Are you over 18 and want to see adult content?
More Annotations

A complete backup of https://euroconcrete.net
Are you over 18 and want to see adult content?

A complete backup of https://payspacemagazine.com
Are you over 18 and want to see adult content?

A complete backup of https://alfagomma.com
Are you over 18 and want to see adult content?

A complete backup of https://dragons.com.au
Are you over 18 and want to see adult content?

A complete backup of https://justin.ua
Are you over 18 and want to see adult content?

A complete backup of https://kurashi-kyoiku.com
Are you over 18 and want to see adult content?

A complete backup of https://arai.co.jp
Are you over 18 and want to see adult content?

A complete backup of https://guardian-series.co.uk
Are you over 18 and want to see adult content?

A complete backup of https://bicitekas.org
Are you over 18 and want to see adult content?

A complete backup of https://ultraeurope.com
Are you over 18 and want to see adult content?

A complete backup of https://com-downloadme.com
Are you over 18 and want to see adult content?
Favourite Annotations

A complete backup of tsuruokakanko.com
Are you over 18 and want to see adult content?

A complete backup of radionigerialive.com
Are you over 18 and want to see adult content?

A complete backup of quiendamenos.com
Are you over 18 and want to see adult content?

A complete backup of filmelacinema.net
Are you over 18 and want to see adult content?

A complete backup of babestation.live
Are you over 18 and want to see adult content?

A complete backup of deutschlanddeinetour.de
Are you over 18 and want to see adult content?

A complete backup of valleyoakstehachapi.org
Are you over 18 and want to see adult content?

