Are you over 18 and want to see adult content?
More Annotations
A complete backup of officinadeigiochi.com
Are you over 18 and want to see adult content?
A complete backup of margaritavilleislandhotel.com
Are you over 18 and want to see adult content?
A complete backup of gastrointestinalatlas.com
Are you over 18 and want to see adult content?
Favourite Annotations
A complete backup of travelanddestinations.com
Are you over 18 and want to see adult content?
A complete backup of thejewishstar.com
Are you over 18 and want to see adult content?
A complete backup of nakamoto-accessories.ru
Are you over 18 and want to see adult content?
A complete backup of efulfillmentservice.com
Are you over 18 and want to see adult content?
Text
MARKOLINO DIMOND
If you look up the word “Brujería” in a Spanish/English dictionary the definition in English translates to witchcraft, sorcery and magic. Indeed, magic is the ideal word to describe the enchanting music of Markolino (Mark) Dimond. Just listen to his incredible solos on “Mi Irmita”, “Aguardiente”, “Tiene Sabor”, “Mariquita”, “Yo No Tengo Pena” and “El Barrio”. InCORAZON GUERRERO
Willie Colon Corazón Guerrero The early 1980s were characterized by a musical evolution that ultimately culminated in the development of the phenomenon known as “Romantic Salsa.” Although this new movement was among many musicians, others remained focused on creating new musical styles to keep their followers interested and attract new fans on the Afro-Caribbean music scene. One of the ALGO ESPECIAL PARA RECORDAR Released in 1972, Algo Especial Para Recordar was the last in a series of excellent LPs that the late Cuban diva Celia Cruz and Nuyorican timbalero Tito Puente recorded for the Tico label between the mid-’60s and the early ’70s. Just like previous Celia and Tito efforts like Cuba y Puerto Rico Son (1966) and Quimbo Quimbumbia (1969ORCHESTRA HARLOW
Orchestra Harlow. If you happen to be the kind of music fan who enjoys the textured, somewhat rough, smoky flavor of the Afro-Caribbean albums recorded in New York during the late ’60s and early ’70s, you are bound to be moved deeply by Orchestra Harlow Presenta A Ismael Miranda. Released in 1971 when Miranda was 21 years old, this tightlyHARVEY AVERNE
Harvey turned his back on his artistic career, but he would enjoy even greater success as producer and owner of his own Coco Records label. Fittingly, his recordings from the late ’60s and early ’70s are treasured by collectors. We feel honored to be able to bring youLEBRON BROTHERS
In the early 1960s, the combination of traditional African-American music with Latin beats exploded onto the scene and was adopted by such artists as Joe Cuba, Johnny Colón, Ray Barreto, and The Lebron Brothers, who helped to popularize the exciting genre. The Lebron Brothers were unmistakable due to their interpretive style, which they demonstrated on the album “Salsa y control LARRY HARLOW LA HERENCIA Miranda and I proclaimed our own revolution (with the track “La Revolución”) as the Vietnam War, the Young Lords, the Black Panthers and Woodstock were all happening. Our hair got longer, and our clothing reflected the style of the times. Culled from the Me And My Monkey album, “El Malecón” was a huge hit for OrchestraHarlow.
TITO RODRIGUEZ & HIS ORCHESTRA – MAMBO MADNESS Tito’s album “Mambo Madness” and the immediate acceptance it received by the Mambo-nicks who embraced this craze proved to have successful results. Tito’s career began In New York when, as a seventeen year old, was hired as a singer and bongocero for the orchestra of Eric Madriguera. In 1941, he recorded “Amor Guajiro“,“Acércate
THE OFFICIAL FANIA RECORDS WEBSITE In 1967, Alegre Records released an album that pro. Legends only. Celia Cruz and Tito Puente in NYC. Arguably, this album kick-started the success that. Our favorite duo salsero repping the limited editi. We’re celebrating Ray Barretto’s birthday with. On this day in FANIA RECORDS ARTISTS Fania All Stars. Harvey Averne. Hector Lavoe. Impacto Crea. Ismael Miranda. Ismael Quintana. Ismael Rivera. Load More (35) Stay up to date on the latest from Victory Records.MARKOLINO DIMOND
If you look up the word “Brujería” in a Spanish/English dictionary the definition in English translates to witchcraft, sorcery and magic. Indeed, magic is the ideal word to describe the enchanting music of Markolino (Mark) Dimond. Just listen to his incredible solos on “Mi Irmita”, “Aguardiente”, “Tiene Sabor”, “Mariquita”, “Yo No Tengo Pena” and “El Barrio”. InCORAZON GUERRERO
Willie Colon Corazón Guerrero The early 1980s were characterized by a musical evolution that ultimately culminated in the development of the phenomenon known as “Romantic Salsa.” Although this new movement was among many musicians, others remained focused on creating new musical styles to keep their followers interested and attract new fans on the Afro-Caribbean music scene. One of the ALGO ESPECIAL PARA RECORDAR Released in 1972, Algo Especial Para Recordar was the last in a series of excellent LPs that the late Cuban diva Celia Cruz and Nuyorican timbalero Tito Puente recorded for the Tico label between the mid-’60s and the early ’70s. Just like previous Celia and Tito efforts like Cuba y Puerto Rico Son (1966) and Quimbo Quimbumbia (1969ORCHESTRA HARLOW
Orchestra Harlow. If you happen to be the kind of music fan who enjoys the textured, somewhat rough, smoky flavor of the Afro-Caribbean albums recorded in New York during the late ’60s and early ’70s, you are bound to be moved deeply by Orchestra Harlow Presenta A Ismael Miranda. Released in 1971 when Miranda was 21 years old, this tightlyHARVEY AVERNE
Harvey turned his back on his artistic career, but he would enjoy even greater success as producer and owner of his own Coco Records label. Fittingly, his recordings from the late ’60s and early ’70s are treasured by collectors. We feel honored to be able to bring youLEBRON BROTHERS
In the early 1960s, the combination of traditional African-American music with Latin beats exploded onto the scene and was adopted by such artists as Joe Cuba, Johnny Colón, Ray Barreto, and The Lebron Brothers, who helped to popularize the exciting genre. The Lebron Brothers were unmistakable due to their interpretive style, which they demonstrated on the album “Salsa y control LARRY HARLOW LA HERENCIA Miranda and I proclaimed our own revolution (with the track “La Revolución”) as the Vietnam War, the Young Lords, the Black Panthers and Woodstock were all happening. Our hair got longer, and our clothing reflected the style of the times. Culled from the Me And My Monkey album, “El Malecón” was a huge hit for OrchestraHarlow.
TITO RODRIGUEZ & HIS ORCHESTRA – MAMBO MADNESS Tito’s album “Mambo Madness” and the immediate acceptance it received by the Mambo-nicks who embraced this craze proved to have successful results. Tito’s career began In New York when, as a seventeen year old, was hired as a singer and bongocero for the orchestra of Eric Madriguera. In 1941, he recorded “Amor Guajiro“,“Acércate
GREATEST HITS
Greatest Hits. Condensed together in one single disc, the greatest hits by the legendary orchestra known as the Fania All Stars paint a vivid picture – in bold, stark colors – of the salsa explosion that shook Latin music during the ’70s and ’80s. The concept itself sounds hopelessly naive: ACID | FANIA RECORDS He formed a conjunto, a small Cuban-style dance band, with two trumpets and a rhythm section. “Jerry Masucci of Fania sought me out and the time was right. The title, Acid, was his idea.”. By 1966 a new sound had appeared on the New York dance music scene—Latin Boogaloo. A unique combination of son montuno, cha-cha-cha and R&B,this new
I LIKE IT LIKE THAT
What’s more, their signature song and biggest hit, I Like It Like That (A Mi Me Gusta Así is the quintessential boogaloo tune of all time, the heart and soul of that exciting, and somehow prophetic, crossover outburst. Boogaloo has been called the “first Nuyorican music.”. That’s because New York born-and-bred Ricans were gettingSTRIKES BACK
STRIKES BACK. In March of 1986, Hector Lavoe and Willie Colón got together to produce two albums that, after the resounding success and extraordinary reception of their concerts at carnivals in Panama, led to numerous appearances and concerts throughout the 1990s. Songs like “Loco”, “Ponce”, Las Flores Del Campo, Son Los CelosSANTOS COLON
Santos Colón soon became an integral part of the Puente band, touring the world and recording dozens of albums during the ensuing 17 years. In 1969, Santos Colón recorded his first solo album, A Portrait of Santos, for Fania Records and producer Richard Marin, who wisely elected to draw on the musical prowess of Puente for the album’s EL QUE LA HACE LA PAGA Recorded in 1982, El Que La Hace La Paga is the transitional LP that Blades churned out in between his masterpieces for Fania and Elektra. A pleasant, low-key record, it features a swinging band, marked by its nimble percussion section and lush trombone riffs.ANGEL CANALES
CYBER WEEKEND SALE | Use code FANIACYBER20 for 20% off your order. Storewide excluding bundles. Valid through November 30th, 11:59pm ET.ANGEL CANALES
Details Product expected to ship by street date, August 27, 2021. • Printed on Bella + Canvas 100% Cotton (Cardinal Red)ANGEL CANALES
Details Product expected to ship by street date, August 27, 2021. Bundle includes Sabor, on 180-gram black vinyl, and a Cardinal Red T-shirt featuring the Sabor center label album art. Originally released in 1975 on Alegre Records, Sabor is a one-of-a-kind salsa album that made Angel Canales a star and is cherished to this day as an Afro-Caribbean classic! Canales introduceshis
LEBRON BROTHERS
In the early 1960s, the combination of traditional African-American music with Latin beats exploded onto the scene and was adopted by such artists as Joe Cuba, Johnny Colón, Ray Barreto, and The Lebron Brothers, who helped to popularize the exciting genre. The Lebron Brothers were unmistakable due to their interpretive style, which they demonstrated on the album “Salsa y control THE OFFICIAL FANIA RECORDS WEBSITE In 1967, Alegre Records released an album that pro. Legends only. Celia Cruz and Tito Puente in NYC. Arguably, this album kick-started the success that. Our favorite duo salsero repping the limited editi. We’re celebrating Ray Barretto’s birthday with. On this day in FANIA RECORDS ARTISTS Fania All Stars. Harvey Averne. Hector Lavoe. Impacto Crea. Ismael Miranda. Ismael Quintana. Ismael Rivera. Load More (35) Stay up to date on the latest from Victory Records.MARKOLINO DIMOND
If you look up the word “Brujería” in a Spanish/English dictionary the definition in English translates to witchcraft, sorcery and magic. Indeed, magic is the ideal word to describe the enchanting music of Markolino (Mark) Dimond. Just listen to his incredible solos on “Mi Irmita”, “Aguardiente”, “Tiene Sabor”, “Mariquita”, “Yo No Tengo Pena” and “El Barrio”. InCORAZON GUERRERO
Willie Colon Corazón Guerrero The early 1980s were characterized by a musical evolution that ultimately culminated in the development of the phenomenon known as “Romantic Salsa.” Although this new movement was among many musicians, others remained focused on creating new musical styles to keep their followers interested and attract new fans on the Afro-Caribbean music scene. One of the ALGO ESPECIAL PARA RECORDAR Released in 1972, Algo Especial Para Recordar was the last in a series of excellent LPs that the late Cuban diva Celia Cruz and Nuyorican timbalero Tito Puente recorded for the Tico label between the mid-’60s and the early ’70s. Just like previous Celia and Tito efforts like Cuba y Puerto Rico Son (1966) and Quimbo Quimbumbia (1969ORCHESTRA HARLOW
Orchestra Harlow. If you happen to be the kind of music fan who enjoys the textured, somewhat rough, smoky flavor of the Afro-Caribbean albums recorded in New York during the late ’60s and early ’70s, you are bound to be moved deeply by Orchestra Harlow Presenta A Ismael Miranda. Released in 1971 when Miranda was 21 years old, this tightlyHARVEY AVERNE
Harvey turned his back on his artistic career, but he would enjoy even greater success as producer and owner of his own Coco Records label. Fittingly, his recordings from the late ’60s and early ’70s are treasured by collectors. We feel honored to be able to bring youLEBRON BROTHERS
In the early 1960s, the combination of traditional African-American music with Latin beats exploded onto the scene and was adopted by such artists as Joe Cuba, Johnny Colón, Ray Barreto, and The Lebron Brothers, who helped to popularize the exciting genre. The Lebron Brothers were unmistakable due to their interpretive style, which they demonstrated on the album “Salsa y control LARRY HARLOW LA HERENCIA Miranda and I proclaimed our own revolution (with the track “La Revolución”) as the Vietnam War, the Young Lords, the Black Panthers and Woodstock were all happening. Our hair got longer, and our clothing reflected the style of the times. Culled from the Me And My Monkey album, “El Malecón” was a huge hit for OrchestraHarlow.
