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AUDIO CODING
3. Unified Speech and Audio Coding. Specification of a Unified Speech and Audio compression format. MPEG-D. 4. Dynamic Range Control. A universal dynamic range control standard that supports loudness normalization that is bitrate efficient representation of dynamically compressed versions ofMODELS | MPEG
Part name. Description. MPEG-V. 1. Architecture. MPEG-V provides an architecture and specifies associated information representations to enable interoperability between virtual worlds and between real and virtual worlds. This standard outlines the Architecture, and lists the components, APIs and use cases. Standard: MPEG-M. ANIMATION FRAMEWORK EXTENSION (AFX) INTRODUCING MEDIA THINGS TO THE INTERNET OF THINGS by Philip Merrill Media Things are new connected objects that can be searched, discovered and composited by inanimate analytical agents operating on the Internet of Things. By making media files/streams a "Thing," established IoT tasks such as the smart home can be better supported while many new use cases are enabled. There is more to this than knowing what kind of video fileSTANDARDS | MPEG
MPEG-M. MPEG-M is a suite of standards to enable the easy design and implementation of media-handling value chains whose devices interoperate because they are all based on the same set of technologies, especially MPEG technologies accessible from the middleware and multimedia services. Read more. about MPEG-M. SYMBOLIC MUSIC REPRESENTATION MPEG Symbolic Music Representation MPEG doc#: N7379Date: July 2005Authors: Pierfrancesco Bellini, Maurizio Campanai, Paolo Nesi, Giorgio Zoia A symbolic representation of music is a logical structure based on symbolic elements representing audiovisual events, the relationships among those events, and how they can be rendered and synchronized with other media types. MEDIA PRESENTATION DESCRIPTION AND SEGMENT FORMATS MPEG Dynamic Adaptive Streaming over HTTP (DASH) MPEG doc#: N11964 Date: March 2011 Author: Iraj Sodagar Dynamic Adaptive Streaming over HTTP specification provides a standard for delivering multimedia over Internet. Scope The following figure shows the conceptual architecture for DASH. This specification defines two formats in the above architecture: 1) The Media PresentationVISUAL | MPEG
MPEG-7 Visual MPEG doc#: N9769 Date: April 2008 Author: 1 Basic Structures This group consists of six supporting tools for the MPEG-7 visual descriptors of elementary features such as color, texture and shape. The tools can be categorized into descriptor containers and basic supporting tools. DIGITAL ITEM DECLARATION MPEG-21 Digital Item Declaration (DID) MPEG doc#: N7422 Date: July 2005 Author: 1 Introduction This document provides a brief overview of part 2 of ISO/IEC 21000, MPEG-21 Digital Item Declaration (DID) 2 Digital Items A Digital Item is a structured digital object with a standard representation, identification and metadata within theMPEG-21 framework.
