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PHOTOGRAPHS
Browse through photographs from each of Edward Burtynsky's series — including Tailings, China, Oil, Water and the latest fromAnthropocene.
PHOTOGRAPHS: MINES
The aerial images of the Silver Lake Operations at Lake Lefroy and of the pits and tailings at Kalgoorlie, along with the Dampier Salt Ponds are among the most handsome that Burtynsky has ever made. They combine a kind of mapping with a keenly felt experience of all the hard rock grit, dust and labour transforming these arid lands. View fullsize. PHOTOGRAPHS: NATURAL ORDER As part of the Natural Order release, a limited edition portfolio will be published that will include ten 20 x 24-inch photographs from the series, resting in a linen-covered box. The portfolio also includes a new book by the same name, published by Steidl. Burtynsky, together with Nicholas Metivier Gallery in Toronto, will be donating $200,000 PHOTOGRAPHS: RAILCUTS The title Railcuts evokes a sense of direct physical contact with the land. Blasted rock-face fills most of the frames in these images, and the tightly cropped views of the railway line seen head-on are strangely airless and even claustrophobic. Compared with the deep perspective used in works by nineteenth-century photographers whoworked for
BURTYNSKY STUDIO
Edward Burtynsky Photography. 80 Spadina Avenue, Suite 207. Toronto, Ontario, Canada. M5V 2J4. ️. For all reproduction & media inquiries please email: alanna@edwardburtynsky.com. For any other inquiries please email: karen@edwardburtynsky.com. PLEASE NOTE: PHOTOGRAPHS: HOMESTEADS We can see this clearly in a series of photographs he calls "Homesteads." The The title evokes images of the self-reliant pioneers of the nineteenth century, a theme that presents itself in images such as Homesteads #30. In the "Homesteads" series, the precise geographic location, whether in British Columbia, Alberta, Montana, or upstateNew
PHOTOGRAPHS: QUARRIES VERMONT: Edward Burtynsky got to Barre for the first time in 1991 as a result of a photographic quest for quarries in Northern Ontario. When he expressed his disappointment with the small scale of operations in Temagami, a quarryman there described a series of spectacular quarries he’d seen in Vermont.PHOTOGRAPHS: CHINA
SHIPYARDS: With over 12,000 workers using 500,000 tons of steel, Qili port shipyards build 232 to 250 ships per year. According to the Chinese Commission for Science, Technology and and National Defense, by 2015 China is expected to become the world’s largest shipbuilder, with annual output reaching 24 million deadweight tons, or 35 per cent of the world’s total.PHOTOGRAPHS: OIL
The automobile was made possible because of the invention of the internal combustion engine and its utilization of both oil and gasoline. The raw material and the refining process contained both the idea and an interesting visual component for me." – Edward Burtynsky. View fullsize. EDWARD BURTYNSKYPHOTOGRAPHSBIOGRAPHYNEWSEVENTSSHOPLOGIN Welcome to the official website of Edward Burtynsky. Salt Pan #20, Little Rann of Kutch Gujarat, India, 2016. View more from SALT PANS.PHOTOGRAPHS
Browse through photographs from each of Edward Burtynsky's series — including Tailings, China, Oil, Water and the latest fromAnthropocene.
PHOTOGRAPHS: MINES
The aerial images of the Silver Lake Operations at Lake Lefroy and of the pits and tailings at Kalgoorlie, along with the Dampier Salt Ponds are among the most handsome that Burtynsky has ever made. They combine a kind of mapping with a keenly felt experience of all the hard rock grit, dust and labour transforming these arid lands. View fullsize. PHOTOGRAPHS: NATURAL ORDER As part of the Natural Order release, a limited edition portfolio will be published that will include ten 20 x 24-inch photographs from the series, resting in a linen-covered box. The portfolio also includes a new book by the same name, published by Steidl. Burtynsky, together with Nicholas Metivier Gallery in Toronto, will be donating $200,000 PHOTOGRAPHS: RAILCUTS The title Railcuts evokes a sense of direct physical contact with the land. Blasted rock-face fills most of the frames in these images, and the tightly cropped views of the railway line seen head-on are strangely airless and even claustrophobic. Compared with the deep perspective used in works by nineteenth-century photographers whoworked for
BURTYNSKY STUDIO
Edward Burtynsky Photography. 80 Spadina Avenue, Suite 207. Toronto, Ontario, Canada. M5V 2J4. ️. For all reproduction & media inquiries please email: alanna@edwardburtynsky.com. For any other inquiries please email: karen@edwardburtynsky.com. PLEASE NOTE: PHOTOGRAPHS: HOMESTEADS We can see this clearly in a series of photographs he calls "Homesteads." The The title evokes images of the self-reliant pioneers of the nineteenth century, a theme that presents itself in images such as Homesteads #30. In the "Homesteads" series, the precise geographic location, whether in British Columbia, Alberta, Montana, or upstateNew
PHOTOGRAPHS: QUARRIES VERMONT: Edward Burtynsky got to Barre for the first time in 1991 as a result of a photographic quest for quarries in Northern Ontario. When he expressed his disappointment with the small scale of operations in Temagami, a quarryman there described a series of spectacular quarries he’d seen in Vermont.PHOTOGRAPHS: CHINA
SHIPYARDS: With over 12,000 workers using 500,000 tons of steel, Qili port shipyards build 232 to 250 ships per year. According to the Chinese Commission for Science, Technology and and National Defense, by 2015 China is expected to become the world’s largest shipbuilder, with annual output reaching 24 million deadweight tons, or 35 per cent of the world’s total.PHOTOGRAPHS: OIL
The automobile was made possible because of the invention of the internal combustion engine and its utilization of both oil and gasoline. The raw material and the refining process contained both the idea and an interesting visual component for me." – Edward Burtynsky. View fullsize. NEWS — EDWARD BURTYNSKY Edward Burtynsky, Canadian photographer, joins BNN Bloomberg to talk about how the pandemic has impacted urban communities. He says that it will be complicated to see the future of cities as many people have moved away from urban centres with remote work amid the pandemic. Watch the segment here. Oct 21, 2020.PHOTOGRAPHS
Browse through photographs from each of Edward Burtynsky's series — including Tailings, China, Oil, Water and the latest fromAnthropocene.
EVENTS — EDWARD BURTYNSKY Paul Kuhn Gallery is pleased to announce the opening of the autumn season with a new series of photographs by acclaimed artist, Edward Burtynsky. The exhibition Natural Order began earlier this spring when the artist resided in Grey County, Ontario inPHOTOGRAPHS INDEX
VERMONT: Edward Burtynsky got to Barre for the first time in 1991 as a result of a photographic quest for quarries in Northern Ontario. When he expressed his disappointment with the small scale of operations in Temagami, a quarryman there described a series of FILMS — EDWARD BURTYNSKY Watermark. by Jennifer Baichwal and Edward Burtynsky Watermark is a feature documentary from multiple-award winning filmmakers Jennifer Baichwal and Nick de Pencier, and renowned photographer Edward Burtynsky, marking their second collaboration after Manufactured Landscapes in 2006. The film brings together diverse stories from around the globe about our relationship with water: how we are PHOTOGRAPHS: HOMESTEADS We can see this clearly in a series of photographs he calls "Homesteads." The The title evokes images of the self-reliant pioneers of the nineteenth century, a theme that presents itself in images such as Homesteads #30. In the "Homesteads" series, the precise geographic location, whether in British Columbia, Alberta, Montana, or upstateNew
PHOTOGRAPHS: WATER
Water is intermittently introduced as a victim, a partner, a protagonist, a lure, a source, an end, a threat and a pleasure. Water is also often completely absent from the pictures. Burtynsky instead focusses on the visual and physical effects of the lack of water, giving its absence an even more powerful presence." PHOTOGRAPHS: SHIPBREAKING Burtynsky's Shipbreaking photographs, like all his works, appear to us as images of the end of time.The abandoned mines and quarries, the piles of discarded tires, the endless fields of oil derricks, and the huge monoliths of retired tankers show how our attempts at industrial "progress" often leave a PHOTOGRAPHS: EARLY LANDSCAPES EARLY LANDSCAPES. Artist's Statement "I believe photography is a great medium to grow older with, to mature with, because the more you've done, the more you know about the world and comprehend your indebtedness to your predecessors in art, the more you can let those influences enrich your work. BOOKS: MANUFACTURED LANDSCAPES Hardcover : 160 pages / 64 colour plates. Publisher : National Gallery of Canada / Yale University Press (1st edition 2003) Language : English. ISBN-10 : 0300099436. ISBN-13 : 978-0300099430. Product Dimensions : 13 x 11 x 0.7 in. EDWARD BURTYNSKYPHOTOGRAPHSBIOGRAPHYNEWSEVENTSSHOPLOGIN Welcome to the official website of Edward Burtynsky. Salt Pan #20, Little Rann of Kutch Gujarat, India, 2016. View more from SALT PANS. NEWS — EDWARD BURTYNSKY Edward Burtynsky, Canadian photographer, joins BNN Bloomberg to talk about how the pandemic has impacted urban communities. He says that it will be complicated to see the future of cities as many people have moved away from urban centres with remote work amid the pandemic. Watch the segment here. Oct 21, 2020.PHOTOGRAPHS
Browse through photographs from each of Edward Burtynsky's series — including Tailings, China, Oil, Water and the latest fromAnthropocene.
