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CECIL B. DEMILLE
Cecil Blount DeMille was a founder of the Hollywood motion-picture industry. His first film, The Squaw Man, was the first feature film shot in Hollywood. His last, The Ten Commandments, remains a box-office legend. He made stars and cultivated artists. He was successful in aviation, banking, real BIOGRAPHY – CECIL B. DEMILLECONTACT USAWARDS Cecil B. DeMille was born on August 12, 1881, in Ashfield, Massachusetts. His father, Henry de Mille, was born in Washington, North Carolina, of Dutch and English ancestry. Henry was an Episcopal lay minister and a successful playwright. DeMille’s mother was born Beatrice Samuels to German-Jewish parents in London but was raised inNew York.
FILMOGRAPHY
Filmography. Cecil B. DeMille was the consummate Renaissance man, as comfortable discussing astronomy as he was riding a horse, or inventing a lighting fixture. This diversity of interests contributed to his work as a filmmaker, and his films are his legacy. To help the website visitor appreciate these works, the site provides a profile ofeach
THE TEN COMMANDMENTSSOUND FEATURES
Sound Features. In making the transition from silent films to sound films, DeMille drew on his experiences with both voice and sound effects in the theater. Most “early talkies” were little more than photographed stage plays. DeMille was one of a few directors who understood that sound need not always be used in a totally literalfashion to
THE PLAINSMAN
THE CRUSADES
UNIT STILLS PHOTOGRAPHERS The Utah-born artist was introduced to DeMille by the painter-photographer-director Ferdinand Pinney Earle, who had worked on M-G-M’s Ben-Hur. DeMille hired Mortensen to shoot both scene stills and special art for The King of Kings (1927). It was a fortuitous connection. Few American photographers could have distilled the reality created onFORBIDDEN FRUIT
SAMSON AND DELILAH
CECIL B. DEMILLE
Cecil Blount DeMille was a founder of the Hollywood motion-picture industry. His first film, The Squaw Man, was the first feature film shot in Hollywood. His last, The Ten Commandments, remains a box-office legend. He made stars and cultivated artists. He was successful in aviation, banking, real BIOGRAPHY – CECIL B. DEMILLECONTACT USAWARDS Cecil B. DeMille was born on August 12, 1881, in Ashfield, Massachusetts. His father, Henry de Mille, was born in Washington, North Carolina, of Dutch and English ancestry. Henry was an Episcopal lay minister and a successful playwright. DeMille’s mother was born Beatrice Samuels to German-Jewish parents in London but was raised inNew York.
FILMOGRAPHY
Filmography. Cecil B. DeMille was the consummate Renaissance man, as comfortable discussing astronomy as he was riding a horse, or inventing a lighting fixture. This diversity of interests contributed to his work as a filmmaker, and his films are his legacy. To help the website visitor appreciate these works, the site provides a profile ofeach
THE TEN COMMANDMENTSSOUND FEATURES
Sound Features. In making the transition from silent films to sound films, DeMille drew on his experiences with both voice and sound effects in the theater. Most “early talkies” were little more than photographed stage plays. DeMille was one of a few directors who understood that sound need not always be used in a totally literalfashion to
THE PLAINSMAN
THE CRUSADES
UNIT STILLS PHOTOGRAPHERS The Utah-born artist was introduced to DeMille by the painter-photographer-director Ferdinand Pinney Earle, who had worked on M-G-M’s Ben-Hur. DeMille hired Mortensen to shoot both scene stills and special art for The King of Kings (1927). It was a fortuitous connection. Few American photographers could have distilled the reality created onFORBIDDEN FRUIT
SAMSON AND DELILAH
BIOGRAPHY – CECIL B. DEMILLE Cecil B. DeMille was born on August 12, 1881, in Ashfield, Massachusetts. His father, Henry de Mille, was born in Washington, North Carolina, of Dutch and English ancestry. Henry was an Episcopal lay minister and a successful playwright. DeMille’s mother was born Beatrice Samuels to German-Jewish parents in London but was raised inNew York.
