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MUSEO CARMEN THYSSEN MÁLAGA During his early years Emilio Sánchez-Perrier helped make clocks at his father’s shop in Calle Sierpe. He soon showed a natural gift for drawing and painting, and at the age of thirteen he attended the School of Fine Art in Seville, where two of his masters were Joaquín Domínguez Bécquer and Eduardo Cano de la LA ILUSIÓN DEL LEJANO OESTE George Catlin, Albert Bierstadt, Karl Bodmer, Miguel Ángel Blanco. Folletos: Folleto "La ilusión del Lejano Oeste" VER. Más información: Horario: De martes a domingo de 10 a 20h. Tarifas: General: 4,50 € Reducida: 2,50 €. Vídeo de la exposición. Visita virtual. Catálogo. La conquista del Lejano Oeste trascendió a lolargo del siglo
MUSEO CARMEN THYSSEN MÁLAGA Guillermo Gómez Gil was born in Malaga in 1862. He showed an interest in art from a very early age and began training as an artist in 1878 as a pupil of the San Telmo School of Fine Arts in Malaga. He must have made good progress as he ventured to compete for the Barroso prize awarded by the council as an incentive to students of the school RETURNING TO THE MONASTERY Returning to the Monastery. This characteristic genre scene by the Bilbao painter Eduardo Zamacois is a comical depiction of a group of Franciscans returning to the monastery after a visit to the market in the village, whose buildings are visible lower down on the right-hand side. The focus of the composition is the anecdotal plight of the baldCORTEJO ESPAÑOL
Cortejo español. Este cuadro, pintado durante una breve estancia de García Ramos en Granada en 1883, y mencionado durante muchos años como en paradero desconocido, es quizá una de las escenas costumbristas de ambientación andaluza más famosas de todas las pintadas por este artista a lo largo de su fecundísima carrera,además de ser
EL PASO DEL TREN
El paso del tren es una escena que se ubica en Ategorrieta, cerca de San Sebastián, y que fue llevada a cabo en otoño del mismo año en el que Darío de Regoyos se trasladó a esta ciudad desde Irún. MUSEO CARMEN THYSSEN MÁLAGATRANSLATE THIS PAGEVISITACOLECCIÓNEXPOSICIONESEDUCACIÓNACTIVIDADESMULTIMEDIA Extraordinario recorrido por los géneros que protagonizaron la pintura española del siglo XIX y principios del XX, con especial atención a la pintura andaluza. Ubicado en el Palacio de Villalón (s. XVI) en el Centro Histórico y comercial de la ciudad. MUSEO CARMEN THYSSEN MÁLAGATRANSLATE THIS PAGETOURCOLLECTIONEXHIBITIONSEDUCATIONACTIVITIESMULTIMEDIA Together with the Picasso Museum Malaga and the CAC (Centre for Contemporary Art), the Carmen Thyssen-Bornemisza Collection Museum of Art forms part of the cultural offer of the City of Malaga. Together with the Picasso Museum Malaga and the CAC (Centre for Contemporary Art), the Carmen Thyssen-Bornemisza Collection Museum of Art forms part of the cultural offer of the City of Malaga. COLLECTION | MUSEO CARMEN THYSSEN MÁLAGA Tours, highlighted works, artists and the Museum's publications. Explore the historic heritage of the Museum building and take a virtual tour of its spaces. MUSEO CARMEN THYSSEN MÁLAGA The Betrothal of the Virgin and Saint Joseph. Although very little known, this painter must have been a prominent member of the Madrid painting scene of the early 18th century judging by the research published to date (Piedra 1985 and Agulló and Cobo 1987). According to his own testimony, he was born in Madrid between 1659 and 1662, anddied
MUSEO CARMEN THYSSEN MÁLAGA During his early years Emilio Sánchez-Perrier helped make clocks at his father’s shop in Calle Sierpe. He soon showed a natural gift for drawing and painting, and at the age of thirteen he attended the School of Fine Art in Seville, where two of his masters were Joaquín Domínguez Bécquer and Eduardo Cano de la LA ILUSIÓN DEL LEJANO OESTE George Catlin, Albert Bierstadt, Karl Bodmer, Miguel Ángel Blanco. Folletos: Folleto "La ilusión del Lejano Oeste" VER. Más información: Horario: De martes a domingo de 10 a 20h. Tarifas: General: 4,50 € Reducida: 2,50 €. Vídeo de la exposición. Visita virtual. Catálogo. La conquista del Lejano Oeste trascendió a lolargo del siglo
MUSEO CARMEN THYSSEN MÁLAGA Guillermo Gómez Gil was born in Malaga in 1862. He showed an interest in art from a very early age and began training as an artist in 1878 as a pupil of the San Telmo School of Fine Arts in Malaga. He must have made good progress as he ventured to compete for the Barroso prize awarded by the council as an incentive to students of the school RETURNING TO THE MONASTERY Returning to the Monastery. This characteristic genre scene by the Bilbao painter Eduardo Zamacois is a comical depiction of a group of Franciscans returning to the monastery after a visit to the market in the village, whose buildings are visible lower down on the right-hand side. The focus of the composition is the anecdotal plight of the baldCORTEJO ESPAÑOL
