DIGITAL MEDIEVALIST

Digital Medievalist (DM) is the journal of the Digital Medievalist Community. It publishes work of original research and scholarship, theoretical articles on digital topics, notes on technological topics, commentary pieces discussing developments in the field, bibliographic and review articles, tutorials, and project reports. The journal also commissions reviews of books and major electronic EPISODE 5: GLOBAL MEDIEVAL STUDIES You can listen to the episode on Anchor, Apple Podcasts, Breaker, Castbox, Google Podcasts, Overcast, Pocket Casts, RadioPublic, SoundCloud, Spotify, Stitcher, and TuneIn.. About this Episode. Recorded 27 November 2020. Edited by Aylin Malcolm and Tessa Gengnagel. Guest: Dorothy Kim. Content: In this episode, Dorothy Kim speaks about her work at the intersection of medieval

CODING CODICES

The Coding Codices podcast launched in January 2021. Our first season features conversations with Giulio Menna & Marjolein de Vos (about the Sexy Codicology project and the DMMapp), Lisa Fagin Davis (about the scribes of the Voynich Manuscript), Lucy Hinnie (about digitizing the Bannatyne Manuscript), Elisa Cugliana (about creating a digital scholarly edition of Marco Polo’s travel report EPISODE 1: SEXY CODICOLOGY AND THE DMMAPP THE ADVANTAGES AND DISADVANTAGES OF DIGITAL RECONSTRUCTION Abstract. In editing the Exeter Book poem's The Descent into Hell, also known as John the Baptist's Prayer, I attempted to digitally reconstruct the damaged folia that contain the only surviving copy of the Old English poem.In the process of carrying out the digital reconstructive work, many technical, aesthetic and analytical issues

were raised.

DIGITAL MEDIEVALIST

Digital Medievalist (DM) is the journal of the Digital Medievalist Community. It publishes work of original research and scholarship, theoretical articles on digital topics, notes on technological topics, commentary pieces discussing developments in the field, bibliographic and review articles, tutorials, and project reports. The journal also commissions reviews of books and major electronic NEW TOOLS FOR EXPLORING, ANALYSING AND CATEGORISING Introduction § 1 The use of digital tools in the context of the medieval humanities has grown considerably over the past few years. Such tools can be of various kinds, from structuring ones — such as XML files or relational databases, which might be used to store and query catalogues or notes — to exploration environments, such has interactive geographical software. QUERYING VARIANTS: BOCCACCIO’S ‘COMMEDIA’ AND DATA-MODELS Art. 1, page 2 of 28 Tempestini and Spadini: uerying ariants 1. Introduction §1 This paper presents the methodology and the results of an analytical study of the three witnesses of Dante’s Commedia copied by Giovanni Boccaccio, focusing on the importance of their digital accessibility. OMEKA AND OTHER DIGITAL PLATFORMS FOR UNDERGRADUATE Omeka is an open-source, web-publishing platform that was developed at George Mason University a decade ago for the display of scholarly collections and exhibits ( Roy Rosenweig Center for History and New Media 2017; information about Omeka’s metadata can be found at “Working with Dublin Core” ). THE INSCRIPTIONS OF APHRODISIAS AS ELECTRONIC PUBLICATION Abstract This paper discusses the value of the electronic medium of publication for one project in particular, Inscriptions of Aphrodisias (2007), and uses this one example to extrapolate and illustrate a use-case paradigm of electronic publication and its advantages for research, pedagogy, and dissemination. The categories used in this study are: accessibility, scale, media, hypertext

DIGITAL MEDIEVALIST

Digital Medievalist (DM) is the journal of the Digital Medievalist Community. It publishes work of original research and scholarship, theoretical articles on digital topics, notes on technological topics, commentary pieces discussing developments in the field, bibliographic and review articles, tutorials, and project reports. The journal also commissions reviews of books and major electronic EPISODE 5: GLOBAL MEDIEVAL STUDIES You can listen to the episode on Anchor, Apple Podcasts, Breaker, Castbox, Google Podcasts, Overcast, Pocket Casts, RadioPublic, SoundCloud, Spotify, Stitcher, and TuneIn.. About this Episode. Recorded 27 November 2020. Edited by Aylin Malcolm and Tessa Gengnagel. Guest: Dorothy Kim. Content: In this episode, Dorothy Kim speaks about her work at the intersection of medieval