LEGACY – CECIL B. DEMILLE The October 2002 issue of Vanity Fair Magazine saluted Paramount’s ninetieth Anniversary by writing: “Somewhere Cecil B. DeMille is smiling.”. DeMille left a physical legacy in 1923 when, on completing The Ten Commandments, he buried the Egyptian sets in the sand dunes of Guadalupe. He wanted to prevent other companies fromshooting on
DISCOVERIES
The University Press of Kentucky, 2016. Cecil B. DeMille’s role at the Screen Directors Guild (SDG) meeting on 22 October 1950 has been a controversial one for the director. In the Red Scare period, DeMille and his conservative followers—who formed a majority of the SDG board—pushed for the removal of its president, Joseph Mankiewicz. BUSINESSES – CECIL B. DEMILLE Oil. Cecil B. DeMille’s business interests included numerous oil wells across the country, most notably United Oil Wells. Mercury Aviation was headquartered at DeMille Field, which is now the site of the long-closed Johnie’s Restaurant. DeMille and his partners with aFILM EDITORS
Film Editors. When Cecil B. DeMille embarked on his film career in 1913, the film editor (or “cutter”) did not exist as a discrete post. It was the director’s job. DeMille used rewinds and a magnifying glass to edit The Squaw Man. He continued in this function for four years and thirty films before delegating the task.SOUND FEATURES
Sound Features. In making the transition from silent films to sound films, DeMille drew on his experiences with both voice and sound effects in the theater. Most “early talkies” were little more than photographed stage plays. DeMille was one of a few directors who understood that sound need not always be used in a totally literalfashion to
NORTH WEST MOUNTED POLICE Production Quote. “Cecil B. DeMille has just brought in his first Technicolor feature, North West Mounted Police, nine days ahead of schedule and $125,000 under budget. DeMille split a $2,800 fund among twenty-eight workers as a result.”. – “Paramount’s Technicolor Specials,” Film Daily, May 20, 1940. CLEOPATRA – CECIL B. DEMILLE Credits. Studio: A Cecil B. DeMille Production Paramount Pictures Premiered: August 16, 1934 (New York premiere) Featured Cast: Claudette Colbert, Henry Wilcoxon, Warren William Producer-director: Cecil B. DeMille Screenwriters: Waldemar Young, Vincent Lawrence Source: historical material adapted by Bartlett Cormack, Finley Peter Dunne Jr., Jeanie Macpherson, Manuel KomroffSILENT FEATURES
Silent Features. DeMille personified the silent era of American film. In 1913, when he left a thirteen-year career on the stage and stepped behind a motion-picture camera, the medium was still being formed. He immediately sensed that anything was possible. Applying theatrical methods to the new medium, and inventing new ones as needed, he REMEMBERING HOLLYWOOD’S “FIRST DAY” Remembering Hollywood’s “First Day”. On December 29, 1913, Cecil B. DeMille began Hollywood’s first feature film. On May 21, 1957, DeMille and his biographer Art Arthur studied a photograph taken that day. By running your cursor across the photo, you can read what DeMille had to say about his troupe.CECIL B. DEMILLE
Cecil Blount DeMille was a founder of the Hollywood motion-picture industry. His first film, The Squaw Man, was the first feature film shot in Hollywood. His last, The Ten Commandments, remains a box-office legend. He made stars and cultivated artists. He was successful in aviation, banking, real BIOGRAPHY – CECIL B. DEMILLECONTACT USAWARDS Cecil B. DeMille was born on August 12, 1881, in Ashfield, Massachusetts. His father, Henry de Mille, was born in Washington, North Carolina, of Dutch and English ancestry. Henry was an Episcopal lay minister and a successful playwright. DeMille’s mother was born Beatrice Samuels to German-Jewish parents in London but was raised inNew York.
FILMOGRAPHY
Filmography. Cecil B. DeMille was the consummate Renaissance man, as comfortable discussing astronomy as he was riding a horse, or inventing a lighting fixture. This diversity of interests contributed to his work as a filmmaker, and his films are his legacy. To help the website visitor appreciate these works, the site provides a profile ofeach
THE TEN COMMANDMENTSSOUND FEATURES
Sound Features. In making the transition from silent films to sound films, DeMille drew on his experiences with both voice and sound effects in the theater. Most “early talkies” were little more than photographed stage plays. DeMille was one of a few directors who understood that sound need not always be used in a totally literalfashion to
THE PLAINSMAN
THE CRUSADES
UNIT STILLS PHOTOGRAPHERS The Utah-born artist was introduced to DeMille by the painter-photographer-director Ferdinand Pinney Earle, who had worked on M-G-M’s Ben-Hur. DeMille hired Mortensen to shoot both scene stills and special art for The King of Kings (1927). It was a fortuitous connection. Few American photographers could have distilled the reality created onFORBIDDEN FRUIT
SAMSON AND DELILAH
CECIL B. DEMILLE
Cecil Blount DeMille was a founder of the Hollywood motion-picture industry. His first film, The Squaw Man, was the first feature film shot in Hollywood. His last, The Ten Commandments, remains a box-office legend. He made stars and cultivated artists. He was successful in aviation, banking, real BIOGRAPHY – CECIL B. DEMILLECONTACT USAWARDS Cecil B. DeMille was born on August 12, 1881, in Ashfield, Massachusetts. His father, Henry de Mille, was born in Washington, North Carolina, of Dutch and English ancestry. Henry was an Episcopal lay minister and a successful playwright. DeMille’s mother was born Beatrice Samuels to German-Jewish parents in London but was raised inNew York.
FILMOGRAPHY
Filmography. Cecil B. DeMille was the consummate Renaissance man, as comfortable discussing astronomy as he was riding a horse, or inventing a lighting fixture. This diversity of interests contributed to his work as a filmmaker, and his films are his legacy. To help the website visitor appreciate these works, the site provides a profile ofeach
THE TEN COMMANDMENTSSOUND FEATURES
Sound Features. In making the transition from silent films to sound films, DeMille drew on his experiences with both voice and sound effects in the theater. Most “early talkies” were little more than photographed stage plays. DeMille was one of a few directors who understood that sound need not always be used in a totally literalfashion to
THE PLAINSMAN
THE CRUSADES
UNIT STILLS PHOTOGRAPHERS The Utah-born artist was introduced to DeMille by the painter-photographer-director Ferdinand Pinney Earle, who had worked on M-G-M’s Ben-Hur. DeMille hired Mortensen to shoot both scene stills and special art for The King of Kings (1927). It was a fortuitous connection. Few American photographers could have distilled the reality created onFORBIDDEN FRUIT
SAMSON AND DELILAH
BIOGRAPHY – CECIL B. DEMILLE Cecil B. DeMille was born on August 12, 1881, in Ashfield, Massachusetts. His father, Henry de Mille, was born in Washington, North Carolina, of Dutch and English ancestry. Henry was an Episcopal lay minister and a successful playwright. DeMille’s mother was born Beatrice Samuels to German-Jewish parents in London but was raised inNew York.
