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Kirili over
ARTFORUM INTERNATIONAL THE DAY AFTER I LEARNED Joseph Bartscherer had died, I opened the New York Times Magazine to a feature on the seasonal workers who harvest cherries in the same Mattawa, Washington, orchards that Joseph photographed thirty-five years earlier for “Pioneering Mattawa,” 1984–92, a series undertaken in a former desert expanse two and a half hours north of Seattle. The magazine’s ANDREW BERARDINI ON DESERT X 2021 ON OUR LONG DRIVE through the desert of the Coachella Valley chasing the artworks and installations of Desert X 2021, my fifteen-year-old daughter and I drove past the El Dorado Estates. Scrubby bushes in the pale-brown soil stretched back into the vast and vacant desert behind a cinderblock wall advertising the never-realized development named after the elusive, imaginary city of MENLO PARK – SPOTLIGHT – ARTFORUM INTERNATIONAL “Mitchell Johnson is an artist who paints realist paintings that are basically abstract paintings and abstract paintings that are figurative.”—Peter Selz, 2009“In a late interview, Josef Albers claimed, “the content of art is visual formulation of our relation to life.” It’s difficult for me to think of another contemporary painter whose work compliments and proves this claim as FRANK GEHRY RENOVATION OF PHILADELPHIA MUSEUM OF ART The four-year renovation and expansion of the Philadelphia Museum of Art undertaken by renowned architect Frank Gehry has been completed, and the museum today showed off the results to the public for the first time. Designed by Horace Trumbauer and Julian Abele in 1928, the museum sits atop a hill and, with its massive Ionic columns, resembles a Greek temple. Though Gehry is widelyNOTES ON SCULPTURE
Notes on Sculpture. "What comes into appearance must segregate in order to appear.”. — Goethe. THERE HAS BEEN LITTLE DEFINITIVE WRITING on present day sculpture. When it is discussed it is often called in to support a broad iconographic or iconological point of view—after the supporting examples of painting have been exhausted. ARTFORUM INTERNATIONAL THE WEEK ROBERT FRANK DIED, the West Berlin building formerly known as Amerika Haus, now the gallery C/O Berlin, opened the exhibition “Robert Frank: Unseen.” As it happened, I was in town, staying no more than a few blocks away. The press preview was packed, the mood far from funereal—Frank was already an immortal. Indeed, his first German show had been at Amerika Haus KENJIRO OKAZAKI AT GALERIE FRANK ELBAZ Kenjiro Okazaki is perhaps best known in the US for his 2007 collaboration with Trisha Brown, I love my robots, in which his custom-designed cyborgs performed Brown’s choreography. If the Japanese artist’s latest works, small abstract paintings from his series “ZeroThumbnails,” 2005–, seem a far cry from mechanized dancers, they still inhabit the nexus of technology and art. DAWN CHAN ON ASIA-FUTURISM IS IT POSSIBLE to be othered across time? For almost a century already, the myth of an Asian-inflected future has infiltrated imaginations worldwide. Vivid tableaux of the continent’s cities in hyperdrive, fueled by tech-enabled consumerism, come to mind with ease: Think of the vertical neon signs, the sleep-deprived gamers, the flesh-meets-machine of conveyor-belt sushi. ARTFORUM INTERNATIONALARTGUIDENEWSDIARYVIDEOADVERTISESUBSCRIBE This week, digital editorial director Jennifer Krasinski introduces Louise Bourgeois’s essay “Freud’s Toys” from the January 1990 issue of Artforum.The exhibition “Louise Bourgeois, Freud’s Daughter” is at the Jewish Museum in New York through September 12. On the occasion of a 1990 exhibition of antiquities from the personal collection of Sigmund Freud, Louise Bourgeois (1911 NEWS – ARTFORUM INTERNATIONALLEO VILLAREAL–LED DESIGN TEAM WINS COMPETITION TO LIGHT UP LONDON'S BRIDGES Alain Kirili (1946–2021) French American sculptor Alain Kirili died May 19 in New York, where he lived and worked, at the age of seventy-four. The news was confirmed by Susan Inglett Gallery, which represents the artist. Known for his minimalist abstract sculptures and large-scale public works emphasizing verticality and movement,Kirili over
ARTFORUM INTERNATIONAL THE DAY AFTER I LEARNED Joseph Bartscherer had died, I opened the New York Times Magazine to a feature on the seasonal workers who harvest cherries in the same Mattawa, Washington, orchards that Joseph photographed thirty-five years earlier for “Pioneering Mattawa,” 1984–92, a series undertaken in a former desert expanse two and a half hours north of Seattle. The magazine’s ANDREW BERARDINI ON DESERT X 2021 ON OUR LONG DRIVE through the desert of the Coachella Valley chasing the artworks and installations of Desert X 2021, my fifteen-year-old daughter and I drove past the El Dorado Estates. Scrubby bushes in the pale-brown soil stretched back into the vast and vacant desert behind a cinderblock wall advertising the never-realized development named after the elusive, imaginary city of MENLO PARK – SPOTLIGHT – ARTFORUM INTERNATIONAL “Mitchell Johnson is an artist who paints realist paintings that are basically abstract paintings and abstract paintings that are figurative.”—Peter Selz, 2009“In a late interview, Josef Albers claimed, “the content of art is visual formulation of our relation to life.” It’s difficult for me to think of another contemporary painter whose work compliments and proves this claim as FRANK GEHRY RENOVATION OF PHILADELPHIA MUSEUM OF ART The four-year renovation and expansion of the Philadelphia Museum of Art undertaken by renowned architect Frank Gehry has been completed, and the museum today showed off the results to the public for the first time. Designed by Horace Trumbauer and Julian Abele in 1928, the museum sits atop a hill and, with its massive Ionic columns, resembles a Greek temple. Though Gehry is widelyNOTES ON SCULPTURE
Notes on Sculpture. "What comes into appearance must segregate in order to appear.”. — Goethe. THERE HAS BEEN LITTLE DEFINITIVE WRITING on present day sculpture. When it is discussed it is often called in to support a broad iconographic or iconological point of view—after the supporting examples of painting have been exhausted. ARTFORUM INTERNATIONAL THE WEEK ROBERT FRANK DIED, the West Berlin building formerly known as Amerika Haus, now the gallery C/O Berlin, opened the exhibition “Robert Frank: Unseen.” As it happened, I was in town, staying no more than a few blocks away. The press preview was packed, the mood far from funereal—Frank was already an immortal. Indeed, his first German show had been at Amerika Haus KENJIRO OKAZAKI AT GALERIE FRANK ELBAZ Kenjiro Okazaki is perhaps best known in the US for his 2007 collaboration with Trisha Brown, I love my robots, in which his custom-designed cyborgs performed Brown’s choreography. If the Japanese artist’s latest works, small abstract paintings from his series “ZeroThumbnails,” 2005–, seem a far cry from mechanized dancers, they still inhabit the nexus of technology and art. DAWN CHAN ON ASIA-FUTURISM IS IT POSSIBLE to be othered across time? For almost a century already, the myth of an Asian-inflected future has infiltrated imaginations worldwide. Vivid tableaux of the continent’s cities in hyperdrive, fueled by tech-enabled consumerism, come to mind with ease: Think of the vertical neon signs, the sleep-deprived gamers, the flesh-meets-machine of conveyor-belt sushi. ARTFORUM INTERNATIONAL The online edition of Artforum International Magazine. Artforum has invited some of our leading theorists, curators, artists, and museum directors to consider how art institutions might evolve DAWOUD BEY ON EXPANDING THE PHOTOGRAPHIC MOMENT Dawoud Bey. April 17, 2021 • Dawoud Bey on expanding the photographic moment. Dawoud Bey, A Young Man Resting on an Exercise Bike, Amityville, NY, 1988, inkjet print, 30 x 40". Over the past forty-five years, Dawoud Bey has critically reimagined photography’s social and political potential, whether through his collaborativeportraits of
ARTFORUM INTERNATIONAL 1 day ago · WHEN THE ARTIST Judith Godwin died on May 29 in her ninety-second year, the art world lost the last living member of a generation of women Abstract Expressionists, a group of artists largely overlooked in favor of their male peers. I lost a dear friend. My connection with Judith came about through our mutual friend Julie Lawson, a London art-world personality and assistant to Sir RolandLEEAHN GALLERY
“She lives in the blurry world where images can come from anywhere and where most of our experience, even with paintings, comes from reproductions, which have somehow desensitized our experience of the physical world. Elizabeth brings us to the experience of a deeper, more intense reality—this very physical world which we have tended to forget. It is in the physical world that we love METROPOLITAN MUSEUM OF ART TO REPATRIATE TWO BENIN BRONZES New York’s Metropolitan Museum of Art will return a pair of Benin bronzes to Nigeria, becoming the latest major institution to do so and likely compelling others to do the same. The two sixteenth-century brass plaques slated for repatriation depict, respectively, a junior court official and a warrior chief, and are part of the trove of some 90,000 brass, bronze, and ivory objects looted inARTISTS ON WRITERS
Artists On Writers | Writers On Artists brings together luminaries in the fields of art and literature to have the conversations they themselves wish to have. This bi-weekly web series is a joint production of Artforum and Bookforum, and is sponsored by the Morgan Library & Museum. Wayne Koestenbaum —poet, critic, novelist, artist,performer
CATHERINE TAFT ON DAVID HAMMONS'S GLOBAL FAX FESTIVAL “THIS IS IMPROVISATION,” Butch Morris says emphatically to an ensemble during a heated rehearsal. He continues, “This is collective improvisation. This is Conduction. This is conducted improvisation. This isn’t necessarily free music. This has a focus and I am the focus.” This moment—found in an uncredited YouTube clip likely filmed in the 1980s at the Alternative Museum in VENICE BIENNALE 2022 TITLE AND THEMES ANNOUNCED “The Milk of Dreams” has been revealed as the title of the Fifty-Ninth Venice Biennale, to be held in 2022. The name—which was announced today by the event’s artistic director and chief curator Cecilia Alemani in conjunction with Biennale president Roberto Cicutto—is taken from a 1950s children’s book by Surrealist artistLeonora Carrington.
