Are you over 18 and want to see adult content?
More Annotations
A complete backup of bilety-avtobus.ru
Are you over 18 and want to see adult content?
A complete backup of noithatsonbang.com
Are you over 18 and want to see adult content?
A complete backup of entoytwnika1.blogspot.com
Are you over 18 and want to see adult content?
A complete backup of chifundozondola.blogspot.com
Are you over 18 and want to see adult content?
A complete backup of christiesheldon.com
Are you over 18 and want to see adult content?
A complete backup of christkindlesmarkt.de
Are you over 18 and want to see adult content?
A complete backup of robert-franz-naturversand.de
Are you over 18 and want to see adult content?
Favourite Annotations
Text
CHARLES FRÉGER
Charles Fréger, photographer, has been establishing a large series of portraits about several communities in the world. Official page. BOOKS | CHARLES FRÉGER ISBN : 978-2-330-11734-4 (CIMARRON, Mascarades et liberté) Actes Sud. ISBN: 978-4-86152-703-6 (CIMARRON, ブラック・アイデンティティ ー南北アメリカの仮装祭) Seigensha. ISBN: 978-84-17047-73-3 (CIMARRON, libertade e mascarada) RM editorial. ISBN: 978-3-86828-906-0 (CIMARRON, freiheit und maskerade) Kehrer Verlag.Preface
BIOGRAPHY | CHARLES FRÉGER Biography. Charles Fréger has been seeking to establish a collection entitled: “Portraits photographiques et uniformes”. His series devoted to groups of sportsmen, soldiers or students, taken in Europe and across the world, focuses particularly on what they are wearing,on their uniform.
TEST | CHARLES FRÉGER Temporary exhibition, from July 7th 2018 to August 2019. We are surrounded by natural forces and divinities. In Japanese masked rituals, costumes are worn to transform the wearer into a god, demon or animal. The exhibition creates links between the contemporary photographs of Charles Fréger, which depict a large number of ritualmasked figures
WILDER MANN
Wilder Mann. For two years in 2010 and 2011, Charles Fréger criss-crossed Europe from north to south, from Finland to Portugal, passing through Romania, Germany and Slovenia, in search of the figure of the savage as it survives in local popular traditions. These images, like archetypes, half-man half-beast, animal or vegetable,resurface from
HEREROS | CHARLES FRÉGER Hereros is the first series in Charles Fréger’s corpus where he demonstrates how a community’s dress is the reflection of a syncretic phenomenon. Later series, such as Short School Aka, Sikh Regiment of India and Mardi Gras Indians, pursue this exploration of uniform as evidence of hybridised cultures. HEREROS - 2007. HEREROS -2007.
LA PRÉHISTOIRE
Created with Raphaël 2.1.2 * La Préhistoire. English ; French LUX | CHARLES FRÉGER LUX was commissioned by the Musée d’Art Moderne Grand-Duc Jean, Luxembourg. During the three years between the initial commission and the opening of the museum, Fréger had time to pay many visits to the country and to bring extra depth and breadth to this series. As GLÖGG | CHARLES FRÉGER A secondary school in the suburbs of Stockholm. Charles Fréger had visited it years before when he was at agricultural college. His reason for going back there was his interest in the festival of the Italian Santa Lucia. The festival is very popular in Sweden and, on 13 December each year, involves processions of2NELSON
2Nelson. English. French. date: 2003-2004, FRANCE. Charles Fréger had already photographed wrestlers in his home town of Rouen. He was also familiar with Eadweard Muybridge’s chronophotographic plates and Francis Bacon’s polyptichs. In this case, in the course of a residence granted by the city of Clermont-Ferrand, he set out to makeCHARLES FRÉGER
Charles Fréger, photographer, has been establishing a large series of portraits about several communities in the world. Official page. BOOKS | CHARLES FRÉGER ISBN : 978-2-330-11734-4 (CIMARRON, Mascarades et liberté) Actes Sud. ISBN: 978-4-86152-703-6 (CIMARRON, ブラック・アイデンティティ ー南北アメリカの仮装祭) Seigensha. ISBN: 978-84-17047-73-3 (CIMARRON, libertade e mascarada) RM editorial. ISBN: 978-3-86828-906-0 (CIMARRON, freiheit und maskerade) Kehrer Verlag.Preface
BIOGRAPHY | CHARLES FRÉGER Biography. Charles Fréger has been seeking to establish a collection entitled: “Portraits photographiques et uniformes”. His series devoted to groups of sportsmen, soldiers or students, taken in Europe and across the world, focuses particularly on what they are wearing,on their uniform.
