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SHOW - FILM RIOT
Watch the Film Riot show with episodes right on our site. You can always watch on Youtube, but the more ways to watch the better.MAKEFILM CHALLENGE
To qualify for the MakeFilm Challenge, entrants are required to produce an original short film that is a minimum of sixty (60) seconds and a maximum of four (4) minutes in length. We are looking for fictional narrative short films that can serve as a proof of concept for a feature film. We want to see your big concepts in every genre. COLOR GRADING WORKSPACESCONNECT - FILM RIOT
Connect with the entire Film Riot team. Learn about our core team and follow them on social. Also, learn more about our new blogcontributors!
COLOR GRADING 101 PT. 1: HUMAN VISION BASICS UNDERSTANDING FRAME RATES VS SHUTTER SPEED BAR BRAWL - FILM RIOT https://www.youtube.com/watch?v=-I9GmNlzbK4RYAN THOMPSON
Ryan Thompson is a UK based filmmaker and visual effects artist. He has worked in many fields including – Directing, Editing, Cinematography, Grading, VFX, Sound Design and more. THERE COMES A KNOCKING Processed with VSCO with c9 preset. Processed with VSCO with a2preset.
FILM RIOT - A HOW-TO TRIP THROUGH FILMMAKINGBLOGPODCASTSHOWFILMSMAKEFILMCONNECT Film Riot is a how-to trip through filmmaking from the hyper-active minds of the Connolly Brothers. Film Riot explores filmmaking in a wayyou've never seen.
SHOW - FILM RIOT
Watch the Film Riot show with episodes right on our site. You can always watch on Youtube, but the more ways to watch the better.MAKEFILM CHALLENGE
To qualify for the MakeFilm Challenge, entrants are required to produce an original short film that is a minimum of sixty (60) seconds and a maximum of four (4) minutes in length. We are looking for fictional narrative short films that can serve as a proof of concept for a feature film. We want to see your big concepts in every genre. COLOR GRADING WORKSPACESCONNECT - FILM RIOT
Connect with the entire Film Riot team. Learn about our core team and follow them on social. Also, learn more about our new blogcontributors!
COLOR GRADING 101 PT. 1: HUMAN VISION BASICS UNDERSTANDING FRAME RATES VS SHUTTER SPEED BAR BRAWL - FILM RIOT https://www.youtube.com/watch?v=-I9GmNlzbK4RYAN THOMPSON
Ryan Thompson is a UK based filmmaker and visual effects artist. He has worked in many fields including – Directing, Editing, Cinematography, Grading, VFX, Sound Design and more. THERE COMES A KNOCKING Processed with VSCO with c9 preset. Processed with VSCO with a2preset.
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Check out the cool behind the scenes of all the Film Riot films including on-set images and making or videos and Film Riot episodes.PODCAST - FILM RIOT
The Film Riot Podcast is a conversation with talented and innovative filmmakers. From directors, editors, stunt coordinators, DPs, Actors, VFX artists, & more.BLOG - FILM RIOT
Two 180s of Filmmaking—180 Degree Line & Shutter Angle. In the world of filmmaking there are two “rules” which each share the same name—the 180 degree rule. One has to do with the position. For over a decade, Film Riot has been dedicated to helping aspiring filmmakers learn about all the tips and tricks that make Hollywood movies 5 SHOT TYPES EVERY FILMMAKER SHOULD KNOW The 5 Shot Types in Filmmaking. Shot Size. Angle. Framing. Movement. Focal Length. Aspect Ratio. For over a decade, Film Riot has been dedicated to helping aspiring filmmakers learn about all the tips and tricks that make Hollywood movies “tick.”. But as every good filmmaker knows, understanding the foundational basics is paramount ifyou
BALLISTIC - FILM RIOT CLICK HERE TO BUY THIS FILM WITH EXTRAS. CLICK HERE TO BUY THE SOUNDTRACK. YouTube. Film Riot. 1.78M subscribers. Subscribe. The Stunts & Special Effects of BALLiSTIC. Info. HOW TO BE A GREAT 1ST AC (ASSISTANT CAMERA) According to Wikipedia: “A focus puller, or 1st assistant camera, is a member of a film crew’s camera department, whose primary responsibility is to maintain image sharpness on whatever subject or action is being filmed.”. When the camera is rolling, the job of the 1st AC is to pull focus. Granted, it’s a bizarre and magical skillto
EMILY CONNOLLY
April 27, 2021. The Importance of a 1st AD. March 30, 2021. Directing Extraction with Sam Hargrave. March 3, 2021. Writing & Directing ‘I Care a Lot’. February 25, 2021. How to be a Great 1st AC (AssistantCamera) Load More.
