicale. Entre 1966 et 1974 se développe en Europe un courant contestataire, qui ouvre l’architecture à des pratiques conceptuelles et artistiques, affranchies de toute finalité constructive. Si le critique d’art italien Germano Celant est lepremier en 1972
ARCHITECTURAL BEAST
Architectural Beast, 2019. In every process of evolution, there is a period of extreme contamination that lends the possibility for the trajectories of species to begin mutating. In the last thirty years, design has experienced multiple paradigm shifts generated by an eruption of new methodologies. These were derived mainly from newNO-STOP CITY
No-Stop City, 1969. Projet d'Andrea Branzi. Modèle d’urbanisation globale, No-Stop City est un projet théorique publié pour la première fois dans la revue Casabella en 1970 sous le titre : « Ville chaîne de montage du social, idéologie et théorie de la métropole ». Il met en œuvre «SUPERSTUDIO
Superstudio. Life after Architecture is the first major exhibition in France dedicated to the work of this Italian group. The exhibition will present the most significant artworks over the entire floor area of the Frac Centre-Val de Loire (1 000 square metres). CHANÉAC | COLLECTION FRAC CENTRE Chanéac was a major figure of the experimental architecture of the 1960s and 1970s. From 1958 onward he advocated the “free and open placement of individual, adaptable and mobile pods,” exploring the visual richness of organic forms and working towards a habitat designed for the greatest number. ARCHITECTURE PRINCIPE Bringing together the architect Claude Parent and the philosopher and urbanist Paul Virilio, Architecture Principe left its mark on the history of architecture through the experimental nature of its proposals and the subversive inspiration that was its driving force, working against the architecture of the period and all forms of intellectual conformism. ZEVACO | COLLECTION FRAC CENTRE An accomplished assimilator of forms, Jean-François Zevaco, was a French architect who practiced in Morocco. He opened his office in Casablanca in 1947, in the context of the reconstruction of post-war France, the rise of a new generation of architects in Morocco and the presence of Michel Ecochard as head of the Morocco Department ofUrbanism.
RAUMSTADT | SCHULZE-FIELITZ | COLLECTION FRAC CENTRE Raumstadt, 1959. In 1959, Eckhard Shulze-Fielitz tried his structural approach out on urban reality. One year after Yona Friedman’s Ville spatiale, he, in his turn, presented a flexible urban structure, adaptable to all locations, based on a modular system made up of bars, main structures and standardized units. | EMMERICH | COLLECTION FRAC CENTRETRANSLATE THIS PAGE Lookout Model, 1988; Maquette; Bois aggloméré, aluminium, peinture; 149 x 153 x 50 cm; Inscription : "Outside, but this part is hidden by box" au dessous de l'oeuvre | EMMERICH | COLLECTION FRAC CENTRETRANSLATE THIS PAGE Théâtre, Externat Sainte-Marie, La Solitude, Lyon, 1997; Coupe transversale modifiée, éch. 1:100; Dessin; Encre sur calque; 29.7 x 41.9 cm; Inscription : 17 mars 1997 | EMMERICH | COLLECTION FRAC CENTRETRANSLATE THIS PAGE Villas en bande, Agadir, 1963; Plans type, façade, coupes, éch. 1:50; Dessin; Crayon graphite, crayon de couleur et encre sur calque;70.6 x 106.9 cm
BREADING SPACE, BIENNALE D'ART CONTEMPORAIN DE …TRANSLATE THIS PAGE Breading Space, 2019; Maquette; Kombucha (culture symbiotique de bactéries et de levures), impression 3D, leds, bois, tissus, alimentation électrique COLLECTION FRAC CENTRETRANSLATE THIS PAGE Inscription à notre newsletterBERLIN CITY EDGE
Designed in 1987, before the fall of the Berlin Wall, Berlin City Edge comprises two models on the scale of 1/100 and four computer-generated images. The project, designed within the framework of the renewal of the Tiergarten district in West Berlin – a derelict area which had suffered severe damage during the war - weaves a structure bearing the scars of the war into the tight grid of theA SIMPLE HEART
Through its project A Simple Heart, inspired by and named after Flaubert’s famous novel, Un cœur simple, DOGMA takes a stand against the city of entertainment and artifice by placing the “workers” at the heart of urban organization.For this project, DOGMA sought to insert a wall around an existing part of the city, thereby aiming to contain all its capitalistic activities. SCHEIN | COLLECTION FRAC CENTRE Ionel Schein is one of the leading figures in the field of experimental architecture in France. A student of Le Corbusier and friend of Claude Parent, in 1955 he invented the first “all-plastichouse.”
