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JOAN SEMMEL
Joan Semmel (b.1932) began her painting career in the 1960s, while living in Madrid as an Abstract Expressionist, exhibiting in Spain and South America. Returning to New York in 1970, she moved to figuration in response to pornography, and concerns around representation.of women in the culture. Her practice traces the transformation on that women’s sexuality has seen in the last century andHUGH STEERS
Hugh Steers (1962–1995) was born in Washington, D.C., and trained in painting at Yale University, New Haven, CT and Parsons School of Art and Design, New York, NY. Before his death at 32 from AIDS-related complications, Steers created allegorical images of everyday life that captured the emotional and political tenor of New York in the late 1980s and early 1990s.BETTY PARSONS
Alexander Gray Associates presented its second exhibition of works by Betty Parsons (1900–1982), Heated Sky. The paintings and works on paper from the height of Parsons’ engagement with abstraction from the 1960s to mid-1970s foreground the artist’s attunement to nature and the landscape. Parsons’ keen observation of the natural world was the ground for compositional methods rangingBETTY PARSONS
Alexander Gray Associates, Germantown presented Betty Parsons: 1950s Works on Paper, its third exhibition of work by Betty Parsons (1900 – 1982). The Gallery’s presentation highlights a pivotal moment in Parsons’ artistic career after she abandoned figuration to fully embrace abstraction. Comprised of dynamic, intimately scaled works, the exhibition foregrounds what would later becomeJENNIE C. JONES
Jennie C. Jones (b.1968) was born in Cincinnati, OH and lives and works in Hudson, NY. Her interdisciplinary practice seeks to engage viewers visually and aurally. Drawing on painting, sculpture, sound, and installation, Jones’s conceptual works reflect on the legacy of modernism and minimalism. Their unconventional materials and reductive compositions highlight the perception of soundMELVIN EDWARDS
Melvin Edwards Lynch Fragments 1960s–Present Melvin Edwards' Lynch Fragments highlight the artist’s exploration of intersectional identity, social justice, and political awareness. The series spans three periods: the early 1960s, when Edwards responded to racial violence in the United States; the early 1970s, when his activism concerning the Vietnam War motivated him to return to theJOAN SEMMEL
1974 marked a pivotal moment in Semmel’s artistic development and her interest in challenging the male gaze of Western painting and popular culture. Adopting her body as the subject of her work, she began her Self Image series (1974—79). In these monumental compositions, she painted herself, shifting the point of view from outside of the canvas as the viewer to a simultaneous observer andHARMONY HAMMOND
Harmony Hammond (b.1944) is an artist, writer, and curator. A leading figure in the development of the feminist art movement in New York in the early 1970s, she attended the University of Minnesota from 1963–67 before moving to New York in 1969. She was a co-founder of A.I.R., the first women’s cooperative art gallery in New York (1972) and Heresies: A Feminist Publication on Art ALEXANDER GRAY ASSOCIATESARTISTSEXHIBITIONSGERMANTOWNVIEWING ROOMSPUBLICATIONSNEWS / EVENTS 510 West 26 Street, New York NY 10001 United States. 224 Main Street, Garden Level, Germantown NY 12526 United States GALLERY - ALEXANDER GRAY ASSOCIATES Alexander Gray Associates is a contemporary art gallery in New York City and Germantown NY. Through exhibitions, research, and artist representation, the Gallery spotlights artistic movements and artists who emerged in the mid- to late-Twentieth Century.JOAN SEMMEL
Joan Semmel (b.1932) began her painting career in the 1960s, while living in Madrid as an Abstract Expressionist, exhibiting in Spain and South America. Returning to New York in 1970, she moved to figuration in response to pornography, and concerns around representation.of women in the culture. Her practice traces the transformation on that women’s sexuality has seen in the last century andHUGH STEERS
Hugh Steers (1962–1995) was born in Washington, D.C., and trained in painting at Yale University, New Haven, CT and Parsons School of Art and Design, New York, NY. Before his death at 32 from AIDS-related complications, Steers created allegorical images of everyday life that captured the emotional and political tenor of New York in the late 1980s and early 1990s.BETTY PARSONS
Alexander Gray Associates presented its second exhibition of works by Betty Parsons (1900–1982), Heated Sky. The paintings and works on paper from the height of Parsons’ engagement with abstraction from the 1960s to mid-1970s foreground the artist’s attunement to nature and the landscape. Parsons’ keen observation of the natural world was the ground for compositional methods rangingBETTY PARSONS
Alexander Gray Associates, Germantown presented Betty Parsons: 1950s Works on Paper, its third exhibition of work by Betty Parsons (1900 – 1982). The Gallery’s presentation highlights a pivotal moment in Parsons’ artistic career after she abandoned figuration to fully embrace abstraction. Comprised of dynamic, intimately scaled works, the exhibition foregrounds what would later becomeJENNIE C. JONES
Jennie C. Jones (b.1968) was born in Cincinnati, OH and lives and works in Hudson, NY. Her interdisciplinary practice seeks to engage viewers visually and aurally. Drawing on painting, sculpture, sound, and installation, Jones’s conceptual works reflect on the legacy of modernism and minimalism. Their unconventional materials and reductive compositions highlight the perception of soundMELVIN EDWARDS
Melvin Edwards Lynch Fragments 1960s–Present Melvin Edwards' Lynch Fragments highlight the artist’s exploration of intersectional identity, social justice, and political awareness. The series spans three periods: the early 1960s, when Edwards responded to racial violence in the United States; the early 1970s, when his activism concerning the Vietnam War motivated him to return to theJOAN SEMMEL
1974 marked a pivotal moment in Semmel’s artistic development and her interest in challenging the male gaze of Western painting and popular culture. Adopting her body as the subject of her work, she began her Self Image series (1974—79). In these monumental compositions, she painted herself, shifting the point of view from outside of the canvas as the viewer to a simultaneous observer andHARMONY HAMMOND
Harmony Hammond (b.1944) is an artist, writer, and curator. A leading figure in the development of the feminist art movement in New York in the early 1970s, she attended the University of Minnesota from 1963–67 before moving to New York in 1969. She was a co-founder of A.I.R., the first women’s cooperative art gallery in New York (1972) and Heresies: A Feminist Publication on ArtBETTY PARSONS
Betty Parsons (b.1900, New York, NY – d.1982, Southold, NY) was an abstract painter and sculptor who is best known as a dealer of mid-century art. Throughout her storied career as a gallerist, she maintained a rigorous artistic practice by creating works in a variety of media including paintings, sculpture, and works on paper. Parsons’s eye for innovative talent stemmed from her ownBETTY PARSONS
Alexander Gray Associates presented its second exhibition of works by Betty Parsons (1900–1982), Heated Sky. The paintings and works on paper from the height of Parsons’ engagement with abstraction from the 1960s to mid-1970s foreground the artist’s attunement to nature and the landscape. Parsons’ keen observation of the natural world was the ground for compositional methods rangingBETTY PARSONS
Alexander Gray Associates, Germantown presented Betty Parsons: 1950s Works on Paper, its third exhibition of work by Betty Parsons (1900 – 1982). The Gallery’s presentation highlights a pivotal moment in Parsons’ artistic career after she abandoned figuration to fully embrace abstraction. Comprised of dynamic, intimately scaled works, the exhibition foregrounds what would later becomeJOAN SEMMEL
Since 1971, Joan Semmel has spent her summers in East Hampton, NY. In 1987, she established a permanent studio in Springs, NY where painted her Beach series (1985—87). Unlike many of her works, which isolate figures against expressive grounds of color, in these works, Semmel positions bodies in a landscape. This new way of working was characteristic of Semmel’s painterly approach in theJOAN SEMMEL
p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Helvetica; color: #000000; -webkit-text-stroke: #000000} span.s1 {font-kerning: none} Joan Semmel began her career as an Abstract Expressionist painter. After moving from New York to Madrid, Spain in 1963 to join her then husband—a civil engineer—her practice transformed. Responding to European art movements like SpanishHARMONY HAMMOND
Harmony Hammond (b.1944) is an artist, writer, and curator. A leading figure in the development of the feminist art movement in New York in the early 1970s, she attended the University of Minnesota from 1963–67 before moving to New York in 1969. She was a co-founder of A.I.R., the first women’s cooperative art gallery in New York (1972) and Heresies: A Feminist Publication on ArtJOAN SEMMEL
Returning to New York from Spain in 1970, Joan Semmel reflected, “I had returned from Spain looking for the ‘sexual revolution’ and instead found sexual commercialization that mostly showed female bodies for sale. I wanted to find an erotic visual language that would speak to women. I was convinced that the repression of women began in the sexual arena, and this would need to be LANDSCAPE AS AN ATTITUDE Landscape as an AttitudeAlexander Gray AssociatesLuis Camnitzer, Lorraine O'Grady, Dawit L. Petros, Paul Ramírez Jonas, Jack WhittenAlexander Gray Associates presented a group exhibition, Landscape as an Attitude. Drawing its title from a seminal work by artist Luis Camnitzer, the exhibition explores the conceptual space between landscape and portraiture with works by five Gallery artistsVALESKA SOARES
