Are you over 18 and want to see adult content?
More Annotations
A complete backup of simplelivingmama.com
Are you over 18 and want to see adult content?
A complete backup of asia20realestate.com
Are you over 18 and want to see adult content?
A complete backup of minedoidosmano.blogspot.com
Are you over 18 and want to see adult content?
A complete backup of tarjetasdepresentacioncreativas.com
Are you over 18 and want to see adult content?
A complete backup of blackstone-labs.com
Are you over 18 and want to see adult content?
A complete backup of brutusandbutch.com
Are you over 18 and want to see adult content?
Favourite Annotations
4G 3G интернет – беспроводной интернет в Украине | 3G STAR
Are you over 18 and want to see adult content?
A complete backup of letembed.blogspot.com
Are you over 18 and want to see adult content?
Swisscom Privatkunden: Mobile, TV, Internet & Festnetz | Swisscom
Are you over 18 and want to see adult content?
Canadian Lifestyle, Food, Retail, Consumer, Entertainment, Pop Culture
Are you over 18 and want to see adult content?
Оружие СХП, ММГ, ЗИП амуниция, пиротехника.
Are you over 18 and want to see adult content?
Dr. Bill Vicars' American Sign Language (ASL) Fingerspelling Practice Site
Are you over 18 and want to see adult content?
Taiwan Woodworking Machinery | MetalWorking Machines- TRUPRO-TEC Industrial Co., Ltd.
Are you over 18 and want to see adult content?
Text
recent
ABOUT – ART, SOCIAL SPACE AND PUBLIC DISCOURSE Art, Social Space and Public Discourse is a three-year Stanford global initiative on art that investigates the multiple contexts that shift and define changing ideas of public space.This ongoing critical framework of conversations, newly commissioned art projects, and exploration of various cultural productions and intellectual traditions looks at recent transformations of civic life. SCHEDULE – ART, SOCIAL SPACE AND PUBLIC DISCOURSE Art, Social Space and Public Discourse, envisioned and directed by artist Ala Ebtekar, is a Stanford global initiative on art that investigates the multiple contexts that shift and define changing ideas of public space.This ongoing critical framework of conversations, newly commissioned art projects, and exploration of various cultural productions and intellectual traditions looks atrecent
PROJECTS – ART, SOCIAL SPACE AND PUBLIC DISCOURSE The lecture-performance looks at two key modern moments – the Iranian Revolution of 1979 and Poland’s Solidarność movement in the 1980s – as bookends to the two major geopolitical narratives of the 20th and 21st century, respectively – Communism and politicalIslam.
CONTRIBUTORS
Ghalamdar (“the writer” in Farsi) is a graffiti artist (born 1994, Tehran, Iran), working since 2006. He is an active member of Calligraffiti community and called between the four most recognized Iranian street artists who are making their own mark by Art Radar Journal, and between the 12 artists crucial to the world of Iranianstreet art by The
MEHDI GHADYANLOO
Mehdi Ghadyanloo is an Iranian artist known for his utopian and philosophical paintings that interrogate universal human precepts such as fear, hope and loss. Through the portrayal of minimal heterotopic environments, surreal architectural arrangements, and the repeated use of symbolic elements such as stairs, balloons and aeroplanesTALINN GRIGOR
Talinn Grigor is a Professor of Art History in the Department of Art and Art History at the University of California, Davis. Her research concentrates on the cross-pollination of art and (post)colonial politics, focused on Iran and India. Her first book, Building Iran: Modernism, Architecture, and National Heritage under the PahlaviMonarchs
NASSER RAHMANINEJAD
Nasser Rahmaninejad. Nasser Rahmaninejad, a foremost celebrated Iranian artist started his theatre career in 1959 in Iran. In response to the authoritarian cultural policies and harsh censorship of the Shah’s regime, he founded his alternative, independent theatre group, Mehr, in 1966. His group, which later changed its name to IranTheatre
CHRISTIANE GRUBER
Christiane Gruber is Associate Professor of Islamic Art in the History of Art Department at the University of Michigan, Ann Arbor. Her primary field of research is Islamic book arts, paintings of the Prophet Muhammad, and Islamic ascension texts and images, about which she has written two books and edited a volume of articles. GHALAMDAR – ART, SOCIAL SPACE AND PUBLIC DISCOURSE Ghalamdar (“the writer” in Farsi) is a graffiti artist (born 1994, Tehran, Iran), working since 2006. He is an active member of Calligraffiti community and called between the four most recognized Iranian street artists who are making their own mark by Art Radar Journal, and between the 12 artists crucial to the world of Iranian street art by The Huffington Post. ART, SOCIAL SPACE AND PUBLIC DISCOURSE Art, Social Space and Public Discourse, envisioned and directed by artist Ala Ebtekar, is a Stanford global initiative on art that investigates the multiple contexts that shift and define changing ideas of public space.This ongoing critical framework of conversations, newly commissioned art projects, and exploration of various cultural productions and intellectual traditions looks atrecent
ABOUT – ART, SOCIAL SPACE AND PUBLIC DISCOURSE Art, Social Space and Public Discourse is a three-year Stanford global initiative on art that investigates the multiple contexts that shift and define changing ideas of public space.This ongoing critical framework of conversations, newly commissioned art projects, and exploration of various cultural productions and intellectual traditions looks at recent transformations of civic life. SCHEDULE – ART, SOCIAL SPACE AND PUBLIC DISCOURSE Art, Social Space and Public Discourse, envisioned and directed by artist Ala Ebtekar, is a Stanford global initiative on art that investigates the multiple contexts that shift and define changing ideas of public space.This ongoing critical framework of conversations, newly commissioned art projects, and exploration of various cultural productions and intellectual traditions looks atrecent
PROJECTS – ART, SOCIAL SPACE AND PUBLIC DISCOURSE The lecture-performance looks at two key modern moments – the Iranian Revolution of 1979 and Poland’s Solidarność movement in the 1980s – as bookends to the two major geopolitical narratives of the 20th and 21st century, respectively – Communism and politicalIslam.