RAUMSTADT | SCHULZE-FIELITZ | COLLECTION FRAC CENTRE In 1959, Eckhard Shulze-Fielitz tried his structural approach out on urban reality. One year after Yona Friedman’s Ville spatiale, he, in his turn, presented a flexible urban structure, adaptable to all locations, based on a modular system made up of bars, main structures and standardized units.“Raumstadt (spatial city) would be the agglomeration of different spatial structures, gradually LIVING POD | GREENE | COLLECTION FRAC CENTRE When David Greene designed the Living Pod in 1966, mankind had not yet walked on the moon, but the “pod” was already a broadly present theme in architectural research.The possibility of designing an object that could serve as both vehicle and habitat, capable of resisting harsh or unknown environments by simulating earth’s atmosphere in a confined space, provided the impetus for a great MAISON DRUSCH, VERSAILLES The Drusch House marks a decisive step in Claude Parent’s approach in that it brought the dynamism of the volumes into reality by introducing the diagonal. Built for industrialist Gaston Drusch on a narrow plot of land of approximately 1 200 m² on the edge of the Forest of Versailles, the house is composed of two major parts, one designed for the living area, the other, more classic one ARCHITECTURE PRINCIPE Bringing together the architect Claude Parent and the philosopher and urbanist Paul Virilio, Architecture Principe left its mark on the history of architecture through the experimental nature of its proposals and the subversive inspiration that was its driving force, working against the architecture of the period and all forms of intellectual conformism. LIBESKIND | COLLECTION FRAC CENTRE The internationally renowned architect Daniel Libeskind is not only a theoretician, scenographer and musician hooked on mathematics, but he is also director of two agencies, one in Berlin and one in New York as well as being a professor responsible for prestigious schools ofarchitecture.
ZEVACO | COLLECTION FRAC CENTRE An accomplished assimilator of forms, Jean-François Zevaco, was a French architect who practiced in Morocco. He opened his office in Casablanca in 1947, in the context of the reconstruction of post-war France, the rise of a new generation of architects in Morocco and the presence of Michel Ecochard as head of the Morocco Department ofUrbanism.
SITE | COLLECTION FRAC CENTRE Proche de l’architecture radicale et du Land Art, James Wines développe dès les années 1960 une recherche sur l'architecture dans son rapport à l’espace environnant, ouvrant la voie à une interaction entre art, technologie et nature. À l’instar de Frederick Law Olmsted, Franck Lloyd Wright et surtout Frederick Kiesler, il envisage l'architecture et le paysage comme participant dBERLIN CITY EDGE
Designed in 1987, before the fall of the Berlin Wall, Berlin City Edge comprises two models on the scale of 1/100 and four computer-generated images. The project, designed within the framework of the renewal of the Tiergarten district in West Berlin – a derelict area which had suffered severe damage during the war - weaves a structure bearing the scars of the war into the tight grid of theA SIMPLE HEART
Through its project A Simple Heart, inspired by and named after Flaubert’s famous novel, Un cœur simple, DOGMA takes a stand against the city of entertainment and artifice by placing the “workers” at the heart of urban organization.For this project, DOGMA sought to insert a wall around an existing part of the city, thereby aiming to contain all its capitalistic activities. SCHEIN | COLLECTION FRAC CENTRE Ionel Schein is one of the leading figures in the field of experimental architecture in France. A student of Le Corbusier and friend of Claude Parent, in 1955 he invented the first “all-plastichouse.”
RAUMSTADT | SCHULZE-FIELITZ | COLLECTION FRAC CENTRE In 1959, Eckhard Shulze-Fielitz tried his structural approach out on urban reality. One year after Yona Friedman’s Ville spatiale, he, in his turn, presented a flexible urban structure, adaptable to all locations, based on a modular system made up of bars, main structures and standardized units.“Raumstadt (spatial city) would be the agglomeration of different spatial structures, gradually LIVING POD | GREENE | COLLECTION FRAC CENTRE When David Greene designed the Living Pod in 1966, mankind had not yet walked on the moon, but the “pod” was already a broadly present theme in architectural research.The possibility of designing an object that could serve as both vehicle and habitat, capable of resisting harsh or unknown environments by simulating earth’s atmosphere in a confined space, provided the impetus for a great MAISON DRUSCH, VERSAILLES The Drusch House marks a decisive step in Claude Parent’s approach in that it brought the dynamism of the volumes into reality by introducing the diagonal. Built for industrialist Gaston Drusch on a narrow plot of land of approximately 1 200 m² on the edge of the Forest of Versailles, the house is composed of two major parts, one designed for the living area, the other, more classic one ARCHITECTURE PRINCIPE Bringing together the architect Claude Parent and the philosopher and urbanist Paul Virilio, Architecture Principe left its mark on the history of architecture through the experimental nature of its proposals and the subversive inspiration that was its driving force, working against the architecture of the period and all forms of intellectual conformism. LIBESKIND | COLLECTION FRAC CENTRE The internationally renowned architect Daniel Libeskind is not only a theoretician, scenographer and musician hooked on mathematics, but he is also director of two agencies, one in Berlin and one in New York as well as being a professor responsible for prestigious schools ofarchitecture.
ZEVACO | COLLECTION FRAC CENTRE An accomplished assimilator of forms, Jean-François Zevaco, was a French architect who practiced in Morocco. He opened his office in Casablanca in 1947, in the context of the reconstruction of post-war France, the rise of a new generation of architects in Morocco and the presence of Michel Ecochard as head of the Morocco Department ofUrbanism.