Valeska Soares (b.1957) was born in Belo Horizonte, Brazil, and from a young age, she was exposed to references from a variety of cultural milieus, including poetry, literature, film, psychology, and mythology. She studied architecture at Universidade Santa Úrsula, Rio de Janiero; this training reinforced an interest in site specificity, with artworks that consider both contextual history andJOAN SEMMEL
Joan Semmel began investigating the aging process in 1988 with her Locker-Room series (1988—91), which captured women engaged in various beautification rituals in gym locker rooms. Intrigued by these mirror-lined spaces, Semmel explains, “In this landscape of Narcissus I wanted to engage the possibility of a female self-articulation, and conversely a necessary self-indifference.” ALEXANDER GRAY ASSOCIATESARTISTSEXHIBITIONSGERMANTOWNVIEWING ROOMSPUBLICATIONSNEWS / EVENTS 510 West 26 Street, New York NY 10001 United States. 224 Main Street, Garden Level, Germantown NY 12526 United States GALLERY - ALEXANDER GRAY ASSOCIATES Alexander Gray Associates is a contemporary art gallery in New York City and Germantown NY. Through exhibitions, research, and artist representation, the Gallery spotlights artistic movements and artists who emerged in the mid- to late-Twentieth Century.JOAN SEMMEL
Joan Semmel (b.1932) began her painting career in the 1960s, while living in Madrid as an Abstract Expressionist, exhibiting in Spain and South America. Returning to New York in 1970, she moved to figuration in response to pornography, and concerns around representation.of women in the culture. Her practice traces the transformation on that women’s sexuality has seen in the last century andBETTY PARSONS
Alexander Gray Associates presented its second exhibition of works by Betty Parsons (1900–1982), Heated Sky. The paintings and works on paper from the height of Parsons’ engagement with abstraction from the 1960s to mid-1970s foreground the artist’s attunement to nature and the landscape. Parsons’ keen observation of the natural world was the ground for compositional methods rangingHUGH STEERS
Hugh Steers (1962–1995) was born in Washington, D.C., and trained in painting at Yale University, New Haven, CT and Parsons School of Art and Design, New York, NY. Before his death at 32 from AIDS-related complications, Steers created allegorical images of everyday life that captured the emotional and political tenor of New York in the late 1980s and early 1990s.JENNIE C. JONES
Jennie C. Jones (b.1968) was born in Cincinnati, OH and lives and works in Hudson, NY. Her interdisciplinary practice seeks to engage viewers visually and aurally. Drawing on painting, sculpture, sound, and installation, Jones’s conceptual works reflect on the legacy of modernism and minimalism. Their unconventional materials and reductive compositions highlight the perception of soundBETTY PARSONS
Alexander Gray Associates, Germantown presented Betty Parsons: 1950s Works on Paper, its third exhibition of work by Betty Parsons (1900 – 1982). The Gallery’s presentation highlights a pivotal moment in Parsons’ artistic career after she abandoned figuration to fully embrace abstraction. Comprised of dynamic, intimately scaled works, the exhibition foregrounds what would later becomeJOAN SEMMEL
1974 marked a pivotal moment in Semmel’s artistic development and her interest in challenging the male gaze of Western painting and popular culture. Adopting her body as the subject of her work, she began her Self Image series (1974—79). In these monumental compositions, she painted herself, shifting the point of view from outside of the canvas as the viewer to a simultaneous observer andHARMONY HAMMOND
Harmony Hammond (b.1944) is an artist, writer, and curator. A leading figure in the development of the feminist art movement in New York in the early 1970s, she attended the University of Minnesota from 1963–67 before moving to New York in 1969. She was a co-founder of A.I.R., the first women’s cooperative art gallery in New York (1972) and Heresies: A Feminist Publication on ArtJOAN SEMMEL
Joan Semmel began investigating the aging process in 1988 with her Locker-Room series (1988—91), which captured women engaged in various beautification rituals in gym locker rooms. Intrigued by these mirror-lined spaces, Semmel explains, “In this landscape of Narcissus I wanted to engage the possibility of a female self-articulation, and conversely a necessary self-indifference.” ALEXANDER GRAY ASSOCIATESARTISTSEXHIBITIONSGERMANTOWNVIEWING ROOMSPUBLICATIONSNEWS / EVENTS 510 West 26 Street, New York NY 10001 United States. 224 Main Street, Garden Level, Germantown NY 12526 United States GALLERY - ALEXANDER GRAY ASSOCIATES Alexander Gray Associates is a contemporary art gallery in New York City and Germantown NY. Through exhibitions, research, and artist representation, the Gallery spotlights artistic movements and artists who emerged in the mid- to late-Twentieth Century.JOAN SEMMEL
Joan Semmel (b.1932) began her painting career in the 1960s, while living in Madrid as an Abstract Expressionist, exhibiting in Spain and South America. Returning to New York in 1970, she moved to figuration in response to pornography, and concerns around representation.of women in the culture. Her practice traces the transformation on that women’s sexuality has seen in the last century andBETTY PARSONS
Alexander Gray Associates presented its second exhibition of works by Betty Parsons (1900–1982), Heated Sky. The paintings and works on paper from the height of Parsons’ engagement with abstraction from the 1960s to mid-1970s foreground the artist’s attunement to nature and the landscape. Parsons’ keen observation of the natural world was the ground for compositional methods rangingHUGH STEERS
Hugh Steers (1962–1995) was born in Washington, D.C., and trained in painting at Yale University, New Haven, CT and Parsons School of Art and Design, New York, NY. Before his death at 32 from AIDS-related complications, Steers created allegorical images of everyday life that captured the emotional and political tenor of New York in the late 1980s and early 1990s.JENNIE C. JONES
Jennie C. Jones (b.1968) was born in Cincinnati, OH and lives and works in Hudson, NY. Her interdisciplinary practice seeks to engage viewers visually and aurally. Drawing on painting, sculpture, sound, and installation, Jones’s conceptual works reflect on the legacy of modernism and minimalism. Their unconventional materials and reductive compositions highlight the perception of soundBETTY PARSONS
Alexander Gray Associates, Germantown presented Betty Parsons: 1950s Works on Paper, its third exhibition of work by Betty Parsons (1900 – 1982). The Gallery’s presentation highlights a pivotal moment in Parsons’ artistic career after she abandoned figuration to fully embrace abstraction. Comprised of dynamic, intimately scaled works, the exhibition foregrounds what would later becomeJOAN SEMMEL
1974 marked a pivotal moment in Semmel’s artistic development and her interest in challenging the male gaze of Western painting and popular culture. Adopting her body as the subject of her work, she began her Self Image series (1974—79). In these monumental compositions, she painted herself, shifting the point of view from outside of the canvas as the viewer to a simultaneous observer andHARMONY HAMMOND
Harmony Hammond (b.1944) is an artist, writer, and curator. A leading figure in the development of the feminist art movement in New York in the early 1970s, she attended the University of Minnesota from 1963–67 before moving to New York in 1969. She was a co-founder of A.I.R., the first women’s cooperative art gallery in New York (1972) and Heresies: A Feminist Publication on ArtJOAN SEMMEL
Joan Semmel began investigating the aging process in 1988 with her Locker-Room series (1988—91), which captured women engaged in various beautification rituals in gym locker rooms. Intrigued by these mirror-lined spaces, Semmel explains, “In this landscape of Narcissus I wanted to engage the possibility of a female self-articulation, and conversely a necessary self-indifference.”EXHIBITIONS
Jack Tworkov Mark and Grid, 1931 – 1982 September 3 – October 24,2015
BETTY PARSONS
Alexander Gray Associates, Germantown presented Betty Parsons: 1950s Works on Paper, its third exhibition of work by Betty Parsons (1900 – 1982). The Gallery’s presentation highlights a pivotal moment in Parsons’ artistic career after she abandoned figuration to fully embrace abstraction. Comprised of dynamic, intimately scaled works, the exhibition foregrounds what would later becomeMELVIN EDWARDS
Melvin Edwards (b.1937) is a pioneer in the history of contemporary African American art and sculpture. Born in Houston, Texas, he began his artistic career at the University of Southern California (USC), Los Angeles, CA, where he met and was mentored by the Hungarian painter Francis de Erdely. In 1965, the Santa Barbara Museum of Art, CA organized his first solo exhibition, which launched hisRICARDO BREY
Ricardo Brey was born in Havana, Cuba in 1955 and has lived and worked in Ghent, Belgium since 1990. From the late 1970s onward, Brey’s practice, which spans drawing, sculpture, and installation, has focused on his research into the origins of humanity and humankind’s place in the world. A child during the Cuban Revolution, Brey was educated at the Escuela de Artes Plásticas San AlejandroHARMONY HAMMOND