THE NITSCH FOUNDATION 22 hours ago · The Nitsch Foundation is the official representative of Hermann Nitsch and supports activities which foster the exploration and presentation of the artist and his Gesamtkunstwerk (total artwork), the “Orgies Mysteries Theater”.With the current exhibition “88. malaktion” the Nitsch Foundation is showing brand new action paintings from the artist’s latest painting action(88th).
GWANGJU BIENNALE FOUNDATION FACES AUDIT IN WAKE OF 20 hours ago · Gwangju Biennale Foundation Faces Audit in Wake of President’s Ouster Following the forced departure, announced May 27, of Gwangju Biennale Foundation president Sunjung Kim, the foundation is facing questions from both city and state.The Gwangju Ministry of Culture, Sports, and Tourism and the South Korean Ministry of Employment and Labor on June 7 announced that they ARTFORUM INTERNATIONALARTGUIDENEWSDIARYVIDEOADVERTISESUBSCRIBE This week, digital editorial director Jennifer Krasinski introduces Louise Bourgeois’s essay “Freud’s Toys” from the January 1990 issue of Artforum.The exhibition “Louise Bourgeois, Freud’s Daughter” is at the Jewish Museum in New York through September 12. On the occasion of a 1990 exhibition of antiquities from the personal collection of Sigmund Freud, Louise Bourgeois (1911 NEWS – ARTFORUM INTERNATIONALLEO VILLAREAL–LED DESIGN TEAM WINS COMPETITION TO LIGHT UP LONDON'S BRIDGES Alain Kirili (1946–2021) French American sculptor Alain Kirili died May 19 in New York, where he lived and worked, at the age of seventy-four. The news was confirmed by Susan Inglett Gallery, which represents the artist. Known for his minimalist abstract sculptures and large-scale public works emphasizing verticality and movement,Kirili over
ARTFORUM INTERNATIONAL THE DAY AFTER I LEARNED Joseph Bartscherer had died, I opened the New York Times Magazine to a feature on the seasonal workers who harvest cherries in the same Mattawa, Washington, orchards that Joseph photographed thirty-five years earlier for “Pioneering Mattawa,” 1984–92, a series undertaken in a former desert expanse two and a half hours north of Seattle. The magazine’s ANDREW BERARDINI ON DESERT X 2021 ON OUR LONG DRIVE through the desert of the Coachella Valley chasing the artworks and installations of Desert X 2021, my fifteen-year-old daughter and I drove past the El Dorado Estates. Scrubby bushes in the pale-brown soil stretched back into the vast and vacant desert behind a cinderblock wall advertising the never-realized development named after the elusive, imaginary city of MENLO PARK – SPOTLIGHT – ARTFORUM INTERNATIONAL “Mitchell Johnson is an artist who paints realist paintings that are basically abstract paintings and abstract paintings that are figurative.”—Peter Selz, 2009“In a late interview, Josef Albers claimed, “the content of art is visual formulation of our relation to life.” It’s difficult for me to think of another contemporary painter whose work compliments and proves this claim as FRANK GEHRY RENOVATION OF PHILADELPHIA MUSEUM OF ART The four-year renovation and expansion of the Philadelphia Museum of Art undertaken by renowned architect Frank Gehry has been completed, and the museum today showed off the results to the public for the first time. Designed by Horace Trumbauer and Julian Abele in 1928, the museum sits atop a hill and, with its massive Ionic columns, resembles a Greek temple. Though Gehry is widelyNOTES ON SCULPTURE
Notes on Sculpture. "What comes into appearance must segregate in order to appear.”. — Goethe. THERE HAS BEEN LITTLE DEFINITIVE WRITING on present day sculpture. When it is discussed it is often called in to support a broad iconographic or iconological point of view—after the supporting examples of painting have been exhausted. ARTFORUM INTERNATIONAL THE WEEK ROBERT FRANK DIED, the West Berlin building formerly known as Amerika Haus, now the gallery C/O Berlin, opened the exhibition “Robert Frank: Unseen.” As it happened, I was in town, staying no more than a few blocks away. The press preview was packed, the mood far from funereal—Frank was already an immortal. Indeed, his first German show had been at Amerika Haus KENJIRO OKAZAKI AT GALERIE FRANK ELBAZ Kenjiro Okazaki is perhaps best known in the US for his 2007 collaboration with Trisha Brown, I love my robots, in which his custom-designed cyborgs performed Brown’s choreography. If the Japanese artist’s latest works, small abstract paintings from his series “ZeroThumbnails,” 2005–, seem a far cry from mechanized dancers, they still inhabit the nexus of technology and art. DAWN CHAN ON ASIA-FUTURISM IS IT POSSIBLE to be othered across time? For almost a century already, the myth of an Asian-inflected future has infiltrated imaginations worldwide. Vivid tableaux of the continent’s cities in hyperdrive, fueled by tech-enabled consumerism, come to mind with ease: Think of the vertical neon signs, the sleep-deprived gamers, the flesh-meets-machine of conveyor-belt sushi. ARTFORUM INTERNATIONALARTGUIDENEWSDIARYVIDEOADVERTISESUBSCRIBE This week, digital editorial director Jennifer Krasinski introduces Louise Bourgeois’s essay “Freud’s Toys” from the January 1990 issue of Artforum.The exhibition “Louise Bourgeois, Freud’s Daughter” is at the Jewish Museum in New York through September 12. On the occasion of a 1990 exhibition of antiquities from the personal collection of Sigmund Freud, Louise Bourgeois (1911 NEWS – ARTFORUM INTERNATIONALLEO VILLAREAL–LED DESIGN TEAM WINS COMPETITION TO LIGHT UP LONDON'S BRIDGES Alain Kirili (1946–2021) French American sculptor Alain Kirili died May 19 in New York, where he lived and worked, at the age of seventy-four. The news was confirmed by Susan Inglett Gallery, which represents the artist. Known for his minimalist abstract sculptures and large-scale public works emphasizing verticality and movement,Kirili over
ARTFORUM INTERNATIONAL THE DAY AFTER I LEARNED Joseph Bartscherer had died, I opened the New York Times Magazine to a feature on the seasonal workers who harvest cherries in the same Mattawa, Washington, orchards that Joseph photographed thirty-five years earlier for “Pioneering Mattawa,” 1984–92, a series undertaken in a former desert expanse two and a half hours north of Seattle. The magazine’s ANDREW BERARDINI ON DESERT X 2021 ON OUR LONG DRIVE through the desert of the Coachella Valley chasing the artworks and installations of Desert X 2021, my fifteen-year-old daughter and I drove past the El Dorado Estates. Scrubby bushes in the pale-brown soil stretched back into the vast and vacant desert behind a cinderblock wall advertising the never-realized development named after the elusive, imaginary city of MENLO PARK – SPOTLIGHT – ARTFORUM INTERNATIONAL “Mitchell Johnson is an artist who paints realist paintings that are basically abstract paintings and abstract paintings that are figurative.”—Peter Selz, 2009“In a late interview, Josef Albers claimed, “the content of art is visual formulation of our relation to life.” It’s difficult for me to think of another contemporary painter whose work compliments and proves this claim as FRANK GEHRY RENOVATION OF PHILADELPHIA MUSEUM OF ART The four-year renovation and expansion of the Philadelphia Museum of Art undertaken by renowned architect Frank Gehry has been completed, and the museum today showed off the results to the public for the first time. Designed by Horace Trumbauer and Julian Abele in 1928, the museum sits atop a hill and, with its massive Ionic columns, resembles a Greek temple. Though Gehry is widelyNOTES ON SCULPTURE
Notes on Sculpture. "What comes into appearance must segregate in order to appear.”. — Goethe. THERE HAS BEEN LITTLE DEFINITIVE WRITING on present day sculpture. When it is discussed it is often called in to support a broad iconographic or iconological point of view—after the supporting examples of painting have been exhausted. ARTFORUM INTERNATIONAL THE WEEK ROBERT FRANK DIED, the West Berlin building formerly known as Amerika Haus, now the gallery C/O Berlin, opened the exhibition “Robert Frank: Unseen.” As it happened, I was in town, staying no more than a few blocks away. The press preview was packed, the mood far from funereal—Frank was already an immortal. Indeed, his first German show had been at Amerika Haus KENJIRO OKAZAKI AT GALERIE FRANK ELBAZ Kenjiro Okazaki is perhaps best known in the US for his 2007 collaboration with Trisha Brown, I love my robots, in which his custom-designed cyborgs performed Brown’s choreography. If the Japanese artist’s latest works, small abstract paintings from his series “ZeroThumbnails,” 2005–, seem a far cry from mechanized dancers, they still inhabit the nexus of technology and art. DAWN CHAN ON ASIA-FUTURISM IS IT POSSIBLE to be othered across time? For almost a century already, the myth of an Asian-inflected future has infiltrated imaginations worldwide. Vivid tableaux of the continent’s cities in hyperdrive, fueled by tech-enabled consumerism, come to mind with ease: Think of the vertical neon signs, the sleep-deprived gamers, the flesh-meets-machine of conveyor-belt sushi. ARTFORUM INTERNATIONAL The online edition of Artforum International Magazine. Artforum has invited some of our leading theorists, curators, artists, and museum directors to consider how art institutions might evolve DAWOUD BEY ON EXPANDING THE PHOTOGRAPHIC MOMENT Dawoud Bey. April 17, 2021 • Dawoud Bey on expanding the photographic moment. Dawoud Bey, A Young Man Resting on an Exercise Bike, Amityville, NY, 1988, inkjet print, 30 x 40". Over the past forty-five years, Dawoud Bey has critically reimagined photography’s social and political potential, whether through his collaborativeportraits of
