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11 3138.1520
CLARA IANNI
TRABALHO ABSTRATO, 2010. SHOVEL 100x 50 CM “ENDING WITH A MORE CONCEPTUAL PLAY WITH NOTIONS OF THE ABSTRACT, CLARA IANNI’S TRABALHO ABSTRATO (ABSTRACT LABOR/WORK, 2010) CONSISTS OF A SHOVEL FROM WHICH A SQUARE HAS BEEN CUT. THE SUBTRACTION RENDERS THE OBJECT USELESS, AND TRANSFORMS IT INTO “ABSTRACT ART”. THE TITLE IS BORROWED FROMCARLA ZACCAGNINI
Elements of Beauty: a tea set is never only a tea set, 2014. 29 paintings on the wall and an audio-guide Carla Zaccagnini’s project Elements of Beauty is based on her primary research into attacks on artworks in British museums and galleries by women campaigning for the right to vote a century ago.ROSÂNGELA RENNÓ
photographic projection on smoke Rosângela Rennó’s tentative project, ‘Experiencing Cinema’, was short-listed and selected by Peter Doroshenko, one of the founding directors of inova at the University of Wisconsin, Milwaukee, and current head of SMAK in Ghent,JONATHAS DE ANDRADE
Maré, 2014. Vista da exposição Jonathas de Andrade – Galleria Continua - San Gimignano – Itália, 2014. Maré, 2014 (detalhe) Maré, 2014 (detalhe) Uma tábua das marés que relaciona a influência/relação entre a lua, o volume d’água e o desejo em uma ruína à beira mar. 111 impressões UV sobre compensado desumaúma com maple
ODIRES MLÁSZHO
ODIRES MLÁSZHO. Queermuseu: Cartografias da Diferença na Arte Brasileira - Parque Lage - Rio de Janeiro - Brasil, 2018. Vista da exposição na Galeria Vermelho. Vista da exposição na Galeria Vermelho. Vista da exposição na Galeria Vermelho.CLAUDIA ANDUJAR
Foto: Léo Eloy. Obra Incompleta, 1961-68 (Sao Paulo e Washington) - Galeria Elba Benítez - Madri - Espanha, 2012. Marcados Para – Centro da Cultura Judaica - São Paulo - Brasil, 2011. Exposição individual de Claudia Andujar.ROSÂNGELA RENNÓ
CURRICULO. três impressões digitais a partir de fotografias realizadas por José Inacio Parente (Passeata dos Cem mil, Rio de Janeiro, 1968), Rosângela Rennó (Comício Diretas Já, Belo Horizonte, 1984) e pela Cia de Foto (Movimento Passe Livre, São Paulo, 2013), papel de seda, acrílico e objetivas antigas.MARCELO MOSCHETA
Sete Quedas - Galeria Vermelho - São Paulo - Brasil, 2016. Foto: Edouard Fraipont. Arrasto, 2015. RELATO DA EXPEDIÇÃO DE MARCELO MOSCHETA REALIZADA EM TODA A EXTENSÃO DO RIO TIETÊ ENTRE MARÇO E AGOSTO DE 2015. Na dinâmica dos fluidos, arrasto é a força que faz resistência ao movimento de um objeto sólido através de um meiofluído
VERMELHO ODIRES MLÁSZHO vermelho contato / contact end / address tel / phone web rua minas gerais . 350 . cep:01224-010 . higienÓpolis . sÃo paulo . brasil 5511 3138-1520
HOME | GALERIA VERMELHOTRANSLATE THIS PAGE rua minas gerais . 350 . cep: 01244-010 . sÃo paulo . sp . brasil 5511 3138.1520
CLARA IANNI
TRABALHO ABSTRATO, 2010. SHOVEL 100x 50 CM “ENDING WITH A MORE CONCEPTUAL PLAY WITH NOTIONS OF THE ABSTRACT, CLARA IANNI’S TRABALHO ABSTRATO (ABSTRACT LABOR/WORK, 2010) CONSISTS OF A SHOVEL FROM WHICH A SQUARE HAS BEEN CUT. THE SUBTRACTION RENDERS THE OBJECT USELESS, AND TRANSFORMS IT INTO “ABSTRACT ART”. THE TITLE IS BORROWED FROMCARLA ZACCAGNINI
Elements of Beauty: a tea set is never only a tea set, 2014. 29 paintings on the wall and an audio-guide Carla Zaccagnini’s project Elements of Beauty is based on her primary research into attacks on artworks in British museums and galleries by women campaigning for the right to vote a century ago.ROSÂNGELA RENNÓ
photographic projection on smoke Rosângela Rennó’s tentative project, ‘Experiencing Cinema’, was short-listed and selected by Peter Doroshenko, one of the founding directors of inova at the University of Wisconsin, Milwaukee, and current head of SMAK in Ghent,JONATHAS DE ANDRADE
Maré, 2014. Vista da exposição Jonathas de Andrade – Galleria Continua - San Gimignano – Itália, 2014. Maré, 2014 (detalhe) Maré, 2014 (detalhe) Uma tábua das marés que relaciona a influência/relação entre a lua, o volume d’água e o desejo em uma ruína à beira mar. 111 impressões UV sobre compensado desumaúma com maple
ODIRES MLÁSZHO
ODIRES MLÁSZHO. Queermuseu: Cartografias da Diferença na Arte Brasileira - Parque Lage - Rio de Janeiro - Brasil, 2018. Vista da exposição na Galeria Vermelho. Vista da exposição na Galeria Vermelho. Vista da exposição na Galeria Vermelho.CLAUDIA ANDUJAR
Foto: Léo Eloy. Obra Incompleta, 1961-68 (Sao Paulo e Washington) - Galeria Elba Benítez - Madri - Espanha, 2012. Marcados Para – Centro da Cultura Judaica - São Paulo - Brasil, 2011. Exposição individual de Claudia Andujar.ROSÂNGELA RENNÓ
CURRICULO. três impressões digitais a partir de fotografias realizadas por José Inacio Parente (Passeata dos Cem mil, Rio de Janeiro, 1968), Rosângela Rennó (Comício Diretas Já, Belo Horizonte, 1984) e pela Cia de Foto (Movimento Passe Livre, São Paulo, 2013), papel de seda, acrílico e objetivas antigas.MARCELO MOSCHETA
Sete Quedas - Galeria Vermelho - São Paulo - Brasil, 2016. Foto: Edouard Fraipont. Arrasto, 2015. RELATO DA EXPEDIÇÃO DE MARCELO MOSCHETA REALIZADA EM TODA A EXTENSÃO DO RIO TIETÊ ENTRE MARÇO E AGOSTO DE 2015. Na dinâmica dos fluidos, arrasto é a força que faz resistência ao movimento de um objeto sólido através de um meiofluído
VERMELHO ODIRES MLÁSZHO vermelho contato / contact end / address tel / phone web rua minas gerais . 350 . cep:01224-010 . higienÓpolis . sÃo paulo . brasil 5511 3138-1520
GALLERY | GALERIA VERMELHO In the eighteen years of its existence, through encouraging new ideas and discourses developed by emerging or already established artists, Galeria Vermelho has secured its niche as an alternative to the widespread rigidity of commercial art spaces. An initiative by Eliana Finkelstein and Eduardo Brandão, the gallery was opened in 2002 afteran
GABRIELA ALBERGARIA
rua minas gerais . 350 . cep: 01244-010 . sÃo paulo . sp . brasil 5511 3138.1520
CADU | GALERIA VERMELHO A BRAND NEW COLOR PENCIL HAS 17,5CM AND CONSUMES 0,5CM OF IT’S LENGTH TO COVER A SURFACE OF 50CM X 50CM. THE LOST LENGTH IS DEDUCTED OF THE COLORING THAT WILL COVER THE PAPER AGAIN, IN THE OPPOSITE DIRECTION, IN A FOLLOWING LAYER. THIS SECOND LAYER WILL HAVE, 49,5CM X 49,5CM OF FILLED PAPER. LIA CHAIA | GALERIA VERMELHO Desenho Carimbo e Seta 1, 2018. Photo: Edouard Fraipont. Mãos, 2018. Mostra Lia Chaia - 18 videos produced between 2000 and 2016 - Sala Antonio - Galeria Vermelho - 2017. Pulso - Galeria Vermelho -MARCELO CIDADE
In the series “A___________ social” , from 2015, Marcelo Cidade presents a collection of images gathered from the internet that shows households intrusion attempts. In the images, awkward robbers appear stuck in architectural elements such as windows, fireplaces and gates. Under each screen print, Cidade addsTANIA CANDIANI
TANIA CANDIANI. The device features two keyboards, one musical and the other from a typewriter. Each time users move to another line by striking the carriage-return lever, the words that have been written can be heard by means of a voice synthesizer. The musical keyboard features even more complex programming: each key and each chord haseen
CHIARA BANFI
Guitar parts, wood, wire, cables and amplifier. 210 x 24 cm. Pauta, 2011. paint, wood and string. Mapa 5, 2011. Screenprinted 180g color plus paper on color plus paper. 205,5 x 123,2 cm. untitled - from the BomoArt series, 2010. 180 grs color plus paper on ´´wrapping paper´´ paper from Bomo Art. 94 x 94 cm.CARMELA GROSS
Carmela Gross. Roda Gigante – Santander Cultural – Porto Alegre - Brazil, 2019. 2 automatic barriers and tissue Um, Nenhum, Muitos,Galeria Vermelho. 2016. Enameled iron plates Carmela Gross: Marapé, Projeto Parede, Museu de Arte de Moderna (MAM SP), São Paulo, Brasil. 2014. Name, surname, age, country of origin and date ofarrival in São