MPEG | THE MOVING PICTURE EXPERTS GROUP WEBSITESTANDARDSTECHNOLOGIESMEETINGSABOUT MPEGMPEG-1MPEG-2 MPAI defines data coding as the transformation of data from a given representation to an equivalent one more suited to a specific application. Examples are compression and semantics extraction. MPAI considers AI module (AIM) and its interfaces as the AI building block. An AIM is defined by its function, and by the syntax and semantics ofits
AUDIO CODING
3. Unified Speech and Audio Coding. Specification of a Unified Speech and Audio compression format. MPEG-D. 4. Dynamic Range Control. A universal dynamic range control standard that supports loudness normalization that is bitrate efficient representation of dynamically compressed versions ofMODELS | MPEG
Part name. Description. MPEG-V. 1. Architecture. MPEG-V provides an architecture and specifies associated information representations to enable interoperability between virtual worlds and between real and virtual worlds. This standard outlines the Architecture, and lists the components, APIs and use cases. Standard: MPEG-M. ANIMATION FRAMEWORK EXTENSION (AFX) INTRODUCING MEDIA THINGS TO THE INTERNET OF THINGS by Philip Merrill Media Things are new connected objects that can be searched, discovered and composited by inanimate analytical agents operating on the Internet of Things. By making media files/streams a "Thing," established IoT tasks such as the smart home can be better supported while many new use cases are enabled. There is more to this than knowing what kind of video fileSTANDARDS | MPEG
MPEG-M. MPEG-M is a suite of standards to enable the easy design and implementation of media-handling value chains whose devices interoperate because they are all based on the same set of technologies, especially MPEG technologies accessible from the middleware and multimedia services. Read more. about MPEG-M. SYMBOLIC MUSIC REPRESENTATION MPEG Symbolic Music Representation MPEG doc#: N7379Date: July 2005Authors: Pierfrancesco Bellini, Maurizio Campanai, Paolo Nesi, Giorgio Zoia A symbolic representation of music is a logical structure based on symbolic elements representing audiovisual events, the relationships among those events, and how they can be rendered and synchronized with other media types. MEDIA PRESENTATION DESCRIPTION AND SEGMENT FORMATS MPEG Dynamic Adaptive Streaming over HTTP (DASH) MPEG doc#: N11964 Date: March 2011 Author: Iraj Sodagar Dynamic Adaptive Streaming over HTTP specification provides a standard for delivering multimedia over Internet. Scope The following figure shows the conceptual architecture for DASH. This specification defines two formats in the above architecture: 1) The Media PresentationVISUAL | MPEG
MPEG-7 Visual MPEG doc#: N9769 Date: April 2008 Author: 1 Basic Structures This group consists of six supporting tools for the MPEG-7 visual descriptors of elementary features such as color, texture and shape. The tools can be categorized into descriptor containers and basic supporting tools. DIGITAL ITEM DECLARATION MPEG-21 Digital Item Declaration (DID) MPEG doc#: N7422 Date: July 2005 Author: 1 Introduction This document provides a brief overview of part 2 of ISO/IEC 21000, MPEG-21 Digital Item Declaration (DID) 2 Digital Items A Digital Item is a structured digital object with a standard representation, identification and metadata within theMPEG-21 framework.
FIPA HOME PAGE
The Foundation for Intelligent Physical Agents (FIPA) is a non-profit organisation established in August 1996 and registered in Geneva,Switzerland.
MPAI BASICS
What it is MPAI – Moving Picture, Audio and Data Coding is an unaffiliated, non-profit, international association with the mission to develop data coding standards, predominantly using Artificial Intelligence. The MPAI Manifesto summarises the MPAI distinctive features. The main MPAI target is “data coding” that MPAI defines as the transformation of data from a given INTRODUCING MEDIA THINGS TO THE INTERNET OF THINGS by Philip Merrill Media Things are new connected objects that can be searched, discovered and composited by inanimate analytical agents operating on the Internet of Things. By making media files/streams a "Thing," established IoT tasks such as the smart home can be better supported while many new use cases are enabled. There is more to this than knowing what kind of video fileVIDEO | MPEG
MPEG-2 Video 1 IntroductionISO/IEC 11172-2 extends the specifications of MPEG-1 Video for more generic classes of video sources and applications. It supports interlaced video and more rigid display timing constraints. Encoded data rates can be up to about 40 Mbit/s for storage and transmission, or even higher for professional applications in video production.MEETINGS | MPEG
Get information on all MPEG meetings, logistics, press releases, public documents etc.MPEG-DASH | MPEG
Part number: 1. DASH enables the deployment of streaming services using the existing low cost and wide-spread Internet infrastructure without any special provisions. It supports both on-demand and live streaming and has specific provisions for the MPEG-4 file format and MPEG-2 Transport Streams, but can be used with any media format. Readmore.
