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CAMERA REVIEWS, LENS REVIEWS, PHOTOGRAPHY GUIDES Fujifilm XF 27mm f2.8 R WR review so far. 27 Jan 2021 Gordon Laing. The Fujifilm XF 27mm f2.8 R WR is a compact ‘pancake’ prime lens for Fujifilm’s X-series mirrorless cameras, on which it delivers roughly 40mm equivalent coverage for a natural standard field-of-view. It’s an updated version of the 2013 model, now with weather sealing BEST SUPERZOOM CAMERA 2021 The Panasonic Lumix FZ80 / FZ82 is a bridge super-zoom with a 60x optical range. It updates the Lumix FZ70 / FZ72, retaining the older model's 20-1200mm lens, but with a new 18 Megapixel sensor, an upgraded 3 inch 1040k dot fixed touch screen, and a more detailed 0.2in 1.7 Million dot EVF. Also new are 4K video and 4K Photo modes,
excellent
CANON EOS R3 REVIEW SO FAR Summary The Canon EOS R3 is high-end mirrorless camera aimed at professionals who demand the fastest speed and toughest body. It’s Canon’s most powerful mirrorless camera to date, and while likely to outperform the 1Dx Mark III in most respects, it’s officially positioned between it and the EOS R5. NIKON Z MC 105MM F2.8 VR S PREVIEW The Nikon Z MC 105mm f2.8 VR S is one of two macro lenses for Nikon’s Z-mount mirrorless cameras – the other being the Z MC 50mm f2.8. It achieves 1:1 (1x) magnification without the use of bellows or extension tubes and is corrected for full CANON RF 85MM F2 MACRO REVIEW The Canon RF 85mm f2 Macro is a short telephoto lens for the EOS R mirrorless system. Announced in July 2020 it’s one of the more affordable lenses in the RF system. The 85mm focal length and f2 aperture makes it perfect for portraits, while close-focusing allows it to double-up as a fairly respectable macro lens with 1:2 orhalf-actual size
LAOWA 100MM F2.8 2X MACRO APO REVIEW Summary Laowa’s 100mm f2.8 2x Macro APO is a good macro lens which also doubles up as a light telephoto. It produces sharp images with very little field-curvature – although for best results it should bestopped down a bit.
NIKON VS TAMRON 24-70MM F2.8 REVIEW All three lenses have been reviewed by me on a 36MP D800 in the recent past: – Nikon 24-70mm f2.8G review / Tamron 24-70mm f2.8 review / Nikon 24-85mm review Check them out for specific details on each lens. In this shootout I’ll present the results from those three reviews side-by-side so that it’s easy for you to compare the three lenses. NIKKOR DX KIT LENS GROUP TEST: 18-55MM VS 18-70MM VS 18 Third in this group test is the Nikkor DX 18-135mm, introduced as the standard kit lens for the Nikon D80, although now also available bundled with other bodies. Finally we’ll look at the Nikkor DX 18-200mm VR, which while not strictly a kit lens, is an enormously popular model which many stores are selling bundled with several Nikonbodies
PANASONIC LUMIX FZ80 / FZ82 REVIEW Summary The Panasonic Lumix FZ80 / FZ82 is a bridge super-zoom with a 60x optical range. It updates the Lumix FZ70 / FZ72, retaining the older model's 20-1200mm lens, but with a new 18 Megapixel sensor, an upgraded 3 inch 1040k dot fixed touch screen, and NIKON COOLPIX A1000 REVIEW Released at the beginning of 2019, the Nikon COOLPIX A1000 is a pocket superzoom camera with a 35x range, a 3 inch tilting touch-screen,built-in
CAMERA REVIEWS, LENS REVIEWS, PHOTOGRAPHY GUIDES Fujifilm XF 27mm f2.8 R WR review so far. 27 Jan 2021 Gordon Laing. The Fujifilm XF 27mm f2.8 R WR is a compact ‘pancake’ prime lens for Fujifilm’s X-series mirrorless cameras, on which it delivers roughly 40mm equivalent coverage for a natural standard field-of-view. It’s an updated version of the 2013 model, now with weather sealing BEST SUPERZOOM CAMERA 2021 The Panasonic Lumix FZ80 / FZ82 is a bridge super-zoom with a 60x optical range. It updates the Lumix FZ70 / FZ72, retaining the older model's 20-1200mm lens, but with a new 18 Megapixel sensor, an upgraded 3 inch 1040k dot fixed touch screen, and a more detailed 0.2in 1.7 Million dot EVF. Also new are 4K video and 4K Photo modes,excellent
CANON EOS R3 REVIEW SO FAR Summary The Canon EOS R3 is high-end mirrorless camera aimed at professionals who demand the fastest speed and toughest body. It’s Canon’s most powerful mirrorless camera to date, and while likely to outperform the 1Dx Mark III in most respects, it’s officially positioned between it and the EOS R5. NIKON Z MC 105MM F2.8 VR S PREVIEW The Nikon Z MC 105mm f2.8 VR S is one of two macro lenses for Nikon’s Z-mount mirrorless cameras – the other being the Z MC 50mm f2.8. It achieves 1:1 (1x) magnification without the use of bellows or extension tubes and is corrected for full CANON RF 85MM F2 MACRO REVIEW The Canon RF 85mm f2 Macro is a short telephoto lens for the EOS R mirrorless system. Announced in July 2020 it’s one of the more affordable lenses in the RF system. The 85mm focal length and f2 aperture makes it perfect for portraits, while close-focusing allows it to double-up as a fairly respectable macro lens with 1:2 orhalf-actual size
LAOWA 100MM F2.8 2X MACRO APO REVIEW Summary Laowa’s 100mm f2.8 2x Macro APO is a good macro lens which also doubles up as a light telephoto. It produces sharp images with very little field-curvature – although for best results it should bestopped down a bit.
