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GLESSING
Border Crossings is a quarterly cultural magazine edited and published in Winnipeg. A local, international magazine, it is now in its 35th year of continuous publication. Edited by Meeka Walsh, it investigates contemporary culture through a combination of articles, reviews, MAGAZINE – BORDER CROSSINGS MAGAZINE Border Crossings is a quarterly cultural magazine edited and published in Winnipeg. A local, international magazine, it is now in its 35th year of continuous publication. Edited by Meeka Walsh, it investigates contemporary culture through a combination of articles, reviews, INDEX – BORDER CROSSINGS MAGAZINE navigateup. Border Crossings • 500-70 Arthur Street • Winnipeg, MB • R3B 1G7 • (204) 942 5778 • Toll-free (866) 825 7165 • Fax (204) 949 0793 • Email Advertise with Border CrossingsWHERE TO BUY
Subscriptions and back issues can be purchased right here on our site. In Canada, Border Crossings can also be found at Chapters/Indigo stores. Don’t see your area listed below? Contact your local retailer and help us to increase our distribution! THE BEAUTIFUL TRAP: JANINE ANTONI’S BODY ART It was a piece that did double duty. Conduit, 2009, copper sculpture with urine verdigris patina, framed digital c-print. Image size 28 x 33”. Sculpture: 2 x 7-1/4 x 2-1/4”. Courtesy of the artist and Luhring Augustine, New York. From the beginning, Antoni has used her body as the object through which she has measured her place in theworld.
PAINTING IN AN EXPANDED FIELD Owens gravitates towards the idea of painting as an expanded field that confounds our expectations, a way of making art that runs the risk of being misread. In plotting a map of misreading, she insists upon a must of misreading. Laura Owens, Installation view, “12 Paintings,” 356 S Mission Rd, Los Angeles, January 20–July 7,2013.
“THROUGH LINES”
Redaction (along with its bedfellows censorship and erasure) may be the archetypal bugbear of democracy—one only has to point to examples like Joseph Stalin’s excising disfavoured figures from Soviet history to stir up fears of state paternalism and oppression. Nevertheless, the increasingly fraught political and media landscape of today’s West may also be prompting a kind of redaction THE EYE OF THE PAINTING: AN INTERVIEW WITH PETER DOIG Border Crossings is a quarterly cultural magazine edited and published in Winnipeg. A local, international magazine, it is now in its 35th year of continuous publication. Edited by Meeka Walsh, it investigates contemporary culture through a combination of articles, reviews, GERTRUDE STEIN’S DOG Border Crossings is a quarterly cultural magazine edited and published in Winnipeg. A local, international magazine, it is now in its 35th year of continuous publication. Edited by Meeka Walsh, it investigates contemporary culture through a combination of articles, reviews,DANA CLAXTON
Dana Claxton. The Vancouver Art Gallery’s (VAG ) s t e l l a r D a n a Claxton exhibition was, in many ways, a first. It was the first major survey in the acclaimed multimedia artist’s 30-year career and the first time many of her significant works have been exhibited in Vancouver, the city in which Claxton has been based since themid-1980s.
BORDER CROSSINGS MAGAZINEABOUTMAGAZINESDONATEINDEXHER AND YOUJILLGLESSING
Border Crossings is a quarterly cultural magazine edited and published in Winnipeg. A local, international magazine, it is now in its 35th year of continuous publication. Edited by Meeka Walsh, it investigates contemporary culture through a combination of articles, reviews, MAGAZINE – BORDER CROSSINGS MAGAZINE Border Crossings is a quarterly cultural magazine edited and published in Winnipeg. A local, international magazine, it is now in its 35th year of continuous publication. Edited by Meeka Walsh, it investigates contemporary culture through a combination of articles, reviews, INDEX – BORDER CROSSINGS MAGAZINE navigateup. Border Crossings • 500-70 Arthur Street • Winnipeg, MB • R3B 1G7 • (204) 942 5778 • Toll-free (866) 825 7165 • Fax (204) 949 0793 • Email Advertise with Border CrossingsWHERE TO BUY
Subscriptions and back issues can be purchased right here on our site. In Canada, Border Crossings can also be found at Chapters/Indigo stores. Don’t see your area listed below? Contact your local retailer and help us to increase our distribution! THE BEAUTIFUL TRAP: JANINE ANTONI’S BODY ART It was a piece that did double duty. Conduit, 2009, copper sculpture with urine verdigris patina, framed digital c-print. Image size 28 x 33”. Sculpture: 2 x 7-1/4 x 2-1/4”. Courtesy of the artist and Luhring Augustine, New York. From the beginning, Antoni has used her body as the object through which she has measured her place in theworld.