TEST | CHARLES FRÉGER Temporary exhibition, from July 7th 2018 to August 2019. We are surrounded by natural forces and divinities. In Japanese masked rituals, costumes are worn to transform the wearer into a god, demon or animal. The exhibition creates links between the contemporary photographs of Charles Fréger, which depict a large number of ritualmasked figures
WILDER MANN
Wilder Mann. For two years in 2010 and 2011, Charles Fréger criss-crossed Europe from north to south, from Finland to Portugal, passing through Romania, Germany and Slovenia, in search of the figure of the savage as it survives in local popular traditions. These images, like archetypes, half-man half-beast, animal or vegetable,resurface from
HEREROS | CHARLES FRÉGER Hereros is the first series in Charles Fréger’s corpus where he demonstrates how a community’s dress is the reflection of a syncretic phenomenon. Later series, such as Short School Aka, Sikh Regiment of India and Mardi Gras Indians, pursue this exploration of uniform as evidence of hybridised cultures. HEREROS - 2007. HEREROS -2007.
LA PRÉHISTOIRE
Created with Raphaël 2.1.2 * La Préhistoire. English ; French LUX | CHARLES FRÉGER LUX was commissioned by the Musée d’Art Moderne Grand-Duc Jean, Luxembourg. During the three years between the initial commission and the opening of the museum, Fréger had time to pay many visits to the country and to bring extra depth and breadth to this series. As GLÖGG | CHARLES FRÉGER A secondary school in the suburbs of Stockholm. Charles Fréger had visited it years before when he was at agricultural college. His reason for going back there was his interest in the festival of the Italian Santa Lucia. The festival is very popular in Sweden and, on 13 December each year, involves processions of2NELSON
2Nelson. English. French. date: 2003-2004, FRANCE. Charles Fréger had already photographed wrestlers in his home town of Rouen. He was also familiar with Eadweard Muybridge’s chronophotographic plates and Francis Bacon’s polyptichs. In this case, in the course of a residence granted by the city of Clermont-Ferrand, he set out to make HEREROS | CHARLES FRÉGER Hereros is the first series in Charles Fréger’s corpus where he demonstrates how a community’s dress is the reflection of a syncretic phenomenon. Later series, such as Short School Aka, Sikh Regiment of India and Mardi Gras Indians, pursue this exploration of uniform as evidence of hybridised cultures. HEREROS - 2007. HEREROS -2007.
ASAFO | CHARLES FRÉGER Togo, 2014 While on his way to photograph the masquerade of the Egungun revenants in Togo, Charles Fréger hears about the Asafo from the Ewe country, an area bordering Togo and Ghana. The Asafo are legatees of their community's traditions and are members of a secret society of hunters and warriors in charge of protecting LITEAU | CHARLES FRÉGER The word liteau evokes the cloth that waiters use to cover their arm, or which they hold in their hand to avoid getting burnt by the hot dishes. What the cloth also evokes is the idea of a school fostering a French tradition. The series has a number of similarities with Pattes blanches, particularly the presence of the same textures: skin WATER-POLO | CHARLES FRÉGER Water-Polo is probably one of his most systematic sets of images. It dates from the first years of his practice and is the set of pictures where he decided on the constraints of his photographic approach: a tightly focused camera – he limits himself strictly to the head and shoulders – and he works within the framework of a series; for the2NELSON
2Nelson. English. French. date: 2003-2004, FRANCE. Charles Fréger had already photographed wrestlers in his home town of Rouen. He was also familiar with Eadweard Muybridge’s chronophotographic plates and Francis Bacon’s polyptichs. In this case, in the course of a residence granted by the city of Clermont-Ferrand, he set out to make BIYAN | CHARLES FRÉGER The Biyan series traces the gradual transformation of his face at the hands of the make-up artist from the Beijing Opera. This was the stage before having a costume made for the character he had invented for himself, General Lu Quan Ran, a part he played in a filmed performance. Charles Fréger had metamorphosed himself, as he saidonce again
MERISOTAKOULU
The Merisotakoulu project began halfway between Stockholm, where Fréger had just finished the Glögg series, and Helsinki, where he was in the early stages of the series Steps. On his way across, he met a group of conscripts from the Finnish Navy, who were celebrating their imminent demobilisation with a binge on the ferry. FollowingTIVOLI GARDEN
As a tribute to the Empire series, Charles Fréger presents here a miniature royal guard. Beneath the headdresses and chinstraps, the doll-like faces of young boys, all members of the Tivoli Park Guard. Located in the center of Copenhagen, Tivoli is both an amusement park and a leisure park. Among its attractions are a pirate ITZA’ | CHARLES FRÉGER Created with Raphaël 2.1.2 * Itza’ English ; French SINPECADO | CHARLES FRÉGER Created with Raphaël 2.1.2 * Sinpecado. English ; FrenchCHARLES FRÉGER
Charles Fréger, photographer, has been establishing a large series of portraits about several communities in the world. Official page. BIOGRAPHY | CHARLES FRÉGER Biography. Charles Fréger has been seeking to establish a collection entitled: “Portraits photographiques et uniformes”. His series devoted to groups of sportsmen, soldiers or students, taken in Europe and across the world, focuses particularly on what they are wearing,on their uniform.