NIKON VS TAMRON 24-70MM F2.8 REVIEW All three lenses have been reviewed by me on a 36MP D800 in the recent past: – Nikon 24-70mm f2.8G review / Tamron 24-70mm f2.8 review / Nikon 24-85mm review Check them out for specific details on each lens. In this shootout I’ll present the results from those three reviews side-by-side so that it’s easy for you to compare the three lenses. NIKKOR DX KIT LENS GROUP TEST: 18-55MM VS 18-70MM VS 18 Third in this group test is the Nikkor DX 18-135mm, introduced as the standard kit lens for the Nikon D80, although now also available bundled with other bodies. Finally we’ll look at the Nikkor DX 18-200mm VR, which while not strictly a kit lens, is an enormously popular model which many stores are selling bundled with several Nikonbodies
PANASONIC LUMIX FZ80 / FZ82 REVIEW Summary The Panasonic Lumix FZ80 / FZ82 is a bridge super-zoom with a 60x optical range. It updates the Lumix FZ70 / FZ72, retaining the older model's 20-1200mm lens, but with a new 18 Megapixel sensor, an upgraded 3 inch 1040k dot fixed touch screen, and NIKON COOLPIX A1000 REVIEW Released at the beginning of 2019, the Nikon COOLPIX A1000 is a pocket superzoom camera with a 35x range, a 3 inch tilting touch-screen,built-in
CAMERA REVIEWS
Sony A1 review 05 Apr 2021 Gordon Laing. The Sony Alpha 1 is a high-end mirrorless camera with a 50 Megapixel full-frame sensor, built-in stabilisation, 30fps bursts and a wide array of video modes including 4k 120p and 8k 30p. BEST SUPERZOOM CAMERA 2021 The Panasonic Lumix FZ80 / FZ82 is a bridge super-zoom with a 60x optical range. It updates the Lumix FZ70 / FZ72, retaining the older model's 20-1200mm lens, but with a new 18 Megapixel sensor, an upgraded 3 inch 1040k dot fixed touch screen, and a more detailed 0.2in 1.7 Million dot EVF. Also new are 4K video and 4K Photo modes,excellent
CANON POWERSHOT PRO90 IS RETRO REVIEW 1 day ago · The Canon PowerShot Pro90 IS was a high-end super-zoom camera launched in 2001, the second in the PowerShot Pro series after the Pro70 in 1998. It shared a similar L-shaped design of the Pro70 but improved the feature-set across the board, most notably extending the zoom to a 10x 37-370mm equivalent CANON RF 85MM F2 MACRO REVIEW The Canon RF 85mm f2 Macro is a short telephoto lens for the EOS R mirrorless system. Announced in July 2020 it’s one of the more affordable lenses in the RF system. The 85mm focal length and f2 aperture makes it perfect for portraits, while close-focusing allows it to double-up as a fairly respectable macro lens with 1:2 orhalf-actual size
OLYMPUS OMD EM5 MARK II REVIEW Olympus OMD EM5 Mark II design and controls. The EM5 Mark II looks a lot like its predecessor, but feels quite different in your hands. The redesigned front grip curves inwards to meet your middle finger, offering a surprisingly effective boost in purchase.CANON EOS RP REVIEW
Summary The Canon EOS RP is the most affordable new full frame camera to date, whether DSLR or mirrorless. It gives you the 26 Megapixel sensor from the 6D Mark II, delivering attractive JPEGs out-of-camera, a fully-articulated touchscreen that’s ideal for vlogging, microphone and headphone jacks, and Canon’s industry-leading dual pixel AF which does a solid job with native RF or adapted NIKON COOLPIX A1000 REVIEW Released at the beginning of 2019, the Nikon COOLPIX A1000 is a pocket superzoom camera with a 35x range, a 3 inch tilting touch-screen,built-in
CANON RF 24-105MM F4-7.1 STM REVIEW Summary The Canon RF 24-105 f4-7.1 STM is the budget kit zoom the EOS R system has been waiting for. Sure, it may lack the glamour of the brighter aperture and more exotic models, but every system needs a low-cost general-purpose zoom to bundle with the entry-level bodies asa starting point.
NIKON COOLPIX B600 REVIEW The Nikon COOLPIX B600 is an SLR-styled ‘bridge’ superzoom camera with a huge 60x 24-1440mm equivalent range and an affordable price. It replaces the three-year-old B500, significantly extending the zoom range from the older model’s 40x. The B500’s 16 Megapixel sensor is retained and, as before, there’s no viewfinder, instead a 3 inch NIKON Z 70-200MM F2.8 VR S REVIEW Summary The Nikon Z 70-200mm f2.8 VR S may not be much better than its F-mount predecessor, the Nikon AF-S 70-200mm f2.8E VR. But that is good news: the F-Nikkor was simply the best 70-200mm f2.8 zoom lens for Nikon cameras and still is an excellent lens. CAMERA REVIEWS, LENS REVIEWS, PHOTOGRAPHY GUIDES Fujifilm XF 27mm f2.8 R WR review so far. 27 Jan 2021 Gordon Laing. The Fujifilm XF 27mm f2.8 R WR is a compact ‘pancake’ prime lens for Fujifilm’s X-series mirrorless cameras, on which it delivers roughly 40mm equivalent coverage for a natural standard field-of-view. It’s an updated version of the 2013 model, now with weather sealing CANON EOS R3 REVIEW SO FAR The Canon EOS R3 is high-end mirrorless camera aimed at professionals who demand the fastest speed and toughest body. Announced in April 2021, it’s Canon’s most powerful mirrorless camera to date, and while likely to outperform the 1Dx Mark III in most respects, it’s officially positioned LAOWA 100MM F2.8 2X MACRO APO REVIEW Summary Laowa’s 100mm f2.8 2x Macro APO is a good macro lens which also doubles up as a light telephoto. It produces sharp images with very little field-curvature – although for best results it should bestopped down a bit.