CODING CODICES

The Coding Codices podcast launched in January 2021. Our first season features conversations with Giulio Menna & Marjolein de Vos (about the Sexy Codicology project and the DMMapp), Lisa Fagin Davis (about the scribes of the Voynich Manuscript), Lucy Hinnie (about digitizing the Bannatyne Manuscript), Elisa Cugliana (about creating a digital scholarly edition of Marco Polo’s travel report EPISODE 1: SEXY CODICOLOGY AND THE DMMAPP THE ADVANTAGES AND DISADVANTAGES OF DIGITAL RECONSTRUCTION Abstract. In editing the Exeter Book poem's The Descent into Hell, also known as John the Baptist's Prayer, I attempted to digitally reconstruct the damaged folia that contain the only surviving copy of the Old English poem.In the process of carrying out the digital reconstructive work, many technical, aesthetic and analytical issues

were raised.

DIGITAL MEDIEVALIST

Digital Medievalist (DM) is the journal of the Digital Medievalist Community. It publishes work of original research and scholarship, theoretical articles on digital topics, notes on technological topics, commentary pieces discussing developments in the field, bibliographic and review articles, tutorials, and project reports. The journal also commissions reviews of books and major electronic NEW TOOLS FOR EXPLORING, ANALYSING AND CATEGORISING Introduction § 1 The use of digital tools in the context of the medieval humanities has grown considerably over the past few years. Such tools can be of various kinds, from structuring ones — such as XML files or relational databases, which might be used to store and query catalogues or notes — to exploration environments, such has interactive geographical software. QUERYING VARIANTS: BOCCACCIO’S ‘COMMEDIA’ AND DATA-MODELS Art. 1, page 2 of 28 Tempestini and Spadini: uerying ariants 1. Introduction §1 This paper presents the methodology and the results of an analytical study of the three witnesses of Dante’s Commedia copied by Giovanni Boccaccio, focusing on the importance of their digital accessibility. OMEKA AND OTHER DIGITAL PLATFORMS FOR UNDERGRADUATE Omeka is an open-source, web-publishing platform that was developed at George Mason University a decade ago for the display of scholarly collections and exhibits ( Roy Rosenweig Center for History and New Media 2017; information about Omeka’s metadata can be found at “Working with Dublin Core” ). THE INSCRIPTIONS OF APHRODISIAS AS ELECTRONIC PUBLICATION Abstract This paper discusses the value of the electronic medium of publication for one project in particular, Inscriptions of Aphrodisias (2007), and uses this one example to extrapolate and illustrate a use-case paradigm of electronic publication and its advantages for research, pedagogy, and dissemination. The categories used in this study are: accessibility, scale, media, hypertext EPISODE 5: GLOBAL MEDIEVAL STUDIES You can listen to the episode on Anchor, Apple Podcasts, Breaker, Castbox, Google Podcasts, Overcast, Pocket Casts, RadioPublic, SoundCloud, Spotify, Stitcher, and TuneIn.. About this Episode. Recorded 27 November 2020. Edited by Aylin Malcolm and Tessa Gengnagel. Guest: Dorothy Kim. Content: In this episode, Dorothy Kim speaks about her work at the intersection of medieval

DIGITAL MEDIEVALIST

Digital Medievalist (DM) is the journal of the Digital Medievalist Community. It publishes work of original research and scholarship, theoretical articles on digital topics, notes on technological topics, commentary pieces discussing developments in the field, bibliographic and review articles, tutorials, and project reports. The journal also commissions reviews of books and major electronic

