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INTRODUCTION
Welcome to the on-line resource pages for Mixing Secrets For The Small Studio.You can navigate the different pages using the links above. Theresources are all
CHAPTER 5: ESSENTIAL GROUNDWORK Audio Files (To download all WAV examples at once: 59MB ZIP) Unmixed Multitracks For Practice Purposes: If you’re looking for something to use for practicing your mixing, check out the 'Mixing Secrets' Free Multitrack Download Library, which contains 345 projects in a variety of different musical styles.These are free to download for educational purposes, and can easily be imported into any LIBRARY OF MIC POSITIONS Acoustic Bass. A range of both plucked and bowed acoustic-bass performance techniques were captured through two different eight-mic arrays, each made up of five identical small-diaphragm condenser mics and three identical ribbon mics. CHAPTER 1: NEARFIELD MONITORS CHAPTER 17: MIXING WITH DELAYS Audio Files. Blend & Size Delays: Here are four versions of the same basic mix: a completely dry version Ex17.01: WAV / MP3 play_arrow, a version with blend delay applied Ex17.02: WAV / MP3 play_arrow, a version with size delay applied Ex17.03: WAV / MP3 play_arrow, and finally a version with both delays at once Ex17.04: WAV / MP3play_arrow.
THE 'RECORDING SECRETS' FREE BACKING STEMS DOWNLOAD LIBRARY Below is a selection of backing-stem packages, based on some of the more popular multitracks from the ‘Mixing Secrets’ Free Multitrack Download Library, which can be freely downloaded for the purposes of recording practice.All these files are presented as ZIP archives containing uncompressed WAV files (24-bit resolution and 44.1kHz sample rate) – when importing them, just make sure all CHAPTER 9: COMPRESSING FOR A REASON CHAPTER 18: STEREO ENHANCEMENTS SEARCH THE 'MIXING SECRETS' FREE MULTITRACK DOWNLOAD Use control-click to multi-select or de-select in the lists. CAMBRIDGE MUSIC TECHNOLOGYABOUTCOACHINGSERVICESMIXING SECRETSFREE ON-LINE MIXING RESOURCESMIX CONTEST Cambridge Music Technology. Welcome to the Cambridge Music Technology web site, where you can find out more about the studio services, workshops, and publications offered by award-winning engineer and best-selling author Mike Senior. Please choose the appropriate link below: Free On-line Recording Resources: Hundreds of in-depth audioINTRODUCTION
Welcome to the on-line resource pages for Mixing Secrets For The Small Studio.You can navigate the different pages using the links above. Theresources are all
CHAPTER 5: ESSENTIAL GROUNDWORK Audio Files (To download all WAV examples at once: 59MB ZIP) Unmixed Multitracks For Practice Purposes: If you’re looking for something to use for practicing your mixing, check out the 'Mixing Secrets' Free Multitrack Download Library, which contains 345 projects in a variety of different musical styles.These are free to download for educational purposes, and can easily be imported into any LIBRARY OF MIC POSITIONS Acoustic Bass. A range of both plucked and bowed acoustic-bass performance techniques were captured through two different eight-mic arrays, each made up of five identical small-diaphragm condenser mics and three identical ribbon mics. CHAPTER 1: NEARFIELD MONITORS CHAPTER 17: MIXING WITH DELAYS Audio Files. Blend & Size Delays: Here are four versions of the same basic mix: a completely dry version Ex17.01: WAV / MP3 play_arrow, a version with blend delay applied Ex17.02: WAV / MP3 play_arrow, a version with size delay applied Ex17.03: WAV / MP3 play_arrow, and finally a version with both delays at once Ex17.04: WAV / MP3play_arrow.
THE 'RECORDING SECRETS' FREE BACKING STEMS DOWNLOAD LIBRARY Below is a selection of backing-stem packages, based on some of the more popular multitracks from the ‘Mixing Secrets’ Free Multitrack Download Library, which can be freely downloaded for the purposes of recording practice.All these files are presented as ZIP archives containing uncompressed WAV files (24-bit resolution and 44.1kHz sample rate) – when importing them, just make sure all CHAPTER 9: COMPRESSING FOR A REASON CHAPTER 18: STEREO ENHANCEMENTS SEARCH THE 'MIXING SECRETS' FREE MULTITRACK DOWNLOAD Use control-click to multi-select or de-select in the lists.INTRODUCTION
Introduction. Welcome to the on-line resource pages for Recording Secrets For The Small Studio. You can navigate the different pages using the links above. The resources are all free to use for educational purposes, and include: Extensive Audio Examples: More than 300 audio demonstrations to illustrate important points in each chapter of the text. CHAPTER 1: RECORDING A MACHINE Audio Files (To download all WAV examples at once: 31MB ZIP) Types Of Signal Degradation: I’ve subjected the following unmastered mix Ex01.01: WAV/MP3 play_arrow to a variety of the signal degradations mentioned in Section 1.4 of the book, so you can learn what each sounds like and therefore troubleshoot your own setup problems more quickly: two types of analogue clipping distortion Ex01.02 WHISTLESTOP GUIDE TO STUDIO PRODUCTION Frequency Response. Any studio device will alter the nature of sound passing through it in some way, however small, and the nature of any such effect on a signal’s frequency balance is commonly expressed in terms of a frequency response graph, which shows the gain applied by the device across the frequency range. A device that left the frequency balance completely unchanged would show a CHAPTER 9: COMPRESSING FOR A REASON Audio Files (To download all WAV examples at once: 42MB ZIP) Effects Of Different Compressor Time Settings On Drums: These audio examples support Figure 9.9 in the book by demonstrating the audible effects of different attack-time and release-time settings on a snare-drum sound. The first file contains an unprocessed snare-drum sample Ex09.01:WAV/MP3 play_arrow.