A complete backup of aljahwariproducts.com
Are you over 18 and want to see adult content?
Text
and more
FIT - DJR | DAVID JONATHAN ROSS FIT is a hyper-stylized series of caps designed with one thing in mind: filling up space with maximum impact.. To accomplish this task, I drew Fit as a variable font with an expansive range of widths, represented by the ten styles shown here. Beginning with the impossibly narrow Skyline style, each character grows by 3600% (on average) to reach the gargantuan Ultra Extended.NOTES - DJR
The type foundry of David Jonathan Ross (DJR), home of the Font of the Month Club. Making fonts such as Fit, Forma DJR, Gimlet, Manicotti, Input, Turnip, Condor, Trilby, Fern, and Output. FORMA DJR | DAVID JONATHAN ROSS Originally released in 1968, Forma was the Italian type foundry Nebiolo’s answer to Helvetica. It was created by a team of eight designers, led by the legendary Aldo Novarese, that Nebiolo assembled to design a more mature and humane neo-grotesque. As a result, Forma’s rationality is tempered by its warmth, and its trademarksingle-story a
GIMLET - DJR
Gimlet draws its inspiration from Georg Trump’s 1938 typeface, Schadow. At the behest of Nick Sherman, I reimagined the oddball serif as an energetic contemporary workhorse, complete with three optical sizes and a flexible set of widths tailored for responsive layouts.A multifaceted series that speaks with a singular voice, Gimlet is a rare find: a typeface that is as funky as it is functional. BUNGEE – FONTS FOR MULTI-COLOR AND VERTICAL TYPOGRAPHY Bungee is a font family that celebrates urban signage. It wrangles the Latin alphabet to work vertically as well as horizontally, with separate glyphs, spacing, and kerning for each orientation. Bungee comes equipped with chromatic inlines, outlines, shades, and ornaments, making it the perfect toolkit to take your text in a newdirection.
TURNIP - DJR
Features Regular & Italic Book & Book Italic. Two text weights: Turnip has two primary weights for text.The Regular weight is designed to create a heavy, dense block of text. For those who require a lighter touch, the Book weight is closer to most text weights out there, though it is by no means airy. INPUT: FONTS FOR CODE Input is a typeface for code, designed by David Jonathan Ross and released by Font Bureau.NICKEL - DJR
Nickel is a stocky engraver’s alphabet based on the inscription of a 1918 Chinese banknote. The font is the first offering in the Font of the Month Club!. This page utilizes CSS Grid and was inspired by the amazing workshop given by Jen Simmons at An Event Apart Boston. INPUT: FONTS FOR CODE Input is a typeface for code, designed by David Jonathan Ross and released by Font Bureau. DJR | DAVID JONATHAN ROSSNOTESABOUTBUNGEECONDORFERNFIT DJR | David Jonathan Ross. Join my Font of the Month Club to get a fresh new font in your inbox each and every month. Starting at only $6/month! Roslindale a contemporary interpretation of De Vinne, now with wider styles. Megabase Open Color gradients, variable slant axes,and more
FIT - DJR | DAVID JONATHAN ROSS FIT is a hyper-stylized series of caps designed with one thing in mind: filling up space with maximum impact.. To accomplish this task, I drew Fit as a variable font with an expansive range of widths, represented by the ten styles shown here. Beginning with the impossibly narrow Skyline style, each character grows by 3600% (on average) to reach the gargantuan Ultra Extended.NOTES - DJR
The type foundry of David Jonathan Ross (DJR), home of the Font of the Month Club. Making fonts such as Fit, Forma DJR, Gimlet, Manicotti, Input, Turnip, Condor, Trilby, Fern, and Output. FORMA DJR | DAVID JONATHAN ROSS Originally released in 1968, Forma was the Italian type foundry Nebiolo’s answer to Helvetica. It was created by a team of eight designers, led by the legendary Aldo Novarese, that Nebiolo assembled to design a more mature and humane neo-grotesque. As a result, Forma’s rationality is tempered by its warmth, and its trademarksingle-story a
GIMLET - DJR