TEST | CHARLES FRÉGER Temporary exhibition, from July 7th 2018 to August 2019. We are surrounded by natural forces and divinities. In Japanese masked rituals, costumes are worn to transform the wearer into a god, demon or animal. The exhibition creates links between the contemporary photographs of Charles Fréger, which depict a large number of ritualmasked figures
WRITINGS | CHARLES FRÉGER Didier Mouchel : Présentation générale (French) Philippe Arbaizar about « Portraits photographiques et Uniformes » (French, English, German) Charles-Arthur Boyer about « Bleus de travail » (French, English, German) Michel Poivert about « Palio » (French, Italian) Raphaelle Stopin about « Légionnaires » (French, English) Jean-Paul Curnier about « Merisotakoulu » (French) BillYOKAINOSHIMA
In 2013, just after finishing his European tour of winter masquerades (Wilder Mann), Charles Fréger began a photography project exploring Japan’s masked ritual figures. Photographing sumo wrestlers (Rikishi, 2002-2003) had already made him familiar with the country, but he knew nothing about rural areas. That is the topic of Yokainoshima: through an inventory of maskedWILDER MANN
Wilder Mann. For two years in 2010 and 2011, Charles Fréger criss-crossed Europe from north to south, from Finland to Portugal, passing through Romania, Germany and Slovenia, in search of the figure of the savage as it survives in local popular traditions. These images, like archetypes, half-man half-beast, animal or vegetable,resurface from
HEREROS | CHARLES FRÉGER Hereros is the first series in Charles Fréger’s corpus where he demonstrates how a community’s dress is the reflection of a syncretic phenomenon. Later series, such as Short School Aka, Sikh Regiment of India and Mardi Gras Indians, pursue this exploration of uniform as evidence of hybridised cultures. HEREROS - 2007. HEREROS -2007.
CIMARRON #2
Cimarron is the third part of a photographic series begun in 2013 by Charles Fréger and dedicated to masquerades; after Wilder Mann (2010-), dedicated to the European continent, and Yokainoshima (2013-2015), located on the Japanese archipelago, Cimarron (2014-2018) is anchored in the territories of the Americas. In a geographical space stretching from the southern United WATER-POLO | CHARLES FRÉGER Water-Polo is probably one of his most systematic sets of images. It dates from the first years of his practice and is the set of pictures where he decided on the constraints of his photographic approach: a tightly focused camera – he limits himself strictly to the head and shoulders – and he works within the framework of a series; for the LUX | CHARLES FRÉGER LUX was commissioned by the Musée d’Art Moderne Grand-Duc Jean, Luxembourg. During the three years between the initial commission and the opening of the museum, Fréger had time to pay many visits to the country and to bring extra depth and breadth to this series. AsCHARLES FRÉGER
Charles Fréger, photographer, has been establishing a large series of portraits about several communities in the world. Official page. BIOGRAPHY | CHARLES FRÉGER Biography. Charles Fréger has been seeking to establish a collection entitled: “Portraits photographiques et uniformes”. His series devoted to groups of sportsmen, soldiers or students, taken in Europe and across the world, focuses particularly on what they are wearing,on their uniform.