PAINTING IN AN EXPANDED FIELD Owens gravitates towards the idea of painting as an expanded field that confounds our expectations, a way of making art that runs the risk of being misread. In plotting a map of misreading, she insists upon a must of misreading. Laura Owens, Installation view, “12 Paintings,” 356 S Mission Rd, Los Angeles, January 20–July 7,2013.
“THROUGH LINES”
Redaction (along with its bedfellows censorship and erasure) may be the archetypal bugbear of democracy—one only has to point to examples like Joseph Stalin’s excising disfavoured figures from Soviet history to stir up fears of state paternalism and oppression. Nevertheless, the increasingly fraught political and media landscape of today’s West may also be prompting a kind of redaction THE EYE OF THE PAINTING: AN INTERVIEW WITH PETER DOIG Border Crossings is a quarterly cultural magazine edited and published in Winnipeg. A local, international magazine, it is now in its 35th year of continuous publication. Edited by Meeka Walsh, it investigates contemporary culture through a combination of articles, reviews, GERTRUDE STEIN’S DOG Border Crossings is a quarterly cultural magazine edited and published in Winnipeg. A local, international magazine, it is now in its 35th year of continuous publication. Edited by Meeka Walsh, it investigates contemporary culture through a combination of articles, reviews,DANA CLAXTON
Dana Claxton. The Vancouver Art Gallery’s (VAG ) s t e l l a r D a n a Claxton exhibition was, in many ways, a first. It was the first major survey in the acclaimed multimedia artist’s 30-year career and the first time many of her significant works have been exhibited in Vancouver, the city in which Claxton has been based since themid-1980s.
MAGAZINE – BORDER CROSSINGS MAGAZINE Border Crossings is a quarterly cultural magazine edited and published in Winnipeg. A local, international magazine, it is now in its 35th year of continuous publication. Edited by Meeka Walsh, it investigates contemporary culture through a combination of articles, reviews, SWEETENED WITH BEAUTY Untitled, 2018.Oil on fabric, 45 x 64.1 cm, is a startle of yellow, a blast of heat, a colour Althoff uses with some frequency, and here as the ground for a vignette framing a tale-telling that is an event isolated from others; see, here; or a tent flap lifted, the fringed tapestry revealing a moment of some intimacy; or a floating world like a large, elaborately painted kite. PAINTING’S SECRETS: GERHARD RICHTER PAINTING, DIRECTED BY Border Crossings is a quarterly cultural magazine edited and published in Winnipeg. A local, international magazine, it is now in its 35th year of continuous publication. Edited by Meeka Walsh, it investigates contemporary culture through a combination of articles, reviews, BAS JAN ADER: QUICKSILVER AND GONE Border Crossings is a quarterly cultural magazine edited and published in Winnipeg. A local, international magazine, it is now in its 35th year of continuous publication. Edited by Meeka Walsh, it investigates contemporary culture through a combination of articles, reviews, THE INCREDIBLE RIGHTNESS OF MISCHIEF Kent Monkman’s revisioning of the Canadian artistic, social, political and sexual landscape is the most radical rethinking of the way our society functions any artist has accomplished in the 150 years since Confederation.. He works inside a lengthy history that regards 1867 as one kind of benchmark moving forward; he also drifts back to New France, the period 150 years before Confederation THE GAZE AND THE GUESS: FIXING IDENTITY IN “ÉTANT DONNÉS Border Crossings is a quarterly cultural magazine edited and published in Winnipeg. A local, international magazine, it is now in its 35th year of continuous publication. Edited by Meeka Walsh, it investigates contemporary culture through a combination of articles, reviews,IAN WALLACE