ARTFORUM INTERNATIONAL 1 day ago · WHEN THE ARTIST Judith Godwin died on May 29 in her ninety-second year, the art world lost the last living member of a generation of women Abstract Expressionists, a group of artists largely overlooked in favor of their male peers. I lost a dear friend. My connection with Judith came about through our mutual friend Julie Lawson, a London art-world personality and assistant to Sir RolandLEEAHN GALLERY
“She lives in the blurry world where images can come from anywhere and where most of our experience, even with paintings, comes from reproductions, which have somehow desensitized our experience of the physical world. Elizabeth brings us to the experience of a deeper, more intense reality—this very physical world which we have tended to forget. It is in the physical world that we love METROPOLITAN MUSEUM OF ART TO REPATRIATE TWO BENIN BRONZES New York’s Metropolitan Museum of Art will return a pair of Benin bronzes to Nigeria, becoming the latest major institution to do so and likely compelling others to do the same. The two sixteenth-century brass plaques slated for repatriation depict, respectively, a junior court official and a warrior chief, and are part of the trove of some 90,000 brass, bronze, and ivory objects looted inARTISTS ON WRITERS
Artists On Writers | Writers On Artists brings together luminaries in the fields of art and literature to have the conversations they themselves wish to have. This bi-weekly web series is a joint production of Artforum and Bookforum, and is sponsored by the Morgan Library & Museum. Wayne Koestenbaum —poet, critic, novelist, artist,performer
CATHERINE TAFT ON DAVID HAMMONS'S GLOBAL FAX FESTIVAL “THIS IS IMPROVISATION,” Butch Morris says emphatically to an ensemble during a heated rehearsal. He continues, “This is collective improvisation. This is Conduction. This is conducted improvisation. This isn’t necessarily free music. This has a focus and I am the focus.” This moment—found in an uncredited YouTube clip likely filmed in the 1980s at the Alternative Museum in VENICE BIENNALE 2022 TITLE AND THEMES ANNOUNCED “The Milk of Dreams” has been revealed as the title of the Fifty-Ninth Venice Biennale, to be held in 2022. The name—which was announced today by the event’s artistic director and chief curator Cecilia Alemani in conjunction with Biennale president Roberto Cicutto—is taken from a 1950s children’s book by Surrealist artistLeonora Carrington.
THE NITSCH FOUNDATION 22 hours ago · The Nitsch Foundation is the official representative of Hermann Nitsch and supports activities which foster the exploration and presentation of the artist and his Gesamtkunstwerk (total artwork), the “Orgies Mysteries Theater”.With the current exhibition “88. malaktion” the Nitsch Foundation is showing brand new action paintings from the artist’s latest painting action(88th).
GWANGJU BIENNALE FOUNDATION FACES AUDIT IN WAKE OF 20 hours ago · Gwangju Biennale Foundation Faces Audit in Wake of President’s Ouster Following the forced departure, announced May 27, of Gwangju Biennale Foundation president Sunjung Kim, the foundation is facing questions from both city and state.The Gwangju Ministry of Culture, Sports, and Tourism and the South Korean Ministry of Employment and Labor on June 7 announced that they ARTFORUM INTERNATIONALARTGUIDENEWSDIARYVIDEOADVERTISESUBSCRIBE This week, digital editorial director Jennifer Krasinski introduces Louise Bourgeois’s essay “Freud’s Toys” from the January 1990 issue of Artforum.The exhibition “Louise Bourgeois, Freud’s Daughter” is at the Jewish Museum in New York through September 12. On the occasion of a 1990 exhibition of antiquities from the personal collection of Sigmund Freud, Louise Bourgeois (1911 ARTFORUM INTERNATIONAL The online edition of Artforum International Magazine. Season in Hell: Painting, Sculpture, and Film 1990–2021 ARTFORUM INTERNATIONAL THE DAY AFTER I LEARNED Joseph Bartscherer had died, I opened the New York Times Magazine to a feature on the seasonal workers who harvest cherries in the same Mattawa, Washington, orchards that Joseph photographed thirty-five years earlier for “Pioneering Mattawa,” 1984–92, a series undertaken in a former desert expanse two and a half hours north of Seattle. The magazine’s MENLO PARK – SPOTLIGHT – ARTFORUM INTERNATIONAL “Mitchell Johnson is an artist who paints realist paintings that are basically abstract paintings and abstract paintings that are figurative.”—Peter Selz, 2009“In a late interview, Josef Albers claimed, “the content of art is visual formulation of our relation to life.” It’s difficult for me to think of another contemporary painter whose work compliments and proves this claim asNOTES ON SCULPTURE
Notes on Sculpture. "What comes into appearance must segregate in order to appear.”. — Goethe. THERE HAS BEEN LITTLE DEFINITIVE WRITING on present day sculpture. When it is discussed it is often called in to support a broad iconographic or iconological point of view—after the supporting examples of painting have been exhausted. FRANK GEHRY RENOVATION OF PHILADELPHIA MUSEUM OF ART The four-year renovation and expansion of the Philadelphia Museum of Art undertaken by renowned architect Frank Gehry has been completed, and the museum today showed off the results to the public for the first time. Designed by Horace Trumbauer and Julian Abele in 1928, the museum sits atop a hill and, with its massive Ionic columns, resembles a Greek temple. Though Gehry is widely OLIA LIALINA, HOSTED, 2020 Olia Lialina, Hosted, 2020 - Artforum International. Olia Lialina from Artforum on Vimeo. Play. LUCY R. LIPPARD ON MAY STEVENS IN 1968, I moved to a loft in SoHo around the corner from where May Stevens and her husband, the Lithuanian-born painter Rudolf Baranik, lived with their dog, Sparta. We became friends and political allies. They were way ahead of me, having been deeply committed to the civil-rights movement and, later, active participants of the Angry Arts Week and cofounders of Artists and Writers Protest KELLY KIVLAND NAMED CHIEF CURATOR OF WEXNER CENTER FOR THE Kelly Kivland has been announced as chief curator and director of exhibitions at the Wexner Center for the Arts in Columbus, Ohio. Kivland was formerly a curator at Dia Art Foundation, New York, where she had worked since 2011, coming to that institution as a curatorial associate. In her new role, Kivland will work closely with Wexner Center director Johanna Burton, helping to conceive and LYNDA BENGLIS AT CONSORTIUM MUSEUM Curated by Caroline Hancock and Judith TannenbaumA selection of Lynda Benglis’s work—from her process-oriented poured-latex sculptures and fallen paintings of the 1960s to the videos and pleated gilt sculptures that followed—is being exhibited across four institutions, in as many countries, each iteration with its own curatorial conceit. IMMA’s installation (the artist’s first solo ARTFORUM INTERNATIONALARTGUIDENEWSDIARYVIDEOADVERTISESUBSCRIBE This week, digital editorial director Jennifer Krasinski introduces Louise Bourgeois’s essay “Freud’s Toys” from the January 1990 issue of Artforum.The exhibition “Louise Bourgeois, Freud’s Daughter” is at the Jewish Museum in New York through September 12. On the occasion of a 1990 exhibition of antiquities from the personal collection of Sigmund Freud, Louise Bourgeois (1911 ARTFORUM INTERNATIONAL The online edition of Artforum International Magazine. Season in Hell: Painting, Sculpture, and Film 1990–2021 ARTFORUM INTERNATIONAL THE DAY AFTER I LEARNED Joseph Bartscherer had died, I opened the New York Times Magazine to a feature on the seasonal workers who harvest cherries in the same Mattawa, Washington, orchards that Joseph photographed thirty-five years earlier for “Pioneering Mattawa,” 1984–92, a series undertaken in a former desert expanse two and a half hours north of Seattle. The magazine’s MENLO PARK – SPOTLIGHT – ARTFORUM INTERNATIONAL “Mitchell Johnson is an artist who paints realist paintings that are basically abstract paintings and abstract paintings that are figurative.”—Peter Selz, 2009“In a late interview, Josef Albers claimed, “the content of art is visual formulation of our relation to life.” It’s difficult for me to think of another contemporary painter whose work compliments and proves this claim asNOTES ON SCULPTURE
Notes on Sculpture. "What comes into appearance must segregate in order to appear.”. — Goethe. THERE HAS BEEN LITTLE DEFINITIVE WRITING on present day sculpture. When it is discussed it is often called in to support a broad iconographic or iconological point of view—after the supporting examples of painting have been exhausted. FRANK GEHRY RENOVATION OF PHILADELPHIA MUSEUM OF ART The four-year renovation and expansion of the Philadelphia Museum of Art undertaken by renowned architect Frank Gehry has been completed, and the museum today showed off the results to the public for the first time. Designed by Horace Trumbauer and Julian Abele in 1928, the museum sits atop a hill and, with its massive Ionic columns, resembles a Greek temple. Though Gehry is widely OLIA LIALINA, HOSTED, 2020 Olia Lialina, Hosted, 2020 - Artforum International. Olia Lialina from Artforum on Vimeo. Play. LUCY R. LIPPARD ON MAY STEVENS IN 1968, I moved to a loft in SoHo around the corner from where May Stevens and her husband, the Lithuanian-born painter Rudolf Baranik, lived with their dog, Sparta. We became friends and political allies. They were way ahead of me, having been deeply committed to the civil-rights movement and, later, active participants of the Angry Arts Week and cofounders of Artists and Writers Protest KELLY KIVLAND NAMED CHIEF CURATOR OF WEXNER CENTER FOR THE Kelly Kivland has been announced as chief curator and director of exhibitions at the Wexner Center for the Arts in Columbus, Ohio. Kivland was formerly a curator at Dia Art Foundation, New York, where she had worked since 2011, coming to that institution as a curatorial associate. In her new role, Kivland will work closely with Wexner Center director Johanna Burton, helping to conceive and LYNDA BENGLIS AT CONSORTIUM MUSEUM Curated by Caroline Hancock and Judith TannenbaumA selection of Lynda Benglis’s work—from her process-oriented poured-latex sculptures and fallen paintings of the 1960s to the videos and pleated gilt sculptures that followed—is being exhibited across four institutions, in as many countries, each iteration with its own curatorial conceit. IMMA’s installation (the artist’s first solo ARTFORUM INTERNATIONAL JENNIFER PACKER PAINTS intimate pictures. Her source material ranges from photographs to sittings to imagined scenarios, but the subjects are always the people she is closest to—friends, fellow artists, relatives, lovers. Unlike other contemporary artists who claim the portrait as their métier, Packer isn’t aiming to glamorize anyone,much