LEGACY – CECIL B. DEMILLE The October 2002 issue of Vanity Fair Magazine saluted Paramount’s ninetieth Anniversary by writing: “Somewhere Cecil B. DeMille is smiling.”. DeMille left a physical legacy in 1923 when, on completing The Ten Commandments, he buried the Egyptian sets in the sand dunes of Guadalupe. He wanted to prevent other companies fromshooting on
DISCOVERIES
The University Press of Kentucky, 2016. Cecil B. DeMille’s role at the Screen Directors Guild (SDG) meeting on 22 October 1950 has been a controversial one for the director. In the Red Scare period, DeMille and his conservative followers—who formed a majority of the SDG board—pushed for the removal of its president, Joseph Mankiewicz. BUSINESSES – CECIL B. DEMILLE Oil. Cecil B. DeMille’s business interests included numerous oil wells across the country, most notably United Oil Wells. Mercury Aviation was headquartered at DeMille Field, which is now the site of the long-closed Johnie’s Restaurant. DeMille and his partners with aFILM EDITORS
Film Editors. When Cecil B. DeMille embarked on his film career in 1913, the film editor (or “cutter”) did not exist as a discrete post. It was the director’s job. DeMille used rewinds and a magnifying glass to edit The Squaw Man. He continued in this function for four years and thirty films before delegating the task.SOUND FEATURES
Sound Features. In making the transition from silent films to sound films, DeMille drew on his experiences with both voice and sound effects in the theater. Most “early talkies” were little more than photographed stage plays. DeMille was one of a few directors who understood that sound need not always be used in a totally literalfashion to
NORTH WEST MOUNTED POLICE Production Quote. “Cecil B. DeMille has just brought in his first Technicolor feature, North West Mounted Police, nine days ahead of schedule and $125,000 under budget. DeMille split a $2,800 fund among twenty-eight workers as a result.”. – “Paramount’s Technicolor Specials,” Film Daily, May 20, 1940. CLEOPATRA – CECIL B. DEMILLE Credits. Studio: A Cecil B. DeMille Production Paramount Pictures Premiered: August 16, 1934 (New York premiere) Featured Cast: Claudette Colbert, Henry Wilcoxon, Warren William Producer-director: Cecil B. DeMille Screenwriters: Waldemar Young, Vincent Lawrence Source: historical material adapted by Bartlett Cormack, Finley Peter Dunne Jr., Jeanie Macpherson, Manuel KomroffSILENT FEATURES
Silent Features. DeMille personified the silent era of American film. In 1913, when he left a thirteen-year career on the stage and stepped behind a motion-picture camera, the medium was still being formed. He immediately sensed that anything was possible. Applying theatrical methods to the new medium, and inventing new ones as needed, he REMEMBERING HOLLYWOOD’S “FIRST DAY” Remembering Hollywood’s “First Day”. On December 29, 1913, Cecil B. DeMille began Hollywood’s first feature film. On May 21, 1957, DeMille and his biographer Art Arthur studied a photograph taken that day. By running your cursor across the photo, you can read what DeMille had to say about his troupe.CECIL B. DEMILLE
Cecil Blount DeMille was a founder of the Hollywood motion-picture industry. His first film, The Squaw Man, was the first feature film shot in Hollywood. His last, The Ten Commandments, remains a box-office legend. He made stars and cultivated artists. He was successful in aviation, banking, real BIOGRAPHY – CECIL B. DEMILLECONTACT USAWARDS Cecil B. DeMille was born on August 12, 1881, in Ashfield, Massachusetts. His father, Henry de Mille, was born in Washington, North Carolina, of Dutch and English ancestry. Henry was an Episcopal lay minister and a successful playwright. DeMille’s mother was born Beatrice Samuels to German-Jewish parents in London but was raised inNew York.
FILMOGRAPHY
Filmography. Cecil B. DeMille was the consummate Renaissance man, as comfortable discussing astronomy as he was riding a horse, or inventing a lighting fixture. This diversity of interests contributed to his work as a filmmaker, and his films are his legacy. To help the website visitor appreciate these works, the site provides a profile ofeach
THE TEN COMMANDMENTSSOUND FEATURES
Sound Features. In making the transition from silent films to sound films, DeMille drew on his experiences with both voice and sound effects in the theater. Most “early talkies” were little more than photographed stage plays. DeMille was one of a few directors who understood that sound need not always be used in a totally literalfashion to
THE PLAINSMAN
THE CRUSADES
UNIT STILLS PHOTOGRAPHERS The Utah-born artist was introduced to DeMille by the painter-photographer-director Ferdinand Pinney Earle, who had worked on M-G-M’s Ben-Hur. DeMille hired Mortensen to shoot both scene stills and special art for The King of Kings (1927). It was a fortuitous connection. Few American photographers could have distilled the reality created onFORBIDDEN FRUIT
SAMSON AND DELILAH
CECIL B. DEMILLE
Cecil Blount DeMille was a founder of the Hollywood motion-picture industry. His first film, The Squaw Man, was the first feature film shot in Hollywood. His last, The Ten Commandments, remains a box-office legend. He made stars and cultivated artists. He was successful in aviation, banking, real BIOGRAPHY – CECIL B. DEMILLECONTACT USAWARDS Cecil B. DeMille was born on August 12, 1881, in Ashfield, Massachusetts. His father, Henry de Mille, was born in Washington, North Carolina, of Dutch and English ancestry. Henry was an Episcopal lay minister and a successful playwright. DeMille’s mother was born Beatrice Samuels to German-Jewish parents in London but was raised inNew York.