Border Crossings is a quarterly cultural magazine edited and published in Winnipeg. A local, international magazine, it is now in its 35th year of continuous publication. Edited by Meeka Walsh, it investigates contemporary culture through a combination of articles, reviews, STILL TRUCKIN’ AFTER ALL THESE YEARS: RANDALL ANDERSON Border Crossings is a quarterly cultural magazine edited and published in Winnipeg. A local, international magazine, it is now in its 35th year of continuous publication. Edited by Meeka Walsh, it investigates contemporary culture through a combination of articles, reviews, THE VIDEO ART OF SYLVIA SAFDIE The Video Art of Sylvia Safdie, by Eric Lewis, McGill-Queen’s University Press, 2013, 136 pages, $55.00. “Amzrou / Morocco” was exhibited at Joyce Yahouda Gallery, Montreal, from August 22 to October 5, 2013. Celina Jeffery is an art historian and curator, and is Associate Professor of Art History and Theory at the University ofOttawa.
PLEASURE PRINCIPALS: THE ART OF JANET CARDIFF AND GEORGE Janet Cardiff and George Bures Miller have created, each in their particular way, a contemporary version of son et lumière. Not for the sake of spectacle, although the theatrical is a tool they find engaging and functional, having used it to good effect in many of their pieces. In fact, Janet Cardiff’s voice in your ears, winding through your cochlea, insinuating itself thoroughly into your BORDER CROSSINGS MAGAZINEABOUTMAGAZINESDONATEINDEXHER AND YOUJILLGLESSING
Border Crossings is a quarterly cultural magazine edited and published in Winnipeg. A local, international magazine, it is now in its 35th year of continuous publication. Edited by Meeka Walsh, it investigates contemporary culture through a combination of articles, reviews, MAGAZINE – BORDER CROSSINGS MAGAZINE Border Crossings is a quarterly cultural magazine edited and published in Winnipeg. A local, international magazine, it is now in its 35th year of continuous publication. Edited by Meeka Walsh, it investigates contemporary culture through a combination of articles, reviews, INDEX – BORDER CROSSINGS MAGAZINE navigateup. Border Crossings • 500-70 Arthur Street • Winnipeg, MB • R3B 1G7 • (204) 942 5778 • Toll-free (866) 825 7165 • Fax (204) 949 0793 • Email Advertise with Border CrossingsWHERE TO BUY
Subscriptions and back issues can be purchased right here on our site. In Canada, Border Crossings can also be found at Chapters/Indigo stores. Don’t see your area listed below? Contact your local retailer and help us to increase our distribution! THE BEAUTIFUL TRAP: JANINE ANTONI’S BODY ART It was a piece that did double duty. Conduit, 2009, copper sculpture with urine verdigris patina, framed digital c-print. Image size 28 x 33”. Sculpture: 2 x 7-1/4 x 2-1/4”. Courtesy of the artist and Luhring Augustine, New York. From the beginning, Antoni has used her body as the object through which she has measured her place in theworld.
PAINTING IN AN EXPANDED FIELD Owens gravitates towards the idea of painting as an expanded field that confounds our expectations, a way of making art that runs the risk of being misread. In plotting a map of misreading, she insists upon a must of misreading. Laura Owens, Installation view, “12 Paintings,” 356 S Mission Rd, Los Angeles, January 20–July 7,2013.