BIOGRAPHY — EDWARD BURTYNSKY Burtynsky was born in 1955 of Ukrainian heritage in St. Catharines, Ontario. He received his BAA in Photography/ Media Studies from Ryerson University in 1982, and in 1985 founded Toronto Image Works, a darkroom rental facility, custom photo laboratory, digital imaging and new media computer-training centre catering to all levels of Toronto'sPHOTOGRAPHS: MINES
The aerial images of the Silver Lake Operations at Lake Lefroy and of the pits and tailings at Kalgoorlie, along with the Dampier Salt Ponds are among the most handsome that Burtynsky has ever made. They combine a kind of mapping with a keenly felt experience of all the hard rock grit, dust and labour transforming these arid lands. View fullsize. PHOTOGRAPHS: QUARRIES VERMONT: Edward Burtynsky got to Barre for the first time in 1991 as a result of a photographic quest for quarries in Northern Ontario. When he expressed his disappointment with the small scale of operations in Temagami, a quarryman there described a series of spectacular quarries he’d seen in Vermont.PHOTOGRAPHS: CHINA
SHIPYARDS: With over 12,000 workers using 500,000 tons of steel, Qili port shipyards build 232 to 250 ships per year. According to the Chinese Commission for Science, Technology and and National Defense, by 2015 China is expected to become the world’s largest shipbuilder, with annual output reaching 24 million deadweight tons, or 35 per cent of the world’s total.PHOTOGRAPHS: WATER
Water is intermittently introduced as a victim, a partner, a protagonist, a lure, a source, an end, a threat and a pleasure. Water is also often completely absent from the pictures. Burtynsky instead focusses on the visual and physical effects of the lack of water, giving its absence an even more powerful presence."PHOTOGRAPHS: OIL
The automobile was made possible because of the invention of the internal combustion engine and its utilization of both oil and gasoline. The raw material and the refining process contained both the idea and an interesting visual component for me." – Edward Burtynsky. View fullsize. PHOTOGRAPHS: TAILINGS TAILINGS. "Consider a picture such as Nickel Tailings #34 from Burtynsky's "Mines and Tailings," a series devoted to the environmental aftermath of metal mining and smelting. Under a cool, grey sky, against a wintry violet backdrop of distant trees, a brilliant orange river swerves toward the camera from within a deepbrown landscape.
EDWARD BURTYNSKYPHOTOGRAPHSBIOGRAPHYNEWSEVENTSSHOPLOGIN Welcome to the official website of Edward Burtynsky. Salt Pan #20, Little Rann of Kutch Gujarat, India, 2016. View more from SALT PANS. NEWS — EDWARD BURTYNSKY Edward Burtynsky, Canadian photographer, joins BNN Bloomberg to talk about how the pandemic has impacted urban communities. He says that it will be complicated to see the future of cities as many people have moved away from urban centres with remote work amid the pandemic. Watch the segment here. Oct 21, 2020.PHOTOGRAPHS
Browse through photographs from each of Edward Burtynsky's series — including Tailings, China, Oil, Water and the latest fromAnthropocene.
BIOGRAPHY — EDWARD BURTYNSKY Burtynsky was born in 1955 of Ukrainian heritage in St. Catharines, Ontario. He received his BAA in Photography/ Media Studies from Ryerson University in 1982, and in 1985 founded Toronto Image Works, a darkroom rental facility, custom photo laboratory, digital imaging and new media computer-training centre catering to all levels of Toronto'sPHOTOGRAPHS: MINES
The aerial images of the Silver Lake Operations at Lake Lefroy and of the pits and tailings at Kalgoorlie, along with the Dampier Salt Ponds are among the most handsome that Burtynsky has ever made. They combine a kind of mapping with a keenly felt experience of all the hard rock grit, dust and labour transforming these arid lands. View fullsize. PHOTOGRAPHS: QUARRIES VERMONT: Edward Burtynsky got to Barre for the first time in 1991 as a result of a photographic quest for quarries in Northern Ontario. When he expressed his disappointment with the small scale of operations in Temagami, a quarryman there described a series of spectacular quarries he’d seen in Vermont.PHOTOGRAPHS: CHINA
SHIPYARDS: With over 12,000 workers using 500,000 tons of steel, Qili port shipyards build 232 to 250 ships per year. According to the Chinese Commission for Science, Technology and and National Defense, by 2015 China is expected to become the world’s largest shipbuilder, with annual output reaching 24 million deadweight tons, or 35 per cent of the world’s total.PHOTOGRAPHS: WATER
Water is intermittently introduced as a victim, a partner, a protagonist, a lure, a source, an end, a threat and a pleasure. Water is also often completely absent from the pictures. Burtynsky instead focusses on the visual and physical effects of the lack of water, giving its absence an even more powerful presence."PHOTOGRAPHS: OIL
The automobile was made possible because of the invention of the internal combustion engine and its utilization of both oil and gasoline. The raw material and the refining process contained both the idea and an interesting visual component for me." – Edward Burtynsky. View fullsize. PHOTOGRAPHS: TAILINGS TAILINGS. "Consider a picture such as Nickel Tailings #34 from Burtynsky's "Mines and Tailings," a series devoted to the environmental aftermath of metal mining and smelting. Under a cool, grey sky, against a wintry violet backdrop of distant trees, a brilliant orange river swerves toward the camera from within a deepbrown landscape.