TEST | CHARLES FRÉGER Temporary exhibition, from July 7th 2018 to August 2019. We are surrounded by natural forces and divinities. In Japanese masked rituals, costumes are worn to transform the wearer into a god, demon or animal. The exhibition creates links between the contemporary photographs of Charles Fréger, which depict a large number of ritualmasked figures
WRITINGS | CHARLES FRÉGER Didier Mouchel : Présentation générale (French) Philippe Arbaizar about « Portraits photographiques et Uniformes » (French, English, German) Charles-Arthur Boyer about « Bleus de travail » (French, English, German) Michel Poivert about « Palio » (French, Italian) Raphaelle Stopin about « Légionnaires » (French, English) Jean-Paul Curnier about « Merisotakoulu » (French) BillYOKAINOSHIMA
In 2013, just after finishing his European tour of winter masquerades (Wilder Mann), Charles Fréger began a photography project exploring Japan’s masked ritual figures. Photographing sumo wrestlers (Rikishi, 2002-2003) had already made him familiar with the country, but he knew nothing about rural areas. That is the topic of Yokainoshima: through an inventory of maskedWILDER MANN
Wilder Mann. For two years in 2010 and 2011, Charles Fréger criss-crossed Europe from north to south, from Finland to Portugal, passing through Romania, Germany and Slovenia, in search of the figure of the savage as it survives in local popular traditions. These images, like archetypes, half-man half-beast, animal or vegetable,resurface from
HEREROS | CHARLES FRÉGER Hereros is the first series in Charles Fréger’s corpus where he demonstrates how a community’s dress is the reflection of a syncretic phenomenon. Later series, such as Short School Aka, Sikh Regiment of India and Mardi Gras Indians, pursue this exploration of uniform as evidence of hybridised cultures. HEREROS - 2007. HEREROS -2007.
CIMARRON #2
Cimarron is the third part of a photographic series begun in 2013 by Charles Fréger and dedicated to masquerades; after Wilder Mann (2010-), dedicated to the European continent, and Yokainoshima (2013-2015), located on the Japanese archipelago, Cimarron (2014-2018) is anchored in the territories of the Americas. In a geographical space stretching from the southern United WATER-POLO | CHARLES FRÉGER Water-Polo is probably one of his most systematic sets of images. It dates from the first years of his practice and is the set of pictures where he decided on the constraints of his photographic approach: a tightly focused camera – he limits himself strictly to the head and shoulders – and he works within the framework of a series; for the LUX | CHARLES FRÉGER LUX was commissioned by the Musée d’Art Moderne Grand-Duc Jean, Luxembourg. During the three years between the initial commission and the opening of the museum, Fréger had time to pay many visits to the country and to bring extra depth and breadth to this series. As BOOKS | CHARLES FRÉGER ISBN : 978-2-330-11734-4 (CIMARRON, Mascarades et liberté) Actes Sud. ISBN: 978-4-86152-703-6 (CIMARRON, ブラック・アイデンティティ ー南北アメリカの仮装祭) Seigensha. ISBN: 978-84-17047-73-3 (CIMARRON, libertade e mascarada) RM editorial. ISBN: 978-3-86828-906-0 (CIMARRON, freiheit und maskerade) Kehrer Verlag.Preface
WRITINGS | CHARLES FRÉGER Didier Mouchel : Présentation générale (French) Philippe Arbaizar about « Portraits photographiques et Uniformes » (French, English, German) Charles-Arthur Boyer about « Bleus de travail » (French, English, German) Michel Poivert about « Palio » (French, Italian) Raphaelle Stopin about « Légionnaires » (French, English) Jean-Paul Curnier about « Merisotakoulu » (French) Bill HEREROS | CHARLES FRÉGER Hereros is the first series in Charles Fréger’s corpus where he demonstrates how a community’s dress is the reflection of a syncretic phenomenon. Later series, such as Short School Aka, Sikh Regiment of India and Mardi Gras Indians, pursue this exploration of uniform as evidence of hybridised cultures. HEREROS - 2007. HEREROS -2007.
COMMEDIA DELL’ARTE (VIDEO) Venice. Charles Fréger creates a set of silhouettes, this time animated. Here are the twelve characters of the Commedia dell Arte gathered on the same plane. Following a vertical axial symmetry, the two lovers face each other, then mirror couples, the valet Brighella - Colombine, the woman polichinelle - Pedrolino, Pantalon - Doctor, thecourtesan
LUX | CHARLES FRÉGER LUX was commissioned by the Musée d’Art Moderne Grand-Duc Jean, Luxembourg. During the three years between the initial commission and the opening of the museum, Fréger had time to pay many visits to the country and to bring extra depth and breadth to this series. AsLA SUITE BASQUE
La suite basque. English. French. date: 2015-2016, Pays basque, France. Like a suite in music that alternates slow and lively movements, joyful dances or more severe pieces, but always in the same tonality that guarantees its unity, the Basque Suite that Charles Fréger has created is the same photographic variation on thesilhouette: each of
MERISOTAKOULU
The Merisotakoulu project began halfway between Stockholm, where Fréger had just finished the Glögg series, and Helsinki, where he was in the early stages of the series Steps. On his way across, he met a group of conscripts from the Finnish Navy, who were celebrating their imminent demobilisation with a binge on the ferry. FollowingSCHOOL CHALO
School chalo. Made in August 2016, the School Chalo project takes place in New Delhi, in the central district of Chandi Chowk, near twelve schools. Charles Fréger is already familiar with the school environment, the school being, as early as 1999, one of the first community circles explored by this photographer who was then justleaving.
