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COOKE OPTICS
Academy Award Winning Cinematography Lenses for multiple film and digital applications. Easily maintained, accurate, and reliable – get the Cooke® Look. COOKE | S4 /I | PRIME LENSES | AWARD WINNING | 3-D Cooke S4 optics offer superb optical and mechanical performance, control of flare, distortion, veiling glare and spherical aberrations at full aperture. The cam-type focus mechanism allows for smooth focus adjustments. Modular construction increases ease of maintenance and serviceability. All of our S4 Prime lenses are now equipped with /i COOKE COMPLETE LIST OF COOKE S7/I LENSES AND PRICING Cooke S7/i Full Frame Plus Primes T2.0 . Shoot 35mm, Super 35mm, Full Frame and Beyond. The Cooke S7/i, T2.0 Full Frame Plus Primes are designed to cover the emergent full frame cinema camera sensors up to at least the full sensor area of the RED Weapon 8K (46.31mm imagecircle).
COOKE LENSES ANAMORPHIC 50MM CINE LENS Anamophic/i Zoom lens 35-140mm T3.1-T22. T2.3 aperture. T2.6 to T22 - 65mm MACRO. T2.8 to T22 -180mm. T3.5 to T22 -300mm. Offers anamorphic characteristics including 2:1 oval bokeh for out of focus highlights. The Cooke Look® and colour matched with all other Cooke lenses. Anamorphic lens is especially well corrected for astigmatism and COOKE PARTS AND ACCESSORIES Cooke /i Connector Blanking Plug. Cooke 5/i parts. 904TS0134. Cooke 5/i Focus Scale Lighting Controller, includes Fisher 3-pin to Lemo 2-pin cable. Cooke Cables. 472-8443. Cooke /i Technology to RS-232 Power Supply Adapter & Cable (check lenses without going through thecamera)
COOKE LENSES 75MM MINIS4/I CINE LENS PL MOUNT Cooke 75mm miniS4/i Lens T2.8 S4 Quality Deserves the S4 Name. The miniS4/i lenses incorporate everything in that today's filmmakers ask for: smaller, lighter weight prime lenses that offer the same resolution, optical quality and reliability as the S4/i prime lenses but at a lower price - and, the miniS4/i 35mm lenses are interchangeable for shooting film and digital images up to and beyonda
COOKE COMPLETE LIST OF COOKE 1.8X ANAMORPHIC/I FULL FRAME The Anamorphic/i Full Frame Plus Standard and SF (Special Flair) prime lenses represent the next logical step in the evolution of filmmaking: large format production with anamorphic characteristics, including flare and oval bokeh. COOKE LENSES 5/I CINE PRIME LENS SET Cooke Optics 5/i Prime Lenses. Color-matched and compatible with Cooke S4/i, miniS4/i, Anamorphic/i, CXX 15-40 mm T2 S4/i Zoom, 18-100mm T3.0 and 25-250mm T3.7 and the. SK4 16mm lenses, the 5/i Prime Lenses are supplied with /i Technology, and. are designed for all PL mounted professional motion picture film and electronic cameras.COOKE OPTICS
All the Boys Love Mandy Lane (2006) Darren Genet, DP. Trailers: Standard HD. Alvin and the Chipmunks: The Squeakquel (2009) Anthony B. Richmond, DP. Trailers: Standard HD. American Gangster (2007) Harris Savides, DP. Trailers: Standard HD. ABOUT COOKE LENS SPECIFI CATIONS Specifi cations subject to change Max Format Covered 30mm diameter (Super 35mm format) Focus Scales Two opposing focus scales – metric and footage. Scales marked from infi nity to MOD Focus Drive Gear 140 teeth 0.8 metric module x 6.0mm wide x 98mm from image plane. 140 teeth 0.8 metric module x 6.0mm wide x 99mm from image plane (300mm)COOKE OPTICS
Academy Award Winning Cinematography Lenses for multiple film and digital applications. Easily maintained, accurate, and reliable – get the Cooke® Look. COOKE | S4 /I | PRIME LENSES | AWARD WINNING | 3-D Cooke S4 optics offer superb optical and mechanical performance, control of flare, distortion, veiling glare and spherical aberrations at full aperture. The cam-type focus mechanism allows for smooth focus adjustments. Modular construction increases ease of maintenance and serviceability. All of our S4 Prime lenses are now equipped with /i COOKE COMPLETE LIST OF COOKE S7/I LENSES AND PRICING Cooke S7/i Full Frame Plus Primes T2.0 . Shoot 35mm, Super 35mm, Full Frame and Beyond. The Cooke S7/i, T2.0 Full Frame Plus Primes are designed to cover the emergent full frame cinema camera sensors up to at least the full sensor area of the RED Weapon 8K (46.31mm imagecircle).