CHAPTER 11: EQUALIZING FOR A REASON Audio Files (To download all WAV examples at once: 100MB ZIP) Unmasking With EQ: To help illustrate the effect of frequency masking, first listen to this small vocal snippet Ex11.01: WAV/MP3 play_arrow, and then listen to how its subjective tone changes when it’s layered with a high-frequency noise signal Ex11.02: WAV/MP3 play_arrow.The vocal signal is no different – it’s just that its CHAPTER 10: BEYOND COMPRESSION Audio Files (To download all WAV examples at once: 15MB ZIP) Dedicated Transient Processing: Here are a couple of contrasting real-world kick-drum processing examples which demonstrate the power of transient-driven dynamics processing. The first is a soft-sounding sample Ex10.01: WAV/MP3 play_arrow which I heavily processed to increase attack and reduce sustain Ex10.02: WAV/MP3 play_arrow for CHAPTER 4: STAYING OBJECTIVE Links. Affordable Stereo Monitor Controllers: As mentioned in the book, a dedicated monitor controller is an excellent purchase for the small studio, and for mixing purposes I’d recommend a model with the following features: three independently switchable monitoring outputs (for your nearfields, Auratone-substitute, and grotboxes); a headphone socket; and a mono switch. CHAPTER 7: COMPING & ARRANGEMENT Audio Files (To download all WAV examples at once: 2MB ZIP) Editing Out Clutter: Here are a couple of examples of how a little editing can help improve the clarity of important elements of your mix. Here’s a short snippet from Mix Rescue December 2008 containing a characteristic double-hit snare fill Ex07.01: WAV/MP3 play_arrow.Compare that with this version of the same section Ex07.02:WAV
CHAPTER 18: STEREO ENHANCEMENTS Audio Files (To download all WAV examples at once: 112MB ZIP) Fake Double-tracks For Stereo Widening: I frequently generate additional double-track parts for stereo-widening purposes by using audio editing techniques, as in Mix Rescue October 2008, where I edited a single guitar recording Ex18.01: WAV/MP3 play_arrow to create a fake double-track, and then panned the two parts to opposite sides CHAPTER 5: BEYOND VANILLA VOCALS The simplest tactic is to put the foldback speaker (s) in the rejection null (s) of a directional microphone. This audio file Ex05.05: WAV / MP3 play_arrow shows roughly how effective that is when using a budget large-diaphragm mic in cardioid mode, with a mono foldback mix coming from a single speaker placed 80cm behind the micin a fairly dry
CAMBRIDGE MUSIC TECHNOLOGYABOUTCOACHINGSERVICESMIXING SECRETSFREE ON-LINE MIXING RESOURCESMIX CONTEST Cambridge Music Technology. Welcome to the Cambridge Music Technology web site, where you can find out more about the studio services, workshops, and publications offered by award-winning engineer and best-selling author Mike Senior. Please choose the appropriate link below: Free On-line Recording Resources: Hundreds of in-depth audioINTRODUCTION
Welcome to the on-line resource pages for Mixing Secrets For The Small Studio.You can navigate the different pages using the links above. Theresources are all
CHAPTER 5: ESSENTIAL GROUNDWORK Audio Files (To download all WAV examples at once: 59MB ZIP) Unmixed Multitracks For Practice Purposes: If you’re looking for something to use for practicing your mixing, check out the 'Mixing Secrets' Free Multitrack Download Library, which contains 345 projects in a variety of different musical styles.These are free to download for educational purposes, and can easily be imported into any LIBRARY OF MIC POSITIONS Acoustic Bass. A range of both plucked and bowed acoustic-bass performance techniques were captured through two different eight-mic arrays, each made up of five identical small-diaphragm condenser mics and three identical ribbon mics. CHAPTER 17: MIXING WITH DELAYS Audio Files. Blend & Size Delays: Here are four versions of the same basic mix: a completely dry version Ex17.01: WAV / MP3 play_arrow, a version with blend delay applied Ex17.02: WAV / MP3 play_arrow, a version with size delay applied Ex17.03: WAV / MP3 play_arrow, and finally a version with both delays at once Ex17.04: WAV / MP3play_arrow.
