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pigs
MATTASIN MASK
With a white or multicolored dress, but simple and practical (as opposed to the traditional classy heavy costumes) and a feathered hat, here comes the Mattasin. Fun loving, irreverent, with the sling ready for throwing eggs in distance, going around in groups, disapproved by the majority, wild and contemptuous. Pietro Bertelli: "Mattasin INNAMORATI | LOVERS | COMMEDIA DELL'ARTE | MAURICE SAND Very often they are son and daughter of the two old folks, Pantalone the greedy and the Doctor. The Lovers are young, wear no mask, and have a very strict but essential role in the play, and are a constant of the Commedia dell'Arte, and the action which gets the appreciationof
DOTTOR BALANZONE
The Doctor is the second old folk together with Pantalone in the Commedia dell'Arte, and first appears on stage in the mid 16th century, with the name of Graziano (or Grazian Baloardo), which later became Dottor Balanzone. The Doctor character is normally used in the Commedia dell'Arte plays to put a break in the action, with empty, pre PULCINELLA | POLICHINELLE | COMMEDIA DELL'ARTE | ITALIAN Pulcinella is another example of witty but somewhat different character that emerges powerfully from the Commedia dell'Arte. Philosophical, eternally melancholic, dreamer as only a representative of the Neapolitan culture could be, Pulcinella has a spirit all of his own. No tensions or despair, his melancholic approach to life makeshim coast
PLAGUE DOCTOR CARNIVAL MASK The "Plague Doctor" may be considered a mask, nowadays, but in the old times it was a sad and scary reality. The mask with the long beak is made to keep in it substances and aromas that it was believed would have protected the doctor from getting contaminated from the plague. VENICE CARNIVAL TRADITIONS: CARD GAMES Card Games, the eternal seduction. Venitians are well known for their love for gambling. Here is a Carnival scene taken from one of Carlo Goldoni's comedies: "Le Donne Gelose" (the Jealous Women). Typical representation of a reunion in late 18th century, everybody wearing a mask, most often the typical bauta, engaged in a conversation, playing BAUTA MASK | VOLTO | BAUTTA | VENICE CARNIVAL TRADITIONS The Bauta is usually white, and it is not only a Carnival mask, in the sense in those times it could also be used all year long, to protect one's identity. It consisted not only of the mask covering the face, but also of the finely woven lace (Zendale), and the black hat with three tips (tricorno). The name bauta does not have up to now, a SERVETTA | SOUBRETTE | COLOMBINA | CORALLINA THE SERVANT (La Servetta - The Soubrette) The Soubrette is one of those characters which appeared in the Commedia dell'Arte in almost all plays, although keeping a low profile which got more personality with time, developing into more elaborate and important characters such as Colombina, Corallina, Franceschina, Mirandolina and, in one of her disguises, also Arlecchinetta. VENICE CARNIVAL FASHION BOTTOM - Pietro Bertelli: "Cortigiana Veneta" engraving (1594) Chopines are a type of women's platform shoes that was popular in the XV, XVI and XVII centuries. Sort of wooden clogs, initially just used to help to avoid dirtying your feet with the mud that was in all streets in those times, including Venice. VENICE CARNIVAL HISTORY The Carnival in Venice is said to have originated from an important victory of the "Repubblica della Serenissima" (how it was called the town of VENEZIA in those times), in the war against Ulrich II von Treven, Patriarch of Aquileia, in the year 1162. Ulrich II had to pay - to be freed with his soldiers, about 700 men - one bull and twelvepigs
MATTASIN MASK
With a white or multicolored dress, but simple and practical (as opposed to the traditional classy heavy costumes) and a feathered hat, here comes the Mattasin. Fun loving, irreverent, with the sling ready for throwing eggs in distance, going around in groups, disapproved by the majority, wild and contemptuous. Pietro Bertelli: "Mattasin INNAMORATI | LOVERS | COMMEDIA DELL'ARTE | MAURICE SAND Very often they are son and daughter of the two old folks, Pantalone the greedy and the Doctor. The Lovers are young, wear no mask, and have a very strict but essential role in the play, and are a constant of the Commedia dell'Arte, and the action which gets the appreciationof
DOTTOR BALANZONE
The Doctor is the second old folk together with Pantalone in the Commedia dell'Arte, and first appears on stage in the mid 16th century, with the name of Graziano (or Grazian Baloardo), which later became Dottor Balanzone. The Doctor character is normally used in the Commedia dell'Arte plays to put a break in the action, with empty, pre PULCINELLA | POLICHINELLE | COMMEDIA DELL'ARTE | ITALIAN Pulcinella is another example of witty but somewhat different character that emerges powerfully from the Commedia dell'Arte. Philosophical, eternally melancholic, dreamer as only a representative of the Neapolitan culture could be, Pulcinella has a spirit all of his own. No tensions or despair, his melancholic approach to life makeshim coast
VENICE CARNIVAL TRADITIONS: CARD GAMES Card Games, the eternal seduction. Venitians are well known for their love for gambling. Here is a Carnival scene taken from one of Carlo Goldoni's comedies: "Le Donne Gelose" (the Jealous Women). Typical representation of a reunion in late 18th century, everybody wearing a mask, most often the typical bauta, engaged in a conversation, playing VENICE CARNIVAL MASKS & CHARACTERS Those are the weirdos, the irriverent, the different, not usual figures that have shown up on a Carnival day in Venice, very likely inSt Mark's Square.