Harmony Hammond (b.1944) is an artist, writer, and curator. A leading figure in the development of the feminist art movement in New York in the early 1970s, she attended the University of Minnesota from 1963–67 before moving to New York in 1969. She was a co-founder of A.I.R., the first women’s cooperative art gallery in New York (1972) and Heresies: A Feminist Publication on Art LANDSCAPE AS AN ATTITUDE Landscape as an AttitudeAlexander Gray AssociatesLuis Camnitzer, Lorraine O'Grady, Dawit L. Petros, Paul Ramírez Jonas, Jack WhittenAlexander Gray Associates presented a group exhibition, Landscape as an Attitude. Drawing its title from a seminal work by artist Luis Camnitzer, the exhibition explores the conceptual space between landscape and portraiture with works by five Gallery artistsJOAN SEMMEL
p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Helvetica; color: #000000; -webkit-text-stroke: #000000} span.s1 {font-kerning: none} Joan Semmel began her career as an Abstract Expressionist painter. After moving from New York to Madrid, Spain in 1963 to join her then husband—a civil engineer—her practice transformed. Responding to European art movements like SpanishJOAN SEMMEL
Returning to New York from Spain in 1970, Joan Semmel reflected, “I had returned from Spain looking for the ‘sexual revolution’ and instead found sexual commercialization that mostly showed female bodies for sale. I wanted to find an erotic visual language that would speak to women. I was convinced that the repression of women began in the sexual arena, and this would need to beJOAN SEMMEL
Joan Semmel began investigating the aging process in 1988 with her Locker-Room series (1988—91), which captured women engaged in various beautification rituals in gym locker rooms. Intrigued by these mirror-lined spaces, Semmel explains, “In this landscape of Narcissus I wanted to engage the possibility of a female self-articulation, and conversely a necessary self-indifference.” OVERCOMING THE MODERN DANSAEKHWA: THE KOREAN MONOCHROME 3 Overcoming the Modern1 Dansaekhwa: The Korean Monochrome Movement In the 1967 March issue of Sato Garo Geppo, the newsletter of the Sato Gallery in Tokyo, Lee Ufan published the article The Aesthetics of Self Contradiction, in which he criticized the conflation of national identity and cultural production.2 The article portrayed a candid image of a young Lee ALEXANDER GRAY ASSOCIATESARTISTSEXHIBITIONSGERMANTOWNVIEWING ROOMSPUBLICATIONSNEWS / EVENTS 510 West 26 Street, New York NY 10001 United States. 224 Main Street, Garden Level, Germantown NY 12526 United States GALLERY - ALEXANDER GRAY ASSOCIATES Alexander Gray Associates is a contemporary art gallery in New York City and Germantown NY. Through exhibitions, research, and artist representation, the Gallery spotlights artistic movements and artists who emerged in the mid- to late-Twentieth Century.JOAN SEMMEL
Joan Semmel (b.1932) began her painting career in the 1960s, while living in Madrid as an Abstract Expressionist, exhibiting in Spain and South America. Returning to New York in 1970, she moved to figuration in response to pornography, and concerns around representation.of women in the culture. Her practice traces the transformation on that women’s sexuality has seen in the last century andHUGH STEERS
Hugh Steers (1962–1995) was born in Washington, D.C., and trained in painting at Yale University, New Haven, CT and Parsons School of Art and Design, New York, NY. Before his death at 32 from AIDS-related complications, Steers created allegorical images of everyday life that captured the emotional and political tenor of New York in the late 1980s and early 1990s.BETTY PARSONS
Alexander Gray Associates presented its second exhibition of works by Betty Parsons (1900–1982), Heated Sky. The paintings and works on paper from the height of Parsons’ engagement with abstraction from the 1960s to mid-1970s foreground the artist’s attunement to nature and the landscape. Parsons’ keen observation of the natural world was the ground for compositional methods rangingBETTY PARSONS
Alexander Gray Associates, Germantown presented Betty Parsons: 1950s Works on Paper, its third exhibition of work by Betty Parsons (1900 – 1982). The Gallery’s presentation highlights a pivotal moment in Parsons’ artistic career after she abandoned figuration to fully embrace abstraction. Comprised of dynamic, intimately scaled works, the exhibition foregrounds what would later becomeJENNIE C. JONES
Jennie C. Jones (b.1968) was born in Cincinnati, OH and lives and works in Hudson, NY. Her interdisciplinary practice seeks to engage viewers visually and aurally. Drawing on painting, sculpture, sound, and installation, Jones’s conceptual works reflect on the legacy of modernism and minimalism. Their unconventional materials and reductive compositions highlight the perception of soundMELVIN EDWARDS
Melvin Edwards Lynch Fragments 1960s–Present Melvin Edwards' Lynch Fragments highlight the artist’s exploration of intersectional identity, social justice, and political awareness. The series spans three periods: the early 1960s, when Edwards responded to racial violence in the United States; the early 1970s, when his activism concerning the Vietnam War motivated him to return to theJOAN SEMMEL
1974 marked a pivotal moment in Semmel’s artistic development and her interest in challenging the male gaze of Western painting and popular culture. Adopting her body as the subject of her work, she began her Self Image series (1974—79). In these monumental compositions, she painted herself, shifting the point of view from outside of the canvas as the viewer to a simultaneous observer andHARMONY HAMMOND
Harmony Hammond (b.1944) is an artist, writer, and curator. A leading figure in the development of the feminist art movement in New York in the early 1970s, she attended the University of Minnesota from 1963–67 before moving to New York in 1969. She was a co-founder of A.I.R., the first women’s cooperative art gallery in New York (1972) and Heresies: A Feminist Publication on Art ALEXANDER GRAY ASSOCIATESARTISTSEXHIBITIONSGERMANTOWNVIEWING ROOMSPUBLICATIONSNEWS / EVENTS 510 West 26 Street, New York NY 10001 United States. 224 Main Street, Garden Level, Germantown NY 12526 United States GALLERY - ALEXANDER GRAY ASSOCIATES Alexander Gray Associates is a contemporary art gallery in New York City and Germantown NY. Through exhibitions, research, and artist representation, the Gallery spotlights artistic movements and artists who emerged in the mid- to late-Twentieth Century.JOAN SEMMEL
Joan Semmel (b.1932) began her painting career in the 1960s, while living in Madrid as an Abstract Expressionist, exhibiting in Spain and South America. Returning to New York in 1970, she moved to figuration in response to pornography, and concerns around representation.of women in the culture. Her practice traces the transformation on that women’s sexuality has seen in the last century andHUGH STEERS
Hugh Steers (1962–1995) was born in Washington, D.C., and trained in painting at Yale University, New Haven, CT and Parsons School of Art and Design, New York, NY. Before his death at 32 from AIDS-related complications, Steers created allegorical images of everyday life that captured the emotional and political tenor of New York in the late 1980s and early 1990s.BETTY PARSONS
Alexander Gray Associates presented its second exhibition of works by Betty Parsons (1900–1982), Heated Sky. The paintings and works on paper from the height of Parsons’ engagement with abstraction from the 1960s to mid-1970s foreground the artist’s attunement to nature and the landscape. Parsons’ keen observation of the natural world was the ground for compositional methods rangingBETTY PARSONS
Alexander Gray Associates, Germantown presented Betty Parsons: 1950s Works on Paper, its third exhibition of work by Betty Parsons (1900 – 1982). The Gallery’s presentation highlights a pivotal moment in Parsons’ artistic career after she abandoned figuration to fully embrace abstraction. Comprised of dynamic, intimately scaled works, the exhibition foregrounds what would later becomeJENNIE C. JONES
Jennie C. Jones (b.1968) was born in Cincinnati, OH and lives and works in Hudson, NY. Her interdisciplinary practice seeks to engage viewers visually and aurally. Drawing on painting, sculpture, sound, and installation, Jones’s conceptual works reflect on the legacy of modernism and minimalism. Their unconventional materials and reductive compositions highlight the perception of soundMELVIN EDWARDS
Melvin Edwards Lynch Fragments 1960s–Present Melvin Edwards' Lynch Fragments highlight the artist’s exploration of intersectional identity, social justice, and political awareness. The series spans three periods: the early 1960s, when Edwards responded to racial violence in the United States; the early 1970s, when his activism concerning the Vietnam War motivated him to return to theJOAN SEMMEL
1974 marked a pivotal moment in Semmel’s artistic development and her interest in challenging the male gaze of Western painting and popular culture. Adopting her body as the subject of her work, she began her Self Image series (1974—79). In these monumental compositions, she painted herself, shifting the point of view from outside of the canvas as the viewer to a simultaneous observer andHARMONY HAMMOND
Harmony Hammond (b.1944) is an artist, writer, and curator. A leading figure in the development of the feminist art movement in New York in the early 1970s, she attended the University of Minnesota from 1963–67 before moving to New York in 1969. She was a co-founder of A.I.R., the first women’s cooperative art gallery in New York (1972) and Heresies: A Feminist Publication on ArtBETTY PARSONS
Alexander Gray Associates presented its second exhibition of works by Betty Parsons (1900–1982), Heated Sky. The paintings and works on paper from the height of Parsons’ engagement with abstraction from the 1960s to mid-1970s foreground the artist’s attunement to nature and the landscape. Parsons’ keen observation of the natural world was the ground for compositional methods rangingBETTY PARSONS