CONTRIBUTORS
Ghalamdar (“the writer” in Farsi) is a graffiti artist (born 1994, Tehran, Iran), working since 2006. He is an active member of Calligraffiti community and called between the four most recognized Iranian street artists who are making their own mark by Art Radar Journal, and between the 12 artists crucial to the world of Iranianstreet art by The
MEHDI GHADYANLOO
Mehdi Ghadyanloo is an Iranian artist known for his utopian and philosophical paintings that interrogate universal human precepts such as fear, hope and loss. Through the portrayal of minimal heterotopic environments, surreal architectural arrangements, and the repeated use of symbolic elements such as stairs, balloons and aeroplanesTALINN GRIGOR
Talinn Grigor is a Professor of Art History in the Department of Art and Art History at the University of California, Davis. Her research concentrates on the cross-pollination of art and (post)colonial politics, focused on Iran and India. Her first book, Building Iran: Modernism, Architecture, and National Heritage under the PahlaviMonarchs
NASSER RAHMANINEJAD
Nasser Rahmaninejad. Nasser Rahmaninejad, a foremost celebrated Iranian artist started his theatre career in 1959 in Iran. In response to the authoritarian cultural policies and harsh censorship of the Shah’s regime, he founded his alternative, independent theatre group, Mehr, in 1966. His group, which later changed its name to IranTheatre
CHRISTIANE GRUBER
Christiane Gruber is Associate Professor of Islamic Art in the History of Art Department at the University of Michigan, Ann Arbor. Her primary field of research is Islamic book arts, paintings of the Prophet Muhammad, and Islamic ascension texts and images, about which she has written two books and edited a volume of articles. GHALAMDAR – ART, SOCIAL SPACE AND PUBLIC DISCOURSE Ghalamdar (“the writer” in Farsi) is a graffiti artist (born 1994, Tehran, Iran), working since 2006. He is an active member of Calligraffiti community and called between the four most recognized Iranian street artists who are making their own mark by Art Radar Journal, and between the 12 artists crucial to the world of Iranian street art by The Huffington Post. PROJECTS – ART, SOCIAL SPACE AND PUBLIC DISCOURSE The lecture-performance looks at two key modern moments – the Iranian Revolution of 1979 and Poland’s Solidarność movement in the 1980s – as bookends to the two major geopolitical narratives of the 20th and 21st century, respectively – Communism and politicalIslam.
EDUCATION – ART, SOCIAL SPACE AND PUBLIC DISCOURSE Art, Social Space and Public Discourse, envisioned and directed by artist Ala Ebtekar, is a Stanford global initiative on art that investigates the multiple contexts that shift and define changing ideas of public space.This ongoing critical framework of conversations, newly commissioned art projects, and exploration of various cultural productions and intellectual traditions looks atrecent
CHRISTIANE GRUBER
Christiane Gruber is Associate Professor of Islamic Art in the History of Art Department at the University of Michigan, Ann Arbor. Her primary field of research is Islamic book arts, paintings of the Prophet Muhammad, and Islamic ascension texts and images, about which she has written two books and edited a volume of articles.SHIVA BALAGHI
Art, Social Space and Public Discourse, envisioned and directed by artist Ala Ebtekar, is a Stanford global initiative on art that investigates the multiple contexts that shift and define changing ideas of public space.This ongoing critical framework of conversations, newly commissioned art projects, and exploration of various cultural productions and intellectual traditions looks atrecent
SOHRAB KASHANI
Sohrab Kashani is an interdisciplinary artist and an independent curator based in Tehran. Sohrab is the founder and director of Sazmanab, formerly a center for contemporary art and a not for profit art space, currently an artist collective based in Tehran and on theinternet.
MINOOSH ZOMORRODINIA Art, Social Space and Public Discourse, envisioned and directed by artist Ala Ebtekar, is a Stanford global initiative on art that investigates the multiple contexts that shift and define changing ideas of public space.This ongoing critical framework of conversations, newly commissioned art projects, and exploration of various cultural productions and intellectual traditions looks atrecent
GHALAMDAR // PUBLIC ART WORKS Art, Social Space and Public Discourse, envisioned and directed by artist Ala Ebtekar, is a Stanford global initiative on art that investigates the multiple contexts that shift and define changing ideas of public space.This ongoing critical framework of conversations, newly commissioned art projects, and exploration of various cultural productions and intellectual traditions looks atrecent
LIVE BROADCAST FROM TOMORROW Art, Social Space and Public Discourse, envisioned and directed by artist Ala Ebtekar, is a Stanford global initiative on art that investigates the multiple contexts that shift and define changing ideas of public space.This ongoing critical framework of conversations, newly commissioned art projects, and exploration of various cultural productions and intellectual traditions looks atrecent
BAHMAN KIAROSTAMI
Bahman Kiarostami. Bahman Kiarostami was born in Tehran in 1978, he started working as an assistant director in 1996. His films have focused on the political power of faith inside contemporary Iranian culture and eloquently explores the complex layers of religious significance in the Iranian controversial society. His filmographyincludes Monir
BAHRAM BEYZAIE
Bahram Beyzaie. Bahram Beyzaie is one of Iran’s most acclaimed filmmakers, playwrights, and scholars of the history of Iranian theater, both secular and religious. He was a leader of the generation of filmmakers known as the Iranian New Wave, starting in the late 1960s, and has since directed more than a dozen prize-winning films.He has also
ART, SOCIAL SPACE AND PUBLIC DISCOURSE Art, Social Space and Public Discourse, envisioned and directed by artist Ala Ebtekar, is a Stanford global initiative on art that investigates the multiple contexts that shift and define changing ideas of public space.This ongoing critical framework of conversations, newly commissioned art projects, and exploration of various cultural productions and intellectual traditions looks atrecent
ABOUT – ART, SOCIAL SPACE AND PUBLIC DISCOURSE Art, Social Space and Public Discourse is a three-year Stanford global initiative on art that investigates the multiple contexts that shift and define changing ideas of public space.This ongoing critical framework of conversations, newly commissioned art projects, and exploration of various cultural productions and intellectual traditions looks at recent transformations of civic life. SCHEDULE – ART, SOCIAL SPACE AND PUBLIC DISCOURSE Art, Social Space and Public Discourse, envisioned and directed by artist Ala Ebtekar, is a Stanford global initiative on art that investigates the multiple contexts that shift and define changing ideas of public space.This ongoing critical framework of conversations, newly commissioned art projects, and exploration of various cultural productions and intellectual traditions looks atrecent
PROJECTS – ART, SOCIAL SPACE AND PUBLIC DISCOURSE The lecture-performance looks at two key modern moments – the Iranian Revolution of 1979 and Poland’s Solidarność movement in the 1980s – as bookends to the two major geopolitical narratives of the 20th and 21st century, respectively – Communism and politicalIslam.