Gimlet draws its inspiration from Georg Trump’s 1938 typeface, Schadow. At the behest of Nick Sherman, I reimagined the oddball serif as an energetic contemporary workhorse, complete with three optical sizes and a flexible set of widths tailored for responsive layouts.A multifaceted series that speaks with a singular voice, Gimlet is a rare find: a typeface that is as funky as it is functional. BUNGEE – FONTS FOR MULTI-COLOR AND VERTICAL TYPOGRAPHY Bungee is a font family that celebrates urban signage. It wrangles the Latin alphabet to work vertically as well as horizontally, with separate glyphs, spacing, and kerning for each orientation. Bungee comes equipped with chromatic inlines, outlines, shades, and ornaments, making it the perfect toolkit to take your text in a newdirection.
TURNIP - DJR
Features Regular & Italic Book & Book Italic. Two text weights: Turnip has two primary weights for text.The Regular weight is designed to create a heavy, dense block of text. For those who require a lighter touch, the Book weight is closer to most text weights out there, though it is by no means airy. INPUT: FONTS FOR CODE Input is a typeface for code, designed by David Jonathan Ross and released by Font Bureau.NICKEL - DJR
Nickel is a stocky engraver’s alphabet based on the inscription of a 1918 Chinese banknote. The font is the first offering in the Font of the Month Club!. This page utilizes CSS Grid and was inspired by the amazing workshop given by Jen Simmons at An Event Apart Boston. INPUT: FONTS FOR CODE Input is a typeface for code, designed by David Jonathan Ross and released by Font Bureau.LICENSING - DJR
Licensing. With my standard license, you can use my fonts on desktop computers, websites, e-books, and mobile apps. It is designed to be straightforward: you just pay once, and you can choose a pricing tier that reflects that scale of your use. If you outgrow your tier’s limitations, all you have to do is contact me to upgrade your licenseABOUT - DJR
Custom fonts. I love to work on commissioned fonts or lettering, especially when there is an unusual problem to solve. From the nameplate of The Wall Street Journal to the packaging of Hot Wheels cars, I have turned simple ideas about letters and shapes into powerful tools for editorial and brand design.. I am also happy to take on modifications or expansions of my existing fonts in order toTURNIP - DJR
Features Regular & Italic Book & Book Italic. Two text weights: Turnip has two primary weights for text.The Regular weight is designed to create a heavy, dense block of text. For those who require a lighter touch, the Book weight is closer to most text weights out there, though it is by no means airy.MANICOTTI - DJR
Manicotti Cyrillic and Greek . Between 2014 and 2016, I expanded Manicotti to include characters from the Cyrillic and Greek scripts. Manicotti's Cyrillic includes alternates for Bulgarian and Serbian, and was awarded a Certificate of Excellence in Type Design from the Modern Cyrillic competition. Many thanks to Maria Doreuli and George Triantafyllakos, who contributed invaluable advice about CONDOR | DAVID JONATHAN ROSS Condor is a high-contrast sans that glimmers with the contrast of thick and thin. Spanning multiple widths and weights, it is a contemporary take on the stylized sans serifs of the Art Deco period. CONTACT | DAVID JONATHAN ROSS The type foundry of David Jonathan Ross (DJR), home of the Font of the Month Club. Making fonts such as Fit, Forma DJR, Gimlet, Manicotti, Input, Turnip, Condor, Trilby, Fern, and Output. MORE-MA! FORMA DJR GETS NEW WEIGHTS AND VARIABLE FONTS More-ma! Forma DJR gets new weights and variable fonts. Forma DJR was conceived as an expansive family, and I’ve always felt that the weight range in the original release didn’t reach its potential. Now it has. I’m excited to announce a significant update to the family with four new weights, that take the design to light and dark extremes, and variable fonts, which give you full controlROSLINDALE - DJR
Roslindale is a text and display serif that takes its inspiration from De Vinne, a typeface named for the famed nineteenth century printer and attributed to Gustav Schroeder and Nicholas Werner of the Central Type Foundry. Roslindale smooths out the clunkiness of the original and dials up the contrast, irting with the slickness of 1970s interpretations such as ITC Bernase. Roslindale is an NICKEL | DAVID JONATHAN ROSS Nickel is a stocky engraver’s alphabet based on the inscription of a 1918 Chinese banknote. The font is the first offering in the Font of the Month Club!. This page utilizes CSS Grid and was inspired by the amazing workshop given by Jen Simmons at An Event Apart Boston.DISCOUNTED LICENSES