COOKE LENSES ANAMORPHIC 50MM CINE LENS Anamophic/i Zoom lens 35-140mm T3.1-T22. T2.3 aperture. T2.6 to T22 - 65mm MACRO. T2.8 to T22 -180mm. T3.5 to T22 -300mm. Offers anamorphic characteristics including 2:1 oval bokeh for out of focus highlights. The Cooke Look® and colour matched with all other Cooke lenses. Anamorphic lens is especially well corrected for astigmatism and COOKE PARTS AND ACCESSORIES Cooke /i Connector Blanking Plug. Cooke 5/i parts. 904TS0134. Cooke 5/i Focus Scale Lighting Controller, includes Fisher 3-pin to Lemo 2-pin cable. Cooke Cables. 472-8443. Cooke /i Technology to RS-232 Power Supply Adapter & Cable (check lenses without going through thecamera)
COOKE LENSES 75MM MINIS4/I CINE LENS PL MOUNT Cooke 75mm miniS4/i Lens T2.8 S4 Quality Deserves the S4 Name. The miniS4/i lenses incorporate everything in that today's filmmakers ask for: smaller, lighter weight prime lenses that offer the same resolution, optical quality and reliability as the S4/i prime lenses but at a lower price - and, the miniS4/i 35mm lenses are interchangeable for shooting film and digital images up to and beyonda
COOKE COMPLETE LIST OF COOKE 1.8X ANAMORPHIC/I FULL FRAME The Anamorphic/i Full Frame Plus Standard and SF (Special Flair) prime lenses represent the next logical step in the evolution of filmmaking: large format production with anamorphic characteristics, including flare and oval bokeh. COOKE LENSES 5/I CINE PRIME LENS SET Cooke Optics 5/i Prime Lenses. Color-matched and compatible with Cooke S4/i, miniS4/i, Anamorphic/i, CXX 15-40 mm T2 S4/i Zoom, 18-100mm T3.0 and 25-250mm T3.7 and the. SK4 16mm lenses, the 5/i Prime Lenses are supplied with /i Technology, and. are designed for all PL mounted professional motion picture film and electronic cameras.COOKE OPTICS
All the Boys Love Mandy Lane (2006) Darren Genet, DP. Trailers: Standard HD. Alvin and the Chipmunks: The Squeakquel (2009) Anthony B. Richmond, DP. Trailers: Standard HD. American Gangster (2007) Harris Savides, DP. Trailers: Standard HD. ABOUT COOKE LENS SPECIFI CATIONS Specifi cations subject to change Max Format Covered 30mm diameter (Super 35mm format) Focus Scales Two opposing focus scales – metric and footage. Scales marked from infi nity to MOD Focus Drive Gear 140 teeth 0.8 metric module x 6.0mm wide x 98mm from image plane. 140 teeth 0.8 metric module x 6.0mm wide x 99mm from image plane (300mm)COOKE OPTICS
Leicester, UK – 11 May 2021 – For cinematographer Isaac Vila, the choice of lenses is the most important decision of all when planning a feature film. For his latest project, Netflix’s Below Zero, which has quickly become a breakout hit globally, he chose Cooke S7/i Full Frame lenses, creating the perfect atmosphere for this action COOKE PARTS AND ACCESSORIES Cooke /i Connector Blanking Plug. Cooke 5/i parts. 904TS0134. Cooke 5/i Focus Scale Lighting Controller, includes Fisher 3-pin to Lemo 2-pin cable. Cooke Cables. 472-8443. Cooke /i Technology to RS-232 Power Supply Adapter & Cable (check lenses without going through thecamera)
COOKE | LENSES | WHERE TO BUY | WHERE TO RENT See in the dark -- with T1.4 speed and a focus ring that illuminates when you need it. External lamps are no longer necessary for the focus puller to see in the dark because this new design incorporates a simple on/off and dimmer to adjust the level of illumination desired on the aperture ring.COOKE LENSES