Betty Parsons (b.1900, New York, NY – d.1982, Southold, NY) was an abstract painter and sculptor who is best known as a dealer of mid-century art. Throughout her storied career as a gallerist, she maintained a rigorous artistic practice by creating works in a variety of media including paintings, sculpture, and works on paper. Parsons’s eye for innovative talent stemmed from her ownBETTY PARSONS
Alexander Gray Associates, Germantown presented Betty Parsons: 1950s Works on Paper, its third exhibition of work by Betty Parsons (1900 – 1982). The Gallery’s presentation highlights a pivotal moment in Parsons’ artistic career after she abandoned figuration to fully embrace abstraction. Comprised of dynamic, intimately scaled works, the exhibition foregrounds what would later becomeMELVIN EDWARDS
Melvin Edwards (b.1937) is a pioneer in the history of contemporary African American art and sculpture. Born in Houston, Texas, he began his artistic career at the University of Southern California (USC), Los Angeles, CA, where he met and was mentored by the Hungarian painter Francis de Erdely. In 1965, the Santa Barbara Museum of Art, CA organized his first solo exhibition, which launched hisREGINA SILVEIRA
Regina Silveira (b.1939) was born in Porto Alegre, Brazil and lives in São Paulo. Throughout more than four decades, Silveira, a critical figure in Brazilian conceptual art, has investigated the tension between movement and spatial perspective, threading political meaning into installations that respond to specific sites. In the 1950s she began her artistic training under the tutelage ofJOAN SEMMEL
Since 1971, Joan Semmel has spent her summers in East Hampton, NY. In 1987, she established a permanent studio in Springs, NY where painted her Beach series (1985—87). Unlike many of her works, which isolate figures against expressive grounds of color, in these works, Semmel positions bodies in a landscape. This new way of working was characteristic of Semmel’s painterly approach in theHARMONY HAMMOND
Harmony Hammond (b.1944) is an artist, writer, and curator. A leading figure in the development of the feminist art movement in New York in the early 1970s, she attended the University of Minnesota from 1963–67 before moving to New York in 1969. She was a co-founder of A.I.R., the first women’s cooperative art gallery in New York (1972) and Heresies: A Feminist Publication on ArtJOAN SEMMEL
p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Helvetica; color: #000000; -webkit-text-stroke: #000000} span.s1 {font-kerning: none} Joan Semmel began her career as an Abstract Expressionist painter. After moving from New York to Madrid, Spain in 1963 to join her then husband—a civil engineer—her practice transformed. Responding to European art movements like SpanishJOAN SEMMEL
Returning to New York from Spain in 1970, Joan Semmel reflected, “I had returned from Spain looking for the ‘sexual revolution’ and instead found sexual commercialization that mostly showed female bodies for sale. I wanted to find an erotic visual language that would speak to women. I was convinced that the repression of women began in the sexual arena, and this would need to beVALESKA SOARES
Valeska Soares (b.1957) was born in Belo Horizonte, Brazil, and from a young age, she was exposed to references from a variety of cultural milieus, including poetry, literature, film, psychology, and mythology. She studied architecture at Universidade Santa Úrsula, Rio de Janiero; this training reinforced an interest in site specificity, with artworks that consider both contextual history and ALEXANDER GRAY ASSOCIATESARTISTSEXHIBITIONSGERMANTOWNVIEWING ROOMSPUBLICATIONSNEWS / EVENTS 510 West 26 Street, New York NY 10001 United States. 224 Main Street, Garden Level, Germantown NY 12526 United States GALLERY - ALEXANDER GRAY ASSOCIATES Alexander Gray Associates is a contemporary art gallery in New York City and Germantown NY. Through exhibitions, research, and artist representation, the Gallery spotlights artistic movements and artists who emerged in the mid- to late-Twentieth Century.JOAN SEMMEL
Joan Semmel (b.1932) began her painting career in the 1960s, while living in Madrid as an Abstract Expressionist, exhibiting in Spain and South America. Returning to New York in 1970, she moved to figuration in response to pornography, and concerns around representation.of women in the culture. Her practice traces the transformation on that women’s sexuality has seen in the last century andHUGH STEERS
Hugh Steers (1962–1995) was born in Washington, D.C., and trained in painting at Yale University, New Haven, CT and Parsons School of Art and Design, New York, NY. Before his death at 32 from AIDS-related complications, Steers created allegorical images of everyday life that captured the emotional and political tenor of New York in the late 1980s and early 1990s.BETTY PARSONS
Alexander Gray Associates presented its second exhibition of works by Betty Parsons (1900–1982), Heated Sky. The paintings and works on paper from the height of Parsons’ engagement with abstraction from the 1960s to mid-1970s foreground the artist’s attunement to nature and the landscape. Parsons’ keen observation of the natural world was the ground for compositional methods rangingBETTY PARSONS
Alexander Gray Associates, Germantown presented Betty Parsons: 1950s Works on Paper, its third exhibition of work by Betty Parsons (1900 – 1982). The Gallery’s presentation highlights a pivotal moment in Parsons’ artistic career after she abandoned figuration to fully embrace abstraction. Comprised of dynamic, intimately scaled works, the exhibition foregrounds what would later becomeJENNIE C. JONES
Jennie C. Jones (b.1968) was born in Cincinnati, OH and lives and works in Hudson, NY. Her interdisciplinary practice seeks to engage viewers visually and aurally. Drawing on painting, sculpture, sound, and installation, Jones’s conceptual works reflect on the legacy of modernism and minimalism. Their unconventional materials and reductive compositions highlight the perception of soundMELVIN EDWARDS
Melvin Edwards Lynch Fragments 1960s–Present Melvin Edwards' Lynch Fragments highlight the artist’s exploration of intersectional identity, social justice, and political awareness. The series spans three periods: the early 1960s, when Edwards responded to racial violence in the United States; the early 1970s, when his activism concerning the Vietnam War motivated him to return to theJOAN SEMMEL
1974 marked a pivotal moment in Semmel’s artistic development and her interest in challenging the male gaze of Western painting and popular culture. Adopting her body as the subject of her work, she began her Self Image series (1974—79). In these monumental compositions, she painted herself, shifting the point of view from outside of the canvas as the viewer to a simultaneous observer andHARMONY HAMMOND
Harmony Hammond (b.1944) is an artist, writer, and curator. A leading figure in the development of the feminist art movement in New York in the early 1970s, she attended the University of Minnesota from 1963–67 before moving to New York in 1969. She was a co-founder of A.I.R., the first women’s cooperative art gallery in New York (1972) and Heresies: A Feminist Publication on Art ALEXANDER GRAY ASSOCIATESARTISTSEXHIBITIONSGERMANTOWNVIEWING ROOMSPUBLICATIONSNEWS / EVENTS 510 West 26 Street, New York NY 10001 United States. 224 Main Street, Garden Level, Germantown NY 12526 United States GALLERY - ALEXANDER GRAY ASSOCIATES Alexander Gray Associates is a contemporary art gallery in New York City and Germantown NY. Through exhibitions, research, and artist representation, the Gallery spotlights artistic movements and artists who emerged in the mid- to late-Twentieth Century.JOAN SEMMEL
Joan Semmel (b.1932) began her painting career in the 1960s, while living in Madrid as an Abstract Expressionist, exhibiting in Spain and South America. Returning to New York in 1970, she moved to figuration in response to pornography, and concerns around representation.of women in the culture. Her practice traces the transformation on that women’s sexuality has seen in the last century andHUGH STEERS
Hugh Steers (1962–1995) was born in Washington, D.C., and trained in painting at Yale University, New Haven, CT and Parsons School of Art and Design, New York, NY. Before his death at 32 from AIDS-related complications, Steers created allegorical images of everyday life that captured the emotional and political tenor of New York in the late 1980s and early 1990s.BETTY PARSONS
Alexander Gray Associates presented its second exhibition of works by Betty Parsons (1900–1982), Heated Sky. The paintings and works on paper from the height of Parsons’ engagement with abstraction from the 1960s to mid-1970s foreground the artist’s attunement to nature and the landscape. Parsons’ keen observation of the natural world was the ground for compositional methods rangingBETTY PARSONS
Alexander Gray Associates, Germantown presented Betty Parsons: 1950s Works on Paper, its third exhibition of work by Betty Parsons (1900 – 1982). The Gallery’s presentation highlights a pivotal moment in Parsons’ artistic career after she abandoned figuration to fully embrace abstraction. Comprised of dynamic, intimately scaled works, the exhibition foregrounds what would later becomeJENNIE C. JONES
Jennie C. Jones (b.1968) was born in Cincinnati, OH and lives and works in Hudson, NY. Her interdisciplinary practice seeks to engage viewers visually and aurally. Drawing on painting, sculpture, sound, and installation, Jones’s conceptual works reflect on the legacy of modernism and minimalism. Their unconventional materials and reductive compositions highlight the perception of soundMELVIN EDWARDS
Melvin Edwards Lynch Fragments 1960s–Present Melvin Edwards' Lynch Fragments highlight the artist’s exploration of intersectional identity, social justice, and political awareness. The series spans three periods: the early 1960s, when Edwards responded to racial violence in the United States; the early 1970s, when his activism concerning the Vietnam War motivated him to return to theJOAN SEMMEL