Cortejo español. Este cuadro, pintado durante una breve estancia de García Ramos en Granada en 1883, y mencionado durante muchos años como en paradero desconocido, es quizá una de las escenas costumbristas de ambientación andaluza más famosas de todas las pintadas por este artista a lo largo de su fecundísima carrera,además de ser
EL PASO DEL TREN
El paso del tren es una escena que se ubica en Ategorrieta, cerca de San Sebastián, y que fue llevada a cabo en otoño del mismo año en el que Darío de Regoyos se trasladó a esta ciudad desde Irún. COLLECTION | MUSEO CARMEN THYSSEN MÁLAGA Tours, highlighted works, artists and the Museum's publications. Explore the historic heritage of the Museum building and take a virtual tour of its spaces.THE VISITATION
The iconography of the Visitation is basically a scene featuring two people of the same nature – i.e. human – in which the predominant feature is the meeting, the two women’s embrace. As in the present case, unity and a certain symmetry prevail in the composition. The theme is always depicted outdoors, outside Elizabeth’s house, andthe
MUSEO CARMEN THYSSEN MÁLAGATRANSLATE THIS PAGE Authors: Lourdes Moreno, Bárbara García Menéndez, Alberto Gil y Carmen Martínez. ISBN: 978-84-121077-1-5. Spanish. Spanish. 144 pages; 76 illustrations (colour) LOS MUSEOS MÁS ALLÁ DEL TURISMO Organizado conjuntamente por la Agencia Pública para la Gestión de la Casa Natal de Pablo Ruiz Picasso y otros equipamientos museísticos y culturales, el Museo Picasso Málaga y el Museo Carmen Thyssen Málaga, con la colaboración de Málaga Procultura. MUSEO CARMEN THYSSEN MÁLAGATRANSLATE THIS PAGE Pintar la luz. Maestros catalanes de la Colección Carmen Thyssen MUSEO CARMEN THYSSEN MÁLAGA News La colección más personal de Carmen Thyssen centra la nueva exposición temporal del MCTM. Hasta el próximo mes de octubre, se podrá visitar "Pintar la luz. RETURNING TO THE MONASTERY Returning to the Monastery. This characteristic genre scene by the Bilbao painter Eduardo Zamacois is a comical depiction of a group of Franciscans returning to the monastery after a visit to the market in the village, whose buildings are visible lower down on the right-hand side. The focus of the composition is the anecdotal plight of the bald IMMACULATE CONCEPTION The theme of the Immaculate Conception is closely linked to the Spanish Baroque world. Intense popular devotion gave rise to the cult and fostered the iconographic development of this belief, which underwent a long, slow process before attaining the status of dogma, despite pressure from the upper echelons of power in Spain, including different monarchs and the ecclesiastic hierarchies. MUSEO CARMEN THYSSEN MÁLAGA At the Fair. 1886. Rafael Arroyo Fernández was born in Granada on 24 January 1860. He first enrolled at the school of the Royal Academy of Fine Arts in the city in 1873 and remained there until 1881 under the tutorship of the still-life and landscape painter Julián Sanz del Valle, studying the subjects of drawing, figures, Antiquity anddrapery.
MASKS. METAMORPHOSIS OF MODERN IDENTITY This exhibition reflects on the mask as a means of transforming how the human figure is represented in modern art. Originally having a traditional festive use associated with the carnival and fancy dress, which continued to be predominant in commedia dell’arte characters, masks began to be associated with the grotesque and death in the late 19th century, with Goya as a precedent, and MUSEO CARMEN THYSSEN MÁLAGATRANSLATE THIS PAGEVISITACOLECCIÓNEXPOSICIONESEDUCACIÓNACTIVIDADESMULTIMEDIA Extraordinario recorrido por los géneros que protagonizaron la pintura española del siglo XIX y principios del XX, con especial atención a la pintura andaluza. Ubicado en el Palacio de Villalón (s. XVI) en el Centro Histórico y comercial de la ciudad. MUSEO CARMEN THYSSEN MÁLAGATRANSLATE THIS PAGETOURCOLLECTIONEXHIBITIONSEDUCATIONACTIVITIESMULTIMEDIAMUSEO THYSSEN BORNEMISZAMUSEO THYSSENMUSEO NACIONAL THYSSEN BORNEMISZAMUSEO THYSSEN BORNEMISZA IN MADRID Together with the Picasso Museum Malaga and the CAC (Centre for Contemporary Art), the Carmen Thyssen-Bornemisza Collection Museum of Art forms part of the cultural offer of the City of Malaga. Together with the Picasso Museum Malaga and the CAC (Centre for Contemporary Art), the Carmen Thyssen-Bornemisza Collection Museum of Art forms part of the cultural offer of the City of Malaga. COLLECTION | MUSEO CARMEN THYSSEN MÁLAGA Tours, highlighted works, artists and the Museum's publications. Explore the historic heritage of the Museum building and take a virtual tour of its spaces. MUSEO CARMEN THYSSEN MÁLAGA The Betrothal of the Virgin and Saint Joseph. Although very little known, this painter must have been a prominent member of the Madrid painting scene of the early 18th century judging by the research published to date (Piedra 1985 and Agulló and Cobo 1987). According to his own testimony, he was born in Madrid between 1659 and 1662, anddied