Cooke S4/i 35mm, T2.0 Prime Lens. Award-winning Cooke S4 Prime Lenses equipped with /i "Intelligent" Technology represent a major advance in fixed focal length lenses for 35mm format professional cinematography.. Cinematographers choose Cooke lenses for the "Cooke Look" - a sharp, subtle, smooth rendering that provides dimensionality and high contrast, and pleases the eye. COOKE 35-140MM ANAMORPHIC/I SF LENS ZOOM Anamophic/i Zoom lens 35-140mm T3.1-T22- SF now available. T2.3 aperture. T2.6 to T22 - 65mm MACRO. T2.8 to T22 -180mm. T3.5 to T22 -300mm. Offers anamorphic characteristics including 2:1 oval bokeh for out of focus highlights. The Cooke Look® and colour matched with all other Cooke lenses. Anamorphic lens is especially well corrected for COOKE | LENSES | LARGE FORMAT | SOFT FOCUS | WHERE TO PURCHASE Cooke Large Format Lens Dealers. Contact sales@cookeoptics.com or our dealers for more information: Austria. Lotus View Camera. Ernsting 73. Ostermiething, A-5121. T: +43 (0)62 78 79 325 25. F: +43 (0)62 78 79 325 55. office@lotusviewcamera.at.COOKE OPTICS
Director of Photography Alexander Hackinger has brought a cinematic yet intimate ambience to the Meet Your Master German series of inspirational and entertaining online courses with the use of Cooke S4/i prime lenses and ARRI Amira and Alexa Mini cameras. COOKE 35-140MM ANAMORPHIC/I LENS ZOOM All Cooke Anamorphic/i lenses are colour balanced to a specification within parameters approved by Kodak and are colour-matched and compatible with Cooke 5/i, Cooke S4/i, miniS4/i, and CXX 15-40 mm T2 S4/i Zoom lenses. The Cooke Anamorphic/i 35-140mm zoom has a COOKE 60MM S7/I 1:1 MACRO FULL FRAME PLUS LENS T2 Shoot 35mm, Super 35mm, Full Frame and Beyond. The Cooke S7/i, T2.0 Full Frame Plus Primes are designed to cover the emergent full frame cinema camera sensors, at least the full sensor area of the RED Weapon 8K (46.31mm image circle). COOKE 100MM ANAMORPHIC/I 1.8X FULL FRAME PLUS LENS T2.3 SF Cooke 100mm Anamorphic/i 1.8x Full Frame Plus Lens T2.3 SF. The Anamorphic/i Full Frame Plus Standard and SF (Special Flair) prime lenses represent the next logical step in the evolution of filmmaking: large format production with anamorphic characteristics, including flare and oval bokeh. Coverage circle covers a full 24 x 36 still sizesensor
COOKE OPTICS
Academy Award Winning Cinematography Lenses for multiple film and digital applications. Easily maintained, accurate, and reliable – get the Cooke® Look. COOKE | S4 /I | PRIME LENSES | AWARD WINNING | 3-DCOOKE S4 LENSCOOKE S4 35MMCOOKE S4 RENTALCOOKE S4 SET Cooke S4 optics offer superb optical and mechanical performance, control of flare, distortion, veiling glare and spherical aberrations at full aperture. The cam-type focus mechanism allows for smooth focus adjustments. Modular construction increases ease of maintenance and serviceability. All of our S4 Prime lenses are now equipped with /i COOKE | LENSES | ANAMORPHIC /I | 2:1 OVAL BOKEHCOOKE ANAMORPHIC ZOOM Anamorphic /i Lenses available: 25, 32, 40, 50, 65 MACRO, 75, 100, 135, 180 and 300mm with 2x squeeze. T2.3 to T22 aperture. T2.6 to T22 - 65 mm MACRO. Offers anamorphic lens characteristics including 2:1 oval bokeh for out of focus highlights. The Cooke Look® and colourmatched with all
ANAMORPHIC LENS
T3.1 to T22 - 35-140 Zoom. Offers anamorphic lens characteristics including 2:1 oval bokeh for out of focus highlights. The Cooke Look® and colour matched with all other Cooke prime lenses. Especially well corrected for astigmatism and lateral and longitudinal aberrations over the entire image area. Linear iris. COOKE COMPLETE LIST OF COOKE S7/I LENSES AND PRICINGBEST FULL FRAME LENSESCANON FULL FRAME LENSES LISTNIKON LENSES FULL FRAMESONY FULL FRAME LENSESFULL FRAME LENSES FOR CANONUSED COOKE LENSES Cooke S7/i Full Frame Plus Primes T2.0 . Shoot 35mm, Super 35mm, Full Frame and Beyond. The Cooke S7/i, T2.0 Full Frame Plus Primes are designed to cover the emergent full frame cinema camera sensors up to at least the full sensor area of the RED Weapon 8K (46.31mm imagecircle).