I am happy to offer discounted licenses to individuals for whom a full license would cause financial hardship. This might include students using my fonts for nonacademic work (for academic work, see my Educational License ), individuals without full-time employment, or individuals using currency with unfavorable exchange rates to the U.S.dollar.
DJR | DAVID JONATHAN ROSSNOTESABOUTBUNGEECONDORFERNFIT DJR | David Jonathan Ross. Join my Font of the Month Club to get a fresh new font in your inbox each and every month. Starting at only $6/month! Roslindale a contemporary interpretation of De Vinne, now with wider styles. Megabase Open Color gradients, variable slant axes,and more
FIT - DJR | DAVID JONATHAN ROSS FIT is a hyper-stylized series of caps designed with one thing in mind: filling up space with maximum impact.. To accomplish this task, I drew Fit as a variable font with an expansive range of widths, represented by the ten styles shown here. Beginning with the impossibly narrow Skyline style, each character grows by 3600% (on average) to reach the gargantuan Ultra Extended.NOTES - DJR
The type foundry of David Jonathan Ross (DJR), home of the Font of the Month Club. Making fonts such as Fit, Forma DJR, Gimlet, Manicotti, Input, Turnip, Condor, Trilby, Fern, and Output. FORMA DJR | DAVID JONATHAN ROSS Originally released in 1968, Forma was the Italian type foundry Nebiolo’s answer to Helvetica. It was created by a team of eight designers, led by the legendary Aldo Novarese, that Nebiolo assembled to design a more mature and humane neo-grotesque. As a result, Forma’s rationality is tempered by its warmth, and its trademarksingle-story a
LICENSING - DJR
CONDOR - DJR
Condor is a high-contrast sans that glimmers with the contrast of thick and thin. Spanning multiple widths and weights, it is a contemporary take on the stylized sans serifs of the Art Deco period. BUNGEE – FONTS FOR MULTI-COLOR AND VERTICAL TYPOGRAPHY Bungee is a font family that celebrates urban signage. It wrangles the Latin alphabet to work vertically as well as horizontally, with separate glyphs, spacing, and kerning for each orientation. Bungee comes equipped with chromatic inlines, outlines, shades, and ornaments, making it the perfect toolkit to take your text in a newdirection.
TURNIP - DJR
Features Regular & Italic Book & Book Italic. Two text weights: Turnip has two primary weights for text.The Regular weight is designed to create a heavy, dense block of text. For those who require a lighter touch, the Book weight is closer to most text weights out there, though it is by no means airy. INPUT: FONTS FOR CODE Input is a typeface for code, designed by David Jonathan Ross and released by Font Bureau. INPUT: FONTS FOR CODE Input is a typeface for code, designed by David Jonathan Ross and released by Font Bureau. DJR | DAVID JONATHAN ROSSNOTESABOUTBUNGEECONDORFERNFIT DJR | David Jonathan Ross. Join my Font of the Month Club to get a fresh new font in your inbox each and every month. Starting at only $6/month! Roslindale a contemporary interpretation of De Vinne, now with wider styles. Megabase Open Color gradients, variable slant axes,and more
FIT - DJR | DAVID JONATHAN ROSS FIT is a hyper-stylized series of caps designed with one thing in mind: filling up space with maximum impact.. To accomplish this task, I drew Fit as a variable font with an expansive range of widths, represented by the ten styles shown here. Beginning with the impossibly narrow Skyline style, each character grows by 3600% (on average) to reach the gargantuan Ultra Extended.NOTES - DJR
The type foundry of David Jonathan Ross (DJR), home of the Font of the Month Club. Making fonts such as Fit, Forma DJR, Gimlet, Manicotti, Input, Turnip, Condor, Trilby, Fern, and Output. FORMA DJR | DAVID JONATHAN ROSS Originally released in 1968, Forma was the Italian type foundry Nebiolo’s answer to Helvetica. It was created by a team of eight designers, led by the legendary Aldo Novarese, that Nebiolo assembled to design a more mature and humane neo-grotesque. As a result, Forma’s rationality is tempered by its warmth, and its trademarksingle-story a
