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JOSEF AND ANNI ALBERS FOUNDATION In 1971, Josef Albers established a not-for-profit organization to further "the revelation and evocation of vision through art." Today, this organization—The Josef and Anni Albers Foundation—is devoted to preserving and promoting the enduring achievements of both Josef and Anni Albers, and the aesthetic and philosophical principles bywhich they lived.
JOSEF AND ANNI ALBERS FOUNDATION Josef and Anni Albers Foundation. The Foundation maintains two residential studios for visiting artists who exemplify the seriousness of purpose that characterized both Anni and Josef Albers. Residencies are designed to provide time, space, and solitude, with the benefit of JOSEF AND ANNI ALBERS FOUNDATION Anni Albers Wall Hanging, 1925/2021. Anni Albers is the latest designer to be showcased by the British retailer Twenty Twenty One's celebratory series of limited editions, created in collaboration with Christopher Farr, Salt Fabrics, and the Albers Foundation. JOSEF AND ANNI ALBERS FOUNDATION Creators. Josef and Anni Albers. Title. The Papers of Josef and Anni Albers. Dates. 1899 – 1994 (bulk 1933–1994) Quantity. 171 boxes, 39 oversize boxes, 9 oversize folders, 1 unboxed photograph album and 62 film cans (165.5 linear feet) JOSEF AND ANNI ALBERS FOUNDATION 42. Kepes, Gyorgy (includes 1995 Josef and Anni Albers Foundation. correspondence regarding AA’s Ark weaving for Temple. Emanu-el in Dallas) 1956, 1960. 3. 43. JOSEF AND ANNI ALBERS FOUNDATION The Foundation maintains two residential studios for visiting artists who exemplify the seriousness of purpose that characterized both Anniand Josef Albers.
JOSEF AND ANNI ALBERS FOUNDATIONJOSEF & ANNI ALBERSABOUT USRESOURCESEXHIBITIONSNEWSPRODUCTS Please note that the Albers Foundation is closed in an effort to contain the spread of COVID-19. Email will be monitored during this time but responses may be delayed. JOSEF AND ANNI ALBERS FOUNDATION Anni Albers. Line Involvement II, 1964. lithograph. 14 3 ⁄ 4 × 19 3 ⁄ 4 in. (37.4 × 50.5 cm) 1994.11.5.b. 2021 New York. Making Knowing: Craft in Art, 1950–2019 foregrounds how visual artists have explored the materials, methods, and strategies of craft over the past seven decades. Some expand techniques with long histories, such as JOSEF AND ANNI ALBERS FOUNDATION Website and Digital Media Manager. aporter@albersfoundation.org. Jeannette Redensek. Research Curator and Josef Albers Catalogue Raisonné Director jredensek@albersfoundation.org. Andrew Seguin. Assistant Director of Le Korsa aseguin@albersfoundation.org. Anne Sisco. Office Manager asisco@albersfoundation.org. Adhiraj Shekhawat. JOSEF AND ANNI ALBERS FOUNDATION The Albers Foundation's longstanding collaboration with Christopher Farr includes handspun rugs, fabric, and wallpaper inspired by the works of Josef and Anni Albers. Designtex. designtex.com. Designtex created a Bauhaus-inspired line, featuring designs based on the work of Anni Albers, to celebrate the 100th anniversary of the Bauhaus in2019.
JOSEF AND ANNI ALBERS FOUNDATION In 1971, Josef Albers established a not-for-profit organization to further "the revelation and evocation of vision through art." Today, this organization—The Josef and Anni Albers Foundation—is devoted to preserving and promoting the enduring achievements of both Josef and Anni Albers, and the aesthetic and philosophical principles bywhich they lived.
JOSEF AND ANNI ALBERS FOUNDATION Josef and Anni Albers Foundation. The Foundation maintains two residential studios for visiting artists who exemplify the seriousness of purpose that characterized both Anni and Josef Albers. Residencies are designed to provide time, space, and solitude, with the benefit of JOSEF AND ANNI ALBERS FOUNDATION Anni Albers Wall Hanging, 1925/2021. Anni Albers is the latest designer to be showcased by the British retailer Twenty Twenty One's celebratory series of limited editions, created in collaboration with Christopher Farr, Salt Fabrics, and the Albers Foundation. JOSEF AND ANNI ALBERS FOUNDATION Creators. Josef and Anni Albers. Title. The Papers of Josef and Anni Albers. Dates. 1899 – 1994 (bulk 1933–1994) Quantity. 171 boxes, 39 oversize boxes, 9 oversize folders, 1 unboxed photograph album and 62 film cans (165.5 linear feet) JOSEF AND ANNI ALBERS FOUNDATION 42. Kepes, Gyorgy (includes 1995 Josef and Anni Albers Foundation. correspondence regarding AA’s Ark weaving for Temple. Emanu-el in Dallas) 1956, 1960. 3. 43. JOSEF AND ANNI ALBERS FOUNDATION The Foundation maintains two residential studios for visiting artists who exemplify the seriousness of purpose that characterized both Anniand Josef Albers.
JOSEF AND ANNI ALBERS FOUNDATION Anni Albers. Line Involvement II, 1964. lithograph. 14 3 ⁄ 4 × 19 3 ⁄ 4 in. (37.4 × 50.5 cm) 1994.11.5.b. 2021 New York. Making Knowing: Craft in Art, 1950–2019 foregrounds how visual artists have explored the materials, methods, and strategies of craft over the past seven decades. Some expand techniques with long histories, such as JOSEF AND ANNI ALBERS FOUNDATION The Albers Foundation's longstanding collaboration with Christopher Farr includes handspun rugs, fabric, and wallpaper inspired by the works of Josef and Anni Albers. Designtex. designtex.com. Designtex created a Bauhaus-inspired line, featuring designs based on the work of Anni Albers, to celebrate the 100th anniversary of the Bauhaus in2019.
JOSEF AND ANNI ALBERS FOUNDATION St. Mary's Hospital, London. Photo: Ed Reeve. The Albers Foundation has partnered with St. Mary's Hospital in London to create an interior inspired by the works of Josef and Anni Albers. The bright murals and designs grace the newly renovated children's intensive care unit, which treats more than 400 children annually. JOSEF AND ANNI ALBERS FOUNDATION Anni Albers Experiments. Education director Fritz Horstman and associate curator Karis Medina, both from the Albers Foundation, examine the theory and practice of Anni Albers. Following Albers's idea that a weaving is a whole built out of parts, Fritz and Karis interweave quotes by Anni Albers with lines from some of the authorsshe admired most.
JOSEF AND ANNI ALBERS FOUNDATION Josef and Anni Albers Foundation. Anni Albers. Orange, Black and White, 1926/1965. silk and cotton. 70 5 ⁄ 8 x 48 1 ⁄ 8 in. (179.4 x 122.2 cm) Art Institute of Chicago, 1970.343. Art Institute of Chicago, Chicago, Illinois. Development in Rose II, 1952. Northwesterly, 1957. JOSEF AND ANNI ALBERS FOUNDATION Josef Albers Museum Quadrat Bottrop. quadrat.bottrop.de. The Josef Albers Museum in Bottrop, Germany, was opened in 1983—George H. W. Bush, the Vice President of the United States of America at that time, and the Chancellor of the Federal Republic of Germany, Dr. HelmutKohl, were present.