RYAN CONNOLLY
Ryan Connolly is a filmmaker, Internet personality, and presenter. He has written and directed 16 short films including PROXiMITY, UFOh Yeah, Ghost House, SENTiNEL, BALLiSTIC, and his Latest There Comes a Knocking. Currently Ryan is working with 3Arts, developing feature films. Play Video. Play Video. TWO 180S OF FILMMAKING—180 DEGREE LINE & SHUTTER ANGLE In the world of filmmaking there are two “rules” which each share the same name—the 180 degree rule. One has to do with the position of your camera with respect to your actors/subjects. The other has to do with the relation of shutter speed and frame rate. Both “rules” are established to improve the viewing experience of your audience. THERE COMES A KNOCKING Processed with VSCO with c9 preset. Processed with VSCO with a2preset.
FILM RIOT - A HOW-TO TRIP THROUGH FILMMAKINGBLOGPODCASTSHOWFILMSMAKEFILMCONNECT Film Riot is a how-to trip through filmmaking from the hyper-active minds of the Connolly Brothers. Film Riot explores filmmaking in a wayyou've never seen.
SHOW - FILM RIOT
Watch the Film Riot show with episodes right on our site. You can always watch on Youtube, but the more ways to watch the better.MAKEFILM CHALLENGE
To qualify for the MakeFilm Challenge, entrants are required to produce an original short film that is a minimum of sixty (60) seconds and a maximum of four (4) minutes in length. We are looking for fictional narrative short films that can serve as a proof of concept for a feature film. We want to see your big concepts in every genre.BLOG - FILM RIOT
Two 180s of Filmmaking—180 Degree Line & Shutter Angle. In the world of filmmaking there are two “rules” which each share the same name—the 180 degree rule. One has to do with the position. For over a decade, Film Riot has been dedicated to helping aspiring filmmakers learn about all the tips and tricks that make Hollywood movies COLOR GRADING WORKSPACES 5 SHOT TYPES EVERY FILMMAKER SHOULD KNOW UNDERSTANDING FRAME RATES VS SHUTTER SPEEDEMILY CONNOLLY
April 27, 2021. The Importance of a 1st AD. March 30, 2021. Directing Extraction with Sam Hargrave. March 3, 2021. Writing & Directing ‘I Care a Lot’. February 25, 2021. How to be a Great 1st AC (AssistantCamera) Load More.
RYAN THOMPSON
Ryan Thompson is a UK based filmmaker and visual effects artist. He has worked in many fields including – Directing, Editing, Cinematography, Grading, VFX, Sound Design and more. BAR BRAWL - FILM RIOT https://www.youtube.com/watch?v=-I9GmNlzbK4 FILM RIOT - A HOW-TO TRIP THROUGH FILMMAKINGBLOGPODCASTSHOWFILMSMAKEFILMCONNECT Film Riot is a how-to trip through filmmaking from the hyper-active minds of the Connolly Brothers. Film Riot explores filmmaking in a wayyou've never seen.
SHOW - FILM RIOT
Watch the Film Riot show with episodes right on our site. You can always watch on Youtube, but the more ways to watch the better.MAKEFILM CHALLENGE
To qualify for the MakeFilm Challenge, entrants are required to produce an original short film that is a minimum of sixty (60) seconds and a maximum of four (4) minutes in length. We are looking for fictional narrative short films that can serve as a proof of concept for a feature film. We want to see your big concepts in every genre.BLOG - FILM RIOT
Two 180s of Filmmaking—180 Degree Line & Shutter Angle. In the world of filmmaking there are two “rules” which each share the same name—the 180 degree rule. One has to do with the position. For over a decade, Film Riot has been dedicated to helping aspiring filmmakers learn about all the tips and tricks that make Hollywood movies COLOR GRADING WORKSPACES 5 SHOT TYPES EVERY FILMMAKER SHOULD KNOW UNDERSTANDING FRAME RATES VS SHUTTER SPEEDEMILY CONNOLLY
April 27, 2021. The Importance of a 1st AD. March 30, 2021. Directing Extraction with Sam Hargrave. March 3, 2021. Writing & Directing ‘I Care a Lot’. February 25, 2021. How to be a Great 1st AC (AssistantCamera) Load More.