LICENSING - DJR
CONDOR - DJR
Condor is a high-contrast sans that glimmers with the contrast of thick and thin. Spanning multiple widths and weights, it is a contemporary take on the stylized sans serifs of the Art Deco period. BUNGEE – FONTS FOR MULTI-COLOR AND VERTICAL TYPOGRAPHY Bungee is a font family that celebrates urban signage. It wrangles the Latin alphabet to work vertically as well as horizontally, with separate glyphs, spacing, and kerning for each orientation. Bungee comes equipped with chromatic inlines, outlines, shades, and ornaments, making it the perfect toolkit to take your text in a newdirection.
TURNIP - DJR
Features Regular & Italic Book & Book Italic. Two text weights: Turnip has two primary weights for text.The Regular weight is designed to create a heavy, dense block of text. For those who require a lighter touch, the Book weight is closer to most text weights out there, though it is by no means airy. INPUT: FONTS FOR CODE Input is a typeface for code, designed by David Jonathan Ross and released by Font Bureau. INPUT: FONTS FOR CODE Input is a typeface for code, designed by David Jonathan Ross and released by Font Bureau.LICENSING - DJR
Licensing. With my standard license, you can use my fonts on desktop computers, websites, e-books, and mobile apps. It is designed to be straightforward: you just pay once, and you can choose a pricing tier that reflects that scale of your use. If you outgrow your tier’s limitations, all you have to do is contact me to upgrade your licenseABOUT - DJR
Custom fonts. I love to work on commissioned fonts or lettering, especially when there is an unusual problem to solve. From the nameplate of The Wall Street Journal to the packaging of Hot Wheels cars, I have turned simple ideas about letters and shapes into powerful tools for editorial and brand design.. I am also happy to take on modifications or expansions of my existing fonts in order toCONDOR - DJR
Condor is a high-contrast sans that glimmers with the contrast of thick and thin. Spanning multiple widths and weights, it is a contemporary take on the stylized sans serifs of the Art Deco period.TURNIP - DJR
Features Regular & Italic Book & Book Italic. Two text weights: Turnip has two primary weights for text.The Regular weight is designed to create a heavy, dense block of text. For those who require a lighter touch, the Book weight is closer to most text weights out there, though it is by no means airy.GIMLET - DJR
Gimlet draws its inspiration from Georg Trump’s 1938 typeface, Schadow. At the behest of Nick Sherman, I reimagined the oddball serif as an energetic contemporary workhorse, complete with three optical sizes and a flexible set of widths tailored for responsive layouts.A multifaceted series that speaks with a singular voice, Gimlet is a rare find: a typeface that is as funky as it is functional.MANICOTTI - DJR
Manicotti Cyrillic and Greek . Between 2014 and 2016, I expanded Manicotti to include characters from the Cyrillic and Greek scripts. Manicotti's Cyrillic includes alternates for Bulgarian and Serbian, and was awarded a Certificate of Excellence in Type Design from the Modern Cyrillic competition. Many thanks to Maria Doreuli and George Triantafyllakos, who contributed invaluable advice aboutTRILBY - DJR
Like my earlier design, Manicotti, Trilby’s jumping off point is the nineteenth century French Clarendon.This genre is characterized by its backwards arrangement of thicks and thins: the typically-dominant vertical stems are lightened, and the thick horizontals and serifscreate a
NICKEL - DJR