TITO RODRIGUEZ & HIS ORCHESTRA – MAMBO MADNESS Tito’s album “Mambo Madness” and the immediate acceptance it received by the Mambo-nicks who embraced this craze proved to have successful results. Tito’s career began In New York when, as a seventeen year old, was hired as a singer and bongocero for the orchestra of Eric Madriguera. In 1941, he recorded “Amor Guajiro“,“Acércate
THE OFFICIAL FANIA RECORDS WEBSITE In 1967, Alegre Records released an album that pro. Legends only. Celia Cruz and Tito Puente in NYC. Arguably, this album kick-started the success that. Our favorite duo salsero repping the limited editi. We’re celebrating Ray Barretto’s birthday with. On this day in FANIA RECORDS ARTISTS Fania All Stars. Harvey Averne. Hector Lavoe. Impacto Crea. Ismael Miranda. Ismael Quintana. Ismael Rivera. Load More (35) Stay up to date on the latest from Victory Records.MARKOLINO DIMOND
If you look up the word “Brujería” in a Spanish/English dictionary the definition in English translates to witchcraft, sorcery and magic. Indeed, magic is the ideal word to describe the enchanting music of Markolino (Mark) Dimond. Just listen to his incredible solos on “Mi Irmita”, “Aguardiente”, “Tiene Sabor”, “Mariquita”, “Yo No Tengo Pena” and “El Barrio”. InCORAZON GUERRERO
Willie Colon Corazón Guerrero The early 1980s were characterized by a musical evolution that ultimately culminated in the development of the phenomenon known as “Romantic Salsa.” Although this new movement was among many musicians, others remained focused on creating new musical styles to keep their followers interested and attract new fans on the Afro-Caribbean music scene. One of the ALGO ESPECIAL PARA RECORDAR Released in 1972, Algo Especial Para Recordar was the last in a series of excellent LPs that the late Cuban diva Celia Cruz and Nuyorican timbalero Tito Puente recorded for the Tico label between the mid-’60s and the early ’70s. Just like previous Celia and Tito efforts like Cuba y Puerto Rico Son (1966) and Quimbo Quimbumbia (1969ORCHESTRA HARLOW
Orchestra Harlow. If you happen to be the kind of music fan who enjoys the textured, somewhat rough, smoky flavor of the Afro-Caribbean albums recorded in New York during the late ’60s and early ’70s, you are bound to be moved deeply by Orchestra Harlow Presenta A Ismael Miranda. Released in 1971 when Miranda was 21 years old, this tightlyHARVEY AVERNE
Harvey turned his back on his artistic career, but he would enjoy even greater success as producer and owner of his own Coco Records label. Fittingly, his recordings from the late ’60s and early ’70s are treasured by collectors. We feel honored to be able to bring youLEBRON BROTHERS
In the early 1960s, the combination of traditional African-American music with Latin beats exploded onto the scene and was adopted by such artists as Joe Cuba, Johnny Colón, Ray Barreto, and The Lebron Brothers, who helped to popularize the exciting genre. The Lebron Brothers were unmistakable due to their interpretive style, which they demonstrated on the album “Salsa y control LARRY HARLOW LA HERENCIA Miranda and I proclaimed our own revolution (with the track “La Revolución”) as the Vietnam War, the Young Lords, the Black Panthers and Woodstock were all happening. Our hair got longer, and our clothing reflected the style of the times. Culled from the Me And My Monkey album, “El Malecón” was a huge hit for OrchestraHarlow.
TITO RODRIGUEZ & HIS ORCHESTRA – MAMBO MADNESS Tito’s album “Mambo Madness” and the immediate acceptance it received by the Mambo-nicks who embraced this craze proved to have successful results. Tito’s career began In New York when, as a seventeen year old, was hired as a singer and bongocero for the orchestra of Eric Madriguera. In 1941, he recorded “Amor Guajiro“,“Acércate
GREATEST HITS
Greatest Hits. Condensed together in one single disc, the greatest hits by the legendary orchestra known as the Fania All Stars paint a vivid picture – in bold, stark colors – of the salsa explosion that shook Latin music during the ’70s and ’80s. The concept itself sounds hopelessly naive: ACID | FANIA RECORDS He formed a conjunto, a small Cuban-style dance band, with two trumpets and a rhythm section. “Jerry Masucci of Fania sought me out and the time was right. The title, Acid, was his idea.”. By 1966 a new sound had appeared on the New York dance music scene—Latin Boogaloo. A unique combination of son montuno, cha-cha-cha and R&B,this new
I LIKE IT LIKE THAT
What’s more, their signature song and biggest hit, I Like It Like That (A Mi Me Gusta Así is the quintessential boogaloo tune of all time, the heart and soul of that exciting, and somehow prophetic, crossover outburst. Boogaloo has been called the “first Nuyorican music.”. That’s because New York born-and-bred Ricans were gettingSTRIKES BACK
STRIKES BACK. In March of 1986, Hector Lavoe and Willie Colón got together to produce two albums that, after the resounding success and extraordinary reception of their concerts at carnivals in Panama, led to numerous appearances and concerts throughout the 1990s. Songs like “Loco”, “Ponce”, Las Flores Del Campo, Son Los CelosSANTOS COLON
Santos Colón soon became an integral part of the Puente band, touring the world and recording dozens of albums during the ensuing 17 years. In 1969, Santos Colón recorded his first solo album, A Portrait of Santos, for Fania Records and producer Richard Marin, who wisely elected to draw on the musical prowess of Puente for the album’s EL QUE LA HACE LA PAGA Recorded in 1982, El Que La Hace La Paga is the transitional LP that Blades churned out in between his masterpieces for Fania and Elektra. A pleasant, low-key record, it features a swinging band, marked by its nimble percussion section and lush trombone riffs.ANGEL CANALES
CYBER WEEKEND SALE | Use code FANIACYBER20 for 20% off your order. Storewide excluding bundles. Valid through November 30th, 11:59pm ET.ANGEL CANALES
Details Product expected to ship by street date, August 27, 2021. • Printed on Bella + Canvas 100% Cotton (Cardinal Red)ANGEL CANALES
Details Product expected to ship by street date, August 27, 2021. Bundle includes Sabor, on 180-gram black vinyl, and a Cardinal Red T-shirt featuring the Sabor center label album art. Originally released in 1975 on Alegre Records, Sabor is a one-of-a-kind salsa album that made Angel Canales a star and is cherished to this day as an Afro-Caribbean classic! Canales introduceshis
LEBRON BROTHERS
In the early 1960s, the combination of traditional African-American music with Latin beats exploded onto the scene and was adopted by such artists as Joe Cuba, Johnny Colón, Ray Barreto, and The Lebron Brothers, who helped to popularize the exciting genre. The Lebron Brothers were unmistakable due to their interpretive style, which they demonstrated on the album “Salsa y control THE OFFICIAL FANIA RECORDS WEBSITE In 1967, Alegre Records released an album that pro. Legends only. Celia Cruz and Tito Puente in NYC. Arguably, this album kick-started the success that. Our favorite duo salsero repping the limited editi. We’re celebrating Ray Barretto’s birthday with. On this day in MACHITO | FANIA RECORDS Machito. He is one of the most criminally underrated artists in the landscape of Afro-Caribbean music. A musical genius and mercurial bandleader whom Tito Puente himself called el maestro – the master. Now, this volume in the La Herencia series allows us to rediscover and cherish the legacy of GUASASA | FANIA RECORDS GUASASA. The 1989 album “Guasasa” is the last studio album for the Fania Six, the Fania All Stars offshoot created in 1976 by Columbia Records for marketing purposes. It features their rhythm section comprised of: Johnny Pacheco, Ray Barretto, Bobby Valentín, Roberto Roena, Nicky Marrero and virtuoso pianist Papo Lucca.STRIKES BACK
STRIKES BACK. In March of 1986, Hector Lavoe and Willie Colón got together to produce two albums that, after the resounding success and extraordinary reception of their concerts at carnivals in Panama, led to numerous appearances and concerts throughout the 1990s. Songs like “Loco”, “Ponce”, Las Flores Del Campo, Son Los CelosMARKOLINO DIMOND
If you look up the word “Brujería” in a Spanish/English dictionary the definition in English translates to witchcraft, sorcery and magic. Indeed, magic is the ideal word to describe the enchanting music of Markolino (Mark) Dimond. Just listen to his incredible solos on “Mi Irmita”, “Aguardiente”, “Tiene Sabor”, “Mariquita”, “Yo No Tengo Pena” and “El Barrio”. InADALBERTO SANTIAGO
Santiago caught the eye of Ray Barretto, who asked him to join his band. While he was working with Chuíto and Barretto, Santiago collaborated with other groups on various albums, including several on the Fania Records label: “Adalberto Santiago,” “Calidad,” “Feliz me siento,” and “Popeye el marino.”. These albumsboasted
ALGO ESPECIAL PARA RECORDAR Released in 1972, Algo Especial Para Recordar was the last in a series of excellent LPs that the late Cuban diva Celia Cruz and Nuyorican timbalero Tito Puente recorded for the Tico label between the mid-’60s and the early ’70s. Just like previous Celia and Tito efforts like Cuba y Puerto Rico Son (1966) and Quimbo Quimbumbia (1969ORCHESTRA HARLOW
Orchestra Harlow. If you happen to be the kind of music fan who enjoys the textured, somewhat rough, smoky flavor of the Afro-Caribbean albums recorded in New York during the late ’60s and early ’70s, you are bound to be moved deeply by Orchestra Harlow Presenta A Ismael Miranda. Released in 1971 when Miranda was 21 years old, this tightlyLEBRON BROTHERS
In the early 1960s, the combination of traditional African-American music with Latin beats exploded onto the scene and was adopted by such artists as Joe Cuba, Johnny Colón, Ray Barreto, and The Lebron Brothers, who helped to popularize the exciting genre. The Lebron Brothers were unmistakable due to their interpretive style, which they demonstrated on the album “Salsa y controlTITO PUENTE JAZZ