RYAN THOMPSON
Ryan Thompson is a UK based filmmaker and visual effects artist. He has worked in many fields including – Directing, Editing, Cinematography, Grading, VFX, Sound Design and more. BAR BRAWL - FILM RIOT https://www.youtube.com/watch?v=-I9GmNlzbK4MAKEFILM CHALLENGE
To qualify for the MakeFilm Challenge, entrants are required to produce an original short film that is a minimum of sixty (60) seconds and a maximum of four (4) minutes in length. We are looking for fictional narrative short films that can serve as a proof of concept for a feature film. We want to see your big concepts in every genre.PODCAST - FILM RIOT
The Film Riot Podcast is a conversation with talented and innovative filmmakers. From directors, editors, stunt coordinators, DPs, Actors, VFX artists, & more.CONNECT - FILM RIOT
Connect with the entire Film Riot team. Learn about our core team and follow them on social. Also, learn more about our new blogcontributors!
COLOR GRADING 101 PT. 1: HUMAN VISION BASICS It gives us the ideal foundation for understanding cameras and displays: Human vision is the basis of every imaging system ever devised, from lenses to sensors to displays. The best way to understand these systems, and the role color grading plays within them, is to understand their common foundation. With these motivationsin mind, we’re
COLOR GRADING 101 PT 2—CAMERA BASICS It allows us to think and grade photographically: By understanding cameras and the process by which images are captured, we can step in as colorists to enhance and complement this process, speaking and operating in the photographic language of light, exposure, ratios, and color temperature, rather than imposing graphical language and tools. RON DAWSON - FILM RIOT RON DAWSON Blog Managing Editor Facebook Twitter Globe Instagram Projects Recent Posts .elementor-2834 .elementor-element.elementor-element-5846b1f5 REAR AND FRONT PROJECTION IN FILM PRODUCTION As the name suggests, rear projection is when a projector casts an image from behind a translucent screen. Front projection places a projector in front of a screen. Rear projection. Front projection. The primary benefit of front projection vs. rear projection is that it allows for a more saturated and sharp image. The downside is the throwlength.
TWO 180S OF FILMMAKING—180 DEGREE LINE & SHUTTER ANGLE In the world of filmmaking there are two “rules” which each share the same name—the 180 degree rule. One has to do with the position of your camera with respect to your actors/subjects. The other has to do with the relation of shutter speed and frame rate. Both “rules” are established to improve the viewing experience of your audience. BAR BRAWL - FILM RIOT https://www.youtube.com/watch?v=-I9GmNlzbK4 WHAT NOT TO SAY TO AN ACTOR Make your note specific and concise. Similar to saying nothing, being vague will likely leave your actor feeling as though you don’t know what you want. If that is the case, just tell them. If you are stuck, let them know—they are your partner in this. If you FILM RIOT - A HOW-TO TRIP THROUGH FILMMAKINGBLOGPODCASTSHOWFILMSMAKEFILMCONNECT Film Riot is a how-to trip through filmmaking from the hyper-active minds of the Connolly Brothers. Film Riot explores filmmaking in a wayyou've never seen.
SHOW - FILM RIOT
Watch the Film Riot show with episodes right on our site. You can always watch on Youtube, but the more ways to watch the better.MAKEFILM CHALLENGE
Producer Scott Glassgold is the founder of Ground Control Entertainment, a leading management and production platform. As a Producer, Scott has produced such films as Tim Story’s Hurricane Season and Zeek Earl & Chris Caldwell’s Prospect.Currently, Scott & Ground Control are developing such high profile feature projects as Angel Gomez’s Behind at Lions Gate with Sam Raimi,BLOG - FILM RIOT
The Film Riot Blog is THE place to learn everything you ever wanted to know about filmmaking covering pre-production, production, andpost-production.