CASSIE DA COSTA ON SALOMÉ JASHI’S TAMING THE GARDEN (2020 THE SUPERRICH WANT, and can have, luscious gardens of their own. We know the gardens of Versailles, the chateau overlooking them representative of the extreme indulgences of the aristocracy that helped bring on the French Revolution. Those famous grounds were planned by royal architects and constructed through the toil of the working poor. But where do wealthy people’s private parks come ARTFORUM INTERNATIONAL 16 hours ago · WHEN THE ARTIST Judith Godwin died on May 29 in her ninety-second year, the art world lost the last living member of a generation of women Abstract Expressionists, a group of artists largely overlooked in favor of their male peers. I lost a dear friend. My connection with Judith came about through our mutual friend Julie Lawson, a London art-world personality and assistant to Sir Roland CATHERINE TAFT ON DAVID HAMMONS'S GLOBAL FAX FESTIVAL “THIS IS IMPROVISATION,” Butch Morris says emphatically to an ensemble during a heated rehearsal. He continues, “This is collective improvisation. This is Conduction. This is conducted improvisation. This isn’t necessarily free music. This has a focus and I am the focus.” This moment—found in an uncredited YouTube clip likely filmed in the 1980s at the Alternative Museum inLEEAHN GALLERY
“She lives in the blurry world where images can come from anywhere and where most of our experience, even with paintings, comes from reproductions, which have somehow desensitized our experience of the physical world. Elizabeth brings us to the experience of a deeper, more intense reality—this very physical world which we have tended to forget. It is in the physical world that we love VENICE BIENNALE 2022 TITLE AND THEMES ANNOUNCED “The Milk of Dreams” has been revealed as the title of the Fifty-Ninth Venice Biennale, to be held in 2022. The name—which was announced today by the event’s artistic director and chief curator Cecilia Alemani in conjunction with Biennale president Roberto Cicutto—is taken from a 1950s children’s book by Surrealist artistLeonora Carrington.
THE NITSCH FOUNDATION 6 hours ago · The Nitsch Foundation is the official representative of Hermann Nitsch and supports activities which foster the exploration and presentation of the artist and his Gesamtkunstwerk (total artwork), the “Orgies Mysteries Theater”.With the current exhibition “88. malaktion” the Nitsch Foundation is showing brand new action paintings from the artist’s latest painting action(88th).
METROPOLITAN MUSEUM OF ART TO REPATRIATE TWO BENIN BRONZES 1 day ago · New York’s Metropolitan Museum of Art will return a pair of Benin bronzes to Nigeria, becoming the latest major institution to do so and likely compelling others to do the same. The two sixteenth-century brass plaques slated for repatriation depict, respectively, a junior court official and a warrior chief, and are part of the trove of some 90,000 brass, bronze, and ivory objectslooted in
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The online edition of Artforum International Magazine. Brigitte Schindler, La persistenza della memoria.S. D. (The Persistence of Memory, S.D.), 2019, color print on cotton paper, 86 1/2 x 58". ART021 TEAM TO LAUNCH SHENZHEN DNA ART FAIR THIS FALL 1 day ago · The organizers of Shanghai’s Art021 and Beijing’s JingArt have announced plans to launch a new art and design fair in Shenzhen this fall, The Art Newspaper reports. Shenzhen DnA (Design and Art) will feature forty participants and will take place at the Shenzhen Museum of Contemporary Art and Urban Planning (SZMoCAUP) from September 30–October 4. ARTFORUM INTERNATIONALARTGUIDENEWSDIARYVIDEOADVERTISESUBSCRIBE This week, digital editorial director Jennifer Krasinski introduces Louise Bourgeois’s essay “Freud’s Toys” from the January 1990 issue of Artforum.The exhibition “Louise Bourgeois, Freud’s Daughter” is at the Jewish Museum in New York through September 12. On the occasion of a 1990 exhibition of antiquities from the personal collection of Sigmund Freud, Louise Bourgeois (1911 ARTFORUM INTERNATIONAL The online edition of Artforum International Magazine. Season in Hell: Painting, Sculpture, and Film 1990–2021 ARTFORUM INTERNATIONAL THE DAY AFTER I LEARNED Joseph Bartscherer had died, I opened the New York Times Magazine to a feature on the seasonal workers who harvest cherries in the same Mattawa, Washington, orchards that Joseph photographed thirty-five years earlier for “Pioneering Mattawa,” 1984–92, a series undertaken in a former desert expanse two and a half hours north of Seattle. The magazine’s MENLO PARK – SPOTLIGHT – ARTFORUM INTERNATIONAL “Mitchell Johnson is an artist who paints realist paintings that are basically abstract paintings and abstract paintings that are figurative.”—Peter Selz, 2009“In a late interview, Josef Albers claimed, “the content of art is visual formulation of our relation to life.” It’s difficult for me to think of another contemporary painter whose work compliments and proves this claim asNOTES ON SCULPTURE
Notes on Sculpture. "What comes into appearance must segregate in order to appear.”. — Goethe. THERE HAS BEEN LITTLE DEFINITIVE WRITING on present day sculpture. When it is discussed it is often called in to support a broad iconographic or iconological point of view—after the supporting examples of painting have been exhausted. FRANK GEHRY RENOVATION OF PHILADELPHIA MUSEUM OF ART The four-year renovation and expansion of the Philadelphia Museum of Art undertaken by renowned architect Frank Gehry has been completed, and the museum today showed off the results to the public for the first time. Designed by Horace Trumbauer and Julian Abele in 1928, the museum sits atop a hill and, with its massive Ionic columns, resembles a Greek temple. Though Gehry is widely OLIA LIALINA, HOSTED, 2020 Olia Lialina, Hosted, 2020 - Artforum International. Olia Lialina from Artforum on Vimeo. Play. LUCY R. LIPPARD ON MAY STEVENS IN 1968, I moved to a loft in SoHo around the corner from where May Stevens and her husband, the Lithuanian-born painter Rudolf Baranik, lived with their dog, Sparta. We became friends and political allies. They were way ahead of me, having been deeply committed to the civil-rights movement and, later, active participants of the Angry Arts Week and cofounders of Artists and Writers Protest KELLY KIVLAND NAMED CHIEF CURATOR OF WEXNER CENTER FOR THE Kelly Kivland has been announced as chief curator and director of exhibitions at the Wexner Center for the Arts in Columbus, Ohio. Kivland was formerly a curator at Dia Art Foundation, New York, where she had worked since 2011, coming to that institution as a curatorial associate. In her new role, Kivland will work closely with Wexner Center director Johanna Burton, helping to conceive and LYNDA BENGLIS AT CONSORTIUM MUSEUM Curated by Caroline Hancock and Judith TannenbaumA selection of Lynda Benglis’s work—from her process-oriented poured-latex sculptures and fallen paintings of the 1960s to the videos and pleated gilt sculptures that followed—is being exhibited across four institutions, in as many countries, each iteration with its own curatorial conceit. IMMA’s installation (the artist’s first solo ARTFORUM INTERNATIONALARTGUIDENEWSDIARYVIDEOADVERTISESUBSCRIBE This week, digital editorial director Jennifer Krasinski introduces Louise Bourgeois’s essay “Freud’s Toys” from the January 1990 issue of Artforum.The exhibition “Louise Bourgeois, Freud’s Daughter” is at the Jewish Museum in New York through September 12. On the occasion of a 1990 exhibition of antiquities from the personal collection of Sigmund Freud, Louise Bourgeois (1911 ARTFORUM INTERNATIONAL The online edition of Artforum International Magazine. Season in Hell: Painting, Sculpture, and Film 1990–2021 ARTFORUM INTERNATIONAL THE DAY AFTER I LEARNED Joseph Bartscherer had died, I opened the New York Times Magazine to a feature on the seasonal workers who harvest cherries in the same Mattawa, Washington, orchards that Joseph photographed thirty-five years earlier for “Pioneering Mattawa,” 1984–92, a series undertaken in a former desert expanse two and a half hours north of Seattle. The magazine’s MENLO PARK – SPOTLIGHT – ARTFORUM INTERNATIONAL “Mitchell Johnson is an artist who paints realist paintings that are basically abstract paintings and abstract paintings that are figurative.”—Peter Selz, 2009“In a late interview, Josef Albers claimed, “the content of art is visual formulation of our relation to life.” It’s difficult for me to think of another contemporary painter whose work compliments and proves this claim asNOTES ON SCULPTURE