1974 marked a pivotal moment in Semmel’s artistic development and her interest in challenging the male gaze of Western painting and popular culture. Adopting her body as the subject of her work, she began her Self Image series (1974—79). In these monumental compositions, she painted herself, shifting the point of view from outside of the canvas as the viewer to a simultaneous observer andHARMONY HAMMOND
Harmony Hammond (b.1944) is an artist, writer, and curator. A leading figure in the development of the feminist art movement in New York in the early 1970s, she attended the University of Minnesota from 1963–67 before moving to New York in 1969. She was a co-founder of A.I.R., the first women’s cooperative art gallery in New York (1972) and Heresies: A Feminist Publication on ArtBETTY PARSONS
Alexander Gray Associates presented its second exhibition of works by Betty Parsons (1900–1982), Heated Sky. The paintings and works on paper from the height of Parsons’ engagement with abstraction from the 1960s to mid-1970s foreground the artist’s attunement to nature and the landscape. Parsons’ keen observation of the natural world was the ground for compositional methods rangingBETTY PARSONS
Alexander Gray Associates, Germantown presented Betty Parsons: 1950s Works on Paper, its third exhibition of work by Betty Parsons (1900 – 1982). The Gallery’s presentation highlights a pivotal moment in Parsons’ artistic career after she abandoned figuration to fully embrace abstraction. Comprised of dynamic, intimately scaled works, the exhibition foregrounds what would later becomeBETTY PARSONS
Betty Parsons (b.1900, New York, NY – d.1982, Southold, NY) was an abstract painter and sculptor who is best known as a dealer of mid-century art. Throughout her storied career as a gallerist, she maintained a rigorous artistic practice by creating works in a variety of media including paintings, sculpture, and works on paper. Parsons’s eye for innovative talent stemmed from her ownMELVIN EDWARDS
Melvin Edwards (b.1937) is a pioneer in the history of contemporary African American art and sculpture. Born in Houston, Texas, he began his artistic career at the University of Southern California (USC), Los Angeles, CA, where he met and was mentored by the Hungarian painter Francis de Erdely. In 1965, the Santa Barbara Museum of Art, CA organized his first solo exhibition, which launched hisREGINA SILVEIRA
Regina Silveira (b.1939) was born in Porto Alegre, Brazil and lives in São Paulo. Throughout more than four decades, Silveira, a critical figure in Brazilian conceptual art, has investigated the tension between movement and spatial perspective, threading political meaning into installations that respond to specific sites. In the 1950s she began her artistic training under the tutelage ofJOAN SEMMEL
Since 1971, Joan Semmel has spent her summers in East Hampton, NY. In 1987, she established a permanent studio in Springs, NY where painted her Beach series (1985—87). Unlike many of her works, which isolate figures against expressive grounds of color, in these works, Semmel positions bodies in a landscape. This new way of working was characteristic of Semmel’s painterly approach in theHARMONY HAMMOND
Harmony Hammond (b.1944) is an artist, writer, and curator. A leading figure in the development of the feminist art movement in New York in the early 1970s, she attended the University of Minnesota from 1963–67 before moving to New York in 1969. She was a co-founder of A.I.R., the first women’s cooperative art gallery in New York (1972) and Heresies: A Feminist Publication on ArtJOAN SEMMEL
p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Helvetica; color: #000000; -webkit-text-stroke: #000000} span.s1 {font-kerning: none} Joan Semmel began her career as an Abstract Expressionist painter. After moving from New York to Madrid, Spain in 1963 to join her then husband—a civil engineer—her practice transformed. Responding to European art movements like SpanishJOAN SEMMEL
Returning to New York from Spain in 1970, Joan Semmel reflected, “I had returned from Spain looking for the ‘sexual revolution’ and instead found sexual commercialization that mostly showed female bodies for sale. I wanted to find an erotic visual language that would speak to women. I was convinced that the repression of women began in the sexual arena, and this would need to beVALESKA SOARES
Valeska Soares (b.1957) was born in Belo Horizonte, Brazil, and from a young age, she was exposed to references from a variety of cultural milieus, including poetry, literature, film, psychology, and mythology. She studied architecture at Universidade Santa Úrsula, Rio de Janiero; this training reinforced an interest in site specificity, with artworks that consider both contextual history and ALEXANDER GRAY ASSOCIATESARTISTSEXHIBITIONSGERMANTOWNVIEWING ROOMSPUBLICATIONSNEWS / EVENTS 510 West 26 Street, New York NY 10001 United States. 224 Main Street, Garden Level, Germantown NY 12526 United States GALLERY - ALEXANDER GRAY ASSOCIATES Alexander Gray Associates is a contemporary art gallery in New York City and Germantown NY. Through exhibitions, research, and artist representation, the Gallery spotlights artistic movements and artists who emerged in the mid- to late-Twentieth Century.JOAN SEMMEL
Joan Semmel (b.1932) began her painting career in the 1960s, while living in Madrid as an Abstract Expressionist, exhibiting in Spain and South America. Returning to New York in 1970, she moved to figuration in response to pornography, and concerns around representation.of women in the culture. Her practice traces the transformation on that women’s sexuality has seen in the last century andHUGH STEERS
Hugh Steers (1962–1995) was born in Washington, D.C., and trained in painting at Yale University, New Haven, CT and Parsons School of Art and Design, New York, NY. Before his death at 32 from AIDS-related complications, Steers created allegorical images of everyday life that captured the emotional and political tenor of New York in the late 1980s and early 1990s.BETTY PARSONS
Alexander Gray Associates presented its second exhibition of works by Betty Parsons (1900–1982), Heated Sky. The paintings and works on paper from the height of Parsons’ engagement with abstraction from the 1960s to mid-1970s foreground the artist’s attunement to nature and the landscape. Parsons’ keen observation of the natural world was the ground for compositional methods rangingJENNIE C. JONES
Jennie C. Jones (b.1968) was born in Cincinnati, OH and lives and works in Hudson, NY. Her interdisciplinary practice seeks to engage viewers visually and aurally. Drawing on painting, sculpture, sound, and installation, Jones’s conceptual works reflect on the legacy of modernism and minimalism. Their unconventional materials and reductive compositions highlight the perception of soundBETTY PARSONS
Alexander Gray Associates, Germantown presented Betty Parsons: 1950s Works on Paper, its third exhibition of work by Betty Parsons (1900 – 1982). The Gallery’s presentation highlights a pivotal moment in Parsons’ artistic career after she abandoned figuration to fully embrace abstraction. Comprised of dynamic, intimately scaled works, the exhibition foregrounds what would later becomeJOAN SEMMEL
1974 marked a pivotal moment in Semmel’s artistic development and her interest in challenging the male gaze of Western painting and popular culture. Adopting her body as the subject of her work, she began her Self Image series (1974—79). In these monumental compositions, she painted herself, shifting the point of view from outside of the canvas as the viewer to a simultaneous observer andHARMONY HAMMOND
Harmony Hammond (b.1944) is an artist, writer, and curator. A leading figure in the development of the feminist art movement in New York in the early 1970s, she attended the University of Minnesota from 1963–67 before moving to New York in 1969. She was a co-founder of A.I.R., the first women’s cooperative art gallery in New York (1972) and Heresies: A Feminist Publication on ArtMELVIN EDWARDS
Alexander Gray Associates was pleased to present its first exhibition of Melvin Edwards’ sculpture. The exhibition spans four decades, including his influential series, Lynch Fragments (on going from 1964) and a selection of large-scale works from the 1960s and 1970s—all of which convey Edwards’ importance both as an American modernist and conceptualist, and the artist’s deep-rooted ALEXANDER GRAY ASSOCIATESARTISTSEXHIBITIONSGERMANTOWNVIEWING ROOMSPUBLICATIONSNEWS / EVENTS 510 West 26 Street, New York NY 10001 United States. 224 Main Street, Garden Level, Germantown NY 12526 United States GALLERY - ALEXANDER GRAY ASSOCIATES Alexander Gray Associates is a contemporary art gallery in New York City and Germantown NY. Through exhibitions, research, and artist representation, the Gallery spotlights artistic movements and artists who emerged in the mid- to late-Twentieth Century.JOAN SEMMEL
Joan Semmel (b.1932) began her painting career in the 1960s, while living in Madrid as an Abstract Expressionist, exhibiting in Spain and South America. Returning to New York in 1970, she moved to figuration in response to pornography, and concerns around representation.of women in the culture. Her practice traces the transformation on that women’s sexuality has seen in the last century andHUGH STEERS
Hugh Steers (1962–1995) was born in Washington, D.C., and trained in painting at Yale University, New Haven, CT and Parsons School of Art and Design, New York, NY. Before his death at 32 from AIDS-related complications, Steers created allegorical images of everyday life that captured the emotional and political tenor of New York in the late 1980s and early 1990s.BETTY PARSONS
