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CHRISTINE SUN KIM
Berlin-based artist Christine Sun Kim (b.1980, California), who has been deaf since birth, explores the materiality of sound in work that connects sound to drawing, painting, and performance. In the course of developing her own visual language, Kim has explored and employed elements from various information systems. By combining aspectsCONSTANT DULLAART
carroll / fletcher is pleased to present 'stringendo, vanishing mediators' the first uk solo exhibition by dutch artist constant dullaart (nl, 1979).dullaart works predominantly with the internet as an alternative space of presentation. his practice is concerned with visualising networked semantics and software vernacular while adopting a political approach critical of corporate hegemony.MANFRED MOHR
Since the late 1950s, Manfred Mohr, a pioneer of generative and computer art, has been making rigorously minimal paintings and drawings. His work is stringently conceptual, but with an elegant lyricism which belies its formal underpinnings. During the 1960s, Mohr’s practice evolved from abstract expressionism towards a more hard-edged geometricJUSTIN HIBBS
Across his practice, Justin Hibbs (b. 1971, Poole, UK) picks apart the mechanics of spatial perception and representation, drawing upon social, political and aesthetic agendas encoded within architectural structures. In particular, much of his work is a renegotiation of the visual language and ideological legacies of modernism, seeking toestablish
RAFAEL LOZANO-HEMMER Electronic artist Rafael Lozano-Hemmer (b.1967, Mexico City ) develops interactive installations that are at the intersection of architecture and performance art. His main interest is in creating platforms for public participation, by perverting technologies such as robotics, computerised surveillance or telematic networks. Inspired by phantasmagoria, carnival and animatronics, his lightA.R. HOPWOOD
Carroll / Fletcher Project Space. 17A Riding House Street, London, W1W 7DS. Website: www.carrollfletcher.com Opening hours: Tuesday - Saturday, 11am - 6pm . FreudKARMELO BERMEJO
Karmelo Bermejo (b.1979, Malaga) seeks to reveal the value systems, whether religious, commercial or of prestige, that influence the various structures sustaining the world. In his recent series Fiscal Oil Paints (pictured), the buyer is challenged not to declare theacquisition of
CHRISTINE SUN KIM EXPLORES THE POLITICS OF SOUND Christopher Willes, ’Christine Sun Kim explores the politics of sound’, Music Works Issue 123, October 2015 10 musıc works #123 | fall 2015 sound shape These words are handwritten in a drawing that was included in an exhibition of new MARIE LECHNER, 'TORTURE A PLEINS TUBES', LIBERATION Title: Microsoft Word - Marie Lechner, 'Torture a Pleins Tubes', Liberation, August 2010.docx Created Date: 5/10/2016 11:19:10 AM ROBERTA BOSCO Y STEFANO CALDANA, ‘HIDROMANCIA Y OTRAS Roberta Bosco y Stefano Caldana, ‘Hidromancia y otras corrientes creativas’, Fundación Aquae, April 2016 “Las culturas se desarrollaron gracias al dominio del agua”, aseguraEulaliaCHRISTINE SUN KIM
Berlin-based artist Christine Sun Kim (b.1980, California), who has been deaf since birth, explores the materiality of sound in work that connects sound to drawing, painting, and performance. In the course of developing her own visual language, Kim has explored and employed elements from various information systems. By combining aspectsCONSTANT DULLAART
carroll / fletcher is pleased to present 'stringendo, vanishing mediators' the first uk solo exhibition by dutch artist constant dullaart (nl, 1979).dullaart works predominantly with the internet as an alternative space of presentation. his practice is concerned with visualising networked semantics and software vernacular while adopting a political approach critical of corporate hegemony.MANFRED MOHR
Since the late 1950s, Manfred Mohr, a pioneer of generative and computer art, has been making rigorously minimal paintings and drawings. His work is stringently conceptual, but with an elegant lyricism which belies its formal underpinnings. During the 1960s, Mohr’s practice evolved from abstract expressionism towards a more hard-edged geometricJUSTIN HIBBS
Across his practice, Justin Hibbs (b. 1971, Poole, UK) picks apart the mechanics of spatial perception and representation, drawing upon social, political and aesthetic agendas encoded within architectural structures. In particular, much of his work is a renegotiation of the visual language and ideological legacies of modernism, seeking toestablish
RAFAEL LOZANO-HEMMER Electronic artist Rafael Lozano-Hemmer (b.1967, Mexico City ) develops interactive installations that are at the intersection of architecture and performance art. His main interest is in creating platforms for public participation, by perverting technologies such as robotics, computerised surveillance or telematic networks. Inspired by phantasmagoria, carnival and animatronics, his lightA.R. HOPWOOD
Carroll / Fletcher Project Space. 17A Riding House Street, London, W1W 7DS. Website: www.carrollfletcher.com Opening hours: Tuesday - Saturday, 11am - 6pm . FreudKARMELO BERMEJO
Karmelo Bermejo (b.1979, Malaga) seeks to reveal the value systems, whether religious, commercial or of prestige, that influence the various structures sustaining the world. In his recent series Fiscal Oil Paints (pictured), the buyer is challenged not to declare theacquisition of
CHRISTINE SUN KIM EXPLORES THE POLITICS OF SOUND Christopher Willes, ’Christine Sun Kim explores the politics of sound’, Music Works Issue 123, October 2015 10 musıc works #123 | fall 2015 sound shape These words are handwritten in a drawing that was included in an exhibition of new MARIE LECHNER, 'TORTURE A PLEINS TUBES', LIBERATION Title: Microsoft Word - Marie Lechner, 'Torture a Pleins Tubes', Liberation, August 2010.docx Created Date: 5/10/2016 11:19:10 AM ROBERTA BOSCO Y STEFANO CALDANA, ‘HIDROMANCIA Y OTRAS Roberta Bosco y Stefano Caldana, ‘Hidromancia y otras corrientes creativas’, Fundación Aquae, April 2016 “Las culturas se desarrollaron gracias al dominio del agua”, aseguraEulalia LOOKING AT ONE THING AND THINKING OF SOMETHING ELSE Looking at one thing and thinking of something else An Exhibition in Four Parts 11 November 2016 - 29 April 2017 Part Three: United We Stand 13 January - 4 March 2017 Private view: Thursday 12 January, 6-8pm Eva and Franco Mattes, United We Stand (2005) Courtesy of theartists
MANFRED MOHR
Since the late 1950s, Manfred Mohr, a pioneer of generative and computer art, has been making rigorously minimal paintings and drawings. His work is stringently conceptual, but with an elegant lyricism which belies its formal underpinnings. During the 1960s, Mohr’s practice evolved from abstract expressionism towards a more hard-edged geometricJOHN AKOMFRAH
Hauntologies is artist and filmmaker John Akomfrah's compelling meditation on disappearance, memory and death. In his first exhibition for Carroll/Fletcher, the virtuosity and depth of Akomfrah's practice is revealed in three new video, sound and installation works - never before presented in the UK - as well as a new presentation of a videoessay from 1998.