CHAPTER 1: NEARFIELD MONITORS THE 'RECORDING SECRETS' FREE BACKING STEMS DOWNLOAD LIBRARY Below is a selection of backing-stem packages, based on some of the more popular multitracks from the ‘Mixing Secrets’ Free Multitrack Download Library, which can be freely downloaded for the purposes of recording practice.All these files are presented as ZIP archives containing uncompressed WAV files (24-bit resolution and 44.1kHz sample rate) – when importing them, just make sure all CHAPTER 6: TIMING & TUNING CHAPTER 18: STEREO ENHANCEMENTS SEARCH THE 'MIXING SECRETS' FREE MULTITRACK DOWNLOAD Use control-click to multi-select or de-select in the lists. CAMBRIDGE MUSIC TECHNOLOGYABOUTCOACHINGSERVICESMIXING SECRETSFREE ON-LINE MIXING RESOURCESMIX CONTEST Cambridge Music Technology. Welcome to the Cambridge Music Technology web site, where you can find out more about the studio services, workshops, and publications offered by award-winning engineer and best-selling author Mike Senior. Please choose the appropriate link below: Free On-line Recording Resources: Hundreds of in-depth audioINTRODUCTION
Welcome to the on-line resource pages for Mixing Secrets For The Small Studio.You can navigate the different pages using the links above. Theresources are all
CHAPTER 5: ESSENTIAL GROUNDWORK Audio Files (To download all WAV examples at once: 59MB ZIP) Unmixed Multitracks For Practice Purposes: If you’re looking for something to use for practicing your mixing, check out the 'Mixing Secrets' Free Multitrack Download Library, which contains 345 projects in a variety of different musical styles.These are free to download for educational purposes, and can easily be imported into any LIBRARY OF MIC POSITIONS Acoustic Bass. A range of both plucked and bowed acoustic-bass performance techniques were captured through two different eight-mic arrays, each made up of five identical small-diaphragm condenser mics and three identical ribbon mics. CHAPTER 17: MIXING WITH DELAYS Audio Files. Blend & Size Delays: Here are four versions of the same basic mix: a completely dry version Ex17.01: WAV / MP3 play_arrow, a version with blend delay applied Ex17.02: WAV / MP3 play_arrow, a version with size delay applied Ex17.03: WAV / MP3 play_arrow, and finally a version with both delays at once Ex17.04: WAV / MP3play_arrow.
CHAPTER 1: NEARFIELD MONITORS THE 'RECORDING SECRETS' FREE BACKING STEMS DOWNLOAD LIBRARY Below is a selection of backing-stem packages, based on some of the more popular multitracks from the ‘Mixing Secrets’ Free Multitrack Download Library, which can be freely downloaded for the purposes of recording practice.All these files are presented as ZIP archives containing uncompressed WAV files (24-bit resolution and 44.1kHz sample rate) – when importing them, just make sure all CHAPTER 6: TIMING & TUNING CHAPTER 18: STEREO ENHANCEMENTS SEARCH THE 'MIXING SECRETS' FREE MULTITRACK DOWNLOAD Use control-click to multi-select or de-select in the lists.INTRODUCTION
Introduction. Welcome to the on-line resource pages for Recording Secrets For The Small Studio. You can navigate the different pages using the links above. The resources are all free to use for educational purposes, and include: Extensive Audio Examples: More than 300 audio demonstrations to illustrate important points in each chapter of the text. WHISTLESTOP GUIDE TO STUDIO PRODUCTION Frequency Response. Any studio device will alter the nature of sound passing through it in some way, however small, and the nature of any such effect on a signal’s frequency balance is commonly expressed in terms of a frequency response graph, which shows the gain applied by the device across the frequency range. A device that left the frequency balance completely unchanged would show a CHAPTER 9: COMPRESSING FOR A REASON Audio Files (To download all WAV examples at once: 42MB ZIP) Effects Of Different Compressor Time Settings On Drums: These audio examples support Figure 9.9 in the book by demonstrating the audible effects of different attack-time and release-time settings on a snare-drum sound. The first file contains an unprocessed snare-drum sample Ex09.01:WAV/MP3 play_arrow.