DIGITAL MEDIEVALIST

Digital Medievalist (DM) is the journal of the Digital Medievalist Community. It publishes work of original research and scholarship, theoretical articles on digital topics, notes on technological topics, commentary pieces discussing developments in the field, bibliographic and review articles, tutorials, and project reports. The journal also commissions reviews of books and major electronic CURRENT ISSUES IN MAKING DIGITAL EDITIONS OF MEDIEVAL The digital edition ten years on § 1 Scholars working in our area—broadly, texts from medieval western Europe—now have around a decade of experience of making digital editions. In 1994, Hoyt N. Duggan posted the prospectus for the Piers Plowman Electronic Archive to the IATH webserver (Duggan 1994/2003).SEENET, the Society for Early Engish and Norse Electronic Texts of which the archive THE APPLICATION OF NETWORK ANALYSIS TO ANCIENT TRANSPORT Network Analysis. § 11 Node Networks, a formal structure used in Graph Theory, are simply a number of entities, called nodes (or vertices), in real or abstract space that are linked together by lines, known as edges (or arcs, if directional). These may represent anything from molecules, to OMEKA AND OTHER DIGITAL PLATFORMS FOR UNDERGRADUATE Omeka is an open-source, web-publishing platform that was developed at George Mason University a decade ago for the display of scholarly collections and exhibits ( Roy Rosenweig Center for History and New Media 2017; information about Omeka’s metadata can be found at “Working with Dublin Core” ). A COMPUTATIONAL APPROACH TO SOURCE ADAPTATION IN THOMAS Digital Medievalist (DM) is the journal of the Digital Medievalist Community. It publishes work of original research and scholarship, theoretical articles on digital topics, notes on technological topics, commentary pieces discussing developments in the field, bibliographic and review articles, tutorials, and project reports. The journal also commissions reviews of books and major electronic QUERYING VARIANTS: BOCCACCIO’S ‘COMMEDIA’ AND DATA-MODELS Art. 1, page 2 of 28 Tempestini and Spadini: uerying ariants 1. Introduction §1 This paper presents the methodology and the results of an analytical study of the three witnesses of Dante’s Commedia copied by Giovanni Boccaccio, focusing on the importance of their digital accessibility. O’DONNELL, DANIEL PAUL. 2005. CÆDMON’S HYMN: A MULTIMEDIA Abstract Cædmon’s Hymn is the name given to a poem recorded in Old English in some manuscripts of Bede’s Historia Ecclesiastica, an ecclesiastical history of the English people written in the early eighth century at Wearmouth-Jarrow in Northumbria.It has long received the attention of Anglo-Saxonists for many reasons, but particularly because it is (perhaps) the oldest surviving record of O’DONNELL, DANIEL PAUL. 2005. CÆDMON’S HYMN: A MULTIMEDIA Digital Medievalist (DM) is the journal of the Digital Medievalist Community. It publishes work of original research and scholarship, theoretical articles on digital topics, notes on technological topics, commentary pieces discussing developments in the field, bibliographic and review articles, tutorials, and project reports. The journal also commissions reviews of books and major electronic

DIGITAL MEDIEVALIST

Digital Medievalist (DM) is the journal of the Digital Medievalist Community. It publishes work of original research and scholarship, theoretical articles on digital topics, notes on technological topics, commentary pieces discussing developments in the field, bibliographic and review articles, tutorials, and project reports. The journal also commissions reviews of books and major electronic EPISODE 5: GLOBAL MEDIEVAL STUDIES You can listen to the episode on Anchor, Apple Podcasts, Breaker, Castbox, Google Podcasts, Overcast, Pocket Casts, RadioPublic, SoundCloud, Spotify, Stitcher, and TuneIn.. About this Episode. Recorded 27 November 2020. Edited by Aylin Malcolm and Tessa Gengnagel. Guest: Dorothy Kim. Content: In this episode, Dorothy Kim speaks about her work at the intersection of medieval

CODING CODICES

The Coding Codices podcast launched in January 2021. Our first season features conversations with Giulio Menna & Marjolein de Vos (about the Sexy Codicology project and the DMMapp), Lisa Fagin Davis (about the scribes of the Voynich Manuscript), Lucy Hinnie (about digitizing the Bannatyne Manuscript), Elisa Cugliana (about creating a digital scholarly edition of Marco Polo’s travel report EPISODE 1: SEXY CODICOLOGY AND THE DMMAPP THE ADVANTAGES AND DISADVANTAGES OF DIGITAL RECONSTRUCTION Abstract. In editing the Exeter Book poem's The Descent into Hell, also known as John the Baptist's Prayer, I attempted to digitally reconstruct the damaged folia that contain the only surviving copy of the Old English poem.In the process of carrying out the digital reconstructive work, many technical, aesthetic and analytical issues

were raised.