RAFAEL LOZANO-HEMMER Electronic artist Rafael Lozano-Hemmer (b.1967, Mexico City ) develops interactive installations that are at the intersection of architecture and performance art. His main interest is in creating platforms for public participation, by perverting technologies such as robotics, computerised surveillance or telematic networks. Inspired by phantasmagoria, carnival and animatronics, his lightFREDERIK DE WILDE
Carroll / Fletcher is pleased to present the first UK showing of NanoBlck-Sqr #1, a work by Belgian artist Frederik De Wilde.. Created with a nano-engineered material developed in collaboration with NASA and Rice University, NanoBlck-Sqr #1 comprises a material so dark that it absorbs practically all visible light. The artwork is made from carbon nanotube bundles “grown” in a laboratoryMANFRED MOHR
All my relations to aesthetical decisions always go back to musical thinking, either active in that I played a musical instrument or theoretical in that I see my art as visual music I was very impressed by Anton Webern's music from the 1920s where for the first time Irealized
RAFAEL LOZANO-HEMMER Carroll / Fletcher is pleased to present its first solo exhibition by Mexican-Canadian artist Rafael Lozano-Hemmer. Entitled Obra Sonora (or‘Sound Work’ in
JOHN WOOD AND PAUL HARRISON & RICHARD T. WALKER- 'SUPER 8 26 January - 24 June 2012. CrossFade Video Lounge. Yerba Buena Center for the Arts. San Francisco. Super 8 is an artist-curated video art exhibition organized by the Los Angeles-based Christopher Grimes Gallery. Eight artists from eight different cities across the globe were invited to present their own videos and, in addition, invite four other artists from their respective cities to present CHRISTINE SUN KIM EXPLORES THE POLITICS OF SOUND Christopher Willes, ’Christine Sun Kim explores the politics of sound’, Music Works Issue 123, October 2015 10 musıc works #123 | fall 2015 sound shape These words are handwritten in a drawing that was included in an exhibition of new DIANA SEO HYUNG LEE, ‘SEEING SOUND- AN INTERVIEW WITH Diana Seo Hyung Lee, ‘Seeing Sound: An Interview with Christine Sun Kim’, ArtAsiaPacific, 21 June 2013 CHRISTINE SUN KIM, Courtier asCourier, 2013.
CHRISTINE SUN KIM
Berlin-based artist Christine Sun Kim (b.1980, California), who has been deaf since birth, explores the materiality of sound in work that connects sound to drawing, painting, and performance. In the course of developing her own visual language, Kim has explored and employed elements from various information systems. By combining aspectsMANFRED MOHR
Since the late 1950s, Manfred Mohr, a pioneer of generative and computer art, has been making rigorously minimal paintings and drawings. His work is stringently conceptual, but with an elegant lyricism which belies its formal underpinnings. During the 1960s, Mohr’s practice evolved from abstract expressionism towards a more hard-edged geometric RAFAEL LOZANO-HEMMER Electronic artist Rafael Lozano-Hemmer (b.1967, Mexico City ) develops interactive installations that are at the intersection of architecture and performance art. His main interest is in creating platforms for public participation, by perverting technologies such as robotics, computerised surveillance or telematic networks. Inspired by phantasmagoria, carnival and animatronics, his lightJUSTIN HIBBS
Across his practice, Justin Hibbs (b. 1971, Poole, UK) picks apart the mechanics of spatial perception and representation, drawing upon social, political and aesthetic agendas encoded within architectural structures. In particular, much of his work is a renegotiation of the visual language and ideological legacies of modernism, seeking toestablish
JUSTIN HIBBS
Across his practice, Justin Hibbs (b. 1971, Poole, UK) picks apart the mechanics of spatial perception and representation, drawing upon social, political and aesthetic agendas encoded within architectural structures. In particular, much of his work is a renegotiation of the visual language and ideological legacies of modernism, seeking toestablish
BASEL ABBAS AND RUANNE ABOU-RAHME Basel Abbas and Ruanne Abou-Rahme (b. 1983) work together across a range of sound, image, text, installation and performance practices. They probe a contemporary landscape marked by seemingly perpetual crisis and an endless ‘present’, one that is increasingly shaped by a politics of desire and disaster. They have been developing CHRISTINE SUN KIM EXPLORES THE POLITICS OF SOUND Christopher Willes, ’Christine Sun Kim explores the politics of sound’, Music Works Issue 123, October 2015 10 musıc works #123 | fall 2015 sound shape These words are handwritten in a drawing that was included in an exhibition of new GUY MANNES-ABBOTT, ‘FUTURE MOVEMENTS JERUSALEM AT THE Darkness contains photographs of the Palestinian hills at night, with very little visual ‘information’. Light is power in Ramallah, connoting Settlements and surveillance. It also forms a nocturnal sea beyond the prison of the ‘West Bank’, MARIE LECHNER, 'TORTURE A PLEINS TUBES', LIBERATION Title: Microsoft Word - Marie Lechner, 'Torture a Pleins Tubes', Liberation, August 2010.docx Created Date: 5/10/2016 11:19:10 AM ZACHARIAH WEBB, ‘ODE TO THE LIMITATIONS OF LANGUAGE Zachariah Webb, ‘Ode to the limitations of language: Richard T. Walker ‘the predicament of always (as we are)’, The State Press,October 2014
CHRISTINE SUN KIM