Alexander Gray Associates presented its second exhibition of works by Betty Parsons (1900–1982), Heated Sky. The paintings and works on paper from the height of Parsons’ engagement with abstraction from the 1960s to mid-1970s foreground the artist’s attunement to nature and the landscape. Parsons’ keen observation of the natural world was the ground for compositional methods rangingJENNIE C. JONES
Jennie C. Jones (b.1968) was born in Cincinnati, OH and lives and works in Hudson, NY. Her interdisciplinary practice seeks to engage viewers visually and aurally. Drawing on painting, sculpture, sound, and installation, Jones’s conceptual works reflect on the legacy of modernism and minimalism. Their unconventional materials and reductive compositions highlight the perception of soundBETTY PARSONS
Alexander Gray Associates, Germantown presented Betty Parsons: 1950s Works on Paper, its third exhibition of work by Betty Parsons (1900 – 1982). The Gallery’s presentation highlights a pivotal moment in Parsons’ artistic career after she abandoned figuration to fully embrace abstraction. Comprised of dynamic, intimately scaled works, the exhibition foregrounds what would later becomeJOAN SEMMEL
1974 marked a pivotal moment in Semmel’s artistic development and her interest in challenging the male gaze of Western painting and popular culture. Adopting her body as the subject of her work, she began her Self Image series (1974—79). In these monumental compositions, she painted herself, shifting the point of view from outside of the canvas as the viewer to a simultaneous observer andHARMONY HAMMOND
Harmony Hammond (b.1944) is an artist, writer, and curator. A leading figure in the development of the feminist art movement in New York in the early 1970s, she attended the University of Minnesota from 1963–67 before moving to New York in 1969. She was a co-founder of A.I.R., the first women’s cooperative art gallery in New York (1972) and Heresies: A Feminist Publication on ArtMELVIN EDWARDS
Alexander Gray Associates was pleased to present its first exhibition of Melvin Edwards’ sculpture. The exhibition spans four decades, including his influential series, Lynch Fragments (on going from 1964) and a selection of large-scale works from the 1960s and 1970s—all of which convey Edwards’ importance both as an American modernist and conceptualist, and the artist’s deep-rootedBETTY PARSONS
Alexander Gray Associates presented its second exhibition of works by Betty Parsons (1900–1982), Heated Sky. The paintings and works on paper from the height of Parsons’ engagement with abstraction from the 1960s to mid-1970s foreground the artist’s attunement to nature and the landscape. Parsons’ keen observation of the natural world was the ground for compositional methods rangingBETTY PARSONS
Betty Parsons (b.1900, New York, NY – d.1982, Southold, NY) was an abstract painter and sculptor who is best known as a dealer of mid-century art. Throughout her storied career as a gallerist, she maintained a rigorous artistic practice by creating works in a variety of media including paintings, sculpture, and works on paper. Parsons’s eye for innovative talent stemmed from her ownBETTY PARSONS
Alexander Gray Associates, Germantown presented Betty Parsons: 1950s Works on Paper, its third exhibition of work by Betty Parsons (1900 – 1982). The Gallery’s presentation highlights a pivotal moment in Parsons’ artistic career after she abandoned figuration to fully embrace abstraction. Comprised of dynamic, intimately scaled works, the exhibition foregrounds what would later becomeMELVIN EDWARDS
Melvin Edwards (b.1937) is a pioneer in the history of contemporary African American art and sculpture. Born in Houston, Texas, he began his artistic career at the University of Southern California (USC), Los Angeles, CA, where he met and was mentored by the Hungarian painter Francis de Erdely. In 1965, the Santa Barbara Museum of Art, CA organized his first solo exhibition, which launched hisREGINA SILVEIRA
Regina Silveira (b.1939) was born in Porto Alegre, Brazil and lives in São Paulo. Throughout more than four decades, Silveira, a critical figure in Brazilian conceptual art, has investigated the tension between movement and spatial perspective, threading political meaning into installations that respond to specific sites. In the 1950s she began her artistic training under the tutelage ofJOAN SEMMEL
Since 1971, Joan Semmel has spent her summers in East Hampton, NY. In 1987, she established a permanent studio in Springs, NY where painted her Beach series (1985—87). Unlike many of her works, which isolate figures against expressive grounds of color, in these works, Semmel positions bodies in a landscape. This new way of working was characteristic of Semmel’s painterly approach in theJOAN SEMMEL
p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Helvetica; color: #000000; -webkit-text-stroke: #000000} span.s1 {font-kerning: none} Joan Semmel began her career as an Abstract Expressionist painter. After moving from New York to Madrid, Spain in 1963 to join her then husband—a civil engineer—her practice transformed. Responding to European art movements like SpanishJOAN SEMMEL
Returning to New York from Spain in 1970, Joan Semmel reflected, “I had returned from Spain looking for the ‘sexual revolution’ and instead found sexual commercialization that mostly showed female bodies for sale. I wanted to find an erotic visual language that would speak to women. I was convinced that the repression of women began in the sexual arena, and this would need to beHARMONY HAMMOND
Harmony Hammond (b.1944) is an artist, writer, and curator. A leading figure in the development of the feminist art movement in New York in the early 1970s, she attended the University of Minnesota from 1963–67 before moving to New York in 1969. She was a co-founder of A.I.R., the first women’s cooperative art gallery in New York (1972) and Heresies: A Feminist Publication on ArtVALESKA SOARES
Valeska Soares (b.1957) was born in Belo Horizonte, Brazil, and from a young age, she was exposed to references from a variety of cultural milieus, including poetry, literature, film, psychology, and mythology. She studied architecture at Universidade Santa Úrsula, Rio de Janiero; this training reinforced an interest in site specificity, with artworks that consider both contextual history and ALEXANDER GRAY ASSOCIATESARTISTSEXHIBITIONSGERMANTOWNVIEWING ROOMSPUBLICATIONSNEWS / EVENTS 510 West 26 Street, New York NY 10001 United States. 224 Main Street, Garden Level, Germantown NY 12526 United States GALLERY - ALEXANDER GRAY ASSOCIATES Alexander Gray Associates is a contemporary art gallery in New York City and Germantown NY. Through exhibitions, research, and artist representation, the Gallery spotlights artistic movements and artists who emerged in the mid- to late-Twentieth Century.JOAN SEMMEL
Joan Semmel (b.1932) began her painting career in the 1960s, while living in Madrid as an Abstract Expressionist, exhibiting in Spain and South America. Returning to New York in 1970, she moved to figuration in response to pornography, and concerns around representation.of women in the culture. Her practice traces the transformation on that women’s sexuality has seen in the last century andHUGH STEERS
Hugh Steers (1962–1995) was born in Washington, D.C., and trained in painting at Yale University, New Haven, CT and Parsons School of Art and Design, New York, NY. Before his death at 32 from AIDS-related complications, Steers created allegorical images of everyday life that captured the emotional and political tenor of New York in the late 1980s and early 1990s.BETTY PARSONS
Alexander Gray Associates presented its second exhibition of works by Betty Parsons (1900–1982), Heated Sky. The paintings and works on paper from the height of Parsons’ engagement with abstraction from the 1960s to mid-1970s foreground the artist’s attunement to nature and the landscape. Parsons’ keen observation of the natural world was the ground for compositional methods rangingJENNIE C. JONES
Jennie C. Jones (b.1968) was born in Cincinnati, OH and lives and works in Hudson, NY. Her interdisciplinary practice seeks to engage viewers visually and aurally. Drawing on painting, sculpture, sound, and installation, Jones’s conceptual works reflect on the legacy of modernism and minimalism. Their unconventional materials and reductive compositions highlight the perception of soundBETTY PARSONS
Alexander Gray Associates, Germantown presented Betty Parsons: 1950s Works on Paper, its third exhibition of work by Betty Parsons (1900 – 1982). The Gallery’s presentation highlights a pivotal moment in Parsons’ artistic career after she abandoned figuration to fully embrace abstraction. Comprised of dynamic, intimately scaled works, the exhibition foregrounds what would later becomeJOAN SEMMEL
1974 marked a pivotal moment in Semmel’s artistic development and her interest in challenging the male gaze of Western painting and popular culture. Adopting her body as the subject of her work, she began her Self Image series (1974—79). In these monumental compositions, she painted herself, shifting the point of view from outside of the canvas as the viewer to a simultaneous observer andHARMONY HAMMOND
Harmony Hammond (b.1944) is an artist, writer, and curator. A leading figure in the development of the feminist art movement in New York in the early 1970s, she attended the University of Minnesota from 1963–67 before moving to New York in 1969. She was a co-founder of A.I.R., the first women’s cooperative art gallery in New York (1972) and Heresies: A Feminist Publication on ArtMELVIN EDWARDS