JOSEF AND ANNI ALBERS FOUNDATION The panel was moderated by Rose Slivka, editor of Craft International and the panelists were Anni Albers, John Cage, Lee Hall, Robert Malloy, Phillip Pavia, Jacqueline Rice and Peter Voulkos. 1938 Work with Material. 1938 Weaving at the Bauhaus. 1942 On Jewelry. JOSEF AND ANNI ALBERS FOUNDATION The first vision of something to be done gives more the mood of the work than its final form. The form emerges as the work progresses. An elementary approach will be a playful beginning, unresponsive to any demand of usefulness, an enjoyment of colors, forms, JOSEF AND ANNI ALBERS FOUNDATION Anni Albers Six Prayers, 1966–67 cotton, linen bast, silver lurex 73 1/4 × 19 1/4 in. (186 × 48.9 cm) each panel Jewish Museum, New YorkJM 149-71-6
JOSEF AND ANNI ALBERS FOUNDATION Anni Albers Design for a jute rug, 1927 watercolor and india ink on paper 13 5/8 × 10 3/8 in. (34.6 × 26.3 cm) Museum of Modern Art, NewYork 403.1951
JOSEF AND ANNI ALBERS FOUNDATIONJOSEF & ANNI ALBERSABOUT USRESOURCESEXHIBITIONSNEWSPRODUCTS Please note that the Albers Foundation is closed in an effort to contain the spread of COVID-19. Email will be monitored during this time but responses may be delayed. JOSEF AND ANNI ALBERS FOUNDATION Anni Albers. Line Involvement II, 1964. lithograph. 14 3 ⁄ 4 × 19 3 ⁄ 4 in. (37.4 × 50.5 cm) 1994.11.5.b. 2021 New York. Making Knowing: Craft in Art, 1950–2019 foregrounds how visual artists have explored the materials, methods, and strategies of craft over the past seven decades. Some expand techniques with long histories, such as JOSEF AND ANNI ALBERS FOUNDATION Website and Digital Media Manager. aporter@albersfoundation.org. Jeannette Redensek. Research Curator and Josef Albers Catalogue Raisonné Director jredensek@albersfoundation.org. Andrew Seguin. Assistant Director of Le Korsa aseguin@albersfoundation.org. Anne Sisco. Office Manager asisco@albersfoundation.org. Adhiraj Shekhawat. JOSEF AND ANNI ALBERS FOUNDATION The Albers Foundation's longstanding collaboration with Christopher Farr includes handspun rugs, fabric, and wallpaper inspired by the works of Josef and Anni Albers. Designtex. designtex.com. Designtex created a Bauhaus-inspired line, featuring designs based on the work of Anni Albers, to celebrate the 100th anniversary of the Bauhaus in2019.
JOSEF AND ANNI ALBERS FOUNDATION In 1971, Josef Albers established a not-for-profit organization to further "the revelation and evocation of vision through art." Today, this organization—The Josef and Anni Albers Foundation—is devoted to preserving and promoting the enduring achievements of both Josef and Anni Albers, and the aesthetic and philosophical principles bywhich they lived.
JOSEF AND ANNI ALBERS FOUNDATION Creators. Josef and Anni Albers. Title. The Papers of Josef and Anni Albers. Dates. 1899 – 1994 (bulk 1933–1994) Quantity. 171 boxes, 39 oversize boxes, 9 oversize folders, 1 unboxed photograph album and 62 film cans (165.5 linear feet) JOSEF AND ANNI ALBERS FOUNDATION Josef and Anni Albers Foundation. The Foundation maintains two residential studios for visiting artists who exemplify the seriousness of purpose that characterized both Anni and Josef Albers. Residencies are designed to provide time, space, and solitude, with the benefit of JOSEF AND ANNI ALBERS FOUNDATION Josef and Anni Albers Foundation. Anni Albers entered the Weaving Workshop at the Bauhaus in 1923 having completed the legendary Bauhaus Preliminary Course. She remained a key member of the workshop until the Bauhaus was forced to close in 1932. In January 1929, at the time an assistant to Gunta Stölzl, head of the workshop, Albers was JOSEF AND ANNI ALBERS FOUNDATION Josef Albers Model ti244 armchair, ca.1929 laminated beech wood, tubular steel and canvas upholstery 28 1/2 × 23 1/8 × 28 1/2 in. (72.4 × 58.7 × 72.4 cm) JOSEF AND ANNI ALBERS FOUNDATION 42. Kepes, Gyorgy (includes 1995 Josef and Anni Albers Foundation. correspondence regarding AA’s Ark weaving for Temple. Emanu-el in Dallas) 1956, 1960. 3. 43. JOSEF AND ANNI ALBERS FOUNDATIONJOSEF & ANNI ALBERSABOUT USRESOURCESEXHIBITIONSNEWSPRODUCTS Please note that the Albers Foundation is closed in an effort to contain the spread of COVID-19. Email will be monitored during this time but responses may be delayed. JOSEF AND ANNI ALBERS FOUNDATION Anni Albers. Line Involvement II, 1964. lithograph. 14 3 ⁄ 4 × 19 3 ⁄ 4 in. (37.4 × 50.5 cm) 1994.11.5.b. 2021 New York. Making Knowing: Craft in Art, 1950–2019 foregrounds how visual artists have explored the materials, methods, and strategies of craft over the past seven decades. Some expand techniques with long histories, such as JOSEF AND ANNI ALBERS FOUNDATION Website and Digital Media Manager. aporter@albersfoundation.org. Jeannette Redensek. Research Curator and Josef Albers Catalogue Raisonné Director jredensek@albersfoundation.org. Andrew Seguin. Assistant Director of Le Korsa aseguin@albersfoundation.org. Anne Sisco. Office Manager asisco@albersfoundation.org. Adhiraj Shekhawat. JOSEF AND ANNI ALBERS FOUNDATION The Albers Foundation's longstanding collaboration with Christopher Farr includes handspun rugs, fabric, and wallpaper inspired by the works of Josef and Anni Albers. Designtex. designtex.com. Designtex created a Bauhaus-inspired line, featuring designs based on the work of Anni Albers, to celebrate the 100th anniversary of the Bauhaus in2019.
JOSEF AND ANNI ALBERS FOUNDATION In 1971, Josef Albers established a not-for-profit organization to further "the revelation and evocation of vision through art." Today, this organization—The Josef and Anni Albers Foundation—is devoted to preserving and promoting the enduring achievements of both Josef and Anni Albers, and the aesthetic and philosophical principles bywhich they lived.