CHAPTER 11: EQUALIZING FOR A REASON Audio Files (To download all WAV examples at once: 100MB ZIP) Unmasking With EQ: To help illustrate the effect of frequency masking, first listen to this small vocal snippet Ex11.01: WAV/MP3 play_arrow, and then listen to how its subjective tone changes when it’s layered with a high-frequency noise signal Ex11.02: WAV/MP3 play_arrow.The vocal signal is no different – it’s just that its CHAPTER 19: MASTER-BUSS PROCESSING, AUTOMATION, & ENDGAME This is the isolated lead vocal, complete with its automated send effects Ex19.21: WAV / MP3 play_arrow, and here’s the effects returns on their own Ex19.22: WAV / MP3 play_arrow so you can hear the automation more clearly. Now listen to how these effects rides work within the context of the final remix Ex19.23: WAV / MP3 play_arrow. CHAPTER 4: STAYING OBJECTIVE Links. Affordable Stereo Monitor Controllers: As mentioned in the book, a dedicated monitor controller is an excellent purchase for the small studio, and for mixing purposes I’d recommend a model with the following features: three independently switchable monitoring outputs (for your nearfields, Auratone-substitute, and grotboxes); a headphone socket; and a mono switch. CHAPTER 7: COMPING & ARRANGEMENT Audio Files (To download all WAV examples at once: 2MB ZIP) Editing Out Clutter: Here are a couple of examples of how a little editing can help improve the clarity of important elements of your mix. Here’s a short snippet from Mix Rescue December 2008 containing a characteristic double-hit snare fill Ex07.01: WAV/MP3 play_arrow.Compare that with this version of the same section Ex07.02:WAV
CHAPTER 10: BEYOND COMPRESSION Audio Files (To download all WAV examples at once: 15MB ZIP) Dedicated Transient Processing: Here are a couple of contrasting real-world kick-drum processing examples which demonstrate the power of transient-driven dynamics processing. The first is a soft-sounding sample Ex10.01: WAV/MP3 play_arrow which I heavily processed to increase attack and reduce sustain Ex10.02: WAV/MP3 play_arrow for CYMBAL - CAMBRIDGE-MT Positions Above The Cymbal: With the cymbal set up on a stand about 1.3m from the floor, the mics were placed on the horizontal line roughly 45cm above the cymbal surface pointing downwards at five different locations on the cymbal: the player’s edge; midway between the player’s edge and the bell; directly on the bell; midway betweenthe
CHAPTER 14: SIDE-CHAINS Audio Files. Side-chain Triggered Ducking: A common application of ducking can be heard in Mix Rescue September 2008 Ex14.01: WAV / MP3 play_arrow, where the low frequencies of the kick-drum and bass-guitar parts are competing for space in the mix. Ducking the bass part makes the low end better controlled Ex14.02: WAV / MP3 play_arrow. CAMBRIDGE MUSIC TECHNOLOGYABOUTCOACHINGSERVICESMIXING SECRETSFREE ON-LINE MIXING RESOURCESMIX CONTEST Cambridge Music Technology. Welcome to the Cambridge Music Technology web site, where you can find out more about the studio services, workshops, and publications offered by award-winning engineer and best-selling author Mike Senior. Please choose the appropriate link below: Free On-line Recording Resources: Hundreds of in-depth audioINTRODUCTION
Welcome to the on-line resource pages for Mixing Secrets For The Small Studio.You can navigate the different pages using the links above. Theresources are all
CHAPTER 5: ESSENTIAL GROUNDWORK Audio Files (To download all WAV examples at once: 59MB ZIP) Unmixed Multitracks For Practice Purposes: If you’re looking for something to use for practicing your mixing, check out the 'Mixing Secrets' Free Multitrack Download Library, which contains 345 projects in a variety of different musical styles.These are free to download for educational purposes, and can easily be imported into any LIBRARY OF MIC POSITIONS Acoustic Bass. A range of both plucked and bowed acoustic-bass performance techniques were captured through two different eight-mic arrays, each made up of five identical small-diaphragm condenser mics and three identical ribbon mics. CHAPTER 17: MIXING WITH DELAYS Audio Files. Blend & Size Delays: Here are four versions of the same basic mix: a completely dry version Ex17.01: WAV / MP3 play_arrow, a version with blend delay applied Ex17.02: WAV / MP3 play_arrow, a version with size delay applied Ex17.03: WAV / MP3 play_arrow, and finally a version with both delays at once Ex17.04: WAV / MP3play_arrow.