CONTRIBUTORS
Ghalamdar (“the writer” in Farsi) is a graffiti artist (born 1994, Tehran, Iran), working since 2006. He is an active member of Calligraffiti community and called between the four most recognized Iranian street artists who are making their own mark by Art Radar Journal, and between the 12 artists crucial to the world of Iranianstreet art by The
TALINN GRIGOR
Talinn Grigor is a Professor of Art History in the Department of Art and Art History at the University of California, Davis. Her research concentrates on the cross-pollination of art and (post)colonial politics, focused on Iran and India. Her first book, Building Iran: Modernism, Architecture, and National Heritage under the PahlaviMonarchs
CHRISTIANE GRUBER
Christiane Gruber is Associate Professor of Islamic Art in the History of Art Department at the University of Michigan, Ann Arbor. Her primary field of research is Islamic book arts, paintings of the Prophet Muhammad, and Islamic ascension texts and images, about which she has written two books and edited a volume of articles.MEHDI GHADYANLOO
Mehdi Ghadyanloo is an Iranian artist known for his utopian and philosophical paintings that interrogate universal human precepts such as fear, hope and loss. Through the portrayal of minimal heterotopic environments, surreal architectural arrangements, and the repeated use of symbolic elements such as stairs, balloons and aeroplanesBAHRAM BEYZAIE
Bahram Beyzaie. Bahram Beyzaie is one of Iran’s most acclaimed filmmakers, playwrights, and scholars of the history of Iranian theater, both secular and religious. He was a leader of the generation of filmmakers known as the Iranian New Wave, starting in the late 1960s, and has since directed more than a dozen prize-winning films.He has also
NASSER RAHMANINEJAD
Nasser Rahmaninejad. Nasser Rahmaninejad, a foremost celebrated Iranian artist started his theatre career in 1959 in Iran. In response to the authoritarian cultural policies and harsh censorship of the Shah’s regime, he founded his alternative, independent theatre group, Mehr, in 1966. His group, which later changed its name to IranTheatre
ART, SOCIAL SPACE AND PUBLIC DISCOURSE Art, Social Space and Public Discourse, envisioned and directed by artist Ala Ebtekar, is a Stanford global initiative on art that investigates the multiple contexts that shift and define changing ideas of public space.This ongoing critical framework of conversations, newly commissioned art projects, and exploration of various cultural productions and intellectual traditions looks atrecent
ABOUT – ART, SOCIAL SPACE AND PUBLIC DISCOURSE Art, Social Space and Public Discourse is a three-year Stanford global initiative on art that investigates the multiple contexts that shift and define changing ideas of public space.This ongoing critical framework of conversations, newly commissioned art projects, and exploration of various cultural productions and intellectual traditions looks at recent transformations of civic life. SCHEDULE – ART, SOCIAL SPACE AND PUBLIC DISCOURSE Art, Social Space and Public Discourse, envisioned and directed by artist Ala Ebtekar, is a Stanford global initiative on art that investigates the multiple contexts that shift and define changing ideas of public space.This ongoing critical framework of conversations, newly commissioned art projects, and exploration of various cultural productions and intellectual traditions looks atrecent
PROJECTS – ART, SOCIAL SPACE AND PUBLIC DISCOURSE The lecture-performance looks at two key modern moments – the Iranian Revolution of 1979 and Poland’s Solidarność movement in the 1980s – as bookends to the two major geopolitical narratives of the 20th and 21st century, respectively – Communism and politicalIslam.
CONTRIBUTORS
Ghalamdar (“the writer” in Farsi) is a graffiti artist (born 1994, Tehran, Iran), working since 2006. He is an active member of Calligraffiti community and called between the four most recognized Iranian street artists who are making their own mark by Art Radar Journal, and between the 12 artists crucial to the world of Iranianstreet art by The
TALINN GRIGOR
Talinn Grigor is a Professor of Art History in the Department of Art and Art History at the University of California, Davis. Her research concentrates on the cross-pollination of art and (post)colonial politics, focused on Iran and India. Her first book, Building Iran: Modernism, Architecture, and National Heritage under the PahlaviMonarchs
CHRISTIANE GRUBER
Christiane Gruber is Associate Professor of Islamic Art in the History of Art Department at the University of Michigan, Ann Arbor. Her primary field of research is Islamic book arts, paintings of the Prophet Muhammad, and Islamic ascension texts and images, about which she has written two books and edited a volume of articles.MEHDI GHADYANLOO
Mehdi Ghadyanloo is an Iranian artist known for his utopian and philosophical paintings that interrogate universal human precepts such as fear, hope and loss. Through the portrayal of minimal heterotopic environments, surreal architectural arrangements, and the repeated use of symbolic elements such as stairs, balloons and aeroplanesBAHRAM BEYZAIE
Bahram Beyzaie. Bahram Beyzaie is one of Iran’s most acclaimed filmmakers, playwrights, and scholars of the history of Iranian theater, both secular and religious. He was a leader of the generation of filmmakers known as the Iranian New Wave, starting in the late 1960s, and has since directed more than a dozen prize-winning films.He has also
NASSER RAHMANINEJAD
Nasser Rahmaninejad. Nasser Rahmaninejad, a foremost celebrated Iranian artist started his theatre career in 1959 in Iran. In response to the authoritarian cultural policies and harsh censorship of the Shah’s regime, he founded his alternative, independent theatre group, Mehr, in 1966. His group, which later changed its name to IranTheatre
SLAVS AND TATARS
Art, Social Space and Public Discourse, envisioned and directed by artist Ala Ebtekar, is a Stanford global initiative on art that investigates the multiple contexts that shift and define changing ideas of public space.This ongoing critical framework of conversations, newly commissioned art projects, and exploration of various cultural productions and intellectual traditions looks atrecent
SLAVS AND TATARS : 79.89.09 Art, Social Space and Public Discourse, envisioned and directed by artist Ala Ebtekar, is a Stanford global initiative on art that investigates the multiple contexts that shift and define changing ideas of public space.This ongoing critical framework of conversations, newly commissioned art projects, and exploration of various cultural productions and intellectual traditions looks atrecent
MINOOSH ZOMORRODINIA Art, Social Space and Public Discourse, envisioned and directed by artist Ala Ebtekar, is a Stanford global initiative on art that investigates the multiple contexts that shift and define changing ideas of public space.This ongoing critical framework of conversations, newly commissioned art projects, and exploration of various cultural productions and intellectual traditions looks atrecent
BAHRAM BEYZAIE
Bahram Beyzaie. Bahram Beyzaie is one of Iran’s most acclaimed filmmakers, playwrights, and scholars of the history of Iranian theater, both secular and religious. He was a leader of the generation of filmmakers known as the Iranian New Wave, starting in the late 1960s, and has since directed more than a dozen prize-winning films.He has also
SHIVA BALAGHI
Art, Social Space and Public Discourse, envisioned and directed by artist Ala Ebtekar, is a Stanford global initiative on art that investigates the multiple contexts that shift and define changing ideas of public space.This ongoing critical framework of conversations, newly commissioned art projects, and exploration of various cultural productions and intellectual traditions looks atrecent
SOHRAB KASHANI
Sohrab Kashani is an interdisciplinary artist and an independent curator based in Tehran. Sohrab is the founder and director of Sazmanab, formerly a center for contemporary art and a not for profit art space, currently an artist collective based in Tehran and on theinternet.