MUSEO CARMEN THYSSEN MÁLAGA During his early years Emilio Sánchez-Perrier helped make clocks at his father’s shop in Calle Sierpe. He soon showed a natural gift for drawing and painting, and at the age of thirteen he attended the School of Fine Art in Seville, where two of his masters were Joaquín Domínguez Bécquer and Eduardo Cano de la LA ILUSIÓN DEL LEJANO OESTE George Catlin, Albert Bierstadt, Karl Bodmer, Miguel Ángel Blanco. Folletos: Folleto "La ilusión del Lejano Oeste" VER. Más información: Horario: De martes a domingo de 10 a 20h. Tarifas: General: 4,50 € Reducida: 2,50 €. Vídeo de la exposición. Visita virtual. Catálogo. La conquista del Lejano Oeste trascendió a lolargo del siglo
MUSEO CARMEN THYSSEN MÁLAGAGUILLERMO GOMEZ AND JESSICA SMITHGUILLERMO GOMEZ ATTORNEYGUILLERMO GOMEZ MD FONTANA CAGUILLERMO GOMEZ MD RIVERSIDE CAGUILLERMO GOMEZ PENA ARTWORKGUILLERMO GOMEZ PENA WORKS Guillermo Gómez Gil was born in Malaga in 1862. He showed an interest in art from a very early age and began training as an artist in 1878 as a pupil of the San Telmo School of Fine Arts in Malaga. He must have made good progress as he ventured to compete for the Barroso prize awarded by the council as an incentive to students of the school RETURNING TO THE MONASTERY Returning to the Monastery. This characteristic genre scene by the Bilbao painter Eduardo Zamacois is a comical depiction of a group of Franciscans returning to the monastery after a visit to the market in the village, whose buildings are visible lower down on the right-hand side. The focus of the composition is the anecdotal plight of the baldCORTEJO ESPAÑOL
Cortejo español. Este cuadro, pintado durante una breve estancia de García Ramos en Granada en 1883, y mencionado durante muchos años como en paradero desconocido, es quizá una de las escenas costumbristas de ambientación andaluza más famosas de todas las pintadas por este artista a lo largo de su fecundísima carrera,además de ser
EL PASO DEL TREN
El paso del tren es una escena que se ubica en Ategorrieta, cerca de San Sebastián, y que fue llevada a cabo en otoño del mismo año en el que Darío de Regoyos se trasladó a esta ciudad desde Irún. MUSEO CARMEN THYSSEN MÁLAGATRANSLATE THIS PAGEVISITACOLECCIÓNEXPOSICIONESEDUCACIÓNACTIVIDADESMULTIMEDIA Extraordinario recorrido por los géneros que protagonizaron la pintura española del siglo XIX y principios del XX, con especial atención a la pintura andaluza. Ubicado en el Palacio de Villalón (s. XVI) en el Centro Histórico y comercial de la ciudad. MUSEO CARMEN THYSSEN MÁLAGATRANSLATE THIS PAGETOURCOLLECTIONEXHIBITIONSEDUCATIONACTIVITIESMULTIMEDIAMUSEO THYSSEN BORNEMISZAMUSEO THYSSENMUSEO NACIONAL THYSSEN BORNEMISZAMUSEO THYSSEN BORNEMISZA IN MADRID Together with the Picasso Museum Malaga and the CAC (Centre for Contemporary Art), the Carmen Thyssen-Bornemisza Collection Museum of Art forms part of the cultural offer of the City of Malaga. Together with the Picasso Museum Malaga and the CAC (Centre for Contemporary Art), the Carmen Thyssen-Bornemisza Collection Museum of Art forms part of the cultural offer of the City of Malaga. COLLECTION | MUSEO CARMEN THYSSEN MÁLAGA Tours, highlighted works, artists and the Museum's publications. Explore the historic heritage of the Museum building and take a virtual tour of its spaces. MUSEO CARMEN THYSSEN MÁLAGA The Betrothal of the Virgin and Saint Joseph. Although very little known, this painter must have been a prominent member of the Madrid painting scene of the early 18th century judging by the research published to date (Piedra 1985 and Agulló and Cobo 1987). According to his own testimony, he was born in Madrid between 1659 and 1662, anddied
MUSEO CARMEN THYSSEN MÁLAGA During his early years Emilio Sánchez-Perrier helped make clocks at his father’s shop in Calle Sierpe. He soon showed a natural gift for drawing and painting, and at the age of thirteen he attended the School of Fine Art in Seville, where two of his masters were Joaquín Domínguez Bécquer and Eduardo Cano de la LA ILUSIÓN DEL LEJANO OESTE George Catlin, Albert Bierstadt, Karl Bodmer, Miguel Ángel Blanco. Folletos: Folleto "La ilusión del Lejano Oeste" VER. Más información: Horario: De martes a domingo de 10 a 20h. Tarifas: General: 4,50 € Reducida: 2,50 €. Vídeo de la exposición. Visita virtual. Catálogo. La conquista del Lejano Oeste trascendió a lolargo del siglo