COLOR GRADING WORKSPACES 5 SHOT TYPES EVERY FILMMAKER SHOULD KNOW UNDERSTANDING FRAME RATES VS SHUTTER SPEED BAR BRAWL - FILM RIOT https://www.youtube.com/watch?v=-I9GmNlzbK4RYAN THOMPSON
Ryan Thompson is a UK based filmmaker and visual effects artist. He has worked in many fields including – Directing, Editing, Cinematography, Grading, VFX, Sound Design and more.EMILY CONNOLLY
Started acting in Film Riot when I was 9 So it's been a minute. FILM RIOT - A HOW-TO TRIP THROUGH FILMMAKINGBLOGPODCASTSHOWFILMSMAKEFILMCONNECT Film Riot is a how-to trip through filmmaking from the hyper-active minds of the Connolly Brothers. Film Riot explores filmmaking in a wayyou've never seen.
SHOW - FILM RIOT
Watch the Film Riot show with episodes right on our site. You can always watch on Youtube, but the more ways to watch the better.MAKEFILM CHALLENGE
Producer Scott Glassgold is the founder of Ground Control Entertainment, a leading management and production platform. As a Producer, Scott has produced such films as Tim Story’s Hurricane Season and Zeek Earl & Chris Caldwell’s Prospect.Currently, Scott & Ground Control are developing such high profile feature projects as Angel Gomez’s Behind at Lions Gate with Sam Raimi,BLOG - FILM RIOT
The Film Riot Blog is THE place to learn everything you ever wanted to know about filmmaking covering pre-production, production, andpost-production.
COLOR GRADING WORKSPACES 5 SHOT TYPES EVERY FILMMAKER SHOULD KNOW UNDERSTANDING FRAME RATES VS SHUTTER SPEED BAR BRAWL - FILM RIOT https://www.youtube.com/watch?v=-I9GmNlzbK4RYAN THOMPSON
Ryan Thompson is a UK based filmmaker and visual effects artist. He has worked in many fields including – Directing, Editing, Cinematography, Grading, VFX, Sound Design and more.EMILY CONNOLLY
Started acting in Film Riot when I was 9 So it's been a minute.MAKEFILM CHALLENGE
Producer Scott Glassgold is the founder of Ground Control Entertainment, a leading management and production platform. As a Producer, Scott has produced such films as Tim Story’s Hurricane Season and Zeek Earl & Chris Caldwell’s Prospect.Currently, Scott & Ground Control are developing such high profile feature projects as Angel Gomez’s Behind at Lions Gate with Sam Raimi,PODCAST - FILM RIOT
The Film Riot Podcast is a conversation with talented and innovative filmmakers. From directors, editors, stunt coordinators, DPs, Actors, VFX artists, & more.CONNECT - FILM RIOT
Connect with the entire Film Riot team. Learn about our core team and follow them on social. Also, learn more about our new blogcontributors!
COLOR GRADING 101 PT 2—CAMERA BASICS Introduction. In Part 1 of this series, we covered the basics of human vision, gaining a better grasp of how our eyes work. This provides a great foundation for tackling today’s topic: camera basics and how they work. But why should we care about this topic if COLOR GRADING 101 PT. 1: HUMAN VISION BASICS A scientific look at the human eye and how it works to better understand its impact on color grading in filmmaking. RON DAWSON - FILM RIOT RON DAWSON Blog Managing Editor Facebook Twitter Globe Instagram Projects Recent Posts .elementor-2834 .elementor-element.elementor-element-5846b1f5 BAR BRAWL - FILM RIOT https://www.youtube.com/watch?v=-I9GmNlzbK4 REAR AND FRONT PROJECTION IN FILM PRODUCTION A couple of weeks ago I was watching Pulp Fiction (again) and I made a mental note about an aspect of that film I always found interesting. The scene where Bruce Willis’ character, Butch the Boxer, is in a cab and it’s obvious that the background of the city passing by isfake.