COOKE LENSES 5/I CINE PRIME LENS SET Cooke Optics 5/i Prime Lenses. Color-matched and compatible with Cooke S4/i, miniS4/i, Anamorphic/i, CXX 15-40 mm T2 S4/i Zoom, 18-100mm T3.0 and 25-250mm T3.7 and the. SK4 16mm lenses, the 5/i Prime Lenses are supplied with /i Technology, and. are designed for all PL mounted professional motion picture film and electronic cameras. COOKE LENSES 75MM MINIS4/I CINE LENS PL MOUNT Cooke 75mm miniS4/i Lens T2.8 S4 Quality Deserves the S4 Name. The miniS4/i lenses incorporate everything in that today's filmmakers ask for: smaller, lighter weight prime lenses that offer the same resolution, optical quality and reliability as the S4/i prime lenses but at a lower price - and, the miniS4/i 35mm lenses are interchangeable for shooting film and digital images up to and beyonda
COOKE COMPLETE LIST OF COOKE 1.8X ANAMORPHIC/I FULL FRAMECOOKE FULL FRAME ANAMORPHICNIKON LENSES FULL FRAMECOOKE ANAMORPHIC ZOOMCOOKE S4 35MMBEST FULL FRAME LENSESUSED COOKE LENSES The Anamorphic/i Full Frame Plus Standard and SF (Special Flair) prime lenses represent the next logical step in the evolution of filmmaking: large format production with anamorphic characteristics, including flare and oval bokeh.COOKE OPTICS
All the Boys Love Mandy Lane (2006) Darren Genet, DP. Trailers: Standard HD. Alvin and the Chipmunks: The Squeakquel (2009) Anthony B. Richmond, DP. Trailers: Standard HD. American Gangster (2007) Harris Savides, DP. Trailers: Standard HD. ABOUT COOKE LENS SPECIFI CATIONS Specifi cations subject to change Max Format Covered 30mm diameter (Super 35mm format) Focus Scales Two opposing focus scales – metric and footage. Scales marked from infi nity to MOD Focus Drive Gear 140 teeth 0.8 metric module x 6.0mm wide x 98mm from image plane. 140 teeth 0.8 metric module x 6.0mm wide x 99mm from image plane (300mm)COOKE OPTICS
Academy Award Winning Cinematography Lenses for multiple film and digital applications. Easily maintained, accurate, and reliable – get the Cooke® Look. COOKE | S4 /I | PRIME LENSES | AWARD WINNING | 3-DCOOKE S4 LENSCOOKE S4 35MMCOOKE S4 RENTALCOOKE S4 SET Cooke S4 optics offer superb optical and mechanical performance, control of flare, distortion, veiling glare and spherical aberrations at full aperture. The cam-type focus mechanism allows for smooth focus adjustments. Modular construction increases ease of maintenance and serviceability. All of our S4 Prime lenses are now equipped with /i COOKE | LENSES | ANAMORPHIC /I | 2:1 OVAL BOKEHCOOKE ANAMORPHIC ZOOM Anamorphic /i Lenses available: 25, 32, 40, 50, 65 MACRO, 75, 100, 135, 180 and 300mm with 2x squeeze. T2.3 to T22 aperture. T2.6 to T22 - 65 mm MACRO. Offers anamorphic lens characteristics including 2:1 oval bokeh for out of focus highlights. The Cooke Look® and colourmatched with all
ANAMORPHIC LENS
T3.1 to T22 - 35-140 Zoom. Offers anamorphic lens characteristics including 2:1 oval bokeh for out of focus highlights. The Cooke Look® and colour matched with all other Cooke prime lenses. Especially well corrected for astigmatism and lateral and longitudinal aberrations over the entire image area. Linear iris. COOKE COMPLETE LIST OF COOKE S7/I LENSES AND PRICINGBEST FULL FRAME LENSESCANON FULL FRAME LENSES LISTNIKON LENSES FULL FRAMESONY FULL FRAME LENSESFULL FRAME LENSES FOR CANONUSED COOKE LENSES Cooke S7/i Full Frame Plus Primes T2.0 . Shoot 35mm, Super 35mm, Full Frame and Beyond. The Cooke S7/i, T2.0 Full Frame Plus Primes are designed to cover the emergent full frame cinema camera sensors up to at least the full sensor area of the RED Weapon 8K (46.31mm imagecircle).