SONY A9 II REVIEW
The Sony A9 II is a high-end 24.2 Megapixel full-frame mirrorless camera, aimed at professional sports photographers. Announced in October 2019, two and a PANASONIC LEICA 15MM F1.7 REVIEW JPEG VS HEIF: CANON COMMITS TO HIF On the left is the original JPEG out of camera, while on the right is the JPEG generated from the HEIF file, and again the 1Dx III metered a slightly slower exposure of 1/320 for the HEIF vs 1/400 for the JPEG here. As I alternate between them you can see the converted HEIF file has retrieved some highlight cloud detail that’s mostly blown NIKON Z 70-200MM F2.8 VR S REVIEW Summary The Nikon Z 70-200mm f2.8 VR S may not be much better than its F-mount predecessor, the Nikon AF-S 70-200mm f2.8E VR. But that is good news: the F-Nikkor was simply the best 70-200mm f2.8 zoom lens for Nikon cameras and still is an excellent lens. LUMIX 30MM F2.8 MACRO REVIEW The Lumix G 30mm f2.8 is a simply-styled but smart-looking lens that resembles others in the Panasonic catalogue. Measuring 64mm in length, 59mm in diameter and weighing 180g, it’s roughly similar in size to a typical non-collapsing kit zoom. The Leica 45mm f2.8 Macro lens is almost exactly the same length, but squatter at 63mm in diameter NIKKOR DX KIT LENS GROUP TEST: 18-55MM VS 18-70MM VS 18 Third in this group test is the Nikkor DX 18-135mm, introduced as the standard kit lens for the Nikon D80, although now also available bundled with other bodies. Finally we’ll look at the Nikkor DX 18-200mm VR, which while not strictly a kit lens, is an enormously popular model which many stores are selling bundled with several Nikonbodies
FUJIFILM XP140 REVIEW The Fujifilm Finepix XP140 is a rugged waterproof compact that can be taken to a depth of 25 metres, operates in temperatures down to -10C and can be dropped from a height of 1.8m with no ill effects. Launched at the beginning of 2019, the XP140 is Fujifilm’s regular annual update to its XP waterproof model, the XP130 was released a year CAMERA REVIEWS, LENS REVIEWS, PHOTOGRAPHY GUIDES Fujifilm XF 27mm f2.8 R WR review so far. 27 Jan 2021 Gordon Laing. The Fujifilm XF 27mm f2.8 R WR is a compact ‘pancake’ prime lens for Fujifilm’s X-series mirrorless cameras, on which it delivers roughly 40mm equivalent coverage for a natural standard field-of-view. It’s an updated version of the 2013 model, now with weather sealing CANON EOS R3 REVIEW SO FAR The Canon EOS R3 is high-end mirrorless camera aimed at professionals who demand the fastest speed and toughest body. Announced in April 2021, it’s Canon’s most powerful mirrorless camera to date, and while likely to outperform the 1Dx Mark III in most respects, it’s officially positioned LAOWA 100MM F2.8 2X MACRO APO REVIEW Summary Laowa’s 100mm f2.8 2x Macro APO is a good macro lens which also doubles up as a light telephoto. It produces sharp images with very little field-curvature – although for best results it should bestopped down a bit.
SONY A9 II REVIEW
The Sony A9 II is a high-end 24.2 Megapixel full-frame mirrorless camera, aimed at professional sports photographers. Announced in October 2019, two and a PANASONIC LEICA 15MM F1.7 REVIEW JPEG VS HEIF: CANON COMMITS TO HIF On the left is the original JPEG out of camera, while on the right is the JPEG generated from the HEIF file, and again the 1Dx III metered a slightly slower exposure of 1/320 for the HEIF vs 1/400 for the JPEG here. As I alternate between them you can see the converted HEIF file has retrieved some highlight cloud detail that’s mostly blown NIKON Z 70-200MM F2.8 VR S REVIEW Summary The Nikon Z 70-200mm f2.8 VR S may not be much better than its F-mount predecessor, the Nikon AF-S 70-200mm f2.8E VR. But that is good news: the F-Nikkor was simply the best 70-200mm f2.8 zoom lens for Nikon cameras and still is an excellent lens. LUMIX 30MM F2.8 MACRO REVIEW The Lumix G 30mm f2.8 is a simply-styled but smart-looking lens that resembles others in the Panasonic catalogue. Measuring 64mm in length, 59mm in diameter and weighing 180g, it’s roughly similar in size to a typical non-collapsing kit zoom. The Leica 45mm f2.8 Macro lens is almost exactly the same length, but squatter at 63mm in diameter NIKKOR DX KIT LENS GROUP TEST: 18-55MM VS 18-70MM VS 18 Third in this group test is the Nikkor DX 18-135mm, introduced as the standard kit lens for the Nikon D80, although now also available bundled with other bodies. Finally we’ll look at the Nikkor DX 18-200mm VR, which while not strictly a kit lens, is an enormously popular model which many stores are selling bundled with several Nikonbodies
FUJIFILM XP140 REVIEW The Fujifilm Finepix XP140 is a rugged waterproof compact that can be taken to a depth of 25 metres, operates in temperatures down to -10C and can be dropped from a height of 1.8m with no ill effects. Launched at the beginning of 2019, the XP140 is Fujifilm’s regular annual update to its XP waterproof model, the XP130 was released a year BEST SUPERZOOM CAMERA 2021 The Panasonic Lumix FZ80 / FZ82 is a bridge super-zoom with a 60x optical range. It updates the Lumix FZ70 / FZ72, retaining the older model's 20-1200mm lens, but with a new 18 Megapixel sensor, an upgraded 3 inch 1040k dot fixed touch screen, and a more detailed 0.2in 1.7 Million dot EVF. Also new are 4K video and 4K Photo modes,excellent
NIKON COOLPIX 900 RETRO REVIEW The COOLPIX 900, launched in 1998 at a price of $900 or 759 pounds, was Nikon’s third digital camera, but I’d argue their first aimed at photographers. Unlike the more business-oriented COOLPIX 100 and 300 from the previous year, the 900 could not NIKON Z MC 50MM F2.8 PREVIEW The Nikon Z MC 50mm f2.8 is one of two macro lenses for Nikon’s Z-mount mirrorless cameras – the other being the Z MC 105mm f2.8 VR S. It achieves 1:1 (1x) magnification without the use of bellows or extension tubes and is corrected for full-frame cameras. It SAMSUNG GALAXY S20 REVIEW Samsung Galaxy S20 camera notes. In terms of imaging, the ‘base’ Galaxy S20 has a triple camera system, now arranged in a vertical line. The main wide camera shoots at 12 Megapixels with an f1.8 lens and optical stabilisation – the 1.8 micrometer pixels here are a little bigger than the S10’s main camera, but the lens a littledimmer.