NEWS — EDWARD BURTYNSKY Edward Burtynsky, Canadian photographer, joins BNN Bloomberg to talk about how the pandemic has impacted urban communities. He says that it will be complicated to see the future of cities as many people have moved away from urban centres with remote work amid the pandemic. Watch the segment here. Oct 21, 2020. FILMS — EDWARD BURTYNSKY Watermark. by Jennifer Baichwal and Edward Burtynsky Watermark is a feature documentary from multiple-award winning filmmakers Jennifer Baichwal and Nick de Pencier, and renowned photographer Edward Burtynsky, marking their second collaboration after Manufactured Landscapes in 2006. The film brings together diverse stories from around the globe about our relationship with water: how we are VIDEOS — EDWARD BURTYNSKY On September 3, 2020 Edward Burtynsky joined Paul Roth, Director of the Ryerson Image Centre, in conversation at the Metivier Gallery in Toronto to discuss his new body of work, Natural Order. Filmed by David Hartman, Hayfire. Edward Burtynsky: Natural Order exhibition walkthrough from Nicholas Metivier Gallery on Vimeo. FILMS: MANUFACTURED LANDSCAPES MANUFACTURED LANDSCAPES: Manufactured Landscapes is a feature length documentary on the world and work of renowned artist Edward Burtynsky. Burtynsky makes large-scale photographs of 'manufactured landscapes' – quarries, recycling yards, factories, mines, dams. He photographs civilization's materials and debris, but in a way people describe PHOTOGRAPHS: RAILCUTS The title Railcuts evokes a sense of direct physical contact with the land. Blasted rock-face fills most of the frames in these images, and the tightly cropped views of the railway line seen head-on are strangely airless and even claustrophobic. Compared with the deep perspective used in works by nineteenth-century photographers whoworked for
PHOTOGRAPHS: EARLY LANDSCAPES EARLY LANDSCAPES. Artist's Statement "I believe photography is a great medium to grow older with, to mature with, because the more you've done, the more you know about the world and comprehend your indebtedness to your predecessors in art, the more you can let those influences enrich your work. PHOTOGRAPHS: NATURAL ORDER As part of the Natural Order release, a limited edition portfolio will be published that will include ten 20 x 24-inch photographs from the series, resting in a linen-covered box. The portfolio also includes a new book by the same name, published by Steidl. Burtynsky, together with Nicholas Metivier Gallery in Toronto, will be donating $200,000 PHOTOGRAPHS: TAILINGS TAILINGS "Consider a picture such as Nickel Tailings #34 from Burtynsky's "Mines and Tailings," a series devoted to the environmental aftermath of metal mining and smelting.Under a cool, grey sky, against a wintry violet backdrop of distant trees, a brilliant orange river swerves toward the camera from within a deepbrown landscape.
PHOTOGRAPHS: URBAN MINES And then there is the relatively modern phenomenon of recycling – the source for the secondary level of extraction. This is the “urban mine”. I felt it had a natural conceptual connection to everything I had done." – Edward Burtynsky. We've never stopped taking things from nature. Even the act of taking from the earth is natural since PHOTOGRAPHS: HOMESTEADS We can see this clearly in a series of photographs he calls "Homesteads." The The title evokes images of the self-reliant pioneers of the nineteenth century, a theme that presents itself in images such as Homesteads #30. In the "Homesteads" series, the precise geographic location, whether in British Columbia, Alberta, Montana, or upstateNew
EDWARD BURTYNSKYPHOTOGRAPHSBIOGRAPHYNEWSEVENTSSHOPLOGIN Welcome to the official website of Edward Burtynsky. Salt Pan #20, Little Rann of Kutch Gujarat, India, 2016. View more from SALT PANS.PHOTOGRAPHS
Browse through photographs from each of Edward Burtynsky's series — including Tailings, China, Oil, Water and the latest fromAnthropocene.
PHOTOGRAPHS: NATURAL ORDER As part of the Natural Order release, a limited edition portfolio will be published that will include ten 20 x 24-inch photographs from the series, resting in a linen-covered box. The portfolio also includes a new book by the same name, published by Steidl. Burtynsky, together with Nicholas Metivier Gallery in Toronto, will be donating $200,000PHOTOGRAPHS: MINES
The aerial images of the Silver Lake Operations at Lake Lefroy and of the pits and tailings at Kalgoorlie, along with the Dampier Salt Ponds are among the most handsome that Burtynsky has ever made. They combine a kind of mapping with a keenly felt experience of all the hard rock grit, dust and labour transforming these arid lands. View fullsize. PHOTOGRAPHS: RAILCUTS The title Railcuts evokes a sense of direct physical contact with the land. Blasted rock-face fills most of the frames in these images, and the tightly cropped views of the railway line seen head-on are strangely airless and even claustrophobic. Compared with the deep perspective used in works by nineteenth-century photographers whoworked for
PHOTOGRAPHS: ANTHROPOCENE Anthropocene is a multidisciplinary body of work by Edward Burtynsky, Jennifer Baichwal and Nicholas de Pencier, which includes a photobook, a major travelling museum exhibition, a feature-length documentary film, and an interactive educational website. The project’s starting point is the research of the Anthropocene Working Group, an international body of scientists who argue that the PHOTOGRAPHS: SHIPBREAKING Burtynsky's Shipbreaking photographs, like all his works, appear to us as images of the end of time.The abandoned mines and quarries, the piles of discarded tires, the endless fields of oil derricks, and the huge monoliths of retired tankers show how our attempts at industrial "progress" often leave aPHOTOGRAPHS: CHINA
SHIPYARDS: With over 12,000 workers using 500,000 tons of steel, Qili port shipyards build 232 to 250 ships per year. According to the Chinese Commission for Science, Technology and and National Defense, by 2015 China is expected to become the world’s largest shipbuilder, with annual output reaching 24 million deadweight tons, or 35 per cent of the world’s total. PHOTOGRAPHS: QUARRIES VERMONT: Edward Burtynsky got to Barre for the first time in 1991 as a result of a photographic quest for quarries in Northern Ontario. When he expressed his disappointment with the small scale of operations in Temagami, a quarryman there described a series of spectacular quarries he’d seen in Vermont. PHOTOGRAPHS: HOMESTEADS We can see this clearly in a series of photographs he calls "Homesteads." The The title evokes images of the self-reliant pioneers of the nineteenth century, a theme that presents itself in images such as Homesteads #30. In the "Homesteads" series, the precise geographic location, whether in British Columbia, Alberta, Montana, or upstateNew
EDWARD BURTYNSKYPHOTOGRAPHSBIOGRAPHYNEWSEVENTSSHOPLOGIN Welcome to the official website of Edward Burtynsky. Salt Pan #20, Little Rann of Kutch Gujarat, India, 2016. View more from SALT PANS.PHOTOGRAPHS
Browse through photographs from each of Edward Burtynsky's series — including Tailings, China, Oil, Water and the latest fromAnthropocene.
PHOTOGRAPHS: NATURAL ORDER As part of the Natural Order release, a limited edition portfolio will be published that will include ten 20 x 24-inch photographs from the series, resting in a linen-covered box. The portfolio also includes a new book by the same name, published by Steidl. Burtynsky, together with Nicholas Metivier Gallery in Toronto, will be donating $200,000PHOTOGRAPHS: MINES
The aerial images of the Silver Lake Operations at Lake Lefroy and of the pits and tailings at Kalgoorlie, along with the Dampier Salt Ponds are among the most handsome that Burtynsky has ever made. They combine a kind of mapping with a keenly felt experience of all the hard rock grit, dust and labour transforming these arid lands. View fullsize. PHOTOGRAPHS: RAILCUTS The title Railcuts evokes a sense of direct physical contact with the land. Blasted rock-face fills most of the frames in these images, and the tightly cropped views of the railway line seen head-on are strangely airless and even claustrophobic. Compared with the deep perspective used in works by nineteenth-century photographers whoworked for
PHOTOGRAPHS: ANTHROPOCENE Anthropocene is a multidisciplinary body of work by Edward Burtynsky, Jennifer Baichwal and Nicholas de Pencier, which includes a photobook, a major travelling museum exhibition, a feature-length documentary film, and an interactive educational website. The project’s starting point is the research of the Anthropocene Working Group, an international body of scientists who argue that the PHOTOGRAPHS: SHIPBREAKING Burtynsky's Shipbreaking photographs, like all his works, appear to us as images of the end of time.The abandoned mines and quarries, the piles of discarded tires, the endless fields of oil derricks, and the huge monoliths of retired tankers show how our attempts at industrial "progress" often leave aPHOTOGRAPHS: CHINA
SHIPYARDS: With over 12,000 workers using 500,000 tons of steel, Qili port shipyards build 232 to 250 ships per year. According to the Chinese Commission for Science, Technology and and National Defense, by 2015 China is expected to become the world’s largest shipbuilder, with annual output reaching 24 million deadweight tons, or 35 per cent of the world’s total. PHOTOGRAPHS: QUARRIES VERMONT: Edward Burtynsky got to Barre for the first time in 1991 as a result of a photographic quest for quarries in Northern Ontario. When he expressed his disappointment with the small scale of operations in Temagami, a quarryman there described a series of spectacular quarries he’d seen in Vermont. PHOTOGRAPHS: HOMESTEADS We can see this clearly in a series of photographs he calls "Homesteads." The The title evokes images of the self-reliant pioneers of the nineteenth century, a theme that presents itself in images such as Homesteads #30. In the "Homesteads" series, the precise geographic location, whether in British Columbia, Alberta, Montana, or upstateNew
NEWS — EDWARD BURTYNSKY Edward Burtynsky, Canadian photographer, joins BNN Bloomberg to talk about how the pandemic has impacted urban communities. He says that it will be complicated to see the future of cities as many people have moved away from urban centres with remote work amid the pandemic. Watch the segment here. Oct 21, 2020.PHOTOGRAPHS INDEX
VERMONT: Edward Burtynsky got to Barre for the first time in 1991 as a result of a photographic quest for quarries in Northern Ontario. When he expressed his disappointment with the small scale of operations in Temagami, a quarryman there described a series ofPHOTOGRAPHS
Browse through photographs from each of Edward Burtynsky's series — including Tailings, China, Oil, Water and the latest fromAnthropocene.