FESTE DELLA CANDELORA Bull chasing was usually admitted from the first day until the last Sunday of Carnival, and it all had origin from that bull delivered as a ransom in 1162 by Ulrich II von Treven, Patriarch of Aquileia. The chasing started - each day in a different section of town - every day of the week except Friday, right after lunch. The final feast was VENICE CARNIVAL ARTISTS VENICE CARNIVAL ARTISTS. Not too many artists dedicated their sharp eye and creativity to describe and document what Carnival was in their times and since its beginnings. Although Carnival in Venice started in 1162, I have found no images made in those "ancient" times. No Gutenberg press: mechanical print on paper started in 1439, beforethat
VENICE CARNIVAL MASKS Two men and one woman, they are not in traditional Venice Carnival's dresses, one is dressed more like a sailor, and one of them (the one on the right) is a Zanni, the servant. In another printing of this image they are defined as Ferraresi, so we take them that way. The fact the main guy is telling the woman to trust him, may give the idea ISABELLA | LOVERS | COMMEDIA DELL'ARTE | ISABELLA ANDREINI ISABELLA. The Isabella character is certainly the most known among all female Lovers, due to the great intelligence and stage performance of Isabella Andreini, (who received and made hers forever) the Isabella role starting probably in 1578.. At the time in which the Commedia dell'Arte was a big hit, as much as in the ancient Greek Theater tradition, women did not perform on stage. UOMO INSENSATO MASK & STRANGE CHARACTER| THE FOOL The guy goes around the St. Mark's Square, with no mask, without saying a word, refusing offers of money and tobacco, pretending he is a fool, and he can't feel anything. (insensato = no sensitivity). Flour on his face to make it scarier, walking slowly, he doesn't respond to any insult, totally abstracted from any stimulus that comesfrom the
COLOMBINA | MAURICE SAND | COMMEDIA DELL'ARTE | ITALIAN COMEDY COLOMBINA. Colombina debuts with this name only by the end of 17th century as the Soubrette of the Commedia dell'Arte who gets more personality of her own.. Colombina is what the Innamorata is not: free, insolent, not slave of love bonds, sometimes brilliant, vane always, chatterer, gossiper, always prone to intrigue at somebody else's expenses. A sort of Harlequin in female clothes, and in MASCHERA DA BULLO BY FRANCESCO BERTELLI MASCHERA DA BULLO (Show-Off mask) The "bullo" is in Italian, what can be translated by "bully". But it's not the case here. It may mean something more like "show-off" as the masked guy pretends to have done such courageous acts, fighting around. VENICE CARNIVAL HISTORY The person in rags in this image looks young for sure, and he didn't have to waste much money to find a disguise to have fun during Carnival. With a poor guy's cane, compared to what nobles were using at the time. Maybe it was also a way of begging for some pocket money during carnival? Just a thought. Francesco Bertelli: "Maschera daPovereto".
PANTALONE | PANTALON DE' BISOGNOSI | THE REAL VENETIAN We see here the mask of Pantalone, the Venetian merchant: rich, greedy, lustful and naïve. The name was the one which was given to the rich kids of the nobility in the XVI century, in devotion to San Pantaleone. Venetians has always been very devote population, maybe not 100% without any practical purpose. Old but athletic, Pantaloneplays the
BAUTA MASK | VOLTO | BAUTTA | VENICE CARNIVAL TRADITIONS The Bauta is usually white, and it is not only a Carnival mask, in the sense in those times it could also be used all year long, to protect one's identity. It consisted not only of the mask covering the face, but also of the finely woven lace (Zendale), and the black hat with three tips (tricorno). The name bauta does not have up to now, a COMMEDIA DELL'ARTE: COMMEDIA CHARACTERS AND MASKS Male. Arrogant, violent but stupid and coward "representative of the State Power". Male. Sleeky dishonest guy trying to take advantage of every possible situation. Male + Female. Madly in love but there are several difficulties, traisons, misunderstandigs. But it usually ends well, novela-style. Various mask names would, from time to time, from SERVETTA | SOUBRETTE | COLOMBINA | CORALLINA THE SERVANT (La Servetta - The Soubrette) The Soubrette is one of those characters which appeared in the Commedia dell'Arte in almost all plays, although keeping a low profile which got more personality with time, developing into more elaborate and important characters such as Colombina, Corallina, Franceschina, Mirandolina and, in one of her disguises, also Arlecchinetta.MATTASIN MASK
With a white or multicolored dress, but simple and practical (as opposed to the traditional classy heavy costumes) and a feathered hat, here comes the Mattasin. Fun loving, irreverent, with the sling ready for throwing eggs in distance, going around in groups, disapproved by the majority, wild and contemptuous. Pietro Bertelli: "Mattasin PLAGUE DOCTOR CARNIVAL MASK The "Plague Doctor" may be considered a mask, nowadays, but in the old times it was a sad and scary reality. The mask with the long beak is made to keep in it substances and aromas that it was believed would have protected the doctor from getting contaminated from the plague. VENICE CARNIVAL MASKS & CHARACTERS Those are the weirdos, the irriverent, the different, not usual figures that have shown up on a Carnival day in Venice, very likely inSt Mark's Square.