DIGITAL MEDIEVALIST

Digital Medievalist (DM) is the journal of the Digital Medievalist Community. It publishes work of original research and scholarship, theoretical articles on digital topics, notes on technological topics, commentary pieces discussing developments in the field, bibliographic and review articles, tutorials, and project reports. The journal also commissions reviews of books and major electronic NEW TOOLS FOR EXPLORING, ANALYSING AND CATEGORISING Introduction § 1 The use of digital tools in the context of the medieval humanities has grown considerably over the past few years. Such tools can be of various kinds, from structuring ones — such as XML files or relational databases, which might be used to store and query catalogues or notes — to exploration environments, such has interactive geographical software. QUERYING VARIANTS: BOCCACCIO’S ‘COMMEDIA’ AND DATA-MODELS Art. 1, page 2 of 28 Tempestini and Spadini: uerying ariants 1. Introduction §1 This paper presents the methodology and the results of an analytical study of the three witnesses of Dante’s Commedia copied by Giovanni Boccaccio, focusing on the importance of their digital accessibility. OMEKA AND OTHER DIGITAL PLATFORMS FOR UNDERGRADUATE Omeka is an open-source, web-publishing platform that was developed at George Mason University a decade ago for the display of scholarly collections and exhibits ( Roy Rosenweig Center for History and New Media 2017; information about Omeka’s metadata can be found at “Working with Dublin Core” ). THE INSCRIPTIONS OF APHRODISIAS AS ELECTRONIC PUBLICATION Abstract This paper discusses the value of the electronic medium of publication for one project in particular, Inscriptions of Aphrodisias (2007), and uses this one example to extrapolate and illustrate a use-case paradigm of electronic publication and its advantages for research, pedagogy, and dissemination. The categories used in this study are: accessibility, scale, media, hypertext

DIGITAL MEDIEVALIST

Digital Medievalist (DM) is the journal of the Digital Medievalist Community. It publishes work of original research and scholarship, theoretical articles on digital topics, notes on technological topics, commentary pieces discussing developments in the field, bibliographic and review articles, tutorials, and project reports. The journal also commissions reviews of books and major electronic EPISODE 5: GLOBAL MEDIEVAL STUDIES You can listen to the episode on Anchor, Apple Podcasts, Breaker, Castbox, Google Podcasts, Overcast, Pocket Casts, RadioPublic, SoundCloud, Spotify, Stitcher, and TuneIn.. About this Episode. Recorded 27 November 2020. Edited by Aylin Malcolm and Tessa Gengnagel. Guest: Dorothy Kim. Content: In this episode, Dorothy Kim speaks about her work at the intersection of medieval

CODING CODICES

The Coding Codices podcast launched in January 2021. Our first season features conversations with Giulio Menna & Marjolein de Vos (about the Sexy Codicology project and the DMMapp), Lisa Fagin Davis (about the scribes of the Voynich Manuscript), Lucy Hinnie (about digitizing the Bannatyne Manuscript), Elisa Cugliana (about creating a digital scholarly edition of Marco Polo’s travel report EPISODE 1: SEXY CODICOLOGY AND THE DMMAPP THE ADVANTAGES AND DISADVANTAGES OF DIGITAL RECONSTRUCTION Abstract. In editing the Exeter Book poem's The Descent into Hell, also known as John the Baptist's Prayer, I attempted to digitally reconstruct the damaged folia that contain the only surviving copy of the Old English poem.In the process of carrying out the digital reconstructive work, many technical, aesthetic and analytical issues

were raised.

DIGITAL MEDIEVALIST

Digital Medievalist (DM) is the journal of the Digital Medievalist Community. It publishes work of original research and scholarship, theoretical articles on digital topics, notes on technological topics, commentary pieces discussing developments in the field, bibliographic and review articles, tutorials, and project reports. The journal also commissions reviews of books and major electronic NEW TOOLS FOR EXPLORING, ANALYSING AND CATEGORISING Introduction § 1 The use of digital tools in the context of the medieval humanities has grown considerably over the past few years. Such tools can be of various kinds, from structuring ones — such as XML files or relational databases, which might be used to store and query catalogues or notes — to exploration environments, such has interactive geographical software. QUERYING VARIANTS: BOCCACCIO’S ‘COMMEDIA’ AND DATA-MODELS Art. 1, page 2 of 28 Tempestini and Spadini: uerying ariants 1. Introduction §1 This paper presents the methodology and the results of an analytical study of the three witnesses of Dante’s Commedia copied by Giovanni Boccaccio, focusing on the importance of their digital accessibility. OMEKA AND OTHER DIGITAL PLATFORMS FOR UNDERGRADUATE Omeka is an open-source, web-publishing platform that was developed at George Mason University a decade ago for the display of scholarly collections and exhibits ( Roy Rosenweig Center for History and New Media 2017; information about Omeka’s metadata can be found at “Working with Dublin Core” ). THE INSCRIPTIONS OF APHRODISIAS AS ELECTRONIC PUBLICATION Abstract This paper discusses the value of the electronic medium of publication for one project in particular, Inscriptions of Aphrodisias (2007), and uses this one example to extrapolate and illustrate a use-case paradigm of electronic publication and its advantages for research, pedagogy, and dissemination. The categories used in this study are: accessibility, scale, media, hypertext EPISODE 5: GLOBAL MEDIEVAL STUDIES You can listen to the episode on Anchor, Apple Podcasts, Breaker, Castbox, Google Podcasts, Overcast, Pocket Casts, RadioPublic, SoundCloud, Spotify, Stitcher, and TuneIn.. About this Episode. Recorded 27 November 2020. Edited by Aylin Malcolm and Tessa Gengnagel. Guest: Dorothy Kim. Content: In this episode, Dorothy Kim speaks about her work at the intersection of medieval