FILMS — EDWARD BURTYNSKY Watermark. by Jennifer Baichwal and Edward Burtynsky Watermark is a feature documentary from multiple-award winning filmmakers Jennifer Baichwal and Nick de Pencier, and renowned photographer Edward Burtynsky, marking their second collaboration after Manufactured Landscapes in 2006. The film brings together diverse stories from around the globe about our relationship with water: how we are PHOTOGRAPHS: HOMESTEADS We can see this clearly in a series of photographs he calls "Homesteads." The The title evokes images of the self-reliant pioneers of the nineteenth century, a theme that presents itself in images such as Homesteads #30. In the "Homesteads" series, the precise geographic location, whether in British Columbia, Alberta, Montana, or upstateNew
BURTYNSKY STUDIO
Edward Burtynsky Photography. 80 Spadina Avenue, Suite 207. Toronto, Ontario, Canada. M5V 2J4. ️. For all reproduction & media inquiries please email: alanna@edwardburtynsky.com. For any other inquiries please email: karen@edwardburtynsky.com. PLEASE NOTE: PHOTOGRAPHS: EARLY LANDSCAPES EARLY LANDSCAPES. Artist's Statement "I believe photography is a great medium to grow older with, to mature with, because the more you've done, the more you know about the world and comprehend your indebtedness to your predecessors in art, the more you can let those influences enrich your work.PHOTOGRAPHS: OIL
The automobile was made possible because of the invention of the internal combustion engine and its utilization of both oil and gasoline. The raw material and the refining process contained both the idea and an interesting visual component for me." – Edward Burtynsky. View fullsize. BOOKS: MANUFACTURED LANDSCAPES Hardcover : 160 pages / 64 colour plates. Publisher : National Gallery of Canada / Yale University Press (1st edition 2003) Language : English. ISBN-10 : 0300099436. ISBN-13 : 978-0300099430. Product Dimensions : 13 x 11 x 0.7 in. PHOTOGRAPHS: TAILINGS TAILINGS. "Consider a picture such as Nickel Tailings #34 from Burtynsky's "Mines and Tailings," a series devoted to the environmental aftermath of metal mining and smelting. Under a cool, grey sky, against a wintry violet backdrop of distant trees, a brilliant orange river swerves toward the camera from within a deepbrown landscape.
EDWARD BURTYNSKYPHOTOGRAPHSBIOGRAPHYNEWSEVENTSSHOPLOGIN Welcome to the official website of Edward Burtynsky. Salt Pan #20, Little Rann of Kutch Gujarat, India, 2016. View more from SALT PANS.PHOTOGRAPHS
Browse through photographs from each of Edward Burtynsky's series — including Tailings, China, Oil, Water and the latest fromAnthropocene.
PHOTOGRAPHS: NATURAL ORDER As part of the Natural Order release, a limited edition portfolio will be published that will include ten 20 x 24-inch photographs from the series, resting in a linen-covered box. The portfolio also includes a new book by the same name, published by Steidl. Burtynsky, together with Nicholas Metivier Gallery in Toronto, will be donating $200,000PHOTOGRAPHS: MINES
The aerial images of the Silver Lake Operations at Lake Lefroy and of the pits and tailings at Kalgoorlie, along with the Dampier Salt Ponds are among the most handsome that Burtynsky has ever made. They combine a kind of mapping with a keenly felt experience of all the hard rock grit, dust and labour transforming these arid lands. View fullsize. PHOTOGRAPHS: RAILCUTS The title Railcuts evokes a sense of direct physical contact with the land. Blasted rock-face fills most of the frames in these images, and the tightly cropped views of the railway line seen head-on are strangely airless and even claustrophobic. Compared with the deep perspective used in works by nineteenth-century photographers whoworked for
PHOTOGRAPHS: ANTHROPOCENE Anthropocene is a multidisciplinary body of work by Edward Burtynsky, Jennifer Baichwal and Nicholas de Pencier, which includes a photobook, a major travelling museum exhibition, a feature-length documentary film, and an interactive educational website. The project’s starting point is the research of the Anthropocene Working Group, an international body of scientists who argue that the PHOTOGRAPHS: SHIPBREAKING Burtynsky's Shipbreaking photographs, like all his works, appear to us as images of the end of time.The abandoned mines and quarries, the piles of discarded tires, the endless fields of oil derricks, and the huge monoliths of retired tankers show how our attempts at industrial "progress" often leave aPHOTOGRAPHS: CHINA
SHIPYARDS: With over 12,000 workers using 500,000 tons of steel, Qili port shipyards build 232 to 250 ships per year. According to the Chinese Commission for Science, Technology and and National Defense, by 2015 China is expected to become the world’s largest shipbuilder, with annual output reaching 24 million deadweight tons, or 35 per cent of the world’s total. PHOTOGRAPHS: QUARRIES VERMONT: Edward Burtynsky got to Barre for the first time in 1991 as a result of a photographic quest for quarries in Northern Ontario. When he expressed his disappointment with the small scale of operations in Temagami, a quarryman there described a series of spectacular quarries he’d seen in Vermont. PHOTOGRAPHS: HOMESTEADS We can see this clearly in a series of photographs he calls "Homesteads." The The title evokes images of the self-reliant pioneers of the nineteenth century, a theme that presents itself in images such as Homesteads #30. In the "Homesteads" series, the precise geographic location, whether in British Columbia, Alberta, Montana, or upstateNew
EDWARD BURTYNSKYPHOTOGRAPHSBIOGRAPHYNEWSEVENTSSHOPLOGIN Welcome to the official website of Edward Burtynsky. Salt Pan #20, Little Rann of Kutch Gujarat, India, 2016. View more from SALT PANS.PHOTOGRAPHS
Browse through photographs from each of Edward Burtynsky's series — including Tailings, China, Oil, Water and the latest fromAnthropocene.