VENICE CARNIVAL HISTORY The Carnival in Venice is said to have originated from an important victory of the "Repubblica della Serenissima" (how it was called the town of VENEZIA in those times), in the war against Ulrich II von Treven, Patriarch of Aquileia, in the year 1162. Ulrich II had to pay - to be freed with his soldiers, about 700 men - one bull and twelvepigs
INNAMORATI | LOVERS | COMMEDIA DELL'ARTE | MAURICE SAND Very often they are son and daughter of the two old folks, Pantalone the greedy and the Doctor. The Lovers are young, wear no mask, and have a very strict but essential role in the play, and are a constant of the Commedia dell'Arte, and the action which gets the appreciationof
PULCINELLA | POLICHINELLE | COMMEDIA DELL'ARTE | ITALIAN Pulcinella is another example of witty but somewhat different character that emerges powerfully from the Commedia dell'Arte. Philosophical, eternally melancholic, dreamer as only a representative of the Neapolitan culture could be, Pulcinella has a spirit all of his own. No tensions or despair, his melancholic approach to life makeshim coast
PANTALONE | PANTALON DE' BISOGNOSI | THE REAL VENETIAN We see here the mask of Pantalone, the Venetian merchant: rich, greedy, lustful and naïve. The name was the one which was given to the rich kids of the nobility in the XVI century, in devotion to San Pantaleone. Venetians has always been very devote population, maybe not 100% without any practical purpose. Old but athletic, Pantaloneplays the
BAUTA MASK | VOLTO | BAUTTA | VENICE CARNIVAL TRADITIONS The Bauta is usually white, and it is not only a Carnival mask, in the sense in those times it could also be used all year long, to protect one's identity. It consisted not only of the mask covering the face, but also of the finely woven lace (Zendale), and the black hat with three tips (tricorno). The name bauta does not have up to now, a COMMEDIA DELL'ARTE: COMMEDIA CHARACTERS AND MASKS Male. Arrogant, violent but stupid and coward "representative of the State Power". Male. Sleeky dishonest guy trying to take advantage of every possible situation. Male + Female. Madly in love but there are several difficulties, traisons, misunderstandigs. But it usually ends well, novela-style. Various mask names would, from time to time, from SERVETTA | SOUBRETTE | COLOMBINA | CORALLINA THE SERVANT (La Servetta - The Soubrette) The Soubrette is one of those characters which appeared in the Commedia dell'Arte in almost all plays, although keeping a low profile which got more personality with time, developing into more elaborate and important characters such as Colombina, Corallina, Franceschina, Mirandolina and, in one of her disguises, also Arlecchinetta.MATTASIN MASK
With a white or multicolored dress, but simple and practical (as opposed to the traditional classy heavy costumes) and a feathered hat, here comes the Mattasin. Fun loving, irreverent, with the sling ready for throwing eggs in distance, going around in groups, disapproved by the majority, wild and contemptuous. Pietro Bertelli: "Mattasin PLAGUE DOCTOR CARNIVAL MASK The "Plague Doctor" may be considered a mask, nowadays, but in the old times it was a sad and scary reality. The mask with the long beak is made to keep in it substances and aromas that it was believed would have protected the doctor from getting contaminated from the plague. VENICE CARNIVAL MASKS & CHARACTERS Those are the weirdos, the irriverent, the different, not usual figures that have shown up on a Carnival day in Venice, very likely inSt Mark's Square.