MEDIA PRESENTATION DESCRIPTION AND SEGMENT FORMATS MPEG Dynamic Adaptive Streaming over HTTP (DASH) MPEG doc#: N11964 Date: March 2011 Author: Iraj Sodagar Dynamic Adaptive Streaming over HTTP specification provides a standard for delivering multimedia over Internet. Scope The following figure shows the conceptual architecture for DASH. This specification defines two formats in the above architecture: 1) The Media PresentationSYSTEMS | MPEG
MPEG-4 SystemsMPEG doc#: N7504Date: July 2005Author: LIM, Young-Kwon (net&tv Inc.) IntroductionISO/IEC 14496-1, also known as MPEG-4 Systems, provides the technologies to interactively and synchronously represent and deliver audio-visual contents composed of various objects including audio, visual, 2D/3D vector graphics and etc. DIGITAL ITEM DECLARATION MPEG-21 Digital Item Declaration (DID) MPEG doc#: N7422 Date: July 2005 Author: 1 Introduction This document provides a brief overview of part 2 of ISO/IEC 21000, MPEG-21 Digital Item Declaration (DID) 2 Digital Items A Digital Item is a structured digital object with a standard representation, identification and metadata within theMPEG-21 framework.
FRAGMENT IDENTIFICATION MPEG-21 Fragment Identification MPEG doc#: N7221Date: April 2005Author: Part 17 of ISO/IEC 21000 is entitled Fragment Identification for MPEG Resources and specifies a normative syntax for URI Fragment Identifiers to be used for addressing parts of any Resource whose Internet Media Type is oneFIPA HOME PAGE
The Foundation for Intelligent Physical Agents (FIPA) is a non-profit organisation established in August 1996 and registered in Geneva,Switzerland.
MPEG | THE MOVING PICTURE EXPERTS GROUP WEBSITESTANDARDSTECHNOLOGIESMEETINGSABOUT MPEGMPEG-1MPEG-2 MPAI – Moving Picture, Audio and Data Coding by Artificial Intelligence – believes that universally accessible standards can have the same positive effects on AI that standards wrought to digital media and has identified data coding as the area where standards can foster development of AI technologies, promote use of AI applications and contribute to the solution of existing problems. LEONARDO CHIARIGLIONE I needed an organisation that would create digital media standards so that consumers could seamlessly communicate and industry operate in a global market of interoperable products, services and applications. This organisation was called Moving Picture Experts Group (MPEG), which I conceived in 1987 and established in 1988. MPEG has ushered in the digital media age with such standards as MP3 INTRODUCING MEDIA THINGS TO THE INTERNET OF THINGS by Philip Merrill Media Things are new connected objects that can be searched, discovered and composited by inanimate analytical agents operating on the Internet of Things. By making media files/streams a "Thing," established IoT tasks such as the smart home can be better supported while many new use cases are enabled. There is more to this than knowing what kind of video fileMEETINGS | MPEG
Get information on all MPEG meetings, logistics, press releases, public documents etc. ANIMATION FRAMEWORK EXTENSION (AFX) WHAT IS THE DIFFERENCE BETWEEN AN IMAGE AND A VIDEO FRAME The question looks innocent enough. A video is a sequence of images (called frames) captured and eventually displayed at a given frequency. However, by stopping at a specific frame of the sequence, a single video frame, i.e. an image, is obtained. If we talk of a sequence of video frames, that would always be true.MPEG-DASH | MPEG
This TR contains a set of guidelines for design and deployment of streaming media delivery systems using the DASH standard covering content generation, client implementation, and examples of deploymentscenarios.
360° VIDEO
The Joint Video Exploration Team (JVET) of ITU-T VCEG (Q6/16) and ISO/IEC MPEG (JTC 1/SC 29/WG 11) is studying the potential need to include 360-degree videoSEI MESSAGES
This document contains the draft text for changes to the Advanced Video Coding (AVC) standard (Rec. ITU-T H.264 | ISO/IEC 14496-10) to specify additional supplemental enhancement information (SEI) messages for content light level information, equirectangular projection, cubemap projection, sphere rotation, region-wise packing, omnidirectional viewport, SEI manifest, and SEI prefix, along withFIPA HOME PAGE
The Foundation for Intelligent Physical Agents (FIPA) is a non-profit organisation established in August 1996 and registered in Geneva,Switzerland.