Born to Puerto Rican parents in NYC’s Harlem Hospital on April 20, 1921, Ernest Anthony Puente Jr. (not Ernesto or Antonio, as has been incorrectly stated by many) was a towering figure who revolutionized the role of percussion and jazz arranging techniques in Afro-Cuban music. A product of his environment, Puente, who passed away in NYC on THE OFFICIAL FANIA RECORDS WEBSITE In 1967, Alegre Records released an album that pro. Legends only. Celia Cruz and Tito Puente in NYC. Arguably, this album kick-started the success that. Our favorite duo salsero repping the limited editi. We’re celebrating Ray Barretto’s birthday with. On this day in MACHITO | FANIA RECORDS Machito. He is one of the most criminally underrated artists in the landscape of Afro-Caribbean music. A musical genius and mercurial bandleader whom Tito Puente himself called el maestro – the master. Now, this volume in the La Herencia series allows us to rediscover and cherish the legacy of GUASASA | FANIA RECORDS GUASASA. The 1989 album “Guasasa” is the last studio album for the Fania Six, the Fania All Stars offshoot created in 1976 by Columbia Records for marketing purposes. It features their rhythm section comprised of: Johnny Pacheco, Ray Barretto, Bobby Valentín, Roberto Roena, Nicky Marrero and virtuoso pianist Papo Lucca.STRIKES BACK
STRIKES BACK. In March of 1986, Hector Lavoe and Willie Colón got together to produce two albums that, after the resounding success and extraordinary reception of their concerts at carnivals in Panama, led to numerous appearances and concerts throughout the 1990s. Songs like “Loco”, “Ponce”, Las Flores Del Campo, Son Los CelosMARKOLINO DIMOND
If you look up the word “Brujería” in a Spanish/English dictionary the definition in English translates to witchcraft, sorcery and magic. Indeed, magic is the ideal word to describe the enchanting music of Markolino (Mark) Dimond. Just listen to his incredible solos on “Mi Irmita”, “Aguardiente”, “Tiene Sabor”, “Mariquita”, “Yo No Tengo Pena” and “El Barrio”. InADALBERTO SANTIAGO
Santiago caught the eye of Ray Barretto, who asked him to join his band. While he was working with Chuíto and Barretto, Santiago collaborated with other groups on various albums, including several on the Fania Records label: “Adalberto Santiago,” “Calidad,” “Feliz me siento,” and “Popeye el marino.”. These albumsboasted
ALGO ESPECIAL PARA RECORDAR Released in 1972, Algo Especial Para Recordar was the last in a series of excellent LPs that the late Cuban diva Celia Cruz and Nuyorican timbalero Tito Puente recorded for the Tico label between the mid-’60s and the early ’70s. Just like previous Celia and Tito efforts like Cuba y Puerto Rico Son (1966) and Quimbo Quimbumbia (1969ORCHESTRA HARLOW
Orchestra Harlow. If you happen to be the kind of music fan who enjoys the textured, somewhat rough, smoky flavor of the Afro-Caribbean albums recorded in New York during the late ’60s and early ’70s, you are bound to be moved deeply by Orchestra Harlow Presenta A Ismael Miranda. Released in 1971 when Miranda was 21 years old, this tightlyLEBRON BROTHERS
In the early 1960s, the combination of traditional African-American music with Latin beats exploded onto the scene and was adopted by such artists as Joe Cuba, Johnny Colón, Ray Barreto, and The Lebron Brothers, who helped to popularize the exciting genre. The Lebron Brothers were unmistakable due to their interpretive style, which they demonstrated on the album “Salsa y controlTITO PUENTE JAZZ
Born to Puerto Rican parents in NYC’s Harlem Hospital on April 20, 1921, Ernest Anthony Puente Jr. (not Ernesto or Antonio, as has been incorrectly stated by many) was a towering figure who revolutionized the role of percussion and jazz arranging techniques in Afro-Cuban music. A product of his environment, Puente, who passed away in NYC on FANIA RECORDS ARTISTS Fania All Stars. Harvey Averne. Hector Lavoe. Impacto Crea. Ismael Miranda. Ismael Quintana. Ismael Rivera. Load More (35) Stay up to date on the latest from Victory Records. STORE | FANIA RECORDS The Official Store for Fania Records. Vinyl, merch & more.CD | FANIA RECORDS
CYBER WEEKEND SALE | Use code FANIACYBER20 for 20% off your order. Storewide excluding bundles. Valid through November 30th, 11:59pm ET. ACID | FANIA RECORDS He formed a conjunto, a small Cuban-style dance band, with two trumpets and a rhythm section. “Jerry Masucci of Fania sought me out and the time was right. The title, Acid, was his idea.”. By 1966 a new sound had appeared on the New York dance music scene—Latin Boogaloo. A unique combination of son montuno, cha-cha-cha and R&B,this new
ONLY THEY COULD HAVE MADE THIS ALBUM The ten tracks on this classic session are proof that, indeed, “Only They Could Have Made This Album”. Credits: Willie Colón – Bass Trumpet, Chorus. Leopoldo Pineda – Trombone. Papo Vasquez – Trombone. Lewis Kahn – Trombone. Luis Romero – Timbales. Jose Mangual – Bongo, Percussion, Chorus. Milton Cardona – Conga,Chekere, Chorus.
JAZZ DISPENSARY FEATURED CYBER WEEKEND SALE | Use code FANIACYBER20 for 20% off your order. Storewide excluding bundles. Valid through November 30th, 11:59pm ET. COMMITMENT | FANIA RECORDS Released in 1980, “Commitment” marks Fania All Stars’ formal return to full-time salsa swinging after a bittersweet end to their crossover period under Columbia Records. By this time, a lot had changed for the All Stars. Longtime band-leading stalwarts like Ray Barretto, Willie Colón, Larry Harlow and Bobby Valentín were now gone–the latter no longer a Fania Records act. OthersJAZZ DISPENSARY
CYBER WEEKEND SALE | Use code FANIACYBER20 for 20% off your order. Storewide excluding bundles. Valid through November 30th, 11:59pm ET.CORAZON GUERRERO
Willie Colon Corazón Guerrero The early 1980s were characterized by a musical evolution that ultimately culminated in the development of the phenomenon known as “Romantic Salsa.” Although this new movement was among many musicians, others remained focused on creating new musical styles to keep their followers interested and attract new fans on the Afro-Caribbean music scene. One of theTITO PUENTE JAZZ
Born to Puerto Rican parents in NYC’s Harlem Hospital on April 20, 1921, Ernest Anthony Puente Jr. (not Ernesto or Antonio, as has been incorrectly stated by many) was a towering figure who revolutionized the role of percussion and jazz arranging techniques in Afro-Cuban music. A product of his environment, Puente, who passed away in NYC on THE OFFICIAL FANIA RECORDS WEBSITE In 1967, Alegre Records released an album that pro. Legends only. Celia Cruz and Tito Puente in NYC. Arguably, this album kick-started the success that. Our favorite duo salsero repping the limited editi. We’re celebrating Ray Barretto’s birthday with. On this day in FANIA RECORDS ARTISTS Fania All Stars. Harvey Averne. Hector Lavoe. Impacto Crea. Ismael Miranda. Ismael Quintana. Ismael Rivera. Load More (35) Stay up to date on the latest from Victory Records. ONLY THEY COULD HAVE MADE THIS ALBUM The ten tracks on this classic session are proof that, indeed, “Only They Could Have Made This Album”. Credits: Willie Colón – Bass Trumpet, Chorus. Leopoldo Pineda – Trombone. Papo Vasquez – Trombone. Lewis Kahn – Trombone. Luis Romero – Timbales. Jose Mangual – Bongo, Percussion, Chorus. Milton Cardona – Conga,Chekere, Chorus.
ACID | FANIA RECORDS CYBER WEEKEND SALE | Use code FANIACYBER20 for 20% off your order. Storewide excluding bundles. Valid through November 30th, 11:59pm ET.ORCHESTRA HARLOW
Orchestra Harlow. If you happen to be the kind of music fan who enjoys the textured, somewhat rough, smoky flavor of the Afro-Caribbean albums recorded in New York during the late ’60s and early ’70s, you are bound to be moved deeply by Orchestra Harlow Presenta A Ismael Miranda. Released in 1971 when Miranda was 21 years old, this tightly ALGO ESPECIAL PARA RECORDAR Released in 1972, Algo Especial Para Recordar was the last in a series of excellent LPs that the late Cuban diva Celia Cruz and Nuyorican timbalero Tito Puente recorded for the Tico label between the mid-’60s and the early ’70s. Just like previous Celia and Tito efforts like Cuba y Puerto Rico Son (1966) and Quimbo Quimbumbia (1969SANTOS COLON
Santos Colón soon became an integral part of the Puente band, touring the world and recording dozens of albums during the ensuing 17 years. In 1969, Santos Colón recorded his first solo album, A Portrait of Santos, for Fania Records and producer Richard Marin, who wisely elected to draw on the musical prowess of Puente for the album’sCORAZON GUERRERO
Willie Colon Corazón Guerrero The early 1980s were characterized by a musical evolution that ultimately culminated in the development of the phenomenon known as “Romantic Salsa.” Although this new movement was among many musicians, others remained focused on creating new musical styles to keep their followers interested and attract new fans on the Afro-Caribbean music scene. One of the TITO RODRIGUEZ & HIS ORCHESTRA – MAMBO MADNESS Tito’s album “Mambo Madness” and the immediate acceptance it received by the Mambo-nicks who embraced this craze proved to have successful results. Tito’s career began In New York when, as a seventeen year old, was hired as a singer and bongocero for the orchestra of Eric Madriguera. In 1941, he recorded “Amor Guajiro“,“Acércate
AZUCAR PA' TI
AZUCAR PA’ TI. “Azucar Pa’ Ti (Sugar For You)” has got to be the definitive Eddie Palmieri recording during his early days with La Perfecta . An established band by 1965, La Perfecta made some big noise on the dance floor playing at all the hot venues, including the legendary Palladium. The group rode the pop crest of the charangacraze
THE OFFICIAL FANIA RECORDS WEBSITE In 1967, Alegre Records released an album that pro. Legends only. Celia Cruz and Tito Puente in NYC. Arguably, this album kick-started the success that. Our favorite duo salsero repping the limited editi. We’re celebrating Ray Barretto’s birthday with. On this day in FANIA RECORDS ARTISTS Fania All Stars. Harvey Averne. Hector Lavoe. Impacto Crea. Ismael Miranda. Ismael Quintana. Ismael Rivera. Load More (35) Stay up to date on the latest from Victory Records. ONLY THEY COULD HAVE MADE THIS ALBUM The ten tracks on this classic session are proof that, indeed, “Only They Could Have Made This Album”. Credits: Willie Colón – Bass Trumpet, Chorus. Leopoldo Pineda – Trombone. Papo Vasquez – Trombone. Lewis Kahn – Trombone. Luis Romero – Timbales. Jose Mangual – Bongo, Percussion, Chorus. Milton Cardona – Conga,Chekere, Chorus.