CHELPA FERRO
rua minas gerais . 350 . cep: 01244-010 . sÃo paulo . sp . brasil 5511 3138.1520
MARILÁ DARDOT
MARILÁ DARDOT. video installation with 7, 3 or 1 channel. from Marilá: From 8 to 30 January 2015, I made a video every day, using the most impactful of the headlines I read in Mexican newspapers. Written with water on the big concrete wall of the house designed by Tadao Ando, the headlines go off as soon as they are written,materializing the
HOME | GALERIA VERMELHOTRANSLATE THIS PAGE rua minas gerais . 350 . cep: 01244-010 . sÃo paulo . sp . brasil 5511 3138.1520
CLARA IANNI
TRABALHO ABSTRATO, 2010. SHOVEL 100x 50 CM “ENDING WITH A MORE CONCEPTUAL PLAY WITH NOTIONS OF THE ABSTRACT, CLARA IANNI’S TRABALHO ABSTRATO (ABSTRACT LABOR/WORK, 2010) CONSISTS OF A SHOVEL FROM WHICH A SQUARE HAS BEEN CUT. THE SUBTRACTION RENDERS THE OBJECT USELESS, AND TRANSFORMS IT INTO “ABSTRACT ART”. THE TITLE IS BORROWED FROMCARLA ZACCAGNINI
Elements of Beauty: a tea set is never only a tea set, 2014. 29 paintings on the wall and an audio-guide Carla Zaccagnini’s project Elements of Beauty is based on her primary research into attacks on artworks in British museums and galleries by women campaigning for the right to vote a century ago.ROSÂNGELA RENNÓ
photographic projection on smoke Rosângela Rennó’s tentative project, ‘Experiencing Cinema’, was short-listed and selected by Peter Doroshenko, one of the founding directors of inova at the University of Wisconsin, Milwaukee, and current head of SMAK in Ghent,JONATHAS DE ANDRADE
Maré, 2014. Vista da exposição Jonathas de Andrade – Galleria Continua - San Gimignano – Itália, 2014. Maré, 2014 (detalhe) Maré, 2014 (detalhe) Uma tábua das marés que relaciona a influência/relação entre a lua, o volume d’água e o desejo em uma ruína à beira mar. 111 impressões UV sobre compensado desumaúma com maple
ODIRES MLÁSZHO
ODIRES MLÁSZHO. Queermuseu: Cartografias da Diferença na Arte Brasileira - Parque Lage - Rio de Janeiro - Brasil, 2018. Vista da exposição na Galeria Vermelho. Vista da exposição na Galeria Vermelho. Vista da exposição na Galeria Vermelho.CLAUDIA ANDUJAR
Foto: Léo Eloy. Obra Incompleta, 1961-68 (Sao Paulo e Washington) - Galeria Elba Benítez - Madri - Espanha, 2012. Marcados Para – Centro da Cultura Judaica - São Paulo - Brasil, 2011. Exposição individual de Claudia Andujar.ROSÂNGELA RENNÓ
CURRICULO. três impressões digitais a partir de fotografias realizadas por José Inacio Parente (Passeata dos Cem mil, Rio de Janeiro, 1968), Rosângela Rennó (Comício Diretas Já, Belo Horizonte, 1984) e pela Cia de Foto (Movimento Passe Livre, São Paulo, 2013), papel de seda, acrílico e objetivas antigas.MARCELO MOSCHETA
Sete Quedas - Galeria Vermelho - São Paulo - Brasil, 2016. Foto: Edouard Fraipont. Arrasto, 2015. RELATO DA EXPEDIÇÃO DE MARCELO MOSCHETA REALIZADA EM TODA A EXTENSÃO DO RIO TIETÊ ENTRE MARÇO E AGOSTO DE 2015. Na dinâmica dos fluidos, arrasto é a força que faz resistência ao movimento de um objeto sólido através de um meiofluído
VERMELHO ODIRES MLÁSZHO vermelho contato / contact end / address tel / phone web rua minas gerais . 350 . cep:01224-010 . higienÓpolis . sÃo paulo . brasil 5511 3138-1520
HOME | GALERIA VERMELHOTRANSLATE THIS PAGE rua minas gerais . 350 . cep: 01244-010 . sÃo paulo . sp . brasil 5511 3138.1520
CLARA IANNI
TRABALHO ABSTRATO, 2010. SHOVEL 100x 50 CM “ENDING WITH A MORE CONCEPTUAL PLAY WITH NOTIONS OF THE ABSTRACT, CLARA IANNI’S TRABALHO ABSTRATO (ABSTRACT LABOR/WORK, 2010) CONSISTS OF A SHOVEL FROM WHICH A SQUARE HAS BEEN CUT. THE SUBTRACTION RENDERS THE OBJECT USELESS, AND TRANSFORMS IT INTO “ABSTRACT ART”. THE TITLE IS BORROWED FROMCARLA ZACCAGNINI
Elements of Beauty: a tea set is never only a tea set, 2014. 29 paintings on the wall and an audio-guide Carla Zaccagnini’s project Elements of Beauty is based on her primary research into attacks on artworks in British museums and galleries by women campaigning for the right to vote a century ago.ROSÂNGELA RENNÓ
photographic projection on smoke Rosângela Rennó’s tentative project, ‘Experiencing Cinema’, was short-listed and selected by Peter Doroshenko, one of the founding directors of inova at the University of Wisconsin, Milwaukee, and current head of SMAK in Ghent,JONATHAS DE ANDRADE
Maré, 2014. Vista da exposição Jonathas de Andrade – Galleria Continua - San Gimignano – Itália, 2014. Maré, 2014 (detalhe) Maré, 2014 (detalhe) Uma tábua das marés que relaciona a influência/relação entre a lua, o volume d’água e o desejo em uma ruína à beira mar. 111 impressões UV sobre compensado desumaúma com maple
ODIRES MLÁSZHO
ODIRES MLÁSZHO. Queermuseu: Cartografias da Diferença na Arte Brasileira - Parque Lage - Rio de Janeiro - Brasil, 2018. Vista da exposição na Galeria Vermelho. Vista da exposição na Galeria Vermelho. Vista da exposição na Galeria Vermelho.CLAUDIA ANDUJAR
Foto: Léo Eloy. Obra Incompleta, 1961-68 (Sao Paulo e Washington) - Galeria Elba Benítez - Madri - Espanha, 2012. Marcados Para – Centro da Cultura Judaica - São Paulo - Brasil, 2011. Exposição individual de Claudia Andujar.ROSÂNGELA RENNÓ
CURRICULO. três impressões digitais a partir de fotografias realizadas por José Inacio Parente (Passeata dos Cem mil, Rio de Janeiro, 1968), Rosângela Rennó (Comício Diretas Já, Belo Horizonte, 1984) e pela Cia de Foto (Movimento Passe Livre, São Paulo, 2013), papel de seda, acrílico e objetivas antigas.MARCELO MOSCHETA
Sete Quedas - Galeria Vermelho - São Paulo - Brasil, 2016. Foto: Edouard Fraipont. Arrasto, 2015. RELATO DA EXPEDIÇÃO DE MARCELO MOSCHETA REALIZADA EM TODA A EXTENSÃO DO RIO TIETÊ ENTRE MARÇO E AGOSTO DE 2015. Na dinâmica dos fluidos, arrasto é a força que faz resistência ao movimento de um objeto sólido através de um meiofluído
VERMELHO ODIRES MLÁSZHO vermelho contato / contact end / address tel / phone web rua minas gerais . 350 . cep:01224-010 . higienÓpolis . sÃo paulo . brasil 5511 3138-1520
GALLERY | GALERIA VERMELHO In the eighteen years of its existence, through encouraging new ideas and discourses developed by emerging or already established artists, Galeria Vermelho has secured its niche as an alternative to the widespread rigidity of commercial art spaces. An initiative by Eliana Finkelstein and Eduardo Brandão, the gallery was opened in 2002 afteran
GABRIELA ALBERGARIA
rua minas gerais . 350 . cep: 01244-010 . sÃo paulo . sp . brasil 5511 3138.1520
CADU | GALERIA VERMELHO A BRAND NEW COLOR PENCIL HAS 17,5CM AND CONSUMES 0,5CM OF IT’S LENGTH TO COVER A SURFACE OF 50CM X 50CM. THE LOST LENGTH IS DEDUCTED OF THE COLORING THAT WILL COVER THE PAPER AGAIN, IN THE OPPOSITE DIRECTION, IN A FOLLOWING LAYER. THIS SECOND LAYER WILL HAVE, 49,5CM X 49,5CM OF FILLED PAPER. LIA CHAIA | GALERIA VERMELHO Desenho Carimbo e Seta 1, 2018. Photo: Edouard Fraipont. Mãos, 2018. Mostra Lia Chaia - 18 videos produced between 2000 and 2016 - Sala Antonio - Galeria Vermelho - 2017. Pulso - Galeria Vermelho -MARCELO CIDADE
In the series “A___________ social” , from 2015, Marcelo Cidade presents a collection of images gathered from the internet that shows households intrusion attempts. In the images, awkward robbers appear stuck in architectural elements such as windows, fireplaces and gates. Under each screen print, Cidade addsTANIA CANDIANI
TANIA CANDIANI. The device features two keyboards, one musical and the other from a typewriter. Each time users move to another line by striking the carriage-return lever, the words that have been written can be heard by means of a voice synthesizer. The musical keyboard features even more complex programming: each key and each chord haseen