MPEG | THE MOVING PICTURE EXPERTS GROUP WEBSITESTANDARDSTECHNOLOGIESMEETINGSABOUT MPEGMPEG-1MPEG-2 MPAI – Moving Picture, Audio and Data Coding by Artificial Intelligence – believes that universally accessible standards can have the same positive effects on AI that standards wrought to digital media and has identified data coding as the area where standards can foster development of AI technologies, promote use of AI applications and contribute to the solution of existing problems. LEONARDO CHIARIGLIONE I needed an organisation that would create digital media standards so that consumers could seamlessly communicate and industry operate in a global market of interoperable products, services and applications. This organisation was called Moving Picture Experts Group (MPEG), which I conceived in 1987 and established in 1988. MPEG has ushered in the digital media age with such standards as MP3 INTRODUCING MEDIA THINGS TO THE INTERNET OF THINGS by Philip Merrill Media Things are new connected objects that can be searched, discovered and composited by inanimate analytical agents operating on the Internet of Things. By making media files/streams a "Thing," established IoT tasks such as the smart home can be better supported while many new use cases are enabled. There is more to this than knowing what kind of video fileMEETINGS | MPEG
Get information on all MPEG meetings, logistics, press releases, public documents etc. ANIMATION FRAMEWORK EXTENSION (AFX) WHAT IS THE DIFFERENCE BETWEEN AN IMAGE AND A VIDEO FRAME The question looks innocent enough. A video is a sequence of images (called frames) captured and eventually displayed at a given frequency. However, by stopping at a specific frame of the sequence, a single video frame, i.e. an image, is obtained. If we talk of a sequence of video frames, that would always be true.MPEG-DASH | MPEG
This TR contains a set of guidelines for design and deployment of streaming media delivery systems using the DASH standard covering content generation, client implementation, and examples of deploymentscenarios.
360° VIDEO
The Joint Video Exploration Team (JVET) of ITU-T VCEG (Q6/16) and ISO/IEC MPEG (JTC 1/SC 29/WG 11) is studying the potential need to include 360-degree videoSEI MESSAGES
This document contains the draft text for changes to the Advanced Video Coding (AVC) standard (Rec. ITU-T H.264 | ISO/IEC 14496-10) to specify additional supplemental enhancement information (SEI) messages for content light level information, equirectangular projection, cubemap projection, sphere rotation, region-wise packing, omnidirectional viewport, SEI manifest, and SEI prefix, along withFIPA HOME PAGE
The Foundation for Intelligent Physical Agents (FIPA) is a non-profit organisation established in August 1996 and registered in Geneva,Switzerland.
LEONARDO CHIARIGLIONE I needed an organisation that would create digital media standards so that consumers could seamlessly communicate and industry operate in a global market of interoperable products, services and applications. This organisation was called Moving Picture Experts Group (MPEG), which I conceived in 1987 and established in 1988. MPEG has ushered in the digital media age with such standards as MP3DISCOVER MPEG
The Moving Picture Experts Group (MPEG) is a working group of ISO/IEC in charge of the development of international standards for compression, decompression, processing, and coded representation of moving pictures, audio and their combination. INTRODUCING MEDIA THINGS TO THE INTERNET OF THINGS by Philip Merrill Media Things are new connected objects that can be searched, discovered and composited by inanimate analytical agents operating on the Internet of Things. By making media files/streams a "Thing," established IoT tasks such as the smart home can be better supported while many new use cases are enabled. There is more to this than knowing what kind of video fileMPEG-H | MPEG
A standard for 3-D Audio" in which there may be many loudspeakers used in the audio presentation and "Audio for new video presentation" in which the video will very high resolution (as in HEVC) that permits a closer viewing distance such that the user is within the audio nearfield
VISUAL | MPEG