FILMOGRAPHY
Filmography. Cecil B. DeMille was the consummate Renaissance man, as comfortable discussing astronomy as he was riding a horse, or inventing a lighting fixture. This diversity of interests contributed to his work as a filmmaker, and his films are his legacy. To help the website visitor appreciate these works, the site provides a profile ofeach
THE TEN COMMANDMENTSSOUND FEATURES
Sound Features. In making the transition from silent films to sound films, DeMille drew on his experiences with both voice and sound effects in the theater. Most “early talkies” were little more than photographed stage plays. DeMille was one of a few directors who understood that sound need not always be used in a totally literalfashion to
THE PLAINSMAN
THE CRUSADES
UNIT STILLS PHOTOGRAPHERS The Utah-born artist was introduced to DeMille by the painter-photographer-director Ferdinand Pinney Earle, who had worked on M-G-M’s Ben-Hur. DeMille hired Mortensen to shoot both scene stills and special art for The King of Kings (1927). It was a fortuitous connection. Few American photographers could have distilled the reality created onFORBIDDEN FRUIT
SAMSON AND DELILAH
BIOGRAPHY – CECIL B. DEMILLE Cecil B. DeMille was born on August 12, 1881, in Ashfield, Massachusetts. His father, Henry de Mille, was born in Washington, North Carolina, of Dutch and English ancestry. Henry was an Episcopal lay minister and a successful playwright. DeMille’s mother was born Beatrice Samuels to German-Jewish parents in London but was raised inNew York.
LEGACY – CECIL B. DEMILLE The October 2002 issue of Vanity Fair Magazine saluted Paramount’s ninetieth Anniversary by writing: “Somewhere Cecil B. DeMille is smiling.”. DeMille left a physical legacy in 1923 when, on completing The Ten Commandments, he buried the Egyptian sets in the sand dunes of Guadalupe. He wanted to prevent other companies fromshooting on
DISCOVERIES
The University Press of Kentucky, 2016. Cecil B. DeMille’s role at the Screen Directors Guild (SDG) meeting on 22 October 1950 has been a controversial one for the director. In the Red Scare period, DeMille and his conservative followers—who formed a majority of the SDG board—pushed for the removal of its president, Joseph Mankiewicz. BUSINESSES – CECIL B. DEMILLE Oil. Cecil B. DeMille’s business interests included numerous oil wells across the country, most notably United Oil Wells. Mercury Aviation was headquartered at DeMille Field, which is now the site of the long-closed Johnie’s Restaurant. DeMille and his partners with aFILM EDITORS
Film Editors. When Cecil B. DeMille embarked on his film career in 1913, the film editor (or “cutter”) did not exist as a discrete post. It was the director’s job. DeMille used rewinds and a magnifying glass to edit The Squaw Man. He continued in this function for four years and thirty films before delegating the task.SOUND FEATURES
Sound Features. In making the transition from silent films to sound films, DeMille drew on his experiences with both voice and sound effects in the theater. Most “early talkies” were little more than photographed stage plays. DeMille was one of a few directors who understood that sound need not always be used in a totally literalfashion to
NORTH WEST MOUNTED POLICE Production Quote. “Cecil B. DeMille has just brought in his first Technicolor feature, North West Mounted Police, nine days ahead of schedule and $125,000 under budget. DeMille split a $2,800 fund among twenty-eight workers as a result.”. – “Paramount’s Technicolor Specials,” Film Daily, May 20, 1940. CLEOPATRA – CECIL B. DEMILLE Credits. Studio: A Cecil B. DeMille Production Paramount Pictures Premiered: August 16, 1934 (New York premiere) Featured Cast: Claudette Colbert, Henry Wilcoxon, Warren William Producer-director: Cecil B. DeMille Screenwriters: Waldemar Young, Vincent Lawrence Source: historical material adapted by Bartlett Cormack, Finley Peter Dunne Jr., Jeanie Macpherson, Manuel KomroffSILENT FEATURES
Silent Features. DeMille personified the silent era of American film. In 1913, when he left a thirteen-year career on the stage and stepped behind a motion-picture camera, the medium was still being formed. He immediately sensed that anything was possible. Applying theatrical methods to the new medium, and inventing new ones as needed, he REMEMBERING HOLLYWOOD’S “FIRST DAY” Remembering Hollywood’s “First Day”. On December 29, 1913, Cecil B. DeMille began Hollywood’s first feature film. On May 21, 1957, DeMille and his biographer Art Arthur studied a photograph taken that day. By running your cursor across the photo, you can read what DeMille had to say about his troupe.CECIL B. DEMILLE
Cecil Blount DeMille was a founder of the Hollywood motion-picture industry. His first film, The Squaw Man, was the first feature film shot in Hollywood. His last, The Ten Commandments, remains a box-office legend. He made stars and cultivated artists. He was successful in aviation, banking, real BIOGRAPHY – CECIL B. DEMILLECONTACT USAWARDS Cecil B. DeMille was born on August 12, 1881, in Ashfield, Massachusetts. His father, Henry de Mille, was born in Washington, North Carolina, of Dutch and English ancestry. Henry was an Episcopal lay minister and a successful playwright. DeMille’s mother was born Beatrice Samuels to German-Jewish parents in London but was raised inNew York.