“THROUGH LINES”
Redaction (along with its bedfellows censorship and erasure) may be the archetypal bugbear of democracy—one only has to point to examples like Joseph Stalin’s excising disfavoured figures from Soviet history to stir up fears of state paternalism and oppression. Nevertheless, the increasingly fraught political and media landscape of today’s West may also be prompting a kind of redaction THE EYE OF THE PAINTING: AN INTERVIEW WITH PETER DOIG Border Crossings is a quarterly cultural magazine edited and published in Winnipeg. A local, international magazine, it is now in its 35th year of continuous publication. Edited by Meeka Walsh, it investigates contemporary culture through a combination of articles, reviews, GERTRUDE STEIN’S DOG Border Crossings is a quarterly cultural magazine edited and published in Winnipeg. A local, international magazine, it is now in its 35th year of continuous publication. Edited by Meeka Walsh, it investigates contemporary culture through a combination of articles, reviews,DANA CLAXTON
Dana Claxton. The Vancouver Art Gallery’s (VAG ) s t e l l a r D a n a Claxton exhibition was, in many ways, a first. It was the first major survey in the acclaimed multimedia artist’s 30-year career and the first time many of her significant works have been exhibited in Vancouver, the city in which Claxton has been based since themid-1980s.
BORDER CROSSINGS MAGAZINEABOUTMAGAZINESDONATEINDEXHER AND YOUJILLGLESSING
Border Crossings is a quarterly cultural magazine edited and published in Winnipeg. A local, international magazine, it is now in its 35th year of continuous publication. Edited by Meeka Walsh, it investigates contemporary culture through a combination of articles, reviews, MAGAZINE – BORDER CROSSINGS MAGAZINE Border Crossings is a quarterly cultural magazine edited and published in Winnipeg. A local, international magazine, it is now in its 35th year of continuous publication. Edited by Meeka Walsh, it investigates contemporary culture through a combination of articles, reviews, INDEX – BORDER CROSSINGS MAGAZINE navigateup. Border Crossings • 500-70 Arthur Street • Winnipeg, MB • R3B 1G7 • (204) 942 5778 • Toll-free (866) 825 7165 • Fax (204) 949 0793 • Email Advertise with Border CrossingsWHERE TO BUY
Subscriptions and back issues can be purchased right here on our site. In Canada, Border Crossings can also be found at Chapters/Indigo stores. Don’t see your area listed below? Contact your local retailer and help us to increase our distribution! THE BEAUTIFUL TRAP: JANINE ANTONI’S BODY ART It was a piece that did double duty. Conduit, 2009, copper sculpture with urine verdigris patina, framed digital c-print. Image size 28 x 33”. Sculpture: 2 x 7-1/4 x 2-1/4”. Courtesy of the artist and Luhring Augustine, New York. From the beginning, Antoni has used her body as the object through which she has measured her place in theworld.
PAINTING IN AN EXPANDED FIELD Owens gravitates towards the idea of painting as an expanded field that confounds our expectations, a way of making art that runs the risk of being misread. In plotting a map of misreading, she insists upon a must of misreading. Laura Owens, Installation view, “12 Paintings,” 356 S Mission Rd, Los Angeles, January 20–July 7,2013.
“THROUGH LINES”
Redaction (along with its bedfellows censorship and erasure) may be the archetypal bugbear of democracy—one only has to point to examples like Joseph Stalin’s excising disfavoured figures from Soviet history to stir up fears of state paternalism and oppression. Nevertheless, the increasingly fraught political and media landscape of today’s West may also be prompting a kind of redaction THE EYE OF THE PAINTING: AN INTERVIEW WITH PETER DOIG Border Crossings is a quarterly cultural magazine edited and published in Winnipeg. A local, international magazine, it is now in its 35th year of continuous publication. Edited by Meeka Walsh, it investigates contemporary culture through a combination of articles, reviews, GERTRUDE STEIN’S DOG Border Crossings is a quarterly cultural magazine edited and published in Winnipeg. A local, international magazine, it is now in its 35th year of continuous publication. Edited by Meeka Walsh, it investigates contemporary culture through a combination of articles, reviews,DANA CLAXTON
Dana Claxton. The Vancouver Art Gallery’s (VAG ) s t e l l a r D a n a Claxton exhibition was, in many ways, a first. It was the first major survey in the acclaimed multimedia artist’s 30-year career and the first time many of her significant works have been exhibited in Vancouver, the city in which Claxton has been based since themid-1980s.