ACID | FANIA RECORDS CYBER WEEKEND SALE | Use code FANIACYBER20 for 20% off your order. Storewide excluding bundles. Valid through November 30th, 11:59pm ET.ORCHESTRA HARLOW
Orchestra Harlow. If you happen to be the kind of music fan who enjoys the textured, somewhat rough, smoky flavor of the Afro-Caribbean albums recorded in New York during the late ’60s and early ’70s, you are bound to be moved deeply by Orchestra Harlow Presenta A Ismael Miranda. Released in 1971 when Miranda was 21 years old, this tightly ALGO ESPECIAL PARA RECORDAR Released in 1972, Algo Especial Para Recordar was the last in a series of excellent LPs that the late Cuban diva Celia Cruz and Nuyorican timbalero Tito Puente recorded for the Tico label between the mid-’60s and the early ’70s. Just like previous Celia and Tito efforts like Cuba y Puerto Rico Son (1966) and Quimbo Quimbumbia (1969SANTOS COLON
Santos Colón soon became an integral part of the Puente band, touring the world and recording dozens of albums during the ensuing 17 years. In 1969, Santos Colón recorded his first solo album, A Portrait of Santos, for Fania Records and producer Richard Marin, who wisely elected to draw on the musical prowess of Puente for the album’sCORAZON GUERRERO
Willie Colon Corazón Guerrero The early 1980s were characterized by a musical evolution that ultimately culminated in the development of the phenomenon known as “Romantic Salsa.” Although this new movement was among many musicians, others remained focused on creating new musical styles to keep their followers interested and attract new fans on the Afro-Caribbean music scene. One of the TITO RODRIGUEZ & HIS ORCHESTRA – MAMBO MADNESS Tito’s album “Mambo Madness” and the immediate acceptance it received by the Mambo-nicks who embraced this craze proved to have successful results. Tito’s career began In New York when, as a seventeen year old, was hired as a singer and bongocero for the orchestra of Eric Madriguera. In 1941, he recorded “Amor Guajiro“,“Acércate
AZUCAR PA' TI
AZUCAR PA’ TI. “Azucar Pa’ Ti (Sugar For You)” has got to be the definitive Eddie Palmieri recording during his early days with La Perfecta . An established band by 1965, La Perfecta made some big noise on the dance floor playing at all the hot venues, including the legendary Palladium. The group rode the pop crest of the charangacraze
STORE | FANIA RECORDS The Official Store for Fania Records. Vinyl, merch & more. ACID | FANIA RECORDS He formed a conjunto, a small Cuban-style dance band, with two trumpets and a rhythm section. “Jerry Masucci of Fania sought me out and the time was right. The title, Acid, was his idea.”. By 1966 a new sound had appeared on the New York dance music scene—Latin Boogaloo. A unique combination of son montuno, cha-cha-cha and R&B,this new
JAZZ DISPENSARY FEATURED CYBER WEEKEND SALE | Use code FANIACYBER20 for 20% off your order. Storewide excluding bundles. Valid through November 30th, 11:59pm ET.JAZZ DISPENSARY
CYBER WEEKEND SALE | Use code FANIACYBER20 for 20% off your order. Storewide excluding bundles. Valid through November 30th, 11:59pm ET.ADALBERTO SANTIAGO
Santiago caught the eye of Ray Barretto, who asked him to join his band. While he was working with Chuíto and Barretto, Santiago collaborated with other groups on various albums, including several on the Fania Records label: “Adalberto Santiago,” “Calidad,” “Feliz me siento,” and “Popeye el marino.”. These albumsboasted
SANTOS COLON
Santos Colón soon became an integral part of the Puente band, touring the world and recording dozens of albums during the ensuing 17 years. In 1969, Santos Colón recorded his first solo album, A Portrait of Santos, for Fania Records and producer Richard Marin, who wisely elected to draw on the musical prowess of Puente for the album’s EL QUE LA HACE LA PAGA Recorded in 1982, El Que La Hace La Paga is the transitional LP that Blades churned out in between his masterpieces for Fania and Elektra. A pleasant, low-key record, it features a swinging band, marked by its nimble percussion section and lush trombone riffs. WILLIE COLÓN & RUBÉN BLADES CYBER WEEKEND SALE | Use code FANIACYBER20 for 20% off your order. Storewide excluding bundles. Valid through November 30th, 11:59pm ET.ANGEL CANALES
Details Product expected to ship by street date, August 27, 2021. Bundle includes Sabor, on 180-gram black vinyl, and a Cardinal Red T-shirt featuring the Sabor center label album art. Originally released in 1975 on Alegre Records, Sabor is a one-of-a-kind salsa album that made Angel Canales a star and is cherished to this day as an Afro-Caribbean classic! Canales introduceshis
ANGEL CANALES
Details Product expected to ship by street date, August 27, 2021. • Printed on Bella + Canvas 100% Cotton (Cardinal Red) THE OFFICIAL FANIA RECORDS WEBSITE In 1967, Alegre Records released an album that pro. Legends only. Celia Cruz and Tito Puente in NYC. Arguably, this album kick-started the success that. Our favorite duo salsero repping the limited editi. We’re celebrating Ray Barretto’s birthday with. On this day in FANIA RECORDS ARTISTS Fania All Stars. Harvey Averne. Hector Lavoe. Impacto Crea. Ismael Miranda. Ismael Quintana. Ismael Rivera. Load More (35) Stay up to date on the latest from Victory Records.STRIKES BACK
STRIKES BACK. In March of 1986, Hector Lavoe and Willie Colón got together to produce two albums that, after the resounding success and extraordinary reception of their concerts at carnivals in Panama, led to numerous appearances and concerts throughout the 1990s. Songs like “Loco”, “Ponce”, Las Flores Del Campo, Son Los Celos GUASASA | FANIA RECORDS GUASASA. The 1989 album “Guasasa” is the last studio album for the Fania Six, the Fania All Stars offshoot created in 1976 by Columbia Records for marketing purposes. It features their rhythm section comprised of: Johnny Pacheco, Ray Barretto, Bobby Valentín, Roberto Roena, Nicky Marrero and virtuoso pianist Papo Lucca. MACHITO | FANIA RECORDS Machito. He is one of the most criminally underrated artists in the landscape of Afro-Caribbean music. A musical genius and mercurial bandleader whom Tito Puente himself called el maestro – the master. Now, this volume in the La Herencia series allows us to rediscover and cherish the legacy ofMARKOLINO DIMOND
If you look up the word “Brujería” in a Spanish/English dictionary the definition in English translates to witchcraft, sorcery and magic. Indeed, magic is the ideal word to describe the enchanting music of Markolino (Mark) Dimond. Just listen to his incredible solos on “Mi Irmita”, “Aguardiente”, “Tiene Sabor”, “Mariquita”, “Yo No Tengo Pena” and “El Barrio”. InORCHESTRA HARLOW
Orchestra Harlow. If you happen to be the kind of music fan who enjoys the textured, somewhat rough, smoky flavor of the Afro-Caribbean albums recorded in New York during the late ’60s and early ’70s, you are bound to be moved deeply by Orchestra Harlow Presenta A Ismael Miranda. Released in 1971 when Miranda was 21 years old, this tightly ALGO ESPECIAL PARA RECORDAR Released in 1972, Algo Especial Para Recordar was the last in a series of excellent LPs that the late Cuban diva Celia Cruz and Nuyorican timbalero Tito Puente recorded for the Tico label between the mid-’60s and the early ’70s. Just like previous Celia and Tito efforts like Cuba y Puerto Rico Son (1966) and Quimbo Quimbumbia (1969LEBRON BROTHERS
In the early 1960s, the combination of traditional African-American music with Latin beats exploded onto the scene and was adopted by such artists as Joe Cuba, Johnny Colón, Ray Barreto, and The Lebron Brothers, who helped to popularize the exciting genre. The Lebron Brothers were unmistakable due to their interpretive style, which they demonstrated on the album “Salsa y controlTITO PUENTE JAZZ
Born to Puerto Rican parents in NYC’s Harlem Hospital on April 20, 1921, Ernest Anthony Puente Jr. (not Ernesto or Antonio, as has been incorrectly stated by many) was a towering figure who revolutionized the role of percussion and jazz arranging techniques in Afro-Cuban music. A product of his environment, Puente, who passed away in NYC on THE OFFICIAL FANIA RECORDS WEBSITE In 1967, Alegre Records released an album that pro. Legends only. Celia Cruz and Tito Puente in NYC. Arguably, this album kick-started the success that. Our favorite duo salsero repping the limited editi. We’re celebrating Ray Barretto’s birthday with. On this day in FANIA RECORDS ARTISTS Fania All Stars. Harvey Averne. Hector Lavoe. Impacto Crea. Ismael Miranda. Ismael Quintana. Ismael Rivera. Load More (35) Stay up to date on the latest from Victory Records.STRIKES BACK
STRIKES BACK. In March of 1986, Hector Lavoe and Willie Colón got together to produce two albums that, after the resounding success and extraordinary reception of their concerts at carnivals in Panama, led to numerous appearances and concerts throughout the 1990s. Songs like “Loco”, “Ponce”, Las Flores Del Campo, Son Los Celos GUASASA | FANIA RECORDS GUASASA. The 1989 album “Guasasa” is the last studio album for the Fania Six, the Fania All Stars offshoot created in 1976 by Columbia Records for marketing purposes. It features their rhythm section comprised of: Johnny Pacheco, Ray Barretto, Bobby Valentín, Roberto Roena, Nicky Marrero and virtuoso pianist Papo Lucca. MACHITO | FANIA RECORDS Machito. He is one of the most criminally underrated artists in the landscape of Afro-Caribbean music. A musical genius and mercurial bandleader whom Tito Puente himself called el maestro – the master. Now, this volume in the La Herencia series allows us to rediscover and cherish the legacy ofMARKOLINO DIMOND
If you look up the word “Brujería” in a Spanish/English dictionary the definition in English translates to witchcraft, sorcery and magic. Indeed, magic is the ideal word to describe the enchanting music of Markolino (Mark) Dimond. Just listen to his incredible solos on “Mi Irmita”, “Aguardiente”, “Tiene Sabor”, “Mariquita”, “Yo No Tengo Pena” and “El Barrio”. InORCHESTRA HARLOW
Orchestra Harlow. If you happen to be the kind of music fan who enjoys the textured, somewhat rough, smoky flavor of the Afro-Caribbean albums recorded in New York during the late ’60s and early ’70s, you are bound to be moved deeply by Orchestra Harlow Presenta A Ismael Miranda. Released in 1971 when Miranda was 21 years old, this tightly ALGO ESPECIAL PARA RECORDAR Released in 1972, Algo Especial Para Recordar was the last in a series of excellent LPs that the late Cuban diva Celia Cruz and Nuyorican timbalero Tito Puente recorded for the Tico label between the mid-’60s and the early ’70s. Just like previous Celia and Tito efforts like Cuba y Puerto Rico Son (1966) and Quimbo Quimbumbia (1969LEBRON BROTHERS
In the early 1960s, the combination of traditional African-American music with Latin beats exploded onto the scene and was adopted by such artists as Joe Cuba, Johnny Colón, Ray Barreto, and The Lebron Brothers, who helped to popularize the exciting genre. The Lebron Brothers were unmistakable due to their interpretive style, which they demonstrated on the album “Salsa y controlTITO PUENTE JAZZ
Born to Puerto Rican parents in NYC’s Harlem Hospital on April 20, 1921, Ernest Anthony Puente Jr. (not Ernesto or Antonio, as has been incorrectly stated by many) was a towering figure who revolutionized the role of percussion and jazz arranging techniques in Afro-Cuban music. A product of his environment, Puente, who passed away in NYC on FANIA RECORDS ARTISTS Fania All Stars. Harvey Averne. Hector Lavoe. Impacto Crea. Ismael Miranda. Ismael Quintana. Ismael Rivera. Load More (35) Stay up to date on the latest from Victory Records. STORE | FANIA RECORDS The Official Store for Fania Records. Vinyl, merch & more.CD | FANIA RECORDS