CHAPTER 1: NEARFIELD MONITORS THE 'RECORDING SECRETS' FREE BACKING STEMS DOWNLOAD LIBRARY Below is a selection of backing-stem packages, based on some of the more popular multitracks from the ‘Mixing Secrets’ Free Multitrack Download Library, which can be freely downloaded for the purposes of recording practice.All these files are presented as ZIP archives containing uncompressed WAV files (24-bit resolution and 44.1kHz sample rate) – when importing them, just make sure all CHAPTER 6: TIMING & TUNING CHAPTER 18: STEREO ENHANCEMENTS SEARCH THE 'MIXING SECRETS' FREE MULTITRACK DOWNLOAD Use control-click to multi-select or de-select in the lists. CAMBRIDGE MUSIC TECHNOLOGYABOUTCOACHINGSERVICESMIXING SECRETSFREE ON-LINE MIXING RESOURCESMIX CONTEST Cambridge Music Technology. Welcome to the Cambridge Music Technology web site, where you can find out more about the studio services, workshops, and publications offered by award-winning engineer and best-selling author Mike Senior. Please choose the appropriate link below: Free On-line Recording Resources: Hundreds of in-depth audioINTRODUCTION
Welcome to the on-line resource pages for Mixing Secrets For The Small Studio.You can navigate the different pages using the links above. Theresources are all
CHAPTER 5: ESSENTIAL GROUNDWORK Audio Files (To download all WAV examples at once: 59MB ZIP) Unmixed Multitracks For Practice Purposes: If you’re looking for something to use for practicing your mixing, check out the 'Mixing Secrets' Free Multitrack Download Library, which contains 345 projects in a variety of different musical styles.These are free to download for educational purposes, and can easily be imported into any LIBRARY OF MIC POSITIONS Acoustic Bass. A range of both plucked and bowed acoustic-bass performance techniques were captured through two different eight-mic arrays, each made up of five identical small-diaphragm condenser mics and three identical ribbon mics. CHAPTER 17: MIXING WITH DELAYS Audio Files. Blend & Size Delays: Here are four versions of the same basic mix: a completely dry version Ex17.01: WAV / MP3 play_arrow, a version with blend delay applied Ex17.02: WAV / MP3 play_arrow, a version with size delay applied Ex17.03: WAV / MP3 play_arrow, and finally a version with both delays at once Ex17.04: WAV / MP3play_arrow.
CHAPTER 1: NEARFIELD MONITORS THE 'RECORDING SECRETS' FREE BACKING STEMS DOWNLOAD LIBRARY Below is a selection of backing-stem packages, based on some of the more popular multitracks from the ‘Mixing Secrets’ Free Multitrack Download Library, which can be freely downloaded for the purposes of recording practice.All these files are presented as ZIP archives containing uncompressed WAV files (24-bit resolution and 44.1kHz sample rate) – when importing them, just make sure all CHAPTER 6: TIMING & TUNING CHAPTER 18: STEREO ENHANCEMENTS SEARCH THE 'MIXING SECRETS' FREE MULTITRACK DOWNLOAD Use control-click to multi-select or de-select in the lists.INTRODUCTION
Introduction. Welcome to the on-line resource pages for Recording Secrets For The Small Studio. You can navigate the different pages using the links above. The resources are all free to use for educational purposes, and include: Extensive Audio Examples: More than 300 audio demonstrations to illustrate important points in each chapter of the text. WHISTLESTOP GUIDE TO STUDIO PRODUCTION Frequency Response. Any studio device will alter the nature of sound passing through it in some way, however small, and the nature of any such effect on a signal’s frequency balance is commonly expressed in terms of a frequency response graph, which shows the gain applied by the device across the frequency range. A device that left the frequency balance completely unchanged would show a CHAPTER 9: COMPRESSING FOR A REASON Audio Files (To download all WAV examples at once: 42MB ZIP) Effects Of Different Compressor Time Settings On Drums: These audio examples support Figure 9.9 in the book by demonstrating the audible effects of different attack-time and release-time settings on a snare-drum sound. The first file contains an unprocessed snare-drum sample Ex09.01:WAV/MP3 play_arrow.