MAGAZINE – BORDER CROSSINGS MAGAZINE Border Crossings is a quarterly cultural magazine edited and published in Winnipeg. A local, international magazine, it is now in its 35th year of continuous publication. Edited by Meeka Walsh, it investigates contemporary culture through a combination of articles, reviews, SWEETENED WITH BEAUTY Untitled, 2018.Oil on fabric, 45 x 64.1 cm, is a startle of yellow, a blast of heat, a colour Althoff uses with some frequency, and here as the ground for a vignette framing a tale-telling that is an event isolated from others; see, here; or a tent flap lifted, the fringed tapestry revealing a moment of some intimacy; or a floating world like a large, elaborately painted kite. PAINTING’S SECRETS: GERHARD RICHTER PAINTING, DIRECTED BY Border Crossings is a quarterly cultural magazine edited and published in Winnipeg. A local, international magazine, it is now in its 35th year of continuous publication. Edited by Meeka Walsh, it investigates contemporary culture through a combination of articles, reviews, BAS JAN ADER: QUICKSILVER AND GONE Border Crossings is a quarterly cultural magazine edited and published in Winnipeg. A local, international magazine, it is now in its 35th year of continuous publication. Edited by Meeka Walsh, it investigates contemporary culture through a combination of articles, reviews, THE INCREDIBLE RIGHTNESS OF MISCHIEF Kent Monkman’s revisioning of the Canadian artistic, social, political and sexual landscape is the most radical rethinking of the way our society functions any artist has accomplished in the 150 years since Confederation.. He works inside a lengthy history that regards 1867 as one kind of benchmark moving forward; he also drifts back to New France, the period 150 years before Confederation THE GAZE AND THE GUESS: FIXING IDENTITY IN “ÉTANT DONNÉS Border Crossings is a quarterly cultural magazine edited and published in Winnipeg. A local, international magazine, it is now in its 35th year of continuous publication. Edited by Meeka Walsh, it investigates contemporary culture through a combination of articles, reviews,IAN WALLACE
Border Crossings is a quarterly cultural magazine edited and published in Winnipeg. A local, international magazine, it is now in its 35th year of continuous publication. Edited by Meeka Walsh, it investigates contemporary culture through a combination of articles, reviews, STILL TRUCKIN’ AFTER ALL THESE YEARS: RANDALL ANDERSON Border Crossings is a quarterly cultural magazine edited and published in Winnipeg. A local, international magazine, it is now in its 35th year of continuous publication. Edited by Meeka Walsh, it investigates contemporary culture through a combination of articles, reviews, THE VIDEO ART OF SYLVIA SAFDIE The Video Art of Sylvia Safdie, by Eric Lewis, McGill-Queen’s University Press, 2013, 136 pages, $55.00. “Amzrou / Morocco” was exhibited at Joyce Yahouda Gallery, Montreal, from August 22 to October 5, 2013. Celina Jeffery is an art historian and curator, and is Associate Professor of Art History and Theory at the University ofOttawa.