Nickel is a stocky engraver’s alphabet based on the inscription of a 1918 Chinese banknote. The font is the first offering in the Font of the Month Club!. This page utilizes CSS Grid and was inspired by the amazing workshop given by Jen Simmons at An Event Apart Boston. MORE-MA! FORMA DJR GETS NEW WEIGHTS AND VARIABLE FONTS More-ma! Forma DJR gets new weights and variable fonts. Forma DJR was conceived as an expansive family, and I’ve always felt that the weight range in the original release didn’t reach its potential. Now it has. I’m excited to announce a significant update to the family with four new weights, that take the design to light and dark extremes, and variable fonts, which give you full control INPUT: FONTS FOR CODE Input is a typeface for code, designed by David Jonathan Ross and released by Font Bureau. DJR | DAVID JONATHAN ROSSNOTESABOUTBUNGEECONDORFERNFIT DJR | David Jonathan Ross. Join my Font of the Month Club to get a fresh new font in your inbox each and every month. Starting at only $6/month! Roslindale a contemporary interpretation of De Vinne, now with wider styles. Megabase Open Color gradients, variable slant axes,and more
FIT - DJR | DAVID JONATHAN ROSSFIT TEXT IN CELLFIT TEXT IN WORDFITTEXT TO PAGE
FIT is a hyper-stylized series of caps designed with one thing in mind: filling up space with maximum impact.. To accomplish this task, I drew Fit as a variable font with an expansive range of widths, represented by the ten styles shown here. Beginning with the impossibly narrow Skyline style, each character grows by 3600% (on average) to reach the gargantuan Ultra Extended.NOTES - DJR
The type foundry of David Jonathan Ross (DJR), home of the Font of the Month Club. Making fonts such as Fit, Forma DJR, Gimlet, Manicotti, Input, Turnip, Condor, Trilby, Fern, and Output. FORMA DJR | DAVID JONATHAN ROSSFORMA DJR FONTDJR ARCHITECTSMINNEAPOLIS
Originally released in 1968, Forma was the Italian type foundry Nebiolo’s answer to Helvetica. It was created by a team of eight designers, led by the legendary Aldo Novarese, that Nebiolo assembled to design a more mature and humane neo-grotesque. As a result, Forma’s rationality is tempered by its warmth, and its trademarksingle-story a
OUTPUT - DJR
Output Sans is the technical one. Closest in design to Input, its apertures are neither fully closed nor fully open. Output Sans Open is open and friendly, the most lyrical and humanist of the bunch. It works especially well at the smallest sizes, where those open apertures keep counters from filling in.CONDOR - DJR
Condor is a high-contrast sans that glimmers with the contrast of thick and thin. Spanning multiple widths and weights, it is a contemporary take on the stylized sans serifs of the Art Deco period.TURNIP - DJR
Features Regular & Italic Book & Book Italic. Two text weights: Turnip has two primary weights for text.The Regular weight is designed to create a heavy, dense block of text. For those who require a lighter touch, the Book weight is closer to most text weights out there, though it is by no means airy. BUNGEE – FONTS FOR MULTI-COLOR AND VERTICAL TYPOGRAPHYVERTICAL FONT FREEVERTICAL TEXT GENERATOR Bungee is a font family that celebrates urban signage. It wrangles the Latin alphabet to work vertically as well as horizontally, with separate glyphs, spacing, and kerning for each orientation. Bungee comes equipped with chromatic inlines, outlines, shades, and ornaments, making it the perfect toolkit to take your text in a newdirection.
INPUT: FONTS FOR CODE PID COMMAND %CPU TIME #TH #WQ #PORT #MREGS MEM RPRVT PURG 18195 top 22.4 00:02.08 1/1 0 22 48 3776K 3544K 0B 18192 bash 0.0 00:00.03 1 0 19 35 1072K 932K 0B 18191 login 0.0 00:00.04 4 2 35 58 1192K 868K 0B 18188 mdworker 0.0 00:00.50 4 2 57 80 6224K 5540K 0B 18187 mdworker 0.0 00:00.44 2 0 50 69 6224K 4920K 0B 18171 syncdefaults 0.0 00:00.76 5 1 93 74 4744K 4320K 0B INPUT: FONTS FOR CODE Input is a typeface for code, designed by David Jonathan Ross and released by Font Bureau. DJR | DAVID JONATHAN ROSSNOTESABOUTBUNGEECONDORFERNFIT DJR | David Jonathan Ross. Join my Font of the Month Club to get a fresh new font in your inbox each and every month. Starting at only $6/month! Roslindale a contemporary interpretation of De Vinne, now with wider styles. Megabase Open Color gradients, variable slant axes,and more
FIT - DJR | DAVID JONATHAN ROSSFIT TEXT IN CELLFIT TEXT IN WORDFITTEXT TO PAGE
FIT is a hyper-stylized series of caps designed with one thing in mind: filling up space with maximum impact.. To accomplish this task, I drew Fit as a variable font with an expansive range of widths, represented by the ten styles shown here. Beginning with the impossibly narrow Skyline style, each character grows by 3600% (on average) to reach the gargantuan Ultra Extended.NOTES - DJR