MEHRDAD FAKOUR
Mehrdad Fakour is a lecturer and author on the subjects of culture, symbolism, art and archaeology of the ancient Near East and Early Islam. He received his Ph.D. from the University of California at Berkeley, and is a researcher in semiotics of dreams. TALK: MEHRDAD FAKOUR Art, Social Space and Public Discourse, envisioned and directed by artist Ala Ebtekar, is a Stanford global initiative on art that investigates the multiple contexts that shift and define changing ideas of public space.This ongoing critical framework of conversations, newly commissioned art projects, and exploration of various cultural productions and intellectual traditions looks atrecent
RASOUL NAJAFIAN
Rasoul Najafian. Rasoul Najafian was born in 1951 in Tehran. He learned the theory and practice of music with Esmaeil Mehrtash and studied acting and directing for four years with Mostafa Oskouei. In 1974, his short film Papoli Jan won the first prize of the ABU Asian Film Festival. He has produced, directed, and acted in severalprojects for
MOHSEN NAMJOO
Mohsen Namjoo is a songwriter, singer, music scholar and setar player (traditional Persian lute). Born in 1976 in Torbat-e Jam, Iran, Namjoo began his musical training at the age of twelve, and studied Persian vocal technique with many great masters. ART, SOCIAL SPACE AND PUBLIC DISCOURSE Art, Social Space and Public Discourse, envisioned and directed by artist Ala Ebtekar, is a Stanford global initiative on art that investigates the multiple contexts that shift and define changing ideas of public space.This ongoing critical framework of conversations, newly commissioned art projects, and exploration of various cultural productions and intellectual traditions looks atrecent
ABOUT – ART, SOCIAL SPACE AND PUBLIC DISCOURSE Art, Social Space and Public Discourse is a three-year Stanford global initiative on art that investigates the multiple contexts that shift and define changing ideas of public space.This ongoing critical framework of conversations, newly commissioned art projects, and exploration of various cultural productions and intellectual traditions looks at recent transformations of civic life. SCHEDULE – ART, SOCIAL SPACE AND PUBLIC DISCOURSE Art, Social Space and Public Discourse, envisioned and directed by artist Ala Ebtekar, is a Stanford global initiative on art that investigates the multiple contexts that shift and define changing ideas of public space.This ongoing critical framework of conversations, newly commissioned art projects, and exploration of various cultural productions and intellectual traditions looks atrecent
PROJECTS – ART, SOCIAL SPACE AND PUBLIC DISCOURSE The lecture-performance looks at two key modern moments – the Iranian Revolution of 1979 and Poland’s Solidarność movement in the 1980s – as bookends to the two major geopolitical narratives of the 20th and 21st century, respectively – Communism and politicalIslam.
CONTRIBUTORS
Ghalamdar (“the writer” in Farsi) is a graffiti artist (born 1994, Tehran, Iran), working since 2006. He is an active member of Calligraffiti community and called between the four most recognized Iranian street artists who are making their own mark by Art Radar Journal, and between the 12 artists crucial to the world of Iranianstreet art by The
TALINN GRIGOR
Talinn Grigor is a Professor of Art History in the Department of Art and Art History at the University of California, Davis. Her research concentrates on the cross-pollination of art and (post)colonial politics, focused on Iran and India. Her first book, Building Iran: Modernism, Architecture, and National Heritage under the PahlaviMonarchs
CHRISTIANE GRUBER
Christiane Gruber is Associate Professor of Islamic Art in the History of Art Department at the University of Michigan, Ann Arbor. Her primary field of research is Islamic book arts, paintings of the Prophet Muhammad, and Islamic ascension texts and images, about which she has written two books and edited a volume of articles.MEHDI GHADYANLOO
Mehdi Ghadyanloo is an Iranian artist known for his utopian and philosophical paintings that interrogate universal human precepts such as fear, hope and loss. Through the portrayal of minimal heterotopic environments, surreal architectural arrangements, and the repeated use of symbolic elements such as stairs, balloons and aeroplanesBAHRAM BEYZAIE
Bahram Beyzaie. Bahram Beyzaie is one of Iran’s most acclaimed filmmakers, playwrights, and scholars of the history of Iranian theater, both secular and religious. He was a leader of the generation of filmmakers known as the Iranian New Wave, starting in the late 1960s, and has since directed more than a dozen prize-winning films.He has also
NASSER RAHMANINEJAD
Nasser Rahmaninejad. Nasser Rahmaninejad, a foremost celebrated Iranian artist started his theatre career in 1959 in Iran. In response to the authoritarian cultural policies and harsh censorship of the Shah’s regime, he founded his alternative, independent theatre group, Mehr, in 1966. His group, which later changed its name to IranTheatre
ART, SOCIAL SPACE AND PUBLIC DISCOURSE Art, Social Space and Public Discourse, envisioned and directed by artist Ala Ebtekar, is a Stanford global initiative on art that investigates the multiple contexts that shift and define changing ideas of public space.This ongoing critical framework of conversations, newly commissioned art projects, and exploration of various cultural productions and intellectual traditions looks atrecent
ABOUT – ART, SOCIAL SPACE AND PUBLIC DISCOURSE Art, Social Space and Public Discourse is a three-year Stanford global initiative on art that investigates the multiple contexts that shift and define changing ideas of public space.This ongoing critical framework of conversations, newly commissioned art projects, and exploration of various cultural productions and intellectual traditions looks at recent transformations of civic life. SCHEDULE – ART, SOCIAL SPACE AND PUBLIC DISCOURSE Art, Social Space and Public Discourse, envisioned and directed by artist Ala Ebtekar, is a Stanford global initiative on art that investigates the multiple contexts that shift and define changing ideas of public space.This ongoing critical framework of conversations, newly commissioned art projects, and exploration of various cultural productions and intellectual traditions looks atrecent
PROJECTS – ART, SOCIAL SPACE AND PUBLIC DISCOURSE The lecture-performance looks at two key modern moments – the Iranian Revolution of 1979 and Poland’s Solidarność movement in the 1980s – as bookends to the two major geopolitical narratives of the 20th and 21st century, respectively – Communism and politicalIslam.
