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THE ANTHOTYPE PROCESS CONTEMPORARY PRACTICES IN ALTERNATIVE PROCESS PHOTOGRAPHY Christina Z. Anderson is the editor of Routledge ‘s book series Contemporary Practices in Alternative Process Photography with so far no less than 9 titles on alternative photographic processes, and more coming. Malin Fabbri interviews Christina Z. Anderson. Montana State University photography professor Christina Anderson is pictured in the ANTHOTYPES - INSTRUCTIONS TO MAKING A PRINT USING PLANTS Put on your rubber gloves, an apron, or an old shirt, cover the work area with old newspapers and you’re ready to go. Plant pigments can stain your work surface blue, red or green and turn your hands rainbow-colored. 1 Making emulsion – Grind, mash or mix the plant. An anthotype emulsion can be made from a large number of plants.THE CHEMIGRAM
The chemigram process was discovered by Pierre Cordier on November 10, 1956. It is a unique process that uses resists on photographic paper much the same way as wax is used as a resist in batik. What Cordier discovered in 1956 was that a resist can hold back the chemical effects of developer and fixer on black and white photo paper for atime.
MONOCLES LENS: DESIGNING A SINGLE ELEMENT LENSSEE MORE ON ALTERNATIVEPHOTOGRAPHY.COM THE RESINOTYPE PROCESS The resinotype had its maximum diffusion in the period 1922-1935. Its inventor, Rodolfo Namias (1867-1938), adapted and enhanced the well known powder process (Garner and Salmon 1958), though the variation introduced by Sobacchi in 1879 looks much more similar. Namias wrote that: “The resinotype was born from the observation of an anomaly.NETTIE EDWARDS
In April 2014, I began an artist’s residency at Painswick Rococo Garden in Gloucestershire, England, where I’m creating Anthotypes of my iPhone photographs, using the garden’s seasonal produce. “The Anthotype process strikes a deeply personal chord in those who encounter it. In response to this, much of my work explores themes ofloss
MULTI COLORED CYANOTYPES 3 possible “primary colors” giving a very limited range of hues. The cyanotype process is a great way to create monochromatic prints that show that wonderful Prussian blue, or, using tea and other chemicals: purple, and brown prints may be created. Although it has been used only as a single layer process: one coating, one exposure,one print.
WILL DUNNIWAY COLLODION PHOTOGRAPHER WILL DUNNIWAY Case Mfg. Company, has engineered most of my camp gear and restored many of the thrashed 19th century cases that I sell. Both Richard’s and Larry’s years of friendship and back-breaking work on my behalf have not gone LOVE ALTERNATIVE PHOTOGRAPHIC PROCESSESWHAT’S NEWLEARNING ALT PROCESSESGALLERYCOMMUNITYSUPPLIERSBECOME A MEMBER May 16, 2021. Geoff Cohen started with photography in the 1980s and has been exploring alternative photographic processes such as chemigrams and photograms. From: New York City, New York, USA. Shows: Chemigrams and Photograms. Starting with an Argus C3 in the 1980s, Geoff Cohen has studied and photographed. His studies include classeswith Thom
THE ANTHOTYPE PROCESS CONTEMPORARY PRACTICES IN ALTERNATIVE PROCESS PHOTOGRAPHY Christina Z. Anderson is the editor of Routledge ‘s book series Contemporary Practices in Alternative Process Photography with so far no less than 9 titles on alternative photographic processes, and more coming. Malin Fabbri interviews Christina Z. Anderson. Montana State University photography professor Christina Anderson is pictured in the ANTHOTYPES - INSTRUCTIONS TO MAKING A PRINT USING PLANTS Put on your rubber gloves, an apron, or an old shirt, cover the work area with old newspapers and you’re ready to go. Plant pigments can stain your work surface blue, red or green and turn your hands rainbow-colored. 1 Making emulsion – Grind, mash or mix the plant. An anthotype emulsion can be made from a large number of plants.THE CHEMIGRAM
The chemigram process was discovered by Pierre Cordier on November 10, 1956. It is a unique process that uses resists on photographic paper much the same way as wax is used as a resist in batik. What Cordier discovered in 1956 was that a resist can hold back the chemical effects of developer and fixer on black and white photo paper for atime.