CHAPTER 11: EQUALIZING FOR A REASON Audio Files (To download all WAV examples at once: 100MB ZIP) Unmasking With EQ: To help illustrate the effect of frequency masking, first listen to this small vocal snippet Ex11.01: WAV/MP3 play_arrow, and then listen to how its subjective tone changes when it’s layered with a high-frequency noise signal Ex11.02: WAV/MP3 play_arrow.The vocal signal is no different – it’s just that its CHAPTER 19: MASTER-BUSS PROCESSING, AUTOMATION, & ENDGAME This is the isolated lead vocal, complete with its automated send effects Ex19.21: WAV / MP3 play_arrow, and here’s the effects returns on their own Ex19.22: WAV / MP3 play_arrow so you can hear the automation more clearly. Now listen to how these effects rides work within the context of the final remix Ex19.23: WAV / MP3 play_arrow. CHAPTER 4: STAYING OBJECTIVE Links. Affordable Stereo Monitor Controllers: As mentioned in the book, a dedicated monitor controller is an excellent purchase for the small studio, and for mixing purposes I’d recommend a model with the following features: three independently switchable monitoring outputs (for your nearfields, Auratone-substitute, and grotboxes); a headphone socket; and a mono switch. CHAPTER 7: COMPING & ARRANGEMENT Audio Files (To download all WAV examples at once: 2MB ZIP) Editing Out Clutter: Here are a couple of examples of how a little editing can help improve the clarity of important elements of your mix. Here’s a short snippet from Mix Rescue December 2008 containing a characteristic double-hit snare fill Ex07.01: WAV/MP3 play_arrow.Compare that with this version of the same section Ex07.02:WAV
CHAPTER 10: BEYOND COMPRESSION Audio Files (To download all WAV examples at once: 15MB ZIP) Dedicated Transient Processing: Here are a couple of contrasting real-world kick-drum processing examples which demonstrate the power of transient-driven dynamics processing. The first is a soft-sounding sample Ex10.01: WAV/MP3 play_arrow which I heavily processed to increase attack and reduce sustain Ex10.02: WAV/MP3 play_arrow for CYMBAL - CAMBRIDGE-MT Positions Above The Cymbal: With the cymbal set up on a stand about 1.3m from the floor, the mics were placed on the horizontal line roughly 45cm above the cymbal surface pointing downwards at five different locations on the cymbal: the player’s edge; midway between the player’s edge and the bell; directly on the bell; midway betweenthe
CHAPTER 14: SIDE-CHAINS Audio Files. Side-chain Triggered Ducking: A common application of ducking can be heard in Mix Rescue September 2008 Ex14.01: WAV / MP3 play_arrow, where the low frequencies of the kick-drum and bass-guitar parts are competing for space in the mix. Ducking the bass part makes the low end better controlled Ex14.02: WAV / MP3 play_arrow. CAMBRIDGE MUSIC TECHNOLOGYABOUTCOACHINGSERVICESMIXING SECRETSFREE ON-LINE MIXING RESOURCESMIX CONTEST Cambridge Music Technology. Welcome to the Cambridge Music Technology web site, where you can find out more about the studio services, workshops, and publications offered by award-winning engineer and best-selling author Mike Senior. Please choose the appropriate link below: Free On-line Recording Resources: Hundreds of in-depth audioINTRODUCTION
Welcome to the on-line resource pages for Mixing Secrets For The Small Studio.You can navigate the different pages using the links above. Theresources are all
CHAPTER 1: NEARFIELD MONITORS LIBRARY OF MIC POSITIONS Acoustic Bass. A range of both plucked and bowed acoustic-bass performance techniques were captured through two different eight-mic arrays, each made up of five identical small-diaphragm condenser mics and three identical ribbon mics. CHAPTER 5: ESSENTIAL GROUNDWORK Audio Files (To download all WAV examples at once: 59MB ZIP) Unmixed Multitracks For Practice Purposes: If you’re looking for something to use for practicing your mixing, check out the 'Mixing Secrets' Free Multitrack Download Library, which contains 345 projects in a variety of different musical styles.These are free to download for educational purposes, and can easily be imported into any THE 'RECORDING SECRETS' FREE BACKING STEMS DOWNLOAD LIBRARYCAMBRIDGE MIXING STEMSCAMBRIDGE MUSIC Below is a selection of backing-stem packages, based on some of the more popular multitracks from the ‘Mixing Secrets’ Free Multitrack Download Library, which can be freely downloaded for the purposes of recording practice.All these files are presented as ZIP archives containing uncompressed WAV files (24-bit resolution and 44.1kHz sample rate) – when importing them, just make sure all CHAPTER 17: MIXING WITH DELAYS Audio Files. Blend & Size Delays: Here are four versions of the same basic mix: a completely dry version Ex17.01: WAV / MP3 play_arrow, a version with blend delay applied Ex17.02: WAV / MP3 play_arrow, a version with size delay applied Ex17.03: WAV / MP3 play_arrow, and finally a version with both delays at once Ex17.04: WAV / MP3play_arrow.