DIGITAL MEDIEVALIST

Digital Medievalist (DM) is the journal of the Digital Medievalist Community. It publishes work of original research and scholarship, theoretical articles on digital topics, notes on technological topics, commentary pieces discussing developments in the field, bibliographic and review articles, tutorials, and project reports. The journal also commissions reviews of books and major electronic

DIGITAL MEDIEVALIST

Digital Medievalist (DM) is the journal of the Digital Medievalist Community. It publishes work of original research and scholarship, theoretical articles on digital topics, notes on technological topics, commentary pieces discussing developments in the field, bibliographic and review articles, tutorials, and project reports. The journal also commissions reviews of books and major electronic CURRENT ISSUES IN MAKING DIGITAL EDITIONS OF MEDIEVAL The digital edition ten years on § 1 Scholars working in our area—broadly, texts from medieval western Europe—now have around a decade of experience of making digital editions. In 1994, Hoyt N. Duggan posted the prospectus for the Piers Plowman Electronic Archive to the IATH webserver (Duggan 1994/2003).SEENET, the Society for Early Engish and Norse Electronic Texts of which the archive THE APPLICATION OF NETWORK ANALYSIS TO ANCIENT TRANSPORT Network Analysis. § 11 Node Networks, a formal structure used in Graph Theory, are simply a number of entities, called nodes (or vertices), in real or abstract space that are linked together by lines, known as edges (or arcs, if directional). These may represent anything from molecules, to OMEKA AND OTHER DIGITAL PLATFORMS FOR UNDERGRADUATE Omeka is an open-source, web-publishing platform that was developed at George Mason University a decade ago for the display of scholarly collections and exhibits ( Roy Rosenweig Center for History and New Media 2017; information about Omeka’s metadata can be found at “Working with Dublin Core” ). A COMPUTATIONAL APPROACH TO SOURCE ADAPTATION IN THOMAS Digital Medievalist (DM) is the journal of the Digital Medievalist Community. It publishes work of original research and scholarship, theoretical articles on digital topics, notes on technological topics, commentary pieces discussing developments in the field, bibliographic and review articles, tutorials, and project reports. The journal also commissions reviews of books and major electronic QUERYING VARIANTS: BOCCACCIO’S ‘COMMEDIA’ AND DATA-MODELS Art. 1, page 2 of 28 Tempestini and Spadini: uerying ariants 1. Introduction §1 This paper presents the methodology and the results of an analytical study of the three witnesses of Dante’s Commedia copied by Giovanni Boccaccio, focusing on the importance of their digital accessibility. O’DONNELL, DANIEL PAUL. 2005. CÆDMON’S HYMN: A MULTIMEDIA Abstract Cædmon’s Hymn is the name given to a poem recorded in Old English in some manuscripts of Bede’s Historia Ecclesiastica, an ecclesiastical history of the English people written in the early eighth century at Wearmouth-Jarrow in Northumbria.It has long received the attention of Anglo-Saxonists for many reasons, but particularly because it is (perhaps) the oldest surviving record of O’DONNELL, DANIEL PAUL. 2005. CÆDMON’S HYMN: A MULTIMEDIA Digital Medievalist (DM) is the journal of the Digital Medievalist Community. It publishes work of original research and scholarship, theoretical articles on digital topics, notes on technological topics, commentary pieces discussing developments in the field, bibliographic and review articles, tutorials, and project reports. The journal also commissions reviews of books and major electronic DIGITAL MEDIEVALISTABOUTCONTACTCONTENTRESEARCH INTEGRITYISSUE ARCHIVESPECIAL COLLECTIONS Digital Medievalist (DM) is the journal of the Digital Medievalist Community. It publishes work of original research and scholarship, theoretical articles on digital topics, notes on technological topics, commentary pieces discussing developments in the field, bibliographic and review articles, tutorials, and project reports. The journal also commissions reviews of books and major electronic