GLÖGG | CHARLES FRÉGER A secondary school in the suburbs of Stockholm. Charles Fréger had visited it years before when he was at agricultural college. His reason for going back there was his interest in the festival of the Italian Santa Lucia. The festival is very popular in Sweden and, on 13 December each year, involves processions ofPROTECTED: JUNBA
This content is password protected. To view it please enter your password below: Password: CHARLES FRÉGER
Charles Fréger, photographer, has been establishing a large series of portraits about several communities in the world. Official page. BIOGRAPHY | CHARLES FRÉGER Biography. Charles Fréger has been seeking to establish a collection entitled: “Portraits photographiques et uniformes”. His series devoted to groups of sportsmen, soldiers or students, taken in Europe and across the world, focuses particularly on what they are wearing,on their uniform.
TEST | CHARLES FRÉGER Temporary exhibition, from July 7th 2018 to August 2019. We are surrounded by natural forces and divinities. In Japanese masked rituals, costumes are worn to transform the wearer into a god, demon or animal. The exhibition creates links between the contemporary photographs of Charles Fréger, which depict a large number of ritualmasked figures
WRITINGS | CHARLES FRÉGER Didier Mouchel : Présentation générale (French) Philippe Arbaizar about « Portraits photographiques et Uniformes » (French, English, German) Charles-Arthur Boyer about « Bleus de travail » (French, English, German) Michel Poivert about « Palio » (French, Italian) Raphaelle Stopin about « Légionnaires » (French, English) Jean-Paul Curnier about « Merisotakoulu » (French) BillYOKAINOSHIMA
In 2013, just after finishing his European tour of winter masquerades (Wilder Mann), Charles Fréger began a photography project exploring Japan’s masked ritual figures. Photographing sumo wrestlers (Rikishi, 2002-2003) had already made him familiar with the country, but he knew nothing about rural areas. That is the topic of Yokainoshima: through an inventory of maskedWILDER MANN
Wilder Mann. For two years in 2010 and 2011, Charles Fréger criss-crossed Europe from north to south, from Finland to Portugal, passing through Romania, Germany and Slovenia, in search of the figure of the savage as it survives in local popular traditions. These images, like archetypes, half-man half-beast, animal or vegetable,resurface from
HEREROS | CHARLES FRÉGER Hereros is the first series in Charles Fréger’s corpus where he demonstrates how a community’s dress is the reflection of a syncretic phenomenon. Later series, such as Short School Aka, Sikh Regiment of India and Mardi Gras Indians, pursue this exploration of uniform as evidence of hybridised cultures. HEREROS - 2007. HEREROS -2007.
CIMARRON #2
Cimarron is the third part of a photographic series begun in 2013 by Charles Fréger and dedicated to masquerades; after Wilder Mann (2010-), dedicated to the European continent, and Yokainoshima (2013-2015), located on the Japanese archipelago, Cimarron (2014-2018) is anchored in the territories of the Americas. In a geographical space stretching from the southern United WATER-POLO | CHARLES FRÉGER Water-Polo is probably one of his most systematic sets of images. It dates from the first years of his practice and is the set of pictures where he decided on the constraints of his photographic approach: a tightly focused camera – he limits himself strictly to the head and shoulders – and he works within the framework of a series; for the LUX | CHARLES FRÉGER LUX was commissioned by the Musée d’Art Moderne Grand-Duc Jean, Luxembourg. During the three years between the initial commission and the opening of the museum, Fréger had time to pay many visits to the country and to bring extra depth and breadth to this series. AsCHARLES FRÉGER
Charles Fréger, photographer, has been establishing a large series of portraits about several communities in the world. Official page. BIOGRAPHY | CHARLES FRÉGER Biography. Charles Fréger has been seeking to establish a collection entitled: “Portraits photographiques et uniformes”. His series devoted to groups of sportsmen, soldiers or students, taken in Europe and across the world, focuses particularly on what they are wearing,on their uniform.