FILMOGRAPHY
Filmography. Cecil B. DeMille was the consummate Renaissance man, as comfortable discussing astronomy as he was riding a horse, or inventing a lighting fixture. This diversity of interests contributed to his work as a filmmaker, and his films are his legacy. To help the website visitor appreciate these works, the site provides a profile ofeach
LEGACY – CECIL B. DEMILLE The October 2002 issue of Vanity Fair Magazine saluted Paramount’s ninetieth Anniversary by writing: “Somewhere Cecil B. DeMille is smiling.”. DeMille left a physical legacy in 1923 when, on completing The Ten Commandments, he buried the Egyptian sets in the sand dunes of Guadalupe. He wanted to prevent other companies fromshooting on
THE TEN COMMANDMENTS UNIT STILLS PHOTOGRAPHERS The Utah-born artist was introduced to DeMille by the painter-photographer-director Ferdinand Pinney Earle, who had worked on M-G-M’s Ben-Hur. DeMille hired Mortensen to shoot both scene stills and special art for The King of Kings (1927). It was a fortuitous connection. Few American photographers could have distilled the reality created on CLEOPATRA – CECIL B. DEMILLESEE MORE ON CECILBDEMILLE.COM NORTH WEST MOUNTED POLICEFORBIDDEN FRUIT
SAMSON AND DELILAH
CECIL B. DEMILLE
Cecil Blount DeMille was a founder of the Hollywood motion-picture industry. His first film, The Squaw Man, was the first feature film shot in Hollywood. His last, The Ten Commandments, remains a box-office legend. He made stars and cultivated artists. He was successful in aviation, banking, real BIOGRAPHY – CECIL B. DEMILLECONTACT USAWARDS Cecil B. DeMille was born on August 12, 1881, in Ashfield, Massachusetts. His father, Henry de Mille, was born in Washington, North Carolina, of Dutch and English ancestry. Henry was an Episcopal lay minister and a successful playwright. DeMille’s mother was born Beatrice Samuels to German-Jewish parents in London but was raised inNew York.
FILMOGRAPHY
Filmography. Cecil B. DeMille was the consummate Renaissance man, as comfortable discussing astronomy as he was riding a horse, or inventing a lighting fixture. This diversity of interests contributed to his work as a filmmaker, and his films are his legacy. To help the website visitor appreciate these works, the site provides a profile ofeach
LEGACY – CECIL B. DEMILLE The October 2002 issue of Vanity Fair Magazine saluted Paramount’s ninetieth Anniversary by writing: “Somewhere Cecil B. DeMille is smiling.”. DeMille left a physical legacy in 1923 when, on completing The Ten Commandments, he buried the Egyptian sets in the sand dunes of Guadalupe. He wanted to prevent other companies fromshooting on
THE TEN COMMANDMENTS UNIT STILLS PHOTOGRAPHERS The Utah-born artist was introduced to DeMille by the painter-photographer-director Ferdinand Pinney Earle, who had worked on M-G-M’s Ben-Hur. DeMille hired Mortensen to shoot both scene stills and special art for The King of Kings (1927). It was a fortuitous connection. Few American photographers could have distilled the reality created on CLEOPATRA – CECIL B. DEMILLESEE MORE ON CECILBDEMILLE.COM NORTH WEST MOUNTED POLICEFORBIDDEN FRUIT
SAMSON AND DELILAH
FILMOGRAPHY
Filmography. Cecil B. DeMille was the consummate Renaissance man, as comfortable discussing astronomy as he was riding a horse, or inventing a lighting fixture. This diversity of interests contributed to his work as a filmmaker, and his films are his legacy. To help the website visitor appreciate these works, the site provides a profile ofeach
BOOKS ON DEMILLE
Online Register of the Cecil B. DeMille Archives, 1863-1983. L’Ereditá DeMille. Paolo Cherchi Usai. Le Giornate del Cinema Muto, 1991. Cecil B. DeMille and American Culture: The Silent Era. Sumiko Higashi. University of California Press, 1994. Written in Stone: Making Cecil B. DeMille’s Epic, The Ten Commandments. KatherineOrrison.
