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Text
ANN HAMILTON STUDIO
Official website of artist Ann Hamilton. Materials: translucent industrial glass windows, gravel topped with concrete, horsehair, table, chair, electric buren, booksANN HAMILTON STUDIO
2012 air for everyone. 2010 stylus. 2010 Intervals. 2009 human carriage. 2008 Galápagos chorus. 2008 Circles of O. 2008 Songs of Ascension. 2007 tower. 2006 The Meditation Boat.ANN HAMILTON STUDIO
Archival inkjet print Edition of 3 + 2 Artist Proofs Image size: 26.5 x 35.5 inches, Paper size: 36.5 x 4.54 inches. Over time, my question: “What is making?” has enlarged to consider how the act and experience of reading might form the tactile material of my makings.ANN HAMILTON STUDIO
1997 scripted. 1994 (lineament • book/ball) 1993 (tropos • books) 1993 untitled. 1991 (indigo blue • books) 1989 (privation and excesses I) 1989 (privation and excesses II) 1988 (still life) 1984body object.
ANN HAMILTON STUDIO
Official website of artist Ann Hamilton. 45 Pinckney Street, a former auto repair shop that had previously served as a carriage house, was the original site for indigo blue Using a Pink Pearl eraser and saliva, books were erased back to front.. Materials: blue work clothing, steel and wood base, wood table, chair, light bulb, books (military regulation manuals, blue bindings), saliva, pinkANN HAMILTON STUDIO
Materials: pennies, honey, sheep, two mortar and pestles, teeth, a felt hat, a gesture, hands wrung in honey The budget for this project, $7,500, was obtained in the denomination of 750,000 pennies. They were laid into a skin of honey to define a 45'x32' rectangle on the floor.ANN HAMILTON STUDIO
Published in 1991 by Louver Gallery, New York. 4 3⁄8 × 4 3⁄8 inches / 11.1 × 11.1 cm (image), 22 ¾ × 20 ¾ inches / 57.8 × 20.8 cm (framed) The "body object series" began by wearing many of the objects assembled, but unused, in the early installation room in pursuit of a position, 1984. Working with photographer Bob McMurtry,this
ANN HAMILTON STUDIO
Hamilton’s installation indigo blue, in the exhibition “Places with a Past: New Site-Specific Art at Charleston’s Spoleto Festival,” 1991, was keyed to the historic importance of indigo, both as a plant and as a dye, in the economy of Charleston, South Carolina. The overriding presence in the installation was a mound of14,000 carefully
ANN HAMILTON STUDIOPROJECTSOBJECTS / PRINTSVIDEO / SOUNDBIOGRAPHYCONTACTPUBLICATIONS Ann Hamilton is a visual artist internationally acclaimed for her large-scale multimedia installations, public projects, and performance collaborations. Her site-responsive process works with common materials to invoke particular places, collective voices, and communities of labor.ANN HAMILTON STUDIO
Official website of artist Ann Hamilton. Materials: translucent industrial glass windows, gravel topped with concrete, horsehair, table, chair, electric buren, booksANN HAMILTON STUDIO
2012 air for everyone. 2010 stylus. 2010 Intervals. 2009 human carriage. 2008 Galápagos chorus. 2008 Circles of O. 2008 Songs of Ascension. 2007 tower. 2006 The Meditation Boat.ANN HAMILTON STUDIO
Archival inkjet print Edition of 3 + 2 Artist Proofs Image size: 26.5 x 35.5 inches, Paper size: 36.5 x 4.54 inches. Over time, my question: “What is making?” has enlarged to consider how the act and experience of reading might form the tactile material of my makings.ANN HAMILTON STUDIO
1997 scripted. 1994 (lineament • book/ball) 1993 (tropos • books) 1993 untitled. 1991 (indigo blue • books) 1989 (privation and excesses I) 1989 (privation and excesses II) 1988 (still life) 1984body object.
ANN HAMILTON STUDIO
Official website of artist Ann Hamilton. 45 Pinckney Street, a former auto repair shop that had previously served as a carriage house, was the original site for indigo blue Using a Pink Pearl eraser and saliva, books were erased back to front.. Materials: blue work clothing, steel and wood base, wood table, chair, light bulb, books (military regulation manuals, blue bindings), saliva, pinkANN HAMILTON STUDIO
Materials: pennies, honey, sheep, two mortar and pestles, teeth, a felt hat, a gesture, hands wrung in honey The budget for this project, $7,500, was obtained in the denomination of 750,000 pennies. They were laid into a skin of honey to define a 45'x32' rectangle on the floor.ANN HAMILTON STUDIO
Published in 1991 by Louver Gallery, New York. 4 3⁄8 × 4 3⁄8 inches / 11.1 × 11.1 cm (image), 22 ¾ × 20 ¾ inches / 57.8 × 20.8 cm (framed) The "body object series" began by wearing many of the objects assembled, but unused, in the early installation room in pursuit of a position, 1984. Working with photographer Bob McMurtry,this
ANN HAMILTON STUDIO
Hamilton’s installation indigo blue, in the exhibition “Places with a Past: New Site-Specific Art at Charleston’s Spoleto Festival,” 1991, was keyed to the historic importance of indigo, both as a plant and as a dye, in the economy of Charleston, South Carolina. The overriding presence in the installation was a mound of14,000 carefully
ANN HAMILTON STUDIO
Photograph by Calista Lyon. Ann Hamilton is a visual artist internationally recognized for her large-scale multimedia installations, public projects, and performance collaborations. Responsive to the contingencies of the sites where she works, her recurring forms—cloth, texts spoken and written, animals, and people suspended or in motion—immerse viewers in an atmosphere bothvisceral and
ANN HAMILTON STUDIO
2012 air for everyone. 2010 stylus. 2010 Intervals. 2009 human carriage. 2008 Galápagos chorus. 2008 Circles of O. 2008 Songs of Ascension. 2007 tower. 2006 The Meditation Boat.ANN HAMILTON STUDIO
Official website of artist Ann Hamilton. video / soundANN HAMILTON STUDIO
2004 Teardrop Park. 2004 LEW wood floor. 2001 Allegheny Park. 1996 San Francisco Library. public projects. public projects. projects. objects / prints. video / sound.ANN HAMILTON STUDIO
Official website of artist Ann Hamilton. Photo and video credits: Thibault Jeanson, Al Foote III, Will Chafkin, Woo-Ram Jung, James Ewing, Lana Z. Caplan, Philip Greenberg/New York Times, The Wånas Foundation, Ann Hamilton StudioANN HAMILTON STUDIO
The function of fraternity is recognition.”. Work with the Brown School of Social Work at Washington University in St. Louis and now with Landmarks and the Dell Medical School extends this project’s reach. —Ann Hamilton. publication from O N E V E R Y O N E comissioned by Landmarks forANN HAMILTON STUDIO
1991 indigo blue. 1990 dominion. 1989 privation and excesses. 1988 still life. habitus Fabric Workshop and Museum / Municipal Pier 9 • Philadelphia, Pennsylvania September 6 - October 10, 2016 (Pier 9), September 17, 2016 - January 8, 2017 (FWM) Project description Newspaper Project Credits.ANN HAMILTON STUDIO
Materials: 40 ceiling mounted paper-drop mechanisms consisting of a computer-controlled, pneumatically moved vacuum paper lift actuator, compressor, paper; recorded sound; amplifiers; 24 bell-shaped speakers; spinning speaker mechanism; silk covered windows; light. corpus overall shot from Ann Hamilton on Vimeo.ANN HAMILTON STUDIO
2008 Circles of O. 2008 Songs of Ascension. 2007 tower. 2006 The Meditation Boat. 2006 voce. 2005 phora. 2004 corpus. 2004 aloud.ANN HAMILTON STUDIO
mattering Musée d'art contemporain de Lyon • Lyon, France November 26,1997-February 6, 1998 Project Description. Materials: orange silk, live peacocks, utility pole, six wall-mounted perches, attendant, porcelain inkpot, inked typewriter ribbon, sound. mattering from Ann Hamilton on Vimeo. Play. ANN HAMILTON STUDIOPROJECTSOBJECTS / PRINTSVIDEO / SOUNDBIOGRAPHYCONTACTPUBLICATIONS Ann Hamilton is a visual artist internationally acclaimed for her large-scale multimedia installations, public projects, and performance collaborations. Her site-responsive process works with common materials to invoke particular places, collective voices, and communities of labor.ANN HAMILTON STUDIO
Ann Hamilton is a visual artist internationally recognized for her large-scale multimedia installations, public projects, and performance collaborations. Responsive to the contingencies of the sites where she works, her recurring forms—cloth, texts spoken and written, animals, and people suspended or in motion—immerse viewers in anANN HAMILTON STUDIO
black and white photograph, rosewood frame 10 with 3 Artist's Proofs Published in 1991 by Louver Gallery, New York 4 3⁄8 × 4 3⁄8 inches / 11.1 × 11.1 cm (image), 22 ¾ANN HAMILTON STUDIO
Official website of artist Ann Hamilton. Materials: translucent industrial glass windows, gravel topped with concrete, horsehair, table, chair, electric buren, booksANN HAMILTON STUDIO
1997 scripted. 1994 (lineament • book/ball) 1993 (tropos • books) 1993 untitled. 1991 (indigo blue • books) 1989 (privation and excesses I) 1989 (privation and excesses II) 1988 (still life) 1984body object.
ANN HAMILTON STUDIO
Archival inkjet print Edition of 3 + 2 Artist Proofs Image size: 26.5 x 35.5 inches, Paper size: 36.5 x 4.54 inches. Over time, my question: “What is making?” has enlarged to consider how the act and experience of reading might form the tactile material of my makings.ANN HAMILTON STUDIO
The function of fraternity is recognition.”. Work with the Brown School of Social Work at Washington University in St. Louis and now with Landmarks and the Dell Medical School extends this project’s reach. —Ann Hamilton. publication from O N E V E R Y O N E comissioned by Landmarks forANN HAMILTON STUDIO
Official website of artist Ann Hamilton. Materials: four skylights, glass and gridded steel wall (18’ x 90’), wood table, white cloths, mirrored glass, vinyl powder, auger system, electronic controllers, plaster, recorded voice, digital audio, computer, sixteenspeakers
ANN HAMILTON STUDIO
Official website of artist Ann Hamilton. 45 Pinckney Street, a former auto repair shop that had previously served as a carriage house, was the original site for indigo blue Using a Pink Pearl eraser and saliva, books were erased back to front.. Materials: blue work clothing, steel and wood base, wood table, chair, light bulb, books (military regulation manuals, blue bindings), saliva, pinkANN HAMILTON STUDIO
Hamilton’s installation indigo blue, in the exhibition “Places with a Past: New Site-Specific Art at Charleston’s Spoleto Festival,” 1991, was keyed to the historic importance of indigo, both as a plant and as a dye, in the economy of Charleston, South Carolina. The overriding presence in the installation was a mound of14,000 carefully
ANN HAMILTON STUDIOPROJECTSOBJECTS / PRINTSVIDEO / SOUNDBIOGRAPHYCONTACTPUBLICATIONS Ann Hamilton is a visual artist internationally acclaimed for her large-scale multimedia installations, public projects, and performance collaborations. Her site-responsive process works with common materials to invoke particular places, collective voices, and communities of labor.ANN HAMILTON STUDIO
Ann Hamilton is a visual artist internationally recognized for her large-scale multimedia installations, public projects, and performance collaborations. Responsive to the contingencies of the sites where she works, her recurring forms—cloth, texts spoken and written, animals, and people suspended or in motion—immerse viewers in anANN HAMILTON STUDIO
black and white photograph, rosewood frame 10 with 3 Artist's Proofs Published in 1991 by Louver Gallery, New York 4 3⁄8 × 4 3⁄8 inches / 11.1 × 11.1 cm (image), 22 ¾ANN HAMILTON STUDIO
Official website of artist Ann Hamilton. Materials: translucent industrial glass windows, gravel topped with concrete, horsehair, table, chair, electric buren, booksANN HAMILTON STUDIO
1997 scripted. 1994 (lineament • book/ball) 1993 (tropos • books) 1993 untitled. 1991 (indigo blue • books) 1989 (privation and excesses I) 1989 (privation and excesses II) 1988 (still life) 1984body object.
ANN HAMILTON STUDIO
Archival inkjet print Edition of 3 + 2 Artist Proofs Image size: 26.5 x 35.5 inches, Paper size: 36.5 x 4.54 inches. Over time, my question: “What is making?” has enlarged to consider how the act and experience of reading might form the tactile material of my makings.ANN HAMILTON STUDIO
The function of fraternity is recognition.”. Work with the Brown School of Social Work at Washington University in St. Louis and now with Landmarks and the Dell Medical School extends this project’s reach. —Ann Hamilton. publication from O N E V E R Y O N E comissioned by Landmarks forANN HAMILTON STUDIO
Official website of artist Ann Hamilton. Materials: four skylights, glass and gridded steel wall (18’ x 90’), wood table, white cloths, mirrored glass, vinyl powder, auger system, electronic controllers, plaster, recorded voice, digital audio, computer, sixteenspeakers
ANN HAMILTON STUDIO
Official website of artist Ann Hamilton. 45 Pinckney Street, a former auto repair shop that had previously served as a carriage house, was the original site for indigo blue Using a Pink Pearl eraser and saliva, books were erased back to front.. Materials: blue work clothing, steel and wood base, wood table, chair, light bulb, books (military regulation manuals, blue bindings), saliva, pinkANN HAMILTON STUDIO
Hamilton’s installation indigo blue, in the exhibition “Places with a Past: New Site-Specific Art at Charleston’s Spoleto Festival,” 1991, was keyed to the historic importance of indigo, both as a plant and as a dye, in the economy of Charleston, South Carolina. The overriding presence in the installation was a mound of14,000 carefully
ANN HAMILTON STUDIO
2012 air for everyone. 2010 stylus. 2010 Intervals. 2009 human carriage. 2008 Galápagos chorus. 2008 Circles of O. 2008 Songs of Ascension. 2007 tower. 2006 The Meditation Boat.ANN HAMILTON STUDIO
Official website of artist Ann Hamilton. video / soundANN HAMILTON STUDIO
Official website of artist Ann Hamilton. Materials: translucent industrial glass windows, gravel topped with concrete, horsehair, table, chair, electric buren, booksANN HAMILTON STUDIO
The function of fraternity is recognition.”. Work with the Brown School of Social Work at Washington University in St. Louis and now with Landmarks and the Dell Medical School extends this project’s reach. —Ann Hamilton. publication from O N E V E R Y O N E comissioned by Landmarks forANN HAMILTON STUDIO
Official website of artist Ann Hamilton. Photo and video credits: Thibault Jeanson, Al Foote III, Will Chafkin, Woo-Ram Jung, James Ewing, Lana Z. Caplan, Philip Greenberg/New York Times, The Wånas Foundation, Ann Hamilton StudioANN HAMILTON STUDIO
Official website of artist Ann Hamilton. Sited in a stone barn built in 1823, lignum was formed in response to the building's history as a structure for the storage of grain and its location between the estate's 16th century castle and the extensive surrounding forests and their attendant perception as material resource and cultural reserve. Ascending and descending through newly cut openingsANN HAMILTON STUDIO
Materials: four spinning speakers, sound, turning video projection, 130 iris prints, a suspended refugee tent, seven spinning double belled sousaphone ends, clothing, wood table. Inspired by the history of La Maison Rouge, the Bastille and the Bastille Opera, Hamilton transformed the exhibition spaces into platforms from which to explorethe
ANN HAMILTON STUDIO
1989 privation and excesses. 1988 still life. O N E E V E R Y O N E · New York Art Dealers Association of America Art Show, Carl Solway Gallery • New York, New York March 5-9, 2014. O N E E V E R Y O N E New York Art Dealers Association of America Art Show, Carl Solway Gallery • New York, New York March 5-9, 2014. O N E E V E R Y O N EANN HAMILTON STUDIO
Materials: pennies, honey, sheep, two mortar and pestles, teeth, a felt hat, a gesture, hands wrung in honey The budget for this project, $7,500, was obtained in the denomination of 750,000 pennies. They were laid into a skin of honey to define a 45'x32' rectangle on the floor.ANN HAMILTON STUDIO
DDO (January/February 1999): 35. · "Meg Stuart / Damaged Goods with Ann Hamilton, Sewn Under the Lip of the Skin." Performing Arts (1998-1999): 3. (February 18, 1999). · Linden, Mirjam van der. "Meg Stuart blijft boeien met haar serie 'Insert Skin'." NRC (April 24, 1999): 9. · Berardi, Gigi. "On the Rise: Meg Stuart, Ann Hamilton,and
ANN HAMILTON STUDIOPROJECTSOBJECTS / PRINTSVIDEO / SOUNDBIOGRAPHYCONTACTPUBLICATIONS Ann Hamilton is a visual artist internationally acclaimed for her large-scale multimedia installations, public projects, and performance collaborations. Her site-responsive process works with common materials to invoke particular places, collective voices, and communities of labor.ANN HAMILTON STUDIO
Official website of artist Ann Hamilton. video / soundANN HAMILTON STUDIO
Official website of artist Ann Hamilton. Materials: translucent industrial glass windows, gravel topped with concrete, horsehair, table, chair, electric buren, booksANN HAMILTON STUDIO
1997 scripted. 1994 (lineament • book/ball) 1993 (tropos • books) 1993 untitled. 1991 (indigo blue • books) 1989 (privation and excesses I) 1989 (privation and excesses II) 1988 (still life) 1984body object.
ANN HAMILTON STUDIO
2012 air for everyone. 2010 stylus. 2010 Intervals. 2009 human carriage. 2008 Galápagos chorus. 2008 Circles of O. 2008 Songs of Ascension. 2007 tower. 2006 The Meditation Boat.ANN HAMILTON STUDIO
Archival inkjet print Edition of 3 + 2 Artist Proofs Image size: 26.5 x 35.5 inches, Paper size: 36.5 x 4.54 inches. Over time, my question: “What is making?” has enlarged to consider how the act and experience of reading might form the tactile material of my makings.ANN HAMILTON STUDIO
Official website of artist Ann Hamilton. 45 Pinckney Street, a former auto repair shop that had previously served as a carriage house, was the original site for indigo blue Using a Pink Pearl eraser and saliva, books were erased back to front.. Materials: blue work clothing, steel and wood base, wood table, chair, light bulb, books (military regulation manuals, blue bindings), saliva, pinkANN HAMILTON STUDIO
Published in 1991 by Louver Gallery, New York. 4 3⁄8 × 4 3⁄8 inches / 11.1 × 11.1 cm (image), 22 ¾ × 20 ¾ inches / 57.8 × 20.8 cm (framed) The "body object series" began by wearing many of the objects assembled, but unused, in the early installation room in pursuit of a position, 1984. Working with photographer Bob McMurtry,this
ANN HAMILTON STUDIO
Hamilton’s installation indigo blue, in the exhibition “Places with a Past: New Site-Specific Art at Charleston’s Spoleto Festival,” 1991, was keyed to the historic importance of indigo, both as a plant and as a dye, in the economy of Charleston, South Carolina. The overriding presence in the installation was a mound of14,000 carefully
ANN HAMILTON STUDIO
Materials: pennies, honey, sheep, two mortar and pestles, teeth, a felt hat, a gesture, hands wrung in honey The budget for this project, $7,500, was obtained in the denomination of 750,000 pennies. They were laid into a skin of honey to define a 45'x32' rectangle on the floor. ANN HAMILTON STUDIOPROJECTSOBJECTS / PRINTSVIDEO / SOUNDBIOGRAPHYCONTACTPUBLICATIONS Ann Hamilton is a visual artist internationally acclaimed for her large-scale multimedia installations, public projects, and performance collaborations. Her site-responsive process works with common materials to invoke particular places, collective voices, and communities of labor.ANN HAMILTON STUDIO
Official website of artist Ann Hamilton. video / soundANN HAMILTON STUDIO
Official website of artist Ann Hamilton. Materials: translucent industrial glass windows, gravel topped with concrete, horsehair, table, chair, electric buren, booksANN HAMILTON STUDIO
1997 scripted. 1994 (lineament • book/ball) 1993 (tropos • books) 1993 untitled. 1991 (indigo blue • books) 1989 (privation and excesses I) 1989 (privation and excesses II) 1988 (still life) 1984body object.
ANN HAMILTON STUDIO
2012 air for everyone. 2010 stylus. 2010 Intervals. 2009 human carriage. 2008 Galápagos chorus. 2008 Circles of O. 2008 Songs of Ascension. 2007 tower. 2006 The Meditation Boat.ANN HAMILTON STUDIO
Archival inkjet print Edition of 3 + 2 Artist Proofs Image size: 26.5 x 35.5 inches, Paper size: 36.5 x 4.54 inches. Over time, my question: “What is making?” has enlarged to consider how the act and experience of reading might form the tactile material of my makings.ANN HAMILTON STUDIO
Official website of artist Ann Hamilton. 45 Pinckney Street, a former auto repair shop that had previously served as a carriage house, was the original site for indigo blue Using a Pink Pearl eraser and saliva, books were erased back to front.. Materials: blue work clothing, steel and wood base, wood table, chair, light bulb, books (military regulation manuals, blue bindings), saliva, pinkANN HAMILTON STUDIO
Published in 1991 by Louver Gallery, New York. 4 3⁄8 × 4 3⁄8 inches / 11.1 × 11.1 cm (image), 22 ¾ × 20 ¾ inches / 57.8 × 20.8 cm (framed) The "body object series" began by wearing many of the objects assembled, but unused, in the early installation room in pursuit of a position, 1984. Working with photographer Bob McMurtry,this
ANN HAMILTON STUDIO
Hamilton’s installation indigo blue, in the exhibition “Places with a Past: New Site-Specific Art at Charleston’s Spoleto Festival,” 1991, was keyed to the historic importance of indigo, both as a plant and as a dye, in the economy of Charleston, South Carolina. The overriding presence in the installation was a mound of14,000 carefully
ANN HAMILTON STUDIO
Materials: pennies, honey, sheep, two mortar and pestles, teeth, a felt hat, a gesture, hands wrung in honey The budget for this project, $7,500, was obtained in the denomination of 750,000 pennies. They were laid into a skin of honey to define a 45'x32' rectangle on the floor.ANN HAMILTON STUDIO
Photograph by Calista Lyon. Ann Hamilton is a visual artist internationally recognized for her large-scale multimedia installations, public projects, and performance collaborations. Responsive to the contingencies of the sites where she works, her recurring forms—cloth, texts spoken and written, animals, and people suspended or in motion—immerse viewers in an atmosphere bothvisceral and
ANN HAMILTON STUDIO
Official website of artist Ann Hamilton. video / soundANN HAMILTON STUDIO
2012 air for everyone. 2010 stylus. 2010 Intervals. 2009 human carriage. 2008 Galápagos chorus. 2008 Circles of O. 2008 Songs of Ascension. 2007 tower. 2006 The Meditation Boat.ANN HAMILTON STUDIO
2004 Teardrop Park. 2004 LEW wood floor. 2001 Allegheny Park. 1996 San Francisco Library. public projects. public projects. projects. objects / prints. video / sound.ANN HAMILTON STUDIO
The function of fraternity is recognition.”. Work with the Brown School of Social Work at Washington University in St. Louis and now with Landmarks and the Dell Medical School extends this project’s reach. —Ann Hamilton. publication from O N E V E R Y O N E comissioned by Landmarks forANN HAMILTON STUDIO
1997 scripted. 1994 (lineament • book/ball) 1993 (tropos • books) 1993 untitled. 1991 (indigo blue • books) 1989 (privation and excesses I) 1989 (privation and excesses II) 1988 (still life) 1984body object.
ANN HAMILTON STUDIO
Materials: 40 ceiling mounted paper-drop mechanisms consisting of a computer-controlled, pneumatically moved vacuum paper lift actuator, compressor, paper; recorded sound; amplifiers; 24 bell-shaped speakers; spinning speaker mechanism; silk covered windows; light. corpus overall shot from Ann Hamilton on Vimeo.ANN HAMILTON STUDIO
1992 offerings. 1991 malediction. 1991 indigo blue. 1990 dominion. 1989 privation and excesses. 1988 still life. bounden Musée d'art contemporain de Lyon • Lyon, France November 26,1997-February 6, 1998 Project description. bounden Musée d'art contemporain de Lyon • Lyon, France November 26,1997-February 6, 1998 Project descriptionANN HAMILTON STUDIO
2008 Circles of O. 2008 Songs of Ascension. 2007 tower. 2006 The Meditation Boat. 2006 voce. 2005 phora. 2004 corpus. 2004 aloud.ANN HAMILTON STUDIO
mattering Musée d'art contemporain de Lyon • Lyon, France November 26,1997-February 6, 1998 Project Description. Materials: orange silk, live peacocks, utility pole, six wall-mounted perches, attendant, porcelain inkpot, inked typewriter ribbon, sound. mattering from Ann Hamilton on Vimeo. Play. ANN HAMILTON STUDIOPROJECTSOBJECTS / PRINTSVIDEO / SOUNDBIOGRAPHYCONTACTPUBLICATIONS Ann Hamilton is a visual artist internationally acclaimed for her large-scale multimedia installations, public projects, and performance collaborations. Her site-responsive process works with common materials to invoke particular places, collective voices, and communities of labor.ANN HAMILTON STUDIO
Official website of artist Ann Hamilton. video / soundANN HAMILTON STUDIO
Official website of artist Ann Hamilton. Materials: translucent industrial glass windows, gravel topped with concrete, horsehair, table, chair, electric buren, booksANN HAMILTON STUDIO
1997 scripted. 1994 (lineament • book/ball) 1993 (tropos • books) 1993 untitled. 1991 (indigo blue • books) 1989 (privation and excesses I) 1989 (privation and excesses II) 1988 (still life) 1984body object.
ANN HAMILTON STUDIO
2012 air for everyone. 2010 stylus. 2010 Intervals. 2009 human carriage. 2008 Galápagos chorus. 2008 Circles of O. 2008 Songs of Ascension. 2007 tower. 2006 The Meditation Boat.ANN HAMILTON STUDIO
Archival inkjet print Edition of 3 + 2 Artist Proofs Image size: 26.5 x 35.5 inches, Paper size: 36.5 x 4.54 inches. Over time, my question: “What is making?” has enlarged to consider how the act and experience of reading might form the tactile material of my makings.ANN HAMILTON STUDIO
Official website of artist Ann Hamilton. 45 Pinckney Street, a former auto repair shop that had previously served as a carriage house, was the original site for indigo blue Using a Pink Pearl eraser and saliva, books were erased back to front.. Materials: blue work clothing, steel and wood base, wood table, chair, light bulb, books (military regulation manuals, blue bindings), saliva, pinkANN HAMILTON STUDIO
Published in 1991 by Louver Gallery, New York. 4 3⁄8 × 4 3⁄8 inches / 11.1 × 11.1 cm (image), 22 ¾ × 20 ¾ inches / 57.8 × 20.8 cm (framed) The "body object series" began by wearing many of the objects assembled, but unused, in the early installation room in pursuit of a position, 1984. Working with photographer Bob McMurtry,this
ANN HAMILTON STUDIO
Hamilton’s installation indigo blue, in the exhibition “Places with a Past: New Site-Specific Art at Charleston’s Spoleto Festival,” 1991, was keyed to the historic importance of indigo, both as a plant and as a dye, in the economy of Charleston, South Carolina. The overriding presence in the installation was a mound of14,000 carefully
ANN HAMILTON STUDIO
Materials: pennies, honey, sheep, two mortar and pestles, teeth, a felt hat, a gesture, hands wrung in honey The budget for this project, $7,500, was obtained in the denomination of 750,000 pennies. They were laid into a skin of honey to define a 45'x32' rectangle on the floor. ANN HAMILTON STUDIOPROJECTSOBJECTS / PRINTSVIDEO / SOUNDBIOGRAPHYCONTACTPUBLICATIONS Ann Hamilton is a visual artist internationally acclaimed for her large-scale multimedia installations, public projects, and performance collaborations. Her site-responsive process works with common materials to invoke particular places, collective voices, and communities of labor.ANN HAMILTON STUDIO
Official website of artist Ann Hamilton. video / soundANN HAMILTON STUDIO
Official website of artist Ann Hamilton. Materials: translucent industrial glass windows, gravel topped with concrete, horsehair, table, chair, electric buren, booksANN HAMILTON STUDIO
1997 scripted. 1994 (lineament • book/ball) 1993 (tropos • books) 1993 untitled. 1991 (indigo blue • books) 1989 (privation and excesses I) 1989 (privation and excesses II) 1988 (still life) 1984body object.
ANN HAMILTON STUDIO
2012 air for everyone. 2010 stylus. 2010 Intervals. 2009 human carriage. 2008 Galápagos chorus. 2008 Circles of O. 2008 Songs of Ascension. 2007 tower. 2006 The Meditation Boat.ANN HAMILTON STUDIO
Archival inkjet print Edition of 3 + 2 Artist Proofs Image size: 26.5 x 35.5 inches, Paper size: 36.5 x 4.54 inches. Over time, my question: “What is making?” has enlarged to consider how the act and experience of reading might form the tactile material of my makings.ANN HAMILTON STUDIO
Official website of artist Ann Hamilton. 45 Pinckney Street, a former auto repair shop that had previously served as a carriage house, was the original site for indigo blue Using a Pink Pearl eraser and saliva, books were erased back to front.. Materials: blue work clothing, steel and wood base, wood table, chair, light bulb, books (military regulation manuals, blue bindings), saliva, pinkANN HAMILTON STUDIO
Published in 1991 by Louver Gallery, New York. 4 3⁄8 × 4 3⁄8 inches / 11.1 × 11.1 cm (image), 22 ¾ × 20 ¾ inches / 57.8 × 20.8 cm (framed) The "body object series" began by wearing many of the objects assembled, but unused, in the early installation room in pursuit of a position, 1984. Working with photographer Bob McMurtry,this
ANN HAMILTON STUDIO
Hamilton’s installation indigo blue, in the exhibition “Places with a Past: New Site-Specific Art at Charleston’s Spoleto Festival,” 1991, was keyed to the historic importance of indigo, both as a plant and as a dye, in the economy of Charleston, South Carolina. The overriding presence in the installation was a mound of14,000 carefully
ANN HAMILTON STUDIO
Materials: pennies, honey, sheep, two mortar and pestles, teeth, a felt hat, a gesture, hands wrung in honey The budget for this project, $7,500, was obtained in the denomination of 750,000 pennies. They were laid into a skin of honey to define a 45'x32' rectangle on the floor.ANN HAMILTON STUDIO
Photograph by Calista Lyon. Ann Hamilton is a visual artist internationally recognized for her large-scale multimedia installations, public projects, and performance collaborations. Responsive to the contingencies of the sites where she works, her recurring forms—cloth, texts spoken and written, animals, and people suspended or in motion—immerse viewers in an atmosphere bothvisceral and
ANN HAMILTON STUDIO
Official website of artist Ann Hamilton. video / soundANN HAMILTON STUDIO
2012 air for everyone. 2010 stylus. 2010 Intervals. 2009 human carriage. 2008 Galápagos chorus. 2008 Circles of O. 2008 Songs of Ascension. 2007 tower. 2006 The Meditation Boat.ANN HAMILTON STUDIO
2004 Teardrop Park. 2004 LEW wood floor. 2001 Allegheny Park. 1996 San Francisco Library. public projects. public projects. projects. objects / prints. video / sound.ANN HAMILTON STUDIO
The function of fraternity is recognition.”. Work with the Brown School of Social Work at Washington University in St. Louis and now with Landmarks and the Dell Medical School extends this project’s reach. —Ann Hamilton. publication from O N E V E R Y O N E comissioned by Landmarks forANN HAMILTON STUDIO
1997 scripted. 1994 (lineament • book/ball) 1993 (tropos • books) 1993 untitled. 1991 (indigo blue • books) 1989 (privation and excesses I) 1989 (privation and excesses II) 1988 (still life) 1984body object.
ANN HAMILTON STUDIO
Materials: 40 ceiling mounted paper-drop mechanisms consisting of a computer-controlled, pneumatically moved vacuum paper lift actuator, compressor, paper; recorded sound; amplifiers; 24 bell-shaped speakers; spinning speaker mechanism; silk covered windows; light. corpus overall shot from Ann Hamilton on Vimeo.ANN HAMILTON STUDIO
1992 offerings. 1991 malediction. 1991 indigo blue. 1990 dominion. 1989 privation and excesses. 1988 still life. bounden Musée d'art contemporain de Lyon • Lyon, France November 26,1997-February 6, 1998 Project description. bounden Musée d'art contemporain de Lyon • Lyon, France November 26,1997-February 6, 1998 Project descriptionANN HAMILTON STUDIO
2008 Circles of O. 2008 Songs of Ascension. 2007 tower. 2006 The Meditation Boat. 2006 voce. 2005 phora. 2004 corpus. 2004 aloud.ANN HAMILTON STUDIO
mattering Musée d'art contemporain de Lyon • Lyon, France November 26,1997-February 6, 1998 Project Description. Materials: orange silk, live peacocks, utility pole, six wall-mounted perches, attendant, porcelain inkpot, inked typewriter ribbon, sound. mattering from Ann Hamilton on Vimeo. Play. ANN HAMILTON STUDIOPROJECTSOBJECTS / PRINTSVIDEO / SOUNDBIOGRAPHYCONTACTPUBLICATIONS Ann Hamilton is a visual artist internationally acclaimed for her large-scale multimedia installations, public projects, and performance collaborations. Her site-responsive process works with common materials to invoke particular places, collective voices, and communities of labor.ANN HAMILTON STUDIO
Ann Hamilton is a visual artist internationally recognized for her large-scale multimedia installations, public projects, and performance collaborations. Responsive to the contingencies of the sites where she works, her recurring forms—cloth, texts spoken and written, animals, and people suspended or in motion—immerse viewers in anANN HAMILTON STUDIO
black and white photograph, rosewood frame 10 with 3 Artist's Proofs Published in 1991 by Louver Gallery, New York 4 3⁄8 × 4 3⁄8 inches / 11.1 × 11.1 cm (image), 22 ¾ANN HAMILTON STUDIO
Official website of artist Ann Hamilton. Materials: translucent industrial glass windows, gravel topped with concrete, horsehair, table, chair, electric buren, booksANN HAMILTON STUDIO
Official website of artist Ann Hamilton. Materials: four skylights, glass and gridded steel wall (18’ x 90’), wood table, white cloths, mirrored glass, vinyl powder, auger system, electronic controllers, plaster, recorded voice, digital audio, computer, sixteenspeakers
ANN HAMILTON STUDIO
Archival inkjet print Edition of 3 + 2 Artist Proofs Image size: 26.5 x 35.5 inches, Paper size: 36.5 x 4.54 inches. Over time, my question: “What is making?” has enlarged to consider how the act and experience of reading might form the tactile material of my makings.ANN HAMILTON STUDIO
1997 scripted. 1994 (lineament • book/ball) 1993 (tropos • books) 1993 untitled. 1991 (indigo blue • books) 1989 (privation and excesses I) 1989 (privation and excesses II) 1988 (still life) 1984body object.
ANN HAMILTON STUDIO
Official website of artist Ann Hamilton. 45 Pinckney Street, a former auto repair shop that had previously served as a carriage house, was the original site for indigo blue Using a Pink Pearl eraser and saliva, books were erased back to front.. Materials: blue work clothing, steel and wood base, wood table, chair, light bulb, books (military regulation manuals, blue bindings), saliva, pinkANN HAMILTON STUDIO
Hamilton’s installation indigo blue, in the exhibition “Places with a Past: New Site-Specific Art at Charleston’s Spoleto Festival,” 1991, was keyed to the historic importance of indigo, both as a plant and as a dye, in the economy of Charleston, South Carolina. The overriding presence in the installation was a mound of14,000 carefully
ANN HAMILTON STUDIO
Materials: pennies, honey, sheep, two mortar and pestles, teeth, a felt hat, a gesture, hands wrung in honey The budget for this project, $7,500, was obtained in the denomination of 750,000 pennies. They were laid into a skin of honey to define a 45'x32' rectangle on the floor. ANN HAMILTON STUDIOPROJECTSOBJECTS / PRINTSVIDEO / SOUNDBIOGRAPHYCONTACTPUBLICATIONS Ann Hamilton is a visual artist internationally acclaimed for her large-scale multimedia installations, public projects, and performance collaborations. Her site-responsive process works with common materials to invoke particular places, collective voices, and communities of labor.ANN HAMILTON STUDIO
black and white photograph, rosewood frame 10 with 3 Artist's Proofs Published in 1991 by Louver Gallery, New York 4 3⁄8 × 4 3⁄8 inches / 11.1 × 11.1 cm (image), 22 ¾ANN HAMILTON STUDIO
Official website of artist Ann Hamilton. Materials: translucent industrial glass windows, gravel topped with concrete, horsehair, table, chair, electric buren, booksANN HAMILTON STUDIO
1997 scripted. 1994 (lineament • book/ball) 1993 (tropos • books) 1993 untitled. 1991 (indigo blue • books) 1989 (privation and excesses I) 1989 (privation and excesses II) 1988 (still life) 1984body object.
ANN HAMILTON STUDIO
Archival inkjet print Edition of 3 + 2 Artist Proofs Image size: 26.5 x 35.5 inches, Paper size: 36.5 x 4.54 inches. Over time, my question: “What is making?” has enlarged to consider how the act and experience of reading might form the tactile material of my makings.ANN HAMILTON STUDIO
Official website of artist Ann Hamilton. Materials: four skylights, glass and gridded steel wall (18’ x 90’), wood table, white cloths, mirrored glass, vinyl powder, auger system, electronic controllers, plaster, recorded voice, digital audio, computer, sixteenspeakers
ANN HAMILTON STUDIO
Hamilton’s installation indigo blue, in the exhibition “Places with a Past: New Site-Specific Art at Charleston’s Spoleto Festival,” 1991, was keyed to the historic importance of indigo, both as a plant and as a dye, in the economy of Charleston, South Carolina. The overriding presence in the installation was a mound of14,000 carefully
ANN HAMILTON STUDIO
Official website of artist Ann Hamilton. 45 Pinckney Street, a former auto repair shop that had previously served as a carriage house, was the original site for indigo blue Using a Pink Pearl eraser and saliva, books were erased back to front.. Materials: blue work clothing, steel and wood base, wood table, chair, light bulb, books (military regulation manuals, blue bindings), saliva, pinkANN HAMILTON STUDIO
Ann Hamilton is a visual artist internationally recognized for her large-scale multimedia installations, public projects, and performance collaborations. Responsive to the contingencies of the sites where she works, her recurring forms—cloth, texts spoken and written, animals, and people suspended or in motion—immerse viewers in anANN HAMILTON STUDIO
Materials: pennies, honey, sheep, two mortar and pestles, teeth, a felt hat, a gesture, hands wrung in honey The budget for this project, $7,500, was obtained in the denomination of 750,000 pennies. They were laid into a skin of honey to define a 45'x32' rectangle on the floor.ANN HAMILTON STUDIO
2012 air for everyone. 2010 stylus. 2010 Intervals. 2009 human carriage. 2008 Galápagos chorus. 2008 Circles of O. 2008 Songs of Ascension. 2007 tower. 2006 The Meditation Boat.ANN HAMILTON STUDIO
Ann Hamilton, O N E E V E R Y O N E, commissioned by Landmarks, The University of Texas at Austin, 2017. An Errant Line: Ann Hamilton, Cynthia Schira, Spencer Museum of Art, University of Kansas, Lawrence, KS, 2013. RECTO/VERSO: video by Ann Hamilton, Picker & Clifford Gallerie, Colgate University, Hamilton, NY, 2013.ANN HAMILTON STUDIO
Official website of artist Ann Hamilton. video / soundANN HAMILTON STUDIO
2004 Teardrop Park. 2004 LEW wood floor. 2001 Allegheny Park. 1996 San Francisco Library. public projects. public projects. projects. objects / prints. video / sound.ANN HAMILTON STUDIO
Official website of artist Ann Hamilton. Photo and video credits: Thibault Jeanson, Al Foote III, Will Chafkin, Woo-Ram Jung, James Ewing, Lana Z. Caplan, Philip Greenberg/New York Times, The Wånas Foundation, Ann Hamilton StudioANN HAMILTON STUDIO
Official website of artist Ann Hamilton. Materials: 2 player pianos; 26 channel speaker and sound system; fabric; 5 rolling ladders; 5 spinning projector mechanisms; steel table with moveable, amplified surface; steel ball bearings; 1500 paper hands; custom shelving unit; taxidermic birds; jumping beans; 2 record players; records and books from St. Louis Public School Archives; 5 rooftopANN HAMILTON STUDIO
The function of fraternity is recognition.”. Work with the Brown School of Social Work at Washington University in St. Louis and now with Landmarks and the Dell Medical School extends this project’s reach. —Ann Hamilton. publication from O N E V E R Y O N E comissioned by Landmarks forANN HAMILTON STUDIO
On the Southbound platform, CHORUS is composed of vertical spines of repeating words from the preamble to the 1776 United States Declaration of Independence intersecting with twelve horizontal lines of text from the 1948 United Nations Declaration of Human Rights.ANN HAMILTON STUDIO
1992 passion. 1992 offerings. 1991 malediction. 1991 indigo blue. 1990 dominion. 1989 privation and excesses. 1988 still life. figura Spencer Museum of Art • Lawrence, Kansas March 2-August 11, 2013 Project Description Curatorial Statement The Persepio Figures. figura Spencer Museum of Art • Lawrence, Kansas March 2-August 11, 2013 ProjectANN HAMILTON STUDIO
Materials: pennies, honey, sheep, two mortar and pestles, teeth, a felt hat, a gesture, hands wrung in honey The budget for this project, $7,500, was obtained in the denomination of 750,000 pennies. They were laid into a skin of honey to define a 45'x32' rectangle on the floor. ANN HAMILTON STUDIOPROJECTSOBJECTS / PRINTSVIDEO / SOUNDBIOGRAPHYCONTACTPUBLICATIONS Ann Hamilton is a visual artist internationally acclaimed for her large-scale multimedia installations, public projects, and performance collaborations. Her site-responsive process works with common materials to invoke particular places, collective voices, and communities of labor.ANN HAMILTON STUDIO
Ann Hamilton is a visual artist internationally recognized for her large-scale multimedia installations, public projects, and performance collaborations. Responsive to the contingencies of the sites where she works, her recurring forms—cloth, texts spoken and written, animals, and people suspended or in motion—immerse viewers in anANN HAMILTON STUDIO
black and white photograph, rosewood frame 10 with 3 Artist's Proofs Published in 1991 by Louver Gallery, New York 4 3⁄8 × 4 3⁄8 inches / 11.1 × 11.1 cm (image), 22 ¾ANN HAMILTON STUDIO
Official website of artist Ann Hamilton. Materials: translucent industrial glass windows, gravel topped with concrete, horsehair, table, chair, electric buren, books ANN HAMILTON STUDIOANN HAMILTON ARTWORKANN HAMILTON CULT Official website of artist Ann Hamilton. Materials: four skylights, glass and gridded steel wall (18’ x 90’), wood table, white cloths, mirrored glass, vinyl powder, auger system, electronic controllers, plaster, recorded voice, digital audio, computer, sixteenspeakers
ANN HAMILTON STUDIO
Archival inkjet print Edition of 3 + 2 Artist Proofs Image size: 26.5 x 35.5 inches, Paper size: 36.5 x 4.54 inches. Over time, my question: “What is making?” has enlarged to consider how the act and experience of reading might form the tactile material of my makings.ANN HAMILTON STUDIO
1997 scripted. 1994 (lineament • book/ball) 1993 (tropos • books) 1993 untitled. 1991 (indigo blue • books) 1989 (privation and excesses I) 1989 (privation and excesses II) 1988 (still life) 1984body object.
ANN HAMILTON STUDIO
Official website of artist Ann Hamilton. 45 Pinckney Street, a former auto repair shop that had previously served as a carriage house, was the original site for indigo blue Using a Pink Pearl eraser and saliva, books were erased back to front.. Materials: blue work clothing, steel and wood base, wood table, chair, light bulb, books (military regulation manuals, blue bindings), saliva, pinkANN HAMILTON STUDIO
Hamilton’s installation indigo blue, in the exhibition “Places with a Past: New Site-Specific Art at Charleston’s Spoleto Festival,” 1991, was keyed to the historic importance of indigo, both as a plant and as a dye, in the economy of Charleston, South Carolina. The overriding presence in the installation was a mound of14,000 carefully
ANN HAMILTON STUDIO
Materials: pennies, honey, sheep, two mortar and pestles, teeth, a felt hat, a gesture, hands wrung in honey The budget for this project, $7,500, was obtained in the denomination of 750,000 pennies. They were laid into a skin of honey to define a 45'x32' rectangle on the floor. ANN HAMILTON STUDIOPROJECTSOBJECTS / PRINTSVIDEO / SOUNDBIOGRAPHYCONTACTPUBLICATIONS Ann Hamilton is a visual artist internationally acclaimed for her large-scale multimedia installations, public projects, and performance collaborations. Her site-responsive process works with common materials to invoke particular places, collective voices, and communities of labor.ANN HAMILTON STUDIO
Ann Hamilton is a visual artist internationally recognized for her large-scale multimedia installations, public projects, and performance collaborations. Responsive to the contingencies of the sites where she works, her recurring forms—cloth, texts spoken and written, animals, and people suspended or in motion—immerse viewers in anANN HAMILTON STUDIO
black and white photograph, rosewood frame 10 with 3 Artist's Proofs Published in 1991 by Louver Gallery, New York 4 3⁄8 × 4 3⁄8 inches / 11.1 × 11.1 cm (image), 22 ¾ANN HAMILTON STUDIO
Official website of artist Ann Hamilton. Materials: translucent industrial glass windows, gravel topped with concrete, horsehair, table, chair, electric buren, books ANN HAMILTON STUDIOANN HAMILTON ARTWORKANN HAMILTON CULT Official website of artist Ann Hamilton. Materials: four skylights, glass and gridded steel wall (18’ x 90’), wood table, white cloths, mirrored glass, vinyl powder, auger system, electronic controllers, plaster, recorded voice, digital audio, computer, sixteenspeakers
ANN HAMILTON STUDIO
Archival inkjet print Edition of 3 + 2 Artist Proofs Image size: 26.5 x 35.5 inches, Paper size: 36.5 x 4.54 inches. Over time, my question: “What is making?” has enlarged to consider how the act and experience of reading might form the tactile material of my makings.ANN HAMILTON STUDIO
1997 scripted. 1994 (lineament • book/ball) 1993 (tropos • books) 1993 untitled. 1991 (indigo blue • books) 1989 (privation and excesses I) 1989 (privation and excesses II) 1988 (still life) 1984body object.
ANN HAMILTON STUDIO
Official website of artist Ann Hamilton. 45 Pinckney Street, a former auto repair shop that had previously served as a carriage house, was the original site for indigo blue Using a Pink Pearl eraser and saliva, books were erased back to front.. Materials: blue work clothing, steel and wood base, wood table, chair, light bulb, books (military regulation manuals, blue bindings), saliva, pinkANN HAMILTON STUDIO
Hamilton’s installation indigo blue, in the exhibition “Places with a Past: New Site-Specific Art at Charleston’s Spoleto Festival,” 1991, was keyed to the historic importance of indigo, both as a plant and as a dye, in the economy of Charleston, South Carolina. The overriding presence in the installation was a mound of14,000 carefully
ANN HAMILTON STUDIO
Materials: pennies, honey, sheep, two mortar and pestles, teeth, a felt hat, a gesture, hands wrung in honey The budget for this project, $7,500, was obtained in the denomination of 750,000 pennies. They were laid into a skin of honey to define a 45'x32' rectangle on the floor.ANN HAMILTON STUDIO
2012 air for everyone. 2010 stylus. 2010 Intervals. 2009 human carriage. 2008 Galápagos chorus. 2008 Circles of O. 2008 Songs of Ascension. 2007 tower. 2006 The Meditation Boat.ANN HAMILTON STUDIO
Ann Hamilton, O N E E V E R Y O N E, commissioned by Landmarks, The University of Texas at Austin, 2017. An Errant Line: Ann Hamilton, Cynthia Schira, Spencer Museum of Art, University of Kansas, Lawrence, KS, 2013. RECTO/VERSO: video by Ann Hamilton, Picker & Clifford Gallerie, Colgate University, Hamilton, NY, 2013.ANN HAMILTON STUDIO
Official website of artist Ann Hamilton. video / soundANN HAMILTON STUDIO
2004 Teardrop Park. 2004 LEW wood floor. 2001 Allegheny Park. 1996 San Francisco Library. public projects. public projects. projects. objects / prints. video / sound.ANN HAMILTON STUDIO
Official website of artist Ann Hamilton. Photo and video credits: Thibault Jeanson, Al Foote III, Will Chafkin, Woo-Ram Jung, James Ewing, Lana Z. Caplan, Philip Greenberg/New York Times, The Wånas Foundation, Ann Hamilton StudioANN HAMILTON STUDIO
Official website of artist Ann Hamilton. Materials: 2 player pianos; 26 channel speaker and sound system; fabric; 5 rolling ladders; 5 spinning projector mechanisms; steel table with moveable, amplified surface; steel ball bearings; 1500 paper hands; custom shelving unit; taxidermic birds; jumping beans; 2 record players; records and books from St. Louis Public School Archives; 5 rooftopANN HAMILTON STUDIO
The function of fraternity is recognition.”. Work with the Brown School of Social Work at Washington University in St. Louis and now with Landmarks and the Dell Medical School extends this project’s reach. —Ann Hamilton. publication from O N E V E R Y O N E comissioned by Landmarks forANN HAMILTON STUDIO
On the Southbound platform, CHORUS is composed of vertical spines of repeating words from the preamble to the 1776 United States Declaration of Independence intersecting with twelve horizontal lines of text from the 1948 United Nations Declaration of Human Rights.ANN HAMILTON STUDIO
1992 passion. 1992 offerings. 1991 malediction. 1991 indigo blue. 1990 dominion. 1989 privation and excesses. 1988 still life. figura Spencer Museum of Art • Lawrence, Kansas March 2-August 11, 2013 Project Description Curatorial Statement The Persepio Figures. figura Spencer Museum of Art • Lawrence, Kansas March 2-August 11, 2013 ProjectANN HAMILTON STUDIO
Materials: pennies, honey, sheep, two mortar and pestles, teeth, a felt hat, a gesture, hands wrung in honey The budget for this project, $7,500, was obtained in the denomination of 750,000 pennies. They were laid into a skin of honey to define a 45'x32' rectangle on the floor. ANN HAMILTON STUDIOPROJECTSOBJECTS / PRINTSVIDEO / SOUNDBIOGRAPHYCONTACTPUBLICATIONS Ann Hamilton is a visual artist internationally acclaimed for her large-scale multimedia installations, public projects, and performance collaborations. Her site-responsive process works with common materials to invoke particular places, collective voices, and communities of labor.ANN HAMILTON STUDIO
Ann Hamilton is a visual artist internationally recognized for her large-scale multimedia installations, public projects, and performance collaborations. Responsive to the contingencies of the sites where she works, her recurring forms—cloth, texts spoken and written, animals, and people suspended or in motion—immerse viewers in anANN HAMILTON STUDIO
black and white photograph, rosewood frame 10 with 3 Artist's Proofs Published in 1991 by Louver Gallery, New York 4 3⁄8 × 4 3⁄8 inches / 11.1 × 11.1 cm (image), 22 ¾ANN HAMILTON STUDIO
Official website of artist Ann Hamilton. Materials: translucent industrial glass windows, gravel topped with concrete, horsehair, table, chair, electric buren, books ANN HAMILTON STUDIOANN HAMILTON ARTWORKANN HAMILTON CULT Official website of artist Ann Hamilton. Materials: four skylights, glass and gridded steel wall (18’ x 90’), wood table, white cloths, mirrored glass, vinyl powder, auger system, electronic controllers, plaster, recorded voice, digital audio, computer, sixteenspeakers
ANN HAMILTON STUDIO
Archival inkjet print Edition of 3 + 2 Artist Proofs Image size: 26.5 x 35.5 inches, Paper size: 36.5 x 4.54 inches. Over time, my question: “What is making?” has enlarged to consider how the act and experience of reading might form the tactile material of my makings.ANN HAMILTON STUDIO
1997 scripted. 1994 (lineament • book/ball) 1993 (tropos • books) 1993 untitled. 1991 (indigo blue • books) 1989 (privation and excesses I) 1989 (privation and excesses II) 1988 (still life) 1984body object.
ANN HAMILTON STUDIO
Official website of artist Ann Hamilton. 45 Pinckney Street, a former auto repair shop that had previously served as a carriage house, was the original site for indigo blue Using a Pink Pearl eraser and saliva, books were erased back to front.. Materials: blue work clothing, steel and wood base, wood table, chair, light bulb, books (military regulation manuals, blue bindings), saliva, pinkANN HAMILTON STUDIO
Hamilton’s installation indigo blue, in the exhibition “Places with a Past: New Site-Specific Art at Charleston’s Spoleto Festival,” 1991, was keyed to the historic importance of indigo, both as a plant and as a dye, in the economy of Charleston, South Carolina. The overriding presence in the installation was a mound of14,000 carefully
ANN HAMILTON STUDIO
Materials: pennies, honey, sheep, two mortar and pestles, teeth, a felt hat, a gesture, hands wrung in honey The budget for this project, $7,500, was obtained in the denomination of 750,000 pennies. They were laid into a skin of honey to define a 45'x32' rectangle on the floor. ANN HAMILTON STUDIOPROJECTSOBJECTS / PRINTSVIDEO / SOUNDBIOGRAPHYCONTACTPUBLICATIONS Ann Hamilton is a visual artist internationally acclaimed for her large-scale multimedia installations, public projects, and performance collaborations. Her site-responsive process works with common materials to invoke particular places, collective voices, and communities of labor.ANN HAMILTON STUDIO
Ann Hamilton is a visual artist internationally recognized for her large-scale multimedia installations, public projects, and performance collaborations. Responsive to the contingencies of the sites where she works, her recurring forms—cloth, texts spoken and written, animals, and people suspended or in motion—immerse viewers in anANN HAMILTON STUDIO
black and white photograph, rosewood frame 10 with 3 Artist's Proofs Published in 1991 by Louver Gallery, New York 4 3⁄8 × 4 3⁄8 inches / 11.1 × 11.1 cm (image), 22 ¾ANN HAMILTON STUDIO
Official website of artist Ann Hamilton. Materials: translucent industrial glass windows, gravel topped with concrete, horsehair, table, chair, electric buren, books ANN HAMILTON STUDIOANN HAMILTON ARTWORKANN HAMILTON CULT Official website of artist Ann Hamilton. Materials: four skylights, glass and gridded steel wall (18’ x 90’), wood table, white cloths, mirrored glass, vinyl powder, auger system, electronic controllers, plaster, recorded voice, digital audio, computer, sixteenspeakers
ANN HAMILTON STUDIO
Archival inkjet print Edition of 3 + 2 Artist Proofs Image size: 26.5 x 35.5 inches, Paper size: 36.5 x 4.54 inches. Over time, my question: “What is making?” has enlarged to consider how the act and experience of reading might form the tactile material of my makings.ANN HAMILTON STUDIO
1997 scripted. 1994 (lineament • book/ball) 1993 (tropos • books) 1993 untitled. 1991 (indigo blue • books) 1989 (privation and excesses I) 1989 (privation and excesses II) 1988 (still life) 1984body object.
ANN HAMILTON STUDIO
Official website of artist Ann Hamilton. 45 Pinckney Street, a former auto repair shop that had previously served as a carriage house, was the original site for indigo blue Using a Pink Pearl eraser and saliva, books were erased back to front.. Materials: blue work clothing, steel and wood base, wood table, chair, light bulb, books (military regulation manuals, blue bindings), saliva, pinkANN HAMILTON STUDIO
Hamilton’s installation indigo blue, in the exhibition “Places with a Past: New Site-Specific Art at Charleston’s Spoleto Festival,” 1991, was keyed to the historic importance of indigo, both as a plant and as a dye, in the economy of Charleston, South Carolina. The overriding presence in the installation was a mound of14,000 carefully
ANN HAMILTON STUDIO
Materials: pennies, honey, sheep, two mortar and pestles, teeth, a felt hat, a gesture, hands wrung in honey The budget for this project, $7,500, was obtained in the denomination of 750,000 pennies. They were laid into a skin of honey to define a 45'x32' rectangle on the floor.ANN HAMILTON STUDIO
2012 air for everyone. 2010 stylus. 2010 Intervals. 2009 human carriage. 2008 Galápagos chorus. 2008 Circles of O. 2008 Songs of Ascension. 2007 tower. 2006 The Meditation Boat.ANN HAMILTON STUDIO
Ann Hamilton, O N E E V E R Y O N E, commissioned by Landmarks, The University of Texas at Austin, 2017. An Errant Line: Ann Hamilton, Cynthia Schira, Spencer Museum of Art, University of Kansas, Lawrence, KS, 2013. RECTO/VERSO: video by Ann Hamilton, Picker & Clifford Gallerie, Colgate University, Hamilton, NY, 2013.ANN HAMILTON STUDIO
Official website of artist Ann Hamilton. video / soundANN HAMILTON STUDIO
2004 Teardrop Park. 2004 LEW wood floor. 2001 Allegheny Park. 1996 San Francisco Library. public projects. public projects. projects. objects / prints. video / sound.ANN HAMILTON STUDIO
Official website of artist Ann Hamilton. Photo and video credits: Thibault Jeanson, Al Foote III, Will Chafkin, Woo-Ram Jung, James Ewing, Lana Z. Caplan, Philip Greenberg/New York Times, The Wånas Foundation, Ann Hamilton StudioANN HAMILTON STUDIO
Official website of artist Ann Hamilton. Materials: 2 player pianos; 26 channel speaker and sound system; fabric; 5 rolling ladders; 5 spinning projector mechanisms; steel table with moveable, amplified surface; steel ball bearings; 1500 paper hands; custom shelving unit; taxidermic birds; jumping beans; 2 record players; records and books from St. Louis Public School Archives; 5 rooftopANN HAMILTON STUDIO
The function of fraternity is recognition.”. Work with the Brown School of Social Work at Washington University in St. Louis and now with Landmarks and the Dell Medical School extends this project’s reach. —Ann Hamilton. publication from O N E V E R Y O N E comissioned by Landmarks forANN HAMILTON STUDIO
On the Southbound platform, CHORUS is composed of vertical spines of repeating words from the preamble to the 1776 United States Declaration of Independence intersecting with twelve horizontal lines of text from the 1948 United Nations Declaration of Human Rights.ANN HAMILTON STUDIO
1992 passion. 1992 offerings. 1991 malediction. 1991 indigo blue. 1990 dominion. 1989 privation and excesses. 1988 still life. figura Spencer Museum of Art • Lawrence, Kansas March 2-August 11, 2013 Project Description Curatorial Statement The Persepio Figures. figura Spencer Museum of Art • Lawrence, Kansas March 2-August 11, 2013 ProjectANN HAMILTON STUDIO
Materials: pennies, honey, sheep, two mortar and pestles, teeth, a felt hat, a gesture, hands wrung in honey The budget for this project, $7,500, was obtained in the denomination of 750,000 pennies. They were laid into a skin of honey to define a 45'x32' rectangle on the floor.ANN HAMILTON STUDIO
* projects
* objects / prints
* video / sound
* public projects
* biography
* contact
* publications
* selected press
current
current
MAY 19, 2020
_The Brooklyn Rail _ Ann Hamilton & Michael Mercil: The New Social Environment LunchtimeConversation #46
Artists and life-collaborators Ann Hamilton and Michael Mercil join us for New Social Environment #46 with host Artseen editor Amanda Gluibizzi (Instagram: @gluibizziak) to discuss their longstanding practices of bringing people into new kinds of contact with their habitats, some of their recent projects, and how our “hands are also a brain.” In response to the imminent crisis of the COVID-19 pandemic, the Brooklyn Rail shifted our operations online. These New Social Environments provide a place to have vibrant conversations in a time of great physical distancing. Ann Hamilton is a visual artist internationally acclaimed for her large-scale multimedia installations, public projects, and performance collaborations. Her site-responsive process works with common materials to invoke particular places, collective voices, and communities of labor. Michael Mercil teaches in the Department of Art at The Ohio State University. His art explores realms of “the near, the low, the common” in two and three dimensions as well as in landscape architecture, film, performance, and farming. Mercil has exhibited in solo and group shows throughout the United States. His recently opened Art Market™, is an ongoing, studio-based project located in a southside Columbus neighborhood.MAY 5, 2020
_O N E E V E R Y O N E • Ohio_Ann Hamilton
Music by Bill Frisell _click here to watch on Vimeo_ The newsprint book in this video, made for sesquicentennial celebrations at The Ohio State University, is part of an ongoing public art project, _O N E E V E R Y O N E_. Thick
as an old phone book, its 1,200 pages are filled with images of people photographed behind a translucent membrane that renders in focus only those points where the body touches the material surface. Hidden, but revealed by touch, the resulting portraits hold a sense of privacy and intimacy not possible in a time when we are so aware of every point of contact, of every surface we touch, or are in exchange touched by. These figures, isolated and ethereal, are perhaps the alone together we are living in this moment. I called jazz guitarist Bill Frisell to ask if he might consider making a house recording for a video of the book. Bill has performed at the Wexner Center many times, and his music always stirs a deeply felt place in me, a place I might now call HOPE. It was April; I was in Ohio, and Bill was in New York. Bill’s sound for the video is our collaboration, our form of touch across the physical distance betweenus.
The people pictured in the book are students, faculty, staff, and other members of the Ohio State community who offered to participate in the project. We staged the photography set-up in two main campus arteries, the Thompson Library and the Wexner Center for the Arts, who collaborated in support of my fall 2019 exhibition project _when an object reaches for your hand_. A human impulse is to extend our hands outward, to know the world through the reciprocity of touching things. It’s become impossible to pass this book, made to celebrate the University’s Sesquicentennial, from hand to hand. Nonetheless, this video, which shares a turning of its pages, now affords a different form of celebration. Listening closely to Bill’s music, you will sometimes recognize the melody of OSU’s beloved Alma Mater “Carmen Ohio” and, perhaps, feel us standing arm in arm across our distances, to sing the bond that makes us The Ohio State University. Special thanks to Phyllis Oyama, Michael Mercil, Katie Hall, Ken Aschliman, and Chuck Helm To my studio: Kara Gut, Jessica Naples Grilli, and Nick Larsen, along with graduate students Dareen Hussein and Nalani Stolz The work is made possible by The Office of the President at The Ohio State University, the Thompson Library, and the Wexner Center for theArts.
SEPTEMBER 20 - DECEMBER 29, 2019 HERE : Ann Hamilton, Jenny Holzer, Maya Lin Wexner Center for the ArtsColumbus, Ohio
ADDITIONAL WORKS ON VIEW Ann Hamilton : CHORUS commissioned by Metropolitan Transportation Authority WTC Cortlandt StationNew York, NY
Hans Cogne, Typographic Design Mayer of Munich , Fabrication Commissioned by MTA Arts and Design, CHORUS is a monochrome marble mosaic of raised text. Phrases excerpted from the preamble to the 1776 United States Declaration of Independence intersect with the occurrence of the same of words in the 1948 United Nations Declaration of Human Rights to form the horizontal lines on the Southbound platform. The composition of the Northbound platform crosses the word, EVERYONE, and its occurrences in the Declaration of Human Rights. Woven together in a field of repetitions, the words form an underground refrain that speaks to the civic ideals and aspirations foundational to the quality of life above.Bodies of Work
on view: selections from Ann Hamilton's _body object_ series (1984) The National Gallery of Art _O N E E V E R Y O N E _, Dell Medical School, The University of Texas at Austin, Commissioned by Landmarks honored by Americans for the Arts Year In Review AwardANN HAMILTON STUDIO
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