PHOTOGRAPHS: NATURAL ORDER As part of the Natural Order release, a limited edition portfolio will be published that will include ten 20 x 24-inch photographs from the series, resting in a linen-covered box. The portfolio also includes a new book by the same name, published by Steidl. Burtynsky, together with Nicholas Metivier Gallery in Toronto, will be donating $200,000PHOTOGRAPHS: MINES
The aerial images of the Silver Lake Operations at Lake Lefroy and of the pits and tailings at Kalgoorlie, along with the Dampier Salt Ponds are among the most handsome that Burtynsky has ever made. They combine a kind of mapping with a keenly felt experience of all the hard rock grit, dust and labour transforming these arid lands. View fullsize. PHOTOGRAPHS: RAILCUTS The title Railcuts evokes a sense of direct physical contact with the land. Blasted rock-face fills most of the frames in these images, and the tightly cropped views of the railway line seen head-on are strangely airless and even claustrophobic. Compared with the deep perspective used in works by nineteenth-century photographers whoworked for
PHOTOGRAPHS: ANTHROPOCENE Anthropocene is a multidisciplinary body of work by Edward Burtynsky, Jennifer Baichwal and Nicholas de Pencier, which includes a photobook, a major travelling museum exhibition, a feature-length documentary film, and an interactive educational website. The project’s starting point is the research of the Anthropocene Working Group, an international body of scientists who argue that the PHOTOGRAPHS: SHIPBREAKING Burtynsky's Shipbreaking photographs, like all his works, appear to us as images of the end of time.The abandoned mines and quarries, the piles of discarded tires, the endless fields of oil derricks, and the huge monoliths of retired tankers show how our attempts at industrial "progress" often leave aPHOTOGRAPHS: CHINA
SHIPYARDS: With over 12,000 workers using 500,000 tons of steel, Qili port shipyards build 232 to 250 ships per year. According to the Chinese Commission for Science, Technology and and National Defense, by 2015 China is expected to become the world’s largest shipbuilder, with annual output reaching 24 million deadweight tons, or 35 per cent of the world’s total. PHOTOGRAPHS: QUARRIES VERMONT: Edward Burtynsky got to Barre for the first time in 1991 as a result of a photographic quest for quarries in Northern Ontario. When he expressed his disappointment with the small scale of operations in Temagami, a quarryman there described a series of spectacular quarries he’d seen in Vermont. PHOTOGRAPHS: HOMESTEADS We can see this clearly in a series of photographs he calls "Homesteads." The The title evokes images of the self-reliant pioneers of the nineteenth century, a theme that presents itself in images such as Homesteads #30. In the "Homesteads" series, the precise geographic location, whether in British Columbia, Alberta, Montana, or upstateNew
NEWS — EDWARD BURTYNSKY Edward Burtynsky, Canadian photographer, joins BNN Bloomberg to talk about how the pandemic has impacted urban communities. He says that it will be complicated to see the future of cities as many people have moved away from urban centres with remote work amid the pandemic. Watch the segment here. Oct 21, 2020.PHOTOGRAPHS INDEX
VERMONT: Edward Burtynsky got to Barre for the first time in 1991 as a result of a photographic quest for quarries in Northern Ontario. When he expressed his disappointment with the small scale of operations in Temagami, a quarryman there described a series ofPHOTOGRAPHS
Browse through photographs from each of Edward Burtynsky's series — including Tailings, China, Oil, Water and the latest fromAnthropocene.
FILMS — EDWARD BURTYNSKY Watermark. by Jennifer Baichwal and Edward Burtynsky Watermark is a feature documentary from multiple-award winning filmmakers Jennifer Baichwal and Nick de Pencier, and renowned photographer Edward Burtynsky, marking their second collaboration after Manufactured Landscapes in 2006. The film brings together diverse stories from around the globe about our relationship with water: how we are PHOTOGRAPHS: HOMESTEADS We can see this clearly in a series of photographs he calls "Homesteads." The The title evokes images of the self-reliant pioneers of the nineteenth century, a theme that presents itself in images such as Homesteads #30. In the "Homesteads" series, the precise geographic location, whether in British Columbia, Alberta, Montana, or upstateNew
BURTYNSKY STUDIO
Edward Burtynsky Photography. 80 Spadina Avenue, Suite 207. Toronto, Ontario, Canada. M5V 2J4. ️. For all reproduction & media inquiries please email: alanna@edwardburtynsky.com. For any other inquiries please email: karen@edwardburtynsky.com. PLEASE NOTE: PHOTOGRAPHS: EARLY LANDSCAPES EARLY LANDSCAPES. Artist's Statement "I believe photography is a great medium to grow older with, to mature with, because the more you've done, the more you know about the world and comprehend your indebtedness to your predecessors in art, the more you can let those influences enrich your work.PHOTOGRAPHS: OIL
The automobile was made possible because of the invention of the internal combustion engine and its utilization of both oil and gasoline. The raw material and the refining process contained both the idea and an interesting visual component for me." – Edward Burtynsky. View fullsize. BOOKS: MANUFACTURED LANDSCAPES Hardcover : 160 pages / 64 colour plates. Publisher : National Gallery of Canada / Yale University Press (1st edition 2003) Language : English. ISBN-10 : 0300099436. ISBN-13 : 978-0300099430. Product Dimensions : 13 x 11 x 0.7 in. PHOTOGRAPHS: TAILINGS TAILINGS. "Consider a picture such as Nickel Tailings #34 from Burtynsky's "Mines and Tailings," a series devoted to the environmental aftermath of metal mining and smelting. Under a cool, grey sky, against a wintry violet backdrop of distant trees, a brilliant orange river swerves toward the camera from within a deepbrown landscape.
EDWARD BURTYNSKYPHOTOGRAPHSBIOGRAPHYNEWSEVENTSSHOPLOGIN Welcome to the official website of Edward Burtynsky. Salt Pan #20, Little Rann of Kutch Gujarat, India, 2016. View more from SALT PANS.PHOTOGRAPHS
Browse through photographs from each of Edward Burtynsky's series — including Tailings, China, Oil, Water and the latest fromAnthropocene.
PHOTOGRAPHS: MINES
The aerial images of the Silver Lake Operations at Lake Lefroy and of the pits and tailings at Kalgoorlie, along with the Dampier Salt Ponds are among the most handsome that Burtynsky has ever made. They combine a kind of mapping with a keenly felt experience of all the hard rock grit, dust and labour transforming these arid lands. View fullsize. PHOTOGRAPHS: ANTHROPOCENE Anthropocene is a multidisciplinary body of work by Edward Burtynsky, Jennifer Baichwal and Nicholas de Pencier, which includes a photobook, a major travelling museum exhibition, a feature-length documentary film, and an interactive educational website. The project’s starting point is the research of the Anthropocene Working Group, an international body of scientists who argue that the PHOTOGRAPHS: NATURAL ORDER As part of the Natural Order release, a limited edition portfolio will be published that will include ten 20 x 24-inch photographs from the series, resting in a linen-covered box. The portfolio also includes a new book by the same name, published by Steidl. Burtynsky, together with Nicholas Metivier Gallery in Toronto, will be donating $200,000 PHOTOGRAPHS: RAILCUTS The title Railcuts evokes a sense of direct physical contact with the land. Blasted rock-face fills most of the frames in these images, and the tightly cropped views of the railway line seen head-on are strangely airless and even claustrophobic. Compared with the deep perspective used in works by nineteenth-century photographers whoworked for
PHOTOGRAPHS: OIL
The automobile was made possible because of the invention of the internal combustion engine and its utilization of both oil and gasoline. The raw material and the refining process contained both the idea and an interesting visual component for me." – Edward Burtynsky. View fullsize. PHOTOGRAPHS: QUARRIES VERMONT: Edward Burtynsky got to Barre for the first time in 1991 as a result of a photographic quest for quarries in Northern Ontario. When he expressed his disappointment with the small scale of operations in Temagami, a quarryman there described a series of spectacular quarries he’d seen in Vermont. EDWARD BURTYNSKYPHOTOGRAPHSBIOGRAPHYNEWSEVENTSSHOPLOGIN Welcome to the official website of Edward Burtynsky. Salt Pan #20, Little Rann of Kutch Gujarat, India, 2016. View more from SALT PANS.PHOTOGRAPHS
Browse through photographs from each of Edward Burtynsky's series — including Tailings, China, Oil, Water and the latest fromAnthropocene.