CYBER WEEKEND SALE | Use code FANIACYBER20 for 20% off your order. Storewide excluding bundles. Valid through November 30th, 11:59pm ET. ACID | FANIA RECORDS He formed a conjunto, a small Cuban-style dance band, with two trumpets and a rhythm section. “Jerry Masucci of Fania sought me out and the time was right. The title, Acid, was his idea.”. By 1966 a new sound had appeared on the New York dance music scene—Latin Boogaloo. A unique combination of son montuno, cha-cha-cha and R&B,this new
LATIN CONNECTION
Latin Connection is a strong album. This reissue gives us a good opportunity to remember the contributions to salsa culture by the late Juancito Torres, Héctor Lavoe, Santos Colón, Celia Cruz, Pete “Conde” Rodríguez, Ismael Rivera, Louie Ramírez and Jerry Masucci. May they rest in peace. Credits Salvador Cuevas – ElectricBass Papo
JAZZ DISPENSARY FEATURED CYBER WEEKEND SALE | Use code FANIACYBER20 for 20% off your order. Storewide excluding bundles. Valid through November 30th, 11:59pm ET.JAZZ DISPENSARY
CYBER WEEKEND SALE | Use code FANIACYBER20 for 20% off your order. Storewide excluding bundles. Valid through November 30th, 11:59pm ET.CHEO FELICIANO
Cheo Feliciano was a well-versed Puerto Rican vocalist who arrived in New York with his family in 1952. He began his career as a percussionist with the Tito Rodriguez orchestra after having played with various bands in El Barrio of New York. He went on to play with various bands until he hooked up with Joe Cuba who was searching for a lead singer for his sextet. WILLIE COLÓN & RUBÉN BLADES Details Standard black vinyl available here. Product expected to ship by street date, August 6, 2021. Pre-order music products are excluded from all discount codes. Emerald Green vinyl, limited to 500 copies worldwide, exclusive to the Fania and Craft Recordings webstores. When Siembra released in 1978, it was the second of four collaborations on Fania Records between salsa giants WILLIE COLÓN & RUBÉN BLADES CYBER WEEKEND SALE | Use code FANIACYBER20 for 20% off your order. Storewide excluding bundles. Valid through November 30th, 11:59pm ET. THE OFFICIAL FANIA RECORDS WEBSITE In 1967, Alegre Records released an album that pro. Legends only. Celia Cruz and Tito Puente in NYC. Arguably, this album kick-started the success that. Our favorite duo salsero repping the limited editi. We’re celebrating Ray Barretto’s birthday with. On this day in FANIA RECORDS ARTISTS Fania All Stars. Harvey Averne. Hector Lavoe. Impacto Crea. Ismael Miranda. Ismael Quintana. Ismael Rivera. Load More (35) Stay up to date on the latest from Victory Records. MACHITO | FANIA RECORDS Machito. He is one of the most criminally underrated artists in the landscape of Afro-Caribbean music. A musical genius and mercurial bandleader whom Tito Puente himself called el maestro – the master. Now, this volume in the La Herencia series allows us to rediscover and cherish the legacy ofSTRIKES BACK
STRIKES BACK. In March of 1986, Hector Lavoe and Willie Colón got together to produce two albums that, after the resounding success and extraordinary reception of their concerts at carnivals in Panama, led to numerous appearances and concerts throughout the 1990s. Songs like “Loco”, “Ponce”, Las Flores Del Campo, Son Los CelosMARKOLINO DIMOND
If you look up the word “Brujería” in a Spanish/English dictionary the definition in English translates to witchcraft, sorcery and magic. Indeed, magic is the ideal word to describe the enchanting music of Markolino (Mark) Dimond. Just listen to his incredible solos on “Mi Irmita”, “Aguardiente”, “Tiene Sabor”, “Mariquita”, “Yo No Tengo Pena” and “El Barrio”. InADALBERTO SANTIAGO
Santiago caught the eye of Ray Barretto, who asked him to join his band. While he was working with Chuíto and Barretto, Santiago collaborated with other groups on various albums, including several on the Fania Records label: “Adalberto Santiago,” “Calidad,” “Feliz me siento,” and “Popeye el marino.”. These albumsboasted
LEBRON BROTHERS
In the early 1960s, the combination of traditional African-American music with Latin beats exploded onto the scene and was adopted by such artists as Joe Cuba, Johnny Colón, Ray Barreto, and The Lebron Brothers, who helped to popularize the exciting genre. The Lebron Brothers were unmistakable due to their interpretive style, which they demonstrated on the album “Salsa y control ALGO ESPECIAL PARA RECORDAR Released in 1972, Algo Especial Para Recordar was the last in a series of excellent LPs that the late Cuban diva Celia Cruz and Nuyorican timbalero Tito Puente recorded for the Tico label between the mid-’60s and the early ’70s. Just like previous Celia and Tito efforts like Cuba y Puerto Rico Son (1966) and Quimbo Quimbumbia (1969CORAZON GUERRERO
Willie Colon Corazón Guerrero The early 1980s were characterized by a musical evolution that ultimately culminated in the development of the phenomenon known as “Romantic Salsa.” Although this new movement was among many musicians, others remained focused on creating new musical styles to keep their followers interested and attract new fans on the Afro-Caribbean music scene. One of theTITO PUENTE JAZZ
Born to Puerto Rican parents in NYC’s Harlem Hospital on April 20, 1921, Ernest Anthony Puente Jr. (not Ernesto or Antonio, as has been incorrectly stated by many) was a towering figure who revolutionized the role of percussion and jazz arranging techniques in Afro-Cuban music. A product of his environment, Puente, who passed away in NYC on THE OFFICIAL FANIA RECORDS WEBSITE In 1967, Alegre Records released an album that pro. Legends only. Celia Cruz and Tito Puente in NYC. Arguably, this album kick-started the success that. Our favorite duo salsero repping the limited editi. We’re celebrating Ray Barretto’s birthday with. On this day in FANIA RECORDS ARTISTS Fania All Stars. Harvey Averne. Hector Lavoe. Impacto Crea. Ismael Miranda. Ismael Quintana. Ismael Rivera. Load More (35) Stay up to date on the latest from Victory Records. MACHITO | FANIA RECORDS Machito. He is one of the most criminally underrated artists in the landscape of Afro-Caribbean music. A musical genius and mercurial bandleader whom Tito Puente himself called el maestro – the master. Now, this volume in the La Herencia series allows us to rediscover and cherish the legacy ofSTRIKES BACK
STRIKES BACK. In March of 1986, Hector Lavoe and Willie Colón got together to produce two albums that, after the resounding success and extraordinary reception of their concerts at carnivals in Panama, led to numerous appearances and concerts throughout the 1990s. Songs like “Loco”, “Ponce”, Las Flores Del Campo, Son Los CelosMARKOLINO DIMOND
If you look up the word “Brujería” in a Spanish/English dictionary the definition in English translates to witchcraft, sorcery and magic. Indeed, magic is the ideal word to describe the enchanting music of Markolino (Mark) Dimond. Just listen to his incredible solos on “Mi Irmita”, “Aguardiente”, “Tiene Sabor”, “Mariquita”, “Yo No Tengo Pena” and “El Barrio”. InADALBERTO SANTIAGO
Santiago caught the eye of Ray Barretto, who asked him to join his band. While he was working with Chuíto and Barretto, Santiago collaborated with other groups on various albums, including several on the Fania Records label: “Adalberto Santiago,” “Calidad,” “Feliz me siento,” and “Popeye el marino.”. These albumsboasted
LEBRON BROTHERS
In the early 1960s, the combination of traditional African-American music with Latin beats exploded onto the scene and was adopted by such artists as Joe Cuba, Johnny Colón, Ray Barreto, and The Lebron Brothers, who helped to popularize the exciting genre. The Lebron Brothers were unmistakable due to their interpretive style, which they demonstrated on the album “Salsa y control ALGO ESPECIAL PARA RECORDAR Released in 1972, Algo Especial Para Recordar was the last in a series of excellent LPs that the late Cuban diva Celia Cruz and Nuyorican timbalero Tito Puente recorded for the Tico label between the mid-’60s and the early ’70s. Just like previous Celia and Tito efforts like Cuba y Puerto Rico Son (1966) and Quimbo Quimbumbia (1969CORAZON GUERRERO
Willie Colon Corazón Guerrero The early 1980s were characterized by a musical evolution that ultimately culminated in the development of the phenomenon known as “Romantic Salsa.” Although this new movement was among many musicians, others remained focused on creating new musical styles to keep their followers interested and attract new fans on the Afro-Caribbean music scene. One of theTITO PUENTE JAZZ
Born to Puerto Rican parents in NYC’s Harlem Hospital on April 20, 1921, Ernest Anthony Puente Jr. (not Ernesto or Antonio, as has been incorrectly stated by many) was a towering figure who revolutionized the role of percussion and jazz arranging techniques in Afro-Cuban music. A product of his environment, Puente, who passed away in NYC on STORE | FANIA RECORDS The Official Store for Fania Records. Vinyl, merch & more. ACID | FANIA RECORDS He formed a conjunto, a small Cuban-style dance band, with two trumpets and a rhythm section. “Jerry Masucci of Fania sought me out and the time was right. The title, Acid, was his idea.”. By 1966 a new sound had appeared on the New York dance music scene—Latin Boogaloo. A unique combination of son montuno, cha-cha-cha and R&B,this new
GUASASA | FANIA RECORDS GUASASA. The 1989 album “Guasasa” is the last studio album for the Fania Six, the Fania All Stars offshoot created in 1976 by Columbia Records for marketing purposes. It features their rhythm section comprised of: Johnny Pacheco, Ray Barretto, Bobby Valentín, Roberto Roena, Nicky Marrero and virtuoso pianist Papo Lucca. WILLIE COLÓN & RUBÉN BLADES Details Standard black vinyl available here. Product expected to ship by street date, August 6, 2021. Pre-order music products are excluded from all discount codes. Emerald Green vinyl, limited to 500 copies worldwide, exclusive to the Fania and Craft Recordings webstores. When Siembra released in 1978, it was the second of four collaborations on Fania Records between salsa giants COMMITMENT | FANIA RECORDS Released in 1980, “Commitment” marks Fania All Stars’ formal return to full-time salsa swinging after a bittersweet end to their crossover period under Columbia Records. By this time, a lot had changed for the All Stars. Longtime band-leading stalwarts like Ray Barretto, Willie Colón, Larry Harlow and Bobby Valentín were now gone–the latter no longer a Fania Records act. OthersLATIN CONNECTION
Latin Connection is a strong album. This reissue gives us a good opportunity to remember the contributions to salsa culture by the late Juancito Torres, Héctor Lavoe, Santos Colón, Celia Cruz, Pete “Conde” Rodríguez, Ismael Rivera, Louie Ramírez and Jerry Masucci. May they rest in peace. Credits Salvador Cuevas – ElectricBass Papo
CORAZON GUERRERO
Willie Colon Corazón Guerrero The early 1980s were characterized by a musical evolution that ultimately culminated in the development of the phenomenon known as “Romantic Salsa.” Although this new movement was among many musicians, others remained focused on creating new musical styles to keep their followers interested and attract new fans on the Afro-Caribbean music scene. One of the WILLIE COLÓN & RUBÉN BLADES CYBER WEEKEND SALE | Use code FANIACYBER20 for 20% off your order. Storewide excluding bundles. Valid through November 30th, 11:59pm ET.HECTOR LAVOE
In 1975, Fania Records decided to launch its singers with the most hits as soloists. Thus began a new phase of Héctor Lavoe’s career, just as brilliant and successful, boasting the release of many albums that are now part of his rich musical legacy. His life was an open book, each page of which documented the tragedy and heartbreak thatTITO PUENTE JAZZ