TEST | CHARLES FRÉGER Temporary exhibition, from July 7th 2018 to August 2019. We are surrounded by natural forces and divinities. In Japanese masked rituals, costumes are worn to transform the wearer into a god, demon or animal. The exhibition creates links between the contemporary photographs of Charles Fréger, which depict a large number of ritualmasked figures
WRITINGS | CHARLES FRÉGER Didier Mouchel : Présentation générale (French) Philippe Arbaizar about « Portraits photographiques et Uniformes » (French, English, German) Charles-Arthur Boyer about « Bleus de travail » (French, English, German) Michel Poivert about « Palio » (French, Italian) Raphaelle Stopin about « Légionnaires » (French, English) Jean-Paul Curnier about « Merisotakoulu » (French) BillYOKAINOSHIMA
In 2013, just after finishing his European tour of winter masquerades (Wilder Mann), Charles Fréger began a photography project exploring Japan’s masked ritual figures. Photographing sumo wrestlers (Rikishi, 2002-2003) had already made him familiar with the country, but he knew nothing about rural areas. That is the topic of Yokainoshima: through an inventory of maskedWILDER MANN
Wilder Mann. For two years in 2010 and 2011, Charles Fréger criss-crossed Europe from north to south, from Finland to Portugal, passing through Romania, Germany and Slovenia, in search of the figure of the savage as it survives in local popular traditions. These images, like archetypes, half-man half-beast, animal or vegetable,resurface from
HEREROS | CHARLES FRÉGER Hereros is the first series in Charles Fréger’s corpus where he demonstrates how a community’s dress is the reflection of a syncretic phenomenon. Later series, such as Short School Aka, Sikh Regiment of India and Mardi Gras Indians, pursue this exploration of uniform as evidence of hybridised cultures. HEREROS - 2007. HEREROS -2007.
CIMARRON #2
Cimarron is the third part of a photographic series begun in 2013 by Charles Fréger and dedicated to masquerades; after Wilder Mann (2010-), dedicated to the European continent, and Yokainoshima (2013-2015), located on the Japanese archipelago, Cimarron (2014-2018) is anchored in the territories of the Americas. In a geographical space stretching from the southern United WATER-POLO | CHARLES FRÉGER Water-Polo is probably one of his most systematic sets of images. It dates from the first years of his practice and is the set of pictures where he decided on the constraints of his photographic approach: a tightly focused camera – he limits himself strictly to the head and shoulders – and he works within the framework of a series; for the LUX | CHARLES FRÉGER LUX was commissioned by the Musée d’Art Moderne Grand-Duc Jean, Luxembourg. During the three years between the initial commission and the opening of the museum, Fréger had time to pay many visits to the country and to bring extra depth and breadth to this series. As BOOKS | CHARLES FRÉGER ISBN : 978-2-330-11734-4 (CIMARRON, Mascarades et liberté) Actes Sud. ISBN: 978-4-86152-703-6 (CIMARRON, ブラック・アイデンティティ ー南北アメリカの仮装祭) Seigensha. ISBN: 978-84-17047-73-3 (CIMARRON, libertade e mascarada) RM editorial. ISBN: 978-3-86828-906-0 (CIMARRON, freiheit und maskerade) Kehrer Verlag.Preface
WRITINGS | CHARLES FRÉGER Didier Mouchel : Présentation générale (French) Philippe Arbaizar about « Portraits photographiques et Uniformes » (French, English, German) Charles-Arthur Boyer about « Bleus de travail » (French, English, German) Michel Poivert about « Palio » (French, Italian) Raphaelle Stopin about « Légionnaires » (French, English) Jean-Paul Curnier about « Merisotakoulu » (French) Bill HEREROS | CHARLES FRÉGER Hereros is the first series in Charles Fréger’s corpus where he demonstrates how a community’s dress is the reflection of a syncretic phenomenon. Later series, such as Short School Aka, Sikh Regiment of India and Mardi Gras Indians, pursue this exploration of uniform as evidence of hybridised cultures. HEREROS - 2007. HEREROS -2007.