VENICE CARNIVAL HISTORY The Carnival in Venice is said to have originated from an important victory of the "Repubblica della Serenissima" (how it was called the town of VENEZIA in those times), in the war against Ulrich II von Treven, Patriarch of Aquileia, in the year 1162. Ulrich II had to pay - to be freed with his soldiers, about 700 men - one bull and twelvepigs
INNAMORATI | LOVERS | COMMEDIA DELL'ARTE | MAURICE SAND Very often they are son and daughter of the two old folks, Pantalone the greedy and the Doctor. The Lovers are young, wear no mask, and have a very strict but essential role in the play, and are a constant of the Commedia dell'Arte, and the action which gets the appreciationof
PULCINELLA | POLICHINELLE | COMMEDIA DELL'ARTE | ITALIAN Pulcinella is another example of witty but somewhat different character that emerges powerfully from the Commedia dell'Arte. Philosophical, eternally melancholic, dreamer as only a representative of the Neapolitan culture could be, Pulcinella has a spirit all of his own. No tensions or despair, his melancholic approach to life makeshim coast
PANTALONE | PANTALON DE' BISOGNOSI | THE REAL VENETIAN We see here the mask of Pantalone, the Venetian merchant: rich, greedy, lustful and naïve. The name was the one which was given to the rich kids of the nobility in the XVI century, in devotion to San Pantaleone. Venetians has always been very devote population, maybe not 100% without any practical purpose. Old but athletic, Pantaloneplays the
FESTE DELLA CANDELORA Bull chasing was usually admitted from the first day until the last Sunday of Carnival, and it all had origin from that bull delivered as a ransom in 1162 by Ulrich II von Treven, Patriarch of Aquileia. The chasing started - each day in a different section of town - every day of the week except Friday, right after lunch. The final feast was VENICE CARNIVAL TRADITIONS: SCENTED EGGS One way of courting (making passes at) women in the ancient Carnival times (XIII century!) started to be the unusual throwing of eggs filled up with rose water. And it quickly became a trend. But the “Giuoco degli ovi”, as it was called, was prohibited on May 2, 1268, so it couldn’t be played in the San Marco Square anymore. Butin 1548
PLAGUE DOCTOR CARNIVAL MASK The "Plague Doctor" may be considered a mask, nowadays, but in the old times it was a sad and scary reality. The mask with the long beak is made to keep in it substances and aromas that it was believed would have protected the doctor from getting contaminated from the plague. VENICE CARNIVAL ARTISTS VENICE CARNIVAL ARTISTS. Not too many artists dedicated their sharp eye and creativity to describe and document what Carnival was in their times and since its beginnings. Although Carnival in Venice started in 1162, I have found no images made in those "ancient" times. No Gutenberg press: mechanical print on paper started in 1439, beforethat
VENICE CARNIVAL FASHION BOTTOM - Pietro Bertelli: "Cortigiana Veneta" engraving (1594) Chopines are a type of women's platform shoes that was popular in the XV, XVI and XVII centuries. Sort of wooden clogs, initially just used to help to avoid dirtying your feet with the mud that was in all streets in those times, including Venice. VENICE CARNIVAL HISTORY The Carnival in Venice is said to have originated from an important victory of the "Repubblica della Serenissima" (how it was called the town of VENEZIA in those times), in the war against Ulrich II von Treven, Patriarch of Aquileia, in the year 1162. Ulrich II had to pay - to be freed with his soldiers, about 700 men - one bull and twelvepigs
VENICE CARNIVAL HISTORY Pietro Longhi, the famous Venetian painter of that time was asked to make two paintings to commemorate the event. On the side, Longhi's son, Alessandro, also wrote a little playful mocking rhyme about Clara: "Il gran rinoceronte qui si vede. Dall’Affrica condotto insto contorno. E
PULCINELLA | POLICHINELLE | COMMEDIA DELL'ARTE | ITALIAN Pulcinella is another example of witty but somewhat different character that emerges powerfully from the Commedia dell'Arte. Philosophical, eternally melancholic, dreamer as only a representative of the Neapolitan culture could be, Pulcinella has a spirit all of his own. No tensions or despair, his melancholic approach to life makeshim coast
MASCHERA DA BULLO BY FRANCESCO BERTELLI MASCHERA DA BULLO (Show-Off mask) The "bullo" is in Italian, what can be translated by "bully". But it's not the case here. It may mean something more like "show-off" as the masked guy pretends to have done such courageous acts, fighting around. PANTALONE | PANTALON DE' BISOGNOSI | THE REAL VENETIAN We see here the mask of Pantalone, the Venetian merchant: rich, greedy, lustful and naïve. The name was the one which was given to the rich kids of the nobility in the XVI century, in devotion to San Pantaleone. Venetians has always been very devote population, maybe not 100% without any practical purpose. Old but athletic, Pantaloneplays the
VENICE CARNIVAL FASHION BOTTOM - Pietro Bertelli: "Cortigiana Veneta" engraving (1594) Chopines are a type of women's platform shoes that was popular in the XV, XVI and XVII centuries. Sort of wooden clogs, initially just used to help to avoid dirtying your feet with the mud that was in all streets in those times, including Venice. VENICE CARNIVAL TRADITIONS: SCENTED EGGS One way of courting (making passes at) women in the ancient Carnival times (XIII century!) started to be the unusual throwing of eggs filled up with rose water. And it quickly became a trend. But the “Giuoco degli ovi”, as it was called, was prohibited on May 2, 1268, so it couldn’t be played in the San Marco Square anymore. Butin 1548
MATTASIN MASK
With a white or multicolored dress, but simple and practical (as opposed to the traditional classy heavy costumes) and a feathered hat, here comes the Mattasin. Fun loving, irreverent, with the sling ready for throwing eggs in distance, going around in groups, disapproved by the majority, wild and contemptuous. Pietro Bertelli: "Mattasin SERVETTA | SOUBRETTE | COLOMBINA | CORALLINA THE SERVANT (La Servetta - The Soubrette) The Soubrette is one of those characters which appeared in the Commedia dell'Arte in almost all plays, although keeping a low profile which got more personality with time, developing into more elaborate and important characters such as Colombina, Corallina, Franceschina, Mirandolina and, in one of her disguises, also Arlecchinetta. CHARLATANS AND PUPPET SHOWS Puppet shows and story-telling have always been very popular in all Italy along the centuries, and in Venice in particular during the Carnival. The charlatan is covered with a sheet and moves the puppets. Every day of the week shows are made in the S.Marco Square, in different spots, but also the puppet show is taken around during the BAUTA MASK | VOLTO | BAUTTA | VENICE CARNIVAL TRADITIONS The Bauta is usually white, and it is not only a Carnival mask, in the sense in those times it could also be used all year long, to protect one's identity. It consisted not only of the mask covering the face, but also of the finely woven lace (Zendale), and the black hat with three tips (tricorno). The name bauta does not have up to now, a VENICE CARNIVAL MASKS & CHARACTERS Those are the weirdos, the irriverent, the different, not usual figures that have shown up on a Carnival day in Venice, very likely inSt Mark's Square.
