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STATES OF MIND
Griffith Review · GR72 Introduction by Ashley Hay, editor. RRP: $27.99 / Publication Date: Apr 2021 / ISBN: 978-1-922212-59-7 / Extent: 264pp / Formats: Paperback (234 x 153mm), eBook. STAFF - GRIFFITH REVIEW Staff. Professor Julianne Schultz AM FAHA is the publisher and founding editor of Griffith Review and Professor of Media and Culture in of the Griffith University Centre for Social and Cultural Research. She is a non executive director of The Conversation and chairs its Editorial Advisory Board. She is an acclaimed author of several booksPARADISE LOST
The next morning the walking becomes tougher. After a six-month wet season the track has become wildly overgrown. Vines hang from the forest canopy, saplings sprout from the ground and the track disappears into a sea of green. Greg forges ahead and slashes throughclumps of
THREE POEMS
Think of their hands, all of them: firm on the plow, the cradle, the rifle butt, the razor strop; trembling on the telegram, the cheek of a lover, the fact of a door. Everything that can wreck a life. has been done before, done to you, even. THE HEART OF SEEDING FIRST NATIONS SOVEREIGNTY THE ARCHITECTURE OF a society is shaped by structures that form the power to tell a nation’s story. And our capacity to create a narrative that respects First Nations sovereignty depends on the value we place on hearing the sacred voices of Aboriginal and Torres Strait Islander peoples in our quest for the truth of our giilangs – ourstories.
BORN IN VIETNAM, MADE IN AUSTRALIA Born in Vietnam, made in Australia. We are the children of defeated warriors who have tried to come to terms with the present life, and the act of negotiating the past with all its rules and traditions, in the hope that the two very different cultures could blend into one well-adjusted whole. This always seemed better in theory than inpractice
ON 'MAHTAB’S STORY', BY LIBBY GLEESON Mahtab’s Story (Allen & Unwin, 2008) helped to change that. Libby Gleeson’s novel provides a glimpse into the lives of those who arrive by boat, through the eyes of a young Afghani girl named Mahtab. Importantly, the novel also shows us that these people are so much more than just ‘boat people’ – a term used to flatten andde-identify
CREATIVE DARWINISM
Creative Darwinism. This is my city and I’m never gonna leave it. WRITING ABOUT MY experience of making music in Perth is a strange thing, because as soon as a ‘scene’ is bound and gagged by the written word it is finished, petrified, swept up into the Rolling Stone archives and forever considered ‘history’. It might berevered and
KARTIYA ARE LIKE TOYOTAS Kartiya are like Toyotas. by Kim Mahood. 'Kartiya are like Toyotas. When they break down we get another one.'. – remark by a Western Desert woman about whitefellas. who work in Indigenous communities. UNLIKE THE BROKEN Toyotas, which are abandoned where they fall, cannibalised, overturned, gutted and torched, the broken kartiya goaway
HOME - GRIFFITH REVIEWABOUTCURRENT EDITIONEVENTSARCHIVESTOREEXCLUSIVE Griffith Review is delighted to announce five residencies in partnership with Varuna, The National Writers’ House, thanks to support from the Graeme Wood Foundation.. Contributors are invited to pitch projects to be considered for forthcoming editions of Griffith Review in 2022.. For details of what we're looking for, and how to apply, please see here.STATES OF MIND
Griffith Review · GR72 Introduction by Ashley Hay, editor. RRP: $27.99 / Publication Date: Apr 2021 / ISBN: 978-1-922212-59-7 / Extent: 264pp / Formats: Paperback (234 x 153mm), eBook. STAFF - GRIFFITH REVIEW Staff. Professor Julianne Schultz AM FAHA is the publisher and founding editor of Griffith Review and Professor of Media and Culture in of the Griffith University Centre for Social and Cultural Research. She is a non executive director of The Conversation and chairs its Editorial Advisory Board. She is an acclaimed author of several booksPARADISE LOST
The next morning the walking becomes tougher. After a six-month wet season the track has become wildly overgrown. Vines hang from the forest canopy, saplings sprout from the ground and the track disappears into a sea of green. Greg forges ahead and slashes throughclumps of
THREE POEMS
Think of their hands, all of them: firm on the plow, the cradle, the rifle butt, the razor strop; trembling on the telegram, the cheek of a lover, the fact of a door. Everything that can wreck a life. has been done before, done to you, even. THE HEART OF SEEDING FIRST NATIONS SOVEREIGNTY THE ARCHITECTURE OF a society is shaped by structures that form the power to tell a nation’s story. And our capacity to create a narrative that respects First Nations sovereignty depends on the value we place on hearing the sacred voices of Aboriginal and Torres Strait Islander peoples in our quest for the truth of our giilangs – ourstories.