Berlin-based artist Christine Sun Kim (b.1980, California), who has been deaf since birth, explores the materiality of sound in work that connects sound to drawing, painting, and performance. In the course of developing her own visual language, Kim has explored and employed elements from various information systems. By combining aspectsMANFRED MOHR
Since the late 1950s, Manfred Mohr, a pioneer of generative and computer art, has been making rigorously minimal paintings and drawings. His work is stringently conceptual, but with an elegant lyricism which belies its formal underpinnings. During the 1960s, Mohr’s practice evolved from abstract expressionism towards a more hard-edged geometric RAFAEL LOZANO-HEMMER Electronic artist Rafael Lozano-Hemmer (b.1967, Mexico City ) develops interactive installations that are at the intersection of architecture and performance art. His main interest is in creating platforms for public participation, by perverting technologies such as robotics, computerised surveillance or telematic networks. Inspired by phantasmagoria, carnival and animatronics, his lightJUSTIN HIBBS
Across his practice, Justin Hibbs (b. 1971, Poole, UK) picks apart the mechanics of spatial perception and representation, drawing upon social, political and aesthetic agendas encoded within architectural structures. In particular, much of his work is a renegotiation of the visual language and ideological legacies of modernism, seeking toestablish
JUSTIN HIBBS
Across his practice, Justin Hibbs (b. 1971, Poole, UK) picks apart the mechanics of spatial perception and representation, drawing upon social, political and aesthetic agendas encoded within architectural structures. In particular, much of his work is a renegotiation of the visual language and ideological legacies of modernism, seeking toestablish
BASEL ABBAS AND RUANNE ABOU-RAHME Basel Abbas and Ruanne Abou-Rahme (b. 1983) work together across a range of sound, image, text, installation and performance practices. They probe a contemporary landscape marked by seemingly perpetual crisis and an endless ‘present’, one that is increasingly shaped by a politics of desire and disaster. They have been developing CHRISTINE SUN KIM EXPLORES THE POLITICS OF SOUND Christopher Willes, ’Christine Sun Kim explores the politics of sound’, Music Works Issue 123, October 2015 10 musıc works #123 | fall 2015 sound shape These words are handwritten in a drawing that was included in an exhibition of new GUY MANNES-ABBOTT, ‘FUTURE MOVEMENTS JERUSALEM AT THE Darkness contains photographs of the Palestinian hills at night, with very little visual ‘information’. Light is power in Ramallah, connoting Settlements and surveillance. It also forms a nocturnal sea beyond the prison of the ‘West Bank’, MARIE LECHNER, 'TORTURE A PLEINS TUBES', LIBERATION Title: Microsoft Word - Marie Lechner, 'Torture a Pleins Tubes', Liberation, August 2010.docx Created Date: 5/10/2016 11:19:10 AM ZACHARIAH WEBB, ‘ODE TO THE LIMITATIONS OF LANGUAGE Zachariah Webb, ‘Ode to the limitations of language: Richard T. Walker ‘the predicament of always (as we are)’, The State Press,October 2014
EVENTS | CARROLL / FLETCHER Carroll / Fletcher Onscreen @ Close-Up Cinema 28 Jun 2017 Ian Bourn: Self Portraits and Other Fictions Three films and a reading Wednesday 28 June, 7.30pm Close-Up Film Centre 97 Sclater St, London E1 6HR Monolog, 1998 (46 mins) Sick Read more "How Did the Computer Learn to See?" Alexander R. Galloway May 24, 2017 7pm £5 tickets available here . How did the computer learn to see? RAFAEL LOZANO-HEMMER Electronic artist Rafael Lozano-Hemmer (b.1967, Mexico City ) develops interactive installations that are at the intersection of architecture and performance art. His main interest is in creating platforms for public participation, by perverting technologies such as robotics, computerised surveillance or telematic networks. Inspired by phantasmagoria, carnival and animatronics, his light BASEL ABBAS AND RUANNE ABOU-RAHME Basel Abbas and Ruanne Abou-Rahme (b. 1983) work together across a range of sound, image, text, installation and performance practices. They probe a contemporary landscape marked by seemingly perpetual crisis and an endless ‘present’, one that is increasingly shaped by a politics of desire and disaster. They have been developing GUY MANNES-ABBOTT, ‘FUTURE MOVEMENTS JERUSALEM AT THE Darkness contains photographs of the Palestinian hills at night, with very little visual ‘information’. Light is power in Ramallah, connoting Settlements and surveillance. It also forms a nocturnal sea beyond the prison of the ‘West Bank’, ‘NATASCHA SADR HAGHIGHIAN AT CARROLL / FLETCHER, LONDON at Carroll / Fletcher. London until 14 September 2012 In a radical departure from her usual practice of site-specific projects, Natascha Sadr Haghighian's first solo A LETTER TO JENNIFER KNOLL Constant Dullaart, ‘A Letter to Jennifer Knoll’, Rhizome, 5 September 2013 (6) A Letter to Jennifer Knoll CONSTANT DULLAART | Thu Sep 5th, 2013 9:30 a.m. ZACHARIAH WEBB, ‘ODE TO THE LIMITATIONS OF LANGUAGE Zachariah Webb, ‘Ode to the limitations of language: Richard T. Walker ‘the predicament of always (as we are)’, The State Press,October 2014
ZUKHRA A FILM INSTALLATION CENTRAL ZUKHRA A film installation by Saodat Ismailova Central Asian Pavilion 2013 55th International Art Exhibition la Biennale di Venezia DIANA SEO HYUNG LEE, ‘SEEING SOUND- AN INTERVIEW WITH Diana Seo Hyung Lee, ‘Seeing Sound: An Interview with Christine Sun Kim’, ArtAsiaPacific, 21 June 2013 CHRISTINE SUN KIM, Courtier asCourier, 2013.