DIGITAL MEDIEVALIST

Digital Medievalist (DM) is the journal of the Digital Medievalist Community. It publishes work of original research and scholarship, theoretical articles on digital topics, notes on technological topics, commentary pieces discussing developments in the field, bibliographic and review articles, tutorials, and project reports. The journal also commissions reviews of books and major electronic EPISODE 5: GLOBAL MEDIEVAL STUDIES You can listen to the episode on Anchor, Apple Podcasts, Breaker, Castbox, Google Podcasts, Overcast, Pocket Casts, RadioPublic, SoundCloud, Spotify, Stitcher, and TuneIn.. About this Episode. Recorded 27 November 2020. Edited by Aylin Malcolm and Tessa Gengnagel. Guest: Dorothy Kim. Content: In this episode, Dorothy Kim speaks about her work at the intersection of medieval EPISODE 1: SEXY CODICOLOGY AND THE DMMAPP THE ADVANTAGES AND DISADVANTAGES OF DIGITAL RECONSTRUCTION Abstract. In editing the Exeter Book poem's The Descent into Hell, also known as John the Baptist's Prayer, I attempted to digitally reconstruct the damaged folia that contain the only surviving copy of the Old English poem.In the process of carrying out the digital reconstructive work, many technical, aesthetic and analytical issues

were raised.

EPISODE 2: SCRIBES OF THE VOYNICH MANUSCRIPT Available on Anchor, Apple Podcasts, Breaker, Castbox, Google Podcasts, Overcast, Pocket Casts, RadioPublic, Soundcloud, Spotify, Stitcher and TuneIn.. About This Episode. Recorded April 2, 2020. Produced and transcribed by Aylin Malcolm. In this episode, Dr. Lisa Fagin Davis speaks with Aylin about the Voynich Manuscript (Beinecke Rare Book and Manuscript Library, MS 408), an undeciphered

CODING CODICES

The Coding Codices podcast launched in January 2021. Our first season features conversations with Giulio Menna & Marjolein de Vos (about the Sexy Codicology project and the DMMapp), Lisa Fagin Davis (about the scribes of the Voynich Manuscript), Lucy Hinnie (about digitizing the Bannatyne Manuscript), Elisa Cugliana (about creating a digital scholarly edition of Marco Polo’s travel report NEW TOOLS FOR EXPLORING, ANALYSING AND CATEGORISING Introduction § 1 The use of digital tools in the context of the medieval humanities has grown considerably over the past few years. Such tools can be of various kinds, from structuring ones — such as XML files or relational databases, which might be used to store and query catalogues or notes — to exploration environments, such has interactive geographical software. QUERYING VARIANTS: BOCCACCIO’S ‘COMMEDIA’ AND DATA-MODELS Art. 1, page 2 of 28 Tempestini and Spadini: uerying ariants 1. Introduction §1 This paper presents the methodology and the results of an analytical study of the three witnesses of Dante’s Commedia copied by Giovanni Boccaccio, focusing on the importance of their digital accessibility. THE INSCRIPTIONS OF APHRODISIAS AS ELECTRONIC PUBLICATION Abstract This paper discusses the value of the electronic medium of publication for one project in particular, Inscriptions of Aphrodisias (2007), and uses this one example to extrapolate and illustrate a use-case paradigm of electronic publication and its advantages for research, pedagogy, and dissemination. The categories used in this study are: accessibility, scale, media, hypertext DIGITAL MEDIEVALISTABOUTCONTACTCONTENTRESEARCH INTEGRITYISSUE ARCHIVESPECIAL COLLECTIONS Digital Medievalist (DM) is the journal of the Digital Medievalist Community. It publishes work of original research and scholarship, theoretical articles on digital topics, notes on technological topics, commentary pieces discussing developments in the field, bibliographic and review articles, tutorials, and project reports. The journal also commissions reviews of books and major electronic

DIGITAL MEDIEVALIST

Digital Medievalist (DM) is the journal of the Digital Medievalist Community. It publishes work of original research and scholarship, theoretical articles on digital topics, notes on technological topics, commentary pieces discussing developments in the field, bibliographic and review articles, tutorials, and project reports. The journal also commissions reviews of books and major electronic EPISODE 5: GLOBAL MEDIEVAL STUDIES You can listen to the episode on Anchor, Apple Podcasts, Breaker, Castbox, Google Podcasts, Overcast, Pocket Casts, RadioPublic, SoundCloud, Spotify, Stitcher, and TuneIn.. About this Episode. Recorded 27 November 2020. Edited by Aylin Malcolm and Tessa Gengnagel. Guest: Dorothy Kim. Content: In this episode, Dorothy Kim speaks about her work at the intersection of medieval EPISODE 1: SEXY CODICOLOGY AND THE DMMAPP THE ADVANTAGES AND DISADVANTAGES OF DIGITAL RECONSTRUCTION Abstract. In editing the Exeter Book poem's The Descent into Hell, also known as John the Baptist's Prayer, I attempted to digitally reconstruct the damaged folia that contain the only surviving copy of the Old English poem.In the process of carrying out the digital reconstructive work, many technical, aesthetic and analytical issues

were raised.