The type foundry of David Jonathan Ross (DJR), home of the Font of the Month Club. Making fonts such as Fit, Forma DJR, Gimlet, Manicotti, Input, Turnip, Condor, Trilby, Fern, and Output. FORMA DJR | DAVID JONATHAN ROSSFORMA DJR FONTDJR ARCHITECTSMINNEAPOLIS
Originally released in 1968, Forma was the Italian type foundry Nebiolo’s answer to Helvetica. It was created by a team of eight designers, led by the legendary Aldo Novarese, that Nebiolo assembled to design a more mature and humane neo-grotesque. As a result, Forma’s rationality is tempered by its warmth, and its trademarksingle-story a
OUTPUT - DJR
Output Sans is the technical one. Closest in design to Input, its apertures are neither fully closed nor fully open. Output Sans Open is open and friendly, the most lyrical and humanist of the bunch. It works especially well at the smallest sizes, where those open apertures keep counters from filling in.CONDOR - DJR
Condor is a high-contrast sans that glimmers with the contrast of thick and thin. Spanning multiple widths and weights, it is a contemporary take on the stylized sans serifs of the Art Deco period.TURNIP - DJR
Features Regular & Italic Book & Book Italic. Two text weights: Turnip has two primary weights for text.The Regular weight is designed to create a heavy, dense block of text. For those who require a lighter touch, the Book weight is closer to most text weights out there, though it is by no means airy. BUNGEE – FONTS FOR MULTI-COLOR AND VERTICAL TYPOGRAPHYVERTICAL FONT FREEVERTICAL TEXT GENERATOR Bungee is a font family that celebrates urban signage. It wrangles the Latin alphabet to work vertically as well as horizontally, with separate glyphs, spacing, and kerning for each orientation. Bungee comes equipped with chromatic inlines, outlines, shades, and ornaments, making it the perfect toolkit to take your text in a newdirection.
INPUT: FONTS FOR CODE PID COMMAND %CPU TIME #TH #WQ #PORT #MREGS MEM RPRVT PURG 18195 top 22.4 00:02.08 1/1 0 22 48 3776K 3544K 0B 18192 bash 0.0 00:00.03 1 0 19 35 1072K 932K 0B 18191 login 0.0 00:00.04 4 2 35 58 1192K 868K 0B 18188 mdworker 0.0 00:00.50 4 2 57 80 6224K 5540K 0B 18187 mdworker 0.0 00:00.44 2 0 50 69 6224K 4920K 0B 18171 syncdefaults 0.0 00:00.76 5 1 93 74 4744K 4320K 0B INPUT: FONTS FOR CODE Input is a typeface for code, designed by David Jonathan Ross and released by Font Bureau.OUTPUT - DJR
Output Sans is the technical one. Closest in design to Input, its apertures are neither fully closed nor fully open. Output Sans Open is open and friendly, the most lyrical and humanist of the bunch. It works especially well at the smallest sizes, where those open apertures keep counters from filling in.GIMLET - DJR
Gimlet draws its inspiration from Georg Trump’s 1938 typeface, Schadow. At the behest of Nick Sherman, I reimagined the oddball serif as an energetic contemporary workhorse, complete with three optical sizes and a flexible set of widths tailored for responsive layouts.A multifaceted series that speaks with a singular voice, Gimlet is a rare find: a typeface that is as funky as it is functional.TURNIP - DJR
Features Regular & Italic Book & Book Italic. Two text weights: Turnip has two primary weights for text.The Regular weight is designed to create a heavy, dense block of text. For those who require a lighter touch, the Book weight is closer to most text weights out there, though it is by no means airy. FERN - DJR | DAVID JONATHAN ROSS Fern is a Venetian that is native to the screen. Instead of reducing the diagonal stress that can be so troublesome on screen, I exaggerated it. Fern’s weight clumps in its round strokes and its chunky triangular serifs, giving it a rich texture that shines even on the smallest screen. Fern is undeniably humanist, but it is notprecious or
TRILBY - DJR
Like my earlier design, Manicotti, Trilby’s jumping off point is the nineteenth century French Clarendon.This genre is characterized by its backwards arrangement of thicks and thins: the typically-dominant vertical stems are lightened, and the thick horizontals and serifscreate a