EVENT: THOMSON & CRAIGHEAD TOUR AND CONVERSATION WITH Thomson & Craighead Tour and Conversation with Perfumer Euan McCall Thursday 14 April 2016, 7pm Carroll / Fletcher Free - Limited capacity, please arrive early to secure a place Thomson & Craighead will present Party Booby Trap , their second solo exhibition at the gallery. The artists will lead aCHRISTINE SUN KIM
Berlin-based artist Christine Sun Kim (b.1980, California), who has been deaf since birth, explores the materiality of sound in work that connects sound to drawing, painting, and performance. In the course of developing her own visual language, Kim has explored and employed elements from various information systems. By combining aspectsMANFRED MOHR
Since the late 1950s, Manfred Mohr, a pioneer of generative and computer art, has been making rigorously minimal paintings and drawings. His work is stringently conceptual, but with an elegant lyricism which belies its formal underpinnings. During the 1960s, Mohr’s practice evolved from abstract expressionism towards a more hard-edged geometric RAFAEL LOZANO-HEMMER Electronic artist Rafael Lozano-Hemmer (b.1967, Mexico City ) develops interactive installations that are at the intersection of architecture and performance art. His main interest is in creating platforms for public participation, by perverting technologies such as robotics, computerised surveillance or telematic networks. Inspired by phantasmagoria, carnival and animatronics, his lightJUSTIN HIBBS
Across his practice, Justin Hibbs (b. 1971, Poole, UK) picks apart the mechanics of spatial perception and representation, drawing upon social, political and aesthetic agendas encoded within architectural structures. In particular, much of his work is a renegotiation of the visual language and ideological legacies of modernism, seeking toestablish
JUSTIN HIBBS
Across his practice, Justin Hibbs (b. 1971, Poole, UK) picks apart the mechanics of spatial perception and representation, drawing upon social, political and aesthetic agendas encoded within architectural structures. In particular, much of his work is a renegotiation of the visual language and ideological legacies of modernism, seeking toestablish
BASEL ABBAS AND RUANNE ABOU-RAHME Basel Abbas and Ruanne Abou-Rahme (b. 1983) work together across a range of sound, image, text, installation and performance practices. They probe a contemporary landscape marked by seemingly perpetual crisis and an endless ‘present’, one that is increasingly shaped by a politics of desire and disaster. They have been developing CHRISTINE SUN KIM EXPLORES THE POLITICS OF SOUND Christopher Willes, ’Christine Sun Kim explores the politics of sound’, Music Works Issue 123, October 2015 10 musıc works #123 | fall 2015 sound shape These words are handwritten in a drawing that was included in an exhibition of new GUY MANNES-ABBOTT, ‘FUTURE MOVEMENTS JERUSALEM AT THE Darkness contains photographs of the Palestinian hills at night, with very little visual ‘information’. Light is power in Ramallah, connoting Settlements and surveillance. It also forms a nocturnal sea beyond the prison of the ‘West Bank’, MARIE LECHNER, 'TORTURE A PLEINS TUBES', LIBERATION Title: Microsoft Word - Marie Lechner, 'Torture a Pleins Tubes', Liberation, August 2010.docx Created Date: 5/10/2016 11:19:10 AM ZACHARIAH WEBB, ‘ODE TO THE LIMITATIONS OF LANGUAGE Zachariah Webb, ‘Ode to the limitations of language: Richard T. Walker ‘the predicament of always (as we are)’, The State Press,October 2014
CHRISTINE SUN KIM
Berlin-based artist Christine Sun Kim (b.1980, California), who has been deaf since birth, explores the materiality of sound in work that connects sound to drawing, painting, and performance. In the course of developing her own visual language, Kim has explored and employed elements from various information systems. By combining aspectsMANFRED MOHR
Since the late 1950s, Manfred Mohr, a pioneer of generative and computer art, has been making rigorously minimal paintings and drawings. His work is stringently conceptual, but with an elegant lyricism which belies its formal underpinnings. During the 1960s, Mohr’s practice evolved from abstract expressionism towards a more hard-edged geometric RAFAEL LOZANO-HEMMER Electronic artist Rafael Lozano-Hemmer (b.1967, Mexico City ) develops interactive installations that are at the intersection of architecture and performance art. His main interest is in creating platforms for public participation, by perverting technologies such as robotics, computerised surveillance or telematic networks. Inspired by phantasmagoria, carnival and animatronics, his lightJUSTIN HIBBS
Across his practice, Justin Hibbs (b. 1971, Poole, UK) picks apart the mechanics of spatial perception and representation, drawing upon social, political and aesthetic agendas encoded within architectural structures. In particular, much of his work is a renegotiation of the visual language and ideological legacies of modernism, seeking toestablish
JUSTIN HIBBS
Across his practice, Justin Hibbs (b. 1971, Poole, UK) picks apart the mechanics of spatial perception and representation, drawing upon social, political and aesthetic agendas encoded within architectural structures. In particular, much of his work is a renegotiation of the visual language and ideological legacies of modernism, seeking toestablish
BASEL ABBAS AND RUANNE ABOU-RAHME Basel Abbas and Ruanne Abou-Rahme (b. 1983) work together across a range of sound, image, text, installation and performance practices. They probe a contemporary landscape marked by seemingly perpetual crisis and an endless ‘present’, one that is increasingly shaped by a politics of desire and disaster. They have been developing CHRISTINE SUN KIM EXPLORES THE POLITICS OF SOUND Christopher Willes, ’Christine Sun Kim explores the politics of sound’, Music Works Issue 123, October 2015 10 musıc works #123 | fall 2015 sound shape These words are handwritten in a drawing that was included in an exhibition of new GUY MANNES-ABBOTT, ‘FUTURE MOVEMENTS JERUSALEM AT THE Darkness contains photographs of the Palestinian hills at night, with very little visual ‘information’. Light is power in Ramallah, connoting Settlements and surveillance. It also forms a nocturnal sea beyond the prison of the ‘West Bank’, MARIE LECHNER, 'TORTURE A PLEINS TUBES', LIBERATION Title: Microsoft Word - Marie Lechner, 'Torture a Pleins Tubes', Liberation, August 2010.docx Created Date: 5/10/2016 11:19:10 AM ZACHARIAH WEBB, ‘ODE TO THE LIMITATIONS OF LANGUAGE Zachariah Webb, ‘Ode to the limitations of language: Richard T. Walker ‘the predicament of always (as we are)’, The State Press,October 2014