MONOCLES LENS: DESIGNING A SINGLE ELEMENT LENSSEE MORE ON ALTERNATIVEPHOTOGRAPHY.COM THE RESINOTYPE PROCESS The resinotype had its maximum diffusion in the period 1922-1935. Its inventor, Rodolfo Namias (1867-1938), adapted and enhanced the well known powder process (Garner and Salmon 1958), though the variation introduced by Sobacchi in 1879 looks much more similar. Namias wrote that: “The resinotype was born from the observation of an anomaly.NETTIE EDWARDS
In April 2014, I began an artist’s residency at Painswick Rococo Garden in Gloucestershire, England, where I’m creating Anthotypes of my iPhone photographs, using the garden’s seasonal produce. “The Anthotype process strikes a deeply personal chord in those who encounter it. In response to this, much of my work explores themes ofloss
MULTI COLORED CYANOTYPES 3 possible “primary colors” giving a very limited range of hues. The cyanotype process is a great way to create monochromatic prints that show that wonderful Prussian blue, or, using tea and other chemicals: purple, and brown prints may be created. Although it has been used only as a single layer process: one coating, one exposure,one print.
WILL DUNNIWAY COLLODION PHOTOGRAPHER WILL DUNNIWAY Case Mfg. Company, has engineered most of my camp gear and restored many of the thrashed 19th century cases that I sell. Both Richard’s and Larry’s years of friendship and back-breaking work on my behalf have not gone ALTERNATIVE PHOTOGRAPHIC PROCESSES A-Z Anthotypes. A fun and easy way to make images using juice from fruits, plants, flowers and vegetables as both sensitizer and pigment! Practiced by Sir William Herschel in the 1840’s, this method is very suited to photograms. Although anthotype prints are novel and unique, permanence of the image depends upon your choice of organic extract. ANTHOTYPES - INSTRUCTIONS TO MAKING A PRINT USING PLANTS Put on your rubber gloves, an apron, or an old shirt, cover the work area with old newspapers and you’re ready to go. Plant pigments can stain your work surface blue, red or green and turn your hands rainbow-colored. 1 Making emulsion – Grind, mash or mix the plant. An anthotype emulsion can be made from a large number of plants.THE ZIATYPE PROCESS
Ziatype print: Kitchen Window by Carl Weese. The ziatype is a variation of the Pizzighelli POP process that uses lithium palladium chloride (lithium chloropallidite) as the primary metal and ammonium ferric oxalate for the iron compound to produce a continuous tone print.Color and contrast are controlled chemically, unlike other Pizzighelli processes where color and contrast are controlled by PHOTOGRAVURE ARCHIVES Copper photogravures, solarplates, photo intagio, polymer gravures and heliogravures are all printmaking techniques, where a photograph is set in a plate, the plate inked and the image transferred to a paper. THE MODERN TINTYPE PROCESS Always be careful when handling chemicals. Read the health and safety instructions.. Note: The Modern Tintype is a liquid light process, that comes in a kit, much less toxic than the Classic Tintype process and more suited to beginners.. This old process was invented in the late 1800’s and was one of the photographic processes that made it possible for the general public to have theirARGYROTYPE PROCESS
Argyrotype process. Argyrotype is a user-friendly iron-based silver printing process that produces brown images on plain paper. It is derived from the Argentotype, Kallitype, and Vandyke processes of the 19th Century, but has greater simplicity, improved image stability, and longer sensitizer shelf-life. Always be careful when handlingchemicals.
EVENTS IN JUNE ARCHIVES From 19th June – 31st July at Burton Agnes Hall, East Yorkshire, UK An exhibition of more than 70 original cyanotype and wet cyanotype photograms by Jill Welham.THE GUMOIL PROCESS
The process, in brief. The gumoil process begins with a positive image on transparency film. This positive is placed in contact with a layer of typically uncolored gum bichromate to create a negative gum bichromate print. This gum layer acts as a resist to oil paint that is applied after the gum layer has dried and fully hardened. CHROMOSKEDASIC SABATTIER: A STEP-BY-STEP GUIDE Chromoskedasic sabattier (chromo for short) is a darkroom process that was developed in the 1990s. In short, the process lifts the silver halides in gelatin silver paper to the surface, thus resulting in a multicolor, metallic sheen on what would otherwise be a black and white print. Colors and patterns that appear cannot be diligently HOW TO MAKE A PAPER NEGATIVE FROM A PHOTOGRAPH Spread out a newspaper and then a blank piece of white paper on top. Place the photograph on top. Heat up the back of the paper negative with a hot iron. Rub the beeswax or paraffin evenly over the back until the paper is covered with a very thin layer of vax. Repeat the process until your paper negative is transparent enough. LOVE ALTERNATIVE PHOTOGRAPHIC PROCESSESWHAT’S NEWLEARNING ALT PROCESSESGALLERYCOMMUNITYSUPPLIERSBECOME A MEMBER May 16, 2021. Geoff Cohen started with photography in the 1980s and has been exploring alternative photographic processes such as chemigrams and photograms. From: New York City, New York, USA. Shows: Chemigrams and Photograms. Starting with an Argus C3 in the 1980s, Geoff Cohen has studied and photographed. His studies include classeswith Thom