COOKE LENSES 5/I CINE PRIME LENS SET Cooke Optics 5/i Prime Lenses. Color-matched and compatible with Cooke S4/i, miniS4/i, Anamorphic/i, CXX 15-40 mm T2 S4/i Zoom, 18-100mm T3.0 and 25-250mm T3.7 and the. SK4 16mm lenses, the 5/i Prime Lenses are supplied with /i Technology, and. are designed for all PL mounted professional motion picture film and electronic cameras. COOKE LENSES 75MM MINIS4/I CINE LENS PL MOUNT Cooke 75mm miniS4/i Lens T2.8 S4 Quality Deserves the S4 Name. The miniS4/i lenses incorporate everything in that today's filmmakers ask for: smaller, lighter weight prime lenses that offer the same resolution, optical quality and reliability as the S4/i prime lenses but at a lower price - and, the miniS4/i 35mm lenses are interchangeable for shooting film and digital images up to and beyonda
COOKE COMPLETE LIST OF COOKE 1.8X ANAMORPHIC/I FULL FRAMECOOKE FULL FRAME ANAMORPHICNIKON LENSES FULL FRAMECOOKE ANAMORPHIC ZOOMCOOKE S4 35MMBEST FULL FRAME LENSESUSED COOKE LENSES The Anamorphic/i Full Frame Plus Standard and SF (Special Flair) prime lenses represent the next logical step in the evolution of filmmaking: large format production with anamorphic characteristics, including flare and oval bokeh.COOKE OPTICS
All the Boys Love Mandy Lane (2006) Darren Genet, DP. Trailers: Standard HD. Alvin and the Chipmunks: The Squeakquel (2009) Anthony B. Richmond, DP. Trailers: Standard HD. American Gangster (2007) Harris Savides, DP. Trailers: Standard HD. ABOUT COOKE LENS SPECIFI CATIONS Specifi cations subject to change Max Format Covered 30mm diameter (Super 35mm format) Focus Scales Two opposing focus scales – metric and footage. Scales marked from infi nity to MOD Focus Drive Gear 140 teeth 0.8 metric module x 6.0mm wide x 98mm from image plane. 140 teeth 0.8 metric module x 6.0mm wide x 99mm from image plane (300mm) COOKE | LENSES | AWARD WINNING | 3-D | CINEMATOGRAPHY Anamorphic Lenses. Anamorphic /i Full Frame Plus, T2.3 Primes. The next logical step in the evolution of filmmaking — full-frame + anamorphic Anamorphic /i and Anamorphic /i SF, "Special Flair" T2.3 Primes. True front anamorphic Anamorphic /i Zooms, 35-140mm, T3.1.45-450mm, T4.5.
COOKE | LENSES | ANAMORPHIC /I | 2:1 OVAL BOKEH Anamorphic /i Lenses available: 25, 32, 40, 50, 65 MACRO, 75, 100, 135, 180 and 300mm with 2x squeeze. T2.3 to T22 aperture. T2.6 to T22 - 65 mm MACRO. Offers anamorphic lens characteristics including 2:1 oval bokeh for out of focus highlights. The Cooke Look® and colour matched with all other CookeCOOKE OPTICS
As optical manager of T. Cooke & Sons of York, makers of astronomical telescopes, H. Dennis Taylor attempted to eliminate the optical distortion or aberration at the outer edge of lenses.In 1893 he designed and patented the revolutionary, and now famous, triplet design (British patent no. 1991).The Cooke Triplet concept was a simple and elegant solution to design issues that plagued lensCOOKE OPTICS
Instructions for checking Cooke /i Data and Cooke /i lens Firmware version number. Cooke 5/i Lighting Control Instructions (0.4 MB) Instructions for Controlling the 5/i Scale Illumination -- Manually or Via the Control Hand Unit. Cooke /i Squared Technology (0.8 MB) User Manual - Introduction toCOOKE LENSES
Cooke S4/i 65mm, T2.0 Prime Lens. Award-winning Cooke S4 Prime Lenses equipped with /i "Intelligent" Technology represent a major advance in fixed focal length lenses for 35mm format professional cinematography.. Cinematographers choose Cooke lenses for the "Cooke Look" - a sharp, subtle, smooth rendering that provides dimensionality and high contrast, and pleases the eye. COOKE LENSES ANAMORPHIC 50MM CINE LENS Anamophic/i Zoom lens 35-140mm T3.1-T22. T2.3 aperture. T2.6 to T22 - 65mm MACRO. T2.8 to T22 -180mm. T3.5 to T22 -300mm. Offers anamorphic characteristics including 2:1 oval bokeh for out of focus highlights. The Cooke Look® and colour matched with all other Cooke lenses. Anamorphic lens is especially well corrected for astigmatism andCOOKE OPTICS