BUSINESSES – CECIL B. DEMILLE Oil. Cecil B. DeMille’s business interests included numerous oil wells across the country, most notably United Oil Wells. Mercury Aviation was headquartered at DeMille Field, which is now the site of the long-closed Johnie’s Restaurant. DeMille and his partners with a CREDITS – CECIL B. DEMILLE We credit the individuals, institutions, organizations, and companies who helped us continue the work of our book Cecil B. DeMille: The Art of the Hollywood Epic (2014, Running Press-Perseus). The Bison Archives: Marc Wanamaker. The Cinematic Arts Library at the University of Southern California: Ned Comstock, Senior Library Assistant; SandraSOUND FEATURES
Sound Features. In making the transition from silent films to sound films, DeMille drew on his experiences with both voice and sound effects in the theater. Most “early talkies” were little more than photographed stage plays. DeMille was one of a few directors who understood that sound need not always be used in a totally literalfashion to
FILM EDITORS
Film Editors. When Cecil B. DeMille embarked on his film career in 1913, the film editor (or “cutter”) did not exist as a discrete post. It was the director’s job. DeMille used rewinds and a magnifying glass to edit The Squaw Man. He continued in this function for four years and thirty films before delegating the task.CONCEPT ARTISTS
Harold Miles. DeMille hired Miles after the artist had worked as an uncredited set designer on The King of Kings (1927) and as art director for Erich von Stroheim on the ill-fated Queen Kelly. Miles stayed only from The Sign of the Cross (1932) through The Crusades (1935). After his DeMille projects, he worked for Walt Disney and alsotaught at
MANSLAUGHTER
Credits. Studio: A Famous Players-Lasky Production A Paramount Picture Released: September 25, 1922 Featured Cast: Leatrice Joy, Thomas Meighan Producer-director: Cecil B. DeMille Screenwriter: Jeanie Macpherson Source: the Alice Duer Miller novel Art director: Paul Iribe Cinematographers: Alvin Wyckoff, L. Guy Wilky Editor: Anne Bauchens Theme. A spoiled rich girl kills a policeman with her THE SIGN OF THE CROSS Credits. Studio: A Cecil B. DeMille Production Paramount Publix Corporation Premiered: November 30, 1932 (New York) Featured Cast: Fredric March, Elissa Landi, Claudette Colbert, Charles Laughton Producer-director: Cecil B. DeMille Screenwriters: Waldemar Young, Sidney Buchman, Nick Barrows Source: the Wilson Barrett play Cinematographer: Karl Struss Art director: Mitchell Leisen, HaroldMiles
THE TRUTH ABOUT THE 1950 SCREEN DIRECTORS GUILD MEETING The University Press of Kentucky, 2016. Cecil B. DeMille’s role at the Screen Directors Guild (SDG) meeting on 22 October 1950 has been a controversial one for the director. In the Red Scare period, DeMille and his conservative followers—who formed a majority of the SDG board—pushed for the removal of its president, Joseph Mankiewicz.CECIL B. DEMILLE
Cecil Blount DeMille was a founder of the Hollywood motion-picture industry. His first film, The Squaw Man, was the first feature film shot in Hollywood. His last, The Ten Commandments, remains a box-office legend. He made stars and cultivated artists. He was successful in aviation, banking, real BIOGRAPHY – CECIL B. DEMILLECONTACT USAWARDS Cecil B. DeMille was born on August 12, 1881, in Ashfield, Massachusetts. His father, Henry de Mille, was born in Washington, North Carolina, of Dutch and English ancestry. Henry was an Episcopal lay minister and a successful playwright. DeMille’s mother was born Beatrice Samuels to German-Jewish parents in London but was raised inNew York.
FILMOGRAPHY
Filmography. Cecil B. DeMille was the consummate Renaissance man, as comfortable discussing astronomy as he was riding a horse, or inventing a lighting fixture. This diversity of interests contributed to his work as a filmmaker, and his films are his legacy. To help the website visitor appreciate these works, the site provides a profile ofeach
LEGACY – CECIL B. DEMILLE The October 2002 issue of Vanity Fair Magazine saluted Paramount’s ninetieth Anniversary by writing: “Somewhere Cecil B. DeMille is smiling.”. DeMille left a physical legacy in 1923 when, on completing The Ten Commandments, he buried the Egyptian sets in the sand dunes of Guadalupe. He wanted to prevent other companies fromshooting on
THE TEN COMMANDMENTS UNIT STILLS PHOTOGRAPHERS The Utah-born artist was introduced to DeMille by the painter-photographer-director Ferdinand Pinney Earle, who had worked on M-G-M’s Ben-Hur. DeMille hired Mortensen to shoot both scene stills and special art for The King of Kings (1927). It was a fortuitous connection. Few American photographers could have distilled the reality created on CLEOPATRA – CECIL B. DEMILLESEE MORE ON CECILBDEMILLE.COM NORTH WEST MOUNTED POLICEFORBIDDEN FRUIT
SAMSON AND DELILAH
CECIL B. DEMILLE
Cecil Blount DeMille was a founder of the Hollywood motion-picture industry. His first film, The Squaw Man, was the first feature film shot in Hollywood. His last, The Ten Commandments, remains a box-office legend. He made stars and cultivated artists. He was successful in aviation, banking, real BIOGRAPHY – CECIL B. DEMILLECONTACT USAWARDS Cecil B. DeMille was born on August 12, 1881, in Ashfield, Massachusetts. His father, Henry de Mille, was born in Washington, North Carolina, of Dutch and English ancestry. Henry was an Episcopal lay minister and a successful playwright. DeMille’s mother was born Beatrice Samuels to German-Jewish parents in London but was raised inNew York.
FILMOGRAPHY
Filmography. Cecil B. DeMille was the consummate Renaissance man, as comfortable discussing astronomy as he was riding a horse, or inventing a lighting fixture. This diversity of interests contributed to his work as a filmmaker, and his films are his legacy. To help the website visitor appreciate these works, the site provides a profile ofeach
LEGACY – CECIL B. DEMILLE The October 2002 issue of Vanity Fair Magazine saluted Paramount’s ninetieth Anniversary by writing: “Somewhere Cecil B. DeMille is smiling.”. DeMille left a physical legacy in 1923 when, on completing The Ten Commandments, he buried the Egyptian sets in the sand dunes of Guadalupe. He wanted to prevent other companies fromshooting on
THE TEN COMMANDMENTS UNIT STILLS PHOTOGRAPHERS The Utah-born artist was introduced to DeMille by the painter-photographer-director Ferdinand Pinney Earle, who had worked on M-G-M’s Ben-Hur. DeMille hired Mortensen to shoot both scene stills and special art for The King of Kings (1927). It was a fortuitous connection. Few American photographers could have distilled the reality created on CLEOPATRA – CECIL B. DEMILLESEE MORE ON CECILBDEMILLE.COM NORTH WEST MOUNTED POLICEFORBIDDEN FRUIT
SAMSON AND DELILAH
FILMOGRAPHY
Filmography. Cecil B. DeMille was the consummate Renaissance man, as comfortable discussing astronomy as he was riding a horse, or inventing a lighting fixture. This diversity of interests contributed to his work as a filmmaker, and his films are his legacy. To help the website visitor appreciate these works, the site provides a profile ofeach
BOOKS ON DEMILLE
Online Register of the Cecil B. DeMille Archives, 1863-1983. L’Ereditá DeMille. Paolo Cherchi Usai. Le Giornate del Cinema Muto, 1991. Cecil B. DeMille and American Culture: The Silent Era. Sumiko Higashi. University of California Press, 1994. Written in Stone: Making Cecil B. DeMille’s Epic, The Ten Commandments. KatherineOrrison.