BORN IN VIETNAM, MADE IN AUSTRALIA Born in Vietnam, made in Australia. We are the children of defeated warriors who have tried to come to terms with the present life, and the act of negotiating the past with all its rules and traditions, in the hope that the two very different cultures could blend into one well-adjusted whole. This always seemed better in theory than inpractice
ON 'MAHTAB’S STORY', BY LIBBY GLEESON Mahtab’s Story (Allen & Unwin, 2008) helped to change that. Libby Gleeson’s novel provides a glimpse into the lives of those who arrive by boat, through the eyes of a young Afghani girl named Mahtab. Importantly, the novel also shows us that these people are so much more than just ‘boat people’ – a term used to flatten andde-identify
CREATIVE DARWINISM
Creative Darwinism. This is my city and I’m never gonna leave it. WRITING ABOUT MY experience of making music in Perth is a strange thing, because as soon as a ‘scene’ is bound and gagged by the written word it is finished, petrified, swept up into the Rolling Stone archives and forever considered ‘history’. It might berevered and
KARTIYA ARE LIKE TOYOTAS Kartiya are like Toyotas. by Kim Mahood. 'Kartiya are like Toyotas. When they break down we get another one.'. – remark by a Western Desert woman about whitefellas. who work in Indigenous communities. UNLIKE THE BROKEN Toyotas, which are abandoned where they fall, cannibalised, overturned, gutted and torched, the broken kartiya goaway
STAFF - GRIFFITH REVIEW Staff. Professor Julianne Schultz AM FAHA is the publisher and founding editor of Griffith Review and Professor of Media and Culture in of the Griffith University Centre for Social and Cultural Research. She is a non executive director of The Conversation and chairs its Editorial Advisory Board. She is an acclaimed author of several booksSINKING BELOW SIGHT
The father is in jail, as is the father of her older, living son. A third man ('really violent, on everything, heroin, downers, speed') was her boyfriend at the time the baby died. Selma has deep reservations about what her friend experienced. 'She'd been raped before, you know, and also raped as a young teenager. ON 'THE COMPLETE STORIES', BY DAVID MALOUF subscribe to Griffith Review for as little as $60 per year. THERE ARE ALWAYS two landscapes in a Malouf story. The one you can touch with your hands, and the one that is dreamed – discoverable by language, always on the verge of disappearing. In medieval Japanese art and letters, this quality was known as yūgen (幽玄),which might be ON 'CARPENTARIA', BY ALEXIS WRIGHT Carpentaria is an uncompromisingly ambitious tale of a town in crisis, and the tensions – escalating around the establishment of the mining site – between factions of its Indigenous population, and between the Indigenous people and the white folk of ‘Uptown’. Since 1770, when Captain James Cook claimed the east coast of the continent THE MYTHS OF AZARIA, SO MANY The myths of Azaria, so many. by John Bryson. A YOUNG TRIAL lawyer will soon come to understand that some stories are likely to be believed while others are not, and the factor which sets them apart is not to do with fact or with falsehood. Around a time when Lindy Chamberlain was well pregnant with Azaria, the chief ranger at AyersRock [sic
‘IMAGINE US AS PART OF YOU’ The quietly abandoned company slogan from the mid-1980s – ‘Think of us as part of you’ – suggested the company thought that mustering public support was inherently unnecessary. In place of seeking a popular mandate, the company tended to simply emphatically assert the objective, aDAVID LAMBERT
David Lambert - Griffith Review. David Lambert is the inaugural professor of evolutionary biology at Griffith University and is a member of the Australian Research Centre for Human Evolution. His is a former distinguished professor at Massey University in New Zealand, principal investigator in the Allan Wilson Centre for MolecularEcology and
THE OLDEN DAYS
In the olden days, sex was a commodity but the trade was deniable, and furtive, and slightly nasty. Despite the obvious existence of a small but thriving red-light district in Fortitude Valley, the governing brutocracy refused to admit such things could even happen, while corrupt police officers trousered thousands of dollars a week inbribes
THE VOICE OF INDIGENOUS DATA The data are not the data. Indigenous data are an essential resource for the realisation of the vision articulated in the Uluru Statement from the Heart. But as in the lack of a voice in the decisions that affect us, our voice is also peripheral to the channels of power STILL TALKIN' UP TO THE WHITE WOMAN In 2000, Aileen Moreton-Robinson wrote Talkin’ Up to the White Woman (UQP). I didn’t discover her book until 2015, and was shocked that something written fifteen years ago could so accurately describe my own professional experiences. Moreton-Robinson writes about the dynamics of female leadership in academia, where white women heldpower