Born to Puerto Rican parents in NYC’s Harlem Hospital on April 20, 1921, Ernest Anthony Puente Jr. (not Ernesto or Antonio, as has been incorrectly stated by many) was a towering figure who revolutionized the role of percussion and jazz arranging techniques in Afro-Cuban music. A product of his environment, Puente, who passed away in NYC on THE OFFICIAL FANIA RECORDS WEBSITE In 1967, Alegre Records released an album that pro. Legends only. Celia Cruz and Tito Puente in NYC. Arguably, this album kick-started the success that. Our favorite duo salsero repping the limited editi. We’re celebrating Ray Barretto’s birthday with. On this day in FANIA RECORDS ARTISTS Fania All Stars. Harvey Averne. Hector Lavoe. Impacto Crea. Ismael Miranda. Ismael Quintana. Ismael Rivera. Load More (35) Stay up to date on the latest from Victory Records. MACHITO | FANIA RECORDS Machito. He is one of the most criminally underrated artists in the landscape of Afro-Caribbean music. A musical genius and mercurial bandleader whom Tito Puente himself called el maestro – the master. Now, this volume in the La Herencia series allows us to rediscover and cherish the legacy ofSTRIKES BACK
STRIKES BACK. In March of 1986, Hector Lavoe and Willie Colón got together to produce two albums that, after the resounding success and extraordinary reception of their concerts at carnivals in Panama, led to numerous appearances and concerts throughout the 1990s. Songs like “Loco”, “Ponce”, Las Flores Del Campo, Son Los CelosMARKOLINO DIMOND
If you look up the word “Brujería” in a Spanish/English dictionary the definition in English translates to witchcraft, sorcery and magic. Indeed, magic is the ideal word to describe the enchanting music of Markolino (Mark) Dimond. Just listen to his incredible solos on “Mi Irmita”, “Aguardiente”, “Tiene Sabor”, “Mariquita”, “Yo No Tengo Pena” and “El Barrio”. InADALBERTO SANTIAGO
Santiago caught the eye of Ray Barretto, who asked him to join his band. While he was working with Chuíto and Barretto, Santiago collaborated with other groups on various albums, including several on the Fania Records label: “Adalberto Santiago,” “Calidad,” “Feliz me siento,” and “Popeye el marino.”. These albumsboasted
LEBRON BROTHERS
In the early 1960s, the combination of traditional African-American music with Latin beats exploded onto the scene and was adopted by such artists as Joe Cuba, Johnny Colón, Ray Barreto, and The Lebron Brothers, who helped to popularize the exciting genre. The Lebron Brothers were unmistakable due to their interpretive style, which they demonstrated on the album “Salsa y control ALGO ESPECIAL PARA RECORDAR Released in 1972, Algo Especial Para Recordar was the last in a series of excellent LPs that the late Cuban diva Celia Cruz and Nuyorican timbalero Tito Puente recorded for the Tico label between the mid-’60s and the early ’70s. Just like previous Celia and Tito efforts like Cuba y Puerto Rico Son (1966) and Quimbo Quimbumbia (1969CORAZON GUERRERO
Willie Colon Corazón Guerrero The early 1980s were characterized by a musical evolution that ultimately culminated in the development of the phenomenon known as “Romantic Salsa.” Although this new movement was among many musicians, others remained focused on creating new musical styles to keep their followers interested and attract new fans on the Afro-Caribbean music scene. One of theTITO PUENTE JAZZ
Born to Puerto Rican parents in NYC’s Harlem Hospital on April 20, 1921, Ernest Anthony Puente Jr. (not Ernesto or Antonio, as has been incorrectly stated by many) was a towering figure who revolutionized the role of percussion and jazz arranging techniques in Afro-Cuban music. A product of his environment, Puente, who passed away in NYC on THE OFFICIAL FANIA RECORDS WEBSITE In 1967, Alegre Records released an album that pro. Legends only. Celia Cruz and Tito Puente in NYC. Arguably, this album kick-started the success that. Our favorite duo salsero repping the limited editi. We’re celebrating Ray Barretto’s birthday with. On this day in FANIA RECORDS ARTISTS Fania All Stars. Harvey Averne. Hector Lavoe. Impacto Crea. Ismael Miranda. Ismael Quintana. Ismael Rivera. Load More (35) Stay up to date on the latest from Victory Records. MACHITO | FANIA RECORDS Machito. He is one of the most criminally underrated artists in the landscape of Afro-Caribbean music. A musical genius and mercurial bandleader whom Tito Puente himself called el maestro – the master. Now, this volume in the La Herencia series allows us to rediscover and cherish the legacy ofSTRIKES BACK
STRIKES BACK. In March of 1986, Hector Lavoe and Willie Colón got together to produce two albums that, after the resounding success and extraordinary reception of their concerts at carnivals in Panama, led to numerous appearances and concerts throughout the 1990s. Songs like “Loco”, “Ponce”, Las Flores Del Campo, Son Los CelosMARKOLINO DIMOND
If you look up the word “Brujería” in a Spanish/English dictionary the definition in English translates to witchcraft, sorcery and magic. Indeed, magic is the ideal word to describe the enchanting music of Markolino (Mark) Dimond. Just listen to his incredible solos on “Mi Irmita”, “Aguardiente”, “Tiene Sabor”, “Mariquita”, “Yo No Tengo Pena” and “El Barrio”. InADALBERTO SANTIAGO
Santiago caught the eye of Ray Barretto, who asked him to join his band. While he was working with Chuíto and Barretto, Santiago collaborated with other groups on various albums, including several on the Fania Records label: “Adalberto Santiago,” “Calidad,” “Feliz me siento,” and “Popeye el marino.”. These albumsboasted
LEBRON BROTHERS
In the early 1960s, the combination of traditional African-American music with Latin beats exploded onto the scene and was adopted by such artists as Joe Cuba, Johnny Colón, Ray Barreto, and The Lebron Brothers, who helped to popularize the exciting genre. The Lebron Brothers were unmistakable due to their interpretive style, which they demonstrated on the album “Salsa y control ALGO ESPECIAL PARA RECORDAR Released in 1972, Algo Especial Para Recordar was the last in a series of excellent LPs that the late Cuban diva Celia Cruz and Nuyorican timbalero Tito Puente recorded for the Tico label between the mid-’60s and the early ’70s. Just like previous Celia and Tito efforts like Cuba y Puerto Rico Son (1966) and Quimbo Quimbumbia (1969CORAZON GUERRERO
Willie Colon Corazón Guerrero The early 1980s were characterized by a musical evolution that ultimately culminated in the development of the phenomenon known as “Romantic Salsa.” Although this new movement was among many musicians, others remained focused on creating new musical styles to keep their followers interested and attract new fans on the Afro-Caribbean music scene. One of theTITO PUENTE JAZZ
Born to Puerto Rican parents in NYC’s Harlem Hospital on April 20, 1921, Ernest Anthony Puente Jr. (not Ernesto or Antonio, as has been incorrectly stated by many) was a towering figure who revolutionized the role of percussion and jazz arranging techniques in Afro-Cuban music. A product of his environment, Puente, who passed away in NYC on STORE | FANIA RECORDS The Official Store for Fania Records. Vinyl, merch & more. ACID | FANIA RECORDS He formed a conjunto, a small Cuban-style dance band, with two trumpets and a rhythm section. “Jerry Masucci of Fania sought me out and the time was right. The title, Acid, was his idea.”. By 1966 a new sound had appeared on the New York dance music scene—Latin Boogaloo. A unique combination of son montuno, cha-cha-cha and R&B,this new
GUASASA | FANIA RECORDS GUASASA. The 1989 album “Guasasa” is the last studio album for the Fania Six, the Fania All Stars offshoot created in 1976 by Columbia Records for marketing purposes. It features their rhythm section comprised of: Johnny Pacheco, Ray Barretto, Bobby Valentín, Roberto Roena, Nicky Marrero and virtuoso pianist Papo Lucca. WILLIE COLÓN & RUBÉN BLADES Details Standard black vinyl available here. Product expected to ship by street date, August 6, 2021. Pre-order music products are excluded from all discount codes. Emerald Green vinyl, limited to 500 copies worldwide, exclusive to the Fania and Craft Recordings webstores. When Siembra released in 1978, it was the second of four collaborations on Fania Records between salsa giants COMMITMENT | FANIA RECORDS Released in 1980, “Commitment” marks Fania All Stars’ formal return to full-time salsa swinging after a bittersweet end to their crossover period under Columbia Records. By this time, a lot had changed for the All Stars. Longtime band-leading stalwarts like Ray Barretto, Willie Colón, Larry Harlow and Bobby Valentín were now gone–the latter no longer a Fania Records act. OthersLATIN CONNECTION
Latin Connection is a strong album. This reissue gives us a good opportunity to remember the contributions to salsa culture by the late Juancito Torres, Héctor Lavoe, Santos Colón, Celia Cruz, Pete “Conde” Rodríguez, Ismael Rivera, Louie Ramírez and Jerry Masucci. May they rest in peace. Credits Salvador Cuevas – ElectricBass Papo
CORAZON GUERRERO
Willie Colon Corazón Guerrero The early 1980s were characterized by a musical evolution that ultimately culminated in the development of the phenomenon known as “Romantic Salsa.” Although this new movement was among many musicians, others remained focused on creating new musical styles to keep their followers interested and attract new fans on the Afro-Caribbean music scene. One of the WILLIE COLÓN & RUBÉN BLADES CYBER WEEKEND SALE | Use code FANIACYBER20 for 20% off your order. Storewide excluding bundles. Valid through November 30th, 11:59pm ET.HECTOR LAVOE
In 1975, Fania Records decided to launch its singers with the most hits as soloists. Thus began a new phase of Héctor Lavoe’s career, just as brilliant and successful, boasting the release of many albums that are now part of his rich musical legacy. His life was an open book, each page of which documented the tragedy and heartbreak thatTITO PUENTE JAZZ
Born to Puerto Rican parents in NYC’s Harlem Hospital on April 20, 1921, Ernest Anthony Puente Jr. (not Ernesto or Antonio, as has been incorrectly stated by many) was a towering figure who revolutionized the role of percussion and jazz arranging techniques in Afro-Cuban music. A product of his environment, Puente, who passed away in NYC on THE OFFICIAL FANIA RECORDS WEBSITE In 1967, Alegre Records released an album that pro. Legends only. Celia Cruz and Tito Puente in NYC. Arguably, this album kick-started the success that. Our favorite duo salsero repping the limited editi. We’re celebrating Ray Barretto’s birthday with. On this day in FANIA RECORDS ARTISTS Fania All Stars. Harvey Averne. Hector Lavoe. Impacto Crea. Ismael Miranda. Ismael Quintana. Ismael Rivera. Load More (35) Stay up to date on the latest from Victory Records. MACHITO | FANIA RECORDS Machito. He is one of the most criminally underrated artists in the landscape of Afro-Caribbean music. A musical genius and mercurial bandleader whom Tito Puente himself called el maestro – the master. Now, this volume in the La Herencia series allows us to rediscover and cherish the legacy ofSTRIKES BACK
STRIKES BACK. In March of 1986, Hector Lavoe and Willie Colón got together to produce two albums that, after the resounding success and extraordinary reception of their concerts at carnivals in Panama, led to numerous appearances and concerts throughout the 1990s. Songs like “Loco”, “Ponce”, Las Flores Del Campo, Son Los CelosMARKOLINO DIMOND
If you look up the word “Brujería” in a Spanish/English dictionary the definition in English translates to witchcraft, sorcery and magic. Indeed, magic is the ideal word to describe the enchanting music of Markolino (Mark) Dimond. Just listen to his incredible solos on “Mi Irmita”, “Aguardiente”, “Tiene Sabor”, “Mariquita”, “Yo No Tengo Pena” and “El Barrio”. InADALBERTO SANTIAGO
Santiago caught the eye of Ray Barretto, who asked him to join his band. While he was working with Chuíto and Barretto, Santiago collaborated with other groups on various albums, including several on the Fania Records label: “Adalberto Santiago,” “Calidad,” “Feliz me siento,” and “Popeye el marino.”. These albumsboasted
LEBRON BROTHERS