UOMO INSENSATO MASK & STRANGE CHARACTER| THE FOOL The guy goes around the St. Mark's Square, with no mask, without saying a word, refusing offers of money and tobacco, pretending he is a fool, and he can't feel anything. (insensato = no sensitivity). Flour on his face to make it scarier, walking slowly, he doesn't respond to any insult, totally abstracted from any stimulus that comesfrom the
PULCINELLA | POLICHINELLE | COMMEDIA DELL'ARTE | ITALIAN Pulcinella is another example of witty but somewhat different character that emerges powerfully from the Commedia dell'Arte. Philosophical, eternally melancholic, dreamer as only a representative of the Neapolitan culture could be, Pulcinella has a spirit all of his own. No tensions or despair, his melancholic approach to life makeshim coast
PANTALONE | PANTALON DE' BISOGNOSI | THE REAL VENETIAN We see here the mask of Pantalone, the Venetian merchant: rich, greedy, lustful and naïve. The name was the one which was given to the rich kids of the nobility in the XVI century, in devotion to San Pantaleone. Venetians has always been very devote population, maybe not 100% without any practical purpose. Old but athletic, Pantaloneplays the
VENICE CARNIVAL FASHION BOTTOM - Pietro Bertelli: "Cortigiana Veneta" engraving (1594) Chopines are a type of women's platform shoes that was popular in the XV, XVI and XVII centuries. Sort of wooden clogs, initially just used to help to avoid dirtying your feet with the mud that was in all streets in those times, including Venice. VENICE CARNIVAL TRADITIONS: SCENTED EGGS One way of courting (making passes at) women in the ancient Carnival times (XIII century!) started to be the unusual throwing of eggs filled up with rose water. And it quickly became a trend. But the “Giuoco degli ovi”, as it was called, was prohibited on May 2, 1268, so it couldn’t be played in the San Marco Square anymore. Butin 1548
MATTASIN MASK
With a white or multicolored dress, but simple and practical (as opposed to the traditional classy heavy costumes) and a feathered hat, here comes the Mattasin. Fun loving, irreverent, with the sling ready for throwing eggs in distance, going around in groups, disapproved by the majority, wild and contemptuous. Pietro Bertelli: "Mattasin SERVETTA | SOUBRETTE | COLOMBINA | CORALLINA THE SERVANT (La Servetta - The Soubrette) The Soubrette is one of those characters which appeared in the Commedia dell'Arte in almost all plays, although keeping a low profile which got more personality with time, developing into more elaborate and important characters such as Colombina, Corallina, Franceschina, Mirandolina and, in one of her disguises, also Arlecchinetta. CHARLATANS AND PUPPET SHOWS Puppet shows and story-telling have always been very popular in all Italy along the centuries, and in Venice in particular during the Carnival. The charlatan is covered with a sheet and moves the puppets. Every day of the week shows are made in the S.Marco Square, in different spots, but also the puppet show is taken around during the BAUTA MASK | VOLTO | BAUTTA | VENICE CARNIVAL TRADITIONS The Bauta is usually white, and it is not only a Carnival mask, in the sense in those times it could also be used all year long, to protect one's identity. It consisted not only of the mask covering the face, but also of the finely woven lace (Zendale), and the black hat with three tips (tricorno). The name bauta does not have up to now, a VENICE CARNIVAL MASKS & CHARACTERS Those are the weirdos, the irriverent, the different, not usual figures that have shown up on a Carnival day in Venice, very likely inSt Mark's Square.