BUSINESSES – CECIL B. DEMILLE Oil. Cecil B. DeMille’s business interests included numerous oil wells across the country, most notably United Oil Wells. Mercury Aviation was headquartered at DeMille Field, which is now the site of the long-closed Johnie’s Restaurant. DeMille and his partners with a CREDITS – CECIL B. DEMILLE We credit the individuals, institutions, organizations, and companies who helped us continue the work of our book Cecil B. DeMille: The Art of the Hollywood Epic (2014, Running Press-Perseus). The Bison Archives: Marc Wanamaker. The Cinematic Arts Library at the University of Southern California: Ned Comstock, Senior Library Assistant; SandraSOUND FEATURES
Sound Features. In making the transition from silent films to sound films, DeMille drew on his experiences with both voice and sound effects in the theater. Most “early talkies” were little more than photographed stage plays. DeMille was one of a few directors who understood that sound need not always be used in a totally literalfashion to
FILM EDITORS
Film Editors. When Cecil B. DeMille embarked on his film career in 1913, the film editor (or “cutter”) did not exist as a discrete post. It was the director’s job. DeMille used rewinds and a magnifying glass to edit The Squaw Man. He continued in this function for four years and thirty films before delegating the task.CONCEPT ARTISTS
Harold Miles. DeMille hired Miles after the artist had worked as an uncredited set designer on The King of Kings (1927) and as art director for Erich von Stroheim on the ill-fated Queen Kelly. Miles stayed only from The Sign of the Cross (1932) through The Crusades (1935). After his DeMille projects, he worked for Walt Disney and alsotaught at
MANSLAUGHTER
Credits. Studio: A Famous Players-Lasky Production A Paramount Picture Released: September 25, 1922 Featured Cast: Leatrice Joy, Thomas Meighan Producer-director: Cecil B. DeMille Screenwriter: Jeanie Macpherson Source: the Alice Duer Miller novel Art director: Paul Iribe Cinematographers: Alvin Wyckoff, L. Guy Wilky Editor: Anne Bauchens Theme. A spoiled rich girl kills a policeman with her THE SIGN OF THE CROSS Credits. Studio: A Cecil B. DeMille Production Paramount Publix Corporation Premiered: November 30, 1932 (New York) Featured Cast: Fredric March, Elissa Landi, Claudette Colbert, Charles Laughton Producer-director: Cecil B. DeMille Screenwriters: Waldemar Young, Sidney Buchman, Nick Barrows Source: the Wilson Barrett play Cinematographer: Karl Struss Art director: Mitchell Leisen, HaroldMiles
THE TRUTH ABOUT THE 1950 SCREEN DIRECTORS GUILD MEETING The University Press of Kentucky, 2016. Cecil B. DeMille’s role at the Screen Directors Guild (SDG) meeting on 22 October 1950 has been a controversial one for the director. In the Red Scare period, DeMille and his conservative followers—who formed a majority of the SDG board—pushed for the removal of its president, Joseph Mankiewicz.CECIL B. DEMILLE
Cecil Blount DeMille was a founder of the Hollywood motion-picture industry. His first film, The Squaw Man, was the first feature film shot in Hollywood. His last, The Ten Commandments, remains a box-office legend. He made stars and cultivated artists. He was successful in aviation, banking, real BIOGRAPHY – CECIL B. DEMILLECONTACT USAWARDS Cecil B. DeMille was born on August 12, 1881, in Ashfield, Massachusetts. His father, Henry de Mille, was born in Washington, North Carolina, of Dutch and English ancestry. Henry was an Episcopal lay minister and a successful playwright. DeMille’s mother was born Beatrice Samuels to German-Jewish parents in London but was raised inNew York.
FILMOGRAPHY
Filmography. Cecil B. DeMille was the consummate Renaissance man, as comfortable discussing astronomy as he was riding a horse, or inventing a lighting fixture. This diversity of interests contributed to his work as a filmmaker, and his films are his legacy. To help the website visitor appreciate these works, the site provides a profile ofeach
THE TEN COMMANDMENTSTHE CRUSADES
THE PLAINSMAN
FORBIDDEN FRUIT
UNIT STILLS PHOTOGRAPHERS The Utah-born artist was introduced to DeMille by the painter-photographer-director Ferdinand Pinney Earle, who had worked on M-G-M’s Ben-Hur. DeMille hired Mortensen to shoot both scene stills and special art for The King of Kings (1927). It was a fortuitous connection. Few American photographers could have distilled the reality created onMANSLAUGHTER
SAMSON AND DELILAH
CECIL B. DEMILLE
Cecil Blount DeMille was a founder of the Hollywood motion-picture industry. His first film, The Squaw Man, was the first feature film shot in Hollywood. His last, The Ten Commandments, remains a box-office legend. He made stars and cultivated artists. He was successful in aviation, banking, real BIOGRAPHY – CECIL B. DEMILLECONTACT USAWARDS Cecil B. DeMille was born on August 12, 1881, in Ashfield, Massachusetts. His father, Henry de Mille, was born in Washington, North Carolina, of Dutch and English ancestry. Henry was an Episcopal lay minister and a successful playwright. DeMille’s mother was born Beatrice Samuels to German-Jewish parents in London but was raised inNew York.