CHAPTER 11: EQUALIZING FOR A REASON CHAPTER 3: LOW-END DAMAGE LIMITATION Links. Affordable Spectrum-analysis & Level-metering Plug-ins: Voxengo’s freeware SPAN and Melda’s freeware MAnalyzer are very good for spectrum analysis, although I personally use Schwa’s affordable Schope most of the time. For fully-featured full-band bar-graph metering, check out Sonalksis FreeG, but if you prefer the look and feel of a vintage-style moving-coil meter, check out SEARCH THE 'MIXING SECRETS' FREE MULTITRACK DOWNLOADCAMBRIDGE MT MULTITRACKFREE MULTITRACKS Use control-click to multi-select or de-select in the lists. CAMBRIDGE MUSIC TECHNOLOGYABOUTCOACHINGSERVICESMIXING SECRETSFREE ON-LINE MIXING RESOURCESMIX CONTEST Cambridge Music Technology. Welcome to the Cambridge Music Technology web site, where you can find out more about the studio services, workshops, and publications offered by award-winning engineer and best-selling author Mike Senior. Please choose the appropriate link below: Free On-line Recording Resources: Hundreds of in-depth audioINTRODUCTION
Welcome to the on-line resource pages for Mixing Secrets For The Small Studio.You can navigate the different pages using the links above. Theresources are all
CHAPTER 1: NEARFIELD MONITORS LIBRARY OF MIC POSITIONS Acoustic Bass. A range of both plucked and bowed acoustic-bass performance techniques were captured through two different eight-mic arrays, each made up of five identical small-diaphragm condenser mics and three identical ribbon mics. CHAPTER 5: ESSENTIAL GROUNDWORK Audio Files (To download all WAV examples at once: 59MB ZIP) Unmixed Multitracks For Practice Purposes: If you’re looking for something to use for practicing your mixing, check out the 'Mixing Secrets' Free Multitrack Download Library, which contains 345 projects in a variety of different musical styles.These are free to download for educational purposes, and can easily be imported into any THE 'RECORDING SECRETS' FREE BACKING STEMS DOWNLOAD LIBRARYCAMBRIDGE MIXING STEMSCAMBRIDGE MUSIC Below is a selection of backing-stem packages, based on some of the more popular multitracks from the ‘Mixing Secrets’ Free Multitrack Download Library, which can be freely downloaded for the purposes of recording practice.All these files are presented as ZIP archives containing uncompressed WAV files (24-bit resolution and 44.1kHz sample rate) – when importing them, just make sure all CHAPTER 17: MIXING WITH DELAYS Audio Files. Blend & Size Delays: Here are four versions of the same basic mix: a completely dry version Ex17.01: WAV / MP3 play_arrow, a version with blend delay applied Ex17.02: WAV / MP3 play_arrow, a version with size delay applied Ex17.03: WAV / MP3 play_arrow, and finally a version with both delays at once Ex17.04: WAV / MP3play_arrow.
CHAPTER 11: EQUALIZING FOR A REASON CHAPTER 3: LOW-END DAMAGE LIMITATION Links. Affordable Spectrum-analysis & Level-metering Plug-ins: Voxengo’s freeware SPAN and Melda’s freeware MAnalyzer are very good for spectrum analysis, although I personally use Schwa’s affordable Schope most of the time. For fully-featured full-band bar-graph metering, check out Sonalksis FreeG, but if you prefer the look and feel of a vintage-style moving-coil meter, check out SEARCH THE 'MIXING SECRETS' FREE MULTITRACK DOWNLOADCAMBRIDGE MT MULTITRACKFREE MULTITRACKS Use control-click to multi-select or de-select in the lists.INTRODUCTION
Introduction. Welcome to the on-line resource pages for Recording Secrets For The Small Studio. You can navigate the different pages using the links above. The resources are all free to use for educational purposes, and include: Extensive Audio Examples: More than 300 audio demonstrations to illustrate important points in each chapter of the text. WHISTLESTOP GUIDE TO STUDIO PRODUCTION Frequency Response. Any studio device will alter the nature of sound passing through it in some way, however small, and the nature of any such effect on a signal’s frequency balance is commonly expressed in terms of a frequency response graph, which shows the gain applied by the device across the frequency range. A device that left the frequency balance completely unchanged would show a CHAPTER 11: EQUALIZING FOR A REASON Audio Files (To download all WAV examples at once: 100MB ZIP) Unmasking With EQ: To help illustrate the effect of frequency masking, first listen to this small vocal snippet Ex11.01: WAV/MP3 play_arrow, and then listen to how its subjective tone changes when it’s layered with a high-frequency noise signal Ex11.02: WAV/MP3 play_arrow.The vocal signal is no different – it’s just that its CHAPTER 7: COMPING & ARRANGEMENT Audio Files (To download all WAV examples at once: 2MB ZIP) Editing Out Clutter: Here are a couple of examples of how a little editing can help improve the clarity of important elements of your mix. Here’s a short snippet from Mix Rescue December 2008 containing a characteristic double-hit snare fill Ex07.01: WAV/MP3 play_arrow.Compare that with this version of the same section Ex07.02:WAV
CHAPTER 9: COMPRESSING FOR A REASON Audio Files (To download all WAV examples at once: 42MB ZIP) Effects Of Different Compressor Time Settings On Drums: These audio examples support Figure 9.9 in the book by demonstrating the audible effects of different attack-time and release-time settings on a snare-drum sound. The first file contains an unprocessed snare-drum sample Ex09.01:WAV/MP3 play_arrow.