PHOTOGRAPHS: MINES
The aerial images of the Silver Lake Operations at Lake Lefroy and of the pits and tailings at Kalgoorlie, along with the Dampier Salt Ponds are among the most handsome that Burtynsky has ever made. They combine a kind of mapping with a keenly felt experience of all the hard rock grit, dust and labour transforming these arid lands. View fullsize. PHOTOGRAPHS: ANTHROPOCENE Anthropocene is a multidisciplinary body of work by Edward Burtynsky, Jennifer Baichwal and Nicholas de Pencier, which includes a photobook, a major travelling museum exhibition, a feature-length documentary film, and an interactive educational website. The project’s starting point is the research of the Anthropocene Working Group, an international body of scientists who argue that the PHOTOGRAPHS: NATURAL ORDER As part of the Natural Order release, a limited edition portfolio will be published that will include ten 20 x 24-inch photographs from the series, resting in a linen-covered box. The portfolio also includes a new book by the same name, published by Steidl. Burtynsky, together with Nicholas Metivier Gallery in Toronto, will be donating $200,000 PHOTOGRAPHS: RAILCUTS The title Railcuts evokes a sense of direct physical contact with the land. Blasted rock-face fills most of the frames in these images, and the tightly cropped views of the railway line seen head-on are strangely airless and even claustrophobic. Compared with the deep perspective used in works by nineteenth-century photographers whoworked for
PHOTOGRAPHS: OIL
The automobile was made possible because of the invention of the internal combustion engine and its utilization of both oil and gasoline. The raw material and the refining process contained both the idea and an interesting visual component for me." – Edward Burtynsky. View fullsize. PHOTOGRAPHS: QUARRIES VERMONT: Edward Burtynsky got to Barre for the first time in 1991 as a result of a photographic quest for quarries in Northern Ontario. When he expressed his disappointment with the small scale of operations in Temagami, a quarryman there described a series of spectacular quarries he’d seen in Vermont.PHOTOGRAPHS: CHINA
SHIPYARDS: With over 12,000 workers using 500,000 tons of steel, Qili port shipyards build 232 to 250 ships per year. According to the Chinese Commission for Science, Technology and and National Defense, by 2015 China is expected to become the world’s largest shipbuilder, with annual output reaching 24 million deadweight tons, or 35 per cent of the world’s total.PHOTOGRAPHS: WATER
Water is intermittently introduced as a victim, a partner, a protagonist, a lure, a source, an end, a threat and a pleasure. Water is also often completely absent from the pictures. Burtynsky instead focusses on the visual and physical effects of the lack of water, giving its absence an even more powerful presence." NEWS — EDWARD BURTYNSKY Edward Burtynsky, Canadian photographer, joins BNN Bloomberg to talk about how the pandemic has impacted urban communities. He says that it will be complicated to see the future of cities as many people have moved away from urban centres with remote work amid the pandemic. Watch the segment here. Oct 21, 2020. FILMS — EDWARD BURTYNSKY Watermark. by Jennifer Baichwal and Edward Burtynsky Watermark is a feature documentary from multiple-award winning filmmakers Jennifer Baichwal and Nick de Pencier, and renowned photographer Edward Burtynsky, marking their second collaboration after Manufactured Landscapes in 2006. The film brings together diverse stories from around the globe about our relationship with water: how we are PHOTOGRAPHS: HOMESTEADS We can see this clearly in a series of photographs he calls "Homesteads." The The title evokes images of the self-reliant pioneers of the nineteenth century, a theme that presents itself in images such as Homesteads #30. In the "Homesteads" series, the precise geographic location, whether in British Columbia, Alberta, Montana, or upstateNew
PHOTOGRAPHS: SHIPBREAKING Burtynsky's Shipbreaking photographs, like all his works, appear to us as images of the end of time.The abandoned mines and quarries, the piles of discarded tires, the endless fields of oil derricks, and the huge monoliths of retired tankers show how our attempts at industrial "progress" often leave aBURTYNSKY STUDIO
Edward Burtynsky Photography. 80 Spadina Avenue, Suite 207 Toronto, Ontario, Canada M5V 2J4. ️. For all reproduction & media inquiries please email: alanna@edwardburtynsky.com For any other inquiries please email: karen@edwardburtynsky.com PLEASE NOTE: PHOTOGRAPHS: EARLY LANDSCAPES EARLY LANDSCAPES. Artist's Statement "I believe photography is a great medium to grow older with, to mature with, because the more you've done, the more you know about the world and comprehend your indebtedness to your predecessors in art, the more you can let those influences enrich your work. PHOTOGRAPHS: URBAN MINES And then there is the relatively modern phenomenon of recycling – the source for the secondary level of extraction. This is the “urban mine”. I felt it had a natural conceptual connection to everything I had done." – Edward Burtynsky. We've never stopped taking things from nature. Even the act of taking from the earth is natural sincePHOTOGRAPHS: WATER
Water is intermittently introduced as a victim, a partner, a protagonist, a lure, a source, an end, a threat and a pleasure. Water is also often completely absent from the pictures. Burtynsky instead focusses on the visual and physical effects of the lack of water, giving its absence an even more powerful presence." PHOTOGRAPHS: TAILINGS TAILINGS "Consider a picture such as Nickel Tailings #34 from Burtynsky's "Mines and Tailings," a series devoted to the environmental aftermath of metal mining and smelting.Under a cool, grey sky, against a wintry violet backdrop of distant trees, a brilliant orange river swerves toward the camera from within a deepbrown landscape.
BOOKS: MANUFACTURED LANDSCAPES Hardcover : 160 pages / 64 colour plates. Publisher : National Gallery of Canada / Yale University Press (1st edition 2003) Language : English. ISBN-10 : 0300099436. ISBN-13 : 978-0300099430. Product Dimensions : 13 x 11 x 0.7 in. EDWARD BURTYNSKYPHOTOGRAPHSBIOGRAPHYNEWSEVENTSSHOPLOGIN Welcome to the official website of Edward Burtynsky. Salt Pan #20, Little Rann of Kutch Gujarat, India, 2016. View more from SALT PANS.PHOTOGRAPHS
Browse through photographs from each of Edward Burtynsky's series — including Tailings, China, Oil, Water and the latest fromAnthropocene.
PHOTOGRAPHS: NATURAL ORDER Burtynsky, together with Nicholas Metivier Gallery in Toronto, will be donating $200,000 from the proceeds of the sale of the Natural Order portfolio to the Art Gallery of Ontario (AGO) and the Ryerson Image Centre (RIC) for the establishment of new acquisition funds dedicated to acquiring the works by emerging to mid-career Canada photographicartists.
PHOTOGRAPHS: MINES
MINES. Artist's Statement "If the human experience can be considered a manifestation of dreams, and desires, mines can be thought of as the source for the raw material of that experience. PHOTOGRAPHS: RAILCUTS RAILCUTS "Even in his choice of a title for this series, Burtynsky informs us that his photographs do not share an aesthetic agenda with earlier images of the railway. PHOTOGRAPHS: ANTHROPOCENE Anthropocene is a multidisciplinary body of work by Edward Burtynsky, Jennifer Baichwal and Nicholas de Pencier, which includes a photobook, a major travelling museum exhibition, a feature-length documentary film, and an interactive educational website. The project’s starting point is the research of the Anthropocene Working Group, an international body of scientists who argue that thePHOTOGRAPHS: OIL
OIL. Artist’s Statement "When I first started photographing industry it was out of a sense of awe at what we as a species were up to. Our achievements became a source of infinite possibilities. PHOTOGRAPHS: QUARRIES VERMONT: Edward Burtynsky got to Barre for the first time in 1991 as a result of a photographic quest for quarries in Northern Ontario. When he expressed his disappointment with the small scale of operations in Temagami, a quarryman there described a series of spectacular quarries he’d seen in Vermont. BOOKS: MANUFACTURED LANDSCAPES MANUFACTURED LANDSCAPES ".documenting the effect of industrialization on the environment, Burtynsky provokes his viewers to contemplate theworld he shoots.