FILMOGRAPHY
Filmography. Cecil B. DeMille was the consummate Renaissance man, as comfortable discussing astronomy as he was riding a horse, or inventing a lighting fixture. This diversity of interests contributed to his work as a filmmaker, and his films are his legacy. To help the website visitor appreciate these works, the site provides a profile ofeach
THE TEN COMMANDMENTSTHE CRUSADES
THE PLAINSMAN
FORBIDDEN FRUIT
UNIT STILLS PHOTOGRAPHERS The Utah-born artist was introduced to DeMille by the painter-photographer-director Ferdinand Pinney Earle, who had worked on M-G-M’s Ben-Hur. DeMille hired Mortensen to shoot both scene stills and special art for The King of Kings (1927). It was a fortuitous connection. Few American photographers could have distilled the reality created onMANSLAUGHTER
SAMSON AND DELILAH
FILMOGRAPHY
Filmography. Cecil B. DeMille was the consummate Renaissance man, as comfortable discussing astronomy as he was riding a horse, or inventing a lighting fixture. This diversity of interests contributed to his work as a filmmaker, and his films are his legacy. To help the website visitor appreciate these works, the site provides a profile ofeach
LEGACY – CECIL B. DEMILLE The October 2002 issue of Vanity Fair Magazine saluted Paramount’s ninetieth Anniversary by writing: “Somewhere Cecil B. DeMille is smiling.”. DeMille left a physical legacy in 1923 when, on completing The Ten Commandments, he buried the Egyptian sets in the sand dunes of Guadalupe. He wanted to prevent other companies fromshooting on
BOOKS ON DEMILLE
Online Register of the Cecil B. DeMille Archives, 1863-1983. L’Ereditá DeMille. Paolo Cherchi Usai. Le Giornate del Cinema Muto, 1991. Cecil B. DeMille and American Culture: The Silent Era. Sumiko Higashi. University of California Press, 1994. Written in Stone: Making Cecil B. DeMille’s Epic, The Ten Commandments. KatherineOrrison.
SOUND FEATURES
Sound Features. In making the transition from silent films to sound films, DeMille drew on his experiences with both voice and sound effects in the theater. Most “early talkies” were little more than photographed stage plays. DeMille was one of a few directors who understood that sound need not always be used in a totally literalfashion to
GUEST APPEARANCES
Selected Guest Appearances. A Trip to Paramountown (1922 – Paramount) Hollywood (1923 – Paramount) Hollywood on Parade No. 9 (1933 – Louis Lewyn Productions) The March of Time: The Movies Move On (1939 – RKO Radio) Glamour Boy (1941 – Paramount) Star Spangled Rhythm (1942 – Paramount) Variety Girl (1947 – Paramount) CLEOPATRA – CECIL B. DEMILLE Credits. Studio: A Cecil B. DeMille Production Paramount Pictures Premiered: August 16, 1934 (New York premiere) Featured Cast: Claudette Colbert, Henry Wilcoxon, Warren William Producer-director: Cecil B. DeMille Screenwriters: Waldemar Young, Vincent Lawrence Source: historical material adapted by Bartlett Cormack, Finley Peter Dunne Jr., Jeanie Macpherson, Manuel Komroff NORTH WEST MOUNTED POLICE Production Quote. “Cecil B. DeMille has just brought in his first Technicolor feature, North West Mounted Police, nine days ahead of schedule and $125,000 under budget. DeMille split a $2,800 fund among twenty-eight workers as a result.”. – “Paramount’s Technicolor Specials,” Film Daily, May 20, 1940.CONCEPT ARTISTS
Harold Miles. DeMille hired Miles after the artist had worked as an uncredited set designer on The King of Kings (1927) and as art director for Erich von Stroheim on the ill-fated Queen Kelly. Miles stayed only from The Sign of the Cross (1932) through The Crusades (1935). After his DeMille projects, he worked for Walt Disney and alsotaught at
SILENT FEATURES
Silent Features. DeMille personified the silent era of American film. In 1913, when he left a thirteen-year career on the stage and stepped behind a motion-picture camera, the medium was still being formed. He immediately sensed that anything was possible. Applying theatrical methods to the new medium, and inventing new ones as needed, he REMEMBERING HOLLYWOOD’S “FIRST DAY” Remembering Hollywood’s “First Day”. On December 29, 1913, Cecil B. DeMille began Hollywood’s first feature film. On May 21, 1957, DeMille and his biographer Art Arthur studied a photograph taken that day. By running your cursor across the photo, you can read what DeMille had to say about his troupe.* Search
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Yousuf Karsh/De Mille ArchivesCECIL B. DEMILLE
Cecil Blount DeMille was a founder of the Hollywood motion-picture industry. His first film, _The Squaw Man_, was the first feature film shot in Hollywood. His last, _The Ten Commandments_, remains a box-office legend. He made stars and cultivated artists. He was successful in aviation, banking, real estate, and radio. He received scores of honors, most notably two Academy Awards.® Mr. DeMille is the most successful producer-director in the history of film.View Biography
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