MUSEO CARMEN THYSSEN MÁLAGAGUILLERMO GOMEZ AND JESSICA SMITHGUILLERMO GOMEZ ATTORNEYGUILLERMO GOMEZ MD FONTANA CAGUILLERMO GOMEZ MD RIVERSIDE CAGUILLERMO GOMEZ PENA ARTWORKGUILLERMO GOMEZ PENA WORKS Guillermo Gómez Gil was born in Malaga in 1862. He showed an interest in art from a very early age and began training as an artist in 1878 as a pupil of the San Telmo School of Fine Arts in Malaga. He must have made good progress as he ventured to compete for the Barroso prize awarded by the council as an incentive to students of the school RETURNING TO THE MONASTERY Returning to the Monastery. This characteristic genre scene by the Bilbao painter Eduardo Zamacois is a comical depiction of a group of Franciscans returning to the monastery after a visit to the market in the village, whose buildings are visible lower down on the right-hand side. The focus of the composition is the anecdotal plight of the baldCORTEJO ESPAÑOL
Cortejo español. Este cuadro, pintado durante una breve estancia de García Ramos en Granada en 1883, y mencionado durante muchos años como en paradero desconocido, es quizá una de las escenas costumbristas de ambientación andaluza más famosas de todas las pintadas por este artista a lo largo de su fecundísima carrera,además de ser
EL PASO DEL TREN
El paso del tren es una escena que se ubica en Ategorrieta, cerca de San Sebastián, y que fue llevada a cabo en otoño del mismo año en el que Darío de Regoyos se trasladó a esta ciudad desde Irún. COLLECTION | MUSEO CARMEN THYSSEN MÁLAGA Tours, highlighted works, artists and the Museum's publications. Explore the historic heritage of the Museum building and take a virtual tour of its spaces.THE VISITATION
The iconography of the Visitation is basically a scene featuring two people of the same nature – i.e. human – in which the predominant feature is the meeting, the two women’s embrace. As in the present case, unity and a certain symmetry prevail in the composition. The theme is always depicted outdoors, outside Elizabeth’s house, andthe
MUSEO CARMEN THYSSEN MÁLAGATRANSLATE THIS PAGE Authors: Lourdes Moreno, Bárbara García Menéndez, Alberto Gil y Carmen Martínez. ISBN: 978-84-121077-1-5. Spanish. Spanish. 144 pages; 76 illustrations (colour) LOS MUSEOS MÁS ALLÁ DEL TURISMO Organizado conjuntamente por la Agencia Pública para la Gestión de la Casa Natal de Pablo Ruiz Picasso y otros equipamientos museísticos y culturales, el Museo Picasso Málaga y el Museo Carmen Thyssen Málaga, con la colaboración de Málaga Procultura. MUSEO CARMEN THYSSEN MÁLAGATRANSLATE THIS PAGE Pintar la luz. Maestros catalanes de la Colección Carmen Thyssen MUSEO CARMEN THYSSEN MÁLAGA News La colección más personal de Carmen Thyssen centra la nueva exposición temporal del MCTM. Hasta el próximo mes de octubre, se podrá visitar "Pintar la luz. RETURNING TO THE MONASTERY Returning to the Monastery. This characteristic genre scene by the Bilbao painter Eduardo Zamacois is a comical depiction of a group of Franciscans returning to the monastery after a visit to the market in the village, whose buildings are visible lower down on the right-hand side. The focus of the composition is the anecdotal plight of the bald IMMACULATE CONCEPTION The theme of the Immaculate Conception is closely linked to the Spanish Baroque world. Intense popular devotion gave rise to the cult and fostered the iconographic development of this belief, which underwent a long, slow process before attaining the status of dogma, despite pressure from the upper echelons of power in Spain, including different monarchs and the ecclesiastic hierarchies. MUSEO CARMEN THYSSEN MÁLAGA At the Fair. 1886. Rafael Arroyo Fernández was born in Granada on 24 January 1860. He first enrolled at the school of the Royal Academy of Fine Arts in the city in 1873 and remained there until 1881 under the tutorship of the still-life and landscape painter Julián Sanz del Valle, studying the subjects of drawing, figures, Antiquity anddrapery.
MASKS. METAMORPHOSIS OF MODERN IDENTITY This exhibition reflects on the mask as a means of transforming how the human figure is represented in modern art. Originally having a traditional festive use associated with the carnival and fancy dress, which continued to be predominant in commedia dell’arte characters, masks began to be associated with the grotesque and death in the late 19th century, with Goya as a precedent, and MUSEO CARMEN THYSSEN MÁLAGATRANSLATE THIS PAGEVISITACOLECCIÓNEXPOSICIONESEDUCACIÓNACTIVIDADESMULTIMEDIA Extraordinario recorrido por los géneros que protagonizaron la pintura española del siglo XIX y principios del XX, con especial atención a la pintura andaluza. Ubicado en el Palacio de Villalón (s. XVI) en el Centro Histórico y comercial de la