FUJIFILM XF 50MM F1.0 REVIEW Summary. The Fujifilm XF 50mm f1.0 is a very bright prime lens for X-series mirrorless cameras, upon which it delivers short telephoto coverage that’s ideal for portraits. In my tests, it delivered sharp details into the corners even at f1 so long as they fell within its razor thin depth-of-field. The rendering was also attractive, capableof
NIKON COOLPIX A1000 REVIEW Released at the beginning of 2019, the Nikon COOLPIX A1000 is a pocket superzoom camera with a 35x range, a 3 inch tilting touch-screen,built-in
NIKON Z 50MM F1.2 S REVIEW Summary Nikon’s Z 50mm f1.2 S is a big step-up over their existing 50/58mm DSLR lenses – literally: It is excessively big and quite heavy but for that it offers a bright f1.2 focal ratio, very good optics with a good Bokeh, and has all of the features of Nikon’sbest
OLYMPUS OM-D E-M1X REVIEW Summary The Olympus OM-D E-M1X is a beefed-up EM1 Mark II, repackaging its 20 Megapixel sensor, 4k movies and 18fps bursts into a larger and tougher body with an integrated portrait grip, twin batteries, field sensors, improved autofocus tracking, USB power and even betterbuilt-in
NIKON VS TAMRON 24-70MM F2.8 REVIEW All three lenses have been reviewed by me on a 36MP D800 in the recent past: – Nikon 24-70mm f2.8G review / Tamron 24-70mm f2.8 review / Nikon 24-85mm review Check them out for specific details on each lens. In this shootout I’ll present the results from those three reviews side-by-side so that it’s easy for you to compare the three lenses. PANASONIC LUMIX TZ95 ZS80 REVIEW The Panasonic Lumix TZ95, or ZS80 as it’s called in North America, is pocket travel zoom with a 30x (24-720mm f3.3-6.4) lens. Launched inApril 2019, It
CAMERA REVIEWS, LENS REVIEWS, PHOTOGRAPHY GUIDES Fujifilm XF 27mm f2.8 R WR review so far. 27 Jan 2021 Gordon Laing. The Fujifilm XF 27mm f2.8 R WR is a compact ‘pancake’ prime lens for Fujifilm’s X-series mirrorless cameras, on which it delivers roughly 40mm equivalent coverage for a natural standard field-of-view. It’s an updated version of the 2013 model, now with weather sealing CANON EOS R3 REVIEW SO FAR The Canon EOS R3 is high-end mirrorless camera aimed at professionals who demand the fastest speed and toughest body. Announced in April 2021, it’s Canon’s most powerful mirrorless camera to date, and while likely to outperform the 1Dx Mark III in most respects, it’s officially positioned LAOWA 100MM F2.8 2X MACRO APO REVIEW Summary Laowa’s 100mm f2.8 2x Macro APO is a good macro lens which also doubles up as a light telephoto. It produces sharp images with very little field-curvature – although for best results it should bestopped down a bit.
JPEG VS HEIF: CANON COMMITS TO HIF On the left is the original JPEG out of camera, while on the right is the JPEG generated from the HEIF file, and again the 1Dx III metered a slightly slower exposure of 1/320 for the HEIF vs 1/400 for the JPEG here. As I alternate between them you can see the converted HEIF file has retrieved some highlight cloud detail that’s mostly blownSONY A9 II REVIEW
The Sony A9 II is a high-end 24.2 Megapixel full-frame mirrorless camera, aimed at professional sports photographers. Announced in October 2019, two and a PANASONIC LEICA 15MM F1.7 REVIEW NIKON Z 70-200MM F2.8 VR S REVIEW Summary The Nikon Z 70-200mm f2.8 VR S may not be much better than its F-mount predecessor, the Nikon AF-S 70-200mm f2.8E VR. But that is good news: the F-Nikkor was simply the best 70-200mm f2.8 zoom lens for Nikon cameras and still is an excellent lens. LUMIX 30MM F2.8 MACRO REVIEW The Lumix G 30mm f2.8 is a simply-styled but smart-looking lens that resembles others in the Panasonic catalogue. Measuring 64mm in length, 59mm in diameter and weighing 180g, it’s roughly similar in size to a typical non-collapsing kit zoom. The Leica 45mm f2.8 Macro lens is almost exactly the same length, but squatter at 63mm in diameter NIKKOR DX KIT LENS GROUP TEST: 18-55MM VS 18-70MM VS 1818 55MM VR LENS NIKONNIKON 18 55MM DX LENS Third in this group test is the Nikkor DX 18-135mm, introduced as the standard kit lens for the Nikon D80, although now also available bundled with other bodies. Finally we’ll look at the Nikkor DX 18-200mm VR, which while not strictly a kit lens, is an enormously popular model which many stores are selling bundled with several Nikonbodies
FUJIFILM XP140 REVIEW The Fujifilm Finepix XP140 is a rugged waterproof compact that can be taken to a depth of 25 metres, operates in temperatures down to -10C and can be dropped from a height of 1.8m with no ill effects. Launched at the beginning of 2019, the XP140 is Fujifilm’s regular annual update to its XP waterproof model, the XP130 was released a year CAMERA REVIEWS, LENS REVIEWS, PHOTOGRAPHY GUIDES Fujifilm XF 27mm f2.8 R WR review so far. 27 Jan 2021 Gordon Laing. The Fujifilm XF 27mm f2.8 R WR is a compact ‘pancake’ prime lens for Fujifilm’s X-series mirrorless cameras, on which it delivers roughly 40mm equivalent coverage for a natural standard field-of-view. It’s an updated version of the 2013 model, now with weather sealing CANON EOS R3 REVIEW SO FAR The Canon EOS R3 is high-end mirrorless camera aimed at professionals who demand the fastest speed and toughest body. Announced in April 2021, it’s Canon’s most powerful mirrorless camera to date, and while likely to outperform the 1Dx Mark III in most respects, it’s officially positioned LAOWA 100MM F2.8 2X MACRO APO REVIEW Summary Laowa’s 100mm f2.8 2x Macro APO is a good macro lens which also doubles up as a light telephoto. It produces sharp images with very little field-curvature – although for best results it should bestopped down a bit.