PLEASURE PRINCIPALS: THE ART OF JANET CARDIFF AND GEORGE Janet Cardiff and George Bures Miller have created, each in their particular way, a contemporary version of son et lumière. Not for the sake of spectacle, although the theatrical is a tool they find engaging and functional, having used it to good effect in many of their pieces. In fact, Janet Cardiff’s voice in your ears, winding through your cochlea, insinuating itself thoroughly into your BORDER CROSSINGS MAGAZINEABOUTMAGAZINESDONATEINDEXSUBMISSIONSHER ANDYOU
Border Crossings is a quarterly cultural magazine edited and published in Winnipeg. A local, international magazine, it is now in its 35th year of continuous publication. Edited by Meeka Walsh, it investigates contemporary culture through a combination of articles, reviews, MAGAZINE – BORDER CROSSINGS MAGAZINE Border Crossings is a quarterly cultural magazine edited and published in Winnipeg. A local, international magazine, it is now in its 35th year of continuous publication. Edited by Meeka Walsh, it investigates contemporary culture through a combination of articles, reviews,WHERE TO BUY
Subscriptions and back issues can be purchased right here on our site. In Canada, Border Crossings can also be found at Chapters/Indigo stores. Don’t see your area listed below? Contact your local retailer and help us to increase our distribution!“THROUGH LINES”
Redaction (along with its bedfellows censorship and erasure) may be the archetypal bugbear of democracy—one only has to point to examples like Joseph Stalin’s excising disfavoured figures from Soviet history to stir up fears of state paternalism and oppression. Nevertheless, the increasingly fraught political and media landscape of today’s West may also be prompting a kind of redaction THE BEAUTIFUL TRAP: JANINE ANTONI’S BODY ART It was a piece that did double duty. Conduit, 2009, copper sculpture with urine verdigris patina, framed digital c-print. Image size 28 x 33”. Sculpture: 2 x 7-1/4 x 2-1/4”. Courtesy of the artist and Luhring Augustine, New York. From the beginning, Antoni has used her body as the object through which she has measured her place in theworld.
BAS JAN ADER: QUICKSILVER AND GONE Border Crossings is a quarterly cultural magazine edited and published in Winnipeg. A local, international magazine, it is now in its 35th year of continuous publication. Edited by Meeka Walsh, it investigates contemporary culture through a combination of articles, reviews, GERTRUDE STEIN’S DOG Border Crossings is a quarterly cultural magazine edited and published in Winnipeg. A local, international magazine, it is now in its 35th year of continuous publication. Edited by Meeka Walsh, it investigates contemporary culture through a combination of articles, reviews,DANA CLAXTON
Dana Claxton. The Vancouver Art Gallery’s (VAG ) s t e l l a r D a n a Claxton exhibition was, in many ways, a first. It was the first major survey in the acclaimed multimedia artist’s 30-year career and the first time many of her significant works have been exhibited in Vancouver, the city in which Claxton has been based since themid-1980s.
“SCREENING THE ‘70S: CELEBRATING THE 50TH ANNIVERSARY OF The late ’60s and early ’70s were a tumultuous time in Canadian cultural history. Sixty years later, the unrest that was created by regionalism, nationalism and democratization has changed the course of the Canadian artworld. THE EYE OF THE PAINTING: AN INTERVIEW WITH PETER DOIG Border Crossings is a quarterly cultural magazine edited and published in Winnipeg. A local, international magazine, it is now in its 35th year of continuous publication. Edited by Meeka Walsh, it investigates contemporary culture through a combination of articles, reviews, BORDER CROSSINGS MAGAZINEABOUTMAGAZINESDONATEINDEXSUBMISSIONSHER ANDYOU
Border Crossings is a quarterly cultural magazine edited and published in Winnipeg. A local, international magazine, it is now in its 35th year of continuous publication. Edited by Meeka Walsh, it investigates contemporary culture through a combination of articles, reviews, MAGAZINE – BORDER CROSSINGS MAGAZINE Border Crossings is a quarterly cultural magazine edited and published in Winnipeg. A local, international magazine, it is now in its 35th year of continuous publication. Edited by Meeka Walsh, it investigates contemporary culture through a combination of articles, reviews,WHERE TO BUY
Subscriptions and back issues can be purchased right here on our site. In Canada, Border Crossings can also be found at Chapters/Indigo stores. Don’t see your area listed below? Contact your local retailer and help us to increase our distribution!“THROUGH LINES”
Redaction (along with its bedfellows censorship and erasure) may be the archetypal bugbear of democracy—one only has to point to examples like Joseph Stalin’s excising disfavoured figures from Soviet history to stir up fears of state paternalism and oppression. Nevertheless, the increasingly fraught political and media landscape of today’s West may also be prompting a kind of redaction THE BEAUTIFUL TRAP: JANINE ANTONI’S BODY ART It was a piece that did double duty. Conduit, 2009, copper sculpture with urine verdigris patina, framed digital c-print. Image size 28 x 33”. Sculpture: 2 x 7-1/4 x 2-1/4”. Courtesy of the artist and Luhring Augustine, New York. From the beginning, Antoni has used her body as the object through which she has measured her place in theworld.