CHIARA BANFI
Guitar parts, wood, wire, cables and amplifier. 210 x 24 cm. Pauta, 2011. paint, wood and string. Mapa 5, 2011. Screenprinted 180g color plus paper on color plus paper. 205,5 x 123,2 cm. untitled - from the BomoArt series, 2010. 180 grs color plus paper on ´´wrapping paper´´ paper from Bomo Art. 94 x 94 cm.CARMELA GROSS
Carmela Gross. Roda Gigante – Santander Cultural – Porto Alegre - Brazil, 2019. 2 automatic barriers and tissue Um, Nenhum, Muitos,Galeria Vermelho. 2016. Enameled iron plates Carmela Gross: Marapé, Projeto Parede, Museu de Arte de Moderna (MAM SP), São Paulo, Brasil. 2014. Name, surname, age, country of origin and date ofarrival in São
CHELPA FERRO
rua minas gerais . 350 . cep: 01244-010 . sÃo paulo . sp . brasil 5511 3138.1520
MARILÁ DARDOT
MARILÁ DARDOT. video installation with 7, 3 or 1 channel. from Marilá: From 8 to 30 January 2015, I made a video every day, using the most impactful of the headlines I read in Mexican newspapers. Written with water on the big concrete wall of the house designed by Tadao Ando, the headlines go off as soon as they are written,materializing the
HOME | GALERIA VERMELHOTRANSLATE THIS PAGE rua minas gerais . 350 . cep: 01244-010 . sÃo paulo . sp . brasil 5511 3138.1520
CLARA IANNI
TRABALHO ABSTRATO, 2010. SHOVEL 100x 50 CM “ENDING WITH A MORE CONCEPTUAL PLAY WITH NOTIONS OF THE ABSTRACT, CLARA IANNI’S TRABALHO ABSTRATO (ABSTRACT LABOR/WORK, 2010) CONSISTS OF A SHOVEL FROM WHICH A SQUARE HAS BEEN CUT. THE SUBTRACTION RENDERS THE OBJECT USELESS, AND TRANSFORMS IT INTO “ABSTRACT ART”. THE TITLE IS BORROWED FROMCARLA ZACCAGNINI
Elements of Beauty: a tea set is never only a tea set, 2014. 29 paintings on the wall and an audio-guide Carla Zaccagnini’s project Elements of Beauty is based on her primary research into attacks on artworks in British museums and galleries by women campaigning for the right to vote a century ago.ROSÂNGELA RENNÓ
photographic projection on smoke Rosângela Rennó’s tentative project, ‘Experiencing Cinema’, was short-listed and selected by Peter Doroshenko, one of the founding directors of inova at the University of Wisconsin, Milwaukee, and current head of SMAK in Ghent, LIA CHAIA | GALERIA VERMELHO Desenho Carimbo e Seta 1, 2018. Photo: Edouard Fraipont. Mãos, 2018. Mostra Lia Chaia - 18 videos produced between 2000 and 2016 - Sala Antonio - Galeria Vermelho - 2017. Pulso - Galeria Vermelho -JONATHAS DE ANDRADE
rua minas gerais . 350 . cep: 01244-010 . sÃo paulo . sp . brasil 5511 3138.1520
DORA LONGO BAHIA
DORA LONGO BAHIA. Acrylic paint on both sides of linen canvas and augmented reality available at doralongobahia.org AR: Mandelbrot. Verbo 2018. Mostra de Performance Arte (14ª ed.) - Galeria Vermelho - São Paulo – Brazil, 2018. Acrilic and oil stick on canvas.ANDRÉ KOMATSU
DETAIL SIGNALING CERAMIC AND CAL 240 X 240 CM EXHIBITION POR AQUI GALERIA VERMELHO, SÃO PAULO, BRASIL, 2009 photo Ding Musa. BREATH, 2009. WOOD, ALUMINIUM AND ACRILIC PAINT 47x 47x 21, 5 CM. ENLIGHTENED, 2009. WOOD, CERAMIC, LIGHT BULP AND IRON 48x 36x 25 CM. COMO SE COMPORTA O QUE SE CONSOME, COMO SE CONSOME O QUE SE COMPORTA, 2009.MARCELO CIDADE
In the series “A___________ social” , from 2015, Marcelo Cidade presents a collection of images gathered from the internet that shows households intrusion attempts. In the images, awkward robbers appear stuck in architectural elements such as windows, fireplaces and gates. Under each screen print, Cidade addsEDGARD DE SOUZA
Edgard de Souza justapõe obras que parecem antagônicas em sua produção. Características marcantes em sua obra - a dualidade entre em um espaço íntimo de investigação e um trabalho voltado HOME | GALERIA VERMELHOTRANSLATE THIS PAGE rua minas gerais . 350 . cep: 01244-010 . sÃo paulo . sp . brasil 5511 3138.1520
CLARA IANNI
TRABALHO ABSTRATO, 2010. SHOVEL 100x 50 CM “ENDING WITH A MORE CONCEPTUAL PLAY WITH NOTIONS OF THE ABSTRACT, CLARA IANNI’S TRABALHO ABSTRATO (ABSTRACT LABOR/WORK, 2010) CONSISTS OF A SHOVEL FROM WHICH A SQUARE HAS BEEN CUT. THE SUBTRACTION RENDERS THE OBJECT USELESS, AND TRANSFORMS IT INTO “ABSTRACT ART”. THE TITLE IS BORROWED FROMCARLA ZACCAGNINI
Elements of Beauty: a tea set is never only a tea set, 2014. 29 paintings on the wall and an audio-guide Carla Zaccagnini’s project Elements of Beauty is based on her primary research into attacks on artworks in British museums and galleries by women campaigning for the right to vote a century ago.ROSÂNGELA RENNÓ
photographic projection on smoke Rosângela Rennó’s tentative project, ‘Experiencing Cinema’, was short-listed and selected by Peter Doroshenko, one of the founding directors of inova at the University of Wisconsin, Milwaukee, and current head of SMAK in Ghent, LIA CHAIA | GALERIA VERMELHO Desenho Carimbo e Seta 1, 2018. Photo: Edouard Fraipont. Mãos, 2018. Mostra Lia Chaia - 18 videos produced between 2000 and 2016 - Sala Antonio - Galeria Vermelho - 2017. Pulso - Galeria Vermelho -JONATHAS DE ANDRADE
rua minas gerais . 350 . cep: 01244-010 . sÃo paulo . sp . brasil 5511 3138.1520
DORA LONGO BAHIA
DORA LONGO BAHIA. Acrylic paint on both sides of linen canvas and augmented reality available at doralongobahia.org AR: Mandelbrot. Verbo 2018. Mostra de Performance Arte (14ª ed.) - Galeria Vermelho - São Paulo – Brazil, 2018. Acrilic and oil stick on canvas.ANDRÉ KOMATSU
DETAIL SIGNALING CERAMIC AND CAL 240 X 240 CM EXHIBITION POR AQUI GALERIA VERMELHO, SÃO PAULO, BRASIL, 2009 photo Ding Musa. BREATH, 2009. WOOD, ALUMINIUM AND ACRILIC PAINT 47x 47x 21, 5 CM. ENLIGHTENED, 2009. WOOD, CERAMIC, LIGHT BULP AND IRON 48x 36x 25 CM. COMO SE COMPORTA O QUE SE CONSOME, COMO SE CONSOME O QUE SE COMPORTA, 2009.MARCELO CIDADE
In the series “A___________ social” , from 2015, Marcelo Cidade presents a collection of images gathered from the internet that shows households intrusion attempts. In the images, awkward robbers appear stuck in architectural elements such as windows, fireplaces and gates. Under each screen print, Cidade addsEDGARD DE SOUZA
Edgard de Souza justapõe obras que parecem antagônicas em sua produção. Características marcantes em sua obra - a dualidade entre em um espaço íntimo de investigação e um trabalho voltado GALLERY | GALERIA VERMELHO In the eighteen years of its existence, through encouraging new ideas and discourses developed by emerging or already established artists, Galeria Vermelho has secured its niche as an alternative to the widespread rigidity of commercial art spaces. An initiative by Eliana Finkelstein and Eduardo Brandão, the gallery was opened in 2002 afteran
ODIRES MLÁSZHO
Mineral pigmented print on hahnemühle paper 140 x 107 cm. Sr. S - Animal farejando o teu sono, 2001. Mineral pigmented print on hahnemühle paper 90 x 69 cm. Johnny David III - da série Retratos possuídos, 1999. Mineral pigmented print on hahnemühle paper 120 x 92,5 cm. Johnny David II -MOTTA & LIMA
MOTTA & LIMA. Soft Power. Arte Brasil - Kunsthal KAdE – Amersfoort – Holland, 2016. In Duplo Singular, we see the image of two children symmetrically sharing a picnic. The video, divided into two channels, gradually reveals the loneliness of the two children as the camera moves vertically skyward. video installation of two synchronizedGUILHERME PETERS
GUILHERME PETERS. glass container, distilled water with copper sulfate, iron plate printed with clear varnish (with portrait of the artist), copper plate printed with clear varnish (with portrait of Joseph Beuys), electrical cables and variable source. The artifice created by Peter makes two plates of metal without images constructgradually