TWO 180S OF FILMMAKING—180 DEGREE LINE & SHUTTER ANGLE Breaking the Rule. Many newbies break this rule because they simply don’t know or aren’t aware. Many experienced people even break this rule from time to time because they may have had so many camera changes or are trying to get interesting angles, they WHAT NOT TO SAY TO AN ACTOR Saying Nothing. Actors love notes, even if that note is something small. Saying nothing will leave your actor uncertain. That uncertainty may allow some insecurity to creep in that will make it harder for them to do their job; or it could lead to them losing confidence in you as it shows you don’t understand the actor’sprocess.
FILM RIOT - A HOW-TO TRIP THROUGH FILMMAKINGBLOGPODCASTSHOWFILMSMAKEFILMCONNECT Film Riot is a how-to trip through filmmaking from the hyper-active minds of the Connolly Brothers. Film Riot explores filmmaking in a wayyou've never seen.
SHOW - FILM RIOT
Watch the Film Riot show with episodes right on our site. You can always watch on Youtube, but the more ways to watch the better.MAKEFILM CHALLENGE
To qualify for the MakeFilm Challenge, entrants are required to produce an original short film that is a minimum of sixty (60) seconds and a maximum of four (4) minutes in length. We are looking for fictional narrative short films that can serve as a proof of concept for a feature film. We want to see your big concepts in every genre.BLOG - FILM RIOT
Two 180s of Filmmaking—180 Degree Line & Shutter Angle. In the world of filmmaking there are two “rules” which each share the same name—the 180 degree rule. One has to do with the position. For over a decade, Film Riot has been dedicated to helping aspiring filmmakers learn about all the tips and tricks that make Hollywood movies COLOR GRADING WORKSPACESCONNECT - FILM RIOT
Connect with the entire Film Riot team. Learn about our core team and follow them on social. Also, learn more about our new blogcontributors!
5 SHOT TYPES EVERY FILMMAKER SHOULD KNOW UNDERSTANDING FRAME RATES VS SHUTTER SPEED BAR BRAWL - FILM RIOT https://www.youtube.com/watch?v=-I9GmNlzbK4RYAN THOMPSON
Ryan Thompson is a UK based filmmaker and visual effects artist. He has worked in many fields including – Directing, Editing, Cinematography, Grading, VFX, Sound Design and more. FILM RIOT - A HOW-TO TRIP THROUGH FILMMAKINGBLOGPODCASTSHOWFILMSMAKEFILMCONNECT Film Riot is a how-to trip through filmmaking from the hyper-active minds of the Connolly Brothers. Film Riot explores filmmaking in a wayyou've never seen.
SHOW - FILM RIOT
Watch the Film Riot show with episodes right on our site. You can always watch on Youtube, but the more ways to watch the better.MAKEFILM CHALLENGE
To qualify for the MakeFilm Challenge, entrants are required to produce an original short film that is a minimum of sixty (60) seconds and a maximum of four (4) minutes in length. We are looking for fictional narrative short films that can serve as a proof of concept for a feature film. We want to see your big concepts in every genre.BLOG - FILM RIOT
Two 180s of Filmmaking—180 Degree Line & Shutter Angle. In the world of filmmaking there are two “rules” which each share the same name—the 180 degree rule. One has to do with the position. For over a decade, Film Riot has been dedicated to helping aspiring filmmakers learn about all the tips and tricks that make Hollywood movies COLOR GRADING WORKSPACESCONNECT - FILM RIOT
Connect with the entire Film Riot team. Learn about our core team and follow them on social. Also, learn more about our new blogcontributors!
5 SHOT TYPES EVERY FILMMAKER SHOULD KNOW UNDERSTANDING FRAME RATES VS SHUTTER SPEED BAR BRAWL - FILM RIOT https://www.youtube.com/watch?v=-I9GmNlzbK4RYAN THOMPSON
Ryan Thompson is a UK based filmmaker and visual effects artist. He has worked in many fields including – Directing, Editing, Cinematography, Grading, VFX, Sound Design and more.PODCAST - FILM RIOT
The Film Riot Podcast is a conversation with talented and innovative filmmakers. From directors, editors, stunt coordinators, DPs, Actors, VFX artists, & more.CONNECT - FILM RIOT
Connect with the entire Film Riot team. Learn about our core team and follow them on social. Also, learn more about our new blogcontributors!