CONTRIBUTORS
Ghalamdar (“the writer” in Farsi) is a graffiti artist (born 1994, Tehran, Iran), working since 2006. He is an active member of Calligraffiti community and called between the four most recognized Iranian street artists who are making their own mark by Art Radar Journal, and between the 12 artists crucial to the world of Iranianstreet art by The
TALINN GRIGOR
Talinn Grigor is a Professor of Art History in the Department of Art and Art History at the University of California, Davis. Her research concentrates on the cross-pollination of art and (post)colonial politics, focused on Iran and India. Her first book, Building Iran: Modernism, Architecture, and National Heritage under the PahlaviMonarchs
CHRISTIANE GRUBER
Christiane Gruber is Associate Professor of Islamic Art in the History of Art Department at the University of Michigan, Ann Arbor. Her primary field of research is Islamic book arts, paintings of the Prophet Muhammad, and Islamic ascension texts and images, about which she has written two books and edited a volume of articles.MEHDI GHADYANLOO
Mehdi Ghadyanloo is an Iranian artist known for his utopian and philosophical paintings that interrogate universal human precepts such as fear, hope and loss. Through the portrayal of minimal heterotopic environments, surreal architectural arrangements, and the repeated use of symbolic elements such as stairs, balloons and aeroplanesBAHRAM BEYZAIE
Bahram Beyzaie. Bahram Beyzaie is one of Iran’s most acclaimed filmmakers, playwrights, and scholars of the history of Iranian theater, both secular and religious. He was a leader of the generation of filmmakers known as the Iranian New Wave, starting in the late 1960s, and has since directed more than a dozen prize-winning films.He has also
NASSER RAHMANINEJAD
Nasser Rahmaninejad. Nasser Rahmaninejad, a foremost celebrated Iranian artist started his theatre career in 1959 in Iran. In response to the authoritarian cultural policies and harsh censorship of the Shah’s regime, he founded his alternative, independent theatre group, Mehr, in 1966. His group, which later changed its name to IranTheatre
SLAVS AND TATARS
Art, Social Space and Public Discourse, envisioned and directed by artist Ala Ebtekar, is a Stanford global initiative on art that investigates the multiple contexts that shift and define changing ideas of public space.This ongoing critical framework of conversations, newly commissioned art projects, and exploration of various cultural productions and intellectual traditions looks atrecent
SLAVS AND TATARS : 79.89.09 Art, Social Space and Public Discourse, envisioned and directed by artist Ala Ebtekar, is a Stanford global initiative on art that investigates the multiple contexts that shift and define changing ideas of public space.This ongoing critical framework of conversations, newly commissioned art projects, and exploration of various cultural productions and intellectual traditions looks atrecent
MINOOSH ZOMORRODINIA Art, Social Space and Public Discourse, envisioned and directed by artist Ala Ebtekar, is a Stanford global initiative on art that investigates the multiple contexts that shift and define changing ideas of public space.This ongoing critical framework of conversations, newly commissioned art projects, and exploration of various cultural productions and intellectual traditions looks atrecent
BAHRAM BEYZAIE
Bahram Beyzaie. Bahram Beyzaie is one of Iran’s most acclaimed filmmakers, playwrights, and scholars of the history of Iranian theater, both secular and religious. He was a leader of the generation of filmmakers known as the Iranian New Wave, starting in the late 1960s, and has since directed more than a dozen prize-winning films.He has also
SHIVA BALAGHI
Art, Social Space and Public Discourse, envisioned and directed by artist Ala Ebtekar, is a Stanford global initiative on art that investigates the multiple contexts that shift and define changing ideas of public space.This ongoing critical framework of conversations, newly commissioned art projects, and exploration of various cultural productions and intellectual traditions looks atrecent
SOHRAB KASHANI
Sohrab Kashani is an interdisciplinary artist and an independent curator based in Tehran. Sohrab is the founder and director of Sazmanab, formerly a center for contemporary art and a not for profit art space, currently an artist collective based in Tehran and on theinternet.
MEHRDAD FAKOUR
Mehrdad Fakour is a lecturer and author on the subjects of culture, symbolism, art and archaeology of the ancient Near East and Early Islam. He received his Ph.D. from the University of California at Berkeley, and is a researcher in semiotics of dreams. TALK: MEHRDAD FAKOUR Art, Social Space and Public Discourse, envisioned and directed by artist Ala Ebtekar, is a Stanford global initiative on art that investigates the multiple contexts that shift and define changing ideas of public space.This ongoing critical framework of conversations, newly commissioned art projects, and exploration of various cultural productions and intellectual traditions looks atrecent
RASOUL NAJAFIAN
Rasoul Najafian. Rasoul Najafian was born in 1951 in Tehran. He learned the theory and practice of music with Esmaeil Mehrtash and studied acting and directing for four years with Mostafa Oskouei. In 1974, his short film Papoli Jan won the first prize of the ABU Asian Film Festival. He has produced, directed, and acted in severalprojects for
MOHSEN NAMJOO
Mohsen Namjoo is a songwriter, singer, music scholar and setar player (traditional Persian lute). Born in 1976 in Torbat-e Jam, Iran, Namjoo began his musical training at the age of twelve, and studied Persian vocal technique with many great masters. ART, SOCIAL SPACE AND PUBLIC DISCOURSE Art, Social Space and Public Discourse, envisioned and directed by artist Ala Ebtekar, is a Stanford global initiative on art that investigates the multiple contexts that shift and define changing ideas of public space.This ongoing critical framework of conversations, newly commissioned art projects, and exploration of various cultural productions and intellectual traditions looks atrecent
ABOUT – ART, SOCIAL SPACE AND PUBLIC DISCOURSE Art, Social Space and Public Discourse is a three-year Stanford global initiative on art that investigates the multiple contexts that shift and define changing ideas of public space.This ongoing critical framework of conversations, newly commissioned art projects, and exploration of various cultural productions and intellectual traditions looks at recent transformations of civic life. SCHEDULE – ART, SOCIAL SPACE AND PUBLIC DISCOURSE Art, Social Space and Public Discourse, envisioned and directed by artist Ala Ebtekar, is a Stanford global initiative on art that investigates the multiple contexts that shift and define changing ideas of public space.This ongoing critical framework of conversations, newly commissioned art projects, and exploration of various cultural productions and intellectual traditions looks atrecent
PROJECTS – ART, SOCIAL SPACE AND PUBLIC DISCOURSE The lecture-performance looks at two key modern moments – the Iranian Revolution of 1979 and Poland’s Solidarność movement in the 1980s – as bookends to the two major geopolitical narratives of the 20th and 21st century, respectively – Communism and politicalIslam.
CONTRIBUTORS
Ghalamdar (“the writer” in Farsi) is a graffiti artist (born 1994, Tehran, Iran), working since 2006. He is an active member of Calligraffiti community and called between the four most recognized Iranian street artists who are making their own mark by Art Radar Journal, and between the 12 artists crucial to the world of Iranianstreet art by The
EVENTS – ART, SOCIAL SPACE AND PUBLIC DISCOURSE Art, Social Space and Public Discourse, envisioned and directed by artist Ala Ebtekar, is a Stanford global initiative on art that investigates the multiple contexts that shift and define changing ideas of public space.This ongoing critical framework of conversations, newly commissioned art projects, and exploration of various cultural productions and intellectual traditions looks atrecent
MEHDI GHADYANLOO
Mehdi Ghadyanloo is an Iranian artist known for his utopian and philosophical paintings that interrogate universal human precepts such as fear, hope and loss. Through the portrayal of minimal heterotopic environments, surreal architectural arrangements, and the repeated use of symbolic elements such as stairs, balloons and aeroplanesTALINN GRIGOR
Talinn Grigor is a Professor of Art History in the Department of Art and Art History at the University of California, Davis. Her research concentrates on the cross-pollination of art and (post)colonial politics, focused on Iran and India. Her first book, Building Iran: Modernism, Architecture, and National Heritage under the PahlaviMonarchs
CHRISTIANE GRUBER
Christiane Gruber is Associate Professor of Islamic Art in the History of Art Department at the University of Michigan, Ann Arbor. Her primary field of research is Islamic book arts, paintings of the Prophet Muhammad, and Islamic ascension texts and images, about which she has written two books and edited a volume of articles.NASSER RAHMANINEJAD
Nasser Rahmaninejad. Nasser Rahmaninejad, a foremost celebrated Iranian artist started his theatre career in 1959 in Iran. In response to the authoritarian cultural policies and harsh censorship of the Shah’s regime, he founded his alternative, independent theatre group, Mehr, in 1966. His group, which later changed its name to IranTheatre
ART, SOCIAL SPACE AND PUBLIC DISCOURSE Art, Social Space and Public Discourse, envisioned and directed by artist Ala Ebtekar, is a Stanford global initiative on art that investigates the multiple contexts that shift and define changing ideas of public space.This ongoing critical framework of conversations, newly commissioned art projects, and exploration of various cultural productions and intellectual traditions looks atrecent
ABOUT – ART, SOCIAL SPACE AND PUBLIC DISCOURSE Art, Social Space and Public Discourse is a three-year Stanford global initiative on art that investigates the multiple contexts that shift and define changing ideas of public space.This ongoing critical framework of conversations, newly commissioned art projects, and exploration of various cultural productions and intellectual traditions looks at recent transformations of civic life. SCHEDULE – ART, SOCIAL SPACE AND PUBLIC DISCOURSE Art, Social Space and Public Discourse, envisioned and directed by artist Ala Ebtekar, is a Stanford global initiative on art that investigates the multiple contexts that shift and define changing ideas of public space.This ongoing critical framework of conversations, newly commissioned art projects, and exploration of various cultural productions and intellectual traditions looks atrecent
PROJECTS – ART, SOCIAL SPACE AND PUBLIC DISCOURSE The lecture-performance looks at two key modern moments – the Iranian Revolution of 1979 and Poland’s Solidarność movement in the 1980s – as bookends to the two major geopolitical narratives of the 20th and 21st century, respectively – Communism and politicalIslam.