CHAPTER 4: STAYING OBJECTIVE Links. Affordable Stereo Monitor Controllers: As mentioned in the book, a dedicated monitor controller is an excellent purchase for the small studio, and for mixing purposes I’d recommend a model with the following features: three independently switchable monitoring outputs (for your nearfields, Auratone-substitute, and grotboxes); a headphone socket; and a mono switch. CHAPTER 10: BEYOND COMPRESSION Audio Files (To download all WAV examples at once: 15MB ZIP) Dedicated Transient Processing: Here are a couple of contrasting real-world kick-drum processing examples which demonstrate the power of transient-driven dynamics processing. The first is a soft-sounding sample Ex10.01: WAV/MP3 play_arrow which I heavily processed to increase attack and reduce sustain Ex10.02: WAV/MP3 play_arrow for CHAPTER 15: FLUENT BALANCING The main remaining balance problem now stems from the rhythm guitar, and that’s tackled using a set of five level-automated comb-filters (with root frequencies at 262Hz, 292Hz, 331Hz, 352Hz, and 441Hz) to individually target each of the part’s main pitched notes Ex15.08: WAV / MP3 play_arrow. Now, compare this result with the original CHAPTER 7: MULTIMIKING IN MONO Audio Files (To download all WAV examples at once: 134MB ZIP) Phase-matching Coincident Multimics: Here’s a little demonstration of the phase-alignment technique discussed in Section 7.1.1 of the book. In this example, let’s say I want to mic up a guitar amp with a dual-mic coincident array comprising a Shure KSM137 small-diaphragm cardioid condenser mic and a Shure SM57 cardioid dynamic mic. CHAPTER 11: GOING FREESTYLE Updates. Correction: In Figure 11.2 on page 371, the drummer in the diagram should of course be shown with headphones on in order to be hearing the foldback mix. Or maybe he’s just using in-ear monitors… 😀; Further Reading. Sound On Sound Magazine Articles: The magazine’s regular ‘Session Notes’ column provides lots of practical insights into real-world project-studio recording DECEMBER 19TH 2018: PREPARING FOR SITE REDESIGN... Following the recent unwelcome hacker attack, I'm making good progress with a full site redesign which I'm hoping to launch shortly. In the interim, though, I'll still be continuing my monthly multitrack uploads and gradually adding new video content to the Mixing Secrets For The Small Studio resource pages in support of the newly released second edition. If you'd like to assist my ongoing development of this site, please consider joining the Cambridge-MT Patrons . Thanks for your understanding. Mike S. Welcome to the Cambridge Music Technology web site, where you can find out more about the studio services, workshops, and publications offered by award-winning engineer and best-selling author Mike Senior . Please choose the appropriate link below: BOOK: _RECORDING SECRETS FOR THE SMALL STUDIO_ : A complete recording primer, based around techniques from more than 200 of the world's greatest producers. Full of power-user tips specially adapted for small rooms and limited budgets. If you've been listening to Mike's Session Notes recordings , then you can read in depth about his recording methods here. FREE ON-LINE RECORDING RESOURCES : Hundreds of in-depth audio demonstration files, the ever-expanding 'Recording Secrets' Library Of Microphone Positions , a selection of freely downloadable backing tracks and documentation for overdubbing practice , detailed budget-friendly hardware/software recommendations, and lots of links to further reading. BOOK: _MIXING SECRETS FOR THE SMALL STUDIO_ : A complete mixing primer, based around techniques from more than 100 of the world's greatest producers. Ever wondered how Mike can achieve such dramatic Mix Rescue transformations using ordinary mass-market gear? This book shows you how, step bystep.
FREE ON-LINE MIXING RESOURCES : Check out these extensive on-line resource pages, which provide hundreds of in-depth audio demonstration files, the huge 'Mixing Secrets' Free Multitrack Download Library for students/teachers, detailed budget-friendly hardware/software recommendations (including Mike's Freeware Top Ten ), dozens of mix critiques (with audio files) for ear-training in The Great 'Blood To Bone' Mixoff , and lots of links to furtherreading.
STUDIO RECORDING & MIXING SERVICES : Bring some specialist knowledge on board for your next production to improve the quality of your results, and see for yourself how successfully big-studio techniques can be adapted for even modest studio setups. As you might guess from Mike's 'Mix Rescue ' and 'The Mix Review ' magazine columns, he specialises in mixing work, but he can also offer advice and hands-on guidance at the recording stage to avoid many common mixdown problemsat source.
TRAINING & ADVICE FOR SMALL-STUDIO USERS : Benefit from Mike's mixing and production skills, as well as his latest research into the techniques of the world's most famous producers and engineers. Options include Production Critiques , 'Fly On The Wall' Mixing Sessions , One-on-one Mix Training, and Studio Visits
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