CADU | GALERIA VERMELHO A BRAND NEW COLOR PENCIL HAS 17,5CM AND CONSUMES 0,5CM OF IT’S LENGTH TO COVER A SURFACE OF 50CM X 50CM. THE LOST LENGTH IS DEDUCTED OF THE COLORING THAT WILL COVER THE PAPER AGAIN, IN THE OPPOSITE DIRECTION, IN A FOLLOWING LAYER. THIS SECOND LAYER WILL HAVE, 49,5CM X 49,5CM OF FILLED PAPER.GALERIA VERMELHO
video 8'36'' loop Sixteen musicians come from the four extremities of a cross, 4 from each side, wearing 4 colors: yellow, red, blue and green. The four groups (one with the ride cymbals, one with the snare and bass drums, one with the trumpets and trombones and one with the baritone saxhorns and tubas) each one at a time, come into action, playing the sounds in a chaotic way until they’veMARILÁ DARDOT
MARILÁ DARDOT. video installation with 7, 3 or 1 channel. from Marilá: From 8 to 30 January 2015, I made a video every day, using the most impactful of the headlines I read in Mexican newspapers. Written with water on the big concrete wall of the house designed by Tadao Ando, the headlines go off as soon as they are written,materializing the
TANIA CANDIANI
TANIA CANDIANI. The device features two keyboards, one musical and the other from a typewriter. Each time users move to another line by striking the carriage-return lever, the words that have been written can be heard by means of a voice synthesizer. The musical keyboard features even more complex programming: each key and each chord haseen
DETANICO LAIN
DENTRO FORA -PALAVRAS COMPOSTAS SERIE, 2012. BLACK CUT VINYL VARIABLE DIMENSIONS EXHIBITION RIO CORRENTE - DETANICO LAIN - GALERIA VERMELHO - SÃO PAULO - BRASIL UTOPIA, 2012. VINYL ON WHITE WALL 175 x 360 CM "Their buildings are good and are so uniform that a whole side of a street looks like one house.CHIARA BANFI
Guitar parts, wood, wire, cables and amplifier. 210 x 24 cm. Pauta, 2011. paint, wood and string. Mapa 5, 2011. Screenprinted 180g color plus paper on color plus paper. 205,5 x 123,2 cm. untitled - from the BomoArt series, 2010. 180 grs color plus paper on ´´wrapping paper´´ paper from Bomo Art. 94 x 94 cm. HOME | GALERIA VERMELHOTRANSLATE THIS PAGE rua minas gerais . 350 . cep: 01244-010 . sÃo paulo . sp . brasil 5511 3138.1520
CLARA IANNI
TRABALHO ABSTRATO, 2010. SHOVEL 100x 50 CM “ENDING WITH A MORE CONCEPTUAL PLAY WITH NOTIONS OF THE ABSTRACT, CLARA IANNI’S TRABALHO ABSTRATO (ABSTRACT LABOR/WORK, 2010) CONSISTS OF A SHOVEL FROM WHICH A SQUARE HAS BEEN CUT. THE SUBTRACTION RENDERS THE OBJECT USELESS, AND TRANSFORMS IT INTO “ABSTRACT ART”. THE TITLE IS BORROWED FROMDORA LONGO BAHIA
DORA LONGO BAHIA. Acrylic paint on both sides of linen canvas and augmented reality available at doralongobahia.org AR: Mandelbrot. Verbo 2018. Mostra de Performance Arte (14ª ed.) - Galeria Vermelho - São Paulo – Brazil, 2018. Acrilic and oil stick on canvas.CARLA ZACCAGNINI
Elements of Beauty: a tea set is never only a tea set, 2014. 29 paintings on the wall and an audio-guide Carla Zaccagnini’s project Elements of Beauty is based on her primary research into attacks on artworks in British museums and galleries by women campaigning for the right to vote a century ago.ROSÂNGELA RENNÓ
photographic projection on smoke Rosângela Rennó’s tentative project, ‘Experiencing Cinema’, was short-listed and selected by Peter Doroshenko, one of the founding directors of inova at the University of Wisconsin, Milwaukee, and current head of SMAK in Ghent,CLAUDIA ANDUJAR
Foto: Léo Eloy. Obra Incompleta, 1961-68 (Sao Paulo e Washington) - Galeria Elba Benítez - Madri - Espanha, 2012. Marcados Para – Centro da Cultura Judaica - São Paulo - Brasil, 2011. Exposição individual de Claudia Andujar.JONATHAS DE ANDRADE
Maré, 2014. Vista da exposição Jonathas de Andrade – Galleria Continua - San Gimignano – Itália, 2014. Maré, 2014 (detalhe) Maré, 2014 (detalhe) Uma tábua das marés que relaciona a influência/relação entre a lua, o volume d’água e o desejo em uma ruína à beira mar. 111 impressões UV sobre compensado desumaúma com maple
ROSÂNGELA RENNÓ
CURRICULO. três impressões digitais a partir de fotografias realizadas por José Inacio Parente (Passeata dos Cem mil, Rio de Janeiro, 1968), Rosângela Rennó (Comício Diretas Já, Belo Horizonte, 1984) e pela Cia de Foto (Movimento Passe Livre, São Paulo, 2013), papel de seda, acrílico e objetivas antigas.MARCELO MOSCHETA
Sete Quedas - Galeria Vermelho - São Paulo - Brasil, 2016. Foto: Edouard Fraipont. Arrasto, 2015. RELATO DA EXPEDIÇÃO DE MARCELO MOSCHETA REALIZADA EM TODA A EXTENSÃO DO RIO TIETÊ ENTRE MARÇO E AGOSTO DE 2015. Na dinâmica dos fluidos, arrasto é a força que faz resistência ao movimento de um objeto sólido através de um meiofluído
VERMELHO ODIRES MLÁSZHO vermelho contato / contact end / address tel / phone web rua minas gerais . 350 . cep:01224-010 . higienÓpolis . sÃo paulo . brasil 5511 3138-1520
HOME | GALERIA VERMELHOTRANSLATE THIS PAGE rua minas gerais . 350 . cep: 01244-010 . sÃo paulo . sp . brasil 5511 3138.1520
CLARA IANNI
TRABALHO ABSTRATO, 2010. SHOVEL 100x 50 CM “ENDING WITH A MORE CONCEPTUAL PLAY WITH NOTIONS OF THE ABSTRACT, CLARA IANNI’S TRABALHO ABSTRATO (ABSTRACT LABOR/WORK, 2010) CONSISTS OF A SHOVEL FROM WHICH A SQUARE HAS BEEN CUT. THE SUBTRACTION RENDERS THE OBJECT USELESS, AND TRANSFORMS IT INTO “ABSTRACT ART”. THE TITLE IS BORROWED FROMDORA LONGO BAHIA
DORA LONGO BAHIA. Acrylic paint on both sides of linen canvas and augmented reality available at doralongobahia.org AR: Mandelbrot. Verbo 2018. Mostra de Performance Arte (14ª ed.) - Galeria Vermelho - São Paulo – Brazil, 2018. Acrilic and oil stick on canvas.CARLA ZACCAGNINI
Elements of Beauty: a tea set is never only a tea set, 2014. 29 paintings on the wall and an audio-guide Carla Zaccagnini’s project Elements of Beauty is based on her primary research into attacks on artworks in British museums and galleries by women campaigning for the right to vote a century ago.ROSÂNGELA RENNÓ
photographic projection on smoke Rosângela Rennó’s tentative project, ‘Experiencing Cinema’, was short-listed and selected by Peter Doroshenko, one of the founding directors of inova at the University of Wisconsin, Milwaukee, and current head of SMAK in Ghent,CLAUDIA ANDUJAR
Foto: Léo Eloy. Obra Incompleta, 1961-68 (Sao Paulo e Washington) - Galeria Elba Benítez - Madri - Espanha, 2012. Marcados Para – Centro da Cultura Judaica - São Paulo - Brasil, 2011. Exposição individual de Claudia Andujar.JONATHAS DE ANDRADE
Maré, 2014. Vista da exposição Jonathas de Andrade – Galleria Continua - San Gimignano – Itália, 2014. Maré, 2014 (detalhe) Maré, 2014 (detalhe) Uma tábua das marés que relaciona a influência/relação entre a lua, o volume d’água e o desejo em uma ruína à beira mar. 111 impressões UV sobre compensado desumaúma com maple
ROSÂNGELA RENNÓ
CURRICULO. três impressões digitais a partir de fotografias realizadas por José Inacio Parente (Passeata dos Cem mil, Rio de Janeiro, 1968), Rosângela Rennó (Comício Diretas Já, Belo Horizonte, 1984) e pela Cia de Foto (Movimento Passe Livre, São Paulo, 2013), papel de seda, acrílico e objetivas antigas.MARCELO MOSCHETA
Sete Quedas - Galeria Vermelho - São Paulo - Brasil, 2016. Foto: Edouard Fraipont. Arrasto, 2015. RELATO DA EXPEDIÇÃO DE MARCELO MOSCHETA REALIZADA EM TODA A EXTENSÃO DO RIO TIETÊ ENTRE MARÇO E AGOSTO DE 2015. Na dinâmica dos fluidos, arrasto é a força que faz resistência ao movimento de um objeto sólido através de um meiofluído
VERMELHO ODIRES MLÁSZHO vermelho contato / contact end / address tel / phone web rua minas gerais . 350 . cep:01224-010 . higienÓpolis . sÃo paulo . brasil 5511 3138-1520
ODIRES MLÁSZHO