JOSEF AND ANNI ALBERS FOUNDATION Creators. Josef and Anni Albers. Title. The Papers of Josef and Anni Albers. Dates. 1899 – 1994 (bulk 1933–1994) Quantity. 171 boxes, 39 oversize boxes, 9 oversize folders, 1 unboxed photograph album and 62 film cans (165.5 linear feet) JOSEF AND ANNI ALBERS FOUNDATION Josef and Anni Albers Foundation. The Foundation maintains two residential studios for visiting artists who exemplify the seriousness of purpose that characterized both Anni and Josef Albers. Residencies are designed to provide time, space, and solitude, with the benefit of JOSEF AND ANNI ALBERS FOUNDATION Josef and Anni Albers Foundation. Anni Albers entered the Weaving Workshop at the Bauhaus in 1923 having completed the legendary Bauhaus Preliminary Course. She remained a key member of the workshop until the Bauhaus was forced to close in 1932. In January 1929, at the time an assistant to Gunta Stölzl, head of the workshop, Albers was JOSEF AND ANNI ALBERS FOUNDATION Josef Albers Model ti244 armchair, ca.1929 laminated beech wood, tubular steel and canvas upholstery 28 1/2 × 23 1/8 × 28 1/2 in. (72.4 × 58.7 × 72.4 cm) JOSEF AND ANNI ALBERS FOUNDATION 42. Kepes, Gyorgy (includes 1995 Josef and Anni Albers Foundation. correspondence regarding AA’s Ark weaving for Temple. Emanu-el in Dallas) 1956, 1960. 3. 43. JOSEF AND ANNI ALBERS FOUNDATION Anni Albers. Line Involvement II, 1964. lithograph. 14 3 ⁄ 4 × 19 3 ⁄ 4 in. (37.4 × 50.5 cm) 1994.11.5.b. 2021 New York. Making Knowing: Craft in Art, 1950–2019 foregrounds how visual artists have explored the materials, methods, and strategies of craft over the past seven decades. Some expand techniques with long histories, such as JOSEF AND ANNI ALBERS FOUNDATION St. Mary's Hospital, London. Photo: Ed Reeve. The Albers Foundation has partnered with St. Mary's Hospital in London to create an interior inspired by the works of Josef and Anni Albers. The bright murals and designs grace the newly renovated children's intensive care unit, which treats more than 400 children annually. JOSEF AND ANNI ALBERS FOUNDATION At the invitation of a former student, the architect Harry Seidler, Josef designs a large stainless steel sculpture, Wrestling, for Seidler’s Mutual Life Center in Sydney. Josef Albers dies March 25 in New Haven, Connecticut. 1977. The exhibition Anni Albers Prints and Drawings is presented at the Brooklyn Museum. JOSEF AND ANNI ALBERS FOUNDATION Anni Albers Experiments. Education director Fritz Horstman and associate curator Karis Medina, both from the Albers Foundation, examine the theory and practice of Anni Albers. Following Albers's idea that a weaving is a whole built out of parts, Fritz and Karis interweave quotes by Anni Albers with lines from some of the authorsshe admired most.
JOSEF AND ANNI ALBERS FOUNDATION Anni Albers Wall Hanging, 1925/2021. Anni Albers is the latest designer to be showcased by the British retailer Twenty Twenty One's celebratory series of limited editions, created in collaboration with Christopher Farr, Salt Fabrics, and the Albers Foundation. JOSEF AND ANNI ALBERS FOUNDATION Josef and Anni Albers Foundation. Anni Albers entered the Weaving Workshop at the Bauhaus in 1923 having completed the legendary Bauhaus Preliminary Course. She remained a key member of the workshop until the Bauhaus was forced to close in 1932. In January 1929, at the time an assistant to Gunta Stölzl, head of the workshop, Albers was JOSEF AND ANNI ALBERS FOUNDATION Josef and Anni Albers Foundation. The Josef and Anni Albers Foundation has an ongoing internship program. Interns work closely with the Foundation's staff and are exposed to many different areas of museum operations. Activities include assisting with the organization, storage, and documentation of the collection; preparation ofexhibitions
JOSEF AND ANNI ALBERS FOUNDATION Josef and Anni Albers Foundation. Anni Albers. Orange, Black and White, 1926/1965. silk and cotton. 70 5 ⁄ 8 x 48 1 ⁄ 8 in. (179.4 x 122.2 cm) Art Institute of Chicago, 1970.343. Art Institute of Chicago, Chicago, Illinois. Development in Rose II, 1952. Northwesterly, 1957. JOSEF AND ANNI ALBERS FOUNDATION Albers Foundation chief curator Brenda Danilowitz speaks with Jessica Holahan about Anni Albers's life and work. They consider her 60+ year career, beautifully represented in the major retrospective and catalogue Anni Albers. The podcast is available at Yale Press. Anni Albers is on view at Tate Modern, London, through January 27, 2019. JOSEF AND ANNI ALBERS FOUNDATION Anni Albers Six Prayers, 1966–67 cotton, linen bast, silver lurex 73 1/4 × 19 1/4 in. (186 × 48.9 cm) each panel Jewish Museum, New YorkJM 149-71-6
JOSEF AND ANNI ALBERS FOUNDATIONJOSEF & ANNI ALBERSABOUT USRESOURCESEXHIBITIONSNEWSPRODUCTS Please note that the Albers Foundation is closed in an effort to contain the spread of COVID-19. Email will be monitored during this time but responses may be delayed. JOSEF AND ANNI ALBERS FOUNDATION Anni Albers. Line Involvement II, 1964. lithograph. 14 3 ⁄ 4 × 19 3 ⁄ 4 in. (37.4 × 50.5 cm) 1994.11.5.b. 2021 New York. Making Knowing: Craft in Art, 1950–2019 foregrounds how visual artists have explored the materials, methods, and strategies of craft over the past seven decades. Some expand techniques with long histories, such as JOSEF AND ANNI ALBERS FOUNDATION The Albers Foundation's longstanding collaboration with Christopher Farr includes handspun rugs, fabric, and wallpaper inspired by the works of Josef and Anni Albers. Designtex. designtex.com. Designtex created a Bauhaus-inspired line, featuring designs based on the work of Anni Albers, to celebrate the 100th anniversary of the Bauhaus in2019.
JOSEF AND ANNI ALBERS FOUNDATION Website and Digital Media Manager. aporter@albersfoundation.org. Jeannette Redensek. Research Curator and Josef Albers Catalogue Raisonné Director jredensek@albersfoundation.org. Andrew Seguin. Assistant Director of Le Korsa aseguin@albersfoundation.org. Anne Sisco. Office Manager asisco@albersfoundation.org. Adhiraj Shekhawat. JOSEF AND ANNI ALBERS FOUNDATION In 1971, Josef Albers established a not-for-profit organization to further "the revelation and evocation of vision through art." Today, this organization—The Josef and Anni Albers Foundation—is devoted to preserving and promoting the enduring achievements of both Josef and Anni Albers, and the aesthetic and philosophical principles bywhich they lived.