Alexander Gray Associates was pleased to present its first exhibition of Melvin Edwards’ sculpture. The exhibition spans four decades, including his influential series, Lynch Fragments (on going from 1964) and a selection of large-scale works from the 1960s and 1970s—all of which convey Edwards’ importance both as an American modernist and conceptualist, and the artist’s deep-rooted ALEXANDER GRAY ASSOCIATESARTISTSEXHIBITIONSGERMANTOWNVIEWING ROOMSPUBLICATIONSNEWS / EVENTS 510 West 26 Street, New York NY 10001 United States. 224 Main Street, Garden Level, Germantown NY 12526 United States GALLERY - ALEXANDER GRAY ASSOCIATES Alexander Gray Associates is a contemporary art gallery in New York City and Germantown NY. Through exhibitions, research, and artist representation, the Gallery spotlights artistic movements and artists who emerged in the mid- to late-Twentieth Century.JOAN SEMMEL
Joan Semmel (b.1932) began her painting career in the 1960s, while living in Madrid as an Abstract Expressionist, exhibiting in Spain and South America. Returning to New York in 1970, she moved to figuration in response to pornography, and concerns around representation.of women in the culture. Her practice traces the transformation on that women’s sexuality has seen in the last century andHUGH STEERS
Hugh Steers (1962–1995) was born in Washington, D.C., and trained in painting at Yale University, New Haven, CT and Parsons School of Art and Design, New York, NY. Before his death at 32 from AIDS-related complications, Steers created allegorical images of everyday life that captured the emotional and political tenor of New York in the late 1980s and early 1990s.BETTY PARSONS
Alexander Gray Associates presented its second exhibition of works by Betty Parsons (1900–1982), Heated Sky. The paintings and works on paper from the height of Parsons’ engagement with abstraction from the 1960s to mid-1970s foreground the artist’s attunement to nature and the landscape. Parsons’ keen observation of the natural world was the ground for compositional methods rangingJENNIE C. JONES
Jennie C. Jones (b.1968) was born in Cincinnati, OH and lives and works in Hudson, NY. Her interdisciplinary practice seeks to engage viewers visually and aurally. Drawing on painting, sculpture, sound, and installation, Jones’s conceptual works reflect on the legacy of modernism and minimalism. Their unconventional materials and reductive compositions highlight the perception of soundBETTY PARSONS
Alexander Gray Associates, Germantown presented Betty Parsons: 1950s Works on Paper, its third exhibition of work by Betty Parsons (1900 – 1982). The Gallery’s presentation highlights a pivotal moment in Parsons’ artistic career after she abandoned figuration to fully embrace abstraction. Comprised of dynamic, intimately scaled works, the exhibition foregrounds what would later becomeJOAN SEMMEL
1974 marked a pivotal moment in Semmel’s artistic development and her interest in challenging the male gaze of Western painting and popular culture. Adopting her body as the subject of her work, she began her Self Image series (1974—79). In these monumental compositions, she painted herself, shifting the point of view from outside of the canvas as the viewer to a simultaneous observer andHARMONY HAMMOND
Harmony Hammond (b.1944) is an artist, writer, and curator. A leading figure in the development of the feminist art movement in New York in the early 1970s, she attended the University of Minnesota from 1963–67 before moving to New York in 1969. She was a co-founder of A.I.R., the first women’s cooperative art gallery in New York (1972) and Heresies: A Feminist Publication on ArtMELVIN EDWARDS
Alexander Gray Associates was pleased to present its first exhibition of Melvin Edwards’ sculpture. The exhibition spans four decades, including his influential series, Lynch Fragments (on going from 1964) and a selection of large-scale works from the 1960s and 1970s—all of which convey Edwards’ importance both as an American modernist and conceptualist, and the artist’s deep-rootedBETTY PARSONS
Alexander Gray Associates presented its second exhibition of works by Betty Parsons (1900–1982), Heated Sky. The paintings and works on paper from the height of Parsons’ engagement with abstraction from the 1960s to mid-1970s foreground the artist’s attunement to nature and the landscape. Parsons’ keen observation of the natural world was the ground for compositional methods rangingBETTY PARSONS
Betty Parsons (b.1900, New York, NY – d.1982, Southold, NY) was an abstract painter and sculptor who is best known as a dealer of mid-century art. Throughout her storied career as a gallerist, she maintained a rigorous artistic practice by creating works in a variety of media including paintings, sculpture, and works on paper. Parsons’s eye for innovative talent stemmed from her ownBETTY PARSONS
Alexander Gray Associates, Germantown presented Betty Parsons: 1950s Works on Paper, its third exhibition of work by Betty Parsons (1900 – 1982). The Gallery’s presentation highlights a pivotal moment in Parsons’ artistic career after she abandoned figuration to fully embrace abstraction. Comprised of dynamic, intimately scaled works, the exhibition foregrounds what would later becomeMELVIN EDWARDS
Melvin Edwards (b.1937) is a pioneer in the history of contemporary African American art and sculpture. Born in Houston, Texas, he began his artistic career at the University of Southern California (USC), Los Angeles, CA, where he met and was mentored by the Hungarian painter Francis de Erdely. In 1965, the Santa Barbara Museum of Art, CA organized his first solo exhibition, which launched hisREGINA SILVEIRA
Regina Silveira (b.1939) was born in Porto Alegre, Brazil and lives in São Paulo. Throughout more than four decades, Silveira, a critical figure in Brazilian conceptual art, has investigated the tension between movement and spatial perspective, threading political meaning into installations that respond to specific sites. In the 1950s she began her artistic training under the tutelage ofJOAN SEMMEL
Since 1971, Joan Semmel has spent her summers in East Hampton, NY. In 1987, she established a permanent studio in Springs, NY where painted her Beach series (1985—87). Unlike many of her works, which isolate figures against expressive grounds of color, in these works, Semmel positions bodies in a landscape. This new way of working was characteristic of Semmel’s painterly approach in theJOAN SEMMEL
p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Helvetica; color: #000000; -webkit-text-stroke: #000000} span.s1 {font-kerning: none} Joan Semmel began her career as an Abstract Expressionist painter. After moving from New York to Madrid, Spain in 1963 to join her then husband—a civil engineer—her practice transformed. Responding to European art movements like SpanishJOAN SEMMEL
Returning to New York from Spain in 1970, Joan Semmel reflected, “I had returned from Spain looking for the ‘sexual revolution’ and instead found sexual commercialization that mostly showed female bodies for sale. I wanted to find an erotic visual language that would speak to women. I was convinced that the repression of women began in the sexual arena, and this would need to beHARMONY HAMMOND
Harmony Hammond (b.1944) is an artist, writer, and curator. A leading figure in the development of the feminist art movement in New York in the early 1970s, she attended the University of Minnesota from 1963–67 before moving to New York in 1969. She was a co-founder of A.I.R., the first women’s cooperative art gallery in New York (1972) and Heresies: A Feminist Publication on ArtVALESKA SOARES
Valeska Soares (b.1957) was born in Belo Horizonte, Brazil, and from a young age, she was exposed to references from a variety of cultural milieus, including poetry, literature, film, psychology, and mythology. She studied architecture at Universidade Santa Úrsula, Rio de Janiero; this training reinforced an interest in site specificity, with artworks that consider both contextual history and ALEXANDER GRAY ASSOCIATESARTISTSEXHIBITIONSGERMANTOWNVIEWING ROOMSPUBLICATIONSNEWS / EVENTS 510 West 26 Street, New York NY 10001 United States. 224 Main Street, Garden Level, Germantown NY 12526 United States GALLERY - ALEXANDER GRAY ASSOCIATES Alexander Gray Associates is a contemporary art gallery in New York City and Germantown NY. Through exhibitions, research, and artist representation, the Gallery spotlights artistic movements and artists who emerged in the mid- to late-Twentieth Century.JOAN SEMMEL
Joan Semmel (b.1932) began her painting career in the 1960s, while living in Madrid as an Abstract Expressionist, exhibiting in Spain and South America. Returning to New York in 1970, she moved to figuration in response to pornography, and concerns around representation.of women in the culture. Her practice traces the transformation on that women’s sexuality has seen in the last century andBETTY PARSONS
Alexander Gray Associates presented its second exhibition of works by Betty Parsons (1900–1982), Heated Sky. The paintings and works on paper from the height of Parsons’ engagement with abstraction from the 1960s to mid-1970s foreground the artist’s attunement to nature and the landscape. Parsons’ keen observation of the natural world was the ground for compositional methods rangingHUGH STEERS
Hugh Steers (1962–1995) was born in Washington, D.C., and trained in painting at Yale University, New Haven, CT and Parsons School of Art and Design, New York, NY. Before his death at 32 from AIDS-related complications, Steers created allegorical images of everyday life that captured the emotional and political tenor of New York in the late 1980s and early 1990s.BETTY PARSONS
Alexander Gray Associates, Germantown presented Betty Parsons: 1950s Works on Paper, its third exhibition of work by Betty Parsons (1900 – 1982). The Gallery’s presentation highlights a pivotal moment in Parsons’ artistic career after she abandoned figuration to fully embrace abstraction. Comprised of dynamic, intimately scaled works, the exhibition foregrounds what would later becomeJOAN SEMMEL