EPISODE 2: SCRIBES OF THE VOYNICH MANUSCRIPT Available on Anchor, Apple Podcasts, Breaker, Castbox, Google Podcasts, Overcast, Pocket Casts, RadioPublic, Soundcloud, Spotify, Stitcher and TuneIn.. About This Episode. Recorded April 2, 2020. Produced and transcribed by Aylin Malcolm. In this episode, Dr. Lisa Fagin Davis speaks with Aylin about the Voynich Manuscript (Beinecke Rare Book and Manuscript Library, MS 408), an undeciphered

CODING CODICES

The Coding Codices podcast launched in January 2021. Our first season features conversations with Giulio Menna & Marjolein de Vos (about the Sexy Codicology project and the DMMapp), Lisa Fagin Davis (about the scribes of the Voynich Manuscript), Lucy Hinnie (about digitizing the Bannatyne Manuscript), Elisa Cugliana (about creating a digital scholarly edition of Marco Polo’s travel report NEW TOOLS FOR EXPLORING, ANALYSING AND CATEGORISING Introduction § 1 The use of digital tools in the context of the medieval humanities has grown considerably over the past few years. Such tools can be of various kinds, from structuring ones — such as XML files or relational databases, which might be used to store and query catalogues or notes — to exploration environments, such has interactive geographical software. QUERYING VARIANTS: BOCCACCIO’S ‘COMMEDIA’ AND DATA-MODELS Art. 1, page 2 of 28 Tempestini and Spadini: uerying ariants 1. Introduction §1 This paper presents the methodology and the results of an analytical study of the three witnesses of Dante’s Commedia copied by Giovanni Boccaccio, focusing on the importance of their digital accessibility. THE INSCRIPTIONS OF APHRODISIAS AS ELECTRONIC PUBLICATION Abstract This paper discusses the value of the electronic medium of publication for one project in particular, Inscriptions of Aphrodisias (2007), and uses this one example to extrapolate and illustrate a use-case paradigm of electronic publication and its advantages for research, pedagogy, and dissemination. The categories used in this study are: accessibility, scale, media, hypertext

DIGITAL MEDIEVALIST

Digital Medievalist (DM) is the journal of the Digital Medievalist Community. It publishes work of original research and scholarship, theoretical articles on digital topics, notes on technological topics, commentary pieces discussing developments in the field, bibliographic and review articles, tutorials, and project reports. The journal also commissions reviews of books and major electronic EPISODE 6: DIGITAL ARCHIVE & MATERIALITY Recorded 25 March 2021. Edited by James Harr and Aylin Malcolm. Guest s: J. Eric Ensley and Matthew Kirschenbaum. Content: In this episode, Caitlin and James talk with Eric Ensley and Matthew Kirschenbaum about the archive, both digital and material. Eric Ensley is a curator of rare books and maps at the University of Iowa. QUERYING VARIANTS: BOCCACCIO’S ‘COMMEDIA’ AND DATA-MODELS The paper closes on a view to repurposing the model for handling other textual transmissions, working at the intersection between textual criticism and information technology. How to Cite: Tempestini, S. and Spadini, E., 2019. Querying Variants: Boccaccio’s ‘Commedia’ and Data-Models. Digital Medievalist, 12 (1), p.1. ABOUT – CODING CODICES About. Coding Codices is a podcast from the Digital Medievalist Postgraduate Subcommittee, soft-launched in December 2020. We’re a group of young (early stage, young-ish, non-professorial, however you want to put it) scholars who are currently working on our PhDs / towards a postdoc life. Although we have slightly different