HOME - GRIFFITH REVIEWABOUTCURRENT EDITIONEVENTSARCHIVESTOREEXCLUSIVESHERRI GRIFFITH REVIEWGRIFFITHUNIVERSITY
Griffith Review is delighted to announce five residencies in partnership with Varuna, The National Writers’ House, thanks to support from the Graeme Wood Foundation.. Contributors are invited to pitch projects to be considered for forthcoming editions of Griffith Review in 2022.. For details of what we're looking for, and how to apply, please see here. STAFF - GRIFFITH REVIEW Ashley Hay, Editor. Dr Ashley Hay is a former literary editor of The Bulletin, and a prize-winning author who has published three novels and four books of narrative non-fiction.Her work has won several awards, including the 2013 Colin Roderick Prize and the People’s Choice Award in the 2014 NSW Premier’s Prize. THE HEART OF SEEDING FIRST NATIONS SOVEREIGNTY THE ARCHITECTURE OF a society is shaped by structures that form the power to tell a nation’s story. And our capacity to create a narrative that respects First Nations sovereignty depends on the value we place on hearing the sacred voices of Aboriginal and Torres Strait Islander peoples in our quest for the truth of our giilangs – ourstories.
THE IDEOLOGY OF RELIGION I and the public know. What all schoolchildren learn, Those to whom evil is done. Do evil in return. – W H Auden THE CAPACITY OF people to behave in ways that are incomprehensible to those who do not share the same beliefs and values is one of the abiding mysteries of humanexistence.
PARADISE LOST
IT’S MAY, THE end of the wet season in Far North Queensland, and storm clouds brew ominously to the north. We’ve already driven for three hours from Mossman, including an hour along the four-wheel-drive-only Bloomfield Track, to Home Rule, south of Cooktown, where we are about to embark on a three-day walk to an isolated tropical beach: Cedar Bay. LIFE AND DEATH ON DYARUBBIN The encroaching silence — Eddie Game, The Nature Conservancy ; Moments in Vanuatu — Kerrie Foxwell-Norton, Monique Pueblos, Kriti Gupta, Kate Styles, Cathy Ross and Emilie Ledwidge ; Things we want to know but forget to ask — MECO: The Material Ecologies ResearchNetwork
ON 'MAHTAB’S STORY', BY LIBBY GLEESON A system that cannot deliver the wellbeing of people and nature is in deep trouble. It invites ideas and actions that are transformative. James Gustav Speth, The Bridge at the End of the World: Capitalism, the Environment and Crossing from Crisis to Sustainability THE MYTHS OF AZARIA, SO MANY A YOUNG TRIAL lawyer will soon come to understand that some stories are likely to be believed while others are not, and the factor which sets them apart is not to do with fact or with falsehood. BORN IN VIETNAM, MADE IN AUSTRALIA Selected for Best Australian Essays 2010. MY PARENTS ARE known as members of the ‘first generation' of Vietnamese refugees, who came to Australia after the Vietnam War. ANDREW BOLT’S DISAPPOINTMENT A market for a nation — David Ritter ; F**k popular culture — Julian Meyrick ; From little things social catastrophes grow — Gary Clark ; Mining the Mabo legacy — Marcia Langton ; Collective solutions for collective problems — Nadine Hood HOME - GRIFFITH REVIEWABOUTCURRENT EDITIONEVENTSARCHIVESTOREEXCLUSIVESHERRI GRIFFITH REVIEWGRIFFITHUNIVERSITY
Griffith Review is delighted to announce five residencies in partnership with Varuna, The National Writers’ House, thanks to support from the Graeme Wood Foundation.. Contributors are invited to pitch projects to be considered for forthcoming editions of Griffith Review in 2022.. For details of what we're looking for, and how to apply, please see here. STAFF - GRIFFITH REVIEW Ashley Hay, Editor. Dr Ashley Hay is a former literary editor of The Bulletin, and a prize-winning author who has published three novels and four books of narrative non-fiction.Her work has won several awards, including the 2013 Colin Roderick Prize and the People’s Choice Award in the 2014 NSW Premier’s Prize. THE HEART OF SEEDING FIRST NATIONS SOVEREIGNTY THE ARCHITECTURE OF a society is shaped by structures that form the power to tell a nation’s story. And our capacity to create a narrative that respects First Nations sovereignty depends on the value we place on hearing the sacred voices of Aboriginal and Torres Strait Islander peoples in our quest for the truth of our giilangs – ourstories.