ROSLINDALE - DJR
Roslindale is a text and display serif that takes its inspiration from De Vinne, a typeface named for the famed nineteenth century printer and attributed to Gustav Schroeder and Nicholas Werner of the Central Type Foundry. Roslindale smooths out the clunkiness of the original and dials up the contrast, irting with the slickness of 1970s interpretations such as ITC Bernase. Roslindale is anGIMLET X-RAY
Gimlet X-Ray is the January 2020 offering from Font of the Month Club.It is an experimental version of my typeface Gimlet that exposes the internal mechanics of a variable font, including glyph contours, control points, spacing, and kerning. This online demo was made with the help of Chris Lewis. GIMLET CHARACTER SET 0 1 2 3 4 5 6 7 8 9 # + − ÷ × . > $ ¢ £ ¤ ¥ € ƒ ©. Small caps. 0 1 2 3 4 5 6 7 8 9. Superiors, Inferiors, Numerators, Denominators. ⁰ ¹ ² ³ ⁴ ⁵ MORE-MA! FORMA DJR GETS NEW WEIGHTS AND VARIABLE FONTS More-ma! Forma DJR gets new weights and variable fonts. Forma DJR was conceived as an expansive family, and I’ve always felt that the weight range in the original release didn’t reach its potential. Now it has. I’m excited to announce a significant update to the family with four new weights, that take the design to light and dark extremes, and variable fonts, which give you full control FEBRUARY’S FONT OF THE MONTH: MEGABASE February’s font of the month: Megabase. Megabase is February’s installment of Font of the Month Club. As always, you can sign up for as little as $24! Most typefaces strive to set text with an even color. Of course, by “color” I don’t mean red or blue or purple, but rather the “typographic color” that describes the overalltexture
David Jonathan Ross
DJR
* Typefaces
* Bungee
* Condor
* Fern
* Fit
* Forma DJR
* Gimlet
* Input
* Manicotti
* Output
* Roslindale
* Trilby
* Turnip
* Club
* Font of the Month Club* Bild
* Bradley DJR
* Crayonette DJR
* Dattilo DJR
* Extraordinaire
* Forma DJR Chiaroscuro* Gimlet Banner
* Klooster
* Map Roman
* Merit Badge
* Nickel
* Nickel Gothic Wide* Output Sans Hair
* Pappardelle
* Pappardelle Party
* Polliwog
* Rhody
* Roslindale Var Italic* Rumpus
* Tortellini
* Zenith DJR
* Notes
* About
Join my FONT OF THE MONTH CLUB to get a fresh new font in your inbox each and every month. Starting at only $6/month! Tortellini an extended slab serif with horizontal stress Forma DJR Chiaroscuro Black and Hairline weights from the growing neo-grotesque family Bild Widths a variable straight sided sans Polliwog Art Nouveau for advertising text Gimlet Banner High class, higher contrast Nickel Gothic Wide Width, heft, strength, style Fit Armenian The first Armenian variable font, by Gor Jihanian Roslindale Variable Italic Exploring the space betewen Roman andItalic
Dattilo an upcoming revival of Forma’s slab serif counterpart Pappardelle Party as techy as it is tacky Got the font? Customize it now! Bradley DJR a revival of a fairytale blackletter from 1895 Map Roman regal titling capitals in multiple widths Merit Badge a variable color font Roslindale this May, a couple new weights for this Victorian oldstyle Fit a variable font that fills space with maximum impact Forma DJR a stylish revival of the classic Italian sans Gimlet a plucky quirkhorse for text and displayKuddelmuddel
Braggadocio
Excitement
Bungee a chromatic typeface for vertical signs Manicotti the very best of the Wild West, now with Cyrillic and Greek Βόρειος ΠόλοςКовбой
Большое ограбление поезда Input fonts for code Turnip not your grandpa’s book face Condor a sparkling stressed sans Trilby a friendly reversed-stress slab Coming soon! Fern and OutputDAVID JONATHAN ROSS
* Retro Script L.A.
* Mailing List
* DJR Notes RSS
ELSEWHERE
* Fonts in Use
* Type Network
* Fontstand
* Adobe Fonts
* GitHub
FONT OF THE MONTH CLUBTYPEFACES
* Bungee
* Condor
* Fern
* Fit
* Forma DJR
* Gimlet
* Input
* Manicotti
* Output
* Roslindale
* Trilby
* Turnip
NOTES
ABOUT
CONTACT
PRESS
PRIVACY
LICENSING
* Standard License
* Testing License
* Student License
david@djr.com United States of AmericaDetails
Copyright © 2023 ArchiveBay.com. All rights reserved. Terms of Use | Privacy Policy | DMCA | 2021 | Feedback | Advertising | RSS 2.0