Mineral pigmented print on hahnemühle paper 140 x 107 cm. Sr. S - Animal farejando o teu sono, 2001. Mineral pigmented print on hahnemühle paper 90 x 69 cm. Johnny David III - da série Retratos possuídos, 1999. Mineral pigmented print on hahnemühle paper 120 x 92,5 cm. Johnny David II -GABRIELA ALBERGARIA
rua minas gerais . 350 . cep: 01244-010 . sÃo paulo . sp . brasil 5511 3138.1520
MOTTA & LIMA
MOTTA & LIMA. Soft Power. Arte Brasil - Kunsthal KAdE – Amersfoort – Holland, 2016. In Duplo Singular, we see the image of two children symmetrically sharing a picnic. The video, divided into two channels, gradually reveals the loneliness of the two children as the camera moves vertically skyward. video installation of two synchronizedGUILHERME PETERS
GUILHERME PETERS. glass container, distilled water with copper sulfate, iron plate printed with clear varnish (with portrait of the artist), copper plate printed with clear varnish (with portrait of Joseph Beuys), electrical cables and variable source. The artifice created by Peter makes two plates of metal without images constructgradually
CADU | GALERIA VERMELHO A BRAND NEW COLOR PENCIL HAS 17,5CM AND CONSUMES 0,5CM OF IT’S LENGTH TO COVER A SURFACE OF 50CM X 50CM. THE LOST LENGTH IS DEDUCTED OF THE COLORING THAT WILL COVER THE PAPER AGAIN, IN THE OPPOSITE DIRECTION, IN A FOLLOWING LAYER. THIS SECOND LAYER WILL HAVE, 49,5CM X 49,5CM OF FILLED PAPER.CARMELA GROSS
Carmela Gross. Roda Gigante – Santander Cultural – Porto Alegre - Brazil, 2019. 2 automatic barriers and tissue Um, Nenhum, Muitos,Galeria Vermelho. 2016. Enameled iron plates Carmela Gross: Marapé, Projeto Parede, Museu de Arte de Moderna (MAM SP), São Paulo, Brasil. 2014. Name, surname, age, country of origin and date ofarrival in São
LIA CHAIA | GALERIA VERMELHO Desenho Carimbo e Seta 1, 2018. Photo: Edouard Fraipont. Mãos, 2018. Mostra Lia Chaia - 18 videos produced between 2000 and 2016 - Sala Antonio - Galeria Vermelho - 2017. Pulso - Galeria Vermelho -GALERIA VERMELHO
video 8'36'' loop Sixteen musicians come from the four extremities of a cross, 4 from each side, wearing 4 colors: yellow, red, blue and green. The four groups (one with the ride cymbals, one with the snare and bass drums, one with the trumpets and trombones and one with the baritone saxhorns and tubas) each one at a time, come into action, playing the sounds in a chaotic way until they’veCHIARA BANFI
Guitar parts, wood, wire, cables and amplifier. 210 x 24 cm. Pauta, 2011. paint, wood and string. Mapa 5, 2011. Screenprinted 180g color plus paper on color plus paper. 205,5 x 123,2 cm. untitled - from the BomoArt series, 2010. 180 grs color plus paper on ´´wrapping paper´´ paper from Bomo Art. 94 x 94 cm.MARILÁ DARDOT
MARILÁ DARDOT. video installation with 7, 3 or 1 channel. from Marilá: From 8 to 30 January 2015, I made a video every day, using the most impactful of the headlines I read in Mexican newspapers. Written with water on the big concrete wall of the house designed by Tadao Ando, the headlines go off as soon as they are written,materializing the
HOME | GALERIA VERMELHOTRANSLATE THIS PAGE rua minas gerais . 350 . cep: 01244-010 . sÃo paulo . sp . brasil 5511 3138.1520
CLARA IANNI
TRABALHO ABSTRATO, 2010. SHOVEL 100x 50 CM “ENDING WITH A MORE CONCEPTUAL PLAY WITH NOTIONS OF THE ABSTRACT, CLARA IANNI’S TRABALHO ABSTRATO (ABSTRACT LABOR/WORK, 2010) CONSISTS OF A SHOVEL FROM WHICH A SQUARE HAS BEEN CUT. THE SUBTRACTION RENDERS THE OBJECT USELESS, AND TRANSFORMS IT INTO “ABSTRACT ART”. THE TITLE IS BORROWED FROMCARLA ZACCAGNINI
Elements of Beauty: a tea set is never only a tea set, 2014. 29 paintings on the wall and an audio-guide Carla Zaccagnini’s project Elements of Beauty is based on her primary research into attacks on artworks in British museums and galleries by women campaigning for the right to vote a century ago. LIA CHAIA | GALERIA VERMELHO Desenho Carimbo e Seta 1, 2018. Photo: Edouard Fraipont. Mãos, 2018. Mostra Lia Chaia - 18 videos produced between 2000 and 2016 - Sala Antonio - Galeria Vermelho - 2017. Pulso - Galeria Vermelho -MARCELO CIDADE
In the series “A___________ social” , from 2015, Marcelo Cidade presents a collection of images gathered from the internet that shows households intrusion attempts. In the images, awkward robbers appear stuck in architectural elements such as windows, fireplaces and gates. Under each screen print, Cidade addsANDRÉ KOMATSU
DETAIL SIGNALING CERAMIC AND CAL 240 X 240 CM EXHIBITION POR AQUI GALERIA VERMELHO, SÃO PAULO, BRASIL, 2009 photo Ding Musa. BREATH, 2009. WOOD, ALUMINIUM AND ACRILIC PAINT 47x 47x 21, 5 CM. ENLIGHTENED, 2009. WOOD, CERAMIC, LIGHT BULP AND IRON 48x 36x 25 CM. COMO SE COMPORTA O QUE SE CONSOME, COMO SE CONSOME O QUE SE COMPORTA, 2009.JONATHAS DE ANDRADE
rua minas gerais . 350 . cep: 01244-010 . sÃo paulo . sp . brasil 5511 3138.1520
CINTHIA MARCELLE
Cinthia Marcelle & Tiago Mata Machado: Comunidade Série B – Galeria Vermelho – São Paulo – Brazil, 2017. Comunidade/Community establishes together with two previous films of Cinthia Marcelle in collaboration with the cinematographer Tiago Mata Machado, an informal trilogy of metaphors about life in large urbancenters.
GALERIA VERMELHOTRANSLATE THIS PAGE Exposições Coletivas/ Group Exhibitions. 2019. - SEGUNDA-FEIRA, 6 DE JUNHO DE 2019 – Galeria Vermelho – São Paulo – Brasil. - Processos em Trânsito , 2019 - Museu de Arte da Bahia – Salvador - Brasil. - Disco é Cultura – Sesc Belenzinho – São Paulo - Brasil. 2018.EDGARD DE SOUZA
Edgard de Souza justapõe obras que parecem antagônicas em sua produção. Características marcantes em sua obra - a dualidade entre em um espaço íntimo de investigação e um trabalho voltado HOME | GALERIA VERMELHOTRANSLATE THIS PAGE rua minas gerais . 350 . cep: 01244-010 . sÃo paulo . sp . brasil 5511 3138.1520
CLARA IANNI
TRABALHO ABSTRATO, 2010. SHOVEL 100x 50 CM “ENDING WITH A MORE CONCEPTUAL PLAY WITH NOTIONS OF THE ABSTRACT, CLARA IANNI’S TRABALHO ABSTRATO (ABSTRACT LABOR/WORK, 2010) CONSISTS OF A SHOVEL FROM WHICH A SQUARE HAS BEEN CUT. THE SUBTRACTION RENDERS THE OBJECT USELESS, AND TRANSFORMS IT INTO “ABSTRACT ART”. THE TITLE IS BORROWED FROMCARLA ZACCAGNINI
Elements of Beauty: a tea set is never only a tea set, 2014. 29 paintings on the wall and an audio-guide Carla Zaccagnini’s project Elements of Beauty is based on her primary research into attacks on artworks in British museums and galleries by women campaigning for the right to vote a century ago. LIA CHAIA | GALERIA VERMELHO Desenho Carimbo e Seta 1, 2018. Photo: Edouard Fraipont. Mãos, 2018. Mostra Lia Chaia - 18 videos produced between 2000 and 2016 - Sala Antonio - Galeria Vermelho - 2017. Pulso - Galeria Vermelho -MARCELO CIDADE
In the series “A___________ social” , from 2015, Marcelo Cidade presents a collection of images gathered from the internet that shows households intrusion attempts. In the images, awkward robbers appear stuck in architectural elements such as windows, fireplaces and gates. Under each screen print, Cidade addsANDRÉ KOMATSU
DETAIL SIGNALING CERAMIC AND CAL 240 X 240 CM EXHIBITION POR AQUI GALERIA VERMELHO, SÃO PAULO, BRASIL, 2009 photo Ding Musa. BREATH, 2009. WOOD, ALUMINIUM AND ACRILIC PAINT 47x 47x 21, 5 CM. ENLIGHTENED, 2009. WOOD, CERAMIC, LIGHT BULP AND IRON 48x 36x 25 CM. COMO SE COMPORTA O QUE SE CONSOME, COMO SE CONSOME O QUE SE COMPORTA, 2009.JONATHAS DE ANDRADE
rua minas gerais . 350 . cep: 01244-010 . sÃo paulo . sp . brasil 5511 3138.1520
CINTHIA MARCELLE
Cinthia Marcelle & Tiago Mata Machado: Comunidade Série B – Galeria Vermelho – São Paulo – Brazil, 2017. Comunidade/Community establishes together with two previous films of Cinthia Marcelle in collaboration with the cinematographer Tiago Mata Machado, an informal trilogy of metaphors about life in large urbancenters.