THE IDEOLOGY OF RELIGION I and the public know. What all schoolchildren learn, Those to whom evil is done. Do evil in return. – W H Auden THE CAPACITY OF people to behave in ways that are incomprehensible to those who do not share the same beliefs and values is one of the abiding mysteries of humanexistence.
PARADISE LOST
IT’S MAY, THE end of the wet season in Far North Queensland, and storm clouds brew ominously to the north. We’ve already driven for three hours from Mossman, including an hour along the four-wheel-drive-only Bloomfield Track, to Home Rule, south of Cooktown, where we are about to embark on a three-day walk to an isolated tropical beach: Cedar Bay. LIFE AND DEATH ON DYARUBBIN The encroaching silence — Eddie Game, The Nature Conservancy ; Moments in Vanuatu — Kerrie Foxwell-Norton, Monique Pueblos, Kriti Gupta, Kate Styles, Cathy Ross and Emilie Ledwidge ; Things we want to know but forget to ask — MECO: The Material Ecologies ResearchNetwork
ON 'MAHTAB’S STORY', BY LIBBY GLEESON A system that cannot deliver the wellbeing of people and nature is in deep trouble. It invites ideas and actions that are transformative. James Gustav Speth, The Bridge at the End of the World: Capitalism, the Environment and Crossing from Crisis to Sustainability THE MYTHS OF AZARIA, SO MANY A YOUNG TRIAL lawyer will soon come to understand that some stories are likely to be believed while others are not, and the factor which sets them apart is not to do with fact or with falsehood. BORN IN VIETNAM, MADE IN AUSTRALIA Selected for Best Australian Essays 2010. MY PARENTS ARE known as members of the ‘first generation' of Vietnamese refugees, who came to Australia after the Vietnam War. ANDREW BOLT’S DISAPPOINTMENT A market for a nation — David Ritter ; F**k popular culture — Julian Meyrick ; From little things social catastrophes grow — Gary Clark ; Mining the Mabo legacy — Marcia Langton ; Collective solutions for collective problems — Nadine HoodSTATES OF MIND
How do we conceptualise our psychological, existential and political c ondition?. Anxiety and depression are on the rise in Australia and across the globe; digital media has created a pandemic of loneliness and disconnection; ideological extremism is widening our divisions and threatening our democracies – and all the while, the wellness industry is spinning everything from mindfulness toSUBMISSIONS
Four times a year, Griffith Review provides a new perspective on some of the most fascinating issues of the day, featuring different voices every time. We seek submissions of essays and creative non-fiction, reportage, fiction, poetry, memoir and picture stories that address this year of change. ON 'THE COMPLETE STORIES', BY DAVID MALOUF THERE ARE ALWAYS two landscapes in a Malouf story. The one you can touch with your hands, and the one that is dreamed – discoverable by language, always on the verge of disappearing.COMMUNITY CONTROL
This article is supported by the Judith Neilson Institute for Journalism and Ideas. It's the final instalment in an occasional COVID-19 chronicle series published as part of Griffith Review's Friday Great Reads.. To ensure that Great Reads lands in your inbox every Friday, please navigate to 'Newsletter' at the top of this page. THE IDEOLOGY OF RELIGION I and the public know. What all schoolchildren learn, Those to whom evil is done. Do evil in return. – W H Auden THE CAPACITY OF people to behave in ways that are incomprehensible to those who do not share the same beliefs and values is one of the abiding mysteries of humanexistence.