Notes on Sculpture. "What comes into appearance must segregate in order to appear.”. — Goethe. THERE HAS BEEN LITTLE DEFINITIVE WRITING on present day sculpture. When it is discussed it is often called in to support a broad iconographic or iconological point of view—after the supporting examples of painting have been exhausted. FRANK GEHRY RENOVATION OF PHILADELPHIA MUSEUM OF ART The four-year renovation and expansion of the Philadelphia Museum of Art undertaken by renowned architect Frank Gehry has been completed, and the museum today showed off the results to the public for the first time. Designed by Horace Trumbauer and Julian Abele in 1928, the museum sits atop a hill and, with its massive Ionic columns, resembles a Greek temple. Though Gehry is widely OLIA LIALINA, HOSTED, 2020 Olia Lialina, Hosted, 2020 - Artforum International. Olia Lialina from Artforum on Vimeo. Play. LUCY R. LIPPARD ON MAY STEVENS IN 1968, I moved to a loft in SoHo around the corner from where May Stevens and her husband, the Lithuanian-born painter Rudolf Baranik, lived with their dog, Sparta. We became friends and political allies. They were way ahead of me, having been deeply committed to the civil-rights movement and, later, active participants of the Angry Arts Week and cofounders of Artists and Writers Protest KELLY KIVLAND NAMED CHIEF CURATOR OF WEXNER CENTER FOR THE Kelly Kivland has been announced as chief curator and director of exhibitions at the Wexner Center for the Arts in Columbus, Ohio. Kivland was formerly a curator at Dia Art Foundation, New York, where she had worked since 2011, coming to that institution as a curatorial associate. In her new role, Kivland will work closely with Wexner Center director Johanna Burton, helping to conceive and LYNDA BENGLIS AT CONSORTIUM MUSEUM Curated by Caroline Hancock and Judith TannenbaumA selection of Lynda Benglis’s work—from her process-oriented poured-latex sculptures and fallen paintings of the 1960s to the videos and pleated gilt sculptures that followed—is being exhibited across four institutions, in as many countries, each iteration with its own curatorial conceit. IMMA’s installation (the artist’s first solo ARTFORUM INTERNATIONAL JENNIFER PACKER PAINTS intimate pictures. Her source material ranges from photographs to sittings to imagined scenarios, but the subjects are always the people she is closest to—friends, fellow artists, relatives, lovers. Unlike other contemporary artists who claim the portrait as their métier, Packer isn’t aiming to glamorize anyone,much
CASSIE DA COSTA ON SALOMÉ JASHI’S TAMING THE GARDEN (2020 THE SUPERRICH WANT, and can have, luscious gardens of their own. We know the gardens of Versailles, the chateau overlooking them representative of the extreme indulgences of the aristocracy that helped bring on the French Revolution. Those famous grounds were planned by royal architects and constructed through the toil of the working poor. But where do wealthy people’s private parks come ARTFORUM INTERNATIONAL 10 hours ago · WHEN THE ARTIST Judith Godwin died on May 29 in her ninety-second year, the art world lost the last living member of a generation of women Abstract Expressionists, a group of artists largely overlooked in favor of their male peers. I lost a dear friend. My connection with Judith came about through our mutual friend Julie Lawson, a London art-world personality and assistant to Sir Roland CATHERINE TAFT ON DAVID HAMMONS'S GLOBAL FAX FESTIVAL “THIS IS IMPROVISATION,” Butch Morris says emphatically to an ensemble during a heated rehearsal. He continues, “This is collective improvisation. This is Conduction. This is conducted improvisation. This isn’t necessarily free music. This has a focus and I am the focus.” This moment—found in an uncredited YouTube clip likely filmed in the 1980s at the Alternative Museum inLEEAHN GALLERY
“She lives in the blurry world where images can come from anywhere and where most of our experience, even with paintings, comes from reproductions, which have somehow desensitized our experience of the physical world. Elizabeth brings us to the experience of a deeper, more intense reality—this very physical world which we have tended to forget. It is in the physical world that we love VENICE BIENNALE 2022 TITLE AND THEMES ANNOUNCED “The Milk of Dreams” has been revealed as the title of the Fifty-Ninth Venice Biennale, to be held in 2022. The name—which was announced today by the event’s artistic director and chief curator Cecilia Alemani in conjunction with Biennale president Roberto Cicutto—is taken from a 1950s children’s book by Surrealist artistLeonora Carrington.
THE NITSCH FOUNDATION 47 minutes ago · The Nitsch Foundation is the official representative of Hermann Nitsch and supports activities which foster the exploration and presentation of the artist and his Gesamtkunstwerk (total artwork), the “Orgies Mysteries Theater”.With the current exhibition “88. malaktion” the Nitsch Foundation is showing brand new action paintings from the artist’s latest painting action(88th).
METROPOLITAN MUSEUM OF ART TO REPATRIATE TWO BENIN BRONZES 1 day ago · New York’s Metropolitan Museum of Art will return a pair of Benin bronzes to Nigeria, becoming the latest major institution to do so and likely compelling others to do the same. The two sixteenth-century brass plaques slated for repatriation depict, respectively, a junior court official and a warrior chief, and are part of the trove of some 90,000 brass, bronze, and ivory objectslooted in
CRITICS' PICKS
The online edition of Artforum International Magazine. Brigitte Schindler, La persistenza della memoria.S. D. (The Persistence of Memory, S.D.), 2019, color print on cotton paper, 86 1/2 x 58". ART021 TEAM TO LAUNCH SHENZHEN DNA ART FAIR THIS FALL 1 day ago · The organizers of Shanghai’s Art021 and Beijing’s JingArt have announced plans to launch a new art and design fair in Shenzhen this fall, The Art Newspaper reports. Shenzhen DnA (Design and Art) will feature forty participants and will take place at the Shenzhen Museum of Contemporary Art and Urban Planning (SZMoCAUP) from September 30–October 4. ARTFORUM INTERNATIONALARTGUIDENEWSDIARYVIDEOADVERTISESUBSCRIBE This week, digital editorial director Jennifer Krasinski introduces Louise Bourgeois’s essay “Freud’s Toys” from the January 1990 issue of Artforum.The exhibition “Louise Bourgeois, Freud’s Daughter” is at the Jewish Museum in New York through September 12. On the occasion of a 1990 exhibition of antiquities from the personal collection of Sigmund Freud, Louise Bourgeois (1911 ARTFORUM INTERNATIONAL The online edition of Artforum International Magazine. Season in Hell: Painting, Sculpture, and Film 1990–2021 ARTFORUM INTERNATIONAL Artforum International - May 2021. TABLE OF CONTENTS. May 2021. prevnext. list view.
ARTFORUM INTERNATIONAL THE DAY AFTER I LEARNED Joseph Bartscherer had died, I opened the New York Times Magazine to a feature on the seasonal workers who harvest cherries in the same Mattawa, Washington, orchards that Joseph photographed thirty-five years earlier for “Pioneering Mattawa,” 1984–92, a series undertaken in a former desert expanse two and a half hours north of Seattle. The magazine’s MENLO PARK – SPOTLIGHT – ARTFORUM INTERNATIONAL “Mitchell Johnson is an artist who paints realist paintings that are basically abstract paintings and abstract paintings that are figurative.”—Peter Selz, 2009“In a late interview, Josef Albers claimed, “the content of art is visual formulation of our relation to life.” It’s difficult for me to think of another contemporary painter whose work compliments and proves this claim as ANDREW BERARDINI ON DESERT X 2021 ON OUR LONG DRIVE through the desert of the Coachella Valley chasing the artworks and installations of Desert X 2021, my fifteen-year-old daughter and I drove past the El Dorado Estates. Scrubby bushes in the pale-brown soil stretched back into the vast and vacant desert behind a cinderblock wall advertising the never-realized development named after the elusive, imaginary city of ARTFORUM INTERNATIONAL THE WEEK ROBERT FRANK DIED, the West Berlin building formerly known as Amerika Haus, now the gallery C/O Berlin, opened the exhibition “Robert Frank: Unseen.” As it happened, I was in town, staying no more than a few blocks away. The press preview was packed, the mood far from funereal—Frank was already an immortal. Indeed, his first German show had been at Amerika Haus LUCY R. LIPPARD ON MAY STEVENS IN 1968, I moved to a loft in SoHo around the corner from where May Stevens and her husband, the Lithuanian-born painter Rudolf Baranik, lived with their dog, Sparta. We became friends and political allies. They were way ahead of me, having been deeply committed to the civil-rights movement and, later, active participants of the Angry Arts Week and cofounders of Artists and Writers Protest KENJIRO OKAZAKI AT GALERIE FRANK ELBAZ Kenjiro Okazaki is perhaps best known in the US for his 2007 collaboration with Trisha Brown, I love my robots, in which his custom-designed cyborgs performed Brown’s choreography. If the Japanese artist’s latest works, small abstract paintings from his series “ZeroThumbnails,” 2005–, seem a far cry from mechanized dancers, they still inhabit the nexus of technology and art. ANTI FORM - ARTFORUM INTERNATIONAL Anti Form. IN RECENT OBJECT-TYPE ART the invention of new forms is not an issue. A morphology of geometric, predominantly rectangular forms has been accepted as a given premise. The engagement of the work becomes focused on the particularization of these general forms by means of varying scale, material, proportion, placement. ARTFORUM INTERNATIONALARTGUIDENEWSDIARYVIDEOADVERTISESUBSCRIBE This week, digital editorial director Jennifer Krasinski introduces Louise Bourgeois’s essay “Freud’s Toys” from the January 1990 issue of Artforum.The exhibition “Louise Bourgeois, Freud’s Daughter” is at the Jewish Museum in New York through September 12. On the occasion of a 1990 exhibition of antiquities from the personal collection of Sigmund Freud, Louise Bourgeois (1911 ARTFORUM INTERNATIONAL The online edition of Artforum International Magazine. Season in Hell: Painting, Sculpture, and Film 1990–2021 ARTFORUM INTERNATIONAL Artforum International - May 2021. TABLE OF CONTENTS. May 2021. prevnext. list view.