disciplinary

QUERYING VARIANTS: BOCCACCIO’S ‘COMMEDIA’ AND DATA-MODELS Art. 1, page 2 of 28 Tempestini and Spadini: uerying ariants 1. Introduction §1 This paper presents the methodology and the results of an analytical study of the three witnesses of Dante’s Commedia copied by Giovanni Boccaccio, focusing on the importance of their digital accessibility. DIGITAL PALAEOGRAPHY: USING THE DIGITAL REPRESENTATION OF The centrality of script § 1 Among the disciplines that study the past through its textual heritage, palaeography focuses on the original script of manuscript books. Although, as Mabillon argued, neither script, nor any other single aspect of a book, is an adequate basis for judgement (quoted in Brown 1993, 19), the goal of the palaeographical method remains the dating and A COMPUTATIONAL APPROACH TO SOURCE ADAPTATION IN THOMAS Edlich-Muth and Edlich-Muth: A Computational Approach to Source Adaptation in Thomas Malory’s Morte Darthur Art. 5, page 5 of 26 remains unresolved, and, OMEKA AND OTHER DIGITAL PLATFORMS FOR UNDERGRADUATE Omeka is an open-source, web-publishing platform that was developed at George Mason University a decade ago for the display of scholarly collections and exhibits ( Roy Rosenweig Center for History and New Media 2017; information about Omeka’s metadata can be found at “Working with Dublin Core” ). DATA-DRIVEN SYLLABIFICATION FOR MIDDLE DUTCH Art. 2, page 2 of 23 Haverals et al: Data-Driven Syllabification for Middle Dutch 2. More importantly, what we today call “Middle Dutch” is a container ACCURACY AND QUALITY IN HISTORICAL REPRESENTATION Measuring Information Quality: Reframing the debate about accuracy § 15 In information science, accuracy is not the only measure of information quality. As the following diagram suggests, possible dimensions or components of overall quality may include objectivity, completeness, representation (the presentation of material in a clear, comprehensible manner), and accessibility, but there is no

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DIGITAL MEDIEVALIST

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igital

Medievalist_ is an international web-based community for medievalists working with digital media. It was established in 2003 to help scholars meet the increasingly sophisticated demands faced by designers of contemporary digital projects. _Digital Medievalist_ publishes an open access journal, sponsors conference sessions, runs an email discussion list and encourages best practice in digital medieval resource creation. Membership in _Digital Medievalist_ is open to anyone with an interest in its subject matter, without regard to skill or previous experience in Digital Humanities or Medieval Studies. Participants range from novices contemplating their first project to many of the pioneers in our field. There are over a thousand members of the mailing list, as of March 2017. Our main communication channel is our mailing list

, consider

subscribing and keep up-to-date. The project is hosted at the University of Lethbridge , and overseen by an international executive

of

medievalists with extensive experience in the use of digital media. Thanks to the generosity of Director Dr. Alberto Campagnolo, in 2017 _Digital Medievalist_ joined the _European Alliance for Social Sciences and Humanities_ (EASSH) as a learned

society.

CONTACT US

University of Lethbridge, Lethbridge, AB T1K 3M4 board(AT)digitalmedievalist(DOT)org

JOURNAL

DIGITAL MEDIEVALIST 12 (2019) * Querying Variants: Boccaccio’s ‘Commedia’ and Data-Models Sonia Tempestini, Elena Spadini * Data-Driven Syllabification for Middle Dutch Wouter Haverals, Folgert Karsdorp, Mike Kestemont * The Norman Sicily Project: A Digital Portal to Sicily’s Norman

Past

Dawn Marie Hayes, Joseph Hayes * A Computational Approach to Source Adaptation in Thomas Malory’s

Morte Darthur

Christian Edlich-Muth, Miriam Edlich-Muth * Cartography and Code: Incorporating Automation in the Exploration of Medieval Mappaemundi Heather Wacha, Jacob Levernier DIGITAL MEDIEVALIST 11 (2018) * Automatic Scribe Attribution for Medieval Manuscripts

Mats Dahllöf

* On Not Writing a Review about Mirador: Mirador, IIIF, and the Epistemological Gains of Distributed Digital Scholarly Resources

Joris van Zundert

* DM Reviews - June 2018 Eleonora Litta, Traianos Manos and Lisa Fagin Davis * Omeka and Other Digital Platforms for Undergraduate Research Projects on the Middle Ages Esther Liberman Cuenca and Maryanne Kowaleski * Spatial Reading: Digital Literary Maps of the Icelandic Outlaw

Sagas

Mary Catherine Kinniburgh * On the Classification of the Slavic Menaia Manuscripts Dated from the 11th to 14th Centuries Aleksei Netsunajev and Natalja Netsunajev MORE JOURNAL ARTICLES Blog at WordPress.com. _Back

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