EVENTS | CARROLL / FLETCHER Carroll / Fletcher Onscreen @ Close-Up Cinema 28 Jun 2017 Ian Bourn: Self Portraits and Other Fictions Three films and a reading Wednesday 28 June, 7.30pm Close-Up Film Centre 97 Sclater St, London E1 6HR Monolog, 1998 (46 mins) Sick Read more "How Did the Computer Learn to See?" Alexander R. Galloway May 24, 2017 7pm £5 tickets available here . How did the computer learn to see? RAFAEL LOZANO-HEMMER Electronic artist Rafael Lozano-Hemmer (b.1967, Mexico City ) develops interactive installations that are at the intersection of architecture and performance art. His main interest is in creating platforms for public participation, by perverting technologies such as robotics, computerised surveillance or telematic networks. Inspired by phantasmagoria, carnival and animatronics, his light BASEL ABBAS AND RUANNE ABOU-RAHME Basel Abbas and Ruanne Abou-Rahme (b. 1983) work together across a range of sound, image, text, installation and performance practices. They probe a contemporary landscape marked by seemingly perpetual crisis and an endless ‘present’, one that is increasingly shaped by a politics of desire and disaster. They have been developing GUY MANNES-ABBOTT, ‘FUTURE MOVEMENTS JERUSALEM AT THE Darkness contains photographs of the Palestinian hills at night, with very little visual ‘information’. Light is power in Ramallah, connoting Settlements and surveillance. It also forms a nocturnal sea beyond the prison of the ‘West Bank’, ‘NATASCHA SADR HAGHIGHIAN AT CARROLL / FLETCHER, LONDON at Carroll / Fletcher. London until 14 September 2012 In a radical departure from her usual practice of site-specific projects, Natascha Sadr Haghighian's first solo A LETTER TO JENNIFER KNOLL Constant Dullaart, ‘A Letter to Jennifer Knoll’, Rhizome, 5 September 2013 (6) A Letter to Jennifer Knoll CONSTANT DULLAART | Thu Sep 5th, 2013 9:30 a.m. ZACHARIAH WEBB, ‘ODE TO THE LIMITATIONS OF LANGUAGE Zachariah Webb, ‘Ode to the limitations of language: Richard T. Walker ‘the predicament of always (as we are)’, The State Press,October 2014
ZUKHRA A FILM INSTALLATION CENTRAL ZUKHRA A film installation by Saodat Ismailova Central Asian Pavilion 2013 55th International Art Exhibition la Biennale di Venezia DIANA SEO HYUNG LEE, ‘SEEING SOUND- AN INTERVIEW WITH Diana Seo Hyung Lee, ‘Seeing Sound: An Interview with Christine Sun Kim’, ArtAsiaPacific, 21 June 2013 CHRISTINE SUN KIM, Courtier asCourier, 2013.
EVENT: THOMSON & CRAIGHEAD TOUR AND CONVERSATION WITH Thomson & Craighead Tour and Conversation with Perfumer Euan McCall Thursday 14 April 2016, 7pm Carroll / Fletcher Free - Limited capacity, please arrive early to secure a place Thomson & Craighead will present Party Booby Trap , their second solo exhibition at the gallery. The artists will lead aCHRISTINE SUN KIM
Berlin-based artist Christine Sun Kim (b.1980, California), who has been deaf since birth, explores the materiality of sound in work that connects sound to drawing, painting, and performance. In the course of developing her own visual language, Kim has explored and employed elements from various information systems. By combining aspectsMANFRED MOHR
Since the late 1950s, Manfred Mohr, a pioneer of generative and computer art, has been making rigorously minimal paintings and drawings. His work is stringently conceptual, but with an elegant lyricism which belies its formal underpinnings. During the 1960s, Mohr’s practice evolved from abstract expressionism towards a more hard-edged geometric RAFAEL LOZANO-HEMMER Electronic artist Rafael Lozano-Hemmer (b.1967, Mexico City ) develops interactive installations that are at the intersection of architecture and performance art. His main interest is in creating platforms for public participation, by perverting technologies such as robotics, computerised surveillance or telematic networks. Inspired by phantasmagoria, carnival and animatronics, his lightJUSTIN HIBBS
Across his practice, Justin Hibbs (b. 1971, Poole, UK) picks apart the mechanics of spatial perception and representation, drawing upon social, political and aesthetic agendas encoded within architectural structures. In particular, much of his work is a renegotiation of the visual language and ideological legacies of modernism, seeking toestablish
JUSTIN HIBBS
Across his practice, Justin Hibbs (b. 1971, Poole, UK) picks apart the mechanics of spatial perception and representation, drawing upon social, political and aesthetic agendas encoded within architectural structures. In particular, much of his work is a renegotiation of the visual language and ideological legacies of modernism, seeking toestablish
BASEL ABBAS AND RUANNE ABOU-RAHME Basel Abbas and Ruanne Abou-Rahme (b. 1983) work together across a range of sound, image, text, installation and performance practices. They probe a contemporary landscape marked by seemingly perpetual crisis and an endless ‘present’, one that is increasingly shaped by a politics of desire and disaster. They have been developing CHRISTINE SUN KIM EXPLORES THE POLITICS OF SOUND Christopher Willes, ’Christine Sun Kim explores the politics of sound’, Music Works Issue 123, October 2015 10 musıc works #123 | fall 2015 sound shape These words are handwritten in a drawing that was included in an exhibition of new GUY MANNES-ABBOTT, ‘FUTURE MOVEMENTS JERUSALEM AT THE Darkness contains photographs of the Palestinian hills at night, with very little visual ‘information’. Light is power in Ramallah, connoting Settlements and surveillance. It also forms a nocturnal sea beyond the prison of the ‘West Bank’, MARIE LECHNER, 'TORTURE A PLEINS TUBES', LIBERATION Title: Microsoft Word - Marie Lechner, 'Torture a Pleins Tubes', Liberation, August 2010.docx Created Date: 5/10/2016 11:19:10 AM ZACHARIAH WEBB, ‘ODE TO THE LIMITATIONS OF LANGUAGE Zachariah Webb, ‘Ode to the limitations of language: Richard T. Walker ‘the predicament of always (as we are)’, The State Press,October 2014