ARTFORUM INTERNATIONAL THE DAY AFTER I LEARNED Joseph Bartscherer had died, I opened the New York Times Magazine to a feature on the seasonal workers who harvest cherries in the same Mattawa, Washington, orchards that Joseph photographed thirty-five years earlier for “Pioneering Mattawa,” 1984–92, a series undertaken in a former desert expanse two and a half hours north of Seattle. The magazine’s MENLO PARK – SPOTLIGHT – ARTFORUM INTERNATIONAL “Mitchell Johnson is an artist who paints realist paintings that are basically abstract paintings and abstract paintings that are figurative.”—Peter Selz, 2009“In a late interview, Josef Albers claimed, “the content of art is visual formulation of our relation to life.” It’s difficult for me to think of another contemporary painter whose work compliments and proves this claim as ANDREW BERARDINI ON DESERT X 2021 ON OUR LONG DRIVE through the desert of the Coachella Valley chasing the artworks and installations of Desert X 2021, my fifteen-year-old daughter and I drove past the El Dorado Estates. Scrubby bushes in the pale-brown soil stretched back into the vast and vacant desert behind a cinderblock wall advertising the never-realized development named after the elusive, imaginary city of ARTFORUM INTERNATIONAL THE WEEK ROBERT FRANK DIED, the West Berlin building formerly known as Amerika Haus, now the gallery C/O Berlin, opened the exhibition “Robert Frank: Unseen.” As it happened, I was in town, staying no more than a few blocks away. The press preview was packed, the mood far from funereal—Frank was already an immortal. Indeed, his first German show had been at Amerika Haus LUCY R. LIPPARD ON MAY STEVENS IN 1968, I moved to a loft in SoHo around the corner from where May Stevens and her husband, the Lithuanian-born painter Rudolf Baranik, lived with their dog, Sparta. We became friends and political allies. They were way ahead of me, having been deeply committed to the civil-rights movement and, later, active participants of the Angry Arts Week and cofounders of Artists and Writers Protest KENJIRO OKAZAKI AT GALERIE FRANK ELBAZ Kenjiro Okazaki is perhaps best known in the US for his 2007 collaboration with Trisha Brown, I love my robots, in which his custom-designed cyborgs performed Brown’s choreography. If the Japanese artist’s latest works, small abstract paintings from his series “ZeroThumbnails,” 2005–, seem a far cry from mechanized dancers, they still inhabit the nexus of technology and art. ANTI FORM - ARTFORUM INTERNATIONAL Anti Form. IN RECENT OBJECT-TYPE ART the invention of new forms is not an issue. A morphology of geometric, predominantly rectangular forms has been accepted as a given premise. The engagement of the work becomes focused on the particularization of these general forms by means of varying scale, material, proportion, placement. NEWS – ARTFORUM INTERNATIONAL French American sculptor Alain Kirili died May 19 in New York, where he lived and worked, at the age of seventy-four. The news was confirmed by Susan Inglett Gallery, which represents the artist. Known for his minimalist abstract sculptures and large-scale public works emphasizing verticality and movement, Kirili over the course of fiftyyears
ARTFORUM INTERNATIONAL The online edition of Artforum International Magazine. Season in Hell: Painting, Sculpture, and Film 1990–2021 CONTACT US – ARTFORUM Contact us. Artforum International Magazine 350 Seventh Avenue New York, NY 10001 Tel: 212-475-4000 Fax: 212-529-1257. Write to mediainquiries@artforum.com for press information.. Write to advertising@artforum.com for advertising information.. Write to circulation@artforum.com for subscription information. Please include your full name and address when making subscription inquires. ARTFORUM INTERNATIONAL JENNIFER PACKER PAINTS intimate pictures. Her source material ranges from photographs to sittings to imagined scenarios, but the subjects are always the people she is closest to—friends, fellow artists, relatives, lovers. Unlike other contemporary artists who claim the portrait as their métier, Packer isn’t aiming to glamorize anyone,much
METROPOLITAN MUSEUM OF ART TO REPATRIATE TWO BENIN BRONZES 13 hours ago · New York’s Metropolitan Museum of Art will return a pair of Benin bronzes to Nigeria, becoming the latest major institution to do so and likely compelling others to do the same. The two sixteenth-century brass plaques slated for repatriation depict, respectively, a junior court official and a warrior chief, and are part of the trove of some 90,000 brass, bronze, and ivory objectslooted in
LEEAHN GALLERY
“She lives in the blurry world where images can come from anywhere and where most of our experience, even with paintings, comes from reproductions, which have somehow desensitized our experience of the physical world. Elizabeth brings us to the experience of a deeper, more intense reality—this very physical world which we have tended to forget. It is in the physical world that we loveARTISTS ON WRITERS
Artists On Writers | Writers On Artists brings together luminaries in the fields of art and literature to have the conversations they themselves wish to have. This bi-weekly web series is a joint production of Artforum and Bookforum, and is sponsored by the Morgan Library & Museum. Wayne Koestenbaum —poet, critic, novelist, artist,performer
VENICE BIENNALE 2022 TITLE AND THEMES ANNOUNCED 1 day ago · “The Milk of Dreams” has been revealed as the title of the Fifty-Ninth Venice Biennale, to be held in 2022. The name—which was announced today by the event’s artistic director and chief curator Cecilia Alemani in conjunction with Biennale president Roberto Cicutto—is taken from a 1950s children’s book by Surrealist artist Leonora Carrington. KATYA MUROMTSEVA AT XL GALLERY A black line unfurls across four white walls, its loops accumulating into tangled human figures. Some appear to embrace; others lunge at each other’s throats. It is impossible to tell where one form ends and the next begins. This is Ekaterina Muromtseva’s Difference in Time 2020–21, an installation that consists of that site-specific mural, five videos, and a floor-to-ceiling acrylic ANDREW BERARDINI ON DESERT X 2021 ON OUR LONG DRIVE through the desert of the Coachella Valley chasing the artworks and installations of Desert X 2021, my fifteen-year-old daughter and I drove past the El Dorado Estates. Scrubby bushes in the pale-brown soil stretched back into the vast and vacant desert behind a cinderblock wall advertising the never-realized development named after the elusive, imaginary city of ARTFORUM INTERNATIONALARTGUIDENEWSDIARYVIDEOADVERTISESUBSCRIBE This week, digital editorial director Jennifer Krasinski introduces Louise Bourgeois’s essay “Freud’s Toys” from the January 1990 issue of Artforum.The exhibition “Louise Bourgeois, Freud’s Daughter” is at the Jewish Museum in New York through September 12. On the occasion of a 1990 exhibition of antiquities from the personal collection of Sigmund Freud, Louise Bourgeois (1911 ARTFORUM INTERNATIONAL The online edition of Artforum International Magazine. Season in Hell: Painting, Sculpture, and Film 1990–2021 ARTFORUM INTERNATIONAL Artforum International - May 2021. TABLE OF CONTENTS. May 2021. prevnext. list view.