PRODUCTION - FILM RIOT Two 180s of Filmmaking—180 Degree Line & Shutter Angle. Ron Dawson August 3, 2020. In the world of filmmaking there are two “rules” which each share the same name—the. Read More ». DEVELOPING & SELLING FEATURE FILMS Scott Glassgold is a Manager and Producer with well over a decade of experience.After getting his start at New Line Cinema and Disney, Scott Founded Ground Control, an innovative Management, and Production company.From there, he’s gone on to nurture several short films and initial ideas to final feature films – such as Prospect and TheBeyond.
THE IMPORTANCE OF A 1ST AD Hristo Dimitrov. The importance of the First Assistant Director can’t be understated. They set the tone for the crew, keep the production on schedule, and are one of the closest allies of the director. And this is the role Hristo Dimitrov fills with ease. With films like Rambo: Last Blood, Hunter Killer, Paul, Apostle of Christ,and the
HOW TO BE A GREAT 1ST AC (ASSISTANT CAMERA) According to Wikipedia: “A focus puller, or 1st assistant camera, is a member of a film crew’s camera department, whose primary responsibility is to maintain image sharpness on whatever subject or action is being filmed.”. When the camera is rolling, the job of the 1st AC is to pull focus. Granted, it’s a bizarre and magical skillto
COLOR GRADING 101 PT 3 Today is part 3 of our series on Color Grading 101. If you’ve been following it, you know that we’ve now covered two of the three ingredients essential to all filmmaking workflows: 1) human vision and 2) cameras. Now that we understand the way these systems work and interact, we’re ready to take a look at the last of these three ingredients: displays. THERE COMES A KNOCKING RT @JROBproductions: LIFE UPDATE - i’m moving (back to) the dallas, texas, area in june to reclaim my full time job at @filmriot for papa TWO 180S OF FILMMAKING—180 DEGREE LINE & SHUTTER ANGLE In the world of filmmaking there are two “rules” which each share the same name—the 180 degree rule. One has to do with the position of your camera with respect to your actors/subjects. The other has to do with the relation of shutter speed and frame rate. Both “rules” are established to improve the viewing experience of your audience. WHAT NOT TO SAY TO AN ACTOR Make your note specific and concise. Similar to saying nothing, being vague will likely leave your actor feeling as though you don’t know what you want. If that is the case, just tell them. If you are stuck, let them know—they are your partner in this. If you FILM RIOT - A HOW-TO TRIP THROUGH FILMMAKINGBLOGPODCASTSHOWFILMSMAKEFILMCONNECT Film Riot is a how-to trip through filmmaking from the hyper-active minds of the Connolly Brothers. Film Riot explores filmmaking in a wayyou've never seen.
SHOW - FILM RIOT
Watch the Film Riot show with episodes right on our site. You can always watch on Youtube, but the more ways to watch the better.MAKEFILM CHALLENGE
To qualify for the MakeFilm Challenge, entrants are required to produce an original short film that is a minimum of sixty (60) seconds and a maximum of four (4) minutes in length. We are looking for fictional narrative short films that can serve as a proof of concept for a feature film. We want to see your big concepts in every genre.BLOG - FILM RIOT
Two 180s of Filmmaking—180 Degree Line & Shutter Angle. In the world of filmmaking there are two “rules” which each share the same name—the 180 degree rule. One has to do with the position. For over a decade, Film Riot has been dedicated to helping aspiring filmmakers learn about all the tips and tricks that make Hollywood movies COLOR GRADING WORKSPACESCONNECT - FILM RIOT
Connect with the entire Film Riot team. Learn about our core team and follow them on social. Also, learn more about our new blogcontributors!
5 SHOT TYPES EVERY FILMMAKER SHOULD KNOW UNDERSTANDING FRAME RATES VS SHUTTER SPEED BAR BRAWL - FILM RIOT https://www.youtube.com/watch?v=-I9GmNlzbK4RYAN THOMPSON
Ryan Thompson is a UK based filmmaker and visual effects artist. He has worked in many fields including – Directing, Editing, Cinematography, Grading, VFX, Sound Design and more. FILM RIOT - A HOW-TO TRIP THROUGH FILMMAKINGBLOGPODCASTSHOWFILMSMAKEFILMCONNECT Film Riot is a how-to trip through filmmaking from the hyper-active minds of the Connolly Brothers. Film Riot explores filmmaking in a wayyou've never seen.