GALERIA VERMELHOTRANSLATE THIS PAGE Exposições Coletivas/ Group Exhibitions. 2019. - SEGUNDA-FEIRA, 6 DE JUNHO DE 2019 – Galeria Vermelho – São Paulo – Brasil. - Processos em Trânsito , 2019 - Museu de Arte da Bahia – Salvador - Brasil. - Disco é Cultura – Sesc Belenzinho – São Paulo - Brasil. 2018.EDGARD DE SOUZA
Edgard de Souza justapõe obras que parecem antagônicas em sua produção. Características marcantes em sua obra - a dualidade entre em um espaço íntimo de investigação e um trabalho voltado GALLERY | GALERIA VERMELHO In the eighteen years of its existence, through encouraging new ideas and discourses developed by emerging or already established artists, Galeria Vermelho has secured its niche as an alternative to the widespread rigidity of commercial art spaces. An initiative by Eliana Finkelstein and Eduardo Brandão, the gallery was opened in 2002 afteran
ROSÂNGELA RENNÓ
photographic projection on smoke Rosângela Rennó’s tentative project, ‘Experiencing Cinema’, was short-listed and selected by Peter Doroshenko, one of the founding directors of inova at the University of Wisconsin, Milwaukee, and current head of SMAK in Ghent,GUILHERME PETERS
GUILHERME PETERS. glass container, distilled water with copper sulfate, iron plate printed with clear varnish (with portrait of the artist), copper plate printed with clear varnish (with portrait of Joseph Beuys), electrical cables and variable source. The artifice created by Peter makes two plates of metal without images constructgradually
NICOLÁS BACAL
woodcut on paper 180x240cm. La flecha de la nostalgia - 9th Bienal do Mercosul, 2013. Intrigued since childhood by the enigmatic robotic voice in charge of telling the Argentine people the time over the telephone, Bacal has decided to discover the owner of the Brazilian voice of the speaking clock, who, since the 1970s,has
ODIRES MLÁSZHO
Mineral pigmented print on hahnemühle paper 140 x 107 cm. Sr. S - Animal farejando o teu sono, 2001. Mineral pigmented print on hahnemühle paper 90 x 69 cm. Johnny David III - da série Retratos possuídos, 1999. Mineral pigmented print on hahnemühle paper 120 x 92,5 cm. Johnny David II - CADU | GALERIA VERMELHO A BRAND NEW COLOR PENCIL HAS 17,5CM AND CONSUMES 0,5CM OF IT’S LENGTH TO COVER A SURFACE OF 50CM X 50CM. THE LOST LENGTH IS DEDUCTED OF THE COLORING THAT WILL COVER THE PAPER AGAIN, IN THE OPPOSITE DIRECTION, IN A FOLLOWING LAYER. THIS SECOND LAYER WILL HAVE, 49,5CM X 49,5CM OF FILLED PAPER.GALERIA VERMELHO
video 8'36'' loop Sixteen musicians come from the four extremities of a cross, 4 from each side, wearing 4 colors: yellow, red, blue and green. The four groups (one with the ride cymbals, one with the snare and bass drums, one with the trumpets and trombones and one with the baritone saxhorns and tubas) each one at a time, come into action, playing the sounds in a chaotic way until they’veMARILÁ DARDOT
MARILÁ DARDOT. video installation with 7, 3 or 1 channel. from Marilá: From 8 to 30 January 2015, I made a video every day, using the most impactful of the headlines I read in Mexican newspapers. Written with water on the big concrete wall of the house designed by Tadao Ando, the headlines go off as soon as they are written,materializing the
CHIARA BANFI
Guitar parts, wood, wire, cables and amplifier. 210 x 24 cm. Pauta, 2011. paint, wood and string. Mapa 5, 2011. Screenprinted 180g color plus paper on color plus paper. 205,5 x 123,2 cm. untitled - from the BomoArt series, 2010. 180 grs color plus paper on ´´wrapping paper´´ paper from Bomo Art. 94 x 94 cm. VERMELHO ODIRES MLÁSZHO vermelho contato / contact end / address tel / phone web rua minas gerais . 350 . cep:01224-010 . higienÓpolis . sÃo paulo . brasil 5511 3138-1520
HOME | GALERIA VERMELHOTRANSLATE THIS PAGE rua minas gerais . 350 . cep: 01244-010 . sÃo paulo . sp . brasil 5511 3138.1520
CLARA IANNI
TRABALHO ABSTRATO, 2010. SHOVEL 100x 50 CM “ENDING WITH A MORE CONCEPTUAL PLAY WITH NOTIONS OF THE ABSTRACT, CLARA IANNI’S TRABALHO ABSTRATO (ABSTRACT LABOR/WORK, 2010) CONSISTS OF A SHOVEL FROM WHICH A SQUARE HAS BEEN CUT. THE SUBTRACTION RENDERS THE OBJECT USELESS, AND TRANSFORMS IT INTO “ABSTRACT ART”. THE TITLE IS BORROWED FROM LIA CHAIA | GALERIA VERMELHO Desenho Carimbo e Seta 1, 2018. Photo: Edouard Fraipont. Mãos, 2018. Mostra Lia Chaia - 18 videos produced between 2000 and 2016 - Sala Antonio - Galeria Vermelho - 2017. Pulso - Galeria Vermelho -CARLA ZACCAGNINI
Elements of Beauty: a tea set is never only a tea set, 2014. 29 paintings on the wall and an audio-guide Carla Zaccagnini’s project Elements of Beauty is based on her primary research into attacks on artworks in British museums and galleries by women campaigning for the right to vote a century ago.ANDRÉ KOMATSU
DETAIL SIGNALING CERAMIC AND CAL 240 X 240 CM EXHIBITION POR AQUI GALERIA VERMELHO, SÃO PAULO, BRASIL, 2009 photo Ding Musa. BREATH, 2009. WOOD, ALUMINIUM AND ACRILIC PAINT 47x 47x 21, 5 CM. ENLIGHTENED, 2009. WOOD, CERAMIC, LIGHT BULP AND IRON 48x 36x 25 CM. COMO SE COMPORTA O QUE SE CONSOME, COMO SE CONSOME O QUE SE COMPORTA, 2009.MARCELO CIDADE
In the series “A___________ social” , from 2015, Marcelo Cidade presents a collection of images gathered from the internet that shows households intrusion attempts. In the images, awkward robbers appear stuck in architectural elements such as windows, fireplaces and gates. Under each screen print, Cidade addsJONATHAS DE ANDRADE
rua minas gerais . 350 . cep: 01244-010 . sÃo paulo . sp . brasil 5511 3138.1520
CINTHIA MARCELLE
Cinthia Marcelle & Tiago Mata Machado: Comunidade Série B – Galeria Vermelho – São Paulo – Brazil, 2017. Comunidade/Community establishes together with two previous films of Cinthia Marcelle in collaboration with the cinematographer Tiago Mata Machado, an informal trilogy of metaphors about life in large urbancenters.
ROSÂNGELA RENNÓ
photographic projection on smoke Rosângela Rennó’s tentative project, ‘Experiencing Cinema’, was short-listed and selected by Peter Doroshenko, one of the founding directors of inova at the University of Wisconsin, Milwaukee, and current head of SMAK in Ghent,EDGARD DE SOUZA
Edgard de Souza justapõe obras que parecem antagônicas em sua produção. Características marcantes em sua obra - a dualidade entre em um espaço íntimo de investigação e um trabalho voltado HOME | GALERIA VERMELHOTRANSLATE THIS PAGE rua minas gerais . 350 . cep: 01244-010 . sÃo paulo . sp . brasil 5511 3138.1520
CLARA IANNI
TRABALHO ABSTRATO, 2010. SHOVEL 100x 50 CM “ENDING WITH A MORE CONCEPTUAL PLAY WITH NOTIONS OF THE ABSTRACT, CLARA IANNI’S TRABALHO ABSTRATO (ABSTRACT LABOR/WORK, 2010) CONSISTS OF A SHOVEL FROM WHICH A SQUARE HAS BEEN CUT. THE SUBTRACTION RENDERS THE OBJECT USELESS, AND TRANSFORMS IT INTO “ABSTRACT ART”. THE TITLE IS BORROWED FROM LIA CHAIA | GALERIA VERMELHO Desenho Carimbo e Seta 1, 2018. Photo: Edouard Fraipont. Mãos, 2018. Mostra Lia Chaia - 18 videos produced between 2000 and 2016 - Sala Antonio - Galeria Vermelho - 2017. Pulso - Galeria Vermelho -CARLA ZACCAGNINI
Elements of Beauty: a tea set is never only a tea set, 2014. 29 paintings on the wall and an audio-guide Carla Zaccagnini’s project Elements of Beauty is based on her primary research into attacks on artworks in British museums and galleries by women campaigning for the right to vote a century ago.ANDRÉ KOMATSU
DETAIL SIGNALING CERAMIC AND CAL 240 X 240 CM EXHIBITION POR AQUI GALERIA VERMELHO, SÃO PAULO, BRASIL, 2009 photo Ding Musa. BREATH, 2009. WOOD, ALUMINIUM AND ACRILIC PAINT 47x 47x 21, 5 CM. ENLIGHTENED, 2009. WOOD, CERAMIC, LIGHT BULP AND IRON 48x 36x 25 CM. COMO SE COMPORTA O QUE SE CONSOME, COMO SE CONSOME O QUE SE COMPORTA, 2009.MARCELO CIDADE
In the series “A___________ social” , from 2015, Marcelo Cidade presents a collection of images gathered from the internet that shows households intrusion attempts. In the images, awkward robbers appear stuck in architectural elements such as windows, fireplaces and gates. Under each screen print, Cidade addsJONATHAS DE ANDRADE
rua minas gerais . 350 . cep: 01244-010 . sÃo paulo . sp . brasil 5511 3138.1520
CINTHIA MARCELLE
Cinthia Marcelle & Tiago Mata Machado: Comunidade Série B – Galeria Vermelho – São Paulo – Brazil, 2017. Comunidade/Community establishes together with two previous films of Cinthia Marcelle in collaboration with the cinematographer Tiago Mata Machado, an informal trilogy of metaphors about life in large urbancenters.