BAS JAN ADER: QUICKSILVER AND GONE Border Crossings is a quarterly cultural magazine edited and published in Winnipeg. A local, international magazine, it is now in its 35th year of continuous publication. Edited by Meeka Walsh, it investigates contemporary culture through a combination of articles, reviews, GERTRUDE STEIN’S DOG Border Crossings is a quarterly cultural magazine edited and published in Winnipeg. A local, international magazine, it is now in its 35th year of continuous publication. Edited by Meeka Walsh, it investigates contemporary culture through a combination of articles, reviews,DANA CLAXTON
Dana Claxton. The Vancouver Art Gallery’s (VAG ) s t e l l a r D a n a Claxton exhibition was, in many ways, a first. It was the first major survey in the acclaimed multimedia artist’s 30-year career and the first time many of her significant works have been exhibited in Vancouver, the city in which Claxton has been based since themid-1980s.
“SCREENING THE ‘70S: CELEBRATING THE 50TH ANNIVERSARY OF The late ’60s and early ’70s were a tumultuous time in Canadian cultural history. Sixty years later, the unrest that was created by regionalism, nationalism and democratization has changed the course of the Canadian artworld. THE EYE OF THE PAINTING: AN INTERVIEW WITH PETER DOIG Border Crossings is a quarterly cultural magazine edited and published in Winnipeg. A local, international magazine, it is now in its 35th year of continuous publication. Edited by Meeka Walsh, it investigates contemporary culture through a combination of articles, reviews, MAGAZINE – BORDER CROSSINGS MAGAZINE Border Crossings is a quarterly cultural magazine edited and published in Winnipeg. A local, international magazine, it is now in its 35th year of continuous publication. Edited by Meeka Walsh, it investigates contemporary culture through a combination of articles, reviews, ABOUT US – BORDER CROSSINGS MAGAZINE About Us. Border Crossings is a tri-annual cultural magazine edited and published in Winnipeg. A local, international magazine, it is now in its 37th year of continuous publication. Edited by Meeka Walsh, it investigates contemporary culture through a combination of articles, reviews, interviews and portfolios of photographs and drawings.WHERE TO BUY
Subscriptions and back issues can be purchased right here on our site. In Canada, Border Crossings can also be found at Chapters/Indigo stores. Don’t see your area listed below? Contact your local retailer and help us to increase our distribution!SUBMISSIONS
Border Crossings prefers that submissions be preceded by specific query letters, outlining the proposed piece. All inquiries should be sent to: Meeka Walsh, Editor Border Crossings 500 – 70 Arthur Street Winnipeg, MB, Canada R3B 1G7. Or emailed to editor@bordercrossingsmag.com.. Exhibition review proposals should include a small selection of images and any pertinent informationabout the
THE FITTER – BORDER CROSSINGS MAGAZINE The animals are yet another collaboration with her metallic friends; the menagerie includes giraffes, crocodiles, wolves, tortoises, storks and zebras, cast in bronze, iron, brass or aluminum. Individually, the animals retain a sense of their original integrity, but when aDANA CLAXTON
Dana Claxton. The Vancouver Art Gallery’s (VAG ) s t e l l a r D a n a Claxton exhibition was, in many ways, a first. It was the first major survey in the acclaimed multimedia artist’s 30-year career and the first time many of her significant works have been exhibited in Vancouver, the city in which Claxton has been based since themid-1980s.