JOSEF AND ANNI ALBERS FOUNDATION Creators. Josef and Anni Albers. Title. The Papers of Josef and Anni Albers. Dates. 1899 – 1994 (bulk 1933–1994) Quantity. 171 boxes, 39 oversize boxes, 9 oversize folders, 1 unboxed photograph album and 62 film cans (165.5 linear feet) JOSEF AND ANNI ALBERS FOUNDATION General Reading. Blume, Eugen, Matilda Felix, Gabriele Knapstein, and Catherine Nichols, eds. Black Mountain: An Interdisciplinary Experiment, 1933–1957.Leipzig JOSEF AND ANNI ALBERS FOUNDATION Josef and Anni Albers Foundation. The Foundation maintains two residential studios for visiting artists who exemplify the seriousness of purpose that characterized both Anni and Josef Albers. Residencies are designed to provide time, space, and solitude, with the benefit of JOSEF AND ANNI ALBERS FOUNDATION Josef and Anni Albers Foundation. Anni Albers entered the Weaving Workshop at the Bauhaus in 1923 having completed the legendary Bauhaus Preliminary Course. She remained a key member of the workshop until the Bauhaus was forced to close in 1932. In January 1929, at the time an assistant to Gunta Stölzl, head of the workshop, Albers was JOSEF AND ANNI ALBERS FOUNDATION Josef Albers Model ti244 armchair, ca.1929 laminated beech wood, tubular steel and canvas upholstery 28 1/2 × 23 1/8 × 28 1/2 in. (72.4 × 58.7 × 72.4 cm) JOSEF AND ANNI ALBERS FOUNDATIONJOSEF & ANNI ALBERSABOUT USRESOURCESEXHIBITIONSNEWSPRODUCTS Please note that the Albers Foundation is closed in an effort to contain the spread of COVID-19. Email will be monitored during this time but responses may be delayed. JOSEF AND ANNI ALBERS FOUNDATION Anni Albers. Line Involvement II, 1964. lithograph. 14 3 ⁄ 4 × 19 3 ⁄ 4 in. (37.4 × 50.5 cm) 1994.11.5.b. 2021 New York. Making Knowing: Craft in Art, 1950–2019 foregrounds how visual artists have explored the materials, methods, and strategies of craft over the past seven decades. Some expand techniques with long histories, such as JOSEF AND ANNI ALBERS FOUNDATION The Albers Foundation's longstanding collaboration with Christopher Farr includes handspun rugs, fabric, and wallpaper inspired by the works of Josef and Anni Albers. Designtex. designtex.com. Designtex created a Bauhaus-inspired line, featuring designs based on the work of Anni Albers, to celebrate the 100th anniversary of the Bauhaus in2019.
JOSEF AND ANNI ALBERS FOUNDATION Website and Digital Media Manager. aporter@albersfoundation.org. Jeannette Redensek. Research Curator and Josef Albers Catalogue Raisonné Director jredensek@albersfoundation.org. Andrew Seguin. Assistant Director of Le Korsa aseguin@albersfoundation.org. Anne Sisco. Office Manager asisco@albersfoundation.org. Adhiraj Shekhawat. JOSEF AND ANNI ALBERS FOUNDATION In 1971, Josef Albers established a not-for-profit organization to further "the revelation and evocation of vision through art." Today, this organization—The Josef and Anni Albers Foundation—is devoted to preserving and promoting the enduring achievements of both Josef and Anni Albers, and the aesthetic and philosophical principles bywhich they lived.
JOSEF AND ANNI ALBERS FOUNDATION Creators. Josef and Anni Albers. Title. The Papers of Josef and Anni Albers. Dates. 1899 – 1994 (bulk 1933–1994) Quantity. 171 boxes, 39 oversize boxes, 9 oversize folders, 1 unboxed photograph album and 62 film cans (165.5 linear feet) JOSEF AND ANNI ALBERS FOUNDATION General Reading. Blume, Eugen, Matilda Felix, Gabriele Knapstein, and Catherine Nichols, eds. Black Mountain: An Interdisciplinary Experiment, 1933–1957.Leipzig JOSEF AND ANNI ALBERS FOUNDATION Josef and Anni Albers Foundation. The Foundation maintains two residential studios for visiting artists who exemplify the seriousness of purpose that characterized both Anni and Josef Albers. Residencies are designed to provide time, space, and solitude, with the benefit of JOSEF AND ANNI ALBERS FOUNDATION Josef and Anni Albers Foundation. Anni Albers entered the Weaving Workshop at the Bauhaus in 1923 having completed the legendary Bauhaus Preliminary Course. She remained a key member of the workshop until the Bauhaus was forced to close in 1932. In January 1929, at the time an assistant to Gunta Stölzl, head of the workshop, Albers was JOSEF AND ANNI ALBERS FOUNDATION Josef Albers Model ti244 armchair, ca.1929 laminated beech wood, tubular steel and canvas upholstery 28 1/2 × 23 1/8 × 28 1/2 in. (72.4 × 58.7 × 72.4 cm) JOSEF AND ANNI ALBERS FOUNDATION Anni Albers. Line Involvement II, 1964. lithograph. 14 3 ⁄ 4 × 19 3 ⁄ 4 in. (37.4 × 50.5 cm) 1994.11.5.b. 2021 New York. Making Knowing: Craft in Art, 1950–2019 foregrounds how visual artists have explored the materials, methods, and strategies of craft over the past seven decades. Some expand techniques with long histories, such as JOSEF AND ANNI ALBERS FOUNDATION St. Mary's Hospital, London. Photo: Ed Reeve. The Albers Foundation has partnered with St. Mary's Hospital in London to create an interior inspired by the works of Josef and Anni Albers. The bright murals and designs grace the newly renovated children's intensive care unit, which treats more than 400 children annually. JOSEF AND ANNI ALBERS FOUNDATION At the invitation of a former student, the architect Harry Seidler, Josef designs a large stainless steel sculpture, Wrestling, for Seidler’s Mutual Life Center in Sydney. Josef Albers dies March 25 in New Haven, Connecticut. 1977. The exhibition Anni Albers Prints and Drawings is presented at the Brooklyn Museum. JOSEF AND ANNI ALBERS FOUNDATION Anni Albers Experiments. Education director Fritz Horstman and associate curator Karis Medina, both from the Albers Foundation, examine the theory and practice of Anni Albers. Following Albers's idea that a weaving is a whole built out of parts, Fritz and Karis interweave quotes by Anni Albers with lines from some of the authorsshe admired most.