CONTRIBUTORS
Ghalamdar (“the writer” in Farsi) is a graffiti artist (born 1994, Tehran, Iran), working since 2006. He is an active member of Calligraffiti community and called between the four most recognized Iranian street artists who are making their own mark by Art Radar Journal, and between the 12 artists crucial to the world of Iranianstreet art by The
EVENTS – ART, SOCIAL SPACE AND PUBLIC DISCOURSE Art, Social Space and Public Discourse, envisioned and directed by artist Ala Ebtekar, is a Stanford global initiative on art that investigates the multiple contexts that shift and define changing ideas of public space.This ongoing critical framework of conversations, newly commissioned art projects, and exploration of various cultural productions and intellectual traditions looks atrecent
MEHDI GHADYANLOO
Mehdi Ghadyanloo is an Iranian artist known for his utopian and philosophical paintings that interrogate universal human precepts such as fear, hope and loss. Through the portrayal of minimal heterotopic environments, surreal architectural arrangements, and the repeated use of symbolic elements such as stairs, balloons and aeroplanesTALINN GRIGOR
Talinn Grigor is a Professor of Art History in the Department of Art and Art History at the University of California, Davis. Her research concentrates on the cross-pollination of art and (post)colonial politics, focused on Iran and India. Her first book, Building Iran: Modernism, Architecture, and National Heritage under the PahlaviMonarchs
CHRISTIANE GRUBER
Christiane Gruber is Associate Professor of Islamic Art in the History of Art Department at the University of Michigan, Ann Arbor. Her primary field of research is Islamic book arts, paintings of the Prophet Muhammad, and Islamic ascension texts and images, about which she has written two books and edited a volume of articles.NASSER RAHMANINEJAD
Nasser Rahmaninejad. Nasser Rahmaninejad, a foremost celebrated Iranian artist started his theatre career in 1959 in Iran. In response to the authoritarian cultural policies and harsh censorship of the Shah’s regime, he founded his alternative, independent theatre group, Mehr, in 1966. His group, which later changed its name to IranTheatre
PROJECTS – ART, SOCIAL SPACE AND PUBLIC DISCOURSE The lecture-performance looks at two key modern moments – the Iranian Revolution of 1979 and Poland’s Solidarność movement in the 1980s – as bookends to the two major geopolitical narratives of the 20th and 21st century, respectively – Communism and politicalIslam.
EDUCATION – ART, SOCIAL SPACE AND PUBLIC DISCOURSE Art, Social Space and Public Discourse, envisioned and directed by artist Ala Ebtekar, is a Stanford global initiative on art that investigates the multiple contexts that shift and define changing ideas of public space.This ongoing critical framework of conversations, newly commissioned art projects, and exploration of various cultural productions and intellectual traditions looks atrecent
CHRISTIANE GRUBER
Christiane Gruber is Associate Professor of Islamic Art in the History of Art Department at the University of Michigan, Ann Arbor. Her primary field of research is Islamic book arts, paintings of the Prophet Muhammad, and Islamic ascension texts and images, about which she has written two books and edited a volume of articles. MINOOSH ZOMORRODINIA Art, Social Space and Public Discourse, envisioned and directed by artist Ala Ebtekar, is a Stanford global initiative on art that investigates the multiple contexts that shift and define changing ideas of public space.This ongoing critical framework of conversations, newly commissioned art projects, and exploration of various cultural productions and intellectual traditions looks atrecent
GHALAMDAR // PUBLIC ART WORKS Art, Social Space and Public Discourse, envisioned and directed by artist Ala Ebtekar, is a Stanford global initiative on art that investigates the multiple contexts that shift and define changing ideas of public space.This ongoing critical framework of conversations, newly commissioned art projects, and exploration of various cultural productions and intellectual traditions looks atrecent
SOHRAB KASHANI
Sohrab Kashani is an interdisciplinary artist and an independent curator based in Tehran. Sohrab is the founder and director of Sazmanab, formerly a center for contemporary art and a not for profit art space, currently an artist collective based in Tehran and on theinternet.