In the early 1960s, the combination of traditional African-American music with Latin beats exploded onto the scene and was adopted by such artists as Joe Cuba, Johnny Colón, Ray Barreto, and The Lebron Brothers, who helped to popularize the exciting genre. The Lebron Brothers were unmistakable due to their interpretive style, which they demonstrated on the album “Salsa y control ALGO ESPECIAL PARA RECORDAR Released in 1972, Algo Especial Para Recordar was the last in a series of excellent LPs that the late Cuban diva Celia Cruz and Nuyorican timbalero Tito Puente recorded for the Tico label between the mid-’60s and the early ’70s. Just like previous Celia and Tito efforts like Cuba y Puerto Rico Son (1966) and Quimbo Quimbumbia (1969CORAZON GUERRERO
Willie Colon Corazón Guerrero The early 1980s were characterized by a musical evolution that ultimately culminated in the development of the phenomenon known as “Romantic Salsa.” Although this new movement was among many musicians, others remained focused on creating new musical styles to keep their followers interested and attract new fans on the Afro-Caribbean music scene. One of theTITO PUENTE JAZZ
Born to Puerto Rican parents in NYC’s Harlem Hospital on April 20, 1921, Ernest Anthony Puente Jr. (not Ernesto or Antonio, as has been incorrectly stated by many) was a towering figure who revolutionized the role of percussion and jazz arranging techniques in Afro-Cuban music. A product of his environment, Puente, who passed away in NYC on THE OFFICIAL FANIA RECORDS WEBSITE In 1967, Alegre Records released an album that pro. Legends only. Celia Cruz and Tito Puente in NYC. Arguably, this album kick-started the success that. Our favorite duo salsero repping the limited editi. We’re celebrating Ray Barretto’s birthday with. On this day in FANIA RECORDS ARTISTS Fania All Stars. Harvey Averne. Hector Lavoe. Impacto Crea. Ismael Miranda. Ismael Quintana. Ismael Rivera. Load More (35) Stay up to date on the latest from Victory Records. MACHITO | FANIA RECORDS Machito. He is one of the most criminally underrated artists in the landscape of Afro-Caribbean music. A musical genius and mercurial bandleader whom Tito Puente himself called el maestro – the master. Now, this volume in the La Herencia series allows us to rediscover and cherish the legacy ofSTRIKES BACK
STRIKES BACK. In March of 1986, Hector Lavoe and Willie Colón got together to produce two albums that, after the resounding success and extraordinary reception of their concerts at carnivals in Panama, led to numerous appearances and concerts throughout the 1990s. Songs like “Loco”, “Ponce”, Las Flores Del Campo, Son Los CelosMARKOLINO DIMOND
If you look up the word “Brujería” in a Spanish/English dictionary the definition in English translates to witchcraft, sorcery and magic. Indeed, magic is the ideal word to describe the enchanting music of Markolino (Mark) Dimond. Just listen to his incredible solos on “Mi Irmita”, “Aguardiente”, “Tiene Sabor”, “Mariquita”, “Yo No Tengo Pena” and “El Barrio”. InADALBERTO SANTIAGO
Santiago caught the eye of Ray Barretto, who asked him to join his band. While he was working with Chuíto and Barretto, Santiago collaborated with other groups on various albums, including several on the Fania Records label: “Adalberto Santiago,” “Calidad,” “Feliz me siento,” and “Popeye el marino.”. These albumsboasted
LEBRON BROTHERS
In the early 1960s, the combination of traditional African-American music with Latin beats exploded onto the scene and was adopted by such artists as Joe Cuba, Johnny Colón, Ray Barreto, and The Lebron Brothers, who helped to popularize the exciting genre. The Lebron Brothers were unmistakable due to their interpretive style, which they demonstrated on the album “Salsa y control ALGO ESPECIAL PARA RECORDAR Released in 1972, Algo Especial Para Recordar was the last in a series of excellent LPs that the late Cuban diva Celia Cruz and Nuyorican timbalero Tito Puente recorded for the Tico label between the mid-’60s and the early ’70s. Just like previous Celia and Tito efforts like Cuba y Puerto Rico Son (1966) and Quimbo Quimbumbia (1969CORAZON GUERRERO
Willie Colon Corazón Guerrero The early 1980s were characterized by a musical evolution that ultimately culminated in the development of the phenomenon known as “Romantic Salsa.” Although this new movement was among many musicians, others remained focused on creating new musical styles to keep their followers interested and attract new fans on the Afro-Caribbean music scene. One of theTITO PUENTE JAZZ
Born to Puerto Rican parents in NYC’s Harlem Hospital on April 20, 1921, Ernest Anthony Puente Jr. (not Ernesto or Antonio, as has been incorrectly stated by many) was a towering figure who revolutionized the role of percussion and jazz arranging techniques in Afro-Cuban music. A product of his environment, Puente, who passed away in NYC on STORE | FANIA RECORDS The Official Store for Fania Records. Vinyl, merch & more. ACID | FANIA RECORDS He formed a conjunto, a small Cuban-style dance band, with two trumpets and a rhythm section. “Jerry Masucci of Fania sought me out and the time was right. The title, Acid, was his idea.”. By 1966 a new sound had appeared on the New York dance music scene—Latin Boogaloo. A unique combination of son montuno, cha-cha-cha and R&B,this new
GUASASA | FANIA RECORDS GUASASA. The 1989 album “Guasasa” is the last studio album for the Fania Six, the Fania All Stars offshoot created in 1976 by Columbia Records for marketing purposes. It features their rhythm section comprised of: Johnny Pacheco, Ray Barretto, Bobby Valentín, Roberto Roena, Nicky Marrero and virtuoso pianist Papo Lucca. WILLIE COLÓN & RUBÉN BLADES Details Standard black vinyl available here. Product expected to ship by street date, August 6, 2021. Pre-order music products are excluded from all discount codes. Emerald Green vinyl, limited to 500 copies worldwide, exclusive to the Fania and Craft Recordings webstores. When Siembra released in 1978, it was the second of four collaborations on Fania Records between salsa giants COMMITMENT | FANIA RECORDS Released in 1980, “Commitment” marks Fania All Stars’ formal return to full-time salsa swinging after a bittersweet end to their crossover period under Columbia Records. By this time, a lot had changed for the All Stars. Longtime band-leading stalwarts like Ray Barretto, Willie Colón, Larry Harlow and Bobby Valentín were now gone–the latter no longer a Fania Records act. OthersLATIN CONNECTION
Latin Connection is a strong album. This reissue gives us a good opportunity to remember the contributions to salsa culture by the late Juancito Torres, Héctor Lavoe, Santos Colón, Celia Cruz, Pete “Conde” Rodríguez, Ismael Rivera, Louie Ramírez and Jerry Masucci. May they rest in peace. Credits Salvador Cuevas – ElectricBass Papo
CORAZON GUERRERO
Willie Colon Corazón Guerrero The early 1980s were characterized by a musical evolution that ultimately culminated in the development of the phenomenon known as “Romantic Salsa.” Although this new movement was among many musicians, others remained focused on creating new musical styles to keep their followers interested and attract new fans on the Afro-Caribbean music scene. One of the WILLIE COLÓN & RUBÉN BLADES CYBER WEEKEND SALE | Use code FANIACYBER20 for 20% off your order. Storewide excluding bundles. Valid through November 30th, 11:59pm ET.HECTOR LAVOE
In 1975, Fania Records decided to launch its singers with the most hits as soloists. Thus began a new phase of Héctor Lavoe’s career, just as brilliant and successful, boasting the release of many albums that are now part of his rich musical legacy. His life was an open book, each page of which documented the tragedy and heartbreak thatTITO PUENTE JAZZ
Born to Puerto Rican parents in NYC’s Harlem Hospital on April 20, 1921, Ernest Anthony Puente Jr. (not Ernesto or Antonio, as has been incorrectly stated by many) was a towering figure who revolutionized the role of percussion and jazz arranging techniques in Afro-Cuban music. A product of his environment, Puente, who passed away in NYC on THE OFFICIAL FANIA RECORDS WEBSITE In 1967, Alegre Records released an album that pro. Legends only. Celia Cruz and Tito Puente in NYC. Arguably, this album kick-started the success that. Our favorite duo salsero repping the limited editi. We’re celebrating Ray Barretto’s birthday with. On this day in FANIA RECORDS ARTISTS Fania All Stars. Harvey Averne. Hector Lavoe. Impacto Crea. Ismael Miranda. Ismael Quintana. Ismael Rivera. Load More (35) Stay up to date on the latest from Victory Records. MACHITO | FANIA RECORDS Machito. He is one of the most criminally underrated artists in the landscape of Afro-Caribbean music. A musical genius and mercurial bandleader whom Tito Puente himself called el maestro – the master. Now, this volume in the La Herencia series allows us to rediscover and cherish the legacy ofSTRIKES BACK
STRIKES BACK. In March of 1986, Hector Lavoe and Willie Colón got together to produce two albums that, after the resounding success and extraordinary reception of their concerts at carnivals in Panama, led to numerous appearances and concerts throughout the 1990s. Songs like “Loco”, “Ponce”, Las Flores Del Campo, Son Los CelosMARKOLINO DIMOND
If you look up the word “Brujería” in a Spanish/English dictionary the definition in English translates to witchcraft, sorcery and magic. Indeed, magic is the ideal word to describe the enchanting music of Markolino (Mark) Dimond. Just listen to his incredible solos on “Mi Irmita”, “Aguardiente”, “Tiene Sabor”, “Mariquita”, “Yo No Tengo Pena” and “El Barrio”. InADALBERTO SANTIAGO
Santiago caught the eye of Ray Barretto, who asked him to join his band. While he was working with Chuíto and Barretto, Santiago collaborated with other groups on various albums, including several on the Fania Records label: “Adalberto Santiago,” “Calidad,” “Feliz me siento,” and “Popeye el marino.”. These albumsboasted
LEBRON BROTHERS
In the early 1960s, the combination of traditional African-American music with Latin beats exploded onto the scene and was adopted by such artists as Joe Cuba, Johnny Colón, Ray Barreto, and The Lebron Brothers, who helped to popularize the exciting genre. The Lebron Brothers were unmistakable due to their interpretive style, which they demonstrated on the album “Salsa y control ALGO ESPECIAL PARA RECORDAR Released in 1972, Algo Especial Para Recordar was the last in a series of excellent LPs that the late Cuban diva Celia Cruz and Nuyorican timbalero Tito Puente recorded for the Tico label between the mid-’60s and the early ’70s. Just like previous Celia and Tito efforts like Cuba y Puerto Rico Son (1966) and Quimbo Quimbumbia (1969CORAZON GUERRERO
Willie Colon Corazón Guerrero The early 1980s were characterized by a musical evolution that ultimately culminated in the development of the phenomenon known as “Romantic Salsa.” Although this new movement was among many musicians, others remained focused on creating new musical styles to keep their followers interested and attract new fans on the Afro-Caribbean music scene. One of theTITO PUENTE JAZZ
Born to Puerto Rican parents in NYC’s Harlem Hospital on April 20, 1921, Ernest Anthony Puente Jr. (not Ernesto or Antonio, as has been incorrectly stated by many) was a towering figure who revolutionized the role of percussion and jazz arranging techniques in Afro-Cuban music. A product of his environment, Puente, who passed away in NYC on THE OFFICIAL FANIA RECORDS WEBSITE In 1967, Alegre Records released an album that pro. Legends only. Celia Cruz and Tito Puente in NYC. Arguably, this album kick-started the success that. Our favorite duo salsero repping the limited editi. We’re celebrating Ray Barretto’s birthday with. On this day in FANIA RECORDS ARTISTS Fania All Stars. Harvey Averne. Hector Lavoe. Impacto Crea. Ismael Miranda. Ismael Quintana. Ismael Rivera. Load More (35) Stay up to date on the latest from Victory Records. MACHITO | FANIA RECORDS Machito. He is one of the most criminally underrated artists in the landscape of Afro-Caribbean music. A musical genius and mercurial bandleader whom Tito Puente himself called el maestro – the master. Now, this volume in the La Herencia series allows us to rediscover and cherish the legacy ofSTRIKES BACK