JOSEF AND ANNI ALBERS FOUNDATION Anni Albers Wall Hanging, 1925/2021. Anni Albers is the latest designer to be showcased by the British retailer Twenty Twenty One's celebratory series of limited editions, created in collaboration with Christopher Farr, Salt Fabrics, and the Albers Foundation. JOSEF AND ANNI ALBERS FOUNDATION Josef and Anni Albers Foundation. Anni Albers entered the Weaving Workshop at the Bauhaus in 1923 having completed the legendary Bauhaus Preliminary Course. She remained a key member of the workshop until the Bauhaus was forced to close in 1932. In January 1929, at the time an assistant to Gunta Stölzl, head of the workshop, Albers was JOSEF AND ANNI ALBERS FOUNDATION Josef and Anni Albers Foundation. Anni Albers. Orange, Black and White, 1926/1965. silk and cotton. 70 5 ⁄ 8 x 48 1 ⁄ 8 in. (179.4 x 122.2 cm) Art Institute of Chicago, 1970.343. Art Institute of Chicago, Chicago, Illinois. Development in Rose II, 1952. Northwesterly, 1957. JOSEF AND ANNI ALBERS FOUNDATION Josef Albers's mural Manhattan is recreated for 200 Park Avenue, New York. In 1963, Josef Albers was commissioned by architect Walter Gropius to create a large-scale mural for the new Pan-Am building adjacent to Grand Central Terminal in New York City. Based on Albers's 1928 glass construction, City, the mural was a monumental 55-foot-wideby
JOSEF AND ANNI ALBERS FOUNDATION Albers Foundation chief curator Brenda Danilowitz speaks with Jessica Holahan about Anni Albers's life and work. They consider her 60+ year career, beautifully represented in the major retrospective and catalogue Anni Albers. The podcast is available at Yale Press. Anni Albers is on view at Tate Modern, London, through January 27, 2019. JOSEF AND ANNI ALBERS FOUNDATION Anni Albers Six Prayers, 1966–67 cotton, linen bast, silver lurex 73 1/4 × 19 1/4 in. (186 × 48.9 cm) each panel Jewish Museum, New YorkJM 149-71-6
JOSEF AND ANNI ALBERS FOUNDATIONJOSEF & ANNI ALBERSABOUT USRESOURCESEXHIBITIONSNEWSPRODUCTS Please note that the Albers Foundation is closed in an effort to contain the spread of COVID-19. Email will be monitored during this time but responses may be delayed. JOSEF AND ANNI ALBERS FOUNDATION The Albers Foundation's longstanding collaboration with Christopher Farr includes handspun rugs, fabric, and wallpaper inspired by the works of Josef and Anni Albers. Designtex. designtex.com. Designtex created a Bauhaus-inspired line, featuring designs based on the work of Anni Albers, to celebrate the 100th anniversary of the Bauhaus in2019.
JOSEF AND ANNI ALBERS FOUNDATION Anni Albers. Line Involvement II, 1964. lithograph. 14 3 ⁄ 4 × 19 3 ⁄ 4 in. (37.4 × 50.5 cm) 1994.11.5.b. 2021 New York. Making Knowing: Craft in Art, 1950–2019 foregrounds how visual artists have explored the materials, methods, and strategies of craft over the past seven decades. Some expand techniques with long histories, such as JOSEF AND ANNI ALBERS FOUNDATION Website and Digital Media Manager. aporter@albersfoundation.org. Jeannette Redensek. Research Curator and Josef Albers Catalogue Raisonné Director jredensek@albersfoundation.org. Andrew Seguin. Assistant Director of Le Korsa aseguin@albersfoundation.org. Anne Sisco. Office Manager asisco@albersfoundation.org. Adhiraj Shekhawat. JOSEF AND ANNI ALBERS FOUNDATION Anni Albers Experiments. Education director Fritz Horstman and associate curator Karis Medina, both from the Albers Foundation, examine the theory and practice of Anni Albers. Following Albers's idea that a weaving is a whole built out of parts, Fritz and Karis interweave quotes by Anni Albers with lines from some of the authorsshe admired most.
JOSEF AND ANNI ALBERS FOUNDATION In 1971, Josef Albers established a not-for-profit organization to further "the revelation and evocation of vision through art." Today, this organization—The Josef and Anni Albers Foundation—is devoted to preserving and promoting the enduring achievements of both Josef and Anni Albers, and the aesthetic and philosophical principles bywhich they lived.
JOSEF AND ANNI ALBERS FOUNDATION Creators. Josef and Anni Albers. Title. The Papers of Josef and Anni Albers. Dates. 1899 – 1994 (bulk 1933–1994) Quantity. 171 boxes, 39 oversize boxes, 9 oversize folders, 1 unboxed photograph album and 62 film cans (165.5 linear feet) JOSEF AND ANNI ALBERS FOUNDATION General Reading. Blume, Eugen, Matilda Felix, Gabriele Knapstein, and Catherine Nichols, eds. Black Mountain: An Interdisciplinary Experiment, 1933–1957.Leipzig JOSEF AND ANNI ALBERS FOUNDATION Josef and Anni Albers Foundation. The Foundation maintains two residential studios for visiting artists who exemplify the seriousness of purpose that characterized both Anni and Josef Albers. Residencies are designed to provide time, space, and solitude, with the benefit of JOSEF AND ANNI ALBERS FOUNDATION Josef and Anni Albers Foundation. Anni Albers entered the Weaving Workshop at the Bauhaus in 1923 having completed the legendary Bauhaus Preliminary Course. She remained a key member of the workshop until the Bauhaus was forced to close in 1932. In January 1929, at the time an assistant to Gunta Stölzl, head of the workshop, Albers was JOSEF AND ANNI ALBERS FOUNDATIONJOSEF & ANNI ALBERSABOUT USRESOURCESEXHIBITIONSNEWSPRODUCTS Please note that the Albers Foundation is closed in an effort to contain the spread of COVID-19. Email will be monitored during this time but responses may be delayed. JOSEF AND ANNI ALBERS FOUNDATION The Albers Foundation's longstanding collaboration with Christopher Farr includes handspun rugs, fabric, and wallpaper inspired by the works of Josef and Anni Albers. Designtex. designtex.com. Designtex created a Bauhaus-inspired line, featuring designs based on the work of Anni Albers, to celebrate the 100th anniversary of the Bauhaus in2019.
JOSEF AND ANNI ALBERS FOUNDATION Anni Albers. Line Involvement II, 1964. lithograph. 14 3 ⁄ 4 × 19 3 ⁄ 4 in. (37.4 × 50.5 cm) 1994.11.5.b. 2021 New York. Making Knowing: Craft in Art, 1950–2019 foregrounds how visual artists have explored the materials, methods, and strategies of craft over the past seven decades. Some expand techniques with long histories, such as JOSEF AND ANNI ALBERS FOUNDATION Website and Digital Media Manager. aporter@albersfoundation.org. Jeannette Redensek. Research Curator and Josef Albers Catalogue Raisonné Director jredensek@albersfoundation.org. Andrew Seguin. Assistant Director of Le Korsa aseguin@albersfoundation.org. Anne Sisco. Office Manager asisco@albersfoundation.org. Adhiraj Shekhawat. JOSEF AND ANNI ALBERS FOUNDATION Anni Albers Experiments. Education director Fritz Horstman and associate curator Karis Medina, both from the Albers Foundation, examine the theory and practice of Anni Albers. Following Albers's idea that a weaving is a whole built out of parts, Fritz and Karis interweave quotes by Anni Albers with lines from some of the authorsshe admired most.
JOSEF AND ANNI ALBERS FOUNDATION In 1971, Josef Albers established a not-for-profit organization to further "the revelation and evocation of vision through art." Today, this organization—The Josef and Anni Albers Foundation—is devoted to preserving and promoting the enduring achievements of both Josef and Anni Albers, and the aesthetic and philosophical principles bywhich they lived.