ciudad. MUSEO CARMEN THYSSEN MÁLAGATRANSLATE THIS PAGETOURCOLLECTIONEXHIBITIONSEDUCATIONACTIVITIESMULTIMEDIAMUSEO THYSSEN BORNEMISZAMUSEO THYSSENMUSEO NACIONAL THYSSEN BORNEMISZAMUSEO THYSSEN BORNEMISZA IN MADRID Together with the Picasso Museum Malaga and the CAC (Centre for Contemporary Art), the Carmen Thyssen-Bornemisza Collection Museum of Art forms part of the cultural offer of the City of Malaga. Together with the Picasso Museum Malaga and the CAC (Centre for Contemporary Art), the Carmen Thyssen-Bornemisza Collection Museum of Art forms part of the cultural offer of the City of Malaga. COLLECTION | MUSEO CARMEN THYSSEN MÁLAGA Tours, highlighted works, artists and the Museum's publications. Explore the historic heritage of the Museum building and take a virtual tour of its spaces. MUSEO CARMEN THYSSEN MÁLAGA The Betrothal of the Virgin and Saint Joseph. Although very little known, this painter must have been a prominent member of the Madrid painting scene of the early 18th century judging by the research published to date (Piedra 1985 and Agulló and Cobo 1987). According to his own testimony, he was born in Madrid between 1659 and 1662, anddied
MUSEO CARMEN THYSSEN MÁLAGA During his early years Emilio Sánchez-Perrier helped make clocks at his father’s shop in Calle Sierpe. He soon showed a natural gift for drawing and painting, and at the age of thirteen he attended the School of Fine Art in Seville, where two of his masters were Joaquín Domínguez Bécquer and Eduardo Cano de la LA ILUSIÓN DEL LEJANO OESTE George Catlin, Albert Bierstadt, Karl Bodmer, Miguel Ángel Blanco. Folletos: Folleto "La ilusión del Lejano Oeste" VER. Más información: Horario: De martes a domingo de 10 a 20h. Tarifas: General: 4,50 € Reducida: 2,50 €. Vídeo de la exposición. Visita virtual. Catálogo. La conquista del Lejano Oeste trascendió a lolargo del siglo
MUSEO CARMEN THYSSEN MÁLAGAGUILLERMO GOMEZ AND JESSICA SMITHGUILLERMO GOMEZ ATTORNEYGUILLERMO GOMEZ MD FONTANA CAGUILLERMO GOMEZ MD RIVERSIDE CAGUILLERMO GOMEZ PENA ARTWORKGUILLERMO GOMEZ PENA WORKS Guillermo Gómez Gil was born in Malaga in 1862. He showed an interest in art from a very early age and began training as an artist in 1878 as a pupil of the San Telmo School of Fine Arts in Malaga. He must have made good progress as he ventured to compete for the Barroso prize awarded by the council as an incentive to students of the school RETURNING TO THE MONASTERY Returning to the Monastery. This characteristic genre scene by the Bilbao painter Eduardo Zamacois is a comical depiction of a group of Franciscans returning to the monastery after a visit to the market in the village, whose buildings are visible lower down on the right-hand side. The focus of the composition is the anecdotal plight of the baldCORTEJO ESPAÑOL
Cortejo español. Este cuadro, pintado durante una breve estancia de García Ramos en Granada en 1883, y mencionado durante muchos años como en paradero desconocido, es quizá una de las escenas costumbristas de ambientación andaluza más famosas de todas las pintadas por este artista a lo largo de su fecundísima carrera,además de ser
EL PASO DEL TREN
El paso del tren es una escena que se ubica en Ategorrieta, cerca de San Sebastián, y que fue llevada a cabo en otoño del mismo año en el que Darío de Regoyos se trasladó a esta ciudad desde Irún. MUSEO CARMEN THYSSEN MÁLAGATRANSLATE THIS PAGEVISITACOLECCIÓNEXPOSICIONESEDUCACIÓNACTIVIDADESMULTIMEDIA Extraordinario recorrido por los géneros que protagonizaron la pintura española del siglo XIX y principios del XX, con especial atención a la pintura andaluza. Ubicado en el Palacio de Villalón (s. XVI) en el Centro Histórico y comercial de la ciudad. MUSEO CARMEN THYSSEN MÁLAGATRANSLATE THIS PAGETOURCOLLECTIONEXHIBITIONSEDUCATIONACTIVITIESMULTIMEDIAMUSEO THYSSEN BORNEMISZAMUSEO THYSSENMUSEO NACIONAL THYSSEN BORNEMISZAMUSEO THYSSEN BORNEMISZA IN MADRID Together with the Picasso Museum Malaga and the CAC (Centre for Contemporary Art), the Carmen Thyssen-Bornemisza Collection Museum of Art forms part of the cultural offer of the City of Malaga. Together with the Picasso Museum Malaga and the CAC (Centre for Contemporary Art), the Carmen Thyssen-Bornemisza Collection Museum of Art forms part of the cultural offer of the City of Malaga. COLLECTION | MUSEO CARMEN THYSSEN MÁLAGA Tours, highlighted works, artists and the Museum's publications. Explore the historic heritage of the Museum building and take a virtual tour of its spaces. MUSEO CARMEN THYSSEN MÁLAGA The Betrothal of the Virgin and Saint Joseph. Although very little known, this painter must have been a prominent member of the Madrid painting scene of the early 18th century judging by the research published to date (Piedra 1985 and Agulló and Cobo 1987). According to his own testimony, he was born in Madrid between 1659 and 1662, anddied