MPEG-7 Visual MPEG doc#: N9769 Date: April 2008 Author: 1 Basic Structures This group consists of six supporting tools for the MPEG-7 visual descriptors of elementary features such as color, texture and shape. The tools can be categorized into descriptor containers and basic supporting tools. ISO BASE MEDIA FILE FORMAT ISO Base Media File Format (aka MPEG File Format) MPEG doc#: N11966 Date: March 2011 Author: David Singer (Apple) Introduction Within the ISO/IEC 14496 MPEG-4 standard there are several parts that define file formats for the storage of time-based media (such as audio, video etc.). They are all based and derived from the ISO Base Media File Format , which is a structural, SYMBOLIC MUSIC REPRESENTATION MPEG Symbolic Music Representation MPEG doc#: N7379Date: July 2005Authors: Pierfrancesco Bellini, Maurizio Campanai, Paolo Nesi, Giorgio Zoia A symbolic representation of music is a logical structure based on symbolic elements representing audiovisual events, the relationships among those events, and how they can be rendered and synchronized with other media types. AN OVERVIEW OF THE ISO BASE MEDIA FILE FORMATWEB VIEW Logical Structures. Each media stream is contained in a track specialized for that media type (audio, video etc.), and is further parameterized by a sample entry.. The sample entry. contains the ‘ name ’ of the exact media type (i.e., the type of the decoder needed to decode the stream) and any parameterization of that decoder needed.JVET | MPEG
The Joint Video Exploration Team (JVET) of ITU-T VCEG (Q6/16) and ISO/IEC MPEG (JTC 1/SC 29/WG 11) is studying the potential need to include 360-degree videoFIPA HOME PAGE
The Foundation for Intelligent Physical Agents (FIPA) is a non-profit organisation established in August 1996 and registered in Geneva,Switzerland.
BIOGRAPHY – LEONARDO CHIARIGLIONE Detailed biography. Leonardo Chiariglione was born in Almese (Italy). He obtained an MS-level degree in Electronic Engineering from the Polytechnic of Turin a Ph. D. degree from the University of Tokyo in1973.
LEONARDO CHIARIGLIONE Leonardo - one time video coding researcher, standardisation veteran and entrepreneur. I received a high-school education that gave me a comfortable Western classic imprint (Salesian Lyceum, Maturità), an engineer’s technical education (Polytechnic of Turin, MSc in Electronic Engineering) and a cross-cultural experience (University ofTokyo
LEONARDO'S BLOG
1 Introduction For 32 years, MPEG was a unique player in the standardisation space. Contrary to what had been the rule in previous decades, instead of being variously subdivided and controlled by governments, countries, industries and companies, media standards were autonomously developed with high quality and in a timely fashion by a group – MPEG – that was impervious to ANIMATION FRAMEWORK EXTENSION (AFX) INTRODUCING MEDIA THINGS TO THE INTERNET OF THINGS by Philip Merrill Media Things are new connected objects that can be searched, discovered and composited by inanimate analytical agents operating on the Internet of Things. By making media files/streams a "Thing," established IoT tasks such as the smart home can be better supported while many new use cases are enabled. There is more to this than knowing what kind of video file WHAT IS THE DIFFERENCE BETWEEN AN IMAGE AND A VIDEO FRAME The question looks innocent enough. A video is a sequence of images (called frames) captured and eventually displayed at a given frequency. However, by stopping at a specific frame of the sequence, a single video frame, i.e. an image, is obtained. If we talk of a sequence of video frames, that would always be true.DISCOVER MPEG
The Moving Picture Experts Group (MPEG) is a working group of ISO/IEC in charge of the development of international standards for compression, decompression, processing, and coded representation of moving pictures, audio and their combination. Read MPEG's Terms of MPEG | THE MOVING PICTURE EXPERTS GROUP WEBSITE Welcome to MPEG home page. This used to be the home page of MPEG, the group who developed the standards for coded representation of digital audio, video, 3D Graphics and genomic data. Since its establishment in 1988, the group had produced standards that help industry offer end users an ever more enjoyable digital media experience. WD OF ISO/IEC 14496-15:2013 AMD 1 ENHANCED CARRIAGE OF WD of ISO/IEC 14496-15:2013 AMD 1 Enhanced carriage of HEVC and support of MVC with depth informationFIPA HOME PAGE
The Foundation for Intelligent Physical Agents (FIPA) is a non-profit organisation established in August 1996 and registered in Geneva,Switzerland.