JOSEF AND ANNI ALBERS FOUNDATION Creators. Josef and Anni Albers. Title. The Papers of Josef and Anni Albers. Dates. 1899 – 1994 (bulk 1933–1994) Quantity. 171 boxes, 39 oversize boxes, 9 oversize folders, 1 unboxed photograph album and 62 film cans (165.5 linear feet) JOSEF AND ANNI ALBERS FOUNDATION General Reading. Blume, Eugen, Matilda Felix, Gabriele Knapstein, and Catherine Nichols, eds. Black Mountain: An Interdisciplinary Experiment, 1933–1957.Leipzig JOSEF AND ANNI ALBERS FOUNDATION Josef and Anni Albers Foundation. The Foundation maintains two residential studios for visiting artists who exemplify the seriousness of purpose that characterized both Anni and Josef Albers. Residencies are designed to provide time, space, and solitude, with the benefit of JOSEF AND ANNI ALBERS FOUNDATION Josef and Anni Albers Foundation. Anni Albers entered the Weaving Workshop at the Bauhaus in 1923 having completed the legendary Bauhaus Preliminary Course. She remained a key member of the workshop until the Bauhaus was forced to close in 1932. In January 1929, at the time an assistant to Gunta Stölzl, head of the workshop, Albers was JOSEF AND ANNI ALBERS FOUNDATION Please note that the Albers Foundation is closed in an effort to contain the spread of COVID-19. Email will be monitored during this time but responses may be delayed. JOSEF AND ANNI ALBERS FOUNDATION Anni Albers. Line Involvement II, 1964. lithograph. 14 3 ⁄ 4 × 19 3 ⁄ 4 in. (37.4 × 50.5 cm) 1994.11.5.b. 2021 New York. Making Knowing: Craft in Art, 1950–2019 foregrounds how visual artists have explored the materials, methods, and strategies of craft over the past seven decades. Some expand techniques with long histories, such as JOSEF AND ANNI ALBERS FOUNDATION Anni Albers Wall Hanging, 1925/2021. Anni Albers is the latest designer to be showcased by the British retailer Twenty Twenty One's celebratory series of limited editions, created in collaboration with Christopher Farr, Salt Fabrics, and the Albers Foundation. JOSEF AND ANNI ALBERS FOUNDATION Josef and Anni Albers Foundation. This chronology lists lectures, talks, seminars, and conference papers that Josef Albers presented between 1908 and 1966. Known titles are in italics. Dates and venues of lectures are included where known. Albers’s major teaching appointments are in bold. 1908–1913. Elementary school teacher inhis home
JOSEF AND ANNI ALBERS FOUNDATION Josef and Anni Albers Foundation. Anni Albers. Orange, Black and White, 1926/1965. silk and cotton. 70 5 ⁄ 8 x 48 1 ⁄ 8 in. (179.4 x 122.2 cm) Art Institute of Chicago, 1970.343. Art Institute of Chicago, Chicago, Illinois. Development in Rose II, 1952. Northwesterly, 1957. JOSEF AND ANNI ALBERS FOUNDATION Josef and Anni Albers Foundation. The Josef and Anni Albers Foundation has an ongoing internship program. Interns work closely with the Foundation's staff and are exposed to many different areas of museum operations. Activities include assisting with the organization, storage, and documentation of the collection; preparation ofexhibitions
JOSEF AND ANNI ALBERS FOUNDATION Anni Albers Six Prayers, 1966–67 cotton, linen bast, silver lurex 73 1/4 × 19 1/4 in. (186 × 48.9 cm) each panel Jewish Museum, New YorkJM 149-71-6
JOSEF AND ANNI ALBERS FOUNDATION The panel was moderated by Rose Slivka, editor of Craft International and the panelists were Anni Albers, John Cage, Lee Hall, Robert Malloy, Phillip Pavia, Jacqueline Rice and Peter Voulkos. 1938 Work with Material. 1938 Weaving at the Bauhaus. 1942 On Jewelry. JOSEF AND ANNI ALBERS FOUNDATION Josef Albers Museum Quadrat Bottrop. quadrat.bottrop.de. The Josef Albers Museum in Bottrop, Germany, was opened in 1983—George H. W. Bush, the Vice President of the United States of America at that time, and the Chancellor of the Federal Republic of Germany, Dr. HelmutKohl, were present.
JOSEF AND ANNI ALBERS FOUNDATION The Foundation maintains two residential studios for visiting artists who exemplify the seriousness of purpose that characterized both Anniand Josef Albers.
JOSEF AND ANNI ALBERS FOUNDATIONJOSEF & ANNI ALBERSABOUT USRESOURCESEXHIBITIONSNEWSPRODUCTS Please note that the Albers Foundation is closed in an effort to contain the spread of COVID-19. Email will be monitored during this time but responses may be delayed. JOSEF AND ANNI ALBERS FOUNDATION The Albers Foundation's longstanding collaboration with Christopher Farr includes handspun rugs, fabric, and wallpaper inspired by the works of Josef and Anni Albers. Designtex. designtex.com. Designtex created a Bauhaus-inspired line, featuring designs based on the work of Anni Albers, to celebrate the 100th anniversary of the Bauhaus in2019.
JOSEF AND ANNI ALBERS FOUNDATION Website and Digital Media Manager. aporter@albersfoundation.org. Jeannette Redensek. Research Curator and Josef Albers Catalogue Raisonné Director jredensek@albersfoundation.org. Andrew Seguin. Assistant Director of Le Korsa aseguin@albersfoundation.org. Anne Sisco. Office Manager asisco@albersfoundation.org. Adhiraj Shekhawat. JOSEF AND ANNI ALBERS FOUNDATION Anni Albers Experiments. Education director Fritz Horstman and associate curator Karis Medina, both from the Albers Foundation, examine the theory and practice of Anni Albers. Following Albers's idea that a weaving is a whole built out of parts, Fritz and Karis interweave quotes by Anni Albers with lines from some of the authorsshe admired most.
JOSEF AND ANNI ALBERS FOUNDATION In 1971, Josef Albers established a not-for-profit organization to further "the revelation and evocation of vision through art." Today, this organization—The Josef and Anni Albers Foundation—is devoted to preserving and promoting the enduring achievements of both Josef and Anni Albers, and the aesthetic and philosophical principles bywhich they lived.
JOSEF AND ANNI ALBERS FOUNDATION Creators. Josef and Anni Albers. Title. The Papers of Josef and Anni Albers. Dates. 1899 – 1994 (bulk 1933–1994) Quantity. 171 boxes, 39 oversize boxes, 9 oversize folders, 1 unboxed photograph album and 62 film cans (165.5 linear feet) JOSEF AND ANNI ALBERS FOUNDATION General Reading. Blume, Eugen, Matilda Felix, Gabriele Knapstein, and Catherine Nichols, eds. Black Mountain: An Interdisciplinary Experiment, 1933–1957.Leipzig JOSEF AND ANNI ALBERS FOUNDATION Josef and Anni Albers Foundation. The Foundation maintains two residential studios for visiting artists who exemplify the seriousness of purpose that characterized both Anni and Josef Albers. Residencies are designed to provide time, space, and solitude, with the benefit of JOSEF AND ANNI ALBERS FOUNDATION Anni Albers Six Prayers, 1966–67 cotton, linen bast, silver lurex 73 1/4 × 19 1/4 in. (186 × 48.9 cm) each panel Jewish Museum, New YorkJM 149-71-6
JOSEF AND ANNI ALBERS FOUNDATION The Foundation maintains two residential studios for visiting artists who exemplify the seriousness of purpose that characterized both Anniand Josef Albers.