MUSEO CARMEN THYSSEN MÁLAGA During his early years Emilio Sánchez-Perrier helped make clocks at his father’s shop in Calle Sierpe. He soon showed a natural gift for drawing and painting, and at the age of thirteen he attended the School of Fine Art in Seville, where two of his masters were Joaquín Domínguez Bécquer and Eduardo Cano de la LA ILUSIÓN DEL LEJANO OESTE George Catlin, Albert Bierstadt, Karl Bodmer, Miguel Ángel Blanco. Folletos: Folleto "La ilusión del Lejano Oeste" VER. Más información: Horario: De martes a domingo de 10 a 20h. Tarifas: General: 4,50 € Reducida: 2,50 €. Vídeo de la exposición. Visita virtual. Catálogo. La conquista del Lejano Oeste trascendió a lolargo del siglo
MUSEO CARMEN THYSSEN MÁLAGAGUILLERMO GOMEZ AND JESSICA SMITHGUILLERMO GOMEZ ATTORNEYGUILLERMO GOMEZ MD FONTANA CAGUILLERMO GOMEZ MD RIVERSIDE CAGUILLERMO GOMEZ PENA ARTWORKGUILLERMO GOMEZ PENA WORKS Guillermo Gómez Gil was born in Malaga in 1862. He showed an interest in art from a very early age and began training as an artist in 1878 as a pupil of the San Telmo School of Fine Arts in Malaga. He must have made good progress as he ventured to compete for the Barroso prize awarded by the council as an incentive to students of the school RETURNING TO THE MONASTERY Returning to the Monastery. This characteristic genre scene by the Bilbao painter Eduardo Zamacois is a comical depiction of a group of Franciscans returning to the monastery after a visit to the market in the village, whose buildings are visible lower down on the right-hand side. The focus of the composition is the anecdotal plight of the baldCORTEJO ESPAÑOL
Cortejo español. Este cuadro, pintado durante una breve estancia de García Ramos en Granada en 1883, y mencionado durante muchos años como en paradero desconocido, es quizá una de las escenas costumbristas de ambientación andaluza más famosas de todas las pintadas por este artista a lo largo de su fecundísima carrera,además de ser
EL PASO DEL TREN
El paso del tren es una escena que se ubica en Ategorrieta, cerca de San Sebastián, y que fue llevada a cabo en otoño del mismo año en el que Darío de Regoyos se trasladó a esta ciudad desde Irún. COLLECTION | MUSEO CARMEN THYSSEN MÁLAGA Tours, highlighted works, artists and the Museum's publications. Explore the historic heritage of the Museum building and take a virtual tour of its spaces.THE VISITATION
The iconography of the Visitation is basically a scene featuring two people of the same nature – i.e. human – in which the predominant feature is the meeting, the two women’s embrace. As in the present case, unity and a certain symmetry prevail in the composition. The theme is always depicted outdoors, outside Elizabeth’s house, andthe
MUSEO CARMEN THYSSEN MÁLAGATRANSLATE THIS PAGE Authors: Lourdes Moreno, Bárbara García Menéndez, Alberto Gil y Carmen Martínez. ISBN: 978-84-121077-1-5. Spanish. Spanish. 144 pages; 76 illustrations (colour) LOS MUSEOS MÁS ALLÁ DEL TURISMO Organizado conjuntamente por la Agencia Pública para la Gestión de la Casa Natal de Pablo Ruiz Picasso y otros equipamientos museísticos y culturales, el Museo Picasso Málaga y el Museo Carmen Thyssen Málaga, con la colaboración de Málaga Procultura. MUSEO CARMEN THYSSEN MÁLAGATRANSLATE THIS PAGE Pintar la luz. Maestros catalanes de la Colección Carmen Thyssen MUSEO CARMEN THYSSEN MÁLAGA News La colección más personal de Carmen Thyssen centra la nueva exposición temporal del MCTM. Hasta el próximo mes de octubre, se podrá visitar "Pintar la luz. RETURNING TO THE MONASTERY Returning to the Monastery. This characteristic genre scene by the Bilbao painter Eduardo Zamacois is a comical depiction of a group of Franciscans returning to the monastery after a visit to the market in the village, whose buildings are visible lower down on the right-hand side. The focus of the composition is the anecdotal plight of the bald IMMACULATE CONCEPTION The theme of the Immaculate Conception is closely linked to the Spanish Baroque world. Intense popular devotion gave rise to the cult and fostered the iconographic development of this belief, which underwent a long, slow process before attaining the status of dogma, despite pressure from the upper echelons of power in Spain, including different monarchs and the ecclesiastic hierarchies. MUSEO CARMEN THYSSEN MÁLAGA At the Fair. 1886. Rafael Arroyo Fernández was born in Granada on 24 January 1860. He first enrolled at the school of the Royal Academy of Fine Arts in the city in 1873 and remained there until 1881 under the tutorship of the still-life and landscape painter Julián Sanz del Valle, studying the subjects of drawing, figures, Antiquity anddrapery.