UOMO INSENSATO MASK & STRANGE CHARACTER| THE FOOL The guy goes around the St. Mark's Square, with no mask, without saying a word, refusing offers of money and tobacco, pretending he is a fool, and he can't feel anything. (insensato = no sensitivity). Flour on his face to make it scarier, walking slowly, he doesn't respond to any insult, totally abstracted from any stimulus that comesfrom the
PULCINELLA | POLICHINELLE | COMMEDIA DELL'ARTE | ITALIAN Pulcinella is another example of witty but somewhat different character that emerges powerfully from the Commedia dell'Arte. Philosophical, eternally melancholic, dreamer as only a representative of the Neapolitan culture could be, Pulcinella has a spirit all of his own. No tensions or despair, his melancholic approach to life makeshim coast
PANTALONE | PANTALON DE' BISOGNOSI | THE REAL VENETIAN We see here the mask of Pantalone, the Venetian merchant: rich, greedy, lustful and naïve. The name was the one which was given to the rich kids of the nobility in the XVI century, in devotion to San Pantaleone. Venetians has always been very devote population, maybe not 100% without any practical purpose. Old but athletic, Pantaloneplays the
VENICE CARNIVAL TRADITIONS: SCENTED EGGS OVI ODORIFERI (Scented Eggs) Carnival has always been also a way of flirting, getting sexes together. One way of courting (making passes at) women in the ancient Carnival times (XIII century!) started to be the unusual throwing of eggs filled up with rose water. SERVETTA | SOUBRETTE | COLOMBINA | CORALLINA THE SERVANT (La Servetta - The Soubrette) The Soubrette is one of those characters which appeared in the Commedia dell'Arte in almost all plays, although keeping a low profile which got more personality with time, developing into more elaborate and important characters such as Colombina, Corallina, Franceschina, Mirandolina and, in one of her disguises, also Arlecchinetta.COMMEDIA DELL'ARTE
La Commedia dell'Arte literally means "Artistic Comedy", probably named as a contraposition to the standard way of making theater in that period. Has been renamed in English as "Italian Comedy" probably due to the fact it originates and had its high points in Italy. The Commedia dell'Arte had its start in the second half of the 16thcentury, in
VENICE CARNIVAL HISTORY The Carnival in Venice is said to have originated from an important victory of the "Repubblica della Serenissima" (how it was called the town of VENEZIA in those times), in the war against Ulrich II von Treven, Patriarch of Aquileia, in the year 1162. Ulrich II had to pay - to be freed with his soldiers, about 700 men - one bull and twelvepigs
PLAGUE DOCTOR CARNIVAL MASK The "Plague Doctor" may be considered a mask, nowadays, but in the old times it was a sad and scary reality. The mask with the long beak is made to keep in it substances and aromas that it was believed would have protected the doctor from getting contaminated from the plague. VENICE CARNIVAL MASK: MASCHERA DA FERRARESI Maschera da Ferraresi (Masked People from Ferrara) Does this mean that people from Ferrara - 120 km from Venice - are fun loving people? I would say, people from Emilia region are well known for being fun loving, oh they are.. As the woman is dressed in a non-traditional Venice style, I can imagine she was not an easy prey on the Carnival territory, maybe they brought her over. INNAMORATI | LOVERS | COMMEDIA DELL'ARTE | MAURICE SAND Very often they are son and daughter of the two old folks, Pantalone the greedy and the Doctor. The Lovers are young, wear no mask, and have a very strict but essential role in the play, and are a constant of the Commedia dell'Arte, and the action which gets the appreciationof
BAUTA MASK WATERCOLOR BY GIOVANNI GREVEMBROCH The Bauta is usually white, and it is not only a Carnival mask, in the sense in those times it could also be used all year long, to protect one's identity. It consisted not only of the mask covering the face, but also of the finely woven lace (Zendale), and the black hat with three tips (tricorno). The name bauta does not have up to now, aIL CARATTERISTA
The Caratterista role came out in the Commedia dell'Arte at the beginning of the XVIII century, so quite late, and had no connection with the play: he/she would tell a story, capture the audience attention for a certain time, break the present atmosphere to prepare the public for the next acting step. PANTALONE | PANTALON DE' BISOGNOSI | THE REAL VENETIAN We see here the mask of Pantalone, the Venetian merchant: rich, greedy, lustful and naïve. The name was the one which was given to the rich kids of the nobility in the XVI century, in devotion to San Pantaleone. Venetians has always been very devote population, maybe not 100% without any practical purpose. Old but athletic, Pantaloneplays the
VENICE CARNIVAL FASHION BOTTOM - Pietro Bertelli: "Cortigiana Veneta" engraving (1594) Chopines are a type of women's platform shoes that was popular in the XV, XVI and XVII centuries. Sort of wooden clogs, initially just used to help to avoid dirtying your feet with the mud that was in all streets in those times, including Venice. VENICE CARNIVAL TRADITIONS: SCENTED EGGS One way of courting (making passes at) women in the ancient Carnival times (XIII century!) started to be the unusual throwing of eggs filled up with rose water. And it quickly became a trend. But the “Giuoco degli ovi”, as it was called, was prohibited on May 2, 1268, so it couldn’t be played in the San Marco Square anymore. Butin 1548
MATTASIN MASK
With a white or multicolored dress, but simple and practical (as opposed to the traditional classy heavy costumes) and a feathered hat, here comes the Mattasin. Fun loving, irreverent, with the sling ready for throwing eggs in distance, going around in groups, disapproved by the majority, wild and contemptuous. Pietro Bertelli: "Mattasin SERVETTA | SOUBRETTE | COLOMBINA | CORALLINA THE SERVANT (La Servetta - The Soubrette) The Soubrette is one of those characters which appeared in the Commedia dell'Arte in almost all plays, although keeping a low profile which got more personality with time, developing into more elaborate and important characters such as Colombina, Corallina, Franceschina, Mirandolina and, in one of her disguises, also Arlecchinetta. CHARLATANS AND PUPPET SHOWS Puppet shows and story-telling have always been very popular in all Italy along the centuries, and in Venice in particular during the Carnival. The charlatan is covered with a sheet and moves the puppets. Every day of the week shows are made in the S.Marco Square, in different spots, but also the puppet show is taken around during the BAUTA MASK | VOLTO | BAUTTA | VENICE CARNIVAL TRADITIONS The Bauta is usually white, and it is not only a Carnival mask, in the sense in those times it could also be used all year long, to protect one's identity. It consisted not only of the mask covering the face, but also of the finely woven lace (Zendale), and the black hat with three tips (tricorno). The name bauta does not have up to now, a VENICE CARNIVAL MASKS & CHARACTERS Those are the weirdos, the irriverent, the different, not usual figures that have shown up on a Carnival day in Venice, very likely inSt Mark's Square.