BIOGRAPHY – LEONARDO CHIARIGLIONE Detailed biography. Leonardo Chiariglione was born in Almese (Italy). He obtained an MS-level degree in Electronic Engineering from the Polytechnic of Turin a Ph. D. degree from the University of Tokyo in1973.
LEONARDO CHIARIGLIONE Leonardo - one time video coding researcher, standardisation veteran and entrepreneur. I received a high-school education that gave me a comfortable Western classic imprint (Salesian Lyceum, Maturità), an engineer’s technical education (Polytechnic of Turin, MSc in Electronic Engineering) and a cross-cultural experience (University ofTokyo
LEONARDO'S BLOG
1 Introduction For 32 years, MPEG was a unique player in the standardisation space. Contrary to what had been the rule in previous decades, instead of being variously subdivided and controlled by governments, countries, industries and companies, media standards were autonomously developed with high quality and in a timely fashion by a group – MPEG – that was impervious to ANIMATION FRAMEWORK EXTENSION (AFX) INTRODUCING MEDIA THINGS TO THE INTERNET OF THINGS by Philip Merrill Media Things are new connected objects that can be searched, discovered and composited by inanimate analytical agents operating on the Internet of Things. By making media files/streams a "Thing," established IoT tasks such as the smart home can be better supported while many new use cases are enabled. There is more to this than knowing what kind of video file WHAT IS THE DIFFERENCE BETWEEN AN IMAGE AND A VIDEO FRAME The question looks innocent enough. A video is a sequence of images (called frames) captured and eventually displayed at a given frequency. However, by stopping at a specific frame of the sequence, a single video frame, i.e. an image, is obtained. If we talk of a sequence of video frames, that would always be true.DISCOVER MPEG
The Moving Picture Experts Group (MPEG) is a working group of ISO/IEC in charge of the development of international standards for compression, decompression, processing, and coded representation of moving pictures, audio and their combination. Read MPEG's Terms of MPEG | THE MOVING PICTURE EXPERTS GROUP WEBSITE Welcome to MPEG home page. This used to be the home page of MPEG, the group who developed the standards for coded representation of digital audio, video, 3D Graphics and genomic data. Since its establishment in 1988, the group had produced standards that help industry offer end users an ever more enjoyable digital media experience. WD OF ISO/IEC 14496-15:2013 AMD 1 ENHANCED CARRIAGE OF WD of ISO/IEC 14496-15:2013 AMD 1 Enhanced carriage of HEVC and support of MVC with depth informationCHIARIGLIONE.ORG
A European Association for Signal Processing (Eurasip) technical journal aiming to create a forum for the advancement of theory and practice of image communication and stimulate cross-fertilisation between areas of a similar nature, which have traditionally remained separated. 1988. 64KB Workshop. MPEG | THE MOVING PICTURE EXPERTS GROUP WEBSITE MPAI – Moving Picture, Audio and Data Coding by Artificial Intelligence – believes that universally accessible standards can have the same positive effects on AI that standards wrought to digital media and has identified data coding as the area where standards can foster development of AI technologies, promote use of AI applications and contribute to the solution of existing problems. MPEG – LEONARDO CHIARIGLIONE MPEG – Leonardo Chiariglione. MPEG’s existence is close to 30 years having held its first meeting in May 1988. Close to 200 standards have been developed by a membership that currently exceeds 1,000 experts (registered) and 400 experts (attending meetings) from hundreds of companies and organisations, and close to 30 countries.DISCOVER MPEG
The Moving Picture Experts Group (MPEG) is a working group of ISO/IEC in charge of the development of international standards for compression, decompression, processing, and coded representation of moving pictures, audio and their combination. Read MPEG's Terms of WHAT IS THE DIFFERENCE BETWEEN AN IMAGE AND A VIDEO FRAME The question looks innocent enough. A video is a sequence of images (called frames) captured and eventually displayed at a given frequency. However, by stopping at a specific frame of the sequence, a single video frame, i.e. an image, is obtained. If we talk of a sequence of video frames, that would always be true. RIDING THE MEDIA BITS has brought about the Digital Media Revolution and its new communication forms. These pages bound by the title “Riding the media bits” have been motivated by the fact that. Digital Media Technologies are at the root of the Revolution. Most of them have been unleashed by the Moving Picture Experts Group (MPEG) in the last 25years.