SONY A9 II REVIEW
The Sony A9 II is a high-end 24.2 Megapixel full-frame mirrorless camera, aimed at professional sports photographers. Announced in October 2019, two and a PANASONIC LEICA 15MM F1.7 REVIEW JPEG VS HEIF: CANON COMMITS TO HIF On the left is the original JPEG out of camera, while on the right is the JPEG generated from the HEIF file, and again the 1Dx III metered a slightly slower exposure of 1/320 for the HEIF vs 1/400 for the JPEG here. As I alternate between them you can see the converted HEIF file has retrieved some highlight cloud detail that’s mostly blown NIKON Z 70-200MM F2.8 VR S REVIEW Summary The Nikon Z 70-200mm f2.8 VR S may not be much better than its F-mount predecessor, the Nikon AF-S 70-200mm f2.8E VR. But that is good news: the F-Nikkor was simply the best 70-200mm f2.8 zoom lens for Nikon cameras and still is an excellent lens. LUMIX 30MM F2.8 MACRO REVIEW The Lumix G 30mm f2.8 is a simply-styled but smart-looking lens that resembles others in the Panasonic catalogue. Measuring 64mm in length, 59mm in diameter and weighing 180g, it’s roughly similar in size to a typical non-collapsing kit zoom. The Leica 45mm f2.8 Macro lens is almost exactly the same length, but squatter at 63mm in diameter NIKKOR DX KIT LENS GROUP TEST: 18-55MM VS 18-70MM VS 1818 55MM VR LENS NIKONNIKON 18 55MM DX LENS Third in this group test is the Nikkor DX 18-135mm, introduced as the standard kit lens for the Nikon D80, although now also available bundled with other bodies. Finally we’ll look at the Nikkor DX 18-200mm VR, which while not strictly a kit lens, is an enormously popular model which many stores are selling bundled with several Nikonbodies
FUJIFILM XP140 REVIEW The Fujifilm Finepix XP140 is a rugged waterproof compact that can be taken to a depth of 25 metres, operates in temperatures down to -10C and can be dropped from a height of 1.8m with no ill effects. Launched at the beginning of 2019, the XP140 is Fujifilm’s regular annual update to its XP waterproof model, the XP130 was released a year BEST SUPERZOOM CAMERA 2021 The Panasonic Lumix FZ80 / FZ82 is a bridge super-zoom with a 60x optical range. It updates the Lumix FZ70 / FZ72, retaining the older model's 20-1200mm lens, but with a new 18 Megapixel sensor, an upgraded 3 inch 1040k dot fixed touch screen, and a more detailed 0.2in 1.7 Million dot EVF. Also new are 4K video and 4K Photo modes,excellent
NIKON COOLPIX 900 RETRO REVIEW The COOLPIX 900, launched in 1998 at a price of $900 or 759 pounds, was Nikon’s third digital camera, but I’d argue their first aimed at photographers. Unlike the more business-oriented COOLPIX 100 and 300 from the previous year, the 900 could not NIKON Z MC 50MM F2.8 PREVIEW The Nikon Z MC 50mm f2.8 is one of two macro lenses for Nikon’s Z-mount mirrorless cameras – the other being the Z MC 105mm f2.8 VR S. It achieves 1:1 (1x) magnification without the use of bellows or extension tubes and is corrected for full-frame cameras. It SAMSUNG GALAXY S20 REVIEW Samsung Galaxy S20 camera notes. In terms of imaging, the ‘base’ Galaxy S20 has a triple camera system, now arranged in a vertical line. The main wide camera shoots at 12 Megapixels with an f1.8 lens and optical stabilisation – the 1.8 micrometer pixels here are a little bigger than the S10’s main camera, but the lens a littledimmer.
FUJIFILM XF 50MM F1.0 REVIEW Summary. The Fujifilm XF 50mm f1.0 is a very bright prime lens for X-series mirrorless cameras, upon which it delivers short telephoto coverage that’s ideal for portraits. In my tests, it delivered sharp details into the corners even at f1 so long as they fell within its razor thin depth-of-field. The rendering was also attractive, capableof
NIKON COOLPIX A1000 REVIEW Released at the beginning of 2019, the Nikon COOLPIX A1000 is a pocket superzoom camera with a 35x range, a 3 inch tilting touch-screen,built-in
NIKON Z 50MM F1.2 S REVIEW Summary Nikon’s Z 50mm f1.2 S is a big step-up over their existing 50/58mm DSLR lenses – literally: It is excessively big and quite heavy but for that it offers a bright f1.2 focal ratio, very good optics with a good Bokeh, and has all of the features of Nikon’sbest
OLYMPUS OM-D E-M1X REVIEW Summary The Olympus OM-D E-M1X is a beefed-up EM1 Mark II, repackaging its 20 Megapixel sensor, 4k movies and 18fps bursts into a larger and tougher body with an integrated portrait grip, twin batteries, field sensors, improved autofocus tracking, USB power and even betterbuilt-in
NIKON VS TAMRON 24-70MM F2.8 REVIEW All three lenses have been reviewed by me on a 36MP D800 in the recent past: – Nikon 24-70mm f2.8G review / Tamron 24-70mm f2.8 review / Nikon 24-85mm review Check them out for specific details on each lens. In this shootout I’ll present the results from those three reviews side-by-side so that it’s easy for you to compare the three lenses. PANASONIC LUMIX TZ95 ZS80 REVIEW The Panasonic Lumix TZ95, or ZS80 as it’s called in North America, is pocket travel zoom with a 30x (24-720mm f3.3-6.4) lens. Launched inApril 2019, It
CAMERA REVIEWS, LENS REVIEWS, PHOTOGRAPHY GUIDES Fujifilm XF 27mm f2.8 R WR review so far. 27 Jan 2021 Gordon Laing. The Fujifilm XF 27mm f2.8 R WR is a compact ‘pancake’ prime lens for Fujifilm’s X-series mirrorless cameras, on which it delivers roughly 40mm equivalent coverage for a natural standard field-of-view. It’s an updated version of the 2013 model, now with weather sealing CANON EOS R3 REVIEW SO FAR The Canon EOS R3 is high-end mirrorless camera aimed at professionals who demand the fastest speed and toughest body. Announced in April 2021, it’s Canon’s most powerful mirrorless camera to date, and while likely to outperform the 1Dx Mark III in most respects, it’s officially positioned LAOWA 100MM F2.8 2X MACRO APO REVIEW Summary Laowa’s 100mm f2.8 2x Macro APO is a good macro lens which also doubles up as a light telephoto. It produces sharp images with very little field-curvature – although for best results it should bestopped down a bit.