JOSEF AND ANNI ALBERS FOUNDATIONJOSEF & ANNI ALBERSABOUT USRESOURCESEXHIBITIONSNEWSPRODUCTS Please note that the Albers Foundation is closed in an effort to contain the spread of COVID-19. Email will be monitored during this time but responses may be delayed. JOSEF AND ANNI ALBERS FOUNDATION The Albers Foundation's longstanding collaboration with Christopher Farr includes handspun rugs, fabric, and wallpaper inspired by the works of Josef and Anni Albers. Designtex. designtex.com. Designtex created a Bauhaus-inspired line, featuring designs based on the work of Anni Albers, to celebrate the 100th anniversary of the Bauhaus in2019.
JOSEF AND ANNI ALBERS FOUNDATION Website and Digital Media Manager. aporter@albersfoundation.org. Jeannette Redensek. Research Curator and Josef Albers Catalogue Raisonné Director jredensek@albersfoundation.org. Andrew Seguin. Assistant Director of Le Korsa aseguin@albersfoundation.org. Anne Sisco. Office Manager asisco@albersfoundation.org. Adhiraj Shekhawat. JOSEF AND ANNI ALBERS FOUNDATION Anni Albers Experiments. Education director Fritz Horstman and associate curator Karis Medina, both from the Albers Foundation, examine the theory and practice of Anni Albers. Following Albers's idea that a weaving is a whole built out of parts, Fritz and Karis interweave quotes by Anni Albers with lines from some of the authorsshe admired most.
JOSEF AND ANNI ALBERS FOUNDATION In 1971, Josef Albers established a not-for-profit organization to further "the revelation and evocation of vision through art." Today, this organization—The Josef and Anni Albers Foundation—is devoted to preserving and promoting the enduring achievements of both Josef and Anni Albers, and the aesthetic and philosophical principles bywhich they lived.
JOSEF AND ANNI ALBERS FOUNDATION Creators. Josef and Anni Albers. Title. The Papers of Josef and Anni Albers. Dates. 1899 – 1994 (bulk 1933–1994) Quantity. 171 boxes, 39 oversize boxes, 9 oversize folders, 1 unboxed photograph album and 62 film cans (165.5 linear feet) JOSEF AND ANNI ALBERS FOUNDATION General Reading. Blume, Eugen, Matilda Felix, Gabriele Knapstein, and Catherine Nichols, eds. Black Mountain: An Interdisciplinary Experiment, 1933–1957.Leipzig JOSEF AND ANNI ALBERS FOUNDATION Josef and Anni Albers Foundation. The Foundation maintains two residential studios for visiting artists who exemplify the seriousness of purpose that characterized both Anni and Josef Albers. Residencies are designed to provide time, space, and solitude, with the benefit of JOSEF AND ANNI ALBERS FOUNDATION Anni Albers Six Prayers, 1966–67 cotton, linen bast, silver lurex 73 1/4 × 19 1/4 in. (186 × 48.9 cm) each panel Jewish Museum, New YorkJM 149-71-6
JOSEF AND ANNI ALBERS FOUNDATION The Foundation maintains two residential studios for visiting artists who exemplify the seriousness of purpose that characterized both Anniand Josef Albers.
JOSEF AND ANNI ALBERS FOUNDATION Anni Albers. Line Involvement II, 1964. lithograph. 14 3 ⁄ 4 × 19 3 ⁄ 4 in. (37.4 × 50.5 cm) 1994.11.5.b. 2021 New York. Making Knowing: Craft in Art, 1950–2019 foregrounds how visual artists have explored the materials, methods, and strategies of craft over the past seven decades. Some expand techniques with long histories, such as JOSEF AND ANNI ALBERS FOUNDATION Josef and Anni Albers, lifelong artistic adventurers, were among the leading pioneers of twentieth-century modernism. Josef Albers (1888–1976) was an influential teacher, writer, painter, and color theorist—now best known for the Homages to the Square he painted between 1950 and 1976 and for his innovative 1963 publication Interaction of Color. JOSEF AND ANNI ALBERS FOUNDATION Thank you for your patience and understanding. The Josef and Anni Albers Foundation. 88 Beacon Road. Bethany, Connecticut 06524. 203 393 4089: Phone. 203 393 4094: Fax. info@albersfoundation.org. For image queries and rights please contact us at rights@albersfoundation.org.The Foundation is
JOSEF AND ANNI ALBERS FOUNDATION Transcripts of lectures by Anni Albers, including talks about "Material as Metaphor" and "On Weaving". A video clip of Josef Albers teaching at Yale in 1955. If you would like to learn more about educational resources and upcoming workshops, please contact Fritz Horstman, Education Director, at fhorstman@albersfoundation.org. JOSEF AND ANNI ALBERS FOUNDATION Josef and Anni Albers Foundation. The Foundation maintains two residential studios for visiting artists who exemplify the seriousness of purpose that characterized both Anni and Josef Albers. Residencies are designed to provide time, space, and solitude, with the benefit of JOSEF AND ANNI ALBERS FOUNDATION Josef and Anni Albers Foundation. Anni Albers entered the Weaving Workshop at the Bauhaus in 1923 having completed the legendary Bauhaus Preliminary Course. She remained a key member of the workshop until the Bauhaus was forced to close in 1932. In January 1929, at the time an assistant to Gunta Stölzl, head of the workshop, Albers was JOSEF AND ANNI ALBERS FOUNDATION The panel was moderated by Rose Slivka, editor of Craft International and the panelists were Anni Albers, John Cage, Lee Hall, Robert Malloy, Phillip Pavia, Jacqueline Rice and Peter Voulkos. 1938 Work with Material. 1938 Weaving at the Bauhaus. 1942 On Jewelry. JOSEF AND ANNI ALBERS FOUNDATION Images of works by Josef or Anni Albers. The Josef and Anni Albers Foundation has entrusted the licensing of images of works of art inits collections to:
JOSEF AND ANNI ALBERS FOUNDATION The Josef & Anni Albers Foundation. The Josef & Anni Albers Foundation. Josef & Anni Albers. Artists. Biographies JOSEF AND ANNI ALBERS FOUNDATION Josef Albers Museum Quadrat Bottrop. quadrat.bottrop.de. The Josef Albers Museum in Bottrop, Germany, was opened in 1983—George H. W. Bush, the Vice President of the United States of America at that time, and the Chancellor of the Federal Republic of Germany, Dr. HelmutKohl, were present.