ROSÂNGELA RENNÓ
photographic projection on smoke Rosângela Rennó’s tentative project, ‘Experiencing Cinema’, was short-listed and selected by Peter Doroshenko, one of the founding directors of inova at the University of Wisconsin, Milwaukee, and current head of SMAK in Ghent,EDGARD DE SOUZA
Edgard de Souza justapõe obras que parecem antagônicas em sua produção. Características marcantes em sua obra - a dualidade entre em um espaço íntimo de investigação e um trabalho voltado GALLERY | GALERIA VERMELHO In the eighteen years of its existence, through encouraging new ideas and discourses developed by emerging or already established artists, Galeria Vermelho has secured its niche as an alternative to the widespread rigidity of commercial art spaces. An initiative by Eliana Finkelstein and Eduardo Brandão, the gallery was opened in 2002 afteran
ROSÂNGELA RENNÓ
photographic projection on smoke Rosângela Rennó’s tentative project, ‘Experiencing Cinema’, was short-listed and selected by Peter Doroshenko, one of the founding directors of inova at the University of Wisconsin, Milwaukee, and current head of SMAK in Ghent,GUILHERME PETERS
GUILHERME PETERS. glass container, distilled water with copper sulfate, iron plate printed with clear varnish (with portrait of the artist), copper plate printed with clear varnish (with portrait of Joseph Beuys), electrical cables and variable source. The artifice created by Peter makes two plates of metal without images constructgradually
NICOLÁS BACAL
woodcut on paper 180x240cm. La flecha de la nostalgia - 9th Bienal do Mercosul, 2013. Intrigued since childhood by the enigmatic robotic voice in charge of telling the Argentine people the time over the telephone, Bacal has decided to discover the owner of the Brazilian voice of the speaking clock, who, since the 1970s,has
ODIRES MLÁSZHO
Mineral pigmented print on hahnemühle paper 140 x 107 cm. Sr. S - Animal farejando o teu sono, 2001. Mineral pigmented print on hahnemühle paper 90 x 69 cm. Johnny David III - da série Retratos possuídos, 1999. Mineral pigmented print on hahnemühle paper 120 x 92,5 cm. Johnny David II - CADU | GALERIA VERMELHO A BRAND NEW COLOR PENCIL HAS 17,5CM AND CONSUMES 0,5CM OF IT’S LENGTH TO COVER A SURFACE OF 50CM X 50CM. THE LOST LENGTH IS DEDUCTED OF THE COLORING THAT WILL COVER THE PAPER AGAIN, IN THE OPPOSITE DIRECTION, IN A FOLLOWING LAYER. THIS SECOND LAYER WILL HAVE, 49,5CM X 49,5CM OF FILLED PAPER.GALERIA VERMELHO
video 8'36'' loop Sixteen musicians come from the four extremities of a cross, 4 from each side, wearing 4 colors: yellow, red, blue and green. The four groups (one with the ride cymbals, one with the snare and bass drums, one with the trumpets and trombones and one with the baritone saxhorns and tubas) each one at a time, come into action, playing the sounds in a chaotic way until they’veMARILÁ DARDOT
MARILÁ DARDOT. video installation with 7, 3 or 1 channel. from Marilá: From 8 to 30 January 2015, I made a video every day, using the most impactful of the headlines I read in Mexican newspapers. Written with water on the big concrete wall of the house designed by Tadao Ando, the headlines go off as soon as they are written,materializing the
HOME | GALERIA VERMELHOTRANSLATE THIS PAGE Home | Galeria Vermelho VERMELHO ODIRES MLÁSZHO vermelho contato / contact end / address tel / phone web rua minas gerais . 350 . cep:01224-010 . higienÓpolis . sÃo paulo . brasil 5511 3138-1520
HOME | GALERIA VERMELHOTRANSLATE THIS PAGE rua minas gerais . 350 . cep: 01244-010 . sÃo paulo . sp . brasil 5511 3138.1520
CLARA IANNI
TRABALHO ABSTRATO, 2010. SHOVEL 100x 50 CM “ENDING WITH A MORE CONCEPTUAL PLAY WITH NOTIONS OF THE ABSTRACT, CLARA IANNI’S TRABALHO ABSTRATO (ABSTRACT LABOR/WORK, 2010) CONSISTS OF A SHOVEL FROM WHICH A SQUARE HAS BEEN CUT. THE SUBTRACTION RENDERS THE OBJECT USELESS, AND TRANSFORMS IT INTO “ABSTRACT ART”. THE TITLE IS BORROWED FROM LIA CHAIA | GALERIA VERMELHO Desenho Carimbo e Seta 1, 2018. Photo: Edouard Fraipont. Mãos, 2018. Mostra Lia Chaia - 18 videos produced between 2000 and 2016 - Sala Antonio - Galeria Vermelho - 2017. Pulso - Galeria Vermelho -CARLA ZACCAGNINI
Elements of Beauty: a tea set is never only a tea set, 2014. 29 paintings on the wall and an audio-guide Carla Zaccagnini’s project Elements of Beauty is based on her primary research into attacks on artworks in British museums and galleries by women campaigning for the right to vote a century ago.ANDRÉ KOMATSU
DETAIL SIGNALING CERAMIC AND CAL 240 X 240 CM EXHIBITION POR AQUI GALERIA VERMELHO, SÃO PAULO, BRASIL, 2009 photo Ding Musa. BREATH, 2009. WOOD, ALUMINIUM AND ACRILIC PAINT 47x 47x 21, 5 CM. ENLIGHTENED, 2009. WOOD, CERAMIC, LIGHT BULP AND IRON 48x 36x 25 CM. COMO SE COMPORTA O QUE SE CONSOME, COMO SE CONSOME O QUE SE COMPORTA, 2009.MARCELO CIDADE
In the series “A___________ social” , from 2015, Marcelo Cidade presents a collection of images gathered from the internet that shows households intrusion attempts. In the images, awkward robbers appear stuck in architectural elements such as windows, fireplaces and gates. Under each screen print, Cidade addsJONATHAS DE ANDRADE
rua minas gerais . 350 . cep: 01244-010 . sÃo paulo . sp . brasil 5511 3138.1520
CINTHIA MARCELLE
Cinthia Marcelle & Tiago Mata Machado: Comunidade Série B – Galeria Vermelho – São Paulo – Brazil, 2017. Comunidade/Community establishes together with two previous films of Cinthia Marcelle in collaboration with the cinematographer Tiago Mata Machado, an informal trilogy of metaphors about life in large urbancenters.
ROSÂNGELA RENNÓ
photographic projection on smoke Rosângela Rennó’s tentative project, ‘Experiencing Cinema’, was short-listed and selected by Peter Doroshenko, one of the founding directors of inova at the University of Wisconsin, Milwaukee, and current head of SMAK in Ghent,EDGARD DE SOUZA
Edgard de Souza justapõe obras que parecem antagônicas em sua produção. Características marcantes em sua obra - a dualidade entre em um espaço íntimo de investigação e um trabalho voltado HOME | GALERIA VERMELHOTRANSLATE THIS PAGE rua minas gerais . 350 . cep: 01244-010 . sÃo paulo . sp . brasil 5511 3138.1520
CLARA IANNI
TRABALHO ABSTRATO, 2010. SHOVEL 100x 50 CM “ENDING WITH A MORE CONCEPTUAL PLAY WITH NOTIONS OF THE ABSTRACT, CLARA IANNI’S TRABALHO ABSTRATO (ABSTRACT LABOR/WORK, 2010) CONSISTS OF A SHOVEL FROM WHICH A SQUARE HAS BEEN CUT. THE SUBTRACTION RENDERS THE OBJECT USELESS, AND TRANSFORMS IT INTO “ABSTRACT ART”. THE TITLE IS BORROWED FROM LIA CHAIA | GALERIA VERMELHO Desenho Carimbo e Seta 1, 2018. Photo: Edouard Fraipont. Mãos, 2018. Mostra Lia Chaia - 18 videos produced between 2000 and 2016 - Sala Antonio - Galeria Vermelho - 2017. Pulso - Galeria Vermelho -CARLA ZACCAGNINI
Elements of Beauty: a tea set is never only a tea set, 2014. 29 paintings on the wall and an audio-guide Carla Zaccagnini’s project Elements of Beauty is based on her primary research into attacks on artworks in British museums and galleries by women campaigning for the right to vote a century ago.ANDRÉ KOMATSU
DETAIL SIGNALING CERAMIC AND CAL 240 X 240 CM EXHIBITION POR AQUI GALERIA VERMELHO, SÃO PAULO, BRASIL, 2009 photo Ding Musa. BREATH, 2009. WOOD, ALUMINIUM AND ACRILIC PAINT 47x 47x 21, 5 CM. ENLIGHTENED, 2009. WOOD, CERAMIC, LIGHT BULP AND IRON 48x 36x 25 CM. COMO SE COMPORTA O QUE SE CONSOME, COMO SE CONSOME O QUE SE COMPORTA, 2009.MARCELO CIDADE
In the series “A___________ social” , from 2015, Marcelo Cidade presents a collection of images gathered from the internet that shows households intrusion attempts. In the images, awkward robbers appear stuck in architectural elements such as windows, fireplaces and gates. Under each screen print, Cidade addsJONATHAS DE ANDRADE
rua minas gerais . 350 . cep: 01244-010 . sÃo paulo . sp . brasil 5511 3138.1520
CINTHIA MARCELLE
Cinthia Marcelle & Tiago Mata Machado: Comunidade Série B – Galeria Vermelho – São Paulo – Brazil, 2017. Comunidade/Community establishes together with two previous films of Cinthia Marcelle in collaboration with the cinematographer Tiago Mata Machado, an informal trilogy of metaphors about life in large urbancenters.
ROSÂNGELA RENNÓ
photographic projection on smoke Rosângela Rennó’s tentative project, ‘Experiencing Cinema’, was short-listed and selected by Peter Doroshenko, one of the founding directors of inova at the University of Wisconsin, Milwaukee, and current head of SMAK in Ghent,EDGARD DE SOUZA