Returning to New York from Spain in 1970, Joan Semmel reflected, “I had returned from Spain looking for the ‘sexual revolution’ and instead found sexual commercialization that mostly showed female bodies for sale. I wanted to find an erotic visual language that would speak to women. I was convinced that the repression of women began in the sexual arena, and this would need to beMELVIN EDWARDS
Melvin Edwards Lynch Fragments 1960s–Present Melvin Edwards' Lynch Fragments highlight the artist’s exploration of intersectional identity, social justice, and political awareness. The series spans three periods: the early 1960s, when Edwards responded to racial violence in the United States; the early 1970s, when his activism concerning the Vietnam War motivated him to return to theJOAN SEMMEL
1974 marked a pivotal moment in Semmel’s artistic development and her interest in challenging the male gaze of Western painting and popular culture. Adopting her body as the subject of her work, she began her Self Image series (1974—79). In these monumental compositions, she painted herself, shifting the point of view from outside of the canvas as the viewer to a simultaneous observer andHARMONY HAMMOND
Harmony Hammond (b.1944) is an artist, writer, and curator. A leading figure in the development of the feminist art movement in New York in the early 1970s, she attended the University of Minnesota from 1963–67 before moving to New York in 1969. She was a co-founder of A.I.R., the first women’s cooperative art gallery in New York (1972) and Heresies: A Feminist Publication on Art ALEXANDER GRAY ASSOCIATESARTISTSEXHIBITIONSGERMANTOWNVIEWING ROOMSPUBLICATIONSNEWS / EVENTS 510 West 26 Street, New York NY 10001 United States. 224 Main Street, Garden Level, Germantown NY 12526 United States GALLERY - ALEXANDER GRAY ASSOCIATES Alexander Gray Associates is a contemporary art gallery in New York City and Germantown NY. Through exhibitions, research, and artist representation, the Gallery spotlights artistic movements and artists who emerged in the mid- to late-Twentieth Century.JOAN SEMMEL
Joan Semmel (b.1932) began her painting career in the 1960s, while living in Madrid as an Abstract Expressionist, exhibiting in Spain and South America. Returning to New York in 1970, she moved to figuration in response to pornography, and concerns around representation.of women in the culture. Her practice traces the transformation on that women’s sexuality has seen in the last century andBETTY PARSONS
Alexander Gray Associates presented its second exhibition of works by Betty Parsons (1900–1982), Heated Sky. The paintings and works on paper from the height of Parsons’ engagement with abstraction from the 1960s to mid-1970s foreground the artist’s attunement to nature and the landscape. Parsons’ keen observation of the natural world was the ground for compositional methods rangingHUGH STEERS
Hugh Steers (1962–1995) was born in Washington, D.C., and trained in painting at Yale University, New Haven, CT and Parsons School of Art and Design, New York, NY. Before his death at 32 from AIDS-related complications, Steers created allegorical images of everyday life that captured the emotional and political tenor of New York in the late 1980s and early 1990s.BETTY PARSONS
Alexander Gray Associates, Germantown presented Betty Parsons: 1950s Works on Paper, its third exhibition of work by Betty Parsons (1900 – 1982). The Gallery’s presentation highlights a pivotal moment in Parsons’ artistic career after she abandoned figuration to fully embrace abstraction. Comprised of dynamic, intimately scaled works, the exhibition foregrounds what would later becomeJOAN SEMMEL
Returning to New York from Spain in 1970, Joan Semmel reflected, “I had returned from Spain looking for the ‘sexual revolution’ and instead found sexual commercialization that mostly showed female bodies for sale. I wanted to find an erotic visual language that would speak to women. I was convinced that the repression of women began in the sexual arena, and this would need to beMELVIN EDWARDS
Melvin Edwards Lynch Fragments 1960s–Present Melvin Edwards' Lynch Fragments highlight the artist’s exploration of intersectional identity, social justice, and political awareness. The series spans three periods: the early 1960s, when Edwards responded to racial violence in the United States; the early 1970s, when his activism concerning the Vietnam War motivated him to return to theJOAN SEMMEL
1974 marked a pivotal moment in Semmel’s artistic development and her interest in challenging the male gaze of Western painting and popular culture. Adopting her body as the subject of her work, she began her Self Image series (1974—79). In these monumental compositions, she painted herself, shifting the point of view from outside of the canvas as the viewer to a simultaneous observer andHARMONY HAMMOND
Harmony Hammond (b.1944) is an artist, writer, and curator. A leading figure in the development of the feminist art movement in New York in the early 1970s, she attended the University of Minnesota from 1963–67 before moving to New York in 1969. She was a co-founder of A.I.R., the first women’s cooperative art gallery in New York (1972) and Heresies: A Feminist Publication on ArtBETTY PARSONS
Betty Parsons (b.1900, New York, NY – d.1982, Southold, NY) was an abstract painter and sculptor who is best known as a dealer of mid-century art. Throughout her storied career as a gallerist, she maintained a rigorous artistic practice by creating works in a variety of media including paintings, sculpture, and works on paper. Parsons’s eye for innovative talent stemmed from her ownBETTY PARSONS
Alexander Gray Associates, Germantown presented Betty Parsons: 1950s Works on Paper, its third exhibition of work by Betty Parsons (1900 – 1982). The Gallery’s presentation highlights a pivotal moment in Parsons’ artistic career after she abandoned figuration to fully embrace abstraction. Comprised of dynamic, intimately scaled works, the exhibition foregrounds what would later becomeMELVIN EDWARDS
Melvin Edwards (b.1937) is a pioneer in the history of contemporary African American art and sculpture. Born in Houston, Texas, he began his artistic career at the University of Southern California (USC), Los Angeles, CA, where he met and was mentored by the Hungarian painter Francis de Erdely. In 1965, the Santa Barbara Museum of Art, CA organized his first solo exhibition, which launched hisLUIS CAMNITZER
Luis Camnitzer (b.1937) is a German-born Uruguayan artist and writer who moved to New York in 1964. He was at the vanguard of 1960s Conceptualism, working primarily in printmaking, sculpture, and installations. Camnitzer’s artwork explores subjects such as repression under systems of power, pedagogical norms, and the deconstruction of familiar frameworks.REGINA SILVEIRA
Regina Silveira (b.1939) was born in Porto Alegre, Brazil and lives in São Paulo. Throughout more than four decades, Silveira, a critical figure in Brazilian conceptual art, has investigated the tension between movement and spatial perspective, threading political meaning into installations that respond to specific sites. In the 1950s she began her artistic training under the tutelage ofJENNIE C. JONES
Jennie C. Jones (b.1968) was born in Cincinnati, OH and lives and works in Hudson, NY. Her interdisciplinary practice seeks to engage viewers visually and aurally. Drawing on painting, sculpture, sound, and installation, Jones’s conceptual works reflect on the legacy of modernism and minimalism. Their unconventional materials and reductive compositions highlight the perception of soundJOAN SEMMEL
Since 1971, Joan Semmel has spent her summers in East Hampton, NY. In 1987, she established a permanent studio in Springs, NY where painted her Beach series (1985—87). Unlike many of her works, which isolate figures against expressive grounds of color, in these works, Semmel positions bodies in a landscape. This new way of working was characteristic of Semmel’s painterly approach in theHARMONY HAMMOND
Harmony Hammond (b.1944) is an artist, writer, and curator. A leading figure in the development of the feminist art movement in New York in the early 1970s, she attended the University of Minnesota from 1963–67 before moving to New York in 1969. She was a co-founder of A.I.R., the first women’s cooperative art gallery in New York (1972) and Heresies: A Feminist Publication on ArtSIAH ARMAJANI
Alexander Gray Associates presented drawings, models, and sculptures by Siah Armajani from his ongoing “Tomb Series” (1972–2016). The Series pays tribute to philosophers, activists, poets, and writers who have informed and inspired Armajani’s art and ideology. This was the second exhibition of his Tombs at the Gallery, and the group of works on view highlighted his interest in the wayJOAN SEMMEL
Joan Semmel began investigating the aging process in 1988 with her Locker-Room series (1988—91), which captured women engaged in various beautification rituals in gym locker rooms. Intrigued by these mirror-lined spaces, Semmel explains, “In this landscape of Narcissus I wanted to engage the possibility of a female self-articulation, and conversely a necessary self-indifference.”Skip to content
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ALEXANDER GRAY ASSOCIATES The Gallery is temporarily closed to help reduce the spread ofCOVID-19.
By appointment: sales@alexandergray.comJENNIE C. JONES
ANNOUNCING REPRESENTATION Jennie C. Jones' interdisciplinary practice seeks to engage viewers visually and aurally. Drawing on painting, sculpture, sound, and installation, Jones’ conceptual works reflect on the legacy of modernism and minimalism.HASSAN SHARIF
KW INSTITUTE FOR CONTEMPORARY ART _Hassan Sharif: I Am The Single Work Artis_t_, _curated by Hoor Al Qasimi and Krist Gruijthuijsen, at KW Institute for Contemporary Art, Berlin, Germany. 510 West 26 Street, New York NY 10001 United States Telephone +1 212 399 2636 Temporarily closed to the public. By appointment: sales@alexandergray.com Alexander Gray AssociatesSite Index*
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