UOMO INSENSATO MASK & STRANGE CHARACTER| THE FOOL The guy goes around the St. Mark's Square, with no mask, without saying a word, refusing offers of money and tobacco, pretending he is a fool, and he can't feel anything. (insensato = no sensitivity). Flour on his face to make it scarier, walking slowly, he doesn't respond to any insult, totally abstracted from any stimulus that comesfrom the
PULCINELLA | POLICHINELLE | COMMEDIA DELL'ARTE | ITALIAN Pulcinella is another example of witty but somewhat different character that emerges powerfully from the Commedia dell'Arte. Philosophical, eternally melancholic, dreamer as only a representative of the Neapolitan culture could be, Pulcinella has a spirit all of his own. No tensions or despair, his melancholic approach to life makeshim coast
PANTALONE | PANTALON DE' BISOGNOSI | THE REAL VENETIAN We see here the mask of Pantalone, the Venetian merchant: rich, greedy, lustful and naïve. The name was the one which was given to the rich kids of the nobility in the XVI century, in devotion to San Pantaleone. Venetians has always been very devote population, maybe not 100% without any practical purpose. Old but athletic, Pantaloneplays the
VENICE CARNIVAL FASHION BOTTOM - Pietro Bertelli: "Cortigiana Veneta" engraving (1594) Chopines are a type of women's platform shoes that was popular in the XV, XVI and XVII centuries. Sort of wooden clogs, initially just used to help to avoid dirtying your feet with the mud that was in all streets in those times, including Venice. VENICE CARNIVAL TRADITIONS: SCENTED EGGS One way of courting (making passes at) women in the ancient Carnival times (XIII century!) started to be the unusual throwing of eggs filled up with rose water. And it quickly became a trend. But the “Giuoco degli ovi”, as it was called, was prohibited on May 2, 1268, so it couldn’t be played in the San Marco Square anymore. Butin 1548
MATTASIN MASK
With a white or multicolored dress, but simple and practical (as opposed to the traditional classy heavy costumes) and a feathered hat, here comes the Mattasin. Fun loving, irreverent, with the sling ready for throwing eggs in distance, going around in groups, disapproved by the majority, wild and contemptuous. Pietro Bertelli: "Mattasin SERVETTA | SOUBRETTE | COLOMBINA | CORALLINA THE SERVANT (La Servetta - The Soubrette) The Soubrette is one of those characters which appeared in the Commedia dell'Arte in almost all plays, although keeping a low profile which got more personality with time, developing into more elaborate and important characters such as Colombina, Corallina, Franceschina, Mirandolina and, in one of her disguises, also Arlecchinetta. CHARLATANS AND PUPPET SHOWS Puppet shows and story-telling have always been very popular in all Italy along the centuries, and in Venice in particular during the Carnival. The charlatan is covered with a sheet and moves the puppets. Every day of the week shows are made in the S.Marco Square, in different spots, but also the puppet show is taken around during the BAUTA MASK | VOLTO | BAUTTA | VENICE CARNIVAL TRADITIONS The Bauta is usually white, and it is not only a Carnival mask, in the sense in those times it could also be used all year long, to protect one's identity. It consisted not only of the mask covering the face, but also of the finely woven lace (Zendale), and the black hat with three tips (tricorno). The name bauta does not have up to now, a VENICE CARNIVAL MASKS & CHARACTERS Those are the weirdos, the irriverent, the different, not usual figures that have shown up on a Carnival day in Venice, very likely inSt Mark's Square.