CHRISTINE SUN KIM
Berlin-based artist Christine Sun Kim (b.1980, California), who has been deaf since birth, explores the materiality of sound in work that connects sound to drawing, painting, and performance. In the course of developing her own visual language, Kim has explored and employed elements from various information systems. By combining aspectsMANFRED MOHR
Since the late 1950s, Manfred Mohr, a pioneer of generative and computer art, has been making rigorously minimal paintings and drawings. His work is stringently conceptual, but with an elegant lyricism which belies its formal underpinnings. During the 1960s, Mohr’s practice evolved from abstract expressionism towards a more hard-edged geometric RAFAEL LOZANO-HEMMER Electronic artist Rafael Lozano-Hemmer (b.1967, Mexico City ) develops interactive installations that are at the intersection of architecture and performance art. His main interest is in creating platforms for public participation, by perverting technologies such as robotics, computerised surveillance or telematic networks. Inspired by phantasmagoria, carnival and animatronics, his lightJUSTIN HIBBS
Across his practice, Justin Hibbs (b. 1971, Poole, UK) picks apart the mechanics of spatial perception and representation, drawing upon social, political and aesthetic agendas encoded within architectural structures. In particular, much of his work is a renegotiation of the visual language and ideological legacies of modernism, seeking toestablish
JUSTIN HIBBS
Across his practice, Justin Hibbs (b. 1971, Poole, UK) picks apart the mechanics of spatial perception and representation, drawing upon social, political and aesthetic agendas encoded within architectural structures. In particular, much of his work is a renegotiation of the visual language and ideological legacies of modernism, seeking toestablish
BASEL ABBAS AND RUANNE ABOU-RAHME Basel Abbas and Ruanne Abou-Rahme (b. 1983) work together across a range of sound, image, text, installation and performance practices. They probe a contemporary landscape marked by seemingly perpetual crisis and an endless ‘present’, one that is increasingly shaped by a politics of desire and disaster. They have been developing CHRISTINE SUN KIM EXPLORES THE POLITICS OF SOUND Christopher Willes, ’Christine Sun Kim explores the politics of sound’, Music Works Issue 123, October 2015 10 musıc works #123 | fall 2015 sound shape These words are handwritten in a drawing that was included in an exhibition of new GUY MANNES-ABBOTT, ‘FUTURE MOVEMENTS JERUSALEM AT THE Darkness contains photographs of the Palestinian hills at night, with very little visual ‘information’. Light is power in Ramallah, connoting Settlements and surveillance. It also forms a nocturnal sea beyond the prison of the ‘West Bank’, MARIE LECHNER, 'TORTURE A PLEINS TUBES', LIBERATION Title: Microsoft Word - Marie Lechner, 'Torture a Pleins Tubes', Liberation, August 2010.docx Created Date: 5/10/2016 11:19:10 AM ZACHARIAH WEBB, ‘ODE TO THE LIMITATIONS OF LANGUAGE Zachariah Webb, ‘Ode to the limitations of language: Richard T. Walker ‘the predicament of always (as we are)’, The State Press,October 2014
EVENTS | CARROLL / FLETCHER Carroll / Fletcher Onscreen @ Close-Up Cinema 28 Jun 2017 Ian Bourn: Self Portraits and Other Fictions Three films and a reading Wednesday 28 June, 7.30pm Close-Up Film Centre 97 Sclater St, London E1 6HR Monolog, 1998 (46 mins) Sick Read more "How Did the Computer Learn to See?" Alexander R. Galloway May 24, 2017 7pm £5 tickets available here . How did the computer learn to see? RAFAEL LOZANO-HEMMER Electronic artist Rafael Lozano-Hemmer (b.1967, Mexico City ) develops interactive installations that are at the intersection of architecture and performance art. His main interest is in creating platforms for public participation, by perverting technologies such as robotics, computerised surveillance or telematic networks. Inspired by phantasmagoria, carnival and animatronics, his light UBERMORGEN | CARROLL / FLETCHER Founded in 1995 by lizvlx and Hans Bernhard. 'If art and art production politicizes itself, it becomes political and ceases to be art' (UBERMORGEN.COM Manifesto, 2009) UBERMORGEN’s research-based practice is driven by a desire to satisfy their own curiosity, without the constraints of having a defined political agenda or preconceivedMISHKA HENNER
Mishka Henner (b.1976, Belgium) is one of the UK's most significant artists working with and interrogating the photographic medium. Based on the collection and mediation of publicly available imagery sourced through the internet, satellites and television, his appropriative practice explores the use and value of photography and itsrelationship with
GUY MANNES-ABBOTT, ‘FUTURE MOVEMENTS JERUSALEM AT THE Darkness contains photographs of the Palestinian hills at night, with very little visual ‘information’. Light is power in Ramallah, connoting Settlements and surveillance. It also forms a nocturnal sea beyond the prison of the ‘West Bank’, A LETTER TO JENNIFER KNOLL Constant Dullaart, ‘A Letter to Jennifer Knoll’, Rhizome, 5 September 2013 (6) A Letter to Jennifer Knoll CONSTANT DULLAART | Thu Sep 5th, 2013 9:30 a.m. ‘NATASCHA SADR HAGHIGHIAN AT CARROLL / FLETCHER, LONDON at Carroll / Fletcher. London until 14 September 2012 In a radical departure from her usual practice of site-specific projects, Natascha Sadr Haghighian's first solo ZACHARIAH WEBB, ‘ODE TO THE LIMITATIONS OF LANGUAGE Zachariah Webb, ‘Ode to the limitations of language: Richard T. Walker ‘the predicament of always (as we are)’, The State Press,October 2014
DIANA SEO HYUNG LEE, ‘SEEING SOUND- AN INTERVIEW WITH Diana Seo Hyung Lee, ‘Seeing Sound: An Interview with Christine Sun Kim’, ArtAsiaPacific, 21 June 2013 CHRISTINE SUN KIM, Courtier asCourier, 2013.