ARTFORUM INTERNATIONAL THE DAY AFTER I LEARNED Joseph Bartscherer had died, I opened the New York Times Magazine to a feature on the seasonal workers who harvest cherries in the same Mattawa, Washington, orchards that Joseph photographed thirty-five years earlier for “Pioneering Mattawa,” 1984–92, a series undertaken in a former desert expanse two and a half hours north of Seattle. The magazine’s MENLO PARK – SPOTLIGHT – ARTFORUM INTERNATIONAL “Mitchell Johnson is an artist who paints realist paintings that are basically abstract paintings and abstract paintings that are figurative.”—Peter Selz, 2009“In a late interview, Josef Albers claimed, “the content of art is visual formulation of our relation to life.” It’s difficult for me to think of another contemporary painter whose work compliments and proves this claim as ANDREW BERARDINI ON DESERT X 2021 ON OUR LONG DRIVE through the desert of the Coachella Valley chasing the artworks and installations of Desert X 2021, my fifteen-year-old daughter and I drove past the El Dorado Estates. Scrubby bushes in the pale-brown soil stretched back into the vast and vacant desert behind a cinderblock wall advertising the never-realized development named after the elusive, imaginary city of ARTFORUM INTERNATIONAL THE WEEK ROBERT FRANK DIED, the West Berlin building formerly known as Amerika Haus, now the gallery C/O Berlin, opened the exhibition “Robert Frank: Unseen.” As it happened, I was in town, staying no more than a few blocks away. The press preview was packed, the mood far from funereal—Frank was already an immortal. Indeed, his first German show had been at Amerika Haus LUCY R. LIPPARD ON MAY STEVENS IN 1968, I moved to a loft in SoHo around the corner from where May Stevens and her husband, the Lithuanian-born painter Rudolf Baranik, lived with their dog, Sparta. We became friends and political allies. They were way ahead of me, having been deeply committed to the civil-rights movement and, later, active participants of the Angry Arts Week and cofounders of Artists and Writers Protest KENJIRO OKAZAKI AT GALERIE FRANK ELBAZ Kenjiro Okazaki is perhaps best known in the US for his 2007 collaboration with Trisha Brown, I love my robots, in which his custom-designed cyborgs performed Brown’s choreography. If the Japanese artist’s latest works, small abstract paintings from his series “ZeroThumbnails,” 2005–, seem a far cry from mechanized dancers, they still inhabit the nexus of technology and art. ANTI FORM - ARTFORUM INTERNATIONAL Anti Form. IN RECENT OBJECT-TYPE ART the invention of new forms is not an issue. A morphology of geometric, predominantly rectangular forms has been accepted as a given premise. The engagement of the work becomes focused on the particularization of these general forms by means of varying scale, material, proportion, placement. ARTFORUM INTERNATIONALARTGUIDENEWSDIARYVIDEOADVERTISESUBSCRIBE This week, digital editorial director Jennifer Krasinski introduces Louise Bourgeois’s essay “Freud’s Toys” from the January 1990 issue of Artforum.The exhibition “Louise Bourgeois, Freud’s Daughter” is at the Jewish Museum in New York through September 12. On the occasion of a 1990 exhibition of antiquities from the personal collection of Sigmund Freud, Louise Bourgeois (1911 ARTFORUM INTERNATIONAL The online edition of Artforum International Magazine. Season in Hell: Painting, Sculpture, and Film 1990–2021 ARTFORUM INTERNATIONAL Artforum International - May 2021. TABLE OF CONTENTS. May 2021. prevnext. list view.
ARTFORUM INTERNATIONAL THE DAY AFTER I LEARNED Joseph Bartscherer had died, I opened the New York Times Magazine to a feature on the seasonal workers who harvest cherries in the same Mattawa, Washington, orchards that Joseph photographed thirty-five years earlier for “Pioneering Mattawa,” 1984–92, a series undertaken in a former desert expanse two and a half hours north of Seattle. The magazine’s MENLO PARK – SPOTLIGHT – ARTFORUM INTERNATIONAL “Mitchell Johnson is an artist who paints realist paintings that are basically abstract paintings and abstract paintings that are figurative.”—Peter Selz, 2009“In a late interview, Josef Albers claimed, “the content of art is visual formulation of our relation to life.” It’s difficult for me to think of another contemporary painter whose work compliments and proves this claim as ANDREW BERARDINI ON DESERT X 2021 ON OUR LONG DRIVE through the desert of the Coachella Valley chasing the artworks and installations of Desert X 2021, my fifteen-year-old daughter and I drove past the El Dorado Estates. Scrubby bushes in the pale-brown soil stretched back into the vast and vacant desert behind a cinderblock wall advertising the never-realized development named after the elusive, imaginary city of ARTFORUM INTERNATIONAL THE WEEK ROBERT FRANK DIED, the West Berlin building formerly known as Amerika Haus, now the gallery C/O Berlin, opened the exhibition “Robert Frank: Unseen.” As it happened, I was in town, staying no more than a few blocks away. The press preview was packed, the mood far from funereal—Frank was already an immortal. Indeed, his first German show had been at Amerika Haus LUCY R. LIPPARD ON MAY STEVENS IN 1968, I moved to a loft in SoHo around the corner from where May Stevens and her husband, the Lithuanian-born painter Rudolf Baranik, lived with their dog, Sparta. We became friends and political allies. They were way ahead of me, having been deeply committed to the civil-rights movement and, later, active participants of the Angry Arts Week and cofounders of Artists and Writers Protest KENJIRO OKAZAKI AT GALERIE FRANK ELBAZ Kenjiro Okazaki is perhaps best known in the US for his 2007 collaboration with Trisha Brown, I love my robots, in which his custom-designed cyborgs performed Brown’s choreography. If the Japanese artist’s latest works, small abstract paintings from his series “ZeroThumbnails,” 2005–, seem a far cry from mechanized dancers, they still inhabit the nexus of technology and art. ANTI FORM - ARTFORUM INTERNATIONAL Anti Form. IN RECENT OBJECT-TYPE ART the invention of new forms is not an issue. A morphology of geometric, predominantly rectangular forms has been accepted as a given premise. The engagement of the work becomes focused on the particularization of these general forms by means of varying scale, material, proportion, placement. NEWS – ARTFORUM INTERNATIONAL French American sculptor Alain Kirili died May 19 in New York, where he lived and worked, at the age of seventy-four. The news was confirmed by Susan Inglett Gallery, which represents the artist. Known for his minimalist abstract sculptures and large-scale public works emphasizing verticality and movement, Kirili over the course of fiftyyears
ARTFORUM INTERNATIONAL The online edition of Artforum International Magazine. Season in Hell: Painting, Sculpture, and Film 1990–2021 CONTACT US – ARTFORUM Contact us. Artforum International Magazine 350 Seventh Avenue New York, NY 10001 Tel: 212-475-4000 Fax: 212-529-1257. Write to mediainquiries@artforum.com for press information.. Write to advertising@artforum.com for advertising information.. Write to circulation@artforum.com for subscription information. Please include your full name and address when making subscription inquires. CASSIE DA COSTA ON SALOMÉ JASHI’S TAMING THE GARDEN (2020 THE SUPERRICH WANT, and can have, luscious gardens of their own. We know the gardens of Versailles, the chateau overlooking them representative of the extreme indulgences of the aristocracy that helped bring on the French Revolution. Those famous grounds were planned by royal architects and constructed through the toil of the working poor. But where do wealthy people’s private parks come VENICE BIENNALE 2022 TITLE AND THEMES ANNOUNCED 13 hours ago · “The Milk of Dreams” has been revealed as the title of the Fifty-Ninth Venice Biennale, to be held in 2022. The name—which was announced today by the event’s artistic director and chief curator Cecilia Alemani in conjunction with Biennale president Roberto Cicutto—is taken from a 1950s children’s book by Surrealist artist Leonora Carrington.ARTISTS ON WRITERS
Artists On Writers | Writers On Artists brings together luminaries in the fields of art and literature to have the conversations they themselves wish to have. This bi-weekly web series is a joint production of Artforum and Bookforum, and is sponsored by the Morgan Library & Museum. Wayne Koestenbaum —poet, critic, novelist, artist,performer
ANDREW BERARDINI ON DESERT X 2021 ON OUR LONG DRIVE through the desert of the Coachella Valley chasing the artworks and installations of Desert X 2021, my fifteen-year-old daughter and I drove past the El Dorado Estates. Scrubby bushes in the pale-brown soil stretched back into the vast and vacant desert behind a cinderblock wall advertising the never-realized development named after the elusive, imaginary city ofLEEAHN GALLERY
1 day ago · “She lives in the blurry world where images can come from anywhere and where most of our experience, even with paintings, comes from reproductions, which have somehow desensitized our experience of the physical world. Elizabeth brings us to the experience of a deeper, more intense reality—this very physical world which we have tended to forget. It is in the physical world thatwe love
TAI KWUN CONTEMPORARY 1 day ago · “trust & confusion” is an exhibition about the conversation of certainty and chance; the transformative power of bodies, intangibles, and ephemeral encounters; music and magic; and the luck of being alive, with all the concerns that come with it. The exhibition unfolds over several episodes in an evolving, accumulating configuration, presenting more than 20 newly commissioned works froman
KATYA MUROMTSEVA AT XL GALLERY A black line unfurls across four white walls, its loops accumulating into tangled human figures. Some appear to embrace; others lunge at each other’s throats. It is impossible to tell where one form ends and the next begins. This is Ekaterina Muromtseva’s Difference in Time 2020–21, an installation that consists of that site-specific mural, five videos, and a floor-to-ceiling acrylic ARTFORUM INTERNATIONALARTGUIDENEWSDIARYVIDEOADVERTISESUBSCRIBE This week, editor David Velasco introduces “The Museum Revisited,” a special section from the Summer 2010 issue of Artforum.The Summer 2021 issue is out now.. In 2010, Artforum’s then editor, Tim Griffin, dedicated his final issue to “The Museum Revisited,” gauging “just how tenuous our assumptions about art have become.”His tenure was defined by a surge in art’s audiences and ARTFORUM INTERNATIONAL The online edition of Artforum International Magazine. Season in Hell: Painting, Sculpture, and Film 1990–2021 ARTFORUM INTERNATIONAL The online edition of Artforum International Magazine. Artforum has invited some of our leading theorists, curators, artists, and museum directors to consider how art institutions might evolve ARTFORUM INTERNATIONAL THE DAY AFTER I LEARNED Joseph Bartscherer had died, I opened the New York Times Magazine to a feature on the seasonal workers who harvest cherries in the same Mattawa, Washington, orchards that Joseph photographed thirty-five years earlier for “Pioneering Mattawa,” 1984–92, a series undertaken in a former desert expanse two and a half hours north of Seattle. The magazine’sNOTES ON SCULPTURE