PAINTING IN AN EXPANDED FIELD Owens gravitates towards the idea of painting as an expanded field that confounds our expectations, a way of making art that runs the risk of being misread. In plotting a map of misreading, she insists upon a must of misreading. Laura Owens, Installation view, “12 Paintings,” 356 S Mission Rd, Los Angeles, January 20–July 7,2013.
NEP SIDHU – BORDER CROSSINGS MAGAZINE Two men face an open door at the top of a small flight of periwinkle-coloured stairs. Beside the opening, a closed door glitters, replete with detailed, golden iconography and a vermillion lintel embroidered with script-like markings. The men and the entrance are framed by billowing cream, yellow, red and blue curtains that recall a royal litter or an extravagant four-poster bed. As viewers THE INCREDIBLE RIGHTNESS OF MISCHIEF Kent Monkman’s revisioning of the Canadian artistic, social, political and sexual landscape is the most radical rethinking of the way our society functions any artist has accomplished in the 150 years since Confederation.. He works inside a lengthy history that regards 1867 as one kind of benchmark moving forward; he also drifts back to New France, the period 150 years before Confederation PLEASURE PRINCIPALS: THE ART OF JANET CARDIFF AND GEORGE Janet Cardiff and George Bures Miller have created, each in their particular way, a contemporary version of son et lumière. Not for the sake of spectacle, although the theatrical is a tool they find engaging and functional, having used it to good effect in many of their pieces. In fact, Janet Cardiff’s voice in your ears, winding through your cochlea, insinuating itself thoroughly into yourSubscribe Now
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Volume 40, Number 1
PAINTING ISSUE AVAILABLE NOW!Volume 39, Number 3
NOVEMBER 2020 ISSUE - THE MATTER OF BLACK LIVESLATEST
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BELLE LETTRISTS: NICOLA TYSON, MARIA LASSNIG, AMY SILLMANMeeka Walsh
May
2021
Bordernotes
I have two very particular books of letters on my desk. Particular in that neither is the collected correspondence of one writer in touch with a number of recipients over time, nor gathered together to reflect the breadth of the recipients, nor the myriad points of connections the writer made in a lifetime, nor focused on an event of significance—a crisis lived through and reported on, personal or universal. More particular than that. _Keep Reading_*
IDEAS OF NORTH
May 2021
Borderview
On March 27, 2021, _Qaumajuq_, the new Inuit art centre, opened to the public. The word means “it is bright, it is lit,” and the naming is perfect. The 40,000-square-foot building was designed by Los Angeles architect Michael Maltzan, who is described by Dr Stephen Borys, the Winnipeg Art Gallery’s director and CEO, as “an architect who thinks like an artist.” _Keep Reading_*
STATUS UPBEATS
May 2021
Borderview
For five of those years, he entered into a collaboration with Cliff Eyland, an artist, close friend and one-time academic colleague. Eyland responded with 1,600 visual interpretations of Toles’s status updates, and Winnipeg’s At Bay Press has published a tidy 100-page book offering a mere tease of their delightful collaboration. _KeepReading_
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PICTURA OASIS
May 2021
Borderview
The most recent exploration of the practice of painting as viewed from Montreal is “PICTURA: PAINTING … IN MONTRÉAL’S IMAGE.” The exhibition was conceived and organized by Montreal artist TREVOR KIERNANDER. His commitment to the idea of painting in Montreal is directly connected to the medium’s history in the city. _KeepReading_
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SWEETENED WITH BEAUTY An interview with Kai AlthoffMeeka Walsh
, Robert
Enright
May
2021
Interviews
The interview that follows was prompted by the exhibition at Whitechapel, “Kai Althoff goes with Bernard Leach,” in tandem with our own long-standing interest in the artist’s work. _Keep Reading___Load More
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FROM THE BLOG
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NO MAN IS AN EYLAND: THE MANY LIVES OF CLIFF EYLANDJune 5
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BORDER CROSSINGS BIENNIAL GALA “20/20 PERFECT VISION” POSTPONEDMarch 13
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A TRIBUTE TO GORDON SMITHFebruary 3
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