UOMO INSENSATO MASK & STRANGE CHARACTER| THE FOOL The guy goes around the St. Mark's Square, with no mask, without saying a word, refusing offers of money and tobacco, pretending he is a fool, and he can't feel anything. (insensato = no sensitivity). Flour on his face to make it scarier, walking slowly, he doesn't respond to any insult, totally abstracted from any stimulus that comesfrom the
PULCINELLA | POLICHINELLE | COMMEDIA DELL'ARTE | ITALIAN Pulcinella is another example of witty but somewhat different character that emerges powerfully from the Commedia dell'Arte. Philosophical, eternally melancholic, dreamer as only a representative of the Neapolitan culture could be, Pulcinella has a spirit all of his own. No tensions or despair, his melancholic approach to life makeshim coast
PANTALONE | PANTALON DE' BISOGNOSI | THE REAL VENETIAN We see here the mask of Pantalone, the Venetian merchant: rich, greedy, lustful and naïve. The name was the one which was given to the rich kids of the nobility in the XVI century, in devotion to San Pantaleone. Venetians has always been very devote population, maybe not 100% without any practical purpose. Old but athletic, Pantaloneplays the
VENICE CARNIVAL TRADITIONS: SCENTED EGGS OVI ODORIFERI (Scented Eggs) Carnival has always been also a way of flirting, getting sexes together. One way of courting (making passes at) women in the ancient Carnival times (XIII century!) started to be the unusual throwing of eggs filled up with rose water. SERVETTA | SOUBRETTE | COLOMBINA | CORALLINA THE SERVANT (La Servetta - The Soubrette) The Soubrette is one of those characters which appeared in the Commedia dell'Arte in almost all plays, although keeping a low profile which got more personality with time, developing into more elaborate and important characters such as Colombina, Corallina, Franceschina, Mirandolina and, in one of her disguises, also Arlecchinetta.COMMEDIA DELL'ARTE
La Commedia dell'Arte literally means "Artistic Comedy", probably named as a contraposition to the standard way of making theater in that period. Has been renamed in English as "Italian Comedy" probably due to the fact it originates and had its high points in Italy. The Commedia dell'Arte had its start in the second half of the 16thcentury, in
VENICE CARNIVAL HISTORY The Carnival in Venice is said to have originated from an important victory of the "Repubblica della Serenissima" (how it was called the town of VENEZIA in those times), in the war against Ulrich II von Treven, Patriarch of Aquileia, in the year 1162. Ulrich II had to pay - to be freed with his soldiers, about 700 men - one bull and twelvepigs
PLAGUE DOCTOR CARNIVAL MASK The "Plague Doctor" may be considered a mask, nowadays, but in the old times it was a sad and scary reality. The mask with the long beak is made to keep in it substances and aromas that it was believed would have protected the doctor from getting contaminated from the plague. VENICE CARNIVAL MASK: MASCHERA DA FERRARESI Maschera da Ferraresi (Masked People from Ferrara) Does this mean that people from Ferrara - 120 km from Venice - are fun loving people? I would say, people from Emilia region are well known for being fun loving, oh they are.. As the woman is dressed in a non-traditional Venice style, I can imagine she was not an easy prey on the Carnival territory, maybe they brought her over. INNAMORATI | LOVERS | COMMEDIA DELL'ARTE | MAURICE SAND Very often they are son and daughter of the two old folks, Pantalone the greedy and the Doctor. The Lovers are young, wear no mask, and have a very strict but essential role in the play, and are a constant of the Commedia dell'Arte, and the action which gets the appreciationof
BAUTA MASK WATERCOLOR BY GIOVANNI GREVEMBROCH The Bauta is usually white, and it is not only a Carnival mask, in the sense in those times it could also be used all year long, to protect one's identity. It consisted not only of the mask covering the face, but also of the finely woven lace (Zendale), and the black hat with three tips (tricorno). The name bauta does not have up to now, aIL CARATTERISTA
The Caratterista role came out in the Commedia dell'Arte at the beginning of the XVIII century, so quite late, and had no connection with the play: he/she would tell a story, capture the audience attention for a certain time, break the present atmosphere to prepare the public for the next acting step. open all | close all* HOME
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PHOTOGRAPHY, WEB DESIGN, ... ART? Roberto Delpiano, Italian International photographer and artist, invites you to enter his humble cyber-home. Excuse the mess, I am doing an overhaul of the website, to make it more and more interactive. Please grab a glass of good red Italian wine, relax and enjoy somesoft Jazz ...
Follow the flag and you will find a section in Italian, my native language, the one I mix up every day of my life now with several other idioms, including PHP and HTML. Before moving out of Italy I have lived quite a bit of years in Torino, Piemonte, Italy, and I still am a proud "testa dura" from that wonderful region of "LANGHE". You know, where the good wine comes from, Barolo, Barbaresco, Nebbiolo, Barbera, Grignolino, Dolcetto ... Since my interests are quite widespread, you will find in the site good imaging, photos, my advertising and web design work, along with a special section on Carnivals, (Venezia, Rio de Janeiro, San Francisco) Venice Carnival Masks, and Commedia dell'Arte Masks and history. And my last photographic entertainment (this is not work, yet...) 3Dphotographs.
And ... well, please get in, yo! ALL IMAGES & TEXTS: COPYRIGHT ROBERTO DELPIANO - 1997-2020Details
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