Edgard de Souza justapõe obras que parecem antagônicas em sua produção. Características marcantes em sua obra - a dualidade entre em um espaço íntimo de investigação e um trabalho voltado GALLERY | GALERIA VERMELHO In the eighteen years of its existence, through encouraging new ideas and discourses developed by emerging or already established artists, Galeria Vermelho has secured its niche as an alternative to the widespread rigidity of commercial art spaces. An initiative by Eliana Finkelstein and Eduardo Brandão, the gallery was opened in 2002 afteran
ROSÂNGELA RENNÓ
photographic projection on smoke Rosângela Rennó’s tentative project, ‘Experiencing Cinema’, was short-listed and selected by Peter Doroshenko, one of the founding directors of inova at the University of Wisconsin, Milwaukee, and current head of SMAK in Ghent,GUILHERME PETERS
GUILHERME PETERS. glass container, distilled water with copper sulfate, iron plate printed with clear varnish (with portrait of the artist), copper plate printed with clear varnish (with portrait of Joseph Beuys), electrical cables and variable source. The artifice created by Peter makes two plates of metal without images constructgradually
NICOLÁS BACAL
woodcut on paper 180x240cm. La flecha de la nostalgia - 9th Bienal do Mercosul, 2013. Intrigued since childhood by the enigmatic robotic voice in charge of telling the Argentine people the time over the telephone, Bacal has decided to discover the owner of the Brazilian voice of the speaking clock, who, since the 1970s,has
ODIRES MLÁSZHO
Mineral pigmented print on hahnemühle paper 140 x 107 cm. Sr. S - Animal farejando o teu sono, 2001. Mineral pigmented print on hahnemühle paper 90 x 69 cm. Johnny David III - da série Retratos possuídos, 1999. Mineral pigmented print on hahnemühle paper 120 x 92,5 cm. Johnny David II - CADU | GALERIA VERMELHO A BRAND NEW COLOR PENCIL HAS 17,5CM AND CONSUMES 0,5CM OF IT’S LENGTH TO COVER A SURFACE OF 50CM X 50CM. THE LOST LENGTH IS DEDUCTED OF THE COLORING THAT WILL COVER THE PAPER AGAIN, IN THE OPPOSITE DIRECTION, IN A FOLLOWING LAYER. THIS SECOND LAYER WILL HAVE, 49,5CM X 49,5CM OF FILLED PAPER.GALERIA VERMELHO
video 8'36'' loop Sixteen musicians come from the four extremities of a cross, 4 from each side, wearing 4 colors: yellow, red, blue and green. The four groups (one with the ride cymbals, one with the snare and bass drums, one with the trumpets and trombones and one with the baritone saxhorns and tubas) each one at a time, come into action, playing the sounds in a chaotic way until they’veMARILÁ DARDOT
MARILÁ DARDOT. video installation with 7, 3 or 1 channel. from Marilá: From 8 to 30 January 2015, I made a video every day, using the most impactful of the headlines I read in Mexican newspapers. Written with water on the big concrete wall of the house designed by Tadao Ando, the headlines go off as soon as they are written,materializing the
HOME | GALERIA VERMELHOTRANSLATE THIS PAGE Home | Galeria Vermelho VERMELHO ODIRES MLÁSZHO vermelho contato / contact end / address tel / phone web rua minas gerais . 350 . cep:01224-010 . higienÓpolis . sÃo paulo . brasil 5511 3138-1520
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19.9 - 22.9
ARTBO 2019
27.9 - 30.9
ArtRio 2019
31.8 - 28.9
Febril
31.08.2019 - 28.09.2019FEBRIL
LIA CHAIA
FILMES E VÍDEOS DE ARTISTAS NA COLEÇÃO ITAÚ CULTURALMOTTA & LIMA
31/08/2019 A 10/11/2019 Museu de Arte Moderna do Rio de Janeiro (MAM/RJ) Rio de Janeiro - - Brasil EXPOSIÇÃO COLETIVA ANDRÉ KOMATSU , CINTHIA MARCELLE, DORA LONGO BAHIA
, GUILHERME PETERS
15/09/2019 A
Galeria Reocupação 9 de Julho São Paulo - - BrasilMULHERES EM CENA
LIA CHAIA
18/09/2019 A 26/10/2019 Pinacoteca Fórum das Artes de BotucatuBotucatu - - Brasil
EU ESTOU AQUI AGORA
MARILÁ DARDOT
31/08/2019 A 14/12/2019 Fundação Vera Chaves Barcellos Porto Alegre - - Brasil - ¿ALGO QUE DECLARAR? - 10 AÑOS DE TIJUANA CARLA ZACCAGNINI , DORA LONGO BAHIA , JONATHAS DE ANDRADE, NICOLÁS ROBBIO
, ROSÂNGELA RENNÓ
06/09/2019 A 08/09/2019La Rural
Buenos Aires - - Argentina COUNTER-NARRATIVES AND OTHER FALLACIES - MOMENTA | BIENNALE DEL’IMAGE
JONATHAS DE ANDRADE
04/09/2019 A 03/10/2019 Galerie Leonard & Bina Ellen Montreal - - Canadá WHEN YOU SAY WE BELONG TO THE LIGHT WE BELONG TO THE THUNDERJONATHAS DE ANDRADE
06/09/2019 A 20/10/2019 Contemporary Art Museum of Estonia Tallinn - - Estônia TANIA CANDIANI: RÍOS ANTIGUOS, RÍOS ENTUBADOS, RÍOS MUERTOSTANIA CANDIANI
24/09/2019 A 26/10/2019 Centro Roberto Garza Sada de Arte Monterrey - - México PULSO: TANIA CANDIANI, PART ITANIA CANDIANI
14/09/2019 A 29/02/2020ASU Art Museum
Temple - - EUA
VAIVÉM
ANDRÉ KOMATSU , CLAUDIA ANDUJAR, MARCELO CIDADE
03/09/2019 A 10/11/2019 Centro Cultural Banco do Brasil (CCBB) Brasília - - Brasil 16TH ISTANBUL BIENNIAL. THE SEVENTH CONTINENTJONATHAS DE ANDRADE
14/09/2019 A 10/11/2019Tersane İstanbul
Istambul - - Turquia 7ª EDIÇÃO DO PRÊMIO INDÚSTRIA NACIONAL MARCANTONIO VILAÇA PARA AS ARTES PLÁSTICAS – CNI SESI SENAIDORA LONGO BAHIA
12/09/2019 A 19/10/2019 Museu de Arte Brasileira (FAAP) São Paulo - - BrasilMAQUINAÇÕES 3.3
MOTTA & LIMA
06/09/2019 A 08/12/2019Sesc Piracicaba
Piracicaba - - Brasil NATUR – ZWISCHEN SEHNSUCHT UND WIRKLICHKEIT. VON AMAZONIEN IN DIEALPEN
CINTHIA MARCELLE , CLAUDIA ANDUJAR 14/09/2019 A 24/11/2019Haus für Kunst Uri
Altdorf - - Suíça
ANCIENT HISTORY OF THE DISTANT FUTURE 02/09/2019 A 02/09/2019 Ancient History of the Distant Future Philadelphia - - EUAMINISTRY FOR ALL
MARCELO CIDADE
26/09/2019 A 14/12/2019 Storefront for Art and ArchitectureNova York - - EUA
CONTOS DE CURIOSIDADES – NATURAIS E ARTIFICIAISMARCELO MOSCHETA
23/09/2019 A 27/10/2019Casarão 34
João Pessoa - - BrasilBIENAL DE CURITIBA
MARCELO MOSCHETA
21/09/2019 A 23/02/2019Curitiba - - Brasil
15º PARATY EM FOCO. FESTIVAL INTERNACIONAL DE FOTOGRAFIA (CLAUDIA ANDUJAR ARTISTA HOMENAGEADA)CLAUDIA ANDUJAR
18/09/2019 A 22/09/2019Paraty - - Brasil
JONATHAS DE ANDRADE
16/09/2019 A 19/09/2019Kyunghee University
Seoul - - Coréia do Sul JONATHAS DE ANDRADE. CARAVANA DO MUSEU DO HOMEM DO NORDESTEJONATHAS DE ANDRADE
19/08/2019 A 11/10/2019Sec Petrolina
Petrolina - - BrasilJUNTOS TOGETHER
IVÁN ARGOTE
17/08/2019 A 04/01/2020ASU Museum
Phoenix - - EUA
HABITAR LIBERDADES
MOTTA & LIMA
24/08/2019 A
Solar dos Abacaxis
Rio de Janeiro - - Brasil UNITED BY AIDS - AN EXHIBITION ABOUT LOSS, REMEMBRANCE, ACTIVISM AND ART IN RESPONSE TO HIV/AIDSCARLOS MOTTA
31/08/2019 A 02/11/2019MIGROS MUseum
Zurique - - Suíça
DARWIN, ORIGENS & EVOLUÇÃOMOTTA & LIMA
30/08/2019 A 30/10/2019 Museu do Meio Ambiente Rio de Janeiro - - Brasil I WOKE WITH A MARBLE HEAD IN MY HANDSJONATHAS DE ANDRADE
24/07/2019 A 08/09/2019 K-Gold Temporary GalleryLesvos - - Grécia
SINESTESIA OLFATIVA, LA ASOCIACIÓN PERCEPTUAL A TRAVÉS DEL ARTECONTEMPORÂNEO
TANIA CANDIANI
26/07/2019 A 22/09/2019Museo del Perfume
Cidade do México - - MéxicoARTE Y TERRITORIO
CARLA ZACCAGNINI , DORA LONGO BAHIA, LIA CHAIA ,
NICOLÁS ROBBIO
12/07/2019 A 13/10/2019 Instituto Cultural Peruano Norteamericano (ICPNA)Lima - - Peru
HISTÓRIAS FEMINISTAS: ARTISTAS DEPOIS DE 2000 CARLA ZACCAGNINI , CLARA IANNI 23/08/2019 A 17/11/2019MASP
São Paulo - - Brasil IVÁN ARGOTE. BRIDGES: WE ARE MELTING - FRIEZE SCULPTURE PARK 2019IVÁN ARGOTE
03/07/2019 A 06/10/2019Regent’s Park
Londres - - Inglaterra BACK END. VIGILÂNCIA, ARTE E PRIVACIDADEGUILHERME PETERS
19/08/2019 A 06/09/2019 Faculdade de Direito USP São Paulo - - BrasilTREES
CLAUDIA ANDUJAR
12/07/2019 A 10/11/2019Fondation Cartier
Paris - - França
SECOND HAND
CINTHIA MARCELLE
04/07/2019 A 23/11/2019Jameel Arts Centre
Dubai - - Emirados Arábes CLAUDIA ANDUJAR: A LUTA YANOMAMICLAUDIA ANDUJAR
20/07/2019 A 10/11/2019 Instituto Moreira Salles - IMS Rio de Janeiro - - Brasil ON EARTH - IMAGE MAKING, TECHNOLOGY AND NATURA WORLD - RENCONTRESD’ARLES
JONATHAS DE ANDRADE
02/07/2019 A 22/09/2019 Atélier des Forges ArlesArles - - França
ROSÂNGELA RENNÓ : GOOD APPLES/BAD APPLES (UN DOCUMENTO MONUMENTO)ROSÂNGELA RENNÓ
25/06/2019 A 01/08/2019 MUNTREF Centro de Arte Contemporáneo Buenos Aires - - Argentina AMAZONIA. THÉ SHAMAN AND MIND OF THE FOREST CLAUDIA ANDUJAR , MOTTA & LIMA 05/06/2019 A 19/01/2020 Musée d'histoire de NantesNantes - - França
TRANSAMERICA/N: GENDER, IDENTITY, APPEARANCE TODAYCARLOS MOTTA
20/06/2019 A 15/09/2019McNay Art Museum
San Antonio - - EUA
FESTIVAL LA GACILLY-BADEN PHOTOCLAUDIA ANDUJAR
03/06/2019 A 30/09/2019Baden - - Áustria
THE WATER OFFICE
TANIA CANDIANI
27/06/2019 A 27/09/2019 Former Residence of the Ambassadors of SpainWashington - - EUA
RIO DOS NAVEGANTES
DETANICO LAIN
25/05/2019 A 29/03/2020MAR
Rio de Janeiro - - Brasil TERRITORIO COMÚN. NUEVAS INCORPORACIONES A LA COLECCIÓN MAMM CLAUDIA ANDUJAR , CARLOS MOTTA, NICOLÁS BACAL
22/05/2019 A 10/11/2019 Museu de Arte Moderno Medellín (MAMM) Medelin - - Colômbia RASGO NO SOLO DO PARQUE DO CASTELINHO - DESENCAMINHARTE 2018 (INSTALAÇÃO PERMANENTE)GABRIELA ALBERGARIA
15/12/2018 A
Pq do Castelinho
Vila Nova de Cerveira - - PortugalDetails
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