COMMEDIA DELL’ARTE (VIDEO) Venice. Charles Fréger creates a set of silhouettes, this time animated. Here are the twelve characters of the Commedia dell Arte gathered on the same plane. Following a vertical axial symmetry, the two lovers face each other, then mirror couples, the valet Brighella - Colombine, the woman polichinelle - Pedrolino, Pantalon - Doctor, thecourtesan
LUX | CHARLES FRÉGER LUX was commissioned by the Musée d’Art Moderne Grand-Duc Jean, Luxembourg. During the three years between the initial commission and the opening of the museum, Fréger had time to pay many visits to the country and to bring extra depth and breadth to this series. AsLA SUITE BASQUE
La suite basque. English. French. date: 2015-2016, Pays basque, France. Like a suite in music that alternates slow and lively movements, joyful dances or more severe pieces, but always in the same tonality that guarantees its unity, the Basque Suite that Charles Fréger has created is the same photographic variation on thesilhouette: each of
MERISOTAKOULU
The Merisotakoulu project began halfway between Stockholm, where Fréger had just finished the Glögg series, and Helsinki, where he was in the early stages of the series Steps. On his way across, he met a group of conscripts from the Finnish Navy, who were celebrating their imminent demobilisation with a binge on the ferry. FollowingSCHOOL CHALO
School chalo. Made in August 2016, the School Chalo project takes place in New Delhi, in the central district of Chandi Chowk, near twelve schools. Charles Fréger is already familiar with the school environment, the school being, as early as 1999, one of the first community circles explored by this photographer who was then justleaving.
GLÖGG | CHARLES FRÉGER A secondary school in the suburbs of Stockholm. Charles Fréger had visited it years before when he was at agricultural college. His reason for going back there was his interest in the festival of the Italian Santa Lucia. The festival is very popular in Sweden and, on 13 December each year, involves processions ofPROTECTED: JUNBA
This content is password protected. To view it please enter your password below: Password: Charles Fréger
Portraits Photographiques et Uniformes * Photographic Series* Videos
* News
* Biography
* Exhibitions
* Writings
* Books
* Contact
* Photographic Series* Videos
* News
* Biography
* Exhibitions
* Writings
* Books
* Contact
__
__
*
*
MAJORETTES - 2000-2001*
OUTREMER -2011-2013
*
LEGIONNAIRES - 2000-2001*
PACISTAS E RAINHAS - 2008*
OPERA - 2005-2007
*
EMPIRE - 2004-2007
*
HEREROS - 2007
*
UMWANA - 2005
*
BLEUS DE TRAVAIL - 2002-2003*
MERISOTAKOULU - 2002-2003*
Asafo, 2014
*
HEREROS - 2007
*
SIKH REGIMENT OF INDIA - 2010*
LITEAU - 2000
*
MERISOTAKOULU - 2002-2003*
OPERA - 2005-2007
*
ORANGE ORDER - 2008
*
RUDAS - 2010
*
WEDDING BAND - 2010
*
LUX - 2002-2004
*
ORANGE ORDER - 2008
*
BLEUS DE TRAVAIL - 2002-2003*
LA SUITE BASQUE - 2016-2016*
LES HOMMES VERTS - 2002-2003*
MAJORETTES - 2000-2001*
HEREROS - 2007
*
RIKISHI - 2002-2003
*
RIKISHI - 2002-2003
*
MERISOTAKOULU - 2002-2003*
EMPIRE - 2004-2007
*
WILDER MANN - 2010-2011*
RIKISHI - 2002-2003
*
NOTRE DAME - 2000
*
MISS - 2000
*
WATER-POLO - 2000
*
L-12-12 - 2012
*
SHORT SCHOOL HAKA - 2009*
BLEUS DE TRAVAIL - 2002-2003*
EMPIRE -2004-2007
*
OUTREMER - 2011 -2013*
SAGES FEMMES - 2001
*
MAJORETTES - 2000-2001*
WILDER MANN - 2010-2011*
Wilder Mann
*
TALCHUM - 2013
*
BLEUS DE TRAVAIL - 2002-2003*
PENITENTE - 2004
*
GLÖGG - 2001
*
OPERA - 2005-2007
*
HIMBAS - 2008
*
L'EPOPEE DE JEANNE D'ARC*
Steps, 2001-2002
*
*
PENITENTE - 2004
*
Seijinshiki, 2007
*
PAINTED ELEPHANTS - 2013*
DI TU - 2005
*
WILDER MANN - 2010-11*
Sages femmes, 2001
*
Bretonnes, 2011-2014*
QUEENS OF CEBU - 2011*
HIMBAS-2007
*
LUX - 2002-2004
*
LUX - 2002
*
ORANGE ORDER - 2008
*
L1212 - 2012
*
SHORT SCHOOL HAKA - 2009*
YOKAINOSHIMA - 2013-2015*
CAMOUFLAGES - 2000