PHOTOGRAPHS: CHINA
SHIPYARDS: With over 12,000 workers using 500,000 tons of steel, Qili port shipyards build 232 to 250 ships per year. According to the Chinese Commission for Science, Technology and and National Defense, by 2015 China is expected to become the world’s largest shipbuilder, with annual output reaching 24 million deadweight tons, or 35 per cent of the world’s total. EDWARD BURTYNSKYPHOTOGRAPHSBIOGRAPHYNEWSEVENTSSHOPLOGIN Welcome to the official website of Edward Burtynsky. Salt Pan #20, Little Rann of Kutch Gujarat, India, 2016. View more from SALT PANS.PHOTOGRAPHS
Browse through photographs from each of Edward Burtynsky's series — including Tailings, China, Oil, Water and the latest fromAnthropocene.
PHOTOGRAPHS: NATURAL ORDER Burtynsky, together with Nicholas Metivier Gallery in Toronto, will be donating $200,000 from the proceeds of the sale of the Natural Order portfolio to the Art Gallery of Ontario (AGO) and the Ryerson Image Centre (RIC) for the establishment of new acquisition funds dedicated to acquiring the works by emerging to mid-career Canada photographicartists.
PHOTOGRAPHS: MINES
MINES. Artist's Statement "If the human experience can be considered a manifestation of dreams, and desires, mines can be thought of as the source for the raw material of that experience. PHOTOGRAPHS: RAILCUTS RAILCUTS "Even in his choice of a title for this series, Burtynsky informs us that his photographs do not share an aesthetic agenda with earlier images of the railway. PHOTOGRAPHS: ANTHROPOCENE Anthropocene is a multidisciplinary body of work by Edward Burtynsky, Jennifer Baichwal and Nicholas de Pencier, which includes a photobook, a major travelling museum exhibition, a feature-length documentary film, and an interactive educational website. The project’s starting point is the research of the Anthropocene Working Group, an international body of scientists who argue that thePHOTOGRAPHS: OIL
OIL. Artist’s Statement "When I first started photographing industry it was out of a sense of awe at what we as a species were up to. Our achievements became a source of infinite possibilities. PHOTOGRAPHS: QUARRIES VERMONT: Edward Burtynsky got to Barre for the first time in 1991 as a result of a photographic quest for quarries in Northern Ontario. When he expressed his disappointment with the small scale of operations in Temagami, a quarryman there described a series of spectacular quarries he’d seen in Vermont. BOOKS: MANUFACTURED LANDSCAPES MANUFACTURED LANDSCAPES ".documenting the effect of industrialization on the environment, Burtynsky provokes his viewers to contemplate theworld he shoots.
PHOTOGRAPHS: CHINA
SHIPYARDS: With over 12,000 workers using 500,000 tons of steel, Qili port shipyards build 232 to 250 ships per year. According to the Chinese Commission for Science, Technology and and National Defense, by 2015 China is expected to become the world’s largest shipbuilder, with annual output reaching 24 million deadweight tons, or 35 per cent of the world’s total. NEWS — EDWARD BURTYNSKY Christie’s. To celebrate Earth Day, we showcase eight contemporary artists using their work to advance environmental issues. With the rise of Greta Thunberg, increasing talk of a ‘green recovery’ from Covid-19, and the COP26 conference now just months away, the climate crisis has never been more of a talking point. FILMS — EDWARD BURTYNSKY Watermark. by Jennifer Baichwal and Edward Burtynsky Watermark is a feature documentary from multiple-award winning filmmakers Jennifer Baichwal and Nick de Pencier, and renowned photographer Edward Burtynsky, marking their second collaboration after Manufactured Landscapes in 2006. The film brings together diverse stories from around the globe about our relationship with water: how we are PHOTOGRAPHS: HOMESTEADS HOMESTEADS "From the beginning of his career, Burtynsky was attuned to the delicate balance that exists between humans and the environment. We can see this clearly in PHOTOGRAPHS: EARLY LANDSCAPES EARLY LANDSCAPES. Artist's Statement "I believe photography is a great medium to grow older with, to mature with, because the more you've done, the more you know about the world and comprehend your indebtedness to your predecessors in art, the more you can let those influences enrich your work. PHOTOGRAPHS: SHIPBREAKING Burtynsky's Shipbreaking photographs, like all his works, appear to us as images of the end of time.The abandoned mines and quarries, the piles of discarded tires, the endless fields of oil derricks, and the huge monoliths of retired tankers show how our attempts at industrial "progress" often leave aBURTYNSKY STUDIO
Edward Burtynsky Photography. 80 Spadina Avenue, Suite 207 Toronto, Ontario, Canada M5V 2J4. ️. For all reproduction & media inquiries please email: alanna@edwardburtynsky.com For any other inquiries please email: karen@edwardburtynsky.com PLEASE NOTE:PHOTOGRAPHS: WATER
DISTRESSED: Landscapes where water is scarce or forever compromised such as the Salton Sea, the Colorado River Delta, that has not seen a drop of water from that river in over forty years, and is now a desert; or Owens Lake, that saw its water diverted to Los Angeles in 1913 and is now a dry, toxic lakebed. PHOTOGRAPHS: URBAN MINES URBAN MINES. Artist's Statement "I wanted to build a branch off the main core of my work and not locate it strictly within the realm ofthe landscape.
BOOKS: MANUFACTURED LANDSCAPES MANUFACTURED LANDSCAPES ".documenting the effect of industrialization on the environment, Burtynsky provokes his viewers to contemplate theworld he shoots.
PHOTOGRAPHS: TAILINGS TAILINGS "Consider a picture such as Nickel Tailings #34 from Burtynsky's "Mines and Tailings," a series devoted to the environmental aftermath of metal mining and smelting.Under a cool, grey sky, against a wintry violet backdrop of distant trees, a brilliant orange river swerves toward the camera from within a deepbrown landscape.
EDWARD BURTYNSKYPHOTOGRAPHSBIOGRAPHYNEWSEVENTSSHOPLOGIN Welcome to the official website of Edward Burtynsky. Salt Pan #20, Little Rann of Kutch Gujarat, India, 2016. View more from SALT PANS.PHOTOGRAPHS
Browse through photographs from each of Edward Burtynsky's series — including Tailings, China, Oil, Water and the latest fromAnthropocene.
PHOTOGRAPHS: NATURAL ORDER Burtynsky, together with Nicholas Metivier Gallery in Toronto, will be donating $200,000 from the proceeds of the sale of the Natural Order portfolio to the Art Gallery of Ontario (AGO) and the Ryerson Image Centre (RIC) for the establishment of new acquisition funds dedicated to acquiring the works by emerging to mid-career Canada photographicartists.
PHOTOGRAPHS: OIL
OIL. Artist’s Statement "When I first started photographing industry it was out of a sense of awe at what we as a species were up to. Our achievements became a source of infinite possibilities. PHOTOGRAPHS: QUARRIES VERMONT: Edward Burtynsky got to Barre for the first time in 1991 as a result of a photographic quest for quarries in Northern Ontario. When he expressed his disappointment with the small scale of operations in Temagami, a quarryman there described a series of spectacular quarries he’d seen in Vermont. PHOTOGRAPHS: RAILCUTS RAILCUTS "Even in his choice of a title for this series, Burtynsky informs us that his photographs do not share an aesthetic agenda with earlier images of the railway. PHOTOGRAPHS: ANTHROPOCENE Anthropocene is a multidisciplinary body of work by Edward Burtynsky, Jennifer Baichwal and Nicholas de Pencier, which includes a photobook, a major travelling museum exhibition, a feature-length documentary film, and an interactive educational website. The project’s starting point is the research of the Anthropocene Working Group, an international body of scientists who argue that thePHOTOGRAPHS: MINES
MINES. Artist's Statement "If the human experience can be considered a manifestation of dreams, and desires, mines can be thought of as the source for the raw material of that experience. BOOKS: MANUFACTURED LANDSCAPES MANUFACTURED LANDSCAPES ".documenting the effect of industrialization on the environment, Burtynsky provokes his viewers to contemplate theworld he shoots.