"What comes into appearance must segregate in order to appear.” — GoetheTHERE HAS BEEN LITTLE DEFINITIVE WRITING on present day sculpture. When it is discussed it is often called in to support a broad iconographic or iconological point of view—after the supporting examples of painting have been exhausted. Kubler has raised the objection that iconological assertions presuppose that ARTFORUM INTERNATIONAL THE WEEK ROBERT FRANK DIED, the West Berlin building formerly known as Amerika Haus, now the gallery C/O Berlin, opened the exhibition “Robert Frank: Unseen.” As it happened, I was in town, staying no more than a few blocks away. The press preview was packed, the mood far from funereal—Frank was already an immortal. Indeed, his first German show had been at Amerika Haus OLIA LIALINA, HOSTED, 2020 Olia Lialina, Hosted, 2020. Artists' Projects artguide; ADVERTISE; SUBSCRIBE; BACK ISSUES; CART; PRIVACY POLICY LUCY R. LIPPARD ON MAY STEVENS IN 1968, I moved to a loft in SoHo around the corner from where May Stevens and her husband, the Lithuanian-born painter Rudolf Baranik, lived with their dog, Sparta. We became friends and political allies. They were way ahead of me, having been deeply committed to the civil-rights movement and, later, active participants of the Angry Arts Week and cofounders of Artists and Writers Protest ANTI FORM - ARTFORUM INTERNATIONAL IN RECENT OBJECT-TYPE ART the invention of new forms is not an issue. A morphology of geometric, predominantly rectangular forms has been accepted as a given premise. The engagement of the work becomes focused on the particularization of these general forms by means of varying scale, material, proportion, placement. Because of the flexibility as well as the passive, unemphasized nature of DAWN CHAN ON ASIA-FUTURISM IS IT POSSIBLE to be othered across time? For almost a century already, the myth of an Asian-inflected future has infiltrated imaginations worldwide. Vivid tableaux of the continent’s cities in hyperdrive, fueled by tech-enabled consumerism, come to mind with ease: Think of the vertical neon signs, the sleep-deprived gamers, the flesh-meets-machine of conveyor-belt sushi. ARTFORUM INTERNATIONALARTGUIDENEWSDIARYVIDEOADVERTISESUBSCRIBE This week, editor David Velasco introduces “The Museum Revisited,” a special section from the Summer 2010 issue of Artforum.The Summer 2021 issue is out now.. In 2010, Artforum’s then editor, Tim Griffin, dedicated his final issue to “The Museum Revisited,” gauging “just how tenuous our assumptions about art have become.”His tenure was defined by a surge in art’s audiences and ARTFORUM INTERNATIONAL The online edition of Artforum International Magazine. Season in Hell: Painting, Sculpture, and Film 1990–2021 ARTFORUM INTERNATIONAL The online edition of Artforum International Magazine. Artforum has invited some of our leading theorists, curators, artists, and museum directors to consider how art institutions might evolve ARTFORUM INTERNATIONAL THE DAY AFTER I LEARNED Joseph Bartscherer had died, I opened the New York Times Magazine to a feature on the seasonal workers who harvest cherries in the same Mattawa, Washington, orchards that Joseph photographed thirty-five years earlier for “Pioneering Mattawa,” 1984–92, a series undertaken in a former desert expanse two and a half hours north of Seattle. The magazine’sNOTES ON SCULPTURE
"What comes into appearance must segregate in order to appear.” — GoetheTHERE HAS BEEN LITTLE DEFINITIVE WRITING on present day sculpture. When it is discussed it is often called in to support a broad iconographic or iconological point of view—after the supporting examples of painting have been exhausted. Kubler has raised the objection that iconological assertions presuppose that ARTFORUM INTERNATIONAL THE WEEK ROBERT FRANK DIED, the West Berlin building formerly known as Amerika Haus, now the gallery C/O Berlin, opened the exhibition “Robert Frank: Unseen.” As it happened, I was in town, staying no more than a few blocks away. The press preview was packed, the mood far from funereal—Frank was already an immortal. Indeed, his first German show had been at Amerika Haus OLIA LIALINA, HOSTED, 2020 Olia Lialina, Hosted, 2020. Artists' Projects artguide; ADVERTISE; SUBSCRIBE; BACK ISSUES; CART; PRIVACY POLICY LUCY R. LIPPARD ON MAY STEVENS IN 1968, I moved to a loft in SoHo around the corner from where May Stevens and her husband, the Lithuanian-born painter Rudolf Baranik, lived with their dog, Sparta. We became friends and political allies. They were way ahead of me, having been deeply committed to the civil-rights movement and, later, active participants of the Angry Arts Week and cofounders of Artists and Writers Protest ANTI FORM - ARTFORUM INTERNATIONAL IN RECENT OBJECT-TYPE ART the invention of new forms is not an issue. A morphology of geometric, predominantly rectangular forms has been accepted as a given premise. The engagement of the work becomes focused on the particularization of these general forms by means of varying scale, material, proportion, placement. Because of the flexibility as well as the passive, unemphasized nature of DAWN CHAN ON ASIA-FUTURISM IS IT POSSIBLE to be othered across time? For almost a century already, the myth of an Asian-inflected future has infiltrated imaginations worldwide. Vivid tableaux of the continent’s cities in hyperdrive, fueled by tech-enabled consumerism, come to mind with ease: Think of the vertical neon signs, the sleep-deprived gamers, the flesh-meets-machine of conveyor-belt sushi. NEWS – ARTFORUM INTERNATIONAL The online edition of Artforum International Magazine. New Survey Suggests 15 Percent of US Museums Could Close Permanently In what today passes as optimistic news in a field ravaged by the pandemic, a poll of 1,004 US museum directors released yesterday revealed that 15 percent of them feared “significant risk of permanent closure” due to Covid-induced financial hardship or that theyMUST SEE - ARTGUIDE
The online edition of Artforum International Magazine. ARTFORUM INTERNATIONAL This week, the editors return to Carol Squiers’s “Special Effects: The News and Its Pictures,” from the summer 1988 issue, in which the writer-curator takes a closer look at a newspaper image from occupied Palestine and sees the many forces documented therein. CONTACT US – ARTFORUM Contact us. Artforum International Magazine 350 Seventh Avenue New York, NY 10001 Tel: 212-475-4000 Fax: 212-529-1257. Write to mediainquiries@artforum.com for press information.. Write to advertising@artforum.com for advertising information.. Write to circulation@artforum.com for subscription information. Please include your full name and address when making subscription inquires. CENTRE POMPIDOU HEADS TO NEW JERSEY The Centre Pompidou today announced plans to open a satellite museum in a 100-year-old four-story industrial building in the Journal Square district of Jersey City, New Jersey. If the proposal is approved by City Council, the branch would open in 2024 with a five-year contract between the city and the Parisian museum, and will be the institution’s first North American outpost.Called Centre VIEW OF “PAUL MCCARTHY: PAINTED PIRATE HEADS,” PEDER LUND 7 hours ago · View of “Paul McCarthy: Painted Pirate Heads,” Peder Lund, Oslo, May 8 – September 4, 2021. PIRELLI HANGARBICOCCA Pirelli HangarBicocca is pleased to announce a solo show by Maurizio Cattelan from 15 July 2021 to 20 February 2022. Specially conceived for the spaces of the Milanese institution, the exhibition symbolically represents the cycle of life and gives the audience an insight into collective and personal history, always poised between hope and failure, matter and spirit, truth and fiction.CuratedKUKJE GALLERY
Kukje Gallery is pleased to present The Other Side of Things, a solo exhibition of the Korean contemporary artist Ahn Kyuchul on view at Kukje Gallery Busan from May 13 through July 4, 2021. Acclaimed for his complex yet delicate artistic vocabulary incorporating reflections on daily life, as well as close observations of everyday objects and language, Ahn has constructed a body of work that KATYA MUROMTSEVA AT XL GALLERY 13 hours ago · A black line unfurls across four white walls, its loops accumulating into tangled human figures. Some appear to embrace; others lunge at each other’s throats. It is impossible to tell where one form ends and the next begins. This is Ekaterina Muromtseva’s Difference in Time 2020–21, an installation that consists of that site-specific mural, five videos, and a floor-to-ceiling acrylic SISTER MARY CORITA KENT’S LA STUDIO DESIGNATED HISTORICAL In a unanimous vote, the Los Angeles city council has granted landmark status to the former studio of Sister Mary Corita Kent, the renegade nun, Pop artist, activist, and educator whose bold and colorful silk screen prints detourned commercial imagery to preach ideas of social justice, peace, and love amid the political upheavals of the ’60s and ’70s.The integrity of the modest concretemenu
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DOUGLAS COUPLAND, DANIEL BIRNBAUM DANIEL BIRNBAUM: Have you seen anything memorable in VR? DOUGLAS COUPLAND: Yes . . . it was a beautiful summer evening three years ago. I’d invited a few friends over, and one of them arrived with the most recent Oculus Rift headset. I had two VR experiences. First, I flew over a Cajun swamp in pursuit of purple lights in the distance. Then I collected asteroids in the rings of Saturn. No sound. The twist was that when I removed the goggles, I looked at my favorite room in the world, filled with good friends on that beautiful summer evening, and I thought, _Man, what a dump_. The thing about VR isBOOKFORUM
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