STRIKES BACK. In March of 1986, Hector Lavoe and Willie Colón got together to produce two albums that, after the resounding success and extraordinary reception of their concerts at carnivals in Panama, led to numerous appearances and concerts throughout the 1990s. Songs like “Loco”, “Ponce”, Las Flores Del Campo, Son Los CelosMARKOLINO DIMOND
If you look up the word “Brujería” in a Spanish/English dictionary the definition in English translates to witchcraft, sorcery and magic. Indeed, magic is the ideal word to describe the enchanting music of Markolino (Mark) Dimond. Just listen to his incredible solos on “Mi Irmita”, “Aguardiente”, “Tiene Sabor”, “Mariquita”, “Yo No Tengo Pena” and “El Barrio”. InADALBERTO SANTIAGO
Santiago caught the eye of Ray Barretto, who asked him to join his band. While he was working with Chuíto and Barretto, Santiago collaborated with other groups on various albums, including several on the Fania Records label: “Adalberto Santiago,” “Calidad,” “Feliz me siento,” and “Popeye el marino.”. These albumsboasted
LEBRON BROTHERS
In the early 1960s, the combination of traditional African-American music with Latin beats exploded onto the scene and was adopted by such artists as Joe Cuba, Johnny Colón, Ray Barreto, and The Lebron Brothers, who helped to popularize the exciting genre. The Lebron Brothers were unmistakable due to their interpretive style, which they demonstrated on the album “Salsa y control ALGO ESPECIAL PARA RECORDAR Released in 1972, Algo Especial Para Recordar was the last in a series of excellent LPs that the late Cuban diva Celia Cruz and Nuyorican timbalero Tito Puente recorded for the Tico label between the mid-’60s and the early ’70s. Just like previous Celia and Tito efforts like Cuba y Puerto Rico Son (1966) and Quimbo Quimbumbia (1969CORAZON GUERRERO
Willie Colon Corazón Guerrero The early 1980s were characterized by a musical evolution that ultimately culminated in the development of the phenomenon known as “Romantic Salsa.” Although this new movement was among many musicians, others remained focused on creating new musical styles to keep their followers interested and attract new fans on the Afro-Caribbean music scene. One of theTITO PUENTE JAZZ
Born to Puerto Rican parents in NYC’s Harlem Hospital on April 20, 1921, Ernest Anthony Puente Jr. (not Ernesto or Antonio, as has been incorrectly stated by many) was a towering figure who revolutionized the role of percussion and jazz arranging techniques in Afro-Cuban music. A product of his environment, Puente, who passed away in NYC on STORE | FANIA RECORDS The Official Store for Fania Records. Vinyl, merch & more. ACID | FANIA RECORDS He formed a conjunto, a small Cuban-style dance band, with two trumpets and a rhythm section. “Jerry Masucci of Fania sought me out and the time was right. The title, Acid, was his idea.”. By 1966 a new sound had appeared on the New York dance music scene—Latin Boogaloo. A unique combination of son montuno, cha-cha-cha and R&B,this new
GUASASA | FANIA RECORDS GUASASA. The 1989 album “Guasasa” is the last studio album for the Fania Six, the Fania All Stars offshoot created in 1976 by Columbia Records for marketing purposes. It features their rhythm section comprised of: Johnny Pacheco, Ray Barretto, Bobby Valentín, Roberto Roena, Nicky Marrero and virtuoso pianist Papo Lucca. WILLIE COLÓN & RUBÉN BLADES Details Standard black vinyl available here. Product expected to ship by street date, August 6, 2021. Pre-order music products are excluded from all discount codes. Emerald Green vinyl, limited to 500 copies worldwide, exclusive to the Fania and Craft Recordings webstores. When Siembra released in 1978, it was the second of four collaborations on Fania Records between salsa giants COMMITMENT | FANIA RECORDS Released in 1980, “Commitment” marks Fania All Stars’ formal return to full-time salsa swinging after a bittersweet end to their crossover period under Columbia Records. By this time, a lot had changed for the All Stars. Longtime band-leading stalwarts like Ray Barretto, Willie Colón, Larry Harlow and Bobby Valentín were now gone–the latter no longer a Fania Records act. OthersLATIN CONNECTION
Latin Connection is a strong album. This reissue gives us a good opportunity to remember the contributions to salsa culture by the late Juancito Torres, Héctor Lavoe, Santos Colón, Celia Cruz, Pete “Conde” Rodríguez, Ismael Rivera, Louie Ramírez and Jerry Masucci. May they rest in peace. Credits Salvador Cuevas – ElectricBass Papo
CORAZON GUERRERO
Willie Colon Corazón Guerrero The early 1980s were characterized by a musical evolution that ultimately culminated in the development of the phenomenon known as “Romantic Salsa.” Although this new movement was among many musicians, others remained focused on creating new musical styles to keep their followers interested and attract new fans on the Afro-Caribbean music scene. One of the WILLIE COLÓN & RUBÉN BLADES CYBER WEEKEND SALE | Use code FANIACYBER20 for 20% off your order. Storewide excluding bundles. Valid through November 30th, 11:59pm ET.HECTOR LAVOE
In 1975, Fania Records decided to launch its singers with the most hits as soloists. Thus began a new phase of Héctor Lavoe’s career, just as brilliant and successful, boasting the release of many albums that are now part of his rich musical legacy. His life was an open book, each page of which documented the tragedy and heartbreak thatTITO PUENTE JAZZ
Born to Puerto Rican parents in NYC’s Harlem Hospital on April 20, 1921, Ernest Anthony Puente Jr. (not Ernesto or Antonio, as has been incorrectly stated by many) was a towering figure who revolutionized the role of percussion and jazz arranging techniques in Afro-Cuban music. A product of his environment, Puente, who passed away in NYC onEN ES
__
__
__
__
__
*
Artists
*
FEATURES
*
Albums and Eras__
*
We Love To See You Dance__*
Videos
*
Playlists
*
Store
SUBSCRIBE
SUBSCRIBE
CYBER WEEKEND SALE | Use code FANIACYBER20 for 20% off your order. Storewide excluding bundles. Valid through November 30th, 11:59pm ET. CYBER WEEKEND SALE | Use code FANIACYBER20 for 20% off your order. Storewide excluding bundles. Valid through November 30th, 11:59pm ET. WILLIE COLÓN AND RUBÉN BLADES - SIEMBRA BUNDLE ORDER NOWFANIA LOGO TEE
ORDER NOW
FEATURED PRODUCTS
------------------------- Loading component ...Previous
FANIA EL CANTANTE BLACK T-SHIRT$25.00
FANIA NYC SALSA NAVY BLUE T-SHIRT$25.00
YANKEE STADIUM BASEBALL T-SHIRT$25.00
WE LOVE TO SEE YOU DANCE POSTER$49.99
WILLIE COLÓN & RUBÉN BLADES - SIEMBRA BUNDLE (BLACK VINYL LP + ALBUMT-SHIRT)
$45.00
Sale!Was: $50.99
WILLIE COLON + RUBEN BLADES - SIEMBRA T-SHIRT$25.00
FANIA WILLIE COLON WHITE T-SHIRT$25.00
FANIA LOGO BLACK T-SHIRT$25.00
FANIA EL CANTANTE BLACK T-SHIRT$25.00
FANIA NYC SALSA NAVY BLUE T-SHIRT$25.00
YANKEE STADIUM BASEBALL T-SHIRT$25.00
WE LOVE TO SEE YOU DANCE POSTER$49.99
WILLIE COLÓN & RUBÉN BLADES - SIEMBRA BUNDLE (BLACK VINYL LP + ALBUMT-SHIRT)
$45.00
Sale!Was: $50.99
WILLIE COLON + RUBEN BLADES - SIEMBRA T-SHIRT$25.00
FANIA WILLIE COLON WHITE T-SHIRT$25.00
FANIA LOGO BLACK T-SHIRT$25.00
FANIA EL CANTANTE BLACK T-SHIRT$25.00
FANIA NYC SALSA NAVY BLUE T-SHIRT$25.00
YANKEE STADIUM BASEBALL T-SHIRT$25.00
WE LOVE TO SEE YOU DANCE POSTER$49.99
Next
* 1
* 2
-------------------------FANIARECORDS
Unbeknownst to many, it’s not so easy leading a Today we honor and celebrate Tito Puente. The exce It’s time to shake it, but don’t break it! Les Today is the day! Fania is proud to reissue the 19 This is Louie's first recording for Fania Records #ICYMI - Fania Presents We Love To See You Dance, Bandleader, bassist, Bobby Valentin was a mainstay Quien puede nombrar a todas estas leyendas en el In 1967, Alegre Records released an album that pro Legends only. Celia Cruz and Tito Puente in NYC. Arguably, this album kick-started the success that Our favorite duo salsero repping the limited editiFollow on Instagram
JOHNNY PACHECO
WILLIE COLON
CELIA CRUZ
TITO PUENTE
FANIA ALL STARS
__
__
__
__
*
Privacy Policy__
*
Terms__
*
Store Faq__
*
Contact Us__
2021 CRAFT RECORDINGS - A CONCORD COMPANY Stay up to date on the latest from Fania RecordsEmail Address
By checking this box I consent to the use of my information provided for email marketing purposes.SUBSCRIBE
Privacy Policy
Stay up to date on the latest from Fania RecordsEmail Address
By checking this box I consent to the use of my information provided for email marketing purposes.SUBSCRIBE
*
Artists
*
FEATURES
* ← Back
*
Albums and Eras
*
We Love To See You Dance*
Videos
*
Playlists
*
Store
0
PRIVACY PREFERENCE CENTER When you visit any website, it may store or retrieve information on your browser, mostly in the form of cookies. This information might be about you, your preferences or your device and is mostly used to make the site work as you expect it to. The information does not usually directly identify you, but it can give you a more personalized web experience. Because we respect your right to privacy, you can choose not to allow some types of cookies. Click on the different category headings to find out more and change our default settings. However, blocking some types of cookies may impact your experience of the site and the services we are able to offer. More informationAllow All
MANAGE CONSENT PREFERENCESTARGETING COOKIES
Always Active
Targeting Cookies
These cookies may be set through our site by our advertising partners. They may be used by those companies to build a profile of your interests and show you relevant adverts on other sites. They do not store directly personal information, but are based on uniquely identifying your browser and internet device. If you do not allow these cookies, you will experience less targeted advertising.PERFORMANCE COOKIES
Always Active
Performance Cookies
These cookies allow us to count visits and traffic sources so we can measure and improve the performance of our site. They help us to know which pages are the most and least popular and see how visitors move around the site. All information these cookies collect is aggregated and therefore anonymous. If you do not allow these cookies we will not know when you have visited our site, and will not be able to monitor its performance.FUNCTIONAL COOKIES
Always Active
Functional Cookies
These cookies enable the website to provide enhanced functionality and personalisation. They may be set by us or by third party providers whose services we have added to our pages. If you do not allow these cookies then some or all of these services may not functionproperly.
STRICTLY NECESSARY COOKIESAlways Active
Strictly Necessary Cookies These cookies are necessary for the website to function and cannot be switched off in our systems. They are usually only set in response to actions made by you which amount to a request for services, such as setting your privacy preferences, logging in or filling in forms. You can set your browser to block or alert you about these cookies, but some parts of the site will not then work. These cookies do not store any personally identifiable information.Confirm My Choices
Back Button
Back
PERFORMANCE COOKIES
Vendor Search Search Icon Filter IconClear Filters
Information storage and accessApply Consent Leg.InterestAll Consent Allowed
Select All Vendors
Select All Vendors
All Consent Allowed
*
33ACROSS
HOST DESCRIPTION
VIEW COOKIES
REPLACE-WITH-DYANMIC-HOST-ID*
Name
cookie name
*
33ACROSS
View Privacy Notice
3 Purposes
REPLACE-WITH-DYANMIC-VENDOR-IDArrow
Consent Purposes
Location Based Ads
Consent Allowed
Legitimate Interest PurposesPersonalize
Require Opt-Out
Special Purposes
Location Based Ads
Features
Location Based Ads
Special Features
Location Based Ads
Confirm My Choices
Details
Copyright © 2024 ArchiveBay.com. All rights reserved. Terms of Use | Privacy Policy | DMCA | 2021 | Feedback | Advertising | RSS 2.0