All the Boys Love Mandy Lane (2006) Darren Genet, DP. Trailers: Standard HD. Alvin and the Chipmunks: The Squeakquel (2009) Anthony B. Richmond, DP. Trailers: Standard HD. American Gangster (2007) Harris Savides, DP. Trailers: Standard HD. COOKE | LENSES | LARGE FORMAT | SOFT FOCUS | WHERE TO PURCHASE Cooke Large Format Lens Dealers. Contact sales@cookeoptics.com or our dealers for more information: Austria. Lotus View Camera. Ernsting 73. Ostermiething, A-5121. T: +43 (0)62 78 79 325 25. F: +43 (0)62 78 79 325 55. office@lotusviewcamera.at. COOKE 35-140MM ANAMORPHIC/I SF LENS ZOOM Anamophic/i Zoom lens 35-140mm T3.1-T22- SF now available. T2.3 aperture. T2.6 to T22 - 65mm MACRO. T2.8 to T22 -180mm. T3.5 to T22 -300mm. Offers anamorphic characteristics including 2:1 oval bokeh for out of focus highlights. The Cooke Look® and colour matched with all other Cooke lenses. Anamorphic lens is especially well corrected for COOKE 100MM ANAMORPHIC/I 1.8X FULL FRAME PLUS LENS T2.3 SF Cooke 100mm Anamorphic/i 1.8x Full Frame Plus Lens T2.3 SF. The Anamorphic/i Full Frame Plus Standard and SF (Special Flair) prime lenses represent the next logical step in the evolution of filmmaking: large format production with anamorphic characteristics, including flare and oval bokeh. Coverage circle covers a full 24 x 36 still sizesensor
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Crafted in England
since 1894
Creating beautiful images for the motion picture industryCrafted in England
since 1894
Creating beautiful images for the motion picture industryCrafted in England
since 1894
Creating beautiful images for the motion picture industryCrafted in England
since 1894
Creating beautiful images for the motion picture industry -Select Page to Navigate To- HOME COOKE LENSES - Overview - miniS4/i (Spherical) - S4/i (Spherical) - 5/i (Spherical) - PANCHRO/i CLASSIC (Spherical) - S7/i (Spherical) - Anamorphic/i Primes (Anamorphic) - Anamorphic/i Zooms (Anamorphic) - Anamorphic/i Full Frame Plus (Anamorphic) - Anamorphic/i 35-140mm (Zoom) - Anamorphic/i 45-450mm (Zoom) - S7/i (Full Frame) - Anamorphic/i Full Frame Plus (Full Frame) - Portrait PS945 Lens (Still Lenses) - Series XVa Triple Convertible Lens (Still Lenses) - Large Format Lens Dealers (Still Lenses) /i TECHNOLOGY - Overview - /i Squared Technology - /i Lens Display System - /i Technology Partners FILMED WITH COOKE SALES & RENTAL - Overview - Cooke Americas SERVICE & SUPPORT - Overview - Technical Documentation - Stolen Lenses - Product Registration ABOUT US - History - Lens History - Tradition of Innovation - The Cooke Look® - Filmed with Cooke - Our People - Testimonials NEWS CONTACTUS
Cooke Optics TV
NEW Cooke Optics TV Channel Cooke Optics TV contains interviews with some of the worlds renowned cinematographers, who share their advice and behind the scenes stories from their experiences throughout their careers.Products
Cooke S7/i Full Frame Plus Prime Lenses, T 2.0 Shoot 35mm/Super 35mm format with the new Cooke S7/i Prime lenses now. Then, we've got you covered when camera sensors go to full frame, VistaVision and beyond with Cooke's S7/i Full Frame Plus. New Cooke S7/i Test FootageCooke Look®
What is the Cooke
Look?
Cinematographers choose Cooke lenses for the "Cooke Look" - a sharp, subtle, smooth rendering that provides dimensionality and high contrast, and pleases the eye.News
9 March 2020 Cooke Optics TV Goes to Infinity and Beyond at PixarAnimation Studios
3 March 2020 Cooke Anamorphic/i SF Lenses bring beauty to a dark retelling of Pinocchio 6 February 2020 GLOW Brings Their Show to Las Vegas with Cooke Anamorphic/i Prime and Zoom LensesMore News»
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