MASKS. METAMORPHOSIS OF MODERN IDENTITY This exhibition reflects on the mask as a means of transforming how the human figure is represented in modern art. Originally having a traditional festive use associated with the carnival and fancy dress, which continued to be predominant in commedia dell’arte characters, masks began to be associated with the grotesque and death in the late 19th century, with Goya as a precedent, and MUSEO CARMEN THYSSEN MÁLAGATRANSLATE THIS PAGEVISITACOLECCIÓNEXPOSICIONESEDUCACIÓNACTIVIDADESMULTIMEDIA Extraordinario recorrido por los géneros que protagonizaron la pintura española del siglo XIX y principios del XX, con especial atención a la pintura andaluza. Ubicado en el Palacio de Villalón (s. XVI) en el Centro Histórico y comercial de la ciudad. MUSEO CARMEN THYSSEN MÁLAGATRANSLATE THIS PAGETOURCOLLECTIONEXHIBITIONSEDUCATIONACTIVITIESMULTIMEDIAMUSEO THYSSEN BORNEMISZAMUSEO THYSSENMUSEO NACIONAL THYSSEN BORNEMISZAMUSEO THYSSEN BORNEMISZA IN MADRID Together with the Picasso Museum Malaga and the CAC (Centre for Contemporary Art), the Carmen Thyssen-Bornemisza Collection Museum of Art forms part of the cultural offer of the City of Malaga. Together with the Picasso Museum Malaga and the CAC (Centre for Contemporary Art), the Carmen Thyssen-Bornemisza Collection Museum of Art forms part of the cultural offer of the City of Malaga. COLLECTION | MUSEO CARMEN THYSSEN MÁLAGA Tours, highlighted works, artists and the Museum's publications. Explore the historic heritage of the Museum building and take a virtual tour of its spaces. MUSEO CARMEN THYSSEN MÁLAGA The Betrothal of the Virgin and Saint Joseph. Although very little known, this painter must have been a prominent member of the Madrid painting scene of the early 18th century judging by the research published to date (Piedra 1985 and Agulló and Cobo 1987). According to his own testimony, he was born in Madrid between 1659 and 1662, anddied
MUSEO CARMEN THYSSEN MÁLAGA During his early years Emilio Sánchez-Perrier helped make clocks at his father’s shop in Calle Sierpe. He soon showed a natural gift for drawing and painting, and at the age of thirteen he attended the School of Fine Art in Seville, where two of his masters were Joaquín Domínguez Bécquer and Eduardo Cano de la LA ILUSIÓN DEL LEJANO OESTE George Catlin, Albert Bierstadt, Karl Bodmer, Miguel Ángel Blanco. Folletos: Folleto "La ilusión del Lejano Oeste" VER. Más información: Horario: De martes a domingo de 10 a 20h. Tarifas: General: 4,50 € Reducida: 2,50 €. Vídeo de la exposición. Visita virtual. Catálogo. La conquista del Lejano Oeste trascendió a lolargo del siglo
MUSEO CARMEN THYSSEN MÁLAGAGUILLERMO GOMEZ AND JESSICA SMITHGUILLERMO GOMEZ ATTORNEYGUILLERMO GOMEZ MD FONTANA CAGUILLERMO GOMEZ MD RIVERSIDE CAGUILLERMO GOMEZ PENA ARTWORKGUILLERMO GOMEZ PENA WORKS Guillermo Gómez Gil was born in Malaga in 1862. He showed an interest in art from a very early age and began training as an artist in 1878 as a pupil of the San Telmo School of Fine Arts in Malaga. He must have made good progress as he ventured to compete for the Barroso prize awarded by the council as an incentive to students of the school RETURNING TO THE MONASTERY Returning to the Monastery. This characteristic genre scene by the Bilbao painter Eduardo Zamacois is a comical depiction of a group of Franciscans returning to the monastery after a visit to the market in the village, whose buildings are visible lower down on the right-hand side. The focus of the composition is the anecdotal plight of the baldCORTEJO ESPAÑOL
Cortejo español. Este cuadro, pintado durante una breve estancia de García Ramos en Granada en 1883, y mencionado durante muchos años como en paradero desconocido, es quizá una de las escenas costumbristas de ambientación andaluza más famosas de todas las pintadas por este artista a lo largo de su fecundísima carrera,además de ser
EL PASO DEL TREN
El paso del tren es una escena que se ubica en Ategorrieta, cerca de San Sebastián, y que fue llevada a cabo en otoño del mismo año en el que Darío de Regoyos se trasladó a esta ciudad desde Irún. MUSEO CARMEN THYSSEN MÁLAGATRANSLATE THIS PAGEVISITACOLECCIÓNEXPOSICIONESEDUCACIÓNACTIVIDADESMULTIMEDIA Extraordinario recorrido por los géneros que protagonizaron la pintura española del siglo XIX y principios del XX, con especial atención a la pintura andaluza. Ubicado en el Palacio de Villalón (s. XVI) en el Centro Histórico y comercial de la ciudad. MUSEO CARMEN THYSSEN MÁLAGATRANSLATE THIS PAGETOURCOLLECTIONEXHIBITIONSEDUCATIONACTIVITIESMULTIMEDIAMUSEO THYSSEN BORNEMISZAMUSEO THYSSENMUSEO NACIONAL THYSSEN BORNEMISZAMUSEO THYSSEN BORNEMISZA IN MADRID Together with the Picasso Museum Malaga and the CAC (Centre for Contemporary Art), the Carmen Thyssen-Bornemisza Collection Museum of Art forms part of the cultural offer of the City of Malaga. Together with the Picasso Museum Malaga and the CAC (Centre for Contemporary Art), the Carmen Thyssen-Bornemisza Collection Museum of Art forms part of the cultural offer of the City of Malaga. COLLECTION | MUSEO CARMEN THYSSEN MÁLAGA Tours, highlighted works, artists and the Museum's publications. Explore the historic heritage of the Museum building and take a virtual tour of its spaces. MUSEO CARMEN THYSSEN MÁLAGA The Betrothal of the Virgin and Saint Joseph. Although very little known, this painter must have been a prominent member of the Madrid painting scene of the early 18th century judging by the research published to date (Piedra 1985 and Agulló and Cobo 1987). According to his own testimony, he was born in Madrid between 1659 and 1662, anddied