JPEG VS HEIF: CANON COMMITS TO HIF On the left is the original JPEG out of camera, while on the right is the JPEG generated from the HEIF file, and again the 1Dx III metered a slightly slower exposure of 1/320 for the HEIF vs 1/400 for the JPEG here. As I alternate between them you can see the converted HEIF file has retrieved some highlight cloud detail that’s mostly blownSONY A9 II REVIEW
The Sony A9 II is a high-end 24.2 Megapixel full-frame mirrorless camera, aimed at professional sports photographers. Announced in October 2019, two and a PANASONIC LEICA 15MM F1.7 REVIEW NIKON Z 70-200MM F2.8 VR S REVIEW Summary The Nikon Z 70-200mm f2.8 VR S may not be much better than its F-mount predecessor, the Nikon AF-S 70-200mm f2.8E VR. But that is good news: the F-Nikkor was simply the best 70-200mm f2.8 zoom lens for Nikon cameras and still is an excellent lens. LUMIX 30MM F2.8 MACRO REVIEW The Lumix G 30mm f2.8 is a simply-styled but smart-looking lens that resembles others in the Panasonic catalogue. Measuring 64mm in length, 59mm in diameter and weighing 180g, it’s roughly similar in size to a typical non-collapsing kit zoom. The Leica 45mm f2.8 Macro lens is almost exactly the same length, but squatter at 63mm in diameter NIKKOR DX KIT LENS GROUP TEST: 18-55MM VS 18-70MM VS 1818 55MM VR LENS NIKONNIKON 18 55MM DX LENS Third in this group test is the Nikkor DX 18-135mm, introduced as the standard kit lens for the Nikon D80, although now also available bundled with other bodies. Finally we’ll look at the Nikkor DX 18-200mm VR, which while not strictly a kit lens, is an enormously popular model which many stores are selling bundled with several Nikonbodies
FUJIFILM XP140 REVIEW The Fujifilm Finepix XP140 is a rugged waterproof compact that can be taken to a depth of 25 metres, operates in temperatures down to -10C and can be dropped from a height of 1.8m with no ill effects. Launched at the beginning of 2019, the XP140 is Fujifilm’s regular annual update to its XP waterproof model, the XP130 was released a year CAMERA REVIEWS, LENS REVIEWS, PHOTOGRAPHY GUIDES Fujifilm XF 27mm f2.8 R WR review so far. 27 Jan 2021 Gordon Laing. The Fujifilm XF 27mm f2.8 R WR is a compact ‘pancake’ prime lens for Fujifilm’s X-series mirrorless cameras, on which it delivers roughly 40mm equivalent coverage for a natural standard field-of-view. It’s an updated version of the 2013 model, now with weather sealing CANON EOS R3 REVIEW SO FAR The Canon EOS R3 is high-end mirrorless camera aimed at professionals who demand the fastest speed and toughest body. Announced in April 2021, it’s Canon’s most powerful mirrorless camera to date, and while likely to outperform the 1Dx Mark III in most respects, it’s officially positioned LAOWA 100MM F2.8 2X MACRO APO REVIEW Summary Laowa’s 100mm f2.8 2x Macro APO is a good macro lens which also doubles up as a light telephoto. It produces sharp images with very little field-curvature – although for best results it should bestopped down a bit.
JPEG VS HEIF: CANON COMMITS TO HIF On the left is the original JPEG out of camera, while on the right is the JPEG generated from the HEIF file, and again the 1Dx III metered a slightly slower exposure of 1/320 for the HEIF vs 1/400 for the JPEG here. As I alternate between them you can see the converted HEIF file has retrieved some highlight cloud detail that’s mostly blownSONY A9 II REVIEW
The Sony A9 II is a high-end 24.2 Megapixel full-frame mirrorless camera, aimed at professional sports photographers. Announced in October 2019, two and a PANASONIC LEICA 15MM F1.7 REVIEW NIKON Z 70-200MM F2.8 VR S REVIEW Summary The Nikon Z 70-200mm f2.8 VR S may not be much better than its F-mount predecessor, the Nikon AF-S 70-200mm f2.8E VR. But that is good news: the F-Nikkor was simply the best 70-200mm f2.8 zoom lens for Nikon cameras and still is an excellent lens. LUMIX 30MM F2.8 MACRO REVIEW The Lumix G 30mm f2.8 is a simply-styled but smart-looking lens that resembles others in the Panasonic catalogue. Measuring 64mm in length, 59mm in diameter and weighing 180g, it’s roughly similar in size to a typical non-collapsing kit zoom. The Leica 45mm f2.8 Macro lens is almost exactly the same length, but squatter at 63mm in diameter NIKKOR DX KIT LENS GROUP TEST: 18-55MM VS 18-70MM VS 1818 55MM VR LENS NIKONNIKON 18 55MM DX LENS Third in this group test is the Nikkor DX 18-135mm, introduced as the standard kit lens for the Nikon D80, although now also available bundled with other bodies. Finally we’ll look at the Nikkor DX 18-200mm VR, which while not strictly a kit lens, is an enormously popular model which many stores are selling bundled with several Nikonbodies
FUJIFILM XP140 REVIEW The Fujifilm Finepix XP140 is a rugged waterproof compact that can be taken to a depth of 25 metres, operates in temperatures down to -10C and can be dropped from a height of 1.8m with no ill effects. Launched at the beginning of 2019, the XP140 is Fujifilm’s regular annual update to its XP waterproof model, the XP130 was released a year BEST SUPERZOOM CAMERA 2021 The Panasonic Lumix FZ80 / FZ82 is a bridge super-zoom with a 60x optical range. It updates the Lumix FZ70 / FZ72, retaining the older model's 20-1200mm lens, but with a new 18 Megapixel sensor, an upgraded 3 inch 1040k dot fixed touch screen, and a more detailed 0.2in 1.7 Million dot EVF. Also new are 4K video and 4K Photo modes,excellent
NIKON COOLPIX 900 RETRO REVIEW The COOLPIX 900, launched in 1998 at a price of $900 or 759 pounds, was Nikon’s third digital camera, but I’d argue their first aimed at photographers. Unlike the more business-oriented COOLPIX 100 and 300 from the previous year, the 900 could not NIKON Z MC 50MM F2.8 PREVIEW The Nikon Z MC 50mm f2.8 is one of two macro lenses for Nikon’s Z-mount mirrorless cameras – the other being the Z MC 105mm f2.8 VR S. It achieves 1:1 (1x) magnification without the use of bellows or extension tubes and is corrected for full-frame cameras. It SAMSUNG GALAXY S20 REVIEW Samsung Galaxy S20 camera notes. In terms of imaging, the ‘base’ Galaxy S20 has a triple camera system, now arranged in a vertical line. The main wide camera shoots at 12 Megapixels with an f1.8 lens and optical stabilisation – the 1.8 micrometer pixels here are a little bigger than the S10’s main camera, but the lens a littledimmer.