GHALAMDAR – ART, SOCIAL SPACE AND PUBLIC DISCOURSE Ghalamdar (“the writer” in Farsi) is a graffiti artist (born 1994, Tehran, Iran), working since 2006. He is an active member of Calligraffiti community and called between the four most recognized Iranian street artists who are making their own mark by Art Radar Journal, and between the 12 artists crucial to the world of Iranian street art by The Huffington Post.BAHRAM BEYZAIE
Bahram Beyzaie. Bahram Beyzaie is one of Iran’s most acclaimed filmmakers, playwrights, and scholars of the history of Iranian theater, both secular and religious. He was a leader of the generation of filmmakers known as the Iranian New Wave, starting in the late 1960s, and has since directed more than a dozen prize-winning films.He has also
MOHSEN NAMJOO
Mohsen Namjoo is a songwriter, singer, music scholar and setar player (traditional Persian lute). Born in 1976 in Torbat-e Jam, Iran, Namjoo began his musical training at the age of twelve, and studied Persian vocal technique with many great masters. LIVE BROADCAST FROM TOMORROW Art, Social Space and Public Discourse, envisioned and directed by artist Ala Ebtekar, is a Stanford global initiative on art that investigates the multiple contexts that shift and define changing ideas of public space.This ongoing critical framework of conversations, newly commissioned art projects, and exploration of various cultural productions and intellectual traditions looks atrecent
ART, SOCIAL SPACE AND PUBLIC DISCOURSEART SOCIAL MEDIASOCIAL SPACE DEFINITIONSOCIAL SPACE GROUPSOCIAL SPACE TOOSOCIAL ART EXAMPLESSOCIALART WEBSITES
Art, Social Space and Public Discourse, envisioned and directed by artist Ala Ebtekar, is a Stanford global initiative on art that investigates the multiple contexts that shift and define changing ideas of public space.This ongoing critical framework of conversations, newly commissioned art projects, and exploration of various cultural productions and intellectual traditions looks atrecent
ABOUT – ART, SOCIAL SPACE AND PUBLIC DISCOURSEART SOCIAL MEDIASOCIAL SPACE DEFINITIONSOCIAL SPACE GROUPSOCIAL SPACE TOOSOCIAL ART EXAMPLESSOCIAL ART WEBSITES Art, Social Space and Public Discourse is a three-year Stanford global initiative on art that investigates the multiple contexts that shift and define changing ideas of public space.This ongoing critical framework of conversations, newly commissioned art projects, and exploration of various cultural productions and intellectual traditions looks at recent transformations of civic life. PROJECTS – ART, SOCIAL SPACE AND PUBLIC DISCOURSEART SOCIAL MEDIASOCIAL SPACE DEFINITIONSOCIAL SPACE GROUPSOCIAL SPACE TOOSOCIAL ART EXAMPLESSOCIAL ART WEBSITES The lecture-performance looks at two key modern moments – the Iranian Revolution of 1979 and Poland’s Solidarność movement in the 1980s – as bookends to the two major geopolitical narratives of the 20th and 21st century, respectively – Communism and politicalIslam.
SCHEDULE – ART, SOCIAL SPACE AND PUBLIC DISCOURSEART SOCIAL MEDIASOCIAL SPACE DEFINITIONSOCIAL SPACE GROUPSOCIAL SPACE TOOSOCIAL ART EXAMPLESSOCIAL ART WEBSITES Art, Social Space and Public Discourse, envisioned and directed by artist Ala Ebtekar, is a Stanford global initiative on art that investigates the multiple contexts that shift and define changing ideas of public space.This ongoing critical framework of conversations, newly commissioned art projects, and exploration of various cultural productions and intellectual traditions looks atrecent
CONTRIBUTORS
Ghalamdar (“the writer” in Farsi) is a graffiti artist (born 1994, Tehran, Iran), working since 2006. He is an active member of Calligraffiti community and called between the four most recognized Iranian street artists who are making their own mark by Art Radar Journal, and between the 12 artists crucial to the world of Iranianstreet art by The
TALINN GRIGOR
Art, Social Space and Public Discourse, envisioned and directed by artist Ala Ebtekar, is a Stanford global initiative on art that investigates the multiple contexts that shift and define changing ideas of public space.This ongoing critical framework of conversations, newly commissioned art projects, and exploration of various cultural productions and intellectual traditions looks atrecent
MEHDI GHADYANLOO
Mehdi Ghadyanloo is an Iranian artist known for his utopian and philosophical paintings that interrogate universal human precepts such as fear, hope and loss. Through the portrayal of minimal heterotopic environments, surreal architectural arrangements, and the repeated use of symbolic elements such as stairs, balloons and aeroplanesCHRISTIANE GRUBER
Christiane Gruber is Associate Professor of Islamic Art in the History of Art Department at the University of Michigan, Ann Arbor. Her primary field of research is Islamic book arts, paintings of the Prophet Muhammad, and Islamic ascension texts and images, about which she has written two books and edited a volume of articles. GHALAMDAR – ART, SOCIAL SPACE AND PUBLIC DISCOURSE Ghalamdar (“the writer” in Farsi) is a graffiti artist (born 1994, Tehran, Iran), working since 2006. He is an active member of Calligraffiti community and called between the four most recognized Iranian street artists who are making their own mark by Art Radar Journal, and between the 12 artists crucial to the world of Iranian street art by The Huffington Post.NASSER RAHMANINEJAD
Nasser Rahmaninejad. Nasser Rahmaninejad, a foremost celebrated Iranian artist started his theatre career in 1959 in Iran. In response to the authoritarian cultural policies and harsh censorship of the Shah’s regime, he founded his alternative, independent theatre group, Mehr, in 1966. His group, which later changed its name to IranTheatre
ART, SOCIAL SPACE AND PUBLIC DISCOURSEART SOCIAL MEDIASOCIAL SPACE DEFINITIONSOCIAL SPACE GROUPSOCIAL SPACE TOOSOCIAL ART EXAMPLESSOCIALART WEBSITES
Art, Social Space and Public Discourse, envisioned and directed by artist Ala Ebtekar, is a Stanford global initiative on art that investigates the multiple contexts that shift and define changing ideas of public space.This ongoing critical framework of conversations, newly commissioned art projects, and exploration of various cultural productions and intellectual traditions looks atrecent
ABOUT – ART, SOCIAL SPACE AND PUBLIC DISCOURSEART SOCIAL MEDIASOCIAL SPACE DEFINITIONSOCIAL SPACE GROUPSOCIAL SPACE TOOSOCIAL ART EXAMPLESSOCIAL ART WEBSITES Art, Social Space and Public Discourse is a three-year Stanford global initiative on art that investigates the multiple contexts that shift and define changing ideas of public space.This ongoing critical framework of conversations, newly commissioned art projects, and exploration of various cultural productions and intellectual traditions looks at recent transformations of civic life. PROJECTS – ART, SOCIAL SPACE AND PUBLIC DISCOURSEART SOCIAL MEDIASOCIAL SPACE DEFINITIONSOCIAL SPACE GROUPSOCIAL SPACE TOOSOCIAL ART EXAMPLESSOCIAL ART WEBSITES The lecture-performance looks at two key modern moments – the Iranian Revolution of 1979 and Poland’s Solidarność movement in the 1980s – as bookends to the two major geopolitical narratives of the 20th and 21st century, respectively – Communism and politicalIslam.