*
L'ARSENAL - 2002
*
RUDAS - 2011
*
PALIO - 2002
*
SIHUHU - 2002
*
MENTI - 2004
*
DI TU - 2005
*
EMPIRE - 2004-2007
*
MEVLEVI - 2016
*
JOCKEYS - 2010
*
QUEEN OF CEBU - 2011*
OUTREMER - 2011-2013*
EMPIRE - 2004-2007
*
EMPIRE - 2004-2007
*
BAL DE L’X - 2012
*
EMPIRE - 2004-2007
*
PATTES BLANCHES - 1999-2000*
SIHUHU - 2002
*
EMPIRE - 2004-2007
*
MAJORETTES - 2000-2001*
OUTREMER -2011-2013
* <
* >
NEW SERIES
La Préhistoire
* date: 2017-2018, FranceCimarron
* date: 2014-2018, Panama, Belize, Guatemala, Mexico, USALATEST BOOK
ONGOING EXHIBITIONS
NARCISSE OU LA FLORAISON DES MONDES, FRAC NOUVELLE AQUITAINE. 07 December 2019 - 22 August 2020MECA, FRAC
54 Quai de Paludate - 33800 Bordeaux France EXHIBITION EXTENDED TILL AUGUST 22nd L’omniprésence des fleurs dans l’art contemporain signe le profond renouveau d’un sujet le plus souvent considéré comme ornemental. La fleur est une matrice puissante qui compose les trois quart de la biodiversité végétale, produit l’air, le légume et le fruit. C’est ce lien nécessaire, essentiel que les artistes tels que Bas Jan Ader, Yto Barrada, John Giorno, Suzanne Husky, Jeff Koons, Suzanne Lafont, Thu-Van Tran, Lois Weinberger, et bien d’autres encore, interprètent et réinvestissent aujourd’hui à travers denouveaux regards.
Et d’abord qu’est-ce qu’une fleur ? Une entité ambivalente, entre force et fragilité, intimité et société. Elle est le sexe de la plante frêle et matricielle.Elle est un enjeu de prédation, parnature politique.
L’exposition _Narcisse ou la floraison des mondes _qui rassemble une centaine d’œuvres (vidéo, installation, peinture, dessin, photographie, sculpture) interroge la hiérarchie des genres artistiques et la fabrique du vivant industriel. Elle souligne les nouvelles sources d’inspiration que sont le mouvement écoféministe ou les récentes approches de la philosophie et des sciences. Que ce soit par la morphogénèse, l’« être fleur » ou la pensée sauvage, les artistes multiplient les points de frottements avec cette fleur encore largement inconnue, dont seulement un cinquième a fait l’objet de recherches. Dès lors, Narcisse n’est pas tant le héros égocentrique qui domine et consume la terre, qu’un humain en pleine métamorphose, pressé de changer pour survivre. Il est celui qui devient fleur et embrasse les contraires. Le Narcisse est la fleur du printemps et du renouveau, celle qui s’ouvre à la floraison des mondes. https://fracnouvelleaquitaine-meca.fr/evenement/narcisse-ou-la-floraison-des-mondes/NEWS
LIFE IS GOING ON
26 February 2020
I was about to write, like as usual, that I have a show there, or something happening there… The necessity to keep constantly awake, to show that things are going on, as always. Twenty years ago, I was doing these portraits for the MAJORETTES series, WATER-POLO, NOTRE DAME and I was starting my LEGIONNAIRES series. And since that, I’ve kept myself busy and running, always running, to finally tell that now, I’m still going on. So the man is walking, don’t worry. CIMARRON IN NANTES, FRANCE08 February 2019
The first exhibition of CIMARRON is now opened at the Château des ducs de Bretagne, Nantes, France. The book will be available early march with Thames&Hudson (UK, USA), ACTES SUDS (FR), Seigensha (Jp), Kehrer (Ger), RM (Sp) All across the Americas, from the 16th century onwards, enslaved Africans escaped their captors and struck out on their own. These runaways, having found their freedom, established their own communities or joined with indigenous peoples to forge new identities.Read more…
ON FACEBOOK
INSTAGRAM OFFICIAL @CHARLESFREGERSomething is wrong.
Instagram token error.__
__
__
__
__
__
__
__
__
__
Load More
__
NEW VIDEO
commedia dell arte charles freger 2014 from Charles Fréger on Vimeo.
Details
Copyright © 2024 ArchiveBay.com. All rights reserved. Terms of Use | Privacy Policy | DMCA | 2021 | Feedback | Advertising | RSS 2.0