FUJIFILM XF 50MM F1.0 REVIEW Summary. The Fujifilm XF 50mm f1.0 is a very bright prime lens for X-series mirrorless cameras, upon which it delivers short telephoto coverage that’s ideal for portraits. In my tests, it delivered sharp details into the corners even at f1 so long as they fell within its razor thin depth-of-field. The rendering was also attractive, capableof
NIKON COOLPIX A1000 REVIEW Released at the beginning of 2019, the Nikon COOLPIX A1000 is a pocket superzoom camera with a 35x range, a 3 inch tilting touch-screen,built-in
NIKON Z 50MM F1.2 S REVIEW Summary Nikon’s Z 50mm f1.2 S is a big step-up over their existing 50/58mm DSLR lenses – literally: It is excessively big and quite heavy but for that it offers a bright f1.2 focal ratio, very good optics with a good Bokeh, and has all of the features of Nikon’sbest
OLYMPUS OM-D E-M1X REVIEW Summary The Olympus OM-D E-M1X is a beefed-up EM1 Mark II, repackaging its 20 Megapixel sensor, 4k movies and 18fps bursts into a larger and tougher body with an integrated portrait grip, twin batteries, field sensors, improved autofocus tracking, USB power and even betterbuilt-in
NIKON VS TAMRON 24-70MM F2.8 REVIEW All three lenses have been reviewed by me on a 36MP D800 in the recent past: – Nikon 24-70mm f2.8G review / Tamron 24-70mm f2.8 review / Nikon 24-85mm review Check them out for specific details on each lens. In this shootout I’ll present the results from those three reviews side-by-side so that it’s easy for you to compare the three lenses. PANASONIC LUMIX TZ95 ZS80 REVIEW The Panasonic Lumix TZ95, or ZS80 as it’s called in North America, is pocket travel zoom with a 30x (24-720mm f3.3-6.4) lens. Launched inApril 2019, It
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BEST POINT AND SHOOT BEST VLOGGING CAMERA CANON RF 70-200MM F2.8L IS USM REVIEW SO FAR 31 Mar 2020 Gordon Laing The Canon RF 70-200mm f2.8L IS USM is a bright telephoto zoom for the full-frame EOS R mirrorless system. It’s shorter and lighter than the EF version and focuses closer too, although the barrel now extends as you zoom it. Ahead of my review, check out my sample images! SONY FE 20MM F1.8 G REVIEW30 Mar 2020 Thomas
The Sony FE 20mm f1.8 G is an ultra-wide prime lens designed for Alpha mirrorless cameras. It captures comfortably more than a 24mm, making it ideal for expansive landscapes, tight interiors, wide astro photography, as well as vlogging or environmental portraiture. Find out why you'll want it in our in-depth review! TAMRON 20MM F2.8 DI III M1:2 REVIEW - SAMPLE IMAGES28 Mar 2020 Thomas
The Tamron 20mm f2.8 Di III OSD M1:2 is an ultra-wide prime lens for Sony’s E-mount mirrorless cameras. It's part of a three lens series from Tamron all of which let you focus closer than most rivals. Ahead of my full review I have a selection of sample images for you! FUJIFILM X100V REVIEW 16 Mar 2020 Gordon Laing The Fujifilm X100V is a high-end compact camera featuring a 26 Megapixel APSC sensor, fixed 23mm f2 lens, hybrid viewfinder, tilting touch-screen and 4k video. It features a raft of upgrades over its predecessors including weathersealing. Check out my final in-depthreview!
CANON EOS R5 REVIEW - PREVIEW 13 Mar 2020 Gordon Laing The Canon EOS R5 is a high-end full-frame mirrorless camera with built-in stabilisation, 20fps shooting, 8k video and dual card slots. The third EOS R body looks set to transform Canon’s full-frame mirrorless system. Find out all the facts so far in my preview! RODE NT-USB MINI REVIEW 11 Mar 2020 Gordon Laing The Rode NT-USB Mini is a compact USB microphone designed for gamers, podcasters, musicians, streamers or voiceovers. It’s a smaller and more affordable alternative to the original NT-USB from 2014, a microphone I personally use for most of my YouTube video voiceovers. In my review I’ll compare the features and quality of both mics. CANON SELPHY SQUARE QX10 REVIEW 09 Mar 2020 Gordon Laing The Canon SELPHY Square QX10 is a portable wireless photo printer designed to make small square prints of images on your phone. Squarely targeting the popular INSTAX format, I've compared them in my review! FUJIFILM INSTAX MINI 11 REVIEW 04 Mar 2020 Gordon Laing The INSTAX Mini 11 is the latest low-cost instant camera to use Fujifilm's popular INSTAX Mini film. Find out why it's the best yet inmy review!