MUSEO CARMEN THYSSEN MÁLAGA During his early years Emilio Sánchez-Perrier helped make clocks at his father’s shop in Calle Sierpe. He soon showed a natural gift for drawing and painting, and at the age of thirteen he attended the School of Fine Art in Seville, where two of his masters were Joaquín Domínguez Bécquer and Eduardo Cano de la LA ILUSIÓN DEL LEJANO OESTE George Catlin, Albert Bierstadt, Karl Bodmer, Miguel Ángel Blanco. Folletos: Folleto "La ilusión del Lejano Oeste" VER. Más información: Horario: De martes a domingo de 10 a 20h. Tarifas: General: 4,50 € Reducida: 2,50 €. Vídeo de la exposición. Visita virtual. Catálogo. La conquista del Lejano Oeste trascendió a lolargo del siglo
MUSEO CARMEN THYSSEN MÁLAGAGUILLERMO GOMEZ AND JESSICA SMITHGUILLERMO GOMEZ ATTORNEYGUILLERMO GOMEZ MD FONTANA CAGUILLERMO GOMEZ MD RIVERSIDE CAGUILLERMO GOMEZ PENA ARTWORKGUILLERMO GOMEZ PENA WORKS Guillermo Gómez Gil was born in Malaga in 1862. He showed an interest in art from a very early age and began training as an artist in 1878 as a pupil of the San Telmo School of Fine Arts in Malaga. He must have made good progress as he ventured to compete for the Barroso prize awarded by the council as an incentive to students of the school RETURNING TO THE MONASTERY Returning to the Monastery. This characteristic genre scene by the Bilbao painter Eduardo Zamacois is a comical depiction of a group of Franciscans returning to the monastery after a visit to the market in the village, whose buildings are visible lower down on the right-hand side. The focus of the composition is the anecdotal plight of the baldCORTEJO ESPAÑOL
Cortejo español. Este cuadro, pintado durante una breve estancia de García Ramos en Granada en 1883, y mencionado durante muchos años como en paradero desconocido, es quizá una de las escenas costumbristas de ambientación andaluza más famosas de todas las pintadas por este artista a lo largo de su fecundísima carrera,además de ser
EL PASO DEL TREN
El paso del tren es una escena que se ubica en Ategorrieta, cerca de San Sebastián, y que fue llevada a cabo en otoño del mismo año en el que Darío de Regoyos se trasladó a esta ciudad desde Irún. COLLECTION | MUSEO CARMEN THYSSEN MÁLAGA Tours, highlighted works, artists and the Museum's publications. Explore the historic heritage of the Museum building and take a virtual tour of its spaces.THE VISITATION
The iconography of the Visitation is basically a scene featuring two people of the same nature – i.e. human – in which the predominant feature is the meeting, the two women’s embrace. As in the present case, unity and a certain symmetry prevail in the composition. The theme is always depicted outdoors, outside Elizabeth’s house, andthe
MUSEO CARMEN THYSSEN MÁLAGATRANSLATE THIS PAGE Authors: Lourdes Moreno, Bárbara García Menéndez, Alberto Gil y Carmen Martínez. ISBN: 978-84-121077-1-5. Spanish. Spanish. 144 pages; 76 illustrations (colour) LOS MUSEOS MÁS ALLÁ DEL TURISMO Organizado conjuntamente por la Agencia Pública para la Gestión de la Casa Natal de Pablo Ruiz Picasso y otros equipamientos museísticos y culturales, el Museo Picasso Málaga y el Museo Carmen Thyssen Málaga, con la colaboración de Málaga Procultura. MUSEO CARMEN THYSSEN MÁLAGATRANSLATE THIS PAGE Pintar la luz. Maestros catalanes de la Colección Carmen Thyssen MUSEO CARMEN THYSSEN MÁLAGA News La colección más personal de Carmen Thyssen centra la nueva exposición temporal del MCTM. Hasta el próximo mes de octubre, se podrá visitar "Pintar la luz. RETURNING TO THE MONASTERY Returning to the Monastery. This characteristic genre scene by the Bilbao painter Eduardo Zamacois is a comical depiction of a group of Franciscans returning to the monastery after a visit to the market in the village, whose buildings are visible lower down on the right-hand side. The focus of the composition is the anecdotal plight of the bald IMMACULATE CONCEPTION The theme of the Immaculate Conception is closely linked to the Spanish Baroque world. Intense popular devotion gave rise to the cult and fostered the iconographic development of this belief, which underwent a long, slow process before attaining the status of dogma, despite pressure from the upper echelons of power in Spain, including different monarchs and the ecclesiastic hierarchies. MUSEO CARMEN THYSSEN MÁLAGA At the Fair. 1886. Rafael Arroyo Fernández was born in Granada on 24 January 1860. He first enrolled at the school of the Royal Academy of Fine Arts in the city in 1873 and remained there until 1881 under the tutorship of the still-life and landscape painter Julián Sanz del Valle, studying the subjects of drawing, figures, Antiquity anddrapery.
MASKS. METAMORPHOSIS OF MODERN IDENTITY This exhibition reflects on the mask as a means of transforming how the human figure is represented in modern art. Originally having a traditional festive use associated with the carnival and fancy dress, which continued to be predominant in commedia dell’arte characters, masks began to be associated with the grotesque and death in the late 19th century, with Goya as a precedent, and MUSEO CARMEN THYSSEN* AMIGOS del Museo
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Preciosismo y pintura naturalista MANUEL GARCÍA RODRÍGUEZ PATIO INTERIOR, SEVILLA1920 Ver Colección
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RAMÓN CASAS CARBÓ
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