EVENT: THOMSON & CRAIGHEAD TOUR AND CONVERSATION WITH Thomson & Craighead Tour and Conversation with Perfumer Euan McCall Thursday 14 April 2016, 7pm Carroll / Fletcher Free - Limited capacity, please arrive early to secure a place Thomson & Craighead will present Party Booby Trap , their second solo exhibition at the gallery. The artists will lead aCHRISTINE SUN KIM
Berlin-based artist Christine Sun Kim (b.1980, California), who has been deaf since birth, explores the materiality of sound in work that connects sound to drawing, painting, and performance. In the course of developing her own visual language, Kim has explored and employed elements from various information systems. By combining aspectsTHOMSON & CRAIGHEAD
Jon Thomson and Alison Craighead work across video, sound, sculpture, installation and online space, using technology as a means to reformulate fundamental human questions for contemporary times. Through sensitive appropriation of images, texts, and data from online sources, the artists produce generous, lyrical works that both exercise the dramatic conventionsMANFRED MOHR
Since the late 1950s, Manfred Mohr, a pioneer of generative and computer art, has been making rigorously minimal paintings and drawings. His work is stringently conceptual, but with an elegant lyricism which belies its formal underpinnings. During the 1960s, Mohr’s practice evolved from abstract expressionism towards a more hard-edged geometricJUSTIN HIBBS
Across his practice, Justin Hibbs (b. 1971, Poole, UK) picks apart the mechanics of spatial perception and representation, drawing upon social, political and aesthetic agendas encoded within architectural structures. In particular, much of his work is a renegotiation of the visual language and ideological legacies of modernism, seeking toestablish
JUSTIN HIBBS
Across his practice, Justin Hibbs (b. 1971, Poole, UK) picks apart the mechanics of spatial perception and representation, drawing upon social, political and aesthetic agendas encoded within architectural structures. In particular, much of his work is a renegotiation of the visual language and ideological legacies of modernism, seeking toestablish
UBERMORGEN | CARROLL / FLETCHER Founded in 1995 by lizvlx and Hans Bernhard. 'If art and art production politicizes itself, it becomes political and ceases to be art' (UBERMORGEN.COM Manifesto, 2009) UBERMORGEN’s research-based practice is driven by a desire to satisfy their own curiosity, without the constraints of having a defined political agenda or preconceivedCHRISTINE SUN KIM
Christine Sun Kim Exhibitions: Looking at one thing and thinking of something else, Part Two: Observations, 2 - 23 Dec 2016; Christine Sun Kim, Rustle Tustle, 27 Nov 2015 - 30 Jan 2016; Pencil / Line / Eraser,1 Aug - 13 Sep 2014
EULALIA VALLDOSERA
Since graduating from the Gerrit Rietveld Academie in Amsterdam in 1992, Eulalia Valldosera has developed a body of work demystifying the status of the artist as a unique creator, conceiving herself, in her own words, “as a producer of meanings, rather than as a producer of works”. This process began NOW SHOWING: A GROUP EXHIBITION OF ARTISTS’ FILM 17 www.carrollfletcher.com Carroll / Fletcher OnScreen Carroll / Fletcher Onscreen is an online cinema showing a dynamic curated programme ofartists’ and
EVENT: THOMSON & CRAIGHEAD TOUR AND CONVERSATION WITH Thomson & Craighead Tour and Conversation with Perfumer Euan McCall Thursday 14 April 2016, 7pm Carroll / Fletcher Free - Limited capacity, please arrive early to secure a place Thomson & Craighead will present Party Booby Trap , their second solo exhibition at the gallery. The artists will lead aCHRISTINE SUN KIM
Berlin-based artist Christine Sun Kim (b.1980, California), who has been deaf since birth, explores the materiality of sound in work that connects sound to drawing, painting, and performance. In the course of developing her own visual language, Kim has explored and employed elements from various information systems. By combining aspectsTHOMSON & CRAIGHEAD
Jon Thomson and Alison Craighead work across video, sound, sculpture, installation and online space, using technology as a means to reformulate fundamental human questions for contemporary times. Through sensitive appropriation of images, texts, and data from online sources, the artists produce generous, lyrical works that both exercise the dramatic conventionsMANFRED MOHR
Since the late 1950s, Manfred Mohr, a pioneer of generative and computer art, has been making rigorously minimal paintings and drawings. His work is stringently conceptual, but with an elegant lyricism which belies its formal underpinnings. During the 1960s, Mohr’s practice evolved from abstract expressionism towards a more hard-edged geometricJUSTIN HIBBS
Across his practice, Justin Hibbs (b. 1971, Poole, UK) picks apart the mechanics of spatial perception and representation, drawing upon social, political and aesthetic agendas encoded within architectural structures. In particular, much of his work is a renegotiation of the visual language and ideological legacies of modernism, seeking toestablish