PHOTOGRAPHS: CHINA
SHIPYARDS: With over 12,000 workers using 500,000 tons of steel, Qili port shipyards build 232 to 250 ships per year. According to the Chinese Commission for Science, Technology and and National Defense, by 2015 China is expected to become the world’s largest shipbuilder, with annual output reaching 24 million deadweight tons, or 35 per cent of the world’s total. EDWARD BURTYNSKYPHOTOGRAPHSBIOGRAPHYNEWSEVENTSSHOPLOGIN Welcome to the official website of Edward Burtynsky. Salt Pan #20, Little Rann of Kutch Gujarat, India, 2016. View more from SALT PANS.PHOTOGRAPHS
Browse through photographs from each of Edward Burtynsky's series — including Tailings, China, Oil, Water and the latest fromAnthropocene.
PHOTOGRAPHS: NATURAL ORDER Burtynsky, together with Nicholas Metivier Gallery in Toronto, will be donating $200,000 from the proceeds of the sale of the Natural Order portfolio to the Art Gallery of Ontario (AGO) and the Ryerson Image Centre (RIC) for the establishment of new acquisition funds dedicated to acquiring the works by emerging to mid-career Canada photographicartists.
PHOTOGRAPHS: OIL
OIL. Artist’s Statement "When I first started photographing industry it was out of a sense of awe at what we as a species were up to. Our achievements became a source of infinite possibilities. PHOTOGRAPHS: QUARRIES VERMONT: Edward Burtynsky got to Barre for the first time in 1991 as a result of a photographic quest for quarries in Northern Ontario. When he expressed his disappointment with the small scale of operations in Temagami, a quarryman there described a series of spectacular quarries he’d seen in Vermont. PHOTOGRAPHS: RAILCUTS RAILCUTS "Even in his choice of a title for this series, Burtynsky informs us that his photographs do not share an aesthetic agenda with earlier images of the railway. PHOTOGRAPHS: ANTHROPOCENE Anthropocene is a multidisciplinary body of work by Edward Burtynsky, Jennifer Baichwal and Nicholas de Pencier, which includes a photobook, a major travelling museum exhibition, a feature-length documentary film, and an interactive educational website. The project’s starting point is the research of the Anthropocene Working Group, an international body of scientists who argue that thePHOTOGRAPHS: MINES
MINES. Artist's Statement "If the human experience can be considered a manifestation of dreams, and desires, mines can be thought of as the source for the raw material of that experience. BOOKS: MANUFACTURED LANDSCAPES MANUFACTURED LANDSCAPES ".documenting the effect of industrialization on the environment, Burtynsky provokes his viewers to contemplate theworld he shoots.
PHOTOGRAPHS: CHINA
SHIPYARDS: With over 12,000 workers using 500,000 tons of steel, Qili port shipyards build 232 to 250 ships per year. According to the Chinese Commission for Science, Technology and and National Defense, by 2015 China is expected to become the world’s largest shipbuilder, with annual output reaching 24 million deadweight tons, or 35 per cent of the world’s total. NEWS — EDWARD BURTYNSKY Christie’s. To celebrate Earth Day, we showcase eight contemporary artists using their work to advance environmental issues. With the rise of Greta Thunberg, increasing talk of a ‘green recovery’ from Covid-19, and the COP26 conference now just months away, the climate crisis has never been more of a talking point. FILMS — EDWARD BURTYNSKY Watermark. by Jennifer Baichwal and Edward Burtynsky Watermark is a feature documentary from multiple-award winning filmmakers Jennifer Baichwal and Nick de Pencier, and renowned photographer Edward Burtynsky, marking their second collaboration after Manufactured Landscapes in 2006. The film brings together diverse stories from around the globe about our relationship with water: how we are PHOTOGRAPHS: HOMESTEADS HOMESTEADS "From the beginning of his career, Burtynsky was attuned to the delicate balance that exists between humans and the environment. We can see this clearly in PHOTOGRAPHS: EARLY LANDSCAPES EARLY LANDSCAPES. Artist's Statement "I believe photography is a great medium to grow older with, to mature with, because the more you've done, the more you know about the world and comprehend your indebtedness to your predecessors in art, the more you can let those influences enrich your work. PHOTOGRAPHS: SHIPBREAKING Burtynsky's Shipbreaking photographs, like all his works, appear to us as images of the end of time.The abandoned mines and quarries, the piles of discarded tires, the endless fields of oil derricks, and the huge monoliths of retired tankers show how our attempts at industrial "progress" often leave aPHOTOGRAPHS: WATER
DISTRESSED: Landscapes where water is scarce or forever compromised such as the Salton Sea, the Colorado River Delta, that has not seen a drop of water from that river in over forty years, and is now a desert; or Owens Lake, that saw its water diverted to Los Angeles in 1913 and is now a dry, toxic lakebed. BOOKS: MANUFACTURED LANDSCAPES MANUFACTURED LANDSCAPES ".documenting the effect of industrialization on the environment, Burtynsky provokes his viewers to contemplate theworld he shoots.
BURTYNSKY STUDIO
Edward Burtynsky Photography. 80 Spadina Avenue, Suite 207 Toronto, Ontario, Canada M5V 2J4. ️. For all reproduction & media inquiries please email: alanna@edwardburtynsky.com For any other inquiries please email: karen@edwardburtynsky.com PLEASE NOTE: PHOTOGRAPHS: URBAN MINES URBAN MINES. Artist's Statement "I wanted to build a branch off the main core of my work and not locate it strictly within the realm ofthe landscape.
PHOTOGRAPHS: TAILINGS TAILINGS "Consider a picture such as Nickel Tailings #34 from Burtynsky's "Mines and Tailings," a series devoted to the environmental aftermath of metal mining and smelting.Under a cool, grey sky, against a wintry violet backdrop of distant trees, a brilliant orange river swerves toward the camera from within a deepbrown landscape.
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OIL BUNKERING #2
Niger Delta, 2016
Phosphor Tailings Pond #4 Near Lakeland, Florida, USA, 2012SAW MILLS #1
Lagos, 2016
OIL BUNKERING #1
Niger Delta, 2016
STEPWELL #1
Nahargarh Cictern, Jiapur, India, 2010 POLDERS, GROOTSCHERMER The Netherlands, 2011 CARRARA MARBLE QUARRIES #15 Carrara, Italy, 1993SALT PANS _.
" id="yui_3_17_2_1_1585180423963_544"> SALT PAN #20, LITTLE RANN OF KUTCH Gujarat, India, 2016 _View more from SALT PANS _.SHIPBREAKING #10
Chittagong, Bangladesh, 2000SHIPYARD #7
Qili Port, Zhejiang Province, 2005SALTON CITY
California, USA, 2009OIL SPILL #4
Oil Skimming Boat, Near Ground Zero, Gulf of Mexico, June 24, 2010KUMBH MELA #1
Haridwar, India, 2010PIVOT IRRIGATION #7
High Plains, Texas Panhandle, USA, 2011OIL FIELDS #2
Belridge, California, USA, 2003HIGHWAY #5
Los Angeles, California, USA, 2009 FERROUS BUSHLING #17 Hamilton, Ontario, 1997OXFORD TIRE PILE #1
Westley, California, USA, 1999CAR TERMINAL
Ritthem, Zeeland,
The Netherlands, 2011GREENHOUSES
Almería Peninsula, Spain, 2010 “ come from nature.…There is an importance to a certain reverence for what nature is because we are connected to it... If we destroy nature, we destroy ourselves.” – Edward BurtynskyCOPYRIGHT INFO
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