MEETINGS | MPEG
Get information on all MPEG meetings, logistics, press releases, public documents etc. SYMBOLIC MUSIC REPRESENTATION MPEG Symbolic Music Representation MPEG doc#: N7379Date: July 2005Authors: Pierfrancesco Bellini, Maurizio Campanai, Paolo Nesi, Giorgio Zoia A symbolic representation of music is a logical structure based on symbolic elements representing audiovisual events, the relationships among those events, and how they can be rendered and synchronized with other media types.HM | MPEG
The JCT-VC released HEVC test model (HM) 16.21 software following its 37th meeting in Geneva, with no further update resulting from the 38th meeting in Brussels. This document serves as an overview of HEVC Version 1 and the Range Extensions of HEVC Version 2, and also provides an encoder-side description of the HM-16.21 software.Standard: MPEG-H.
DIGITAL ITEM DECLARATION MPEG-21 Digital Item Declaration (DID) MPEG doc#: N7422 Date: July 2005 Author: 1 Introduction This document provides a brief overview of part 2 of ISO/IEC 21000, MPEG-21 Digital Item Declaration (DID) 2 Digital Items A Digital Item is a structured digital object with a standard representation, identification and metadata within theMPEG-21 framework.
* Chiariglione .org
* Leonardo
* Bio
* Awards
* Standards
* Papers
* Project
* ASVD
* StreetMarket360
* DISLO-MAN
* STAGE
* LIMPID
* BRIDGET
* GreenICN
* ASVD
* Standards
* Digital Media in Italia * Digital Media Project* MPEG
* Companies
* Cedeo
* Wim.tv
* WimLabs
* Riding the media bits* Blog
* WimLabs
* Wim.tv
* dmin.it
* DMP
* Riding the media bits* SDMI
* OPIMA
* FIPA
* DAVIC
* MPEG
* 64KB Workshop
* Image Communication* HDTV Workshop
* Cedeo
* Leonardo
*
1984
Cedeo.net
A company with the mission to imagine, design and implement advanced digital media solutions, blending new technologies and standards and paving the way to the next phase of pervasive media-empoweredcommunication.
*
1986
HDTVWS
A technical workshop designed to foster introduction of HDTV and related services and applications through the synergy of the broadest possible basis of technical communities.*
1988
Image Communication
A European Association for Signal Processing (Eurasip) technical journal aiming to create a forum for the advancement of theory and practice of image communication and stimulate cross-fertilisation between areas of a similar nature, which have traditionally remainedseparated.
*
1988
64KB Workshop
A technical workshop designed to assess the progress of video coding technologies applicable on Basic Access ISDN, and to discuss new trends in advanced algorithms.*
1988
MPEG
A working group of ISO/IEC in charge of development of standards for coded representation of digital audio and video, and related data. MPEG�s standards have ushered in the digital media age and continue to help the industry to offer users an ever more enjoyable digitalmedia experience.
*
1994
Davic
A non-profit Association registered in Geneva with the goal to promote the success of interactive digital audio-visual applications and services through specifications of open interfaces and protocols that maximise interoperability, across geographical boundaries and diverse applications, services and industries (now closed).*
1996
FIPA
A non-profit organisation registered in Geneva with the purpose to promote the development of specifications of generic agent technologies that maximise interoperability within and across agent-based applications (now an IEEE Computer Society standardsorganisation).