ANTHOTYPES - INSTRUCTIONS TO MAKING A PRINT USING PLANTSPICTURE OF PLANTSHOW TO PLANT PLANTS OUTSIDELIFE PROCESS OF PLANTSPLANTS TO PLANTIN AUGUST
Put on your rubber gloves, an apron, or an old shirt, cover the work area with old newspapers and you’re ready to go. Plant pigments can stain your work surface blue, red or green and turn your hands rainbow-colored. 1 Making emulsion – Grind, mash or mix the plant. An anthotype emulsion can be made from a large number of plants. THE ANTHOTYPE PROCESSNETTIE EDWARDS
In April 2014, I began an artist’s residency at Painswick Rococo Garden in Gloucestershire, England, where I’m creating Anthotypes of my iPhone photographs, using the garden’s seasonal produce. “The Anthotype process strikes a deeply personal chord in those who encounter it. In response to this, much of my work explores themes ofloss
LIPPMANN COLOUR PHOTOGRAPHY THE RESINOTYPE PROCESS The resinotype had its maximum diffusion in the period 1922-1935. Its inventor, Rodolfo Namias (1867-1938), adapted and enhanced the well known powder process (Garner and Salmon 1958), though the variation introduced by Sobacchi in 1879 looks much more similar. Namias wrote that: “The resinotype was born from the observation of an anomaly. MULTI COLORED CYANOTYPES 3 possible “primary colors” giving a very limited range of hues. The cyanotype process is a great way to create monochromatic prints that show that wonderful Prussian blue, or, using tea and other chemicals: purple, and brown prints may be created. Although it has been used only as a single layer process: one coating, one exposure,one print.
THE ZIATYPE PROCESS
The ziatype is a variation of the Pizzighelli POP process that uses lithium palladium chloride (lithium chloropallidite) as the primary metal and ammonium ferric oxalate for the iron compound to produce a continuous tone print. Color and contrast are controlled chemically, unlike other Pizzighelli processes where color and contrast are WILL DUNNIWAY COLLODION PHOTOGRAPHER WILL DUNNIWAY Case Mfg. Company, has engineered most of my camp gear and restored many of the thrashed 19th century cases that I sell. Both Richard’s and Larry’s years of friendship and back-breaking work on my behalf have not gone WASHING CYANOTYPES ON FABRICS OR CLOTH Washing cyanotypes the right way is important to preserve the print. A cyanotype printed on paper rarely need to be washed. It usually rests safely on a wall, in a frame. The life of a cyanotype printed by a fabric artist is quite different. It may be a pillow cover placed on a sofa beside a child eating chocolate ice cream, it may be a quilt LOVE ALTERNATIVE PHOTOGRAPHIC PROCESSESWHAT’S NEWLEARNING ALT PROCESSESGALLERYCOMMUNITYSUPPLIERSBECOME A MEMBER May 16, 2021. Geoff Cohen started with photography in the 1980s and has been exploring alternative photographic processes such as chemigrams and photograms. From: New York City, New York, USA. Shows: Chemigrams and Photograms. Starting with an Argus C3 in the 1980s, Geoff Cohen has studied and photographed. His studies include classeswith Thom
ANTHOTYPES - INSTRUCTIONS TO MAKING A PRINT USING PLANTSPICTURE OF PLANTSHOW TO PLANT PLANTS OUTSIDELIFE PROCESS OF PLANTSPLANTS TO PLANTIN AUGUST
Put on your rubber gloves, an apron, or an old shirt, cover the work area with old newspapers and you’re ready to go. Plant pigments can stain your work surface blue, red or green and turn your hands rainbow-colored. 1 Making emulsion – Grind, mash or mix the plant. An anthotype emulsion can be made from a large number of plants. THE ANTHOTYPE PROCESSNETTIE EDWARDS
In April 2014, I began an artist’s residency at Painswick Rococo Garden in Gloucestershire, England, where I’m creating Anthotypes of my iPhone photographs, using the garden’s seasonal produce. “The Anthotype process strikes a deeply personal chord in those who encounter it. In response to this, much of my work explores themes ofloss
LIPPMANN COLOUR PHOTOGRAPHY THE RESINOTYPE PROCESS The resinotype had its maximum diffusion in the period 1922-1935. Its inventor, Rodolfo Namias (1867-1938), adapted and enhanced the well known powder process (Garner and Salmon 1958), though the variation introduced by Sobacchi in 1879 looks much more similar. Namias wrote that: “The resinotype was born from the observation of an anomaly.THE ZIATYPE PROCESS
The ziatype is a variation of the Pizzighelli POP process that uses lithium palladium chloride (lithium chloropallidite) as the primary metal and ammonium ferric oxalate for the iron compound to produce a continuous tone print. Color and contrast are controlled chemically, unlike other Pizzighelli processes where color and contrast are MULTI COLORED CYANOTYPES 3 possible “primary colors” giving a very limited range of hues. The cyanotype process is a great way to create monochromatic prints that show that wonderful Prussian blue, or, using tea and other chemicals: purple, and brown prints may be created. Although it has been used only as a single layer process: one coating, one exposure,one print.