SITE | COLLECTION FRAC CENTRE Proche de l’architecture radicale et du Land Art, James Wines développe dès les années 1960 une recherche sur l'architecture dans son rapport à l’espace environnant, ouvrant la voie à une interaction entre art, technologie et nature. À l’instar de Frederick Law Olmsted, Franck Lloyd Wright et surtout Frederick Kiesler, il envisage l'architecture et le paysage comme participant dFRAC CENTRE
Au Frac. Quand la forme parle Le Frac Centre-Val de Loire accueille les Nouveaux courants architecturaux au Japon (1995-2020) 16/10/202019/09/2021
FRAC CENTRE
At the Frac. When Form Speaks Post-Bubble Japanese Architects (1995-2020) 16/10/2020 19/09/2021 | EMMERICH | COLLECTION FRAC CENTRE Lookout Model, 1988; Maquette; Bois aggloméré, aluminium, peinture; 149 x 153 x 50 cm; Inscription : "Outside, but this part is hidden by box" au dessous de l'oeuvreSUPERSTUDIO
Superstudio. Life after Architecture is the first major exhibition in France dedicated to the work of this Italian group. The exhibition will present the most significant artworks over the entire floor area of the Frac Centre-Val de Loire (1 000 square metres). | EMMERICH | COLLECTION FRAC CENTRE Villas en bande, Agadir, 1963; Plans type, façade, coupes, éch. 1:50; Dessin; Crayon graphite, crayon de couleur et encre sur calque;70.6 x 106.9 cm
| EMMERICH | COLLECTION FRAC CENTRE Théâtre, Externat Sainte-Marie, La Solitude, Lyon, 1997; Coupe transversale modifiée, éch. 1:100; Dessin; Encre sur calque; 29.7 x 41.9 cm; Inscription : 17 mars 1997 COLLECTION FRAC CENTRE Inscription à notre newsletterBERNARD TSCHUMI
This exhibition is a partnership between the Frac and the City of Vierzon. Inaugurated in 2020, the Micro-Folie hosts an exhibition dedicated to the Parc de la Villette by Bernard Tschumi. LIBESKIND | COLLECTION FRAC CENTRE The internationally renowned architect Daniel Libeskind is not only a theoretician, scenographer and musician hooked on mathematics, but he is also director of two agencies, one in Berlin and one in New York as well as being a professor responsible for prestigious schools ofarchitecture.
FUJII | COLLECTION FRAC CENTRE Acknowledged by Peter Eisenman as a precursor of the Deconstructivist movement, the Japanese architect Hiromi Fujii’s experimental research was particularly influenced by European structuralism.* Expositions
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ALGER
ARCHIPEL DES LIBERTÉS04/06/2021
02/01/2022
Au Frac
QUAND LA FORME PARLE LE FRAC CENTRE-VAL DE LOIRE ACCUEILLE LES NOUVEAUX COURANTS ARCHITECTURAUX AU JAPON (1995-2020)16/10/2020
19/09/2021
LA DÉMOCRATIE FÉMINISTE PROGRAMMATION EN LIGNE EN DIRECT DES EXPOSITIONS EN DIRECT : SUSTAINABLE HOUSING 5'17", français, 2021 EN DIRECT : MEDIUM TOTAL 5'34", français, 2021 EN DIRECT : SOLS NATURELS À NOJIRI-KO 8'38", français, 2021 ENTRETIENS AVEC DES ARTISTES ET ARCHITECTESDAPHNÉ BENGOA
1'52", français, 2020LACATON & VASSAL
1'39", français, 2020LAURE TIXIER
1'33", français, 2020NOUVELLES ÉDITIONS
LA COMMUNAUTÉ INAVOUABLE Cet ouvrage est publié à la suite de la première exposition française consacrée à la scène expérimentale espagnole des années 1960-1980, présentée au Frac Centre-Val de Loirel’automne 2018.
ARKHÈ
La collection d'œuvres d'artistes en lien avec l'architecture et de projets d'architectes du Frac Centre-Val de Loire, comme un récit des origines : une relecture des fondements sur lesquels se construit l'expérimentation architecturale depuis le début des années 1950. COLLECTION PAR THÉMATIQUE ARCHITECTURE ET NUMÉRIQUE La pratique de l’architecte connaît depuis la fin des années 1980 une profonde mutation. L’introduction de l’ordinateur et de sa logique de traitement de l’information dans l’architecture a profondément influencé une discipline qui tentait de renouveler ses codes et son langage. ARCHITECTURE-SCULPTURE Ni style, ni mouvement, l’architecture-sculpture réunit un ensemble de démarches architecturales qui se démarquent du fonctionnalisme de l’après-guerre par des formes sculpturales voire biomorphiques. ARCHITECTURE ET NATURE Abordant le thème de l’écologie, du paysage, mais aussi du biomimétisme, de nombreux projets présents dans la collection du Frac Centre-Val de Loire nous donnent à voir un lien étroit entre l’idée de nature et la recherche artistique et architecturale. CONCEVOIR UNE ARCHITECTURE POUR LA COMMUNAUTÉ 2'35, français, 2021* Agenda
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FRAC CENTRE-VAL DE LOIRE 88, rue du Colombier - 45000 Orléans +33 (0)2 38 62 52 00* __
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