*
1998
OPIMA
An IEC ITA initiative to develop specifications enabling a consumer to obtain a receiver and begin to consume and pay for services, without having prior knowledge of which services would be consumed, in a simple way such as by operating a remote control device.*
1999
SDMI
An organisation to develop specifications that enable the protection of the playing, storing, and distributing of digital music such that a new market for digital music may emerge (now closed).*
2002
Riding to media bit
An exhaustive and up-to-date practical guide to digital media written by the founder and chairman of the Moving Picture Experts Group(MPEG).
*
2003
DMP
A non-profit organisation registered in Geneva whose current goal is the development of specification and an industry-grade implementation of Open Connected TV (OCTV) based on international standards.*
2005
Dimin.it
An interdisciplinary, open, non-profit group established to identify action areas that enable Italy to play a primary role in the exploitation of the global "digital media" phenomenon.*
2009
Wim.tv
The WinLabs�s digital video network that lets you access the services of its Digital Media Management platform � Digital Media Marketplace, Crowdsourcing, Export and Streaming distribution � in a simple and inexpensive way.*
2011
WimLabs
A company with the mission to improve the matching of offer, demand and distribution of multimedia content and services on the Web. WimLabs�s innovative Digital Media Management platform supports Digital Media Marketplace, Crowdsourcing, Export and Distribution viastreaming.
1984
Cedeo.net
A company with the mission to imagine, design and implement advanced digital media solutions, blending new technologies and standards and paving the way to the next phase of pervasive media-empoweredcommunication.
1986
HDTVWS
A technical workshop designed to foster introduction of HDTV and related services and applications through the synergy of the broadest possible basis of technical communities.1988
Image Communication
A European Association for Signal Processing (Eurasip) technical journal aiming to create a forum for the advancement of theory and practice of image communication and stimulate cross-fertilisation between areas of a similar nature, which have traditionally remainedseparated.
1988
64KB Workshop
A technical workshop designed to assess the progress of video coding technologies applicable on Basic Access ISDN, and to discuss new trends in advanced algorithms.1988
MPEG
A working group of ISO/IEC in charge of development of standards for coded representation of digital audio and video, and related data. MPEG�s standards have ushered in the digital media age and continue to help the industry to offer users an ever more enjoyable digitalmedia experience.
1994
Davic
A non-profit Association registered in Geneva with the goal to promote the success of interactive digital audio-visual applications and services through specifications of open interfaces and protocols that maximise interoperability, across geographical boundaries and diverse applications, services and industries (now closed).1996
FIPA
A non-profit organisation registered in Geneva with the purpose to promote the development of specifications of generic agent technologies that maximise interoperability within and across agent-based applications (now an IEEE Computer Society standardsorganisation).
1998
OPIMA
An IEC ITA initiative to develop specifications enabling a consumer to obtain a receiver and begin to consume and pay for services, without having prior knowledge of which services would be consumed, in a simple way such as by operating a remote control device.1999
SDMI
An organisation to develop specifications that enable the protection of the playing, storing, and distributing of digital music such that a new market for digital music may emerge (now closed).2002
Riding to media bit
An exhaustive and up-to-date practical guide to digital media written by the founder and chairman of the Moving Picture Experts Group(MPEG).
2003
DMP
A non-profit organisation registered in Geneva whose current goal is the development of specification and an industry-grade implementation of Open Connected TV (OCTV) based on international standards.2005
Dimin.it
An interdisciplinary, open, non-profit group established to identify action areas that enable Italy to play a primary role in the exploitation of the global "digital media" phenomenon.2009
Wim.tv
The WinLabs�s digital video network that lets you access the services of its Digital Media Management platform � Digital Media Marketplace, Crowdsourcing, Export and Streaming distribution � in a simple and inexpensive way.2011
WimLabs
A company with the mission to improve the matching of offer, demand and distribution of multimedia content and services on the Web. WimLabs�s innovative Digital Media Management platform supports Digital Media Marketplace, Crowdsourcing, Export and Distribution viastreaming.
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