SCHEDULE – ART, SOCIAL SPACE AND PUBLIC DISCOURSEART SOCIAL MEDIASOCIAL SPACE DEFINITIONSOCIAL SPACE GROUPSOCIAL SPACE TOOSOCIAL ART EXAMPLESSOCIAL ART WEBSITES Art, Social Space and Public Discourse, envisioned and directed by artist Ala Ebtekar, is a Stanford global initiative on art that investigates the multiple contexts that shift and define changing ideas of public space.This ongoing critical framework of conversations, newly commissioned art projects, and exploration of various cultural productions and intellectual traditions looks atrecent
CONTRIBUTORS
Ghalamdar (“the writer” in Farsi) is a graffiti artist (born 1994, Tehran, Iran), working since 2006. He is an active member of Calligraffiti community and called between the four most recognized Iranian street artists who are making their own mark by Art Radar Journal, and between the 12 artists crucial to the world of Iranianstreet art by The
TALINN GRIGOR
Art, Social Space and Public Discourse, envisioned and directed by artist Ala Ebtekar, is a Stanford global initiative on art that investigates the multiple contexts that shift and define changing ideas of public space.This ongoing critical framework of conversations, newly commissioned art projects, and exploration of various cultural productions and intellectual traditions looks atrecent
MEHDI GHADYANLOO
Mehdi Ghadyanloo is an Iranian artist known for his utopian and philosophical paintings that interrogate universal human precepts such as fear, hope and loss. Through the portrayal of minimal heterotopic environments, surreal architectural arrangements, and the repeated use of symbolic elements such as stairs, balloons and aeroplanesCHRISTIANE GRUBER
Christiane Gruber is Associate Professor of Islamic Art in the History of Art Department at the University of Michigan, Ann Arbor. Her primary field of research is Islamic book arts, paintings of the Prophet Muhammad, and Islamic ascension texts and images, about which she has written two books and edited a volume of articles. GHALAMDAR – ART, SOCIAL SPACE AND PUBLIC DISCOURSE Ghalamdar (“the writer” in Farsi) is a graffiti artist (born 1994, Tehran, Iran), working since 2006. He is an active member of Calligraffiti community and called between the four most recognized Iranian street artists who are making their own mark by Art Radar Journal, and between the 12 artists crucial to the world of Iranian street art by The Huffington Post.NASSER RAHMANINEJAD
Nasser Rahmaninejad. Nasser Rahmaninejad, a foremost celebrated Iranian artist started his theatre career in 1959 in Iran. In response to the authoritarian cultural policies and harsh censorship of the Shah’s regime, he founded his alternative, independent theatre group, Mehr, in 1966. His group, which later changed its name to IranTheatre
EDUCATION – ART, SOCIAL SPACE AND PUBLIC DISCOURSE Art, Social Space and Public Discourse, envisioned and directed by artist Ala Ebtekar, is a Stanford global initiative on art that investigates the multiple contexts that shift and define changing ideas of public space.This ongoing critical framework of conversations, newly commissioned art projects, and exploration of various cultural productions and intellectual traditions looks atrecent
SLAVS AND TATARS : 79.89.09 Art, Social Space and Public Discourse, envisioned and directed by artist Ala Ebtekar, is a Stanford global initiative on art that investigates the multiple contexts that shift and define changing ideas of public space.This ongoing critical framework of conversations, newly commissioned art projects, and exploration of various cultural productions and intellectual traditions looks atrecent
NASSER RAHMANINEJAD
Art, Social Space and Public Discourse, envisioned and directed by artist Ala Ebtekar, is a Stanford global initiative on art that investigates the multiple contexts that shift and define changing ideas of public space.This ongoing critical framework of conversations, newly commissioned art projects, and exploration of various cultural productions and intellectual traditions looks atrecent
SLAVS AND TATARS
Art, Social Space and Public Discourse, envisioned and directed by artist Ala Ebtekar, is a Stanford global initiative on art that investigates the multiple contexts that shift and define changing ideas of public space.This ongoing critical framework of conversations, newly commissioned art projects, and exploration of various cultural productions and intellectual traditions looks atrecent
SOHRAB KASHANI
Sohrab Kashani is an interdisciplinary artist and an independent curator based in Tehran. Sohrab is the founder and director of Sazmanab, formerly a center for contemporary art and a not for profit art space, currently an artist collective based in Tehran and on theinternet.
LIVE BROADCAST FROM TOMORROW Art, Social Space and Public Discourse, envisioned and directed by artist Ala Ebtekar, is a Stanford global initiative on art that investigates the multiple contexts that shift and define changing ideas of public space.This ongoing critical framework of conversations, newly commissioned art projects, and exploration of various cultural productions and intellectual traditions looks atrecent
MOHSEN NAMJOO : ZAR
Art, Social Space and Public Discourse, envisioned and directed by artist Ala Ebtekar, is a Stanford global initiative on art that investigates the multiple contexts that shift and define changing ideas of public space.This ongoing critical framework of conversations, newly commissioned art projects, and exploration of various cultural productions and intellectual traditions looks atrecent
MINOOSH ZOMORRODINIA Art, Social Space and Public Discourse, envisioned and directed by artist Ala Ebtekar, is a Stanford global initiative on art that investigates the multiple contexts that shift and define changing ideas of public space.This ongoing critical framework of conversations, newly commissioned art projects, and exploration of various cultural productions and intellectual traditions looks atrecent
BAHRAM BEYZAIE
Bahram Beyzaie. Bahram Beyzaie is one of Iran’s most acclaimed filmmakers, playwrights, and scholars of the history of Iranian theater, both secular and religious. He was a leader of the generation of filmmakers known as the Iranian New Wave, starting in the late 1960s, and has since directed more than a dozen prize-winning films.He has also
BAHMAN KIAROSTAMI
Bahman Kiarostami. Bahman Kiarostami was born in Tehran in 1978, he started working as an assistant director in 1996. His films have focused on the political power of faith inside contemporary Iranian culture and eloquently explores the complex layers of religious significance in the Iranian controversial society. His filmographyincludes Monir
* Contact
* Contact
* Contact
* Contact
MENU MENU
__ Slavs & Tatars Visiting Artist Lecture-Performance Art, Social Space and Public Discourse A Stanford Initiative Upcoming Event __ Slavs & Tatars Visiting Artist Lecture-Performance Art, Social Space and Public Discourse A Stanford Initiative Upcoming EventPAST HIGHLIGHTS
Shiva Balaghi The Poetics of Art in Public Places: On Siah Armajani’s Manifesto for Public Art Slavs and Tatars Friday, November 4, 2016 - 6:30 pm to 7:30 pm PST Mohsen Namjoo : Zār Friday, November 4, 2016 - 5:15 am to 6:00 pm PSTOther(ed) Spaces
Friday, November 4, 2016 - 1:30 to 3:00 pm PST Live Broadcast From Tomorrow Thursday, November 3, 2016 - 8:00 to 8:45 pm PSTGetting Up:
The Politics Of Public Space Friday, November 4, 2016 - 10:00 am -12:00 pm PST
ART, SOCIAL SPACE AND PUBLIC DISCOURSE Art, Social Space and Public Discourse, envisioned and directed by artist Ala Ebtekar , is a Stanford global initiative on art that investigates the multiple contexts that shift and define changing ideas of public space. This ongoing critical framework of conversations, newly commissioned art projects, and exploration of various cultural productions and intellectual traditions looks at recent transformations of civic life. -------------------------* __Instagram
* __Facebook
* __Email
Copyright 2016-2020. All Rights Reserved.__
X
Details
Copyright © 2024 ArchiveBay.com. All rights reserved. Terms of Use | Privacy Policy | DMCA | 2021 | Feedback | Advertising | RSS 2.0