THE BEE BOX
You made this; working with wood and mortar. to build nesting sites for native bees – the leafcutter, the resin, the blue-banded. For some you drilled holes to size to suit ON 'THE NATURAL WAY OF THINGS', BY CHARLOTTE WOOD A system that cannot deliver the wellbeing of people and nature is in deep trouble. It invites ideas and actions that are transformative. James Gustav Speth, The Bridge at the End of the World: Capitalism, the Environment and Crossing from Crisis to Sustainability ON 'MAHTAB’S STORY', BY LIBBY GLEESON A system that cannot deliver the wellbeing of people and nature is in deep trouble. It invites ideas and actions that are transformative. James Gustav Speth, The Bridge at the End of the World: Capitalism, the Environment and Crossing from Crisis to SustainabilityREGINA GANTER
Regina Ganter has just published Mixed Relations (University of Western Australia Press), a study of Asian/Aboriginal contacts in northern Australia. For her earlier work, The Pearl-Shellers of Torres Strait (Melbourne University Press, 1994), she received the Australian Historical Association’s Australian history prize. She is a senior lecturer in the school of arts, media and culture at THE VOICE OF INDIGENOUS DATA THE ULURU STATEMENT from the Heart is essentially the same missive as sent by Tasmanians Walter and Mary Anne Arthur to Queen Victoria in 1846 – which eventually resulted in the removal of Henry Jeanneret as Commandant of Flinders Island – and every heartfelt petition since, most of which have not been so successful, at least in theshort-term.
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GRIFFITH REVIEW 68: GETTING ON – NATIONAL ONLINE LAUNCH! Join contributors CHARLOTTE WOOD, TONY BIRCH and VICKI LAVEAU-HARVIE, along with editor ASHLEY HAY, for the launch of _Griffith Review 68:Getting On._
This compelling exploration of the meaning of getting older asks the fundamental question: what does the world mean when seventy is the newfifty?
Further details available here.
GRIFFITH REVIEW 67:
MATTERS OF TRUST
------------------------- As trust in our most familiar institutions crumbles does this represent a failure, or an opportunity for new forms of organisation to emerge? _Griffith Review 67: Matters of Trust_features
new work from ANNE TIERNAN, DAVID RITTER, CAMERON MUIR and JENNYHOCKING.
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THE NOVELLA PROJECT VII PODCAST ------------------------- _The Backstory_, a special podcast featuring Mirandi Riwoe, Nick Earls and Holden Sheppard, is available to listen to now! The three writers, who have been involved with past projects as writers and judges, get together to go over all things novella. Listen to their deliberations as they take us behind the scenes of the writing and judging process – and consider just what it takes to create a successful novella.NUCLEAR LANDSCAPES:
THE GHOSTLY HISTORY
------------------------- In the postwar period, the United States detonated 1,054 nuclear tests at secret locations across the country. Now abandoned, these sites are deserted monuments to the destructive preoccupations of the Cold War. In this stunning photo essay, Brett Leigh Dicks documents the haunting legacy of the atomic agein the
forsaken sites of America's nuclear past. GRIFFITH REVIEW 68: GETTING ON – NATIONAL ONLINE LAUNCH! Join contributors CHARLOTTE WOOD, TONY BIRCH and VICKI LAVEAU-HARVIE, along with editor ASHLEY HAY, for the launch of _Griffith Review 68:Getting On._
This compelling exploration of the meaning of getting older asks the fundamental question: what does the world mean when seventy is the newfifty?
Further details available here.
GRIFFITH REVIEW 67:
MATTERS OF TRUST
------------------------- As trust in our most familiar institutions crumbles does this represent a failure, or an opportunity for new forms of organisation to emerge? _Griffith Review 67: Matters of Trust_features
new work from ANNE TIERNAN, DAVID RITTER, CAMERON MUIR and JENNYHOCKING.
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The time of our livesBy Ashley Hay
YEARS AGO, I read a book by Douwe Draaisma, a professor of history and psychology at the University of Groningen, called Why Life Speeds Up as You Get Older (CUP, 2004). Draaisma recounts early explorations of this phenomena, including the F...*
Moving in quarantineBy Evelyn Araluen
IT’S WHEN I look through the window that I realise I’m 900 kilometres away from my...*
The long road home
By Hannah Forsyth
MARCH 17 WAS my birthday. I’d taken a day of annual leave to cycle between medieval ...CURRENT EDITION
EDITION 67 Matters of Trust From our first experiences to our last, institutions structure our world – but in recent years even the most entrenched of institutions are seemingly on the edge of implosion.NEXT EDITION
EDITION 68 Getting On In a world where seventy is the new fifty, old age isn't what it used to be. How do we age successfully – as individuals, as a society andas a population?
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