JUSTIN HIBBS
Across his practice, Justin Hibbs (b. 1971, Poole, UK) picks apart the mechanics of spatial perception and representation, drawing upon social, political and aesthetic agendas encoded within architectural structures. In particular, much of his work is a renegotiation of the visual language and ideological legacies of modernism, seeking toestablish
UBERMORGEN | CARROLL / FLETCHER Founded in 1995 by lizvlx and Hans Bernhard. 'If art and art production politicizes itself, it becomes political and ceases to be art' (UBERMORGEN.COM Manifesto, 2009) UBERMORGEN’s research-based practice is driven by a desire to satisfy their own curiosity, without the constraints of having a defined political agenda or preconceivedCHRISTINE SUN KIM
Christine Sun Kim Exhibitions: Looking at one thing and thinking of something else, Part Two: Observations, 2 - 23 Dec 2016; Christine Sun Kim, Rustle Tustle, 27 Nov 2015 - 30 Jan 2016; Pencil / Line / Eraser,1 Aug - 13 Sep 2014
EULALIA VALLDOSERA
Since graduating from the Gerrit Rietveld Academie in Amsterdam in 1992, Eulalia Valldosera has developed a body of work demystifying the status of the artist as a unique creator, conceiving herself, in her own words, “as a producer of meanings, rather than as a producer of works”. This process began NOW SHOWING: A GROUP EXHIBITION OF ARTISTS’ FILM 17 www.carrollfletcher.com Carroll / Fletcher OnScreen Carroll / Fletcher Onscreen is an online cinema showing a dynamic curated programme ofartists’ and
EVENT: THOMSON & CRAIGHEAD TOUR AND CONVERSATION WITH Thomson & Craighead Tour and Conversation with Perfumer Euan McCall Thursday 14 April 2016, 7pm Carroll / Fletcher Free - Limited capacity, please arrive early to secure a place Thomson & Craighead will present Party Booby Trap , their second solo exhibition at the gallery. The artists will lead a EVENTS | CARROLL / FLETCHER Carroll / Fletcher Onscreen @ Close-Up Cinema 28 Jun 2017 Ian Bourn: Self Portraits and Other Fictions Three films and a reading Wednesday 28 June, 7.30pm Close-Up Film Centre 97 Sclater St, London E1 6HR Monolog, 1998 (46 mins) Sick Read more "How Did the Computer Learn to See?" Alexander R. Galloway May 24, 2017 7pm £5 tickets available here . How did the computer learn to see?THOMSON & CRAIGHEAD
Jon Thomson and Alison Craighead work across video, sound, sculpture, installation and online space, using technology as a means to reformulate fundamental human questions for contemporary times. Through sensitive appropriation of images, texts, and data from online sources, the artists produce generous, lyrical works that both exercise the dramatic conventions UBERMORGEN | CARROLL / FLETCHER Founded in 1995 by lizvlx and Hans Bernhard. 'If art and art production politicizes itself, it becomes political and ceases to be art' (UBERMORGEN.COM Manifesto, 2009) UBERMORGEN’s research-based practice is driven by a desire to satisfy their own curiosity, without the constraints of having a defined political agenda or preconceivedMISHKA HENNER
Mishka Henner (b.1976, Belgium) is one of the UK's most significant artists working with and interrogating the photographic medium. Based on the collection and mediation of publicly available imagery sourced through the internet, satellites and television, his appropriative practice explores the use and value of photography and itsrelationship with
THOMSON & CRAIGHEAD
Awards 2014 Nam June Paik Award, shortlisted, Kunstmuseum Krefeld, Germany 2012 The Jarman Award, shortlisted, UK 2011 Current, Folly and Harris Museum, Preston, UK Vital Spark, Creative Scotland, UK 2005 Arts Foundation Fellowship, UK CHRISTINE SUN KIM EXPLORES THE POLITICS OF SOUND Christopher Willes, ’Christine Sun Kim explores the politics of sound’, Music Works Issue 123, October 2015 10 musıc works #123 | fall 2015 sound shape These words are handwritten in a drawing that was included in an exhibition of new DE PASO - CARROLL / FLETCHER 3 distance between the seats has decreased, the plastic has adopted lighter tones, and the fabric has abandoned plain colours for flecks, mixtures of greys and blues, ‘NATASCHA SADR HAGHIGHIAN AT CARROLL / FLETCHER, LONDON at Carroll / Fletcher. London until 14 September 2012 In a radical departure from her usual practice of site-specific projects, Natascha Sadr Haghighian's first solo ZACHARIAH WEBB, ‘ODE TO THE LIMITATIONS OF LANGUAGE Zachariah Webb, ‘Ode to the limitations of language: Richard T. Walker ‘the predicament of always (as we are)’, The State Press,October 2014
EVENT: THOMSON & CRAIGHEAD TOUR AND CONVERSATION WITH Thomson & Craighead Tour and Conversation with Perfumer Euan McCall Thursday 14 April 2016, 7pm Carroll / Fletcher Free - Limited capacity, please arrive early to secure a place Thomson & Craighead will present Party Booby Trap , their second solo exhibition at the gallery. The artists will lead aCarroll / Fletcher
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