SHOW - FILM RIOT
Watch the Film Riot show with episodes right on our site. You can always watch on Youtube, but the more ways to watch the better.MAKEFILM CHALLENGE
To qualify for the MakeFilm Challenge, entrants are required to produce an original short film that is a minimum of sixty (60) seconds and a maximum of four (4) minutes in length. We are looking for fictional narrative short films that can serve as a proof of concept for a feature film. We want to see your big concepts in every genre.BLOG - FILM RIOT
Two 180s of Filmmaking—180 Degree Line & Shutter Angle. In the world of filmmaking there are two “rules” which each share the same name—the 180 degree rule. One has to do with the position. For over a decade, Film Riot has been dedicated to helping aspiring filmmakers learn about all the tips and tricks that make Hollywood movies COLOR GRADING WORKSPACESCONNECT - FILM RIOT
Connect with the entire Film Riot team. Learn about our core team and follow them on social. Also, learn more about our new blogcontributors!
5 SHOT TYPES EVERY FILMMAKER SHOULD KNOW UNDERSTANDING FRAME RATES VS SHUTTER SPEED BAR BRAWL - FILM RIOT https://www.youtube.com/watch?v=-I9GmNlzbK4RYAN THOMPSON
Ryan Thompson is a UK based filmmaker and visual effects artist. He has worked in many fields including – Directing, Editing, Cinematography, Grading, VFX, Sound Design and more.PODCAST - FILM RIOT
The Film Riot Podcast is a conversation with talented and innovative filmmakers. From directors, editors, stunt coordinators, DPs, Actors, VFX artists, & more.CONNECT - FILM RIOT
Connect with the entire Film Riot team. Learn about our core team and follow them on social. Also, learn more about our new blogcontributors!
PRODUCTION - FILM RIOT Two 180s of Filmmaking—180 Degree Line & Shutter Angle. Ron Dawson August 3, 2020. In the world of filmmaking there are two “rules” which each share the same name—the. Read More ». DEVELOPING & SELLING FEATURE FILMS Scott Glassgold is a Manager and Producer with well over a decade of experience.After getting his start at New Line Cinema and Disney, Scott Founded Ground Control, an innovative Management, and Production company.From there, he’s gone on to nurture several short films and initial ideas to final feature films – such as Prospect and TheBeyond.
THE IMPORTANCE OF A 1ST AD Hristo Dimitrov. The importance of the First Assistant Director can’t be understated. They set the tone for the crew, keep the production on schedule, and are one of the closest allies of the director. And this is the role Hristo Dimitrov fills with ease. With films like Rambo: Last Blood, Hunter Killer, Paul, Apostle of Christ,and the
HOW TO BE A GREAT 1ST AC (ASSISTANT CAMERA) According to Wikipedia: “A focus puller, or 1st assistant camera, is a member of a film crew’s camera department, whose primary responsibility is to maintain image sharpness on whatever subject or action is being filmed.”. When the camera is rolling, the job of the 1st AC is to pull focus. Granted, it’s a bizarre and magical skillto
COLOR GRADING 101 PT 3 Today is part 3 of our series on Color Grading 101. If you’ve been following it, you know that we’ve now covered two of the three ingredients essential to all filmmaking workflows: 1) human vision and 2) cameras. Now that we understand the way these systems work and interact, we’re ready to take a look at the last of these three ingredients: displays. THERE COMES A KNOCKING RT @JROBproductions: LIFE UPDATE - i’m moving (back to) the dallas, texas, area in june to reclaim my full time job at @filmriot for papa TWO 180S OF FILMMAKING—180 DEGREE LINE & SHUTTER ANGLE In the world of filmmaking there are two “rules” which each share the same name—the 180 degree rule. One has to do with the position of your camera with respect to your actors/subjects. The other has to do with the relation of shutter speed and frame rate. Both “rules” are established to improve the viewing experience of your audience. WHAT NOT TO SAY TO AN ACTOR Make your note specific and concise. Similar to saying nothing, being vague will likely leave your actor feeling as though you don’t know what you want. If that is the case, just tell them. If you are stuck, let them know—they are your partner in this. If you* Episodes
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