POWERVISION POWEREGG X REVIEW 02 Mar 2020 Adam Juniper The PowerEgg X is a drone, a gimbal-stabilised camcorder and camera. Buy the more expensive Wizard edition and it can even fly in the rain and land on a pond. Find out if it's right for you in Adam's review! FUJIFILM XT4 PREVIEW 26 Feb 2020 Gordon Laing The Fujifilm X-T4 is a high-end mirrorless camera with a 26 Megapixel APSC sensor, 4k up to 60p, 15fps bursts, built-in stabilisation and a fully-articulated touchscreen. I went hands-on for my preview! CANON EOS 1DX III REVIEW 24 Feb 2020 Gordon Laing The EOS 1Dx Mark III is Canon's latest flagship DSLR aimed at professional sports and wildlife photographers. I've been testing a final production body to bring you new tests, samples and a new video review of the movie mode! OLYMPUS OMD EM1 III REVIEW SO FAR 12 Feb 2020 Gordon Laing The Olympus OMD EM1 III is a high-end mirrorless camera aimed at photographers and videographers who value speed, robustness and portability. It has a 20 Megapixel sensor, 4k up to 30p, built-in stabilisation with up to 7.5 stops of compensation and 18fps bursts with autofocus, all packed into a tough weather-proof body. I went hands-on for my review-so-far! SAMSUNG GALAXY S20 REVIEW SO FAR 11 Feb 2020 Gordon Laing The Galaxy S20 is Samsung’s flagship phone for 202 and its best yet for photography. Available in three models, the top-end Ultra packs three cameras, one with 108 Megapixels and another with a 10x optical zoom. All can also film 8k video. Find out more in my hands-onpreview!
VINTAGE BITS: CANON 400D XTI 14 YEARS LATER 07 Feb 2020 Gordon Laing Back in 2006 I posted my very first review on YouTube. 14 years later, I look back at the Canon 400D / XTi and see how technology and my own presentation have changed! SIGMA SAVES CANON EOS-M 29 Jan 2020 Gordon Laing Sigma has finally released its fabulous triplet of f1.4 APSC mirrorless lenses in the EF-M mount, transforming Canon's neglected EOS M system. Find out why you'll want them in my video review! FUJIFILM XT200 REVIEW - PREVIEW 23 Jan 2020 Gordon Laing The Fujifilm X-T200 is an entry-level mirrorless camera, featuring a 24 Megapixel APSC sensor, built-in viewfinder, fully-articulated 3.5in touchscreen, mic input and uncropped 4k video. Find out more in mypreview!
JPEG VS HEIF: CANON COMMITS TO HIF 22 Jan 2020 Gordon Laing Time for JPEG to retire? With the 1Dx III, Canon becomes the first traditional camera company to back the more efficient HEIF format which delivers better quality in smaller files. Here's how Canon makesit work.
SIGMA 24-70MM F2.8 DG DN ART REVIEW13 Jan 2020 Thomas
The Sigma 24-70mm f2.8 DG DN Art is a general-purpose zoom with a bright and constant f2.8 focal ratio, designed for full-frame mirrorless cameras and available in the native Sony E and Leica L mounts. Find out if it's a viable alternative to Sony and Panasonic's own premium zooms in our full review! NIKON Z 70-200MM F2.8 VR S REVIEW - PREVIEW08 Jan 2020 Thomas
The Nikon Z 70-200mm f2.8 VR S is a professional telephoto zoom designed for Nikon’s full-frame Z-series mirrorless cameras. The ninth Z-mount lens becomes only the second zoom in the series with a fast f2.8 focal ratio and complements the Z 24-70mm f2.8 S standard zoom; and it is the first Z-Nikkor to have optical image stabilization. Find out more… NIKON D780 REVIEW - PREVIEW 07 Jan 2020 Gordon Laing The Nikon D780 is a DSLR with a 24 Megapixel full-frame sensor, uncropped 4k video with autofocus, 7fps bursts and a tilting touchscreen. Essentially upgrading the best-selling D750 with the live view and movie benefits of the Z6 mirrorless, it looks set to be a tempting option for those who still prefer DSLR viewfinders and bodies. Check out my preview.… NIKON COOLPIX A1000 REVIEW 30 Dec 2019 Ken McMahon The Nikon COOLPIX A1000 is a pocket super-zoom camera with a 35x range that updates the earlier A900 with a decent electronic viewfinder, touch screen, some new controls, and RAW shooting, all at a price that’s very competitive. In his full review, Ken compares it against its major rival from Panasonic! HOW TO PHOTOGRAPH FIREWORKS 28 Dec 2019 Gordon Laing Firework displays can be spectacular but present a number of challenges to capture on-camera. In my simple guide I'll share my tips and techniques for photographing fireworks whether you're shooting New Year, 4th July or any other celebration! ZHONGYI MITAKON SPEEDMASTER 50MM F0.95 III REVIEW23 Dec 2019 Thomas
The Mitakon Speedmaster 50mm f0.95 III is an exotic and unusual lens: one of only three f0.95 models available for full-frame bodies at the time of writing, and by far the cheapest too. Available in Sony E, Canon RF and Nikon Z-Mounts, we tested it against luxury f0.95 rivalsin our full review!
PANASONIC LUMIX TZ95 ZS80 REVIEW 16 Dec 2019 Ken McMahon The Panasonic Lumix TZ95 / ZS80 is a pocket super-zoom camera packing a 30x optical range, 20 Megapixel sensor, 4k video, flip-up touchscreen and built-in viewfinder. It updates its predecessor with a more detailed viewfinder and Bluetooth for easier wireless. In his full review, Ken compares it against the Nikon COOLPIX A1000 and otherrivals!
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