* Josef & Anni Albers __* Artists __
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* 1880
* 1890
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* 1980
* 1990
* Selected Writings __* Josef Albers
* Anni Albers
* Art __
* Josef Albers __
* Paintings __
* Homages to the Square* Variants
* 1915–1946
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* Introduction
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* Interaction of Color __* Publications
* Illustrated Lecture* iPad App
* Student Work
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* Anni Albers __
* Introduction
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* Visiting Artists __* 1990 __
* 1999
* 2000 __
* 2000
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* The Josef & Anni Albers Papers* Other Papers
* From the Collection * Catalogues Raisonnés* For Researchers
* For Collectors
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* Exhibitions __
* Past __
* Josef Albers Solo __* 1910
* 1920
* 1930
* 1940
* 1950
* 1960
* 1970
* 1980
* 1990
* 2000
* 2010
* Josef Albers Group __* 1920
* 1930
* 1940
* 1950
* 1960
* 1970
* 1980
* 1990
* 2000
* 2010
* 2020
* Anni Albers Solo __* 1940
* 1950
* 1960
* 1970
* 1980
* 1990
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The Josef & Anni Albers Foundation The Josef & Anni AlbersFoundation
* Josef & Anni Albers* Artists
* Biographies
* Chronology
* 1880
* 1890
* 1900
* 1910
* 1920
* 1930
* 1940
* 1950
* 1960
* 1970
* 1980
* 1990
* Selected Writings
* Josef Albers
* Anni Albers
* Art
* Josef Albers
* Paintings
* Homages to the Square* Variants
* 1915–1946
* Paintings on Paper* Glass
* Drawings
* Prints
* Leaf Studies
* Structural Constellations* Photographs
* Design
* Architecture
* Anni Albers
* Weavings
* Wallhangings
* Textile Samples
* Fabrics
* Prints
* Drawings
* Jewelry
* Teaching
* Josef Albers
* Introduction
* Chronology
* 1900
* 1910
* 1920
* 1930
* 1940
* 1950
* 1960
* Lectures
* Texts
* Interaction of Color* Publications
* Illustrated Lecture* iPad App
* Student Work
* Students
* Anni Albers
* Introduction
* Lectures
* Texts
* On Weaving
* Bibliography
* Books
* General
* Monographs
* Exhibition Catalogues* Articles
* Josef Albers
* Anni Albers
* Writings
* Josef Albers
* Anni Albers
* Public Collections* Josef Albers
* A–F
* G–L
* M
* N–S
* T–Z
* Anni Albers
* About Us
* Mission
* Staff
* Affiliates
* Josef Albers Museum Germany* Thread Senegal
* Le Korsa
* The Larressingle Fund* Residencies
* Albers Foundation
* 1990
* 1999
* 2000
* 2000
* 2001
* 2002
* 2003
* 2004
* 2005
* 2006
* 2007
* 2008
* 2009
* 2010
* 2010
* 2011
* 2012
* 2013
* 2014
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* 2020
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* Thread Senegal
* Carraig-na-gcat Ireland* Weaving Studio
* Internships
* Products
* Press
* 2013
* 2014
* 2015
* 2016
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* 1995
* 2009
* 2010
* 2012
* 2013
* 2014
* 2015
* 2017
* 2018
* 2020
* Resources
* Rights
* Archives
* The Josef & Anni Albers Papers* Other Papers
* From the Collection * Catalogues Raisonnés* For Researchers
* For Collectors
* For Educators
* Exhibitions
* Past
* Josef Albers Solo
* 1910
* 1920
* 1930
* 1940
* 1950
* 1960
* 1970
* 1980
* 1990
* 2000
* 2010
* Josef Albers Group* 1920
* 1930
* 1940
* 1950
* 1960
* 1970
* 1980
* 1990
* 2000
* 2010
* 2020
* Anni Albers Solo
* 1940
* 1950
* 1960
* 1970
* 1980
* 1990
* 2000
* 2010
* Anni Albers Group
* 1930
* 1940
* 1950
* 1960
* 1970
* 1980
* 1990
* 2000
* 2010
* Current
* Future
* News
* 2001
* 2013
* 2014
* 2015
* 2016
* 2017
* 2018
* 2019
* 2020
* Store
* Josef & Anni Albers* Artists
* Biographies
* Chronology
* 1880
* 1890
* 1900
* 1910
* 1920
* 1930
* 1940
* 1950
* 1960
* 1970
* 1980
* 1990
* Selected Writings
* Josef Albers
* Anni Albers
* Art
* Josef Albers
* Paintings
* Homages to the Square* Variants
* 1915–1946
* Paintings on Paper* Glass
* Drawings
* Prints
* Leaf Studies
* Structural Constellations* Photographs
* Design
* Architecture
* Anni Albers
* Weavings
* Wallhangings
* Textile Samples
* Fabrics
* Prints
* Drawings
* Jewelry
* Teaching
* Josef Albers
* Introduction
* Chronology
* Lectures
* Texts
* Interaction of Color* Publications
* Illustrated Lecture* iPad App
* Student Work
* Students
* Anni Albers
* Introduction
* Lectures
* Texts
* On Weaving
* Bibliography
* Books
* General
* Monographs
* Exhibition Catalogues* Articles
* Josef Albers
* Anni Albers
* Writings
* Josef Albers
* Anni Albers
* Public Collections* Josef Albers
* A–F
* G–L
* M
* N–S
* T–Z
* Anni Albers
* About Us
* Mission
* Staff
* Affiliates
* Josef Albers Museum Germany* Thread Senegal
* Le Korsa
* The Larressingle Fund* Residencies
* Visiting Artists
* 1990
* 1999
* 2000
* 2000
* 2001
* 2002
* 2003
* 2004
* 2005
* 2006
* 2007
* 2008
* 2009
* 2010
* 2010
* 2011
* 2012
* 2013
* 2014
* 2015
* 2016
* 2017
* 2018
* 2019
* 2020
* 2020
* Weaving Studio
* Internships
* Products
* Press
* 2013
* 2014
* 2015
* 2016
* 2017
* 2018
* 2019
* 2020
* Video
* 1995
* 2009
* 2010
* 2012
* 2013
* 2014
* 2015
* 2017
* 2018
* 2020
* Resources
* Rights
* Archives
* The Josef & Anni Albers Papers* Other Papers
* From the Collection * Catalogues Raisonnés* For Researchers
* For Collectors
* For Educators
* Exhibitions
* Past
* Josef Albers Solo
* 1910
* 1920
* 1930
* 1940
* 1950
* 1960
* 1970
* 1980
* 1990
* 2000
* 2010
* Josef Albers Group* 1920
* 1930
* 1940
* 1950
* 1960
* 1970
* 1980
* 1990
* 2000
* 2010
* 2020
* Anni Albers Solo
* 1940
* 1950
* 1960
* 1970
* 1980
* 1990
* 2000
* 2010
* Anni Albers Group
* 1930
* 1940
* 1950
* 1960
* 1970
* 1980
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* Please note that the Albers Foundation is closed in an effort to contain the spread of COVID-19. Email will be monitored during this time but responses may be delayed. Thank you for your patience andunderstanding.
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