WILL DUNNIWAY COLLODION PHOTOGRAPHER WILL DUNNIWAY Case Mfg. Company, has engineered most of my camp gear and restored many of the thrashed 19th century cases that I sell. Both Richard’s and Larry’s years of friendship and back-breaking work on my behalf have not gone WASHING CYANOTYPES ON FABRICS OR CLOTH Washing cyanotypes the right way is important to preserve the print. A cyanotype printed on paper rarely need to be washed. It usually rests safely on a wall, in a frame. The life of a cyanotype printed by a fabric artist is quite different. It may be a pillow cover placed on a sofa beside a child eating chocolate ice cream, it may be a quilt PHOTOGRAVURE ARCHIVES Copper photogravures, solarplates, photo intagio, polymer gravures and heliogravures are all printmaking techniques, where a photograph is set in a plate, the plate inked and the image transferred to a paper. CONTEMPORARY PRACTICES IN ALTERNATIVE PROCESS PHOTOGRAPHY Christina Z. Anderson is the editor of Routledge ‘s book series Contemporary Practices in Alternative Process Photography with so far no less than 9 titles on alternative photographic processes, and more coming. Malin Fabbri interviews Christina Z. Anderson. Montana State University photography professor Christina Anderson is pictured in the THE MODERN TINTYPE PROCESS Always be careful when handling chemicals. Read the health and safety instructions.. Note: The Modern Tintype is a liquid light process, that comes in a kit, much less toxic than the Classic Tintype process and more suited to beginners.. This old process was invented in the late 1800’s and was one of the photographic processes that made it possible for the general public to have theirTHE CHEMIGRAM
The chemigram process was discovered by Pierre Cordier on November 10, 1956. It is a unique process that uses resists on photographic paper much the same way as wax is used as a resist in batik. What Cordier discovered in 1956 was that a resist can hold back the chemical effects of developer and fixer on black and white photo paper for atime.
ARGYROTYPE PROCESS
Argyrotype process. Argyrotype is a user-friendly iron-based silver printing process that produces brown images on plain paper. It is derived from the Argentotype, Kallitype, and Vandyke processes of the 19th Century, but has greater simplicity, improved image stability, and longer sensitizer shelf-life. Always be careful when handlingchemicals.
PHOTOGRAPHY REBUS 5
Photography rebus number 5! Hmmm something you do? We hope so at least, can you figure out this photo rebus? 'FORGOTTEN' PROCESSES Sphereotypes is a process patented (US patent #14,696 I believe) by Albert Bisbee in 1856. It was essentially a positive collodion image on glass that was exposed through a spherical mask – hence the name sphereotype – which was the same size as the mount that was to enclose it or case it was to be put into. EXHIBITION: A YEAR IN THE GARDEN: CYANOTYPE PRINTS FROM From 19th June – 31st July at Burton Agnes Hall, East Yorkshire, UK An exhibition of more than 70 original cyanotype and wet cyanotype photograms by Jill Welham. The images were all created over the course of a year from May 2019 – March 2020 using plants and flowers from the walled garden at WASHING CYANOTYPES ON FABRICS OR CLOTH Washing cyanotypes the right way is important to preserve the print. A cyanotype printed on paper rarely need to be washed. It usually rests safely on a wall, in a frame. The life of a cyanotype printed by a fabric artist is quite different. It may be a pillow cover placed on a sofa beside a child eating chocolate ice cream, it may be a quilt CYANOTYPE PRINTS FROM THE FLORA ARCHIVES From 19th June – 31st July at Burton Agnes Hall, East Yorkshire, UK An exhibition of more than 70 original cyanotype and wet cyanotype photograms by Jill Welham. AlternativePhotography.com